Bryant Park Picnic Performances season of free, live performances, continues on Saturday, September 9 with the US debut of Turkish musician Gaye Su Akyol, as well as opening act The Secret Trio, presented by Drom.
This concert celebrates the music of Anatolia and marks the centenary of the founding of the Turkish Republic.
Gaye Su Akyol is an Istanbul-based musician and artist, born in 1985. In her work, she redefines the concepts of power, desire, change and rebellion. She creates a universe of imagination, in which she constructs her own “counter-reality” — a world without oppression or injustice. Without alienating from the land she was born into, she questions its representations, defines new symbols, and chases after the practice of transforming a conservative world through collective dreaming.
Gaye Su Akyol has created her own unique language, taking the contrasts of traditional Anatolian music, Classical Turkish music, psychedelia, surf rock and post-punk, and combining them with her futuristic approach. Akyol, who, in 2014, released her first album Develerle Yaşıyorum (“I Live With Camels”) in 2014, written and composed entirely by herself, defines her music as “universal in concept, local in spirit.” She expanded her audience through numerous concerts and festivals in Turkey, Europe, Middle East and the Far East, with the release of her first international album, Hologram İmparatorluğu (“Hologram Empire”) in 2016.
The Secret Trio, the opening band for Gaye Su Akyol, is made up of three astounding musicians who came together to create a new type of chamber music with new and interesting approaches to their instruments. Immerse yourself in the captivating melodies and stunning virtuosity of Ara Dinkjian, Ismail Lumanovski, and Tamer Pinarbasi.
Founded by two immigrant business entrepreneurs, Drom’s mission is to celebrate cultural diversity in the performing arts field. They have provided a physical space for artists from around the world to present their music, art and creative experiments. Drom live by the motto, #DromIsHome. From downtown Manhattan, they bring together a local and global community of like-minded individuals to share art and culture that transcend genre, class, race, and geography. Drom’s programs span diverse artistic forms including music, dance, theater, comedy and its stage is open to the next generation, as well as established performers.
REMAINING SCHEDULE AT BRYANT PARK
August 25 – Accordions Around the World: Diana Burco, Suistamon Sähkö, Ragini Ensemble
August 26 – Roulette Intermedium: Immanuel Wilkins, 75 Dollar Bill, Ka Baird
August 31 – The Town Hall: Martha Redbone Roots Project
September 01 – The Classical Theatre of Harlem: Young, Gifted and Black
September 07 – American Symphony Orchestra: American Expressions
September 08 – New York City Opera: Romeo and Juliet
September 14 – Harlem Stage: 40th Anniversary Celebration
Attendees to Bryant Park Picnic Performances may bring their own food or purchase from on-site food and beverage vendors. At all performances, attendees can discover new dishes and celebrate classics from the five boroughs with a rotating line-up of local artisanal vendors curated by Hester Street Fair.
For the most current information about Bryant Park, please visit bryantpark.org/picnics.
Phish returned to Saratoga Performing Arts Center (SPAC) on Friday, August 25th, for a pair of shows that served as a benefit for victims of flooding in Vermont and Upstate New York this summer. Their first time playing at the historic Upstate amphitheatre since 2019, Phish will record their 24th career show at SPAC, following the show on Saturday night.
Earlier in the day, Phish connected with New York Governor Kathy Hochul, announcing that the band had donated $3.5 million dollars raised from the pair of concerts, to support flood relief for Upstate New Yorkers, as well as Vermonters affected by flooding earlier this summer.
That number is sure to rise, with donations being raised during the shows through the Waterwheel Foundation’s 2023 Flood Recovery Fund, supporting victims and their families, area businesses, and non-profits. The Recovery Fund will support both shorter-term needs and long-term recovery and resiliency projects.
We are so grateful to everyone who donated their time and resources to make these benefits possible, and those that attended the shows or watched online. The joy in the room at these concerts was undeniable. But for the people affected by the flooding, it is an ongoing struggle. That’s why we are continuing to accept donations, raise awareness and distribute the funds.
Page McConnell
With rain in the forecast and a blanket of clouds enveloping the Saratoga Spa State Park grounds, fans arrived early and in great numbers, setting up a Shakedown off Route 50 while sprinkles fell intermittently throughout the evening. Filing into SPAC, fans dispersed to find spots on the lawn or head down to the pavilion, with the first notes of the evening at 8:05pm.
What might look like a pedestrian set on paper was energetic and rocking from the start, with “Kill Devil Falls” and “The Moma Dance” opening the night, the latter finding its familiar home in the two-slot, clocking in at nearly 14 minutes. The trio of “Ocelot,” “The Wedge” and “Mull” packed a punch, especially “Mull” which deftly found a segue into “Punch You In the Eye,” with fans erupting upon the first notes, carrying the energy into “Sand.”
It was within “Sand” that a classic film was paid homage to, as teases and jams based on “We Welcome You to Munchkinland” spiced the jam vehicle nicely, a tribute to The Wizard of Oz on the 84th anniversary of the film’s initial release. This tidbit had fan’s ears perking up, searching their internal database to find where this ditty derived itself from, occuring later in a second set “Chalkdust Torture” and the original recording played outright as the postshow music.
For a band that has played “Somewhere Over the Rainbow” and “If I Only Had a Brain” over the years, including with the legendary Ken Kesey, the band didn’t miss the chance to celebrate an inspiring American film. Drummer Jon Fishman even went so far as to put his hair in a pigtail to mimic a munchkin hairdo in the second set. The incredible “Sand” is a must hear, and led into a set closing “Rock and Roll” courtesy of Lou Reed and The Velvet Underground.
What would amount to a five song second set began with an Anastasio-penned quarantine tune “Evolve,” serving as an appetizer for the feast that was about to be plated. “A Wave of Hope” and “Simple” would pair up for back-to-back 22-minute jams, following in the vein of the excellent recent shows at Madison Square Garden. To follow were a pair of 11-minute jams in “Fuego” and “Chalkdust Torture,” wrapping up a powerful set, a true treat for the many first-timers in the crowd this evening.
For an encore, the first breather of the night arrived as “Wading in the Velvet Sea,” giving way to Kasvot Växt’s “Say It To Me S.A.N.T.O.S.” which has found a home in the set closing/encore slot to send fans on their journey to Oz.
Phish – Broadview Stage at Saratoga Performing Arts Center, Saratoga Springs – Friday, August 25
Soundcheck: My Soul, Fast Enough for You, Wombat Set 1: Kill Devil Falls, The Moma Dance, Ocelot, The Wedge, Mull > Punch You in the Eye, Sand, Rock and Roll Set 2: Evolve, A Wave of Hope -> Simple > Fuego -> Chalkdust Torture Encore: Wading in the Velvet Sea, Say it to me S.A.N.T.O.S.
This performance was a benefit for Vermont and Upstate New York flood recovery efforts and was a free webcast with all proceeds via donation going to those efforts. Coinciding with the 84th anniversary of The Wizard of Oz being released in the United States on the date of this show, Trey teased We Welcome You to Munchkinland (or It Really Was No Miracle) several times in Sand as well as at the end of Chalk Dust Torture, Fish wore his hair with a single pigtail sticking out of the front of his head like a munchkin for the second set, and We Welcome You to Munchkinland was the postshow music. Trey also teased Dave’s Energy Guide on Sand.
Elements Music and Arts Festival comes back for another year by doubling their attendance amount. Located in the woodlands outside of Pocono Raceway right in Long Pond Pennsylvania, makes it a favorite for our Northeast music lovers. This premiere boutique festival experience brought EDM and jam band fans together from August 11 to August 13.
Skrillex, Photo Credit: Maddie McCafferty
Day 1 – Bringing all the Elements Together
This festival looks to connect their attendees with not only the people around them but the world around them. The four main stages are named after the four elements: fire, water, earth, and air. Smaller stages can also be found spread throughout the woodlands.
As attendees filtered into the area the days leading up to the festival, the campgrounds became their own party. People set up camp on the famous NASCAR racetrack where the celebrations began. People brought their own DJ decks, karaoke buses, a take-one-leave-one station and much more. Vendors and artists set up their booths right in this area making it a mini festival before anyone even walked through the gates.
The top-notch music production is the initial factor that brings many folks in but what makes them stay is every other thing this festival has to offer. Among the long-list of perks at Elements is their large-scale art installations, interactive performances, 3D video projection mapping, games, yoga, unique craft vendors, and more.
Early in the day people participated in breath work, an intro to reiki, and jewelery making. When entering the festival the area is filled with a variety of music and entertainment to satisfy just about everyone.
Jam band lovers got their day filled with performances by Pigeons Playing Ping Pong, Lotus, and STS9. House heads had huge headliner John Summit take over the fire stage for a fun up beat show. For all the heavy bass folk found themselves at Mersiv early on and finishing their night with the Belgium kings of wubz, Ganja White Night.
Ganja White Night, Photo Credit: Maddie McCafferty
Day 2 – Bass to the Face
If you weren’t at afters with John Summit all night then you probably were up early from the beating sun. Luckily, so were the festivities. The Saturday fun began with tarot cards, acro yoga, a shuffle workshop and an embodiment flow.
House and techno fans camped out at the fire stage most of day 2. This stage is epic visually due to the pyro coming from the front to the back of the stage. The fire timed with the beat drops makes this stage that much more entertaining even when you don’t know the artist.
Over on the Earth stage is where predominantly headbangers found themselves. This began with young producer Zingara who knows how to put on a great show despite being met with technical difficulties. Her heavy bass and fun environment effortlessly draws a crowd. People at the rail were head banging and those in the back were flowing with hula hoops, poi, and flow stars.
Zingara, Photo Credit: Maddie McCafferty
After Zingara, other heavy hitting artists took over including Daily Bread and Peekaboo. Daily Bread is known for creatively melding vintage and modern sounds to construct an aural narrative. His fans brought in loafs of bread and were handing them out during his set.
Daily Bread, Photo Credit: Maddie McCafferty
PEEKABOO continued to bring the bass with his overwhelmingly energetic performance which was immediately met with a flood of rain. Everyone embraced this weather switch up though because it was impossible not to dance to his heavy-hitting tunes. The downpour made the lasers sparkle, like a scene out of a movie.
PEEKABOO, Photo Credit: Maddie McCafferty
LSDREAM took the the stage afterward, an obvious crowd favorite. He makes his music with healing frequencies and leads with spittruality. Through this he is able to create a positive and high energy flowing environment that people crave to be a part of. About halfway into his set an announcement went over the speakers asking everyone to evacuate due to an intense thunderstorm warning.
The audience left shocked as they filed out of the festival and back into the campgrounds. Everyone waited anxiously for any news when people would be let back in because no one wanted to miss two main headliners who were supposed to perform that night: Subtronics and Skrillex.
Subtronics, Photo Credit: Maddie McCafferty
Luckily, after over an hour fans were being let back in but had to make the conflicting choice of which famous producer they were going to see. With both stages right next to each other you could see everyone in both crowds going wild. Despite a tough night and needing to evacuate for a brief time, this didn’t make people too down in spirits because we still got the showdown of a lifetime. Everyone leaving both sets could not stop talking about the amazing production they just witnessed.
Skrillex, Photo Credit: Maddie McCafferty
Day 3 – Missing One LSDREAM Set Doesn’t Mean Missing Another
Many people were still upset about the outcome of the previous night. This was mostly due to LSDREAM’s set ending early. Luckily though, he planned to hold his signature Lightcode ceremony Sunday morning. People were lined up outside the festival gates awaiting for entrance to the Air stage.
Hundreds of people filed in excited for this mediation event. Sammy spoke on stage explaining the purpose of a sound bath and how individuals can look inward to alter their reality. Sammy immediately created a safe and peaceful space for everyone. He then led the 40 minute ceremony where people laid on yoga mats, hammocks, or relaxed on the ground. It was a great start to the final day at Elements where people could ground themselves and share love with each other.
LSDREAM, Photo Credit: Maddie McCafferty
Leaving light code felt like a breath of fresh air as people met Sammy and explored the early afternoon inside. House artist Jackal Jyve brought in a crowd to the water stage with his upbeat tunes and exotic dancers.
Later on, artists like Yam Yam, Koopmusik, and Skillaton dominated the scene. Rising artist Level Up did just that on the Earth Stage with her love of dubstep. Her crowd was so insane that she had so many mosh pits opening up into each other. Fans left her set dripping in sweat and out of breath.
Level Up, Photo Credit: Maddie McCafferty
Of The Trees followed up this performance with his blend of bass music and rap. Another crowd favorite was REZZ which became obvious as many people wore her hypnotic goggles that day. She may be young but that is not testament to her ability to stand alongside the pros in the bass scene.
REZZ, Photo Credit: Maddie McCafferty
Sunday night ended with performances by Porter Robinson and Chris Lake on the main stages. For those who traveled into the forest though for a final walkthrough found the Wub Hub area booming from artist Chef Boyarbeatz. Those on the side stage were scene holding up Chef Boyardee cans.
Chris Lake, Photo Credit: Maddie McCafferty
Elements Music Festival is nothing short of spectacular. It makes room for connection among people through love of music and appreciation for the world around. Who knew some woodlands in the Northeast could be the next best intimate music festival?
All Photos by Maddie McCafferty
Ganja White NightZingaraZingaraZingaraZingaraLSDREAMSubtronicsSubtronicsSubtronicsLevel UpLSDREAMLSDREAMREZZPorter Robinson
On the heels of 2022’s Brightside album, the The Lumineers have hit the road again. August 22, with James Bay joining the fray, they made their way to Darien Lake Amphitheatre for an evening of Americana music.
After playing small gigs, open mic nights, and struggling to make ends meet under various monikers, The Lumineers were “formed” when an emcee misspoke during an introduction. Although Wesley Schultz and Jeremiah Fraites had been playing together since 2002, a working name never really happened until this mishap.
12 years after their first single, “Ho Hey” was released, The Lumineers now have 4 studio albums, 4 headliner tours, and millions of fans worldwide, in addition to a couple Grammy nominations. Of those millions of fans, a plethora of them showed up for the show at Darien Lake and sang their hearts out.
Before they were able to sing along with Jeremiah and Wesley, fans were treated to 40-minute set from English songwriter, James Bay. Very subdued in his own right, Bay had the attention of the fans who were filing into their seats in anticipation of the nights headliner.
With 3 albums and a couple EPs to his name, Bay has been nominated for a montage of music awards and has won a 7 British music awards since 2015, including Best New Act, Breakthrough Solo Artist, and Best British Solo Artist. Around 7:30pm, he let the crowd know why he has won those awards.
Classic Americana style, Bay rocked his guitar as he opened his set with “Best Fake Smile”. A song seemingly about standing up for yourself and having a voice, topics very prevalent in society.
No, you don’t have to wear your best fake smile Don’t have to stand there and burn inside Oh, oh, oh If you don’t like it
Although an opening act, the fans reactions and ability to follow along make it clear that he is a respected musician and very much a headlining act on his own.
After a 45-minute break to reset the stage and get things in order, the stage goes dark. Intermittently, we get some loud drums from the loudspeakers, timed up with stage lights to welcome The Lumineers. This goes on for about a minute or so as anticipation builds for the band make an entrance. Cell phones up high hoping to catch a glimpse or record a video clip, fans were eager.
Finally, a few minutes later, you can see an entourage of silhouettes making their way into position. The time has come to go nuts. Lights go on across the stage set and Wesley Schultz and crew announce their arrival with 2016s “Cleopatra,” “Flowers in Your Hair,” and the big “Ho Hey.”
With a stage full of musicians, there was never a shortage of entertainment to keep an eye on, or at least try to. Jeremiah Fraites ( drums/percussion, piano, mandolin, vocals), Stelth Ulvang (piano, keys, accordion, mandolin, guitar, percussion, vocals), Byron Isaacs (bass, guitar, vocals), Brandon Miller (guitar, mandolin, percussion), and Lauren Jacobsen (strings, piano, vocals). This line up screams excitement, and The Lumineers brought it all night long, with each musician displaying their talents. There wasn’t a single person here that didn’t bring the energy, and they all had a blast on stage.
Covering a good set of shows at Darien Lake this summer, I have heard some loud fans singing along with the acts. But, let me tell you this. The fans for this show blew everyone else away. There was no competition. During at least three songs, the crowd was so loud, it nearly drowned out the act on stage. Songs like “Gloria” and “Ophelia” were echoed right back to Wesley and Jeremiah as they belted out the lyrics.
Combining pop with classic Americana and a little bluegrass may not seem the norm. However, this group of amazing artists have been making it work for several years now, and there doesn’t seem to be an end in sight. Wesley as gathered a strong support group around him and Jeremiah and the cohesive chemistry you see on the stage is flawless. While I have heard the music before, I would have never called myself a fan. After seeing the performance with nearly 20 thousand other fans, I am hooked. Stage presence, subtle sounds, and high energy are keys to a good show, and The Lumineers put all of that and then some on display.
Set list: Cleopatra, Flowers in Your Hair, Ho Hey, Angela, WHERE ARE WE, Dead Sea, A.M. Radio, My Cell, Slow it Down, Charlie Boy, BRIGHTSIDE, Gloria, Sleep on The Floor, Ophelia, Leader of the Landslide/You Can’t Always Get What You Want, Salt and Sea, Birthday, Big Parade, Donna, Submarines, Remington, Reprise, Stubborn Love
The Caribbean Music Awards announced a star-studded lineup of live performances for the upcoming event on August 31, boasting many artists of the genre’s biggest names.
The awards will take place at the Kings Theatre in Brooklyn, with performances by Alison Hinds, Jada Kingdom, Dexta Daps, Kranium, Nailah Blackman, Ding Dong, Rupee and Romain Virgo, as well as others to be announced.
Last month, The Caribbean Music Awards announced Grammy Award-winner and Haitian-born Newark artist Wyclef Jean as the host for the event. Along with a full range of live performances, the night of celebration for Caribbean Music will feature appearances from Spice, Baby Cham, Toni-Ann Singh, and more.
Awards span across in 26 categories in many genres, including Reggae, Dancehall, Soca, Kompa, and Zou. Trinidadian group Kes leads with five nominations, including Performer of the Year, Video of the Year, and Artist of the Decade. Following with four nominations are Masicka, Ding Dong, Machel Montano, and Shenseea.
Trinidadian singer, songwriter, and producer Machel Montano will accept the Lifetime Achievement Award for his contributions as a leader of the sound and style of Soca music worldwide. In addition, reggae legend Beres Hammond will accept the Elite Icon Award. The esteemed award commemorates Hammond for his contributions in elevating and enriching the face of Reggae music for decades.
The Caribbean Music Awards will take place on August 31, 2023 at 8pm EST at the Kings Theatre in Brooklyn, and will be streaming worldwide on YouTube.
For the latest updates and information, visit the official website CaribMusicAwards.com or follow on IG @CaribMusicAwards. Get ready to experience the best that Caribbean music has to offer at the Caribbean Music Awards.
Grateful Dead drummer Billy Kreutzman, along with a cast of “kids” played a quick two show tour including one night at the scenic Pier 17 rooftop.
Along for the ride were “new kids” like Daniel Donato and Sierra Hull but also some “kids” who’ve been around the block with Billy like Tom Hamilton and Aron Magner.
The first set opened up with “China Cat Sunflower” and included crowd favorites like “Truckin” & “Cumberland Blues” closing with “Built to Last.”
In Grateful Dead fashion the second set was opened up with “Drums”. The band joined the two drummers to play an unexpected Bob Marley cover of “Could You be Loved”. The second set included a Talking Heads cover “Take Me to the River” as well as deadhead favorites like “Bird Song”, “Wharf Rat”, & “Unlce John’s Band,” closing the second set with “Franklins Tower”.
The crowd roared and cheered for this incredible band. They come back up to play an encore of “Wake up Little Susie” and “We Bid You Goodnight”.
The Sembrich in Bolton Landing will close its summer festival with a performance by the New York Crimean Tatar Ensemble. The performance will celebrate Ukraine and the Crimean Peninsula. New York Crimean Tatar Ensemble will be the only U.S.-based group performing the traditional music of their heritage.
The New York Crimean Tatar Ensemble members serve as ambassadors for their culture. The Crimean Tatar Ensemble members are an Islamic, ethnically Turkic people. They have performed at notorious venues such as Lincoln Center and the United Nations.
Crimean Tatars’ vibrant music and dance traditions share similarities with other cultures around the Black Sea. But, what sets them apart from the others is their unique 7/8 dance rhythms and polymetric songs, with complex athletic dance steps that will liven any venue.
The performance will take place at the Sembrich on Wednesday, August 30 at 2 PM. The Crimean Tatars will be the final performance in the popular World Music Wednesday Series. This series is held every summer as part of the Sembrich’s annual summer festival.
The Sembrich features museum exhibitions and an annual summer festival with world-class musicians, notable musical scholars, a free film series, all surrounded by the breathtaking Lake George. Visitors will also find stories detailing the lives of famous musicians such as Marcella Sembrich in the museum, as well as performance series and numerous nature trails to explore.
While “Trailblazers,” The Sembrich’s 2023 summer festival concludes with the Crimean Tatars’ performance, The Sembrich’s museum and grounds will remain open through mid-October. Guided tours are available for all visitors. Visit TheSembrich.org for more information.
Purchase tickets online at The Sembrich.org/festival or by calling (518) 644-2431.
54 years ago, Max Yasger leased out a farm field he owned for what would turn out to be one of, if not, the most noted music festivals in history. The Catbird Music Festival took to these hollowed grounds over August 19-20, in search of the spirit that is Woodstock.
The Lumineers
The name of the festival was inspired by the Catbird used in the original 1969 festival artwork. This being 2023 tie die, long hair, and bare footing could be seen co-joined with cell phones, microchipped wrist bands, and VIP and Platinum packages. No matter your status, the vibe from those attending made it impossible to distinguish 2023 from 1969.
Glamping
Camping was allowed at Bethel Woods, the first time since Mountain Jam 2019. You had your options of car camping, RV camping, or glamping in canvas tents offering either a twin or a queen bed. Throughout the grounds young and old, couples, groups and families intermingled as one.
Gala Music stage crowd
Over the course of two the days (August 19 – 20, 2023) at the Bethel Woods Center for the Arts, 23 musical acts performed on two stages. The scheduling of sets enabled people to stroll from stage to stage and not have to choose which performers to listen to.
Women took a prominent role in the festival with Adia Vicoria and Allison Russell closing out the Gala Music stage on Saturday and Sunday respectively.
Eggy played a funky and fun set to start off this full day of music. The Soul Rebels brought their authentic New Orleans, horns rich sound to Bethel. Dispatch played a reggae filled, groovy set which included a nod to the good ol Grateful Dead with a “Friend of the Devil” cover.
Trey Anastasio Band played a set filled with TAB and Phish classics including Moma Dance, About to Run, Wolfman’s Brother, and a guitar raising, feedback chasing First Tube to close out their set.
Previous attempts to emulate the original Woodstock Music and Arts Festival have not measured up. The Catbird Music Festival seems to have found the sweet spot. Let’s hope this bird will migrate back to the Hudson Valley in 2024 and build another nest of peace, love and music.
Day 1
Photos by Mickey DeneherJohn R. MillerJames BayBriscoeMargo Price49 WinchesterTrampled by Turtles Adia VictoriaBamd of HorsesThe War on DrugsThe Lumineers
Legendary Grateful Dead singer/guitarist Jerry Garcia touched many lives in his brief 53 years on Earth. Regarded as one of the most influential musical figures of all time, even 28 years after his passing, Garcia’s legacy and words continue to inspire and resonate with a whole new generation. An artist in every sense of the word, his creativity, curiosity, kindness, vulnerability, sense of humor and his unique ability to collaborate with almost anyone make him one of the most revered players of any era. Relatable to millions and a limitless source of inspiration for countless Grateful Dead-inspired tribute acts, while Jerry’s journey may be one of the greatest stories ever told, you could easily argue that even though he’s gone, the music never stopped.
Jerry Garcia’s Birthday Bash: NYS Dead Coalition featuring Organ Fairchild and Vinnie Amico of moe. performing at Lark Hall on 8/1/23.
Born Jerome John Garcia on August 1, 1942, in 1965 he would become one of the founding members of The Grateful Dead and from there, go on to become one of the most recognizable figures of the last century. One of the most recorded musicians in history, he’s also said to have played in over 25 side projects while releasing more than 30 studio albums. Since his passing on August 9, 1995, Deadheads around the world have respectfully anointed the “days between” his birth and death as a time to honor Garcia’s life and legacy. Fortunate to be living in a place both rich in local talent and Grateful Dead history, this year I wanted to try something a little different to convey my appreciation. With multiple venues across the area holding special Jerry-themed celebrations during the first 9 days of August, I charged up my camera, cleared out my memory cards and set off to hit as many of them as I could. If I told you all that went down, it would burn off both of your ears, but as best as I can remember, here’s how the Capital Region celebrated the Days Between in 2023.
Moe. drummer Vinnie Amico sat in with NYS Dead Coalition at Lark Hall on 81/2023.
Kicking off the weeklong celebration was New York’s own Organ Fairchild. Stopping by Albany’s Lark Hall on August 1st as part of “Jerry’s Birthday Bash,” the Buffalo-based band would pull double duty on the night. First playing a set that mixed originals songs in with Grateful Dead covers like “Picasso Moon,” “Cream Puff War,” and “He’s Gone,” Organ Fairchild would return later in the night with a few friends for an extra special NYS Dead Coalition set. Featuring Vinnie Amico of moe. on drums along with Tom Mahoney and Ron Permoda from the Utica-based Dead band Into The Now, the memorable performance featured stellar renditions of uptempo rockers like “Let The Good Times Roll,” “After Midnight,” “Cumberland Blues,” and “New Speedway Boogie,” while the back half the set was far more tender and introspective with our first “Bird Song” of the week, along with “Peggy-O,” “They Love Each Other” and a lengthy dose of “Love Light” that even Jerry Garcia himself would have been moved by.
Rockin’ on the River: It was all ‘Sunshine Daydreamin’ with Neon Avenue on 8/2/2023.
The next stop on our “Days Between the Capital Region” tour took us down by the riverside of Troy, where it was all ‘sunshine daydreaming’ with Neon Avenue. Headlining perhaps their biggest show yet as part of the Collar City’s annual Rockin’ On the River’ concert series, the energetic Clifton Park band more than rose to the occasion, delivering a phenomenal set of improvised jams on some of the Grateful Dead’s most beloved material.
Wharf Rats: Neon Avenue’s thoughtful setlist had fans dancing in the Collar City streets until sundown on 8/2/2023.
The picture-perfect weather brought out a huge crowd and songs like “Shakedown Street,” “Sugaree,” and “Scarlet Begonias” > “Fire on the Mountain” had both fans new and old on their feet and dancing all the way to sundown. Also mixing in hits like “Touch of Grey,” “Truckin,” and “Casey Jones,” for good measure, it was Neon Avenue’s thoughtful placement of songs like “Wharf Rat, “Sugar Magnolia” and “Magnificent Sanctuary Band” that yielded the most sentimental moments. Playing off their surroundings to great effect, perhaps the biggest cheers of the night came during the set closing “U.S. Blues.” Troy is said to be the original home of Uncle Sam after all.
View Grateful Dead and Jerry Garcia shows from across the years in New York State with our interactive map below!
Our third stop of “Jerry Week” took us back to Lark Hall for another milestone performance, this time for legendary Hudson Valley rockers The Deadbeats who were celebrating their 30th anniversary. After playing around the area nearly every week for the last three decades, the highly respected group of local musicians have amassed a devoted following and they came out in full force on this Friday night in August. Blasting off with “Bertha,” the energy was there from the start and never let up. Working their way through a nice combination of “Beat it on Down the Line” and “The Greatest Story Ever Told,” other highlights of the first set included our only “Candyman” of the week, as well as “Dire Wolf,” and another smokin’ rendition of “Cumberland Blues” before “Scarlet Begonias” > Fire on the Mountain” took us to halftime.
The Deadbeats celebrated Jerry and a milestone of their own at Lark Hall on 8/4/2023.
Returning for a lengthy second set that included an impressive ride through “Help on the Way” > “Slipknot” > “Franklin’s Tower,” The Deadbeats also managed to throw in a few Jerry Garcia Band surprises too, like “Rubin and Cherise,” “Midnight Moonlight” and “Ride Mighty High.” “Truckin” and “Not Fade Away” had the whole room moving and grooving, but really, anyone who was there will tell you the second set was all about the funked-out version of “Throwing Stones” that essentially stole the show and helped make the band’s 30th anniversary party so memorable. Kudos to all members of The Deadbeats, past and present, for helping keep Jerry’s spirit alive in Albany all these years.
The Deadbeats Mike Johnson has been ‘playing in the band’ for an astonishing 30 years.
The next show we had the privilege of attending was a special stripped down acoustic performance by 3 members of The Wheel. Taking place on the 28th anniversary of the day Jerry Garcia passed, the intimate cocktail hour gathering, also at Lark Hall, was easily the most unique and sentimental performance of the week-long celebration. Consisting of Bryan Gautie on guitar and banjo, Andy Morse on guitar and mandolin and Woodstock’s Misty Mountain Ramblers’ keyboardist Kenny Schneidman, all three members jelled together nicely and would take turns singing and cracking jokes between songs. Opening up with “Dark Hollow” and our only “Deep Elum Blues” of the Days Between, other highlights of the set included gorgeous renditions of “Friend of the Devil, “Black Peter,” “Catfish John,” and “Must Have Been the Roses.”
Ripple Effect: The Wheel Trio unplugged for a sentimental cocktail hour set at Lark Hall on 8/9/23.
With no rhythm devils or soaring electric guitar solos during the set, the real beauty was being able to fully concentrate on the actual songwriting and Robert Hunter’s timeless lyrics. Perhaps the trio’s biggest strength, however, was the combination of their voices together. Using three-part harmony to great effect, there were moments during the set that simply gave you the chills, particularly on “Bird Song” and the set closing “Ripple,” which you can watch below.
Watch fan shot footage of The Wheel Trio performing “Ripple” at Lark Hall on 8/9/23.
Afterwards the buzz was all about “the other” Grateful Dead-inspired show that was also happening in the area that night. Full of heart and still daylight outside, those who couldn’t get enough Jerry packed up the party and trucked on over to the Cohoes Music Hall where two sets of Bearly Dead was just getting underway.
Bearly Dead’s Dynamic Debut: The Boston-based band buzzed with high energy during their Cohoes Music Hall performance on 8/9/23.
Walking into to the historic (and allegedly haunted) Cohoes Music Hall is always a vibe, but I admit I wasn’t very familiar with Bearly Dead beforehand. Kicking off their show with our first “Here Comes Sunshine” of the week, right away you could tell these guys “really cook” and I could feel a sense of ease come over me as I knew after all this poking around, I ended up in exactly the right place. Working their way through fiery renditions of “Passenger,” “Mississippi Half-Step Uptown Toodeloo,” and the crowd favorite “Ramble on Rose,” it was clear that Bearly Dead were diligent students at Grateful University and they had done their homework. Bringing a fresh and energetic approach to these ageless tunes, the band first came of age in Somerville, MA in 2015 and would go on to do a 5-year Wednesday Night Residency at Thunder Road before the venue closed in the midst of the pandemic. Now taking their show on the road and touring nationally, Bearly Dead brought their A-game to Cohoes on August 9th. Immediately making a good first impression with first set staples like “Black-Throated Wind,” and “Tennessee Jed,” by the time the band linked together a monstrous “Terrapin Station” > “China Cat Sunflower” -> “I Know You Rider” jam sandwich to close the opening frame, no one needed further convincing that these guys are the good shit.
Sharing the Weight: Bearly Dead paid tribute to both Jerry Garcia and Robbie Robertson on 8/9/23
On the same day the world learned that legendary singer/songwriter Robbie Robertson of The Band had passed away, the second set began with a touching moment of acknowledgement to one of their other musical heroes. Introducing the first song by saying, “I think Jerry wanted a buddy to jam with today,” Bearly Dead then broke into a heartfelt rendition of “The Weight.” Stragglers still smoking outside must have been kicking themselves as they quickly rushed in to fill the noticeably empty floor, so in an effort to help them out a little, I quickly pulled out my phone and hit the record button. That footage can be seen in the clip below.
Watch fan shot footage of Bearly Dead covering “The Weight” during their Cohoes Music Hall debut on 8/9/23.
One of the most striking things that helps separate this band from others like it is that every member can really sing and with convincing passion. Perhaps Jerry’s most well-known solo song came next with “Cats Under the Stars,” before “Rhapsody in Blue,” and “Easy Wind” flowed beautifully into the iconic Grateful Dead anthem “Dark Star.” Seamlessly working in “Miss You” teases by The Rolling Stones, “Dark Star” would continue to burn straight into a poignant take on “He’s Gone,” and even further into “Uncle John’s Band,” before reeling in the 40 plus minute frame of uninterrupted music with the gorgeous bluesy b-side “Death Don’t Have No Mercy.” Picking up the pace once again, the dance party resumed one final time with a proper and appropriate “The Music Never Stopped” before segueing into one of the most powerful versions of “Morning Dew” I’ve heard in a long time. Simply cathartic.
Watch fan shot footage of Bearly Dead performing “Death Don’t Have No Mercy” at the Cohoes Music Hall 8/9/23.
As the Days Between celebrations came to a bittersweet close, a flood of emotions ran through my mind. Pardon the obligatory pun, but I couldn’t help but feel grateful and for so many different reasons. Reinvigorated and inspired. Even 28 years after Jerry Garcia’s passing, it’s clear the music he made is as relatable and as relevant today as it ever was and that Jerry’s contributions will never be forgotten. Over the course of the 5 shows, you were bound to hear some repeats, but considering how few there actually were is quite a testament to just how deep GD’s songbook is. I’m grateful for the musical community I live in that continues to play these songs, the talent that it takes to get up there and actually do it and to the amazing local venues that provide a platform for them to do it on. There will never be another Jerry Garcia, but if this 9 day period taught me anything, it’s that this music is absolutely timeless, “Weir everywhere” and that the Capital Region still has plenty of heart, I can hear it beat out loud.
Check out full setlists and photos of each show courtesy of NYS Music correspondent Zak Radick.
Organ Fairchild ft. NYS Dead Coalition | August 1, 2023 | Lark Hall | Albany, NY
Set 1: Morning Coffee, Over the Handlebars, Yum, Picasso Moon > Cream Puff War > He’s Gone, Chamelonious Monk with Layla tease
Set 2: Let the Good Times Roll, After Midnight, Cumberland Blues, New Speedway Boogie, Bird Song, Peggy-O, They Love Each Other, Love Light.
*Set 2 featured members of Into The Now and Vinnie Amico of moe.
Neon Avenue | August 2, 2023 | Riverfront Park | Troy, NY
Setlist: Shakedown Street, Touch of Grey, Sugaree, Scarlet Begonias > Fire on the Mountain, Truckin > Wharf Rat > Sugar Magnolia > Casey Jones, Magnificent Sanctuary Band, U.S. Blues
Encore: Brokedown Palace.
Deadbeats | August 4, 2023 | Lark Hall | Albany, NY
Set 1: Bertha, Beat It On Down the Line > Greatest Story Ever Told, Hard To Handle, Candy Man, Cumberland Blues, The Buzz, Dire Wolf, Scarlet Begonias > Fire On the Mountain
Set 2: Help on the Way > Slipknot > Franklin’s Tower, Crosstown Traffic, Truckin, Rubin and Cherise, Throwing Stones, Not Fade Away, Midnight Moonlight, Ride Mighty High
Encore: Ripple, US Blues
The Wheel Trio | August 9, 2023 | Lark Hall | Albany, NY
Setlist: Dark Hollow, Deep Elum Blues, Oh Babe It Ain’t No Lie, Jack A Roe, Dire Wolf, Rosalie McFall, Friend of the Devil, Deal, Black Peter, Bird Song, Catfish John, Must Have Been the Roses, On the Road Again, Uncle John’s Band, Midnight Moonlight, Cumberland Blues, Ripple
Bearly Dead | 8-9-2023 | Cohoes Music Hall | Cohoes, NY
Set 1: Here Comes Sunshine, Passenger, Mississippi Half-Step Uptown Toodeloo, Ramble On Rose, Black-Throated Wind, Tennessee Jed, Terrapin Station > China Cat Sunflower -> I Know You Rider
Set 2: The Weight[1], Cats Under the Stars, Rhapsody in Blue, Easy Wind > Dark Star[2] > He’s Gone -> Uncle John’s Band > Death Don’t Have No Mercy, The Music Never Stopped > Morning Dew
[1] Dedicated to Robbie Robertson [2] Contained Rolling Stones “Miss You” teases
John Cale, one of the true OGs of the international art rock underground, gave a masterclass in performance and reinvention before a packed house at BRIC Celebrate Brooklyn! Festival in Prospect Park on August 19.
At 81, Cale is still a striking and potent musical force, a true creator who is forever seeking new artistic horizons. He’s a man whose catalog has spanned everything from the proto-punk of the Velvet Underground to classical minimalism, gorgeous orch-pop balladry, the fiercest (and drunkenly deranged) hard rock rants to, on his first new studio album in a decade Mercy, shades of beat-driven hallucinatory electronica and experimental pop. This new collection finds the adventurous Welshman in the company of youthful collaborators like Weyes Blood, Laurel Halo, Sylvan Esso and Actress.
Belying his age, Cale was a most commanding force on stage – in fine voice, a sharp black Italian suit and dramatically spikey white hair, playing both keys and guitar for a 14-song, career-spanning set.
In a nod to his new album, many of the songs were kicked off with a rhythm machine like “Moonstruck (Nico’s Song),” his tribute to the Velvet Underground chanteuse whose best solo albums, like 1968’s The Marble Index, Cale produced. Another standout from the new album is “Night Crawling,” the first single which recalls his adventures with pal David Bowie in the New York City downtown of the 1970s.
Two of the most interesting and atmospheric numbers were “Rose Garden of Future Sores” and “Half Past France.” Both featured orchestral backgrounds, disorienting chords and spacey electronic effects. The latter was a 180-degree spins on one of the serene ballads from Cale’s acclaimed 1973 orch-pop masterpiece, Paris 1919. Its calm was transformed into a sinister ambient Krautrock noise nightmare. Its queasy string drone foundation was punctuated with bowed electric bass and an eerily harmonizer-effected vocal on the outro line: “We’re so far away, floating into space.” The same sonics were present for his funereal take on Elvis’ “Heartbreak Hotel,” a highlight from his 1975 album, Slow Dazzle.
Sonic dread never sounded so good.
Cale picked up the guitar and rocked strong and hard on old favorites like “Guts,” “Helen of Troy” and “Cable Hogue.” He returned to the keys to revisit a Velvet Underground staple to the delight of the crowd, Lou Reed’s junkie opus, “I’m Waiting for the Man.” Here, he perhaps deferred to the P.C. police by injecting the line “Hey buddy” for Lou’s “Hey White Boy.”
Another fantastic rearrangement was in store with another Paris 1919 ballad, “Hanky Panky Nohow.” Cale and his wonderfully tasty three-piece backing band made this already gorgeous song even more beautiful and relaxed – with a rhythm machine underpinning, a glacial pacing and an added sample of an operatic soprano female soloing on the song’s long coda. This and all tracks performed were complemented with video projections that made their atmospheric sounds even more so.
Cale’s set concluded with a raucous version of “Barracuda,” another punchy rocker from his album Fear featuring some very fine psychobilly guitar soloing.
The surprise of the evening was the set by the show opener Tomberlin, the nom de sound of contemporary folk artist/singer-songwriter Sarah Beth Tomberlin.
Now living and working out of Brooklyn, this Kentucky-born performer played a well-paced set of gentle tunes from her two Saddle Creek Records’ albums, the most recent of which, 2022’s I Don’t Know Who Needs to Hear This…, was recorded a few blocks away from Prospect Park at Figure 8 Studios.
Tomberlin is a confident performer with the kind of droll between song banter that easily won over the crowd, one that was surely there, in very large part, to catch a glimpse of Cale.
The most striking element is her voice. It has both a breathy quality that reminds me of another buzzworthy young performer, Snail Mail, and all power and range needed to bring across one of her dramatic lyrical twists. Her three-piece backing band provided sensitive accompaniment to all her songs, many that we’re mere whisps. Airy Frisell-like guitaring, lots of shimmering brush work on the drums and lush yet minimalist keys perfectly adorned her intimate story songs and their poetic lyrical turns.
Standout tracks in her set were the evocative “Sunstruck,” “Stoned,” “Memory” and the set closer, the sprawling psychedelic “Happy Accident.”