Brooklyn-based electropop duo, FIIZ, released their newest single “Phantom Limb” on September 14. “Phantom Limb” skillfully captures the torment of an emotional rupture that is often overlooked, and faced by everyone in today’s society.
This new track forces listeners to contemplate a deeply personal sentiment: the odd feeling of missing someone even if they are physically present. While songs, movies, and literature prepare us for the heartache of romantic love, few artists offer solace for the experience of losing a platonic friend. “Phantom Limb” invites listeners to face these feelings head-on, and normalize this sensation.
“We wanted to write about the aftermath when time has passed and healing has begun, but maybe there will never be closure.”
Isabelle, FIIZ
The band FIIZ is comprised of Fiona (Fi) and Isabelle (Iz). The band sprouted from their profound friendship that grew during the quarantine of the COVID-19 pandemic. As artists, they aim to defy norms as they both fearlessly represent the LGBTQ+ community, and champion the queer community proudly through their music. They continue to break the heteronormative pop culture that’s deeply engraved in the music industry, shattering barriers with their unapologetic artistic expression and empowering presence.
FIIZ’s sound is a canvas where both band members blend their influences, resulting in an electronic-pop sound that incorporates elements of hyperpop and EDM. Their previous single, “Lungs,” stands as a celebration of queer sensuality, capturing the emotions experienced during a woman’s first encounter with another woman.
In an era where music tends to romanticize and idealize heteronormative relationships, FIIZ’s “Phantom Limb” stands as a testament to the complexity of human connections, reaching their listeners on a deeper, more personal level.
Listen to their single on Spotify and follow them on Instagram for future updates.
When You Wish Upon a Star – A Jazz Tribute to 100 Years of Disney is coming to Corning’s Museum of Glass on October 28 as part of their upcoming national tour. The tour will also make a stop at Newark, NJ’s Victoria Theatre at the New Jersey Performing Arts Center.
The show features musical direction by Sean Mason and the brand new house band of The National Jazz Museum in Harlem, as well as Kim Nalley and Sasha Dobson as vocalists.
Director Sean Mason leads the touring show, as one of the premier talents of his generation. Mason has performed and toured with jazz legends including Branford Marsalis, Wynton Marsalis, and Herlin Riley, and as a recent Julliard graduate, he is rolling out his upcoming debut album The Southern Suite. As a native North-Carolinan turned New Yorker, the record explores his southern roots from his current vantage point at the heart of the NYC music scene.
Credit: Martina DaSilva
Philanthropist and vocalist Kim Nalley will join the show, boasting a 3½ octave range and stunning performances. As the “Most Influential African American in the Bay Area,” Nalley has performed with greats such as Rhoda Scott, David “Fathead” Newman, and the San Francisco Symphony. In addition to Nalley, Sasha Dobson will join the show on vocals. A critically acclaimed performer, she is one-third of the hit triop Puss n’ Boots, alongside Catherine Popper and Norah Jones.
Together with band members Ahmad Johnson on drums, Corentin Le Hir on bass, Alicyn Yaffee on guitar and Anthony Hervey on trumpet, the musicians will bring the jazz arrangements of Disney’s popular soundtracks to the stage on the nationwide tour this fall.
As shown in their vast collection of animated feature film soundtracks, Disney has always had an affinity for jazz music. In 2009, Disney released an album of reimagined songs based on their soundtrack catalog. With over 600 songs to choose from, the album features some of the most talented contemporary jazz stars of the age, as well as rising up-and-comers. This fall, the new generation of emerging talent will perform the live touring version, titled When You Wish Upon a Star – A Jazz Tribute to 100 Years of Disney.
Although not associated with Disney, When You Wish Upon A Star will feature fan favorite tunes from iconic movies such as Snow White, Lady and the Tramp, Mary Poppins, and Toy Story. The reimagined songs have been arranged and recorded by Disney music fans such as Louis Armstrong, Miles Davis, and Dianne Reeves.
The touring band personnel is Sean Mason (piano, bandleader), Kim Nalley (vocals), Sasha Dobson (vocals), Ahmad Johnson (drums), Corentin Le Hir (bass), Alicyn Yaffee (guitar), and Anthony Hervey (trumpet).
Upcoming Tour Dates
Sept. 29, 2023 –Livermore Valley Performing Arts Center, Livermore, CA
Sept. 30, 2023 – Grand Theatre Center for the Arts, Tracy, CA
Oct. 1, 2023 – Santa Clarita Performing Arts Center at College of the Canyons, Santa Clarita, CA
Oct. 3, 2023 – Brigham Young University Performing Arts Series, Provo, UT
Oct. 4, 2023 – College of Southern Idaho, Twin Falls, ID
Oct. 6, 2023 – CU Presents – University of Colorado Boulder, Boulder, CO
Oct. 7, 2023 – SF Jazz, San Francisco, CA
Oct. 8, 2023 – Carpenter Performing Arts Center at CSU Long Beach, Long Beach, CA
Oct. 10, 2023 – Numerica Performing Arts Center, Wenatchee, WA
Oct. 12, 2023 – Pepperdine University, Smothers Theatre, Malibu, CA
Oct. 14, 2023 – Fox Tucson Theatre, Tucson, AZ
Oct. 15, 2023 – Chandler Center for the Arts, Chandler, AZ
Oct. 17, 2023 – Traverse City Opera House, Traverse City, MI
Oct. 18, 2023 – Michigan State University, Wharton Center, Pasant Theatre, East Lansing, MI
Oct. 19, 2023 – Indiana University, Bloomington, IN
Oct. 20, 2023 – Bloomington Center for the Performing Arts, Bloomington, IL
Oct. 21, 2023 – College of DuPage McAninch Arts Center, Glen Ellyn, IL
Oct. 22, 2023 – Door Community Auditorium, Fish Creek, WI
Oct. 24, 2023 – The Grand Theater, Wausau, WI
Oct. 27, 2023 – Millersville University, The Ware Center, Millersville, PA
Electronic pop band Ladytron has announced their Fall Tour, revealing their first pit stop at Irving Plaza on September 20th.
The band formed in Liverpool, England in 1999 with members including vocalists Helen Marnie and Mira Aroyo, electric guitarist Daniel Hunt and synthesizer Reuben Wu.
Ladytron blends sounds of electronic pop, new wave, distorted chimes and hallucinogenic soundscapes, exploring voices and sound that inhabit a dreamy optimistic feel. The tour celebrates the most recent album release Time’s Arrow with ten songs and video release of top hit “Misery Remember Me”. The song has flourished among the electro pop community and encapsulates the theme that defines Time’s Arrow. The focus of the album balances between experimental sounds and pop structures.
Helen explains, “we must embrace the now, but always allow ourselves to dream. ‘Misery Remember Me’ encapsulates this ethos.”
Ladytron continues to push boundaries among the music scene while using conceptual space and time to achieve their conceit of electronic music. Irving Plaza welcomes Ladytron this Wednesday opening doors at 7:00pm, for ticket info visit here
Willie Nelson brought his Outlaw Music Festival to Saratoga for a late-summer jam session. With a tour that celebrates Willie’s lifelong musical genius and his legacy of hits, this tour seems extra special as Willie turned a remarkable 90 years old this year. The show brings an “Outlaw Village” with it, which is a little village of vendors that travel with the festival. And there is certainly a festival vibe as attendees ate and partied all throughout SPAC’s beautiful grounds.
The evening opened with Waylon Payne playing a solo acoustic set of country and bluegrass. (Particle Kid (Willie’s Nelson’s son’s group) was not there to start the night off.) Highlights from Payne’s set include an excellent cover of Johnny Cash’s “Ring of Fire,” and Payne’s own classic “Born to Lose.” Payne was genuinely thankful to be performing and expressed that gratitude many times. Payne showed up later in the night as Willie’s right hand man during Willie’s set. A good night for Waylon Payne.
Los Lobos was up next. It’s unfortunate that the festival was held on a week night. Even though it was Friday, it was slow to fill and was still visibly empty when Los Lobos took the stage. They handled it like the classic professionals they are though and put on a hell of a set. Even with attendance low, one could look anywhere in the amphitheater and see people dancing to Los Lobos’ hits. With what had to be a nod to Bobby Weir, they opened with their song “Will the Wolf Survive?”. They followed that up with Three Midniters’ “Love Special Delivery.” The standout for the set was the set closing “La Bomba” segueing into The Olympics’ “Good Lovin’” and then back into “La Bomba.” With the set opening and closing with a nod to Mr. Weir, the crowd was warmed up indeed!
Hitting the stage next was The String Cheese Incident. Having been 20 or so years since this listener last saw SCI, it was special to hear them open with “Smile.” Michael Kang busted out his violin and the jam took off into classic Outlaw territory. With a blend of deep cuts and new tunes, it was good to hear these guys again. The highlight for this listener was the 20ish minutes of “Missing Me” segueing into “Just One Story.” Looking around the venue, one could see many Friends of Cheese dancing to the jams.
Setlist: Smile, Get Tight, Suntan, Barstool, Missin’ Me, Just One Story, Bhangra Saanj, Can’t Stop Now.
While this constant listener is not an old-school Deadhead with hundreds of Grateful Dead shows under his belt, but I have been listening to them for about 40 years now, and they remain in regular rotation at my home and in my car. Having been at this show, and from seeing chatter online, what occurred with the Bobby set this evening was one hell of a Dead set. Bobby Weir and the Wolf Bros Featuring the Wolfpack dropped an incredible set of music on SPAC. The Wolfpack brings horns to jam. Drop a horn section into a “Dark Star”, a slow-building “Dark Star”, and magic happens. Add a “West LA Fade Away”, a “Wharf Rat”, and wrap it up with a “Sugar Magnolia” and you have one incredible set. And all this fails to mention the “El Paso”, the “Greatest Story Ever Told”, and the “New Speedway Boogie”! Listen to this set over Nugs.Net, and don’t you think of skipping that “Lost Sailor” with horns!
Setlist: Bertha, Greatest Story Ever Told, Dark Star, El Paso, Lost Sailor, Saint of Circumstance, West LA Fadeaway, New Speedway Boogie, Wharf Rat, Sugar Magnolia
To cap the evening off, Willie Nelson came on stage and amazed the crowd with his never-ending charisma and charm. His opening number “Whiskey River” segued into “Stay All Night (Stay a Little Longer).” Listening to Willie is always a trip down Nostalgia Lane. He has written so many classic tunes, it’s mind-blowing. Highlights for this listener were “Don’t Let Your Babies Grow Up to be Cowboys”, “On the Road Again” and that all-time classic “Always on My Mind” (written by Wayne Carson, Johnny Christopher, and Mark James).
The patience shown by die-hard fans waiting for their statesman Willie Nelson paid off that evening. Sitting through the noodle-ly dancing of the Cheese- and Deadheads, fans were now saying they were glad that people were sitting so they could see Willie on stage. Willie was remarkable. At 90 years of age, he came out on stage unassisted, sat and played for an hour, and then left after waving and throwing his bandana into the crowd. Imagine catching Willie Nelson’s bandana? What a keepsake!
Setlist: Whiskey River (Johnny Bush cover), Stay a Little Longer (Bob Wills and His Texas Playboys cover), Still Is Still Moving to Me, Bloody Mary Morning, I Never Cared for You, Workin’ Man Blues (Merle Haggard and The Strangers cover), Mamas Don’t Let Your Babies Grow Up to Be Cowboys, Angel Flying Too Close to the Ground, On the Road Again, Always On My Mind, Good Hearted Woman (Waylon Jennings cover), Help Me Make It Through the Night (Kris Kristofferson cover) (Waylon Payne – lead vocals), Roll Me Up and Smoke Me When I Die, Still Not Dead, Georgia (On My Mind) (Hoagy Carmichael and His Orchestra cover), I Been to Georgia on a Fast Train (Billy Joe Shaver cover), Write Your Own Songs (Willie Nelson & Kris Kristofferson cover), Move It on Over (Hank Williams With His Drifting Cowboys cover), Me and Bobby McGee (Kris Kristofferson cover), Will the Circle Be Unbroken? (William MacEwan cover) (with Bob Weir), I’ll Fly Away (Rev. J.M. Gates cover) (with Bob Weir), It’s Hard to Be Humble (Mac Davis cover), Saw the Light
October 28 will be your last chance to catch a show at Poughkeepsie’s famed The Chance Theatre, as the venue is slated to close, with Mike Robinson of Rolling Stones tribute band 50 Amp Fuse headlining what is billed as “the final show at the Legendary Chance theater.”
photo by Mickey Deneher
Shows lined up from mid-September through late October will mark the final at a venue that has been a staple of Poughkeepsie for over 110 years.
Axl Rose performing with Guns n Roses at The Chance, 1987
Located at 6 Crannell Street in Poughkeepsie, the 17,000 sq ft building was built in 1912 was first named the Dutchess Theatre – and later the Carol Players Playhouse and Playhouse Theatre, as ownership changed hands during the 1920s – originally designed with vaudeville performers and silent movie screenings in mind.
The building would be closed following World War Two, and from 1945 to 1970 the theatre became a storage facility. The venue would reopen in 1970 when Larry Plover opened “Sal’s Last Chance Saloon,” turning the old vaudeville theatre into a music venue until 1977. The name was shortened to “The Chance” in 1980, when Peter Francese re-opened the venue.
In 1994 Frank Pallett acquired The Chance, bringing the venue to new heights with an incredible array of classic and contemporary rock bands to the Hudson Valley. Pallett passed away in 2021, and his sister and business partner, Carolyn Brophy, died a short time later, putting the future of the building, already listed for sale, in jeopardy.
Everlast performing at The Chance
The list of artists that have performed at The Chance sets the legacy for this venue on solid footing: The Police, The Ramones, Muddy Waters, Pete Seeger, David Bowie, Bob Dylan, Stevie Ray Vaughan, Ace Frehley, The Band (numerous times), Guns n Roses, Motorhead, Rob Zombie, Fozzy, Hatebreed, Sevendust, Shadows Fall, Soundgarden, Candiria, Slayer, Breaking Benjamin, Phish, Coheed and Cambria, moe. (New Year’s Eve 1999) R.E.M., Metallica, Charles Mingus, Cyndi Lauper and hundreds more.
In August 2023, CR Properties, the listing agent for the theater, announced the sale to Chai Developers, headed up by CFO Berry Kohn, who have been purchasing other buildings throughout Poughkeepsie, with a focus on Main Street. But they plan to renovate and rejuvenate The Chance, making it a centerpiece of a revitalization effort.
Among work that is slated to be done to The Chance include, new electric, lighting, mechanical components and the addition of a proper backstage area, as well as maintaining the building aesthetic while increasing capacity to make the theater more profitable. While there are no solid plans, they could involve moving the entrance and rentals for private shows.
Chai Developers does believe that the wait for what comes of The Chance and downtown Poughkeepsie will be worth it, saying “It’s gonna be something that will surprise a few people with what we’re willing to do there.”
Affectionately dubbed “The BABYKLOK Tour,” the infectious metal tandem of BABYMETAL and Dethklok descended upon the Hammerstein Ballroom this past Friday night (September 15) – a turn-of-the-century opera house located in Midtown Manhattan – for the twelfth stop on their 29-date trek across North America.
Providing opening support on this night, and for the entire tour, was 32-year-old guitar virtuoso Jason Richardson of Manassas, Virginia. Hours before the show, an eclectic recipe of fans lined West 34th Street in eager anticipation of the show, including anime girls in full costume, tattooed death metal fans, and conservative mothers and fathers with their teenage daughters.
BABYMETAL | Photo Credit: Michael Dinger
The evening’s first co-headliner to appear on stage was Dethklok, both a virtual band featured in Adult Swim’s animated, dark comedy program Metalocalpse and a natural melodic death metal band created to perform in front of a live audience. The fictional members of the band, who were featured throughout the 16-song set in numerous dark and macabre animations on a huge monitor that functioned as the stage backdrop, include Nathan Explosion, Toki Wartooth, Pickles, Skwisgaar Skwigelf, and William Murderface.
Dethklok | Photo Credit: Michael Dinger
The actual members of the band are comprised of Brendon Small (a co-creator of both bands along with Tommy Blacha), Gene Hoglan, Bryan Beller, and Mike Keneally. Also joining Dethklok in their live performances for this tour is Nili Brosh, an Israeli-American guitarist who has played with Steve Vai, DragonForce, and The Iron Maidens. Watch Dethklok perform “Bloodlines,” lifted from their 2009 studio album Dethalbum II, below:
Last to take the stage, but certainly not least, was the Japanese kawaii metal band (a musical fusion of heavy metal and J-Pop) known as BABYMETAL who are touring in support of their fourth album The Other One, a concept album released in March 2023. A trio of young women ranging in age from 20 to 25 years old, BABYMETAL formed in 2010 and is comprised of main vocalist Suzuka Nakamoto as “Su-metal,” Moa Kikuchi as “Moametal” and Momoko Okazaki as “Momometal” (the band’s latest addition).
With vocals backed by heavy metal instrumentation performed by a group of session musicians known as the “Kami Band,” BABYMETAL thrilled the sold-out 2,200-capacity crowd with a breathtaking routine filled with their own brand of non-stop, synchronized dancing, while at the same time willing their fans to harness raw, head-bang inducing energy. Watch BABYMETAL perform “PA PA YA!!,” taken from their 2019 studio album titled Metal Resistance Episode VII – Apocrypha – The Chosen Seven, below:
Dethklok Setlist: Deththeme > Briefcase Full of Guts > Birthday Dethday > Awaken > Bloodlines > The Gears > Hatredcopter > Dethsupport > Duncan Hills Coffee Jingle > Aortic Desecration > I Ejaculate Fire > The Duel > Murmaider > Thunderhorse > SOS > Go Into the Water
BABYMETAL Setlist: BABYMETAL DEATH > Gimme Chocolate!! > PA PA YA!! > Distortion > BxMxC > Believing > Monochrome > METALI!! > Megitsune > Headbangeeeeerrrrr!!!!! > Road of Resistance
UPCOMING TOUR DATES
09/20 – Grand Rapids, MI @ GLC Live at 20 Monroe 09/21 – Chicago, IL @ Byline Bank Aragon Ballroom 09/23 – Louisville, KY @ Louder Than Life Festival 09/24 – Milwaukee, MN @ The Rave/Eagles Club 09/25 – Minneapolis, MN @ The Fillmore 09/27 – St. Louis, MO @ Saint Louis Music Park 09/28 – Omaha, NE @ Steelhouse Omaha 09/30 – Denver, CO @ Fillmore Auditorium 10/01 – Salt Lake City, UT @ The Complex 10/03 – Vancouver, BC @ PNE Forum 10/04 – Seattle, WA @ WaMu Theater 10/07 – Sacramento, CA @ Aftershock Festival 10/08 – Las Vegas, NV @ Pearl Theater at Palms Casino Resort 10/10 – Phoenix, AZ @ Arizona Financial Theater 10/11 – Los Angeles, CA @ YouTube Theater
The Cayuga Chamber Orchestra will launch its 2023-24 Season, “Beethoven and Beyond,” with Beethoven’s Sixth; a program led by Music Director Finalist Jeffrey Meyer and featuring Pianist Xak Bjerken.
The September 23 concert opens with Carlos Simon’s “Fate Now Conquers,” followed by Ravel’s Piano Concerto in G, and finally with Beethoven’s Symphony No. 6 to finish the evening. There is also a free pre-concert chat at 6:30 pm for anyone who wishes to attend.
Jeffrey Meyer has captivated audiences throughout North America, Europe, Russia, and Asia, with his passion for championing contemporary orchestral music and groundbreaking collaborations. His programming has been awarded multiple prizes including three ASCAP Awards for Adventurous Programming and two Vytautas Marijosius Memorial Awards in Orchestral Programming. Artistic Director of the St. Petersburg Chamber Philharmonic for two decades, his work with the orchestra was noted for its breadth and innovation.
Praised as “one of the most interesting and creatively productive conductors working in St. Petersburg” by Sergei Slonimsky, the orchestra’s American debut with three performances at Symphony Space’s Wall-to-Wall Festival in New York City was described by The New York Times as “impressive,” “powerful,” “splendid,” and “blazing.” He also led the acclaimed conducting program at Ithaca College for ten years.
Pianist Bjerken has appeared as a soloist with the Scottish Chamber Orchestra, the Thailand Philharmonic Orchestra, and the Los Angeles Philharmonic, and has performed at the Concertgebouw in Amsterdam, Glinka Hall in St. Petersburg, the Konzerthaus in Berlin, and St. Cecilia in Rome. He was for many years a member of the Los Angeles Piano Quartet, and has held chamber music residencies at the Tanglewood Music Center, the Spoleto Festival and the Olympic Music Festival. Bjerken is a Professor of Music at Cornell University where he co-directs the international chamber music festival Mayfest with his wife, pianist Miri Yampolsky.
For more information and subscriptions, or for tickets, visit this link or contact the Cayuga Chamber Orchestra Box Office at 607-272-8981 or info@CCOithaca.org.
Afropunk returned to Brooklyn for 2 days of music on August 26th & 27th. The festival took place at Brooklyn’s Greenpoint Terminal Market for 2023.
As on brand for Afropunk, the lineup for the festival was all black artists from various genres. Some notable names included Tobe Nwigwe, Baby Tate, and Vince Staples. The lineup also included New York’s own Joey Bada$$, and day 2 headliner, Teyana Taylor.
Unlike last year, this year had a theme, which was Circus of Soul. Motifs of this theme could be seen throughout the event. Both on stage and in the crowd, fans and artists dressed as though they were part of a circus. R&B artist Cleo Reed really leaned into the theme by dressing them selves and other stage performers in clown attire during their set. There were performers on stilts wearing kente cloth patterns walking throughout the crowd. There were also Aerial Ring performers periodically doing stunts throughout the weekend.
This year was truly one to be at, as there were many performances and attractions that festival goers could really interact with all day.
A festival of the Arts
Afropunk is a festival that is bigger than music. Though music may be the highlight, it also features art and artists from all over the globe that center their creativity around the African diaspora. Inside the Spin Thrift Market, there were vendors selling things like clothes, jewelry, books, and weed products. Outside the Market, there were spaces for health and beauty. Festival goers were able to get their hair and makeup done, henna tattoos, and facials. Most of the vendors were also African American owned and operated.
In addition to vendors that were selling merchandise, there were also areas for festival goers to interact. In the center between the two stages, there were tents set up for festival goers to play games and run through a bubble pit. It seems as though they learned from last year as most activities and vendors were set up under large tents to protect against any potential rain.
Nonetheless, as much as there was to do off stage, there was much to watch on stage. There was a two stage setup to accommodate for about 30 performances. In between performances on both stages were DJ SNS and DJ Mohogany. They helped to keep the party going as people awaited some of their favorite artists to take the stage.
Day 1 Highlights
Day 1 had strong performances from Cleo Reed and a collaboration from the Soapbox presents on the 3 Ring Stage. The Soapbox brought together vocalists and musicians to bring a rock, R&B, and gospel like performance. This was one of the many perfect displays of how African American music is has roots in so many different genres that tend to overlap one another. The performance had fans feeling cool in the end of summer heat.
One of day 1’s most notable and electric performances was from Tobe Nwigwe. Originally from Houston, TX, Tobe holds on to his Nigerian roots well as they could be seen in his performances. He is always recognizable with his seafoam green outfits and sets. He brought out his wife, Martica Nwigwe, for a few songs from his set. He also had Olu from Earthgang come out for a song. Olu came out on brand, wearing seafoam green wings to sing “WILDLINGS” with Tobe. The performance was full of energy and surprises that keep the audience screaming for an hour.
Tobe’s performance was evened out by a more mellow from Vince Staples. Vince stared as “Maurice” earlier this year in the Emmy award winning show, Abbott Elementary. His Long Beach, CA vibes really brought the crowd down from their state of choas from before. Though his set did not features as many theatrics like Tobe’s, he still had the attention of the crowd. Vince had the crowd singing along to his hit song, “Norf Norf,” before there was a mass exodus from the event.
An uneventful end to the hype
The first night was headlined by Flying Lotus. He is a producer and DJ who has worked on many projects on TV shows and film. One of the most notable projects was Netflix’sYasuke, an anime centered around the story of Japan’s first black samurai. He makes a lot of EDM and electronic rap songs primarily.
Flying Lotus did not receive much of an introduction which left many fans confused. Though his fans would be familiar with his music and style, this may have been many’s first exposure to him. He could barely be seen from behind his DJ booth and did not say a word for at least the first 20 minutes of his set. About halfway through, he was joined by rapper Smoke DZA, who he is working on a collaborative album with. Smoke DZA did bring some excitement and energy to his performance.
After Smoke DZA’s exit, Flying Lotus played a few more songs and was about to leave. He did not realize that his set was not over and played for about another 15 minutes. Flying Lotus had a pretty anti-climatic exit, as it was a pretty bleak end to day 1 of Afropunk 2023.
A stark turn around from Day 1’s mishaps
Day 2 still featured a full lineup that had Greenpoint full. What was nice about this year’s festival was the scheduling of performances. With the stage schedules pretty staggered, fans were able to see all their artists without really having to miss a performance. This really set Afropunk apart from other festivals as many usually have fans contemplating which artists they wanted to see more. If they wanted to, fans could see just about every artist and take in the full Afropunk experience.
Some notable performances from Day 2 were from Baby Tate and Joey Bada$$. Baby Tate brought a fun energy out of the crowd. With a lot of positive sexual messages infused in her lyrics, her music and performance made Greenpoint a safe space for women to express themselves. In the middle of her set, Baby Tate took a break and her DJ Sky Jetta tapped into a different side of her fans. Though Baby Tate makes rap music, Sky Jetta played alternative rock hits, including “I write sins not tragedies” that absolutely killed.
Baby Tate came back and continued to kill. She played unreleased song “Wig” and ended on her hit “I am” to leave things on a high. Joey Bad$$ proceeded her and continues to bring smiles.
New York showing out for New York artists
Joey Bad$$ was happy to be back in his hometown as he expressed his love for Brooklyn all through out his performance. The theme around his performance was love as he turned the camera toward the audience to celebrate black love. He had a kiss cam going on for a bit before singing “Love is only a feeling.” He dedicated a few songs to fallen black artists including, XXXTentacion, Nipsey Hustle, Pop Smoke, Young Dolph, and more.
Before he left, he expressed his happiness to be playing at an event where he could see so many black faces. He also threw a jab at Afropunk for being a bit unprofessional behind the scenes. He still left things on a high with “Devasated” before handing the stage over to Teyana Taylor.
The energy from day 2 was drastically different than from the previous day. Day 2’s lineup featured so many artist that people knew and loved. They had performances that people wanted to be a part of and sing along with. Day 2 was originally supposed to end with Grammy award winner Jazmine Sullivan. Due to some personal reasons, she could not perform, but Teyana Taylor was passed the torch to close out the weekend.
Rose of Harlem feeling the love
Nicked named the “Rose of Harlem”, Teyana Taylor closed out to packed audience in her city. Teyana had mentioned during her performance that she was nervous to headline a show as she felt as though no one would stay for her. Though some mic issues may have fueled those nerves early on, New York showed her so much love that it brought her to tears.
The sound was getting too much for Teyana as she asked for just the keys to play during one of her songs. She was able to get real close and emotional with the crowd before turning things back up. The crowd screamed “Issues” and ” Gonna Love Me” with Teyana.
She was joined on stage by her daughter ,”Junnie,” and husband Iman Shumphert, for a few songs. Her daughter helped her throw out free t-shirts to the audience. Teyana also had 3 outfit changes that synced up with the many different vibes of her performance.
She exited the stage, but quickly came back for an encore. Teyana ran into the middle column of the pit to slap the hands of her fans before closing out the night. She thanked New York for showing her so much love and making this performance one worth leaving retirement for.
Afropunk continued to bring peace, love, and education about African American culture to one of the biggest melting pots of the world. With Afropunk’s voice continuing to reach millions, it’s only a matter of time before it starts to expand to other cities across the globe.
This Fall, the Binghamton Philharmonic presents their first Family Free Symphony Session for “Shaker Songs” at The Forum Theatre on September 28th.
Tree of Life (Shaker Drawing c. 1848)
The Binghamton Philharmonic Orchestra assembles to celebrate the old tradition of Shaker music producing a family friendly environment for all ages with an opening piece of Copland’s version ‘Simple Gifts’, the enchanting variation on a Shaker Melody. ‘Simple Gifts’ was originally sung by The Shakers and was made best known by composer Aaron Copland in Pulitzer Prize winning Ballet Appalachian Spring.
The family free symphony sessions are made possible by The Community Foundation for South Central New York granting friends and families to come together as a community to commend The Shakers and their music. The Shakers music was shared through oral tradition between many communities and created religious folk music with lively dance tunes, anthems and hymns.
On Saturday, September 30 at 7:30pm at the Broome County Forum Theatre, the Binghamton Philharmonic Orchestra will open its 2023-2024 season with “Beethoven’s Fifth,” a concert exploring masterworks of the classical music tradition. Under the direction of Maestro Daniel Hege, the orchestra will present Aaron Copland’s quintessentially AmericanVariations on a Shaker Melody, Edward Elgar’s moving Cello Concerto in E minor (as featured in the film Tár) with soloist Annie Jacobs-Perkins, and Beethoven’s towering Fifth Symphony.
All Children 17 and under get in for free, courtesy of M&T Bank, our Symphonic Series Sponsor. For tickets and more information, contact the Binghamton Philharmonic box office at 607-723-3931 or visit www.binghamtonphilharmonic.org.
In addition, the Orchestra is presenting several FREE community events in advance of opening night:
September 28, 2023, 2pm, Kilmer Mansion: Lecture-demonstration with cello soloist Annie Jacobs-Perkins and Dr. Julia Grella O’Connell: “Nostalgia, Loss and the Great War in Elgar’s Cello Concerto
September 28, 2023, 6:30pm, Forum Theatre: Family Symphony Session, “Shaker Songs,” a tour of the Forum Theatre and a family-friendly chat about Shaker music and dance
September 30, 2023, 5:30pm, DoubleTree by Hilton: “Ties and Tutus,” an opportunity for Binghamton City School students to enjoy a pre-concert dinner, a visit with Maestro Daniel Hege and guest cellist Annie Jacobs-Perkins, and a night at the symphony, courtesy of our sponsor IBM
September 30, 2023, 6:30pm, Forum Theatre: Pre-concert chat, “Music and Utopia,” with Dr. Julia Grella O’Connell, Director of Education and Community Engagement
The Forum Theater also offers a behind the scenes tour included as the orchestra prepares to rehearse, kids attend for free while first time adult concert-goers receive complementary tickets to the Philharmonics concert on September 30 to kick off the upcoming fall season.
The Blues Project, a band first formed in the mid 60s, will be performing in Saratoga Springs on Oct 8 at Caffe Lena. With the eclectic experiences of each band member, all with different backgrounds and history, it’s sure to be an experience audience members won’t forget.
The Blues Project was formed in the mid-’60s in Greenwich Village by guitarists Danny Kalb and Steve Katz, flutist/bassist Andy Kulberg, drummer Roy Blumenfeld, and singer Tommy Flanders. Al Kooper joined later in his early twenties after sitting in on the band’s Columbia Records audition (though they ended up signing to Verve).
The eclectic résumés of the musicians– folk, jazz, blues, and rock backgrounds– reflected their choice of material. While they did sing covers, they also sang the group’s own originals. These original songs were typically penned by Kooper, who had already built songwriting credentials as the co-writer of Gary Lewis’ huge smash hit “The Diamond Ring,” as well as his contributions to Bob Dylan‘s mid-’60s records.
After the release of their debut live album, they recorded their second album Projections in the fall of 1966. Projections is a good reflection of their eclectic group, as the album combines blues, R&B, jazz, psychedelia, and folk-rock.
…we’re not reviving the blues, we’re looking to interpret what’s happening today.
Danny Kalb (guitarist), 1966
Soon after Projections‘ release, Kooper and Katz left the band, and in 1968 they joined forces to form their own: Blood, Sweat & Tears. Kooper led the band on its first album Child Is Father to the Man, but he did not take part in any releases after that. Later, Kooper– then a producer for Columbia Records– recorded with Blumenfield, Stephen Stills, and Harvey Brooks for the album entitled Super Session. Katz remained with Blood, Sweat & Tears until the 1970s, and went on to produce Lou Reed’s best-selling and still-influential live LP Rock ‘n’ Roll Animal.
The Blues Project reformed briefly in the early ’70s with a modified lineup, releasing three further albums: Lazarus, Blues Project, The Original Blues Project Reunion in Central Park. Once they were again disbanded, Blumenfeld formed Seatrain and in the 2000s performed with former Country Joe & the FIsh member, Barry Melton.
The original Blues Project disbanded one final time in the 90s, but realizing they still had a passionate fan base who cared about the band and its music, Katz and Blumenfeld decided to give it another go in 2021.
Fast forward to 2023, and The Blues Project is alive and well, with Blumenfeld leading a powerful new lineup including three new talented members: Chris Morrison (lead guitar), Scott Petito (bass), and Ken Clark (keyboards/vocals).
Catch them at Caffè Lena on October 8, from 7-9PM. Doors open promptly at 6:30pm.
For more information on The Blues Project, visit their website and follow their FaceBook.
