Category: Genres

  • Cooking with Fire: Kitchen Dwellers Bring the Heat in Cohoes

    Full of gritty energy, thoughtful storytelling, extremely tight improvisation, a spectacular light show, and a palpable connection to their audience, Kitchen Dwellers brought their unique brand of psychedelic bluegrass to Cohoes, NY on Thursday, October 12th.

    No strangers to the Capital Region, Kitchen Dwellers have played the area many times over the years, but the second show of their 2023 fall tour would be their first at the historic Cohoes Music Hall, one of the oldest (and allegedly haunted) venues in the country. Delivering an absolute scorching performance, the level of musicianship on display was scary good.

    Kitchen Dwellers made their Cohoes Music Hall debut on 10/12/2023.

    Showing up to the corner of Remsen and Cayuga, you were instantly met with heady vibes from the municipal lot as the jokers and tokers greeted one another.  There was a laid back feeling of familiarity and optimism as people of all ages lined up to check out the plethora of band merch and the gorgeous limited edition show poster designed by artist Dan Dippel. Fans who got there early enough were treated to a delicious appetizer from the young-and-hungry opening act, Fireside Collective from Asheville, NC. 

    After a brief set change, Capital Region show promoter Greg Bell of Guthrie Bell Productions took center stage to welcome everyone to the Cohoes Music Hall and wax nostalgic for a moment before introducing Kitchen Dwellers to a massive ovation. Wasting no time serving up the main course, the band set the tone early with a “Sundown” opener, the first of five songs that would be played from their latest album, Wise River. They had the crowd captivated from the very first note.

    Kitchen Dwellers (L-R): Max Davies, Torrin Daniels, Joe Funk, and Shawn Swain performing on 10/12/23.

    Consisting of Torrin Daniels on banjo, Joe Funk on bass, Max Davies on guitar, and Shawn Swain on mandolin, describing their inspired sound is no easy task. Utilizing traditional string instruments, adding a few effect pedals and foregoing a drummer, their expansive playing is full of character, bombastic banjo riffs, lightning fast licks, virtuosic finger picking and foot-stomping grooves. These guys make the complex look effortless.  After squeezing “Their Names Are The Trees” into a “This Time” sandwich, the Kitchen Dwellers were cooking with pure gasoline as they alligatored “Smokestack” through a pair of choice covers – “Salt Creek” and “Alcohol in the Bloodstream.” Coming up for air to greet the audience and exchange some friendly banter about the proper pronunciation of Cohoes, the band would then invite Fireside Collective dobro player, Tommy Maher, to the stage for the remainder of the set. 

    Chest Fever: Fireside Collective’s Tommy Maher (dobro) joined in on the fun on 10/12/23.

    Taking control of the ship and guiding the band through the crowd-pleasing title track of 2019’s Muir Maid, upright bassist Joe Funk’s vocals sounded fantastic here, while the extended interplay and energy of Torrin’s flying dreadlocks and Maher’s youthful exuberance sent the room into a fever pitch. With the venue itself located just on the outskirts of Levon Country, perhaps that was their intention all along, as a well-placed cover of The Band’s classic “Chest Fever” would bring the opening frame to a close.

    Kitchen Dwellers’ Joe Funk croons away in Cohoes, NY 10/12/23.

    When Kitchen Dwellers hit the stage for round 2, it didn’t take them long to address the elephant in the room, or in this case, the ghost. Nicknamed “The girl who made vaudeville famous,” many believe the spirit of Eva Tanguay has haunted the Cohoes Music Hall since her death in 1947.  Often “felt” hanging around just off stage left and sometimes in the center of the balcony’s second row, the band acknowledged this bit of folklore by offering up their song “Ghost in a Bottle” in tribute.

    Ghost in a Bottle: Kitchen Dwellers make an offering to the ghost of Eva Tanguay on 10/12/23.

    The real meat and potatoes of the set would come next as the Dwellers found their groove on “Stand at Ease” which seamlessly segued into a cover of “White Freightliner Blues.” Showing a deep respect to their roots by weaving together a tapestry of their influences, the dexterity and speed at which these guys play make it almost impossible to stand still. After a stellar version of “Gypsy,” the band gave a special shoutout to a group of friends who traveled there from Vermont, allegedly breaking the record for the most people you can cram into a van, something which Torrin found debatable. Announcing they weren’t going to do the typical encore thing and that they’d just play until the venue kicked them out, the enthusiastic crowd were then treated to a sizzling combination of “Mountain” > “Drowning (… Again)” > “Ebenezer’s Winter” to bring the tasty night of galaxy-grass jams to a close just after midnight. 

    Putting a fresh spin on an old genre and blending the past with the future,  Kitchen Dwellers rose to the occasion in Cohoes and threw down a performance that will be talked about for years to come. Upon leaving the Cohoes Music Hall, perhaps one excited fan summed it up best, saying “That was the best $20 I’ve spent in a very long time.“

    With fall tour just getting underway, fans in New York won’t need to wait long to catch them again. Kitchen Dwellers have been tapped by Twiddle to take part in their final shows next month before going on an indefinite hiatus. The sentimental sendoff will take place at the historic Capitol Theatre in Port Chester. For more details on tour dates and tickets head to kitchendwellers.com.

    Kitchen Dwellers | October 12, 2023 | Cohoes Music Hall | Cohoes, NY

    Set 1: Sundown, This Time > Their Names Are the Trees > This Time, Smokestack>Salt Creek >Alcohol In the Bloodstream, Muir Maid * > Chest Fever *

    Set 2: Ghost in the Bottle > Cuckoo’s Nest [Traditional] > Ghost In the Bottle, Stand At Ease > White Freightliner Blues, Gypsy, Mountain > Drowning (… Again) > Ebenezer’s Winter

    * Featuring Tommy Maher of Fireside Collective on Dobro

  • The Hip Hop Museum Tour: A Sneak Peek into Hip Hop’s Glorious Past

    As the world eagerly awaits the grand opening of The Hip Hop Museum in the Bronx in 2025, a nationwide tour is offering fans and enthusiasts a tantalizing preview of what’s to come. In partnership with Mass Appeal and proudly sponsored by CÎROC Ultra-Premium Vodka, this tour is bringing hip hop history to life.

    hip hop musuem tour

    In celebration of hip hop’s 50th anniversary, The Hip Hop Museum Tour is traversing the United States to narrate the story of the pioneers who birthed a genre that would eventually sweep the world. This mobile exhibit offers visitors a chance to take a walk down memory lane, shedding light on the essential milestones that transformed hip hop from a Bronx block party pastime into a global phenomenon.

    The Hip Hop Museum Tour offers a diverse collection of remarkable artifacts that provide fans with a glimpse of what’s to come in the forthcoming museum.

    Among the standout items are:

    Jam Master Jay’s Gold Chain: This iconic piece of music history belonged to the legendary DJ Jam Master Jay, a pivotal figure in elevating hip hop’s status and influencing future generations during his time with Run-DMC.

    hip hop musuem tour

    Kool Herc’s Record Trunk: DJ Kool Herc’s record trunk played a vital role in the early development of hip hop music, symbolizing the birth of turntablism and the influence of DJing in the genre’s early years.

    hip hop musuem tour

    Tupac’s Handwritten Letter: A personal letter from the late Tupac Shakur to Cosima provides an intimate insight into one of hip hop’s most influential and controversial figures.

    hip hop musuem tour

    Coolio’s Low Rider Bicycle: Coolio’s low rider bicycle from his initial tour represents the diverse and eclectic styles embraced by hip hop artists, highlighting how fashion has become an integral part of the culture.

    hip hop musuem tour

    Biz Markie’s Rhyme Book, BIZ Chain, and Gucci Sneakers: These possessions, once belonging to the “Clown Prince of Hip Hop,” Biz Markie, including his rhyme book, chain, and sneakers, offer a glimpse into his quirky and unforgettable persona.

    hip hop musuem tour

    The Hip Hop Museum Tour is making stops across the country, bringing these treasures to fans and enthusiasts in various cities. Upcoming tour dates include:

    Atlanta on October 21st
    Houston on November 4th
    Los Angeles on November 11th
    Charlotte on November 18th
    Miami from December 5th to December 9th

  • Rock & Oddities Con, Featuring Local Musicians and Activities, Comes to Saratoga

    Coming to Upstate soon is Saratoga’s biggest Halloween party of the year, Rock & Oddities Con. From Oct. 28-29 from 10 a.m.- 7 p.m., the event features local metal/rock musicians and a whole slew of enchanting activities.

    Rock & Oddities Con

    The energy of metal/rock musicians from the East Coast collides with spine-tingling tales of Paranormal Experiences, including encounters with celebrities at meet-and-greets. Audiences can step into the enchanting realm of the Witches’ Den, and brace themselves for a journey through the Haunted Maze. Also featured at Rock & Oddities Con are premier Tattoo Artists, 100+ vendors, paranormal experiences with investigators with the Travel and Discovery Channels, and costume contests, with cash prizes.

    Rock & Oddities Con 2023 Confirmed bands:

    *Saturday 10/28*

    Alloy Reign

    Psychomanteum

    The Tradition

    Kristen Capolino Band

    Bonded By Darkness

    Brick By Brick

    Suicide Puppets

    *Sunday 10/29*

    Bonded By Darkness

    Black Belt Jones

    Old North End

    The Hard Luck Souls

    Lock 9

    Alloy Reign

    Tickets are on sale now.

  • Rocking Out in the Pit: A History of Mosh Pits & Punk Rock

    You’re in a circle, running around and bumping into people with the beat of hardcore bass and percussion surrounding you, syncing with the beat of your heart. You feel a sense of violence, and yet safety. All your pent-up rage from yesterday begins to pour out; you feel yourself forget arguments you had with your coworkers, or the piles of homework on your desk. You let yourself enjoy the music for a couple of hours with strangers that somehow– in a few hours– became family. 

    Moshing – Wikipedia

    Moshing, where people in the crowd of a concert run and slam into each other in beat with the music, has been around since the early 80s– but its origins can be traced back to Skanking in the late ’50s and ’60s. Originally called “mashing” in fanzines, it was still pronounced “moshing,” and ultimately stayed that way. There is no definitive origin to the term, or credit for its invention. These mosh pits started at high energy punk concerts. The anarchic nature surrounding the music made the fans need to release their energy somehow– thus, moshing came into the spotlight. 

    But, you can’t talk about moshing without mentioning the history of punk rock; moshing wouldn’t exist without it. 

    Punk rock is defined by its unique sound, fashion, and behavior. Typical punk rock is made up of fast tempos, nasal or shouted vocals, black clothing with shocking colorful and spiky hair, with an anti-establishment “stick-it-to-the-man” attitude. 

    Punk rock has roots in garage rock way back in the ‘60s, preceding the hippie era, and as a movement to rebel against the change in rock n’ roll– how it became more “commercial” and “bloated.” It was the beginnings of other musical genres such as hardcore punk, pop punk, and even Christian punk. But they ALL started as punk rock. 

    Punk rock was picked up quickly by fans but also musicians because of the overall anarchical vibe: it disregarded musical and social rules, leaving a great deal of freedom for experimentation on numerous fronts. 

    While it’s hard to pinpoint exactly where punk rock began, there are bands that are absolutely monumental in the punk rock origins, such as The Stooges (or Iggie and the Stooges), MC5, The Velvet Underground, and The Sex Pistols.

    Iggy and the Stooges Website

    The band that is best known as the creator of punk rock is The Stooges– where, in Detroit on Halloween night 1967, Iggy Pop performed what would become common punk behavior. In fact, some fans thought he was possessed– likely because he cut himself with glass, flashed the crowd, and even smeared his chest with hamburger meat and peanut butter. Iggy is also credited with integrating stage diving into hardcore concerts, which later spread to all types of music. But, while The Stooges are credited in the early beginnings of punk rock, they did not have all the requirements to be a punk rock band– sound, fashion, and behavior. Regardless, their actions on that Halloween night started a movement that influenced numerous bands, and also had parents thinking their children were devout Satan worshippers. 

    MC5 on ‘Kick Out The Jams’: “We weren’t on a meth power trip… just a power trip” – UNCUT

    When people think of punk rock, if they don’t think of The Stooges, they think of MC5. They started playing together in Lincoln Park, and were automatically put into the “garage rock” category. However, due to their eclectic performances, they stood out to people as being something entirely different and new. 

    Shunned in the ’60s for their avant-garde, shocking rock, The Velvet Underground were more important to music’s future than the Fab Four, argues Greg Kot – BBC

    The Velvet Underground then took up NYC with their bold and experimental sound in the early ‘70s– “experimental” because many people said their music bordered on noise.

    Glam Rock also had immense influence over the punk rock genre, such as David Bowie and the New York Dolls. This genre contributed greatly to the aesthetic and lifestyle of artists in punk rock, such as dressing outrageously, living extravagantly, and producing loud, trashy rock. 

    The first concrete punk rock scene– where it was purposeful and not accidental– was in the mid ‘70s with The Ramones, Wayne Country, Johnny Thunders and the Heartbreakers, as well as Blondie and the Talking Heads, all playing at CBGB

    Playlist: The Essential Sounds of CBGB – Medium

    But punk is not all-american. There were big influences in the UK as well from The Strand, formed in 1972, later renamed to the Sex Pistols in 1975 with the arrival of John Lydon. The Sex Pistols are credited with kicking off the punk movement in the UK. 

    sexpistolsofficial.com

    The Sex Pistols’ lone album reached number one in the UK charts, and was known as one of the most censored records in history, due to the song “God Save The Queen” – many calling it “treason.” While this would be devastating for most bands, it actually worked precisely the way they had hoped, as the negative press that they accumulated worked in their favor to sharpen their anti-establishment lyrics and attitude. 

    The Sex Pistols’ God Save the Queen storm: ‘We declared war on England without meaning to’ – The Telegraph

    In the late ‘70s, punk rock emerged as a solid musical force, and split into many genres including horror punk, hardcore punk, pop punk, psychobilly punk, Christian punk, Celtic punk, cowpunk, death rock, emo, gypsy punk, hardcore, street punk, and many more. 

    Boston Concussion Victim Speaks Out Against City’s Moshing Ban – exclaim

    Moshing typically emerges in a crowd during punk rock concerts, as well as metal and hardrock. With all the energy that builds up at concerts such as these, everyone needs an outlet to let out their energy in a (mostly) safe manner. Pits form where people slam into each other, on beat with the music, while also dancing and singing/screaming.

    The first mosh pits formed in the early ‘80s hardcore punk rock scene, and more followed in hardrock and metal scenes. They later spread to grunge and rock concerts, and in recent years, they even started in hip hop and rap. 

    Moshing actually took a while to become what it is today. It can be traced back to skanking, created by the Rude Boys of Ska and Reggae music in the late ‘50s and ‘60s.

    After skanking came the Pogo, invented by punks in the ‘70s in the UK. This dance is where fans jump up and down, and lightly bump into each other. It likely started at a Sex Pistols concert, where no one could see the band, so they started jumping up and down to see the Sex Pistols– then everyone started doing it, and the short-lived Pogo was born. 

    After all of this, moshing finally came to life. Originally “mashing,” it’s when people start getting “mashed together” as they jump and move all over in a pit. 

    There are two types of moshing, starting with the well-known circle pit, where people run along the edge, leaving the middle open. In fact, this is seen as a tame version, as the other type of moshing is called The Wall of Death– where two groups line up and slam into each other. More brutal than the circle pit, The Wall of Death dates back to the ‘80s pun scene, emerging as a variant of the circle pit, said to be invented by the American hardcore punk band Sick of it All– but like punk rock itself, the origin is debated. 

    When you see moshing, whether on a video or in-person– though it’s SURREAL to see in real life– you may think “that looks really scary and dangerous.” And if moshing is done wrong, yes, it can be. The ideal mosh pit is safe and welcoming, with people helping each other up when they fall, and being aware of who is in the ring and who isn’t. 

    This writer’s experience with moshing thus far has been a good one. At The Interrupter’s Concert at the Stone Pony in Jersey, I stayed on the outskirts and kept people in, or helped them when they wanted to get out. If anyone had accidentally hit me, they apologized immediately. Memorably, a big, burly dude dressed in black from head-to-toe stepped in front of me to make sure no one knocked me down. Everyone dressed like they could kill, but everyone made me feel welcomed and safe.

    Astroworld tragedy renews debate on the safety of mosh pits – The Tribune

    That being said, moshing is not always that welcoming and kind. Many artists banned moshing from their concerts due to numerous deaths that took place, such as a 17 year old girl, Bernadette O’Brien, at a Smashing Pumpkins concert in 1996 in Dublin, where she later succumbed to her injuries two days later in the hospital. 

    Yet another one of Smashing Pumpkins’ fans died in Vancouver, Canada in 2007. In total, there were approximately 7 other mosh pit accidents that resulted in death between 1994 and 2006. Another infamous and dangerous mosh pit was at the trainwreck of Woodstock ‘99, where there were, unfortunately, numerous instances of sexual assault, two alleged rapes, and three deaths

    Travis Scott; Astroworld Tour – Randy Cano

    More recently, there was a devastating Travis Scott Astroland festival, where 10 fans died with hundreds injured in 2021– and Travis Scott didn’t stop the concert. Victims were pinned against barriers, and unconscious fans were crowd-surfed out of the mosh pit and dumped into the sea of bodies waiting for the rapper to start performing, ultimately resulting in numerous deaths and injuries. The official cause of death for some of these fans was compression asphyxia, which an expert likened “to being crushed by a car.”

    While this writer still enjoys moshing, it must be done safely in order to continue to be fun. At any given show, there may be people who don’t trust the crowd enough to join in– which should be respected. That being said, for those who do engage in mosh pits, there are some guidelines that emerged because of the potential dangers from moshing that everyone must follow in order to have a safe environment, and keep moshing from being banned completely.

    No karate in the pit.

    Never try to hurt anyone intentionally. 

    Offer help if necessary.

    Be aware of everyone else. Pick people up when they fall. Tell everyone to stop if it gets messy, and similarly, if told to stop, listen.

    Don’t wear accessories that could hurt anyone.

    Those spiky bracelets are cool, but if they can hurt you, they can hurt others. Leave them behind if they’re too spiky.

    Don’t bring loose items into the pit.

    Don’t bring anything with you that can fall down and be stomped on. If you find anything on the ground, let everyone know.

    Respect the borders.

    If they’re not in the pit, they are not involved. Leave them alone and respect the pit’s boundaries and their boundaries. 

    29 Wholesome Pics and Memes Filled With the Feels – eBaum’s World

    Punk rock started a new era of music, birthing numerous subgenres that wouldn’t exist without punk. While punk rock scared parents, it gave teens and young adults an outlet to release their rage in a mosh pit. But don’t let the aesthetic confuse you: the goal of punk rock and moshing is never to hurt anybody, but to allow yourself to let go of your everyday worries, and enjoy the trashy music and outrageous clothing. 

  • Saranac Lake Board Rejects Site for Potential Music Venue

    The Village of Saranac Lake Board of Trustees have turned down a requested zoning change that would have turned a field adjacent to a decommissioned landfill into a multi-use music venue, event space and athletic field.

    The property, located on Moose Way and seen on the map below at right, is owned by Bob Farmer, who envisioned taking his property, as well as the former landfill – for which the village has a $435,000 grant to convert into athletic fields – and turn the field into Mountain View Performing Arts Field. These plans are now on hold as Farmer weighs his options.

    At a village meeting on Monday, October 9, and as reported by Adirondack Daily Enterprise, locals and neighbors of Farmer’s property showed up to voice concerns that this change in zoning would lead to increased traffic, noise, and littering in the small Adirondack town.

    This was not the first time Farmer has been turned down by a local board for use of the land for concerts, music and events. The town of North Elba rejected the proposal as it may set precedent for commercial use within a residential area.

    With Farmer’s property located in North Elba, and not Saranac Lake, the village board rejected the proposal on this technicality, saying it would need to be annexed before consideration, but based upon concerns of locals, it seems the two best avenues for Farmer have dried up. Resident of Saranac Lake Jacquelyn Dubee said “I feel that it is unfair for the community members to be forced to take a say on what we’re going to be using that land for when we don’t want it to be used for anything,”

    The Village of Saranac Lake

    One resident, Shannon Madden, started a petition opposing the plan, which she said has 200 signatures so far. With the potential crowd capacity likely to be 3,000, Madden considered this potential venue leading to a “full town invasion.” For those unfamiliar – route 73 that brings most traffic in from I-87 and points east, is a two lane road, with no room for development to expand. The traffic heading into Saranac Lake is already intentionally slowed down as you approach the village center, making the potential for another 500-1000 cars enough to bring the village to a stand still, with no other roads in the area making this feasible.

    Christine Collins, a Saranac Lake native and resident of Potsdam has been attached to be venue manager at the Mountain View Performing Arts Field. She pointed to playing it safe as the factor that is holding the town back. “This is about this village and its desperate need for change, culture, diversity and enrichment. While I respect the past, we must let go of antiquated thinking and begin to move forward.

    While Farmer and Collins may have exhausted their options, the pair will press ahead and explore alternatives to bringing this site to fruition.

  • Parker McCollum Announces 2024 Tour, Stop at SPAC

    Parker McCollum, ACM Award Winning, and Multi-Platinum selling singer/songwriter, is set to embark on a 41-date U.S. Burn It Down Tour 2024, with one stop in Saratoga Springs in May.

    Singer/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music’s undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen’s One Night at a Time World Tour. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” MusicRow listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021.

    A dedicated road warrior, Parker McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold-out shows nationwide in 2021) including record-breaking crowds in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+), Jackson, MS (5000+), Kearney, NE (3000+), Nashville’s Ryman Auditorium, and three nights at Fort Worth’s iconic Billy Bob’s Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023.

    He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards, and scored his first-ever nomination in the New Artist of the Year category at the 56th CMA Awards.

    Produced by Emporium Presents, Parker McCollum’s tour will kick off on January 18 at Spokane Arena in Spokane, WA making stops in Dayton, New Orleans, Indianapolis, and more before wrapping up in Corpus Christi, TX at American Bank Center Arena on August 31. In addition, joining McCollum on select dates throughout the tour will be special guests Corey Kent, Larry Fleet, George Birge, and Catie Offerman.

    2024 is going to be the biggest and best show we have ever put together. I can’t wait for all the fans to come see what we are working up. The Burn It Down Tour is going to be absolutely epic.

    Parker McCollum

    The tour announcement comes on the heels of McCollum’s latest release, the critically acclaimed album Never Enough (released on May 12 via MCA Nashville) which includes his RIAA-certified Platinum hit, “Handle On You,” and his explosive current radio single, “Burn It Down.” Most recently, he was notably nominated for New Artist of the Year at the 57th Annual CMA Awards.

    Tickets will be available starting with presales (details below) beginning October 17. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, October 20 at 10 a.m. local time and vary by city*; check local listings at EmporiumPresents.com for more information.

    Burn It Down Tour 2024:

    Thu Jan 18 | Spokane, WA | Spokane Arena

    Fri Jan 19 | Everett, WA | Angel Of The Winds Arena

    Sat Jan 20 | Eugene, OR | Matthew Knight Arena

    Thu Jan 25 | West Valley City, UT | Maverik Center

    Fri Jan 26 | Idaho Falls, ID | Hero Arena Inside The Mountain America Center

    Sat Jan 27 | Billings, MT | First Interstate Arena at MetraPark

    Thu Feb 01 | Peoria, IL | Peoria Civic Center

    Fri Feb 02 | Huntington, WV | Mountain Health Arena

    Sat Feb 03 | West Lafayette, IN | Elliott Hall of Music

    Thu Feb 08 | Kalamazoo, MI | Wings Event Center

    Fri Feb 09 | Dayton, OH | Nutter Center

    Sat Feb 10 | St. Louis, MO | Chaifetz Arena

    Fri Mar 01 | Columbia, SC | Colonial Life Arena

    Sat Mar 02 | Savannah, GA | Enmarket Arena

    Thu Apr 04 | Abilene, TX | Taylor County Expo Center

    Fri Apr 05 | Edinburg, TX | Bert Ogden Arena

    Tue Apr 11 | New Orleans, LA | Smoothie King Center

    Sat Apr 12 | Lake Charles, LA | Lake Charles Civic Center

    Sat Apr 13 | Waco, TX | Touchdown Alley at McClane Stadium

    Tue Apr 18 | Roanoke, VA | Berglund Center

    Fri Apr 19 | Greensboro, NC | White Oak Amphitheatre

    Thu May 02 | Salina, KS | Tony’s Pizza Events Center

    Fri May 03 | Rogers, AR | Walmart AMP

    Sat May 04 | Columbia, MO | Mizzou Arena

    Fri May 24 | Saratoga Springs, NY | Broadview Stage at SPAC

    Sat May 25 | Gilford, NH | Bank of NH Pavilion

    Sun May 26 | Bangor, ME | Maine Savings Amp

    Sat Jun 01 | Jacksonville, FL | Daily’s Place

    Sat Jun 08 | Detroit, MI | Michigan Lottery Amphitheatre at Freedom Hill

    Thu Jun 27 | Des Moines, IA | Wells Fargo Arena

    Fri Jun 28 | Indianapolis, IN | TCU Amphitheater at White River State Park

    Sat Jun 29 | Kansas City, MO | Starlight Theatre

    Tue Jul 18 | Brandon, MS | Brandon Amphitheater

    Fri Jul 19 | Orange Beach, AL | The Wharf Amphitheater

    Thu Aug 15 | Nampa, ID | Ford Idaho Center Amphitheater

    Fri Aug 16 | Bend, OR | Hayden Homes Amphitheater

    Sat Aug 17 | Ridgefield, WA | RV Inn Style Resorts Amphitheater

    Fri Aug 23 | Rio Rancho, NM | Rio Rancho Events Center

    Sun Aug 25 | Morrison, CO | Red Rocks Amphitheatre

    Fri Aug 30 | College Station, TX | Reed Arena

    Sat Aug 31 | Corpus Christi, TX | American Bank Center Arena

    For more information, visit Parker McCollum’s website, or follow him on Instagram, Facebook, or Twitter.

  • Timbre Coup Release “Firestorm,” Discuss Upcoming Album

    Albany by way of Altamont prog-rockers Timbre Coup released a new single, “Firestorm,” on September 21, coming two years after the release of Sudden Urge.

    timbre coup firestorm

    Timbre Coup  – Andrew Chamberlaine (guitar), Ben Pickering (bass), Dan Gerken (guitar/vocals), Matt Pickering (drums) – grew from the Capital District music scene in 2007, moving on to play hundred of shows alongside bands including The New Deal, Dopapod, Papadosio, Pigeons Playing Ping Pong, and Consider the Source, in additional performing at Camp Bisco, Catskill Chill, moe.down, The Big Up, Mountain Jam, Wormtown and Strangecreek, among others.

    Following a hiatus from 2014-18, which saw the band perforing in projects including Mister F and Lord Electro, Timbre Coup began playing and preparing for live shows again, making their triumphant return to a near sold out crowd on March 2, 2019 at The Hollow. Check out the live album from their return show on Bandcamp.

    In 2020 the band would go on to record and later release in 2021 their fourth original album, Sudden Urge, a collection of previously unrecorded songs, both old and new.

    Timbre Coup performing at Lark Hall – photo by Zak Radick

    Singer and lyricist Dan Gerken shares this on the new track:

    Firestorm was written in summer/fall of 2022 and consists of a guitar harmony driven theme throughout. The harmonies range from beautiful mixolydian keys to a more minor approach as the song wears on, telling a weaving story of heartache many people can relate to. The lyrics are meant to uplift. The song is a reminder to not be so dependent on a lover or a partner, but each has to stand alone in greatness to magnify the results of the partnership.

    “Firestorm” is the latest from Timbre Coup and is part of a new recording and writing goal for the band as they embark on their fifth studio album this coming winter and spring. The band records at Gerken’s studio just outside of Albany, giving the group a great deal of freedom and flexibility in the recording and writing process. With raw ideas aplenty, the band looks to the structure and writing styles for each song as they press ahead.

    We have another completed song we are going to finish and release hopefully by the end of the year, and then we get to really start grinding on some new and old ideas in the practice space and the studio to get the desired amount of material for a release.

    Dan Gerken, guitar/vocals, Timbre Coup

    Timbre Coup brings a little something for everyone in the live setting as well, giving the group room to improvise upon their dynamic compositions, sing both melodic and haunting vocals, all with slick chops from all members, entertaining any crowd with fervor.

    Catch Timbre Coup on October 27 at The Hollow, supporting Long Island’s Baked Shrimp.

    “Firestorm” lyrics

    There was a place
    where the water didn’t flow
    There was a place
    All that matters is what you hold
    In spite of it all
    it’s a hopeless mess for some
    there was a place
    I’d like to run

    I saw that she left me for dead
    and I was freaking out
    I knew I should’ve left her instead
    But now I’m bleeding out

    Description for some
    Definition for all
    I don’t want to see you
    dropping the ball
    So carry that weight
    a burden reaffirmed
    and begin to use
    all that you’ve learned

    “Firestorm” from Timbre Coup was released on all platforms in Septmeber 2023.

  • In Focus: The Tea Party Brings The Heat to Buffalo

    The Tea Party, a Canadian rock band formed in 1996 in Windsor, Ontario, Canada started their fall 2023 tour in Buffalo on Oct 13, to a sold-out crowd at the famous Town Ballroom.

    The evening began with an intimate VIP acoustic set from the band to a crowd of steadfast fans on the Oxford Pennant stage of the Town Ballroom. This smaller stage worked well for this intimate VIP crowd of around seventy people. A handful of stories from the road along with the songs played made the moment quite special.

    The opening act, Human Kebab, a Canadian DJ from Stouffville, Ontario, Canada began the night in the main ballroom in support of The Tea Party by spinning and mixing many genres of high-energy music, including, but not limited to Hip-Hop, Rock, Alternative, Electronic and more.

    For the main event, fans of The Tea Party lined up early for night one of this two-night run at the Ballroom as to make sure to get a great spot as close to the stage as possible for what would be an evening they would not soon forget.

    As the house lights went down and the walk-on music started, the sold-out crowd erupted with cheers and applause. The energy was high from the beginning all the way to the end of the show with everyone in attendance hanging on to every word sung, and every note played throughout the night.

    Setlist: The River, the Bazaar, Psychopomp, Fire in the Head, The Messenger, Black River, Heaven, Save Me, Release, Temptation
    Encore: Sister Awake

  • In Focus: Biscoland brings Disco Biscuits Music Festivals back to New York

    Disco Biscuits have a long history of music festivals in New York State, their own Camp Bisco, as well as numerous performances at festivals of all sizes around the state. For the first time since 2013, a new, intentionally more intimate festival, BISCOLand, was conceived and held in Lafayette at Wonderland Forest over October 6-7.

    biscoland 2023
    photo by Tara Gracer

    Joining Disco Biscuits were a pair of bands that appeared on earlier Camp Bisco lineups – Lotus and Emancipator, and newcomers to the Bisco fold – Opiou, The Floozies, Eggy and Space Bacon. With classic Camp Bisco lineups featuring up and coming artists as well as staples of the EDM/jamtronica community, the vibe of a stripped down but still well dressed music festival, perfect for an autumn weekend in Central New York.

    As for the Disco Biscuits, the jamtronica pioneers took the opportunity to break new ground with some unique musical pairings over the weekend. Biscuits fan Shimmy noted this was the first time the band segued “Confrontation” into “Orch Theme” and followed that up with “And The Ladies Were the Rest of the Night,” the other being December 29, 2014.

    Even more notably, the band took the encore on Saturday, October 7 to perform the first ever inverted “Kitchen Mitts,” playing the ending of song first, then the first part. Add to that this inverted “Mitts” appeared inside of a fitting encore appearance of “Home Again” made for an apt coda on the weekend.

    Setlists via Biscuits Internet Project

    Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 6, 2023

    Set 1: Wet, Munchkin Invasion > The Wormhole > Space Train > Cyclone > Nughuffer1
    Set 2: Nughuffer 1 > Shocked > To Be Continued > Reactor 2 > M1 > To Be Continued

    1 dyslexic
    2 inverted

    Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 7, 2023

    Set 1: Jam 1 > Bombs > The Deal > Voices Insane 2 > I-Man
    Set 2: Mindless Dribble 3 > Confrontation 4 > Orch Theme 5 > And the Ladies Were the Rest of the Night 4 > Spacebirdmatingcall
    Encore: Home Again > Kitchen Mitts 6 7 4 > Home Again

    1 w/ ‘Could U Be Loved’ (Bob Marley) teases
    2 unfinished
    3 w/ Wormhole quotes
    4 inverted
    5 w/ Crickets tease
    6 LTP 2/4/2023 (53 shows)
    7 first time inverted

    Photos from BISCOLand by Tara Gracer

  • Ice Spice and Pete Davidson Welcome Back Saturday Night Live

    The first episode of Saturday Night Live‘s 49th season aired on October 14, with former cast member Pete Davidson hosting, joined by musical guest and Bronx native, Ice Spice. The show had been on hold due to the recently ended Writers Guild of America strike.

    pete davidson saturday night live ice spice

    Opening the show with an uncharacteristically serious message, Davidson discussed the events in Israel and Gaza, comparing the recent terrorist attacks to those of 9/11, when Davidson’s father Scott, a firefighter, was killed in the tragic events of that day. It was comedy – Eddie Murphy’s Delirious – that helped Pete deal with the childhood trauma he endured, and with saying that, Davidson shared he would try to be funny this evening.

    And try he did, with a few fresh sketches – Wired Autocomplete Interview, Beach Day and Secretary – plus topical sketches including FOX NFL Sunday pregame coverage, where the hosts cannot stop talking about Taylor Swift, regardless of her lack of connection to football.

    Davidson didn’t appear as Chad or at the Weekend Update desk as he would while a cast member, instead dialing all his energy into “I’m Just Pete,” a parody of “I’m Just Ken” from this summer’s Barbie movie. Self-deprecating to the core, Pete makes light of himself and criticisms of his character in a poignant and hilarious digital short.

    Ice Spice served as musical guest for the first time on Saturday Night Live, having gained a following for her unique voice and style of rapping. This past week, the Bronx-native rapper won big at the 2023 BET Hip-Hop Awards for Best Breakthrough hip-hop artist, and coming up in November, she will open select dates for Doja Cat.

    Standing stiffly on the Studio 8H stage, an LED box was created around Ice, with two dancers flanking her with a low LED ceiling and dancefloor, while she sang her hit “In Ha Mood.”

    https://www.youtube.com/watch?v=u4t2SKGjkTE

    Ice Spice’s second song this evening was introduced surprisingly by Taylor Swift, with her new song “Pretty Girl” on, with Nigerian singer Rema joining her for a duet.

    https://www.youtube.com/watch?v=s3FzkxeEACE

    SNL returns on October 21 with host and musical guest, Bad Bunny.