Six years after the fateful Curveball, Phish will once again host a summer music festival, this time in Dover, Delaware, on the grounds of Firefly Music Festival.
The news was broken on social media today, with a Save the Date for August 15-18, 2024.
The announcement – nearly 11 months before the event kicks off, included the following message:
“Save the Date for the next Phish festival! August 15-18, 2024 at The Woodlands in Dover, Delaware. More info about tickets, camping, Glen Close and travel packages coming later this fall. Make sure you’re signed up for the Phish Update to hear about it first (via email + our shiny new SMS list). Sign up at phish.com/update.”
Phish last held a festival in 2015 with Magnaball in Watkins Glen, their 11th overall music festival. Curveball in 2018 was cancelled just before the musics started, due to water supply issues, leaving many fans wondering if a Phish festival would ever return to Watkins Glen, or anywhere else. Today, Phish fans can rest assured as they plan for a unique music festival experience, featuring only Phish as well as plenty of unexpected surprises, art installations, and much more. Stay tuned for updates on Phish’s first shows in Delaware since 1994.
In a historic revival of Grateful Dead music culture, CEG Presents and Keeping the Dead Alive, are thrilled to announce the launch of weekly Grateful Dead night “Dead Country Tuesdays.”
This event marks the return of a weekly Dead Night to Manhattan after a hiatus of over two decades. The festivities are set to kick off Tuesday, Sept. 12 at Hill Country Live on 26th Street east of 6th Avenue in Manhattan.
The inaugural evening will feature a high-energy performance by the hot, up-and-coming Grateful Dead tribute band, Strangers Stopping Strangers out of Jersey City. Fans can expect a mix of classic Dead tunes and energetic interpretations from the group, whose commitment to capturing the lively essence of the Grateful Dead has garnered them a cult following.
Dayna Bauman, co-creator of “Dead Country Tuesdays,” expressed, “Memento Mori is remembering that things pass. The Dead taught us that when they do if we show up together, we can transmute them once again into something beautiful. That’s our hope here, to honor this legacy while supporting the birth of the next generation of music.”
Bauman founded Keeping the Dead Alive to introduce the musicians who have been inspired by the Grateful Dead, particularly the next generation of original musicians who are influenced by the group. She has worked tirelessly to preserve and promote the music and ethos of the Grateful Dead. “Dead Country Tuesdays” is a testament to her unwavering commitment to keeping the spirit of the Dead alive.
Tickets for “Dead Country Tuesdays” can be purchased online here.
“Dead Country Tuesdays” Schedule
September 12 Strangers Stopping Strangers 19 Shakedown Citi 26 Near Dead Experience October 24 Steely Dead 31 Bearly Dead November 7 tba 14 Workingman’s Jed 28 Knock ‘Em Dead
Dubbed the Gruesome Twosome when Alice Cooper and Rob Zombie toured together 13 years ago, the pair have reunited for their Freaks on Parade 2023 co-headlining tour that brought them to the Jones Beach Theater in Wantagh, NY this past Saturday, September 9, for another haunted hell ride. Joined by industrial pioneers Ministry and the eclectic alternative rockers Filter, these special guests have opened every show on the massive, 38-date trek of North America.
Alice Cooper | Photo Credit: Michael Dinger
Cooper, the 75-year old “Godfather of Shock Rock,” is promoting his 22nd solo album Road (earMusic), released last month. Bringing a signature style of macabre rock, Cooper’s stage show included a boa constrictor brandished across his shoulders and escaping from a straight jacket only to meet his maker guillotine-style at the hands of his wife Sheryl, in the gowned guise of Marie Antoinette. Cooper and his bandmates – “Hurricane” Nita Strauss (guitar), Tommy Henricksen (guitar), Chuck Garrick (bass) and Glen Sobel (drums) – offered up a set filled with classic tracks, including “I’m Eighteen” (the 1971 single that put him on the map), “Feed My Frankenstein,” “Poison,” and the closing number, “School’s Out.”
Rob Zombie | Photo Credit: Michael Dinger
An acclaimed cult horror filmmaker, Zombie is said to be turning his attention back to music and is currently working on his first new material since he dropped his seventh studio album, The Lunar Injection Kool Aid Eclipse Conspiracy (Nuclear Blast), back in 2021. Backed by Piggy D. (bass), Ginger Fish (drums) and Mike Riggs (who is back with the band after replacing guitarist John 5), Zombie delivered a theatrical, mind-blowing performance to the near 15,000-capacity crowd.
The stagecraft was impeccable, complete with pyrotechnics, a hovering flying saucer, large-scale puppetry and eye-popping, next-level videos displayed across numerous high-def screens. Zombie and company delivered a 14-song set (including an epic drum solo) comprised of notable hits like “House of 1000 Corpses” and “Living Dead Girl,” along with two covers by his former band White Zombie – “More Human Than Human” and “Thunder Kiss ’65.” The night concluded with Zombie’s most notorious anthem, “Dragula.”
Filter Setlist: The Drowning > For the Beaten > Obliteration > Take a Picture > Welcome to the Fold > Hey Man Nice Shot
Ministry Setlist: Thieves > The Missing > Deity > Stigmata > Supernaut > Burning Inside > N.W.O. > Just One Fix > Goddamn White Trash
Alice Cooper Setlist: Lock Me Up > No More Mr. Nice Guy > I’m Eighteen > Under My Wheels > Billion Dollar Babies > Hey Stoopid > Lost in America > Snakebite > Feed My Frankenstein > Poison > “The Black Widow” segment from Alice Cooper: The Nightmare > Nita Strauss Guitar Solo > Black Widow Jam > Ballad of Dwight Fry > Killer > I Love the Dead > Elected > School’s Out
Rob Zombie Setlist: The Triumph of King Freak (A Crypt of Preservation and Superstition) > Dead City Radio and the New Gods of Supertown > Feel So Numb > Well, Everybody’s Fucking in a U.F.O. > What Lurks on Channel X? > Superbeast > Demonoid Phenomenon > The Lords of Salem > House of 1000 Corpses > Drum Solo > Living Dead Girl > More Human Than Human (White Zombie song) > Thunder Kiss ’65 (White Zombie song) > Dragula
UPCOMING TOUR DATES
09/12 – Nashville, TN @ Bridgestone Arena 09/13 – Cincinnati, OH @ Riverbend Music Center 09/15 – Bonner Springs, KS @ Azura Amphitheater 09/16 – Greenwood Village, CO @ Fiddler’s Green Amphitheatre 09/19 – Ridgefield, WA @ RV Inn Style Resorts Amphitheater 09/20 – Auburn, WA @ White River Amphitheatre 09/22 – Concord, CA @ Toyota Pavilion at Concord 09/23 – Anaheim, CA @ Honda Center 09/24 – Phoenix, AZ @ Talking Stick Resort Amphitheatre 10/04 – St. Augustine, FL @ St. Augustine Amphitheatre 10/05 – Wilmington, NC @ Wilson Center at Cape Fear Community College 10/07 – Evansville, IN @ Aiken Theatre 10/08 – Wheeling, WV @ Wesbanco Arena 10/10 – Troy, OH @ Hobart Arena 10/11 – Wabash, IN @ Honeywell Center 10/13 – Paducah, KY @ The Carson Center for the Performing Arts 10/14 – North Little Rock, AR @ Simmons Bank Arena 10/15 – Lafayette, LA @ Heymann Performing Arts Center 10/17 – Enid, OK @ Stride Bank Center 10/19 – Colorado Springs, CO @ Pikes Peak Center for the Performing Arts 10/20 – Rio Rancho, NM @ Rio Rancho Events Center 10/21 – Tucson, AZ @ AVA Amphitheatre 10/23 – Paso Robles, CA @ Vina Robles Amphitheatre 10/25 – Highland, CA @ Yaamava’ Resort & Casino 10/26 – Reno, NV @ Grand Sierra Resort and Casino 10/28 – Las Vegas, NV @ Zappos Theater
The Brooklyn Bowl has announced its 12th annual Bowl Hashanah, set for Saturday, Sept. 16, featuring morning services and a number of well-known musicians.
Presented by The Friday Night Jam & FANS.live, the event will kick off at 10:30 AM with Rosh Hashanah morning services led by Rabbi Daniel Brenner with musical director Jeremiah Lockwood, Antibalas’ Jordan McLean (who just wrapped a performance at Newport Jazz Festival), Antibalas’ Timothy Allen, drummer John Bollinger, saxophonist Stuart Bogie and Yula Berri on vocals and bass.
In addition, Taper’s Choice/Darkside member Dave Harrington, Taper’s Choice/Real Estate member Alex Bleeker, Dr. Dog member, and Kevin Morby collaborators Erick Slick and Will Epstein will all make guest appearances. Afro-beat group Armo will also perform a spiritual set. Internationally based teacher Aliza Rivka will lead a guided meditation at each event. After services at 12:30 PM, a lunch will be provided by Blue Ribbon with a ticket purchase.
All proceeds will support the non-profit organization Shalom Y’all Jams, which works to organize holiday services at non-traditional locations.
We have said for years that Brooklyn Bowl is our sanctuary, clubhouse, church and synagogue, so it only makes sense that it has grown into the spiritual home for our musically inclined Rosh Hashanah services over the years. Especially at a time when so many of us have been apart from our friends and family due to the pandemic, we hope that our suite of traditional-but-open-minded-and-inclusive services will allow us to connect with each other as we ‘begin again’ at the start of this new year.
Relix’s Editor-in-Chief Mike Greenhaus
The Brooklyn Bowl was ranked the #1 busiest club in NYC and #7 busiest club in the world in 2017 by Pollstar. Featuring groundbreaking integration of premiere music, 16 lanes of bowling, a bar featuring locally crafted beers, and food by the acclaimed Blue Ribbon restaurant group, the venue, aka “rock and roll heaven” (Village Voice) boasts a sound system and amenities that “no other local rock club can offer” (The New York Times). Environmentally sustainable, the venue is the first L.E.E.D.-certified bowling alley in the world and serves paper straws.
The Friday Night Jam & FANS.live have a number of other spiritually and musically inclined High Holiday Services which can be streamed live here. Each service will be led by Rabbi Daniel Brenner and musical director Jeremiah Lockwood, featuring Antibalas’ Jordan McLean, Yuli Beeri, saxophonist Stuart Bogie, and a full live band. Patti Smith Group’s Lenny Kaye, The Lonesome Prairie Dogs’ Heidi Lieb, and drummer Amir Ziv will also perform live at the Relix Studio during the streams.
Livestream Schedule
Friday, SEPT 15 @ 7:30 PM EST from The Relix Studio
Saturday, SEP 16 @ 10 AM EST from Brooklyn Bowl
Sunday, Sept 24 @ 7:30 PM from The Relix Studio (stream live via Fans.live)
Monday, Sept 25 @ 10 AM from The Relix Studio (stream live via Fans.live)
As part of the event’s anniversary celebration, during the Sunday, Sept. 25 service, Lockwood’s The Sway Machinery will present Hidden Melodies Revealed 15 at Brooklyn Bowl. This new iteration of the concert-ritual will celebrate the widening circles of cantorial revival, and Yiddish experimental expressive culture that have emerged in the last decade. Offering a counterpoint to The Sway Machinery’s futurist sound, a second stage will be set up in the middle of the venue that will host a “radical traditionalist” band performing new arrangements of Jewish ritual music on strings.
For more information on Bowl Hashanah, visit here.
Jazz enthusiasts near Lake George, NY: mark your calendars for the highly anticipated Jazz at the Lake festival, taking place Friday, September 15 through Sunday, September 17. In its 39th year, curated by Daniel Kelly, Jazz at the Lake continues to be one of the Northeast’s premier jazz festivals.
Jazz at the Lake is an annual celebration of the vibrant and diverse world of jazz music, set against the breathtaking backdrop of Lake George. The festival showcases the talents of exceptional jazz musicians from across the entire country, creating an immersive experience like no other.
Known as one of Jazz’s most promising emerging artists, Endea Owens is a Detroit-raised artist, bassist, and composer. The triple-threat has been mentioned by jazz icons such as Marcus Belgrave, Rodney Whitaker, and Ron Carter. She has toured and performed with Wynton Marsalis, Jennifer Holliday, Diana Ross, Rhonda Ross, Solange, and Jon Batiste. Since Endea had graduated from The Juliard School in 2018 and joined the Late eShow with Stephen Colbert as a member of the house band, Stay Human, she has won an Emmy, Grammy Award, and a George Foster Peadbody Award.
(7:30PM) Jazz Around Town Immerse yourself in great food, drink and jazz at various venues across town featuring exceptional regional jazz acts that include:
Performing at Gaslight Wood Fired Bistro (91 Canada Street, LG), the Scott Hopkins Jazz Trio features stalwart jazzers: Lou Smaldone on bass and Brian Melick on drums, with Hopkins on electric banjo. Repertoire of the trio includes a combination of standards and contemporary tunes with flares of bluegrass and folk undertones.
Performing at The Barnsider Restaurant (2112 U.S. 9, LG), Heard is a collective of musicians that bring their skills and passion for world music, jazz, and improvising together to create irresistible grooves set in a unique sonic tapestry. Together for 15 years, their electrifying sound incorporates influences from West Africa, Brazil, the Caribbean and beyond.
Performing at The Caldwell Lake George Library (336 Canada St, LG). The Listening Room: The Ria Curley, Chuck Lamb & the Curley Lamb Nu-Soul-Jaz Project group features the dynamic duo of singer/songwriter Ria Curley & pianist/composer Chuck Lamb, joined by an alternating lineup of one or more of their talented musician friends, performing a unique combination of instrumental & vocal, original and standard, Jazz/Fusion and Smooth R&B/Pop/Rock.
Performing at The East Cove Restaurant (3873 NY-9L, LG). Bassist Dylan Perrillo (from Hot Club of Saratoga and the Dylan Perrillo Quartet) will be joined by NYC-based guitarist Brad Brose for a one-of-a-kind jazz experience that will have fans of swing jazz dancing in their seats.
Saturday, September 16: (10AM) Coffee and Jazz
Performing at The Caldwell Lake George Library (336 Canada St. LG). For the jazz early birds: join the new Jazz at the Lake program that combines the melodies of jazz with coffee, all surrounded by fellow jazz enthusiasts. Indulge in a free coffee and enjoy the music of James Rissacher: a jazz musician who has performed in classic music venues throughout the U.S. and Europe for over 20 years, and has recorded with numerous other musicians.
Coffee and Jazz is made possible by a Long Time Fan of Jazz Weekend.
Awarded the Guggenheim Fellowship in 2021 for composition, Voted #1 Rising-Star Guitarist in the 2013 DownBeat Critics Poll and subsequently placed in the top-ten guitarists alongside luminaries Bill Frisell and Pat Metheny, guitarist and composer Rez Abbasi, is one of the most original voices on the current scene. Making New York home for the past 25 years, Abbasi is considered by many to be one of the foremost modern jazz guitar players. He has honed his skills with performances throughout Europe, Canada, the U.S., Mexico and India. He has performed and recorded with many jazz greats, including: Grammy winner Ruth Brown, Peter Erskine, Kenny Werner, Barre Phillips, Gary Thomas, Dave Douglas, John Beasly, Ronu Majumdar, Kadri Gopalnath, Vishwa Mohan Bhatt, Vijay Iyer, Marilyn Crispell, Greg Osby, Howard Levy, and a host of others. He will be sure to bring his best performance every single time.
Aubrey Johnson is a New York-based vocalist, composer, and educator who specializes in jazz, Brazilian, and creative contemporary music both with lyrical and purely instrumental. She holds a Master of Music degree in jazz performance from the New England Conservatory. As a student, she won two DownBeat Collegiate Student Music Awards for “Best Jazz Vocalist” and “Jazz Vocalist, Outstanding Performance.” She currently teaches at Berklee College of Music in the Voice Department, and in the Jazz Masters Program at Queens College in New York City. She also held faculty positions at the New England Conservatory and Montclair State University.
Grammy-Award winning drummer, composer & bandleader Jared Schonig has toured and/or recorded internationally with Nicholas Payton, Dr. Lonnie Smith, Donny McCaslin, Darcy James Argue & Secret Society, The 8-Bit Big Band, and Ernie Watts among others. A favorite among vocalists, Schonig has toured with Grammy Award-winners Kurt Elling, The New York Voices, Kristen Chenoweth, Cynthia Erivo, Katherine McPhee, Jessica Vosk and singer/songwriter Donna Lewis. He has performed around the world, from sold-out shows at Carnegie Hall, to festivals in Zimbabwe. Schonig co-led The Wee Trio, which released five critically-acclaimed albums over the past 8 years and recently released two solo albums of original music (one quintet and one big band) in the fall of 2021 to critical acclaim. When back home in the big apple, Schonig is a jack-of-all-trades, dipping his toes in both jazz and Broadway. He recently held the drum chair for the critically acclaimed Tony, Grammy, and Emmy-award winning Broadway Revival of The Color Purple, and is currently playing drums and percussion for the esteemed 10-time Tony-winning Moulin Rouge! The Musical.
Five-time Juno Award winner, Jane Bunnett has turned her bands and recordings into showcases for the finest musical talent from Canada, the US, and Cuba. She has been nominated for three Grammy Awards, received The Order of Canada, The Queen’s Diamond Jubilee Medal, and, most recently, The Premier’s Award for Excellence. With Maqueque, Bunnett has created something new and phenomenal in the world of jazz. What started out five years ago as a project to record and mentor young brilliant Cuban female musicians has become one of the top groups on the North American jazz scene. Since 2015, they have played in major jazz festivals like Newport and Monterey, been featured on NPR’s program Jazz Night in America, won a Juno Award for their first album. Both Jane Bunnett and Maqueque were even nominated for a Grammy Award for their second release, Oddara, and were nominated for a Juno Award for their latest release, On Firm Ground/Tierra Firme. Most recently, they were voted as one the top ten jazz groups by the prestigious DownBeat magazine’s critics poll.
The Percussionist; author and producer, born in Rio de Janeiro, Duduka Da Fonseca is a 4-time Grammy® Award Nominee Drummer. He has appeared on over 250 albums alongside American Jazz and Brazilian Jazz icons, including 25 albums as a leader/co-leader, making him one of the most recorded Brazilian drummers in this idiom. In 2002 Duduka’s first solo album, Samba Jazz Fantasia, was the first “Samba Jazz” instrumental album ever to be nominated for the American Grammy® Award. He has recorded and toured with Antonio Carlos Jobim, Gerry Mulligan, Astrud Gilberto, Phil Woods, Kenny Barron, Lee Konitz, Eddie Gomez, Herbie Mann, Wynton Marsalis, Nancy Wilson, John Pizzarelli, John Scofield,Tom Harrell, Joe Lovano, Oscar Castro Neves, and many others.
“CONNECTED” was formed in 2020. During the COVID-19 lockdown, Richie Goods and Chien Chien decided to do a project that would unify people and invoke imagery of love and peace. As often happens, music was the catalyst that bridged the gap and resulted in a rare collaboration; a partnership that produced “The Path” Sep. 2020, “We Three Kings” Nov. 2020, and “Rain” Dec. 2021. They decided to cement their musical relationship by creating “Connected.” Together, Richie and Chien Chien create an exciting, new, energetic listening experience and attract audiences everywhere. Their new release, “Richie Goods & Chien Chien – Connected” was released January 13, 2023, and has been on the jazz charts for 12 weeks.
Latin Grammy winner and multi-Grammy nominee, Argentine-born and New York-based pianist and composer Emilio Solla’s first band, Apertura, (1983-1989) was praised by Astor Piazzolla as one of the most interesting new sounds in the Buenos Aires scene in 1986. Today, with eleven CDs as bandleader and more than forty as arranger/producer, he is regarded by peers and critics as one of the most outstanding and unique composers in the Tango-Jazz field, a musical language which blends Argentine tango and folk with jazz and other contemporary music styles. He has performed all around Europe, Japan, the US and Latin America. The Tango Jazz Orchestra (TJO) is Emilio’s most ambitious project to date. A full 17-piece jazz orchestra which replaces the guitar by a bandoneon. This large ensemble has allowed Solla to take his blend of tango and Latin American music with jazz to a whole new level. The orchestra recorded and released its first work, “Puertos, Music of International Waters” in 2019. One of Solla’s compositions was nominated that same year for a Grammy Award for Best Instrumental Arrangement (sharing the honor with Vince Mendoza, John Williams and Jacob Collier) and the full album was awarded the 2020 Latin Grammy for Best Latin Jazz Album.
For more information on each individual artist, as well as more festival details, visit their website. For updates and festival highlights, be sure to follow their Facebook and Instagram.
South African comedian and The Daily Show host Trevor Noah has announced dates for his 2023 Off The Record Tour, which includes stops at Schenectady’s Proctors Theatre and the Beacon Theatre in NYC.
Trevor Noah in Toronto. (Photo credit: Matt Wilson/Netlflix)
The U.S. leg, which begins on January 20 in Atlanta and wraps up December 3, 2023 in San Francisco, will feature 40 performances total. Coming to Proctors Theatre on May 19, Noah will hit the Beacon Theatre for a ten-performance run from October 9 to 18.
Noah, in addition to hosting The Daily Show on Comedy Central, which was nominated for seven Emmy Awards this year, has sold out comedy shows across five continents, has hosted the last two Grammy Awards shows, and authored the #1 New York Times bestseller “Born a Crime: Stories from a South African Childhood.”
Tickets for the dates at Proctors Theatre, Beacon Theatre, and the rest of Noah’s U.S. leg can be purchased on his website.
Trevor Noah Tour Dates:
January 20, 2023 – Atlanta, GA – Fox Theatre
February 10, 2023 – Louisville, KY – The Louisville Palace
March 3, 2023 – St. Louis, MO – Stifel Theatre
March 9, 2023 – Baltimore, MD – Hippodrome Theatre
March 24, 2023 – Durham, NC – DPAC
March 31, 2023 – Denver, CO – Bellco Theatre
April 5, 2023 – Boston, MA – The Wilbur^
April 6, 2023 – Boston, MA – The Wilbur^
April 7, 2023 – Boston, MA – The Wilbur^
April 8, 2023 – Medford, MA – Chevalier Theatre^
April 10, 2023 – Boston, MA – The Wilbur^
April 11, 2023 – Boston, MA – The Wilbur^
April 12, 2023 – Boston, MA – The Wilbur^
April 13, 2023 – Medford, MA – Chevalier Theatre^
April 20, 2023 – Austin, TX – Bass Concert Hall
April 27, 2023 – Spokane, WA – First Interstate Center for the Arts
April 28, 2023 – Bozeman, MT – Brick Breeden Fieldhouse*
April 29, 2023 – Missoula, MT – Adams Center*
May 4, 2023 – Memphis, TN – Orpheum Theatre
May 5, 2023 – Nashville, TN – Ryman Auditorium
May 10, 2023 – Indianapolis, IN – Murat Theatre at Old National Centre
May 12, 2023 – New Orleans, LA – Saenger Theatre
May 19, 2023 – Schenectady, NY – Proctors Theatre
May 20, 2023 – Schenectady, NY – Proctors Theatre
May 26, 2023 – Mashantucket, CT – Premier Theater at Foxwoods Resort Casino
June 2, 2023 – Santa Barbara, CA – Santa Barbara Bowl
October 6, 2023 – Richmond, VA – Altria Theater
October 9, 2023 – New York, NY – Beacon Theatre
October 10, 2023 – New York, NY – Beacon Theatre
October 11, 2023 – New York, NY – Beacon Theatre
October 12, 2023- New York, NY – Beacon Theatre
October 13, 2023- New York, NY – Beacon Theatre
October 14, 2023- New York, NY – Beacon Theatre
October 15, 2023- New York, NY – Beacon Theatre
October 16, 2023- New York, NY – Beacon Theatre
October 17, 2023- New York, NY – Beacon Theatre
October 18, 2023- New York, NY – Beacon Theatre
October 20, 2023 – Phoenix, AZ – Arizona Financial Theatre
October 26, 2023 – Detroit, MI – Fox Theatre
November 1, 2023 – Madison, WI – The Orpheum Theater
November 3, 2023 – Milwaukee, WI – The Riverside Theater
November 9, 2023 – Minneapolis, MN – Orpheum Theatre
November 13, 2023 – Chicago, IL – The Chicago Theatre
November 14, 2023 – Chicago, IL – The Chicago Theatre
November 30, 2023 – San Francisco, CA – The Masonic
December 1, 2023 – San Francisco, CA – The Masonic
December 2, 2023 – San Francisco, CA – The Masonic
December 3, 2023 – San Francisco, CA – The Masonic
Legendary singer-songwriter Bob Dylan has announced that he and His Band will be making a pair of appearances in New York State this fall, with a show in Rochester on October 24 at Auditorium Theatre, and at historic Proctor’s Theatre in Schenectady on October 30. The dates are part of the musicians’ “Rough and Rowdy Ways” tour.
Dylan has added more dates in November to his tour calendar, with shows on November 7-8 at the Capitol Theatre in Port Chester, and November 14-15 at Kings Theatre in Brooklyn.
Dylan has been an iconic figure in American music for well over five decades. Born and raised in Minnesota, it was in Greenwich Village where the artists’ career started to blossom. Boasting an unparalleled writing style, Dylan rose to prominence for his ability to blend elements of folk and rock. Within just a three year span Dylan released the ever-influential albums Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.
Widely recognized for crafting some of the most poignant and significant protest songs, Dylan is known for his social and political beliefs. The singers’ tracks became a symbolic part of the 1960s, touching on issues like segregation, authority, and societal norms. In 2016 Dylan was awarded the Nobel Prize in Literature for his contributions to American poetry and music. Dylan has sold over 100 million records, won 10 Grammy Awards, and has been inducted in the Rock & Roll Hall of Fame.
Proctor’s Theatre was built in 1926 and hosts Broadway shows, cutting-edge film festivals, and music performances. The Arts Center & Theatre of Schenectady (ACT) stepped in to revitalize the theatre when the building faced destruction in the 70s. Since then, Proctor’s has become an integral part of the Capital Region’s arts scene. Past performers include Mariah Carey, Brittany Spears, Duke Ellington, and even comedian George Burns.
Here for tickets and more information about the Rough and Rowdy Ways” tour.
Announced Tour Dates
1 OCT- Kansas City, MO The Midland Theatre
2 OCT- Kansas City, MO The Midland Theatre
4 OCT- St. Louis, MO Stifel Theatre
6 OCT- Chicago, IL Cadillac Palace Theatre
7 OCT- Chicago, IL Cadillac Palace Theatre
8 OCT- Chicago, IL Cadillac Palace Theatre
11 OCT- Milwaukee, WI The Riverside Theater
12 OCT- Milwaukee, WI The Riverside Theater
14 OCT- Grand Rapids, MI DeVos Performance Hall
16 OCT- Indianapolis, IN Murat Theatre
20 OCT- Cincinnati, OH The Andrew J. Brady Music Center
21 OCT- Akron, OH Akron Civic Theatre
23 OCT- Erie, PA Warner Theatre
24 OCT- Rochester, NY Auditorium Theatre
26 OCT- Toronto, ON Massey Hall
27 OCT- Toronto, ON Massey Hall
29 OCT – Montreal, QB Place des Arts – Salle Wilfrid-Pelletier
30 OCT- Schenectady, NY Proctors Theatre
Nov. 1, 2023 — Symphony Hall — Springfield, MA
Nov. 3, 2023 — Orpheum Theatre — Boston, MA
Nov. 4, 2023 — Orpheum Theatre — Boston, MA
Nov. 5, 2023 — Orpheum Theatre — Boston, MA
Nov. 7, 2023 — The Capitol Theatre — Port Chester, NY
Nov. 8, 2023 — The Capitol Theatre — Port Chester, NY
Nov. 10, 2023 — Providence Performing Arts Center — Providence, RI
Nov. 11, 2023 — Palace Theater — Waterbury, CT
Nov. 14, 2023 — Kings Theatre — Brooklyn, NY
Nov. 15, 2023 — Kings Theatre — Brooklyn, NY
Nov. 19, 2023 — The Fillmore — Philadelphia, PA
Nov. 20, 2023 — New Jersey Performing Arts Center – Prudential Hall, Newark, NJ
Nov. 21, 2023 — New Jersey Performing Arts Center – Prudential Hall — Newark, NJ
Hailing from New York’s Finger Lakes Region, The Endless Mountain Derelicts released their third full-length EP in August, titled Good Got Damn. The group is an all-original blend of alternative, country, classic rock, folk, and punk, or a self-described mountain rock. EMD cites a blue collar, original yet familiar sound as inspiration for Good Got Damn. The EP features six tracks, all distinct yet with a strong style indicative of their passion and intensity.
The opening track, “State Lines,” starts out strong with energized, gritty vocals. The minor key and consistent backing vocals create a depth to the track that shows the group’s skill and unity.
The EP’s second track, “Ain’t It A Shame,” follows with an acoustic base and melancholy lyrics, leading into another energized, belting chorus. The vocals stay reserved during verses, but the energy and passion is released in the strong chorus.
“Light That Fuse” stands out creatively as a key track on the record. In this track, the group shows off their versatility in structure. The song has a strong, memorable hook in the chorus’s “light that fuse and run.”
Overall, The Endless Mountain Derelict’s Good Got Damn is a strong display of their unique style and passion. Their use of drums and creative syncopation is a key component that stands out across the board, as the arrangements strongly feature percussion. Additionally, the vocals show off an intense grit, which is a strong way to add character to a track, but finds its way to being a hallmark of EMD’s style.
The group carries an ethos of blue collar, lively inclusivity, which shines through in both their lyrics and sound. The group’s third full length release, Good Got Damn is a passionate combination of soulful lyrics and skilled musicianship.
On Thursday, Sept. 14, The GRAMMY Museum, in simultaneity with the Americana Music Association, will host a celebration of Doc Watson in his 100th birthday year.
It includes a conversation moderated by WNYC’s John Schaefer with Steve Earle, Bill Frisell, Matthew Stevens, and Yasmin Williams to celebrate the album, I Am A Pilgrim: Doc Watson at 100. This intimate discussion will take place at the Rubin Museum of Art in New York with a performance to follow.
I Am A Pilgrim: Doc Watson at 100 is a new tribute album that celebrates the deep influence and legacy of the legendary North Carolina folk musician Doc Watson. The album includes a diverse and impressive lineup of Hall of Fame inductees, GRAMMY award winners, and NPR Tesk Diny alumni, including Dolly Parton, Rosanne Cash, John Leventhal, Jeff Parker, Valerie June, Nora Brown, Jerry Douglas, and more.
The record pays homage to Watson’s lasting legacy on American music, showcasing the power and relevance of his music a century after his birth. It has been spotlighted by Rolling Stone, NPR’s Fresh Air, SPIN, Stereogum, and more. The album features new renditions of some of Watson’s most beloved recordings from his expansive catalog, highlighting his talent and charisma.
Arthel Lane “Doc” Watson earned seven GRAMMY Awards and 23 nominations including the Lifetime Achievement Award in 2004. He received the National Medal of Arts in 1997 from President Clinton and has been the subject of multiple books, boxed sets, and compilation albums. Watson was an integral part of the early 1960s folk revival and became known as one of the greatest flatpicking guitarists of all time, a style that influenced the playing of countless guitarists, releasing 30 albums spanning 50 years. He was also considered a master of the banjo and lost his eyesight at a young age.
Given Watson’s seismic impact on guitar playing, there are many guitar-playing styles represented on the record, from the finger-tapping style of Yasmin Williams (“Doc’s Guitar,” a Watson original) to the slide guitar of Ariel Posen (“Will The Circle Be Unbroken”) and the harmonics featured on Lionel Loueke’s version of “Reuben’s Train.” Young adult Nora Brown contributes a moving rendition of the hymn “Am I Born To Die.” The album concludes with “Your Lone Journey,” a song that Watson penned while mourning his son, and lovingly interpreted here by Bill Frisell.
The Troy Savings Bank Music Hall announced an addition to their fall schedule: Celebrating 50 Years of Hip Hop. The night on Friday, October 27 at 7:30 PM will feature performances to highlight the history of hip hop with classic tracks and the genre’s favorite artists.
Live shows feature JB!! aka Dirty Moses, Ohzhe, KATANI, DJ Nate da Great, Shiloh the Messenger and Mundy.
The performers will be joined by Albany’s Victory Soul Orchestra. The horn funk favorite cites influence from classic New Orleans brass bands, as well as artists including Galatic and the Dap Kings.
The Troy Savings Bank Music Hall is thrilled to celebrate a half century of rhythm, rhyme, and revolution, with the beats of our local, talented artists in a timeless tribute to our community’s cultural evolution.
Jon Elbaum, Executive Director, Troy Savings Bank Music Hall
JB!! aka Dirty Moses
Capital Regions 2022 & 2020 Eddies award winner for HipHop/Rap Artist of the year. JB!! aka Dirty Moses is on a mission to educate and enlighten others through music. This is your invitation to JB!! aka Dirty Moses World: a world of rhythm and rhyme; a world of love and inspiration: and a world of energy and music. This is where you’ll find JB!! aka Dirty Moses’s photos, music, videos and much more. For over twenty years JB!! aka Dirty Moses’s unique and methodical style has awakened the joy of music in thousands, young and old, all over the world.
Ohzhe
Albany native rapper with southern roots is marking his territory in the rap game with powerful lyrics, a diverse flow, and confidence that is undeniable. From being Eddie award nominated as best HipHop artist in his city, to creating opportunities for the youth Ohzhe stands true to his goal, to inspire the world and push forward the culture.
KATANI
Anti-misogyny, pro-black, community uplifting raptivist duo comprised of Amani O+ & Kat SoPoetic. Kat + Amani = KATANI. Best friends who began collaborating in 2016 as a response to the corruption, abuse and silence we experienced and observed locally and nationally. We found ourselves alchemizing our rage and disappointment into visionary medicine and inspiration.
DJ Nate da Great
DJ, turnt-tablist, thinker, maker, coder, etc… Been doing this DJ thing for 30+ years. Been doing this human-being thing for 40+ years. First and foremost I’m a creative thinker. I appreciate artistry, thinking outside the box and the creative process. I prefer to take the path less traveled. That actually happens sometimes.
Shiloh the Messenger
Located in Upstate New York, Shiloh The Messenger is a rapper, producer, and writer who pours his soul into his musical passion. Originating with a background of reggae and calypso, he’s found solace in hip hop, and over the years has continued to hone his skills and elevate his mastery of the craft.
Victory Soul Orchestra
Victory Soul Orchestra is a hometown horn funk favorite. The dirty sounds of New Orleans brass drive their sound with some influences including Galactic as well as the Dap Kings. You can also find them fronted by Albany’s own JB aka Dirty Moses and singer Dali Soto.
Tickets for Celebrating 50 Years of Hip Hop are on sale via phone at (518) 273-0038, in person at the box office, or online at troymusichall.org. The Troy Savings Bank Music Hall Box Office is located at 30 Second Street, Troy. Hours are Monday through Thursday 10AM-3PM.
More information on the venue and other upcoming programs area available at troymusichall.org.
