Karina Rykman made her debut appearance in Saratoga Springs with a show at Putnam Place on Thursday, November 30. With a strong crowd in attendance – and some fans making the trek up to Burlington on December 1 and 2 – Rykman’s first show in the Spa City will certainly not be her last.
Opening the night was Coyote Island, a reggae/pop group from Maine, on tour with Rykman this fall.
Throughout her single set, Karina would play a variety of songs from her debut album, Joyride, released this past August. Beginning the show with some of the most familiar tracks on the album, from “Beacon” through “Plants,” each was played with slow building energy and focus from the band, loosening up as the set progressed.
“City Kids” would mark a frenzied shift of the set’s vivacity, with Rykman running around in circles, pumping the already engaged crowd up even more. Guitarist Adam November dropped rapid fire guitar, the kind you’d hear in “The Great Curve,” with just the proper amount of distortion incorporated – never too heavy and present in the right spots. Rykman dropped a few bars of “The National Anthem” by Radiohead, per usual turning ears to the stage when this ear worm of a bass line makes its appearance.
“Run of the Mill” brought with it venue-shaking bass bombs, and slowly seeped into Butthole Surfers’ “Pepper,” which had more energy than the 1996 song. Rykman and drummer Chris Corsico put a grungy feel to the debut of “Canary in a Colemine,” a tinge of Mary J. Blige’s “Family Affair” slipping in amid the final songs of the set.
For an encore, Rykman chose to debut “Song 2” from Blur, a great addition to their setlist arsenal, and a performance that assures her return to the Capital Region in the future.
Setlist: Beacon, Skylark/Slowlark, Joyride > All That You Wanted > Plants > Arbitrary > Dirty South, City Kids, Run of the Mill > Pepper, Reboot, No Occasion > Canary in a Colemine > The Hardest Button to Button, Atom Dance, Elevator Encore: Song 2
Up next for Rykman is a performance at Warren Haynes’ XMas Jam in Asheville, NC on Saturday, December 9, then at Mohegan Sun on December 30. Check out her full tour dates here.
If you grew up in the past three decades paying attention to pop culture, then you know Britney Spears. She took America by storm since she was just a little girl with her raw vocal talent and knack for dancing. With her quick rise to fame came unexpected and unwanted attention: being scrutinized by the media for her clothes, her body, her virginity, and later on, her mental health.
It didn’t matter that she was successful; she shaved her head and went “rogue,” so she was “bad.” She was put under a conservatorship, a legal status where someone else is appointed to take care of personal and financial matters instead of the original person, typically reserved for the elderly or disabled: of which, she is neither. Britney Spears’ book The Woman In Me uncovers the Circus that was her life, the abuse she endured, and how she is recovering to this day.
Britney Spears revolutionized teen pop during the 1990s and early 2000s. She signed with Jive Records in 1997 at the young age of 15, and faced immediate success. …Baby One More Time and Oops!…I Did It Again are among the best-selling albums of all time.
She’s a famous artist, but she’s also a mother of two boys (Sean Preston Federline and Jayden James Federline), as well as an author, as of October 2023.
Spears, with the help of ghostwriter Sam Lansky, tells her story. She starts with her early life, hiding no tarnishes, such as her family’s struggles with mental health and her father’s alcoholism, and how both have affected her throughout her career.
Spears began taking dance lessons in her hometown of Kentwood, Louisiana, and from then, she was hooked. She later tried out for the 1990s revival of The Mickey Mouse Club, and after being rejected the first time and returning later with more experience, she was hired in December of 1992 as well as Christina Aguilera, Justin Timberlake, Ryan Gosling, and Keri Russell. After the termination of The Mickey Mouse Club, she realized she needed to pursue her true passion: music.
After a few rejections, Jive Records signed Spears and ordered a full album, which we know today as the infamous …Baby One More Time.
With so much success so fast, Spears realized that her life would never be the same. She was no longer a 15 year old girl in Louisiana: she was a national super star. And with all that attention came a lot of unwanted attention, too.
Male hosts, some who could be classified as Womanizers, constantly asked about her breasts, her virginity, and her “risqué” clothing. She noted that many of her male peers simply weren’t asked these questions. In fact, the sexism in the industry is very easily distinguished from her recollection of her time dating Justin Timberlake.
Their relationship was very serious very fast, which unfortunately led to many issues. Timberlake allegedly cheated on Spears with numerous women, but that’s not how he told the story. Through his music videos, he alluded to Britney Spears cheating on him, and how it hurt him so much– and everyone believed it, because why wouldn’t they?
What didn’t make it into the press was the abortion she underwent at Timberlake’s request, and the pain and heartache it caused her. Britney Spears recounts her loneliness at this time and how, no matter what, she felt her story would be overshadowed by Timberlake’s.
She fell into a deep depression, feeling as if the world was against her, and no matter what she did, it was wrong. She later married Kevin Federline, with whom she had their children, and ultimately divorced in 2007. During a long and difficult custody battle, Spears was often photographed at her worst: she lost her children, lost her voice, and lost any support system she had (if there even was one to begin with). The most infamous photos from this time are when she shaved her head, and proceeded to smash a car window with an umbrella. This image tarnished her reputation, changing her from being a pop star to a Crazy woman. She was put under a conservatorship for her well-being, but what she really needed was support and real, genuine help.
After 13 years of having her life controlled at the hands of her Toxic father, being told what to eat, when to eat, when to go to the bathroom, when to perform, and even being denied the removal of her IUD, she had enough when her father allegedly hurt one of her sons. She started searching for a good lawyer, and a court date was eventually set.
In November of 2021, the conservatorship was removed, and Britney was free. After years of other people telling her story– the press, her Criminal father, and numerous documentaries– she decided it was time to tell hers.
“Sometimes I talk trash on Instagram. People don’t know why I have such anger toward my parents. But I think if they were in my shoes, they would understand.”
Britney Spears’ “The Woman In Me,” pg. 171
Britney does not deny that the trauma she endured made her Stronger, and she makes it clear that she would not be the woman she is today if it weren’t for that trauma. But she also makes it clear that she, or any woman for that matter, shouldn’t have to be that strong in the first place, because no one should go through what she did.
Being a religious woman herself, one would think that she’d be preaching “forgiveness sets you free,” but it’s the opposite.
In our patriarchal society, women are indirectly, and sometimes directly, told to not express anger. It’s not feminine, it’s not pretty, so don’t do it. But Britney Spears has a lot of rage because of her past, and she doesn’t hide it, because women shouldn’t have to.
“In that moment, I made peace with my family– by which I mean that I realized I never wanted to see them again, and I was at peace with that.”
Britney Spears’ “The Woman In Me,” pg. 251
While there were some flaws, such as a vague description of some vital points in her career (such as the sexualization of her from such a young age and how that affected her later on, and her Instagram posts), one thing that this book really gets right is peace.
While she says that reaching peace is important, she actually defines her version of peace. “Peace,” to Britney, is not forgiving her family for what they did to her, or even keeping them in her life. Peace is being alone, and being at peace knowing that you are okay alone. So no, she does not forgive them– but she’s still free.
The idea that you have to forgive someone who traumatized you is absolutely ludicrous: and that’s really the takeaway from Britney’s book. Sometimes it’s okay to be angry, and it’s okay to feel that. Don’t let it destroy you, but remember that you don’t owe anyone anything.
The Buffalo Central Terminal invites the WNY community to join in seasonal merriment at the inaugural Winter Fest. As the cold weather sets in, Buffalo Central Terminal’s outdoor Winter Fest event promises a heartwarming and memorable experience for attendees of all ages.
Winter Fest at the Terminal features an ice sculpture display, horse-drawn carriage rides, a variety of winter characters, live saxophone performance and DJ music from Will Holton, Victorian-themed carolers, AKG Art Truck kids’ activity, and more.
The Central Terminal Restoration Corp. (CTRC) is a 501c3c non-profit organization driven by a mission to develop the Buffalo Central Terminal – a majestic historic landmark – as a lasting cultural and economic hub for the community. The CTRC has cared for this living landmark for more than 20 years. A prominent feature of Buffalo’s East Side and the Broadway-Fillmore neighborhood, the Buffalo Central Terminal is an opportunity to ignite a shared vision for a new future. The 2021 community-driven Master Plan re-establishes the Terminal as a vibrant local and regional destination—a beacon that attracts people and investment, celebrates and fosters community voice, and shapes broader equitable development.
Buffalo Central Terminal‘s Winter Fest is the perfect opportunity to embrace the winter spirit, bundle up for an outdoor celebration, and create lasting memories with friends and family, so clear your calendar on Saturday, December 9th, from 12:00 pm to 2:00 pm.
“These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.”
Lindsey Taylor, events consultant for the Buffalo Central Terminal.
EVENT FEATURES
Ice Sculpture Exhibition: Renowned artist Stan Kolonko from The Ice Farm will craft a 7-ft tall Terminal Tower and other impressive ice sculptures.
Horse Drawn Carriage Rides: Enjoy scenic rides against the backdrop of Buffalo Central Terminal in charming horse-drawn carriages.
Winter Characters: Meet popular winter characters Elsa and Olaf from Frozen, the Grinch, and a festive Toy Soldier.
Live Jazz and DJ Music: Will Holton returns to the Terminal for a live saxophone and DJ performance.
Victorian-Themed Carolers: Experience the spirit of the season with holiday favorites performed by a trio of Victorian-themed carolers.
AKG Art Truck: Encourage creativity at the AKG Art Truck, offering engaging artistic activities for kids.
Crafts for All Ages: My Victorious Lifestyle will offer candle decorating for all ages.
Hot Beverages: Bubba’s Blue Coffee & Logan Berry will offer hot beverages for attendees to enjoy.
Winter Fest at the Buffalo Central Terminal is completely free to enter, and all are welcome. For more information and event updates, please visit the Buffalo Central Terminal website.
The Albany Symphony has a fun, festive lineup of holiday shows this December, featuring events and performances such as The Magic of Christmas, and two shows by world-renowned pianist and Grammy nominee Yefim Bronfman. The symphony organization will get involved this holiday season with a toy drive and collaborations with new and long-time community partners during their upcoming programming.
On December 3, The Palace Theater will present The Magic of Christmas, joined by community partners including The Music Studio, Capital District Youth Chorale, Boland School of Irish Dance, and the Zorkie Nelson African Drumming Ensemble. The performance will feature favorite Christmas carols, sing-a-longs, selections from the beloved Nutcracker musical, and more festive performances for all ages. In addition, Santa Claus will make an appearance for a night filled with family fun.
On December 9 and 10, the symphony will welcome six-time Grammy nominee Yefim Bronfman to Troy Savings Bank Music Hall, performing a selection of famed classical pieces for Capital Region audiences. A world-renowned piano soloist, Bronfman will present Johannes Brahms’ Piano No. 2, Robert Schumann’s Symphony No. 4, as well as the world premiere of Loren Loiacono’s Beanie’s Chapbook.
We are so fortunate to have Yefim Bronfman join us for these exciting concerts. He is one of the greatest pianists in the world, and a dear friend of our Albany Symphony. We are always deeply honored that he makes time in his busy schedule to come play with us. Working with an artist of his caliber elevates all of us, and always inspires us to match his brilliance. Hearing the mighty Brahms Piano Concerto No. 2 in the legendary Troy Savings Bank Music Hall with arguably its greatest living interpreter and our brilliant Albany Symphony musicians will be an unforgettable experience for everyone!
David Alan Miller, Music Director and Conductor
In addition to the upcoming performances, audiences are invited to participate in a Toy Drive for Mom Starts Here on December 3. The organization will be accepting new and unwrapped toys for the nonprofit that works to support local parents in need of resources and support as they navigate parenthood.
Tickets for these events and more information on Albany Symphony performances are available at albanysymphony.com.
On a day where shoppers flocked to stores and malls in search of holiday deals, music fans made their way to the Middle Ages Beer Hall to see Mike Powell and the Echosound. The Echosound, a jam-rock band from Syracuse is the latest musical incarnation of singer-songwriter Mike Powell.
Opener Neil Minet got things rolling on Friday evening, with a blistering sixty minute set. Minet and his band have been turning heads over the last year in Syracuse, has included a notable performance at the 2023 NYS Blues Fest. The Neil Minet Band blends blues, funk and R&B sounds, resulting in a set that had the entire room swaying and dancing.
As Mike Powell and his bandmates took to the stage, Powell stepped towards the mic and offered a smile and the following words; “Let’s have some fun.” With that, the house lights dimmed and the band was underway. Opening with a cryptic musical jam, guitarist John Hanus was given the opportunity to step in to the spotlight early, and he did not disappoint. Hanus would deliver a guitar solo that was both beautiful and powerful, while backed by the strong musicianship of the remaining members of the Echosound. As the solo ended, Mike Powell quickly launched in to the raucous and upbeat “Submarine Gin.” The set was fully underway and the packed beer hall crowd pushed their way closer to the stage.
It was evident early and often that Mike Powell and the Echosound carried with them a loyal and devoted following, as fans danced, swayed, and sang back Powell’s catchy choruses, with the concert hall filled elbow to elbow with fans. While the band performed many of the dynamic tracks off their recent release Plastic Spoon Honeymoon, they dipped their toes into Mike Powell’s diverse solo catalog as well.
Songs like “Josephine” took on dramatic new life when paired with the talents of the Echosound. The song, which would stretch over nine minutes long, would build to yet another epic solo by Hanus, while bandmates Zak Masoud (bass guitar), Adam Manion (percussion) and Jeff Alderman (keyboards) kept pace, each taking their turn to shine. The song would eventually break down into a brief cover of “Come Together”, fusing both songs into one seamless piece. It was perhaps the standout moment on an evening filled with highlights, and one that will be sure to keep music fans coming back to see the band.
Jess Novak has released her EP Sonrise, a love letter to the two most important men in Jess’ life: her husband and her son. She also comes with news of future concert dates and other projects to come.
Jess Novak (electric violin, guitar, vocals, piano, percussion, looping) makes The Jess Novak Band what it is with the help of Byron Cage on drums, Anthony Saturno on electric guitar, Jay Fabbri on bass, and Gavin George and Marcus Oliver on drums.
Having traveled across the country and playing 200 shows every year, Jess Novak and her band are well-versed in music, determined to make their next concert even better than their last.
Novak boasts many talents: with her electric violin and other instruments, she also is credited with aiding in the creation of F.I.R.E Festival (Females. Inspire. Rock. Empower.). This event is meant to create a safe space for women in a male-dominated industry, inviting old and young from all kinds of backgrounds.
F.I.R.E is also accepting applications for participants, be it volunteering, performing, or sponsoring.
On top of this festival, she also boasts a future in being an author, with one already published book Dare to Begin published in September 2022, discussing her own musical journey and dreams. Another book is also on the way– a fiction novel “The House Musician” likely to hit the shelves in 2024.
Just when you think she can’t do anything else, Jess brings a life into the world. She and her husband, Ben, collaborated on an EP called Sonrise, an in-depth and vulnerable love letter to her son, the life she brought into the world, and the immediate connection they shared since his birth.
It’s an eclectic album with heartfelt vocals and rock instrumentals, from the loving “Falling” to the hard rock “My Baby,” this EP shows all the emotions that can be experienced when one becomes a parent, and how this forever alters one’s life.
“This album doesn’t feel like an album to me. It feels like a love letter to the two most important men in my life. It feels like a proud way to say how much I love them and how I can’t believe I’m this lucky to be sharing my heart in these songs.”
Playhouse Stage Company has opened their 36th season presenting the beloved story of The Best Christmas Pageant Ever. Based on the children’s novel by Barbara Robinson, the musical adaptation will be presented at Cohoes Music Hall outside Albany.
The Best Christmas Pageant Ever was first published in 1971, and has since become a children’s classic holiday story. After a nearly sold out run in 2017, Playhouse Stage Company continues to present the show each year for holiday audiences in the Capital Region.
The story follows the “horrible Herdmans,” a rowdy family keen on joining the local Sunday School Christmas pageant. With humor, song, and heartwarming moments, the production brings laughter and holiday cheer to audiences all over. This year’s cast features 7 local professional actors, alongside 13 local Playhouse Stage Academy students in age appropriate roles.
The show will run from December 1-23, with 7PM performances on Thursdays, Fridays, and Saturdays, and 2PM performances on Saturdays and Sundays. Tickets for The Best Christmas Pageant Ever are on sale through The Cohoes Music Hall Box Office, by phone at 518-434-0776, or online at www.playhousestage.org.
Gogol Bordello and Bernard Summer have released their cover of “Solidarity” by Angelic Upstarts.
Ukrainian frontman Eugene Hütz of international punk rock band Gogol Bordello, have announced the re-launch of his label Casa Gogol Records and set to showcase the sound of the New York scene and collaborate with legends of the punk rock community. Casa Gogol first started as a touring series curated by Hütz, focusing on bringing like-minded artists on the road with Gogol Bordello.
Casa Gogol released a cover collaboration on November 27, with Gogol Bordello and Bernard Summer of Angelic Upstarts’, “Solidarity”, to honor tribute to the anti-soviet movement to benefit Ukraine and stand in solidarity with oppressed groups worldwide. Aiming to provide proceeds to Ukrainian soldiers recovery, aid children affected, support needed medical supplies and provide other resources.
“This is a particularly meaningful collaboration for us. To do this tribute with one of the most masterful and brilliant pioneers, Bernard Sumner, is truly epic and timely.”
– Eugene Hütz
“Solidarity” uses powerful lyrics that is upbeat, influential and highlights the importance of Ukraine while they sing, “As the people of Ukraine take their stance, and behind them, every honest living man.” They chant, “Give them hope, give them strength and give them light,” to tribute and bring peace to the people of Ukraine. A strong backbeat sews the song together with violin, guitar, and synthesized sounds on the keyboard that pulls punk and rock into a moving tune.
Country star Jason Aldean has announced a 24-city extension of his cross-country Highway Desperado Tour, featuring special guests, festivals, and VIP opportunities for fan across the US. Kicking off on May 18, the tour includes three NY dates in Syracuse, Wantagh, and Darien Center this summer.
After a successful 40-date run in 2023, Jason Aldean will continue the Highway Desperado Tour in the summer of 2024. The tour begins on May 18 in Thackerville, OH, with stops at landmark venues such as Bristow, VA’s Jiffy Lube Live, NC’s Greensboro Coliseum, and more. Aldean will play in New York on three dates. He will stop in Syracuse at the Empower Federal Credit Union Amphitheater at Lakeview on July 11, in Wantagh at the Jones Beach Theater on July 12, and finally, at Darien Center’s Darien Lake Amphitheater on August 1.
Aldean recently released his 11th studio album on November 3 to huge success. The 14-track record includes hit singles such as “Try That In A Small Town” and “Let Your Boys Be Country.” The latter includes a brand new music video featuring guest appearances by Aldean’s young son and daughter, and focuses on the simplicity and nature of rural childhood life.
The Highway Desperado Tour features special guests including Hailey Whitters and Lauren Alaina, as well as Chase Matthew, Austin Snell, and Dee Jay Silver at select shows. In addition to the newly added dates, Jason Aldean will headline festivals such as the Winstock Country Music Festival, the Voices of America Country Music Festival, and Canada’s YQM Country Music Fest.
Tickets for the Highway Desperado tour go on sale on December 15 at 10AM. A variety of VIP packages and experiences are available, including premium tickets, access to the Jason Aldean VIP Lounge, pre-show acoustic performance and Q&A, VIP gift items, and more. Tickets and more information are available at JasonAldean.com and vipnation.com.
Jason Aldean HIGHWAY DESPERADO 2024 Tour Dates
5/18/24 – Thackerville, OK – WinStar World Casino and Resort*
7/11/24 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview&
7/12/24 – Wantagh, NY – Northwell Health at Jones Beach Theater&
7/13/24 – Holmdel, NJ – PNC Bank Arts Center
7/25/24 – Savannah, GA – Enmarket Arena^
7/26/24 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach^
8/1/24 – Darien Center, NY – Darien Lake Amphitheater^
8/2/24 – Camden, NJ – Freedom Mortgage Pavilion^
8/3/24 – Scranton, PA – The Pavilion at Montage Mountain^
8/8/24 – Evansville, IN – Ford Center^
8/10/24 – Burgettstown, PA – The Pavilion at Star Lake^
A music and emotion-filled weekend at The Capitol Theatre wrapped up on Sunday, November 26, as Twiddle, a band whose near two-decade tenure as a dominant Northeast jam band, came to a close. Using the annual ‘Frendsgiving‘ celebration to begin their indefinite hiatus, the group’s dedicated final performances (for now) matched the love and affection Twiddle fans poured out over three days and nights in Port Chester.
Frendsgiving has been a Twiddle tradition since at least 2017, a celebration around Thanksgiving that brings the Twiddle faithful together for a two or three night run at The Capitol Theatre. The fans who have made Twiddle a brand that goes well beyond the band are the core of this community, taking the music and lyrics, embracing them and incorporating them into their lives, as well as their artwork and inspired creations.
Celebrated Frend Art events have brought fans together in great numbers, showing the inspiration the band imparts on their fans. On Saturday, November 25 and Sunday, November 26, Coda Davidson once again brought Frend Art together for two shows, full of live music, workshops, live painting, and a chance to meet the artists and creators of these galvanized creators, for the first, or potentially, last time. Events like these are the reason Twiddle was head and shoulders above many of their brethren in the jam scene, creating a scene that was truly organic, mirroring the jams the band bring to the stage each night.
That was something that always stuck out about Twiddle – the band offered a fresh perspective of an organic fanbase and movement, one that was seen over the decades, bringing along comparisons to Phish, given their Vermont roots and tendency to jam off of oddly named songs. But Twiddle was not Phish, nor the ‘next Phish’; if anything, Twiddle was indicative of a generational swing for (primarily) millennials who sought to carve their own niche in the jam scene, being far more than a photostat of the ‘other’ four guys from Vermont. The comparisons between the two bands began and ended with ‘’well, they’re from Vermont and there are four guys in the band” simply because there was no reason for a ‘next Phish,’ which holds true even today with other bands from the Northeast.
One aspect of Twiddle’s legacy that may be overlooked is how effectively the band made sure to uplift bands in the jam scene that were just starting out, giving these artists with small followings a big stage by opening up for Twiddle at various points in the first half of the 2010s. Former Twiddle manager Kevin Rondeau was instrumental in this, seeing the promise of bands like Mister F, Wild Adriatic, and Strange Machines, offering them opening slots or late night at festivals across the Northeast. There were countless bands you could see at Frendly Gathering or Tumbledown who you might be able to see at some point at a club, but this elevation to festival billing or direct support at a show was a game changer for those bands lucky enough to have the opportunity, particularly for those who knew how to use this boost to their long term advantage.
So as Twiddle entered this final stretch of shows, I found myself nostalgic, wondering how many Twiddle shows I had seen since The Big Up 2010 – I ballparked the number to be around 30 but it could be higher still – and what the legacy of the band will be following this final run at The Cap. I recalled attending the band’s first Capitol Theatre show, seeing the joy from Rondeau and keyboardist Ryan Dempsey when they learned the show was officially sold out, a mere three hours before doors. The fans were alive with energy the entire night, knowing they were witness to the start of the band’s next step.
That energy was still seen outside the Capitol Theatre for Frendsgiving, with Twiddle fans lined up for early entry, aiming to ride the rail one final time, or displaying pin boards and their wares for advance arrivals who sought out the abundance of Hispanic food found throughout Port Chester (don’t sleep on El Rinconcito Salvadoreno, right behind the Capitol Theatre). Fans likewise lined up all through the venue to pick up the final run of merchandise, including three incredible prints from Vinny Naro, and even had a wide selection of prints and merch from the Twiddle archives for sale in Garcia’s.
And then there was the music.
The Kitchen Dwellers provided a great opening set, and sit-ins, on Friday, November 24 and Saturday, November 25, a connection going back over a decade that has seen Kitchen Dwellers making it to the east coast usually twice a year and finding a healthy audience wherever they play.
Friday night of Twiddle began with instrumental “Stroganoff” and “Syncopated Healing,” the latter echoing the phrase/advice “Heal your life,” something not lost on the faithful in attendance and streaming at home on Fans.Live, following with a big jam out of “Daydream Farmer” and inviting up Torrin from Kitchen Dwellers for “Cabbage Face.”
Set two’s “Brick of Barley” welcomed a familiar face in Scott Hannay, AKA ‘stage daddy’. Hannay’s musical journey has included stints with Capital Zen and later with Mister F, as well as his own 8-bit musical creations, and currently serves as keyboardist for Mihali’s band, which has a rosy future paved out for it. “Brick of Barley” also gave drummer Adrian Tramontano a worthy drums segment that made this one of the jams of the weekend. “River Drift” had Mihali coming out to the front of the stage, pouring emotion out of his DGN guitar as he fell to his knees during the peak, fans raising their hands up with requited love. A tease of “Hedwig’s Theme” from Harry Potter was found in “Amydst the Myst,” and sunflowers found space on the walls of The Cap during “Hattis Jam” > “When it Rains it Poors,” the latter an anthem for Twiddle if there ever was one.
The encore on Friday would have Twiddle bring up Kitchen Dwellers quickly, none leaving the stage, as they tuned up all nine musicians for “Glycerine Medley,” which had bits of “No Woman No Cry,” “Wagon Wheel” and “Farmhouse,” framing the first night perfectly with post-show music “You’ve Got a Friend in Me.”
Saturday night’s sets would feature songs that encapsulated Twiddle’s storytelling chops, including fan favorites in the first set, “Nicodemus Portulay,” “Fantastic Tale of Ricky Snickle,” “Mamunes the Faun,” “Beethoven & Greene.” Set two saw a cover of ALO’s “BBQ” inside of “White Light” (which gave its name to the band’s official charity) and the Beatles “Rocky Raccoon” with Torrin and Swain from Kitchen Dwellers joining in. Torrin would stick around for “Subconscious Prelude” and the entire band joining Twiddle for a raucous cover of “Burning Down the House” in the encore slot. Ryan Dempsey took the opportunity to crowd surf, with success, during the encore as Hannay took over on key, the stage lit up with smiles and excitement from the bands in this, their final live collaboration.
photo by Phil Hernandez
Sunday night featured three sets, each one piling on the classic Twiddle songs fans clamored to hear, as well as some rarities in the mix. The first set featured two of those bust-outs, “Bronze Fingers” and “Five,” with a set ending “Earth Mama.” Over the next two sets, the biggest jam vehicles took the crowd for a spin one last time – “Latin Tang” had a jam on Vulfpeck’s “Dean Town,” with Mihali ascending to the Stage Left box seats for an incredible solo; “Apples” made way for “Doinkenbonk,” one of the silliest song titles in the Twiddle catalog, but with a groove and jam that make up for it, and Primus’ “Too Many Puppies” sung perfectly by Zdenek Gubb, slapping the bass with precision to close the middle set.
Set 3 began with “Orlando’s,” a song that has given birth to a music venue of the same name in Burlington. “Jamflowman,” a song that became one of the most identifiable Twiddle songs, thanks to the line “Jamflowman don’t give a damn” found “Frankenfoote” to follow, Frankies projected all across the walls of the Capitol Theatre. “Gatsby the Great” was yet another song that lent itself to becoming Twiddle parlance and art (“Luva Duck“) and closed with an always mesmerizing “The Box.”
Before returning for an encore, Capitol Theatre owner and promoter Peter Shapiro came out to thank the fans, give Twiddle due credit for their longevity, and surprised the band with medals for each of them. After hugs and smiles, the band returned to a song played on Friday night, “When It Rains It Poors,” Mihali calling an audible and returning to their most streamed song, and with appropriate lyrics as they hit pause after 20 years:
Now listen to the words I’m Saying in this line that your life will be just fine and Troubles do not stay they Get replaced with good times Now you got a great life Smile as you walk by Thinking about the Day
Fare thee well Twiddle, we’ll meet again someday.
Twiddle “Frendsgiving”- Capitol Theatre, Port Chester – Friday, November 24, 2023
Set 1: Stroganoff, Syncopated Healing, Daydream Farmer, Cabbage Face (1), The Mission, Brown Chicken Brown Cow# Set 2: Collective Pulse, Brick of Barley (2), The Devil, River Drift, Amydst The Myst$, Mushrooms of the Sea> Dr Remidis Melodium, Hattis Jam > When It Rains It Poors Encore: Glycerine Medley (3) (1) – w/ Torrin Daniels (Kitchen Dwellers) (2) – w/ Scott Hannay (3) – w/ Kitchen Dwellers (no stage break before encore) $ – contained Hedwigs Theme
Twiddle “Frendsgiving”- Capitol Theatre, Port Chester – Saturday, November 25, 2023
Set 1: Nicodemus Portulay> Indigo Trigger, Fantastic Tale of Ricky Snickle, Every Soul> Mamunes the Faun> Every Soul, Beethoven & Greene Set 2: White Light> BBQ [1] > White Light, Rocky Raccoon [2], Subconscious Prelude [3], Polluted Beauty [4], Lost in the Cold [4], Slippin in the Kitchen Encore: Burning Down The House [5] [1] – ALO [2] – The Beatles w/Torrin & Swain [3] – w/Torrin Daniels [4] – Mike on Saxophone [5] – Talking Heads superjam w/Torrin, Swain, Joe Funk, Scott Hannay & Mike on Sax
Twiddle “Frendsgiving”- Capitol Theatre, Port Chester – Sunday, November 26, 2023
Set 1: Be There, Moments, Bronze Fingers, Fighting For, Hattibagen McRat, Five, Earth Mama Set 2: Frends Theme, Latin Tang#, Apples > Doinkenbonk > Too Many Puppies* Set 3: Orlando’s, Jamflowman> Frankenfoote > Gatsby the Great, The Box Encore: When It Rains It Pours > Over the Rainbow > When It Rains It Pours > Every Last Leaf II
# with Scott Hannay * “I Will Always Love You” tease
