A late entry to their 2023 Summer Tour, Phish has announced two nights at the Broadview Stage at Saratoga Performing Arts Center (SPAC) on August 25 and 26, with both shows supporting flood recovery in Vermont and Upstate New York.
Catastrophic flooding has led to thousands of Vermonters and Upstate New Yorkers losing their homes and property, with flood waters wiping out bridges, train tressels, businesses, cars and disrupting lives. A ‘100-year storm’ follows a similarly malevolent storm that blew through the Northeast in 2011, Hurricane Irene, destroying 500 miles of road and 200 bridges.
100% of net proceeds from all concert and merchandise sales will be directed to The WaterWheel Foundation’s 2023 Flood Recovery Fund, which will support the many victims and their families, area businesses, and non-profits. The Recovery Fund will support both shorter-term needs and long-term recovery and resiliency projects.
On September 14, 2011, Phish would hold a benefit concert at Champlain Valley Exposition in Essex Junction, VT, raising money for Vermonters most in need. Phish formed at UVM in 1983 and has deep ties to Vermont, with Trey Anastasio’s The Barn recording studio located near Burlington, and Mike Gordon and Page McConnell calling the Burlington area home for many years.
A limited number of Foundation tickets will also be available that include a ticket to the show, a private pre-show performance with Phish’s Trey Anastasio and Page McConnell, access to the Foundation Lounge before and throughout the show, and special Foundation poster and merch, in addition to other amenities.
Created by Phish in 1997 to oversee the band’s various charitable activities, The Waterwheel Foundation has been harnessing the kindness of the Phish fan community to create positive change for over 25 years.
The Flood Benefit Recovery shows will be the 23rd and 24th overall performances for Phish at SPAC, who first played the summer shed in Saratoga Springs on July 27, 1992, opening up for Santana.
Nick Balzano of the LI Jam Scene has announced his new venture Watkins Jam, taking place July 28-30 at various places in the state, celebrating the 50th anniversary of the famous Watkins Glen Summer Jam.
Nick Balzano has performed in many bands over the years, with his love for music starting at a young age with drums and piano. For the past ten years, he has been the vocalist and performed multiple instruments in LI Jam Scene. He has also put on many events over the years with companies and venues like Liquid Shadows Entertainment, 89 North, and more, and has always strived to give artists the fair shake and audience they deserve. His newest project, Pine Barrens Jam, hopes to showcase Long Island’s creative talent for years to come.
Now, Balzano is celebrating the anniversary of the Watkins Glen Summer Jam, which featured The Band, Grateful Dead, and The Allman Brothers Band. On creating the tribute shows, he said “[they] have been some of my biggest inspirations and I’m sure the rest of the members of this project can say the same. The songs, drumming styles, and even the communities they’ve created have had a huge influence on the path I’ve chosen as a musician.” When putting together the lineup, he specifically chose bands and artists who were also inspired by the three legendary acts.
The tribute shows take place on July 28 at Deep Dive in Ithaca, July 29 at Courtyard in Rosecoe, and July 30 at LI Glass in Holtsville. The lineup is comprised of various supergroups taking on each band’s eclectic catalog. Whaley will be presenting a set of The Band with the help of Damien Pagan of Funkin A’/Albums We Love on Long Island. The Allman Brothers and Grateful Dead sets will feature John & Rob from Ernie & The Band, as well as Damien & other guests. The original drummer from Balzano’s time in A Band In Ship, Ryan McCloskey, will be joining for The Allman Brothers set for the Upstate dates and Jager Soss of Baked Shrimp will be holding down the second kit on Long Island.
The original Summer Jam.
For more information and to purchase tickets, visit here.
Making their way into to the Northeast, Phish made a two-night stop at The Pavilion at Star Lake, located in Burgettstown, PA, just outside of Pittsburgh. Two nights of exploratory jamming and a few debuts had fans eagerly anticipating tonight’s show in Syracuse at St. Joseph’s Amphitheater at Lakeview.
Friday night began with a pair of first set openers, “Party Time” and “AC/DC Bag” followed by a fiery “46 Days.” A few songs later, “Stash” was the jumping off point for the first major jam of the night, dark and introspective. Likewise, “Leaves” jammed out nicely, setting the stage for a “Maze” that had Page McConnell furiously hammering the organ, standing up so others could get down. “Scents and Subtle Sounds” would close the set, although tonight the crowd got the full version, unlike Wilmington, NC on Wednesday night where the band was forced to cut the song off due to torrential rain.
The second set featured some of the biggest jams of the run, with “Sigma Oasis” clocking in at more than 16 minutes, “The Final Hurrah” providing a segue to the wonderful debut of “Pillow Jets” – a light and fluffy song with a jam to match. “David Bowie” was the highlight of the set though, the band making the most of each space created following the composed portion. During “Bowie,” Page teased “Eleanor Rigby”, as well as in “Ruby Waves” that closed the show. And while “Fuego” did provide the awesome visual of the lighting rig descending to just above the band’s heads, although “Cities” could have had a chance to breathe ahead of the segue to “Fuego.” The encore of “Character Zero” and “Slave to the Traffic Light” would wrap things up and send the crowd out to the lots for a Cosmic burrito and slow crawl out of the venue parking lot.
Set 1: Party Time, AC/DC Bag > 46 Days, Birds of a Feather, Bouncing Around the Room, Stash, Leaves, Maze, Scents and Subtle Sounds
Set 2: Sigma Oasis -> The Final Hurrah > Pillow Jets > David Bowie, Cities -> Fuego > Ruby Waves
Encore: Character Zero > Slave to the Traffic Light
On first glance, Night 2 of Phish at Star Lake felt a little more pedestrian compared to Friday, but a cleansing Set 1, with three energetic numbers – “I Never Needed You Like This Before,” “Turtle in the Clouds,” and “Llama” – beginning the night. With the sunset glaring down on the band, a half dozen ‘take em or leave em” numbers were peppered in, with the valley rising to a peak with “Ass Handed” and “Sand” closing out the set on a high note. No complaints, no notes, this was an enjoyable Saturday evening first set.
What awaited in the second set were jams tucked inside jams – “Everything’s Right” had a distinct “Slave to the Traffic Light” jam within, so if you went to your car Friday night as “Slave” encored, you got a second chance to enjoy this one. “Soul Planet” and “Twist” each had their own solid jams, with McConnell’s Vida Blue composition “Most Events Aren’t Planned” appearing at the right moment, giving the second set from Friday a run for the money. Tonight’s second set debut tune “Monsters,” joining “Pillow Jets” and the previously played “Oblivion” as having strong potential for future Type II exploration. “2001” appeared out of thin air, held its own and gave way to Lou Reed and Velvet Underground’s “Rock and Roll,” a rarer treat these days.
A triple encore of “Grind,” and short but sweet versions of “Tube” and “Ghost” (first ever in an encore slot) would close the night and send the crowd off to hotels, with visions of Oranges dancing in their heads.
Phish plays tonight in Syracuse – never miss a Sunday show.
Set 1: I Never Needed You Like This Before, Turtle in the Clouds, Llama, Clear Your Mind > Sample in a Jar, Taste, Ocelot, Julius, Saw It Again > Sparkle, Ass Handed, Sand
Set 2: Everything’s Right > Soul Planet -> Twist > Most Events Aren’t Planned, Monsters, Also Sprach Zarathustra > Rock and Roll
We’re less than a week from the 47th edition of Rye Bread Festival, held in the Eastern New York hills of Schaghticoke, a gathering of musicians from across the Northeast and beyond, headlined by none other than Oteil Burbridge and Friends over July 27-29.
Rye Bread has been a unique experience since inception, when it was initially held on an island in the Mohawk River, being an event that started as an ‘in the know’ gathering for live music and camping – Neal and Alan Evans performed there in the years prior to forming Soulive – before evolving into a full on festival set in the Capital District at the Schaghticoke Fairgrounds. What started as a backyard party nearly 50 years ago, Rye Bread has steadily grown, from the ground up, into Upstate New York’s premier music and arts festival.
But Rye Bread is more than just a concert festival – this is a family with generations of deep roots, bringing people together through music in a spirit of community and charity, and of course good times for all. Thousands more will be welcomed into the Rye Bread Family with open arms, in their 47th year.
Al Schneir performing at Rye Bread Festival
With Burbridge (Dead & Company, The Allman Brothers Band) on bass, the group also features longtime Jerry Garcia Band organist Melvin Seals, Steve Kimock and Tom Guarna on guitar, vocalist Lamar Williams, Jr., John Morgan Kimock on drums and multi-instrumentalist Jason Crosby rounding out a stellar lineup.
Also joining the Rye Bread Festival lineup are the legendary North Mississippi Allstars, led as always by brothers Luther and Cody Dickinson, Cool Cool Cool, Lespecial, Dogs In A Pile, Couch, DJ Logic & Friends, Talkpeck Soundsystem, Brown Eyed Women, Baked Shrimp, Neon Avenue, The Seapods, The Billy Walton Band, Muscle Tough, Super 400, The Nolanauts, Fungkshui, The Rob Beaulieu Band, Mushroom Men, Dr. Jah & The Love Prophets and The Rye Bread Family Band.
Attendees can expect plenty of unique collaborations between artists throughout the course of the festival, making for a truly memorable weekend of live music.In addition to the stellar lineup of live music, the Rye Bread Music and Arts Festival will feature food and craft vendors on site and festival goers can enjoy plenty of room to stretch out and feel comfortable at the spacious Schaghticoke Fairgrounds, centrally located just minutes north of Albany and south of Saratoga Springs.
Two -day passes are $125, with single day Friday passes $69 and single day Saturday for $79. Full ticketing info and more can be found at ryebreadfest.com
Camping Information
Tenting / Car Camping
Campsites are 10′ x 30′ One or two campers per site. $80.00 Three or four campers per site. $150.00 All campers must arrive at the same time. Camping passes are two day only. For tent camping, one car is allowed per site, and your car will remain on your campsite.
Family Camping
Family camping is on a separate part of the fairgrounds as tenting/car camping with quiet hours between 11:00pm and 7:00am Campsites are 10′ x 30′ One or two campers per site. $80.00 Three or four campers per site. $150.00 All campers must arrive at the same time. Camping passes are two day only. For tent camping, one car is allowed per site, and your car will remain on your campsite.
RV Camping
Campsites are 16′ x 40′. Six campers per site. One RV per site (34′ maximum). 50 AMP Service – No Pigtails (30 amp adapters) Available). Full hookups on site. All campers must arrive at the same time. Camping passes are two day only. One tow vehicle allowed per site, and your vehicle will remain on your campsite. Additional companion vehicle pass included. Remember all campers must arrive at the same time
Parking
Single day pass on-site parking is available for one day pass holders. $20.00. Two day pass on-site parking is available for festival goers that are not camping. $30.00. Companion pass on-site parking is available for RV campers that bring additional vehicles.
Deep In The Valley Festival announced it will return to Red Hook at From The Ground Brewery on Aug. 19, featuring a wide variety of genres and bands.
Last year’s inaugural Deep In The Valley Fest brought together a cross-section of musical genres with a common thread of experimentation and exploration. The lineup exemplified the current batch of Cosmic American travelers, continuing the tradition this year. Returning to From The Ground Brewery, nestled on Migliorelli Orchard in Red Hook, the festival boasts a packed roster of favorites. The venue is a New York State Farm Brewery that is committed to using New York State-grown ingredients, a beautiful backdrop for an exciting day of music. Food will again be provided by Hudson Valley’s own Gracie’s with an on-site record fair by Bash and Pop.
The event will feature country-flecked garage from Chicago’s Glyders, whose recent debut for Country Thyme has been a favorite all year. Berlin-based songwriter Ned Collette brings his folk formula dipped in cinder and ash, joined by Elisabeth Fuchsia on viola. Massachusetts’ own Gold Dust brings a tender strain of psychedelic folk, while Sunwatchers psych-scratched jazz promises to match the burn of the August sun. Longtime favorites Weeping Bong Band (featuring members of Pigeons and Wet Tuna) will help soothe the burn with a sunset sojourn.
Garcia Peoples promises to push the boundaries of the cosmic careen, always in their element in the live setting. 75 Dollar Bill leaves the big band behind for an intimate and heady duo set, and Ryley Walker will toast the early evening with a trio performance featuring Andrew Scott Young and Ryan Jewell, reprising their recent trio setup.
For more information about the Deep In The Valley Festival and to buy tickets, go here.
From never ending winters to erratic springtime temperatures, New York weather can be brutal. For communities across the Empire State, summer is a time to work outside, enjoy wildlife, and of course catch some live music. Residing in the southeastern corner of NY, the picturesque Catskill Mountains provide the perfect setting for local performances and shows.
Catskill Mountains – Taste of Country Music Festival
Warm weather means it’s time for residents in the region to trade in snowboards and skis for folding chairs and picnic blankets. Teeming with countless unique small towns and villages, there’s plenty of live performances to catch in the area. Below, we’ve compiled a list of some of the best Catskill summer concert series and performances to see this year.
Greenville Summer Concert Series
The Greenville Summer Concert Series is a free, family-friendly concert series that happens Tuesdays from 6–7:30 PM at Veterans Park in Greenville, New York. The concerts are held at the intersection of Routes 32 and 81. Attendees are encouraged to bring a lawn chair, pack a picnic, or buy dinner from Church Street Caterers. The kickoff event features the Michael Benedict Quartet and ice cream from Stewart’s Shops of Greenville. Other acts include Lustre Kings, Moonshine Mule, Dusk Til Dawn, and more. The series is sponsored by the Greenville Rotary, among others.
Voted “Best Place for Live Music” in the Best of Greene County Awards, enjoy Music in the Park every Thursday from 7-9 p.m. at Dutchman’s Landing Park on Main Street in Catskill. Concerts are free to the public. Bring your lawn chairs and enjoy great live music on the shores of the beautiful Hudson River. If rainy, concerts are moved to the Historic Catskill Point at 1 Main Street. Presented by the Heart of Catskill Association. Photo credit: Keith Collesides.
Here for more details and information | 518-943-0989
June 22 — Guilty Pleasure—pop rock
June 29 — Lustre Kings—rock and roll
July 6 — Back to the Garden—Woodstock tribute
July 13—Lex Grey and The Urban Pioneers—award-winning blues band
July 28—Lex Grey and The Urban Pioneers—blues/rock
Aug. 3—The Lost Cowboys—classic country
Aug.10—Soul Purpose—Motown soul
Aug. 17—In The Dust—country & Western
Aug. 24—Second Chance—local rock heroes
Aug. 31—Dead Beats—Grateful Dead tribute band
Sept. 7—Alexis P Suter—award-winning blues singer
WINDHAM MOUNTAIN RESORT, WINDHAM
Windham Mountain Facebook
Music on the Mountain Series
Music on the Mountain takes place Fridays from 6-8:30 p.m. at Windham Mountain. This free concert series features local artists, cover bands and some of New York City’s favorite performers. Additionally, there are raffles, a BBQ and scenic sky rides during the early portion of the event. No tickets or reservations needed. Outside food, beverages and pets are not allowed. Windham Mountain is located at 19 Resort Drive, Windham, NY.
Here for more details and information | 518-734-4300
July 7—10 Most Wanted —soul/funk/R&B/rock
July 14—Soul Purpose—soul/funk/R&B
July 21—Guilty Pleasure—pop rock
July 28—The Four 26—rock
Aug. 4—Serene Green—bluegrass
Aug. 11—Rollin’Rust—indie/folk
Aug. 18—Dial Up!—1990s songs
Aug. 25—Die Schlauberger—renditions of German favorites
Sept. 1—The Outcrops—blues-infused rock n’ roll
RIVERSIDE PARK, COXSACKIE
Coxsackie Music in the Park Series
Every Sunday from 6-8pm. Concerts are free to the public. Pack a chair or blanket and enjoy riverside entertainment at the spacious Coxsackie Riverside Park, Betke Boulevard, Coxsackie.
Here for more details and information | 518-731-2718
June 25—Lex Grey & the Urban Pioneers—fusion of old-school blues & classic rock
July 2—Donna Tritico Band—mix of blues, R&B and rock
July 9—Nite Train—award-winning rockin’ blues, funk & R&B
July 16—Samantha Jane Band—jazz standards quartet
July 23—Hammerhead Horns—old-timey blues, ragtime and honkytonk
July 30—Playing with Fire—classic rock & roots
Aug. 6—Night Moves—classic rock; country; 50’s thru 90’s
Aug. 13—Silver Chain Band—playing BB King, Muddy Waters & other greats
Aug. 20—Nite Train—award-winning rockin’ blues, funk & R&B
Aug. 27—Lustre Kings with Mark Gamsjager—rockabilly; real roots rock & roll
RIVERFRONT PARK, ATHENS
Athens Performing Arts Corporation 2023 Summer Concert Series
Athens Summer Concert Series takes place every Friday night from 7-9 p.m. at Riverfront Park, 1 Water Street, Athens. Spend a night under the stars and enjoy this free concert series on the banks of the Hudson River.
Here for more details and information | 518-522-9470
July 14—Les Dudek—rock music legend
July 21—Dark Desert Eagles—world premier Eagles tribute
July 28—Jon Cleary & The Absolute Monster Gentlemen—Grammy-winning New Orleans funk
Aug. 4—Double Vision-The Foreigner Experience—rock cover band
Aug.11—Sister Sparrow & The Dirty Birds—soul, rock, dirty funk
Aug. 18—Conehead Buddha—rock, ska, funk, Latin, reggae, jam, hop
Brew York has announced it will return to Madison Barracks Polo Fields in Sackets Harbor on Aug. 26 featuring a wide variety of bands and activities.
Brew York is an all ages event (kids 12 and under free) and features live music on two stages, as well as Beer, wine, & whiskey vendors, free tastings, food trucks, cornhole tournament, kids zone, and select craft/artisan vendors. Now in its seventh year, Brew York continues to showcase local, regional, and national acts.
Headlining this year’s festival is The Cold Stares, an American rock band from Indiana formed in 2009. The Cold Stares have toured the world relentlessly as a duo, blowing away audiences across the US and Europe with a fierce, and powerful live show that belied their bare-bones, guitar-and-drums setup. Now, the band is embracing a whole new kind of chemistry as they launch their next chapter, adding a third member and channeling the power trio sound with their explosive new album, Voices.
Also, headlining is The Georgia Thunderbolts, a Southern rock-infused group with a style steeped in soulful Southern swagger, blistering blues, and raw rock. Released in October of 2021, the quintet’s full-length debut Can We Get A Witness conjures a tried-and-true spirit through a fresh fire, with undeniable anthems and pulse-pounding percussion.
The Brew York lineup also includes Mike Powell & The Echosound, The Old Main, Josh Cox & The Rattlesnakes, Undefeated, The Grizzly Ridge Band, Bread & Circuses, Joey Collins & The Creatives, and a Dusk Dance Party with “The Strictly Hip.”
Proceeds and event donations will be split this year between sponsors and Fighting Children’s Cancer, with their newly established ROCC Charity. For more information and to purchase tickets, visit here.
New York organist trio Organ Fairchild release a second lead single ahead of their new album Leisure Suit, this time around a groovy cover of the Grateful Dead’s track “He’s Gone.”
The funky, upbeat instrumental rendition of the well-known song will come out Friday, July 21, 2023, serving as a taste of what’s to come from their second album coming this September.
Recorded, mixed, and co-produced by Grammy-winning engineer Justin Guip (HotTuna, Levon Helm) and mastered by Alan Evans (Soulive), the song additionally showcases the band’s love for the Grateful Dead, a group that has meant a lot to them throughout their journey.
Group members Dave Ruch, Joe Bellanti, and Corey Kertzie originally met and started off as the Wild Knights in 1983, a cover group for the Grateful Dead, incorporating some of their older cover styles with fresh, new funk sounds into the single.
The three of us grew up playing Grateful Dead music together, so how fun to take our organ-trio format (with no singing and no bass player!) and reinterpret this song.”
– Dave Ruch
Coming together as Organ Fairchild in 2020, the trio began writing their first original music together, while also earning the title of New York’s number-one emerging band in 2021.
Photo via the Organ Fairchild website
Organ Fairchild is no stranger to large festivals either, playing shows and festivals with Goose, Trey Anastasio Band, Melvin Seals, moe., and many more.
The lead single drops just one week before Organ Fairchild heads on their “Dead of Summer” Tour. Their tour expects to feature a full set of Grateful Dead covers, organ-trio style, along with a set of their award-winning original material.
Spafford is a band that deserves more: more fans, more coverage, and more respect. With a signature sound amphitheater-ready and a technical proficiency seldom heard in today’s music, the fact they haven’t reached greater heights yet is truly one of life’s simple mysteries. Hooked from the moment I first heard them in 2017, I’ve been singing their praises to anyone who will listen for years now. That being said, a recent fan post in the band’s “Spaffnerds” group got my blood boiling a bit. It read something to the effect of “Guys. Spafford is destroying the northeast right now and not a single jamblog is writing about it. WTF.” Having written about this band several times in the past, at first I took offense, but then I took it as a personal challenge to get these guys some more ink. So in a completely irrational, last second decision, I loaded up the car in Albany and made the two and half hour drive across state lines to catch Spafford’s headlining show at the Homestead in Morristown, New Jersey on Monday, July 10th.
Spafford brought weekend vibes to Morristown, NJ on Monday 7/10/23.
Having never been to the Homestead before, I initially found parking to be a bit of a situation. With the summer night life of Morristown hustling and bustling right through showtime, I ultimately ponied up at a nearby municipal garage. Following my ear, I knew exactly where to go once I stepped out of the car. That’s because you could hear Spafford’s opening reggae-styled cover of “Soul to Squeeze” by the Red Hot Chili Peppers’ firing up from almost a block away. The colorful and luscious guitar tone of Brian Moss’ custom ax, Raven, was like a beacon calling to everyone nearby, ‘lend us your ears and we’ll send you home happy.’ By the time the band landed on “Plans,” the entire outdoor patio was packed with people. Even the curiously vacant parking lot adjacent to the venue started filling with people who were at least interested enough to listen, but on the fence about paying for it.
Spafford fans made themselves at home in Morristown on 7/10/23.
Inside the Homestead was a completely different vibe. A combination of danceable and sweaty energy, the smell of chicken wings and comfort food, and more mesmerizing than anything, the sound. The high ceilings of the venue made Spafford sound huge. Admitted audiophiles, the band which consists of Brian Moss (guitar,vocals), Jordan Fairless (bass,vocals), Nick Tkachyk (drums,vocals), and Cory Schechtman (keybords), work tirelessly before every show to achieve peak tones in whatever room they’re playing; they always sound great on whatever stage you put them.
Originally formed in Arizona, the last few years have seen much of the band return to their east coast roots. With Moss growing up in Jersey, the show would take on a bit of a “hometown throwdown” feel. Close family and friends could be seen dancing along on the side of the stage, including Moss’ adorable little rock star, Henry, who appeared to be having a blast watching his dad shred into our third song of the night in “Todd’s Tots.” While I don’t know who Todd is, I do know this was the musical highlight of the opening set. Things would then get down right “untzy” then “reptilian” with a well-placed combination of “Funkenseven” that alligatored into the Jordan Fairless led “Salamander Song” to send the Morristown crowd dancing the whole way into set break at the Homestead.
Keyboardist Corey Schechtman played his first show with Spafford at this same venue in 2023.
Walking out for second set accompanied by music from Rage Against the Machine, you could just feel the boys were about to get down to some serious business. Launching into the nights only track from their most recent studio album, 2022’s Simple Mysteries, “Fake the Fate,” the dance party resumed almost instantly. Some fans expressing themselves by spinning in circles, showing their moves to drift away while the surging groove carried us straight into “Windmill,” one of the band’s most sought after originals. Perhaps the centerpiece of the show, Spafford let it all hang out here, tongues included. Sustaining those high notes for added emphasis, when Moss starts making unintentional stank face, you know things are going pretty good. People who were seeing the band for the first time simply could not believe what they were hearing. As Brian’s complicated guitarwork reached soaring new heights reminiscent of what you might hear in the peak of Phish’s “David Bowie,” one older gentleman near the soundboard commented how he hasn’t heard chops like that since his days of seeing Jerry.
So Raven: Spafford’s Brian Moss plays his custom ax in Morristown 7/10/23.
Exchanging rays of mental dues Accepting moods that new grooves proves A simple song, it has no cost Through this rif my troubles’ lost You’ve got me dreaming again Open my mind to a new way A long way from fine
-Lyrics from “Windmill”
Up next came another Fairless special with “Lonely,” a track that has continually showed itself to be one of the bands biggest jam vehicles. This exceptional rendition proved that true once again with Jordan crooning his heart out while the band stretched its legs into some beautiful type II territory. Keyboardist Corey Schechtman also really shinned here. Schechtman, who played his first Spafford gig at this same venue one year prior, has really settled into his role nicely; you can just see how much more confident he is now. With other-worldly skills dripping out of his fingertips, Schectman has the ability to completely change the direction the jam is going…and that’s usually for the better. Often locking eyes with Nick on drums, the two seemed to have formed a strong bond over this past year.
Spafford drummer Nick Tkachyk played Jersey in a jersey on 7/10/23.
Showing amazing musical maturity by building the groove up, then holding onto it until they have everyone’s undivided attention, imagine how difficult it must be to show this kind of restraint. Like driving a Ferrari through a 30mph school zone, Spafford’s patience has always been one of their biggest assets. They always seem to know just the right moment to step on the gas and when to let off of it. Closing the four song second set was our second cover of the night, a crowd-pleasing version of “Love Song,” as popularized by The Cure. It was only the second time they’ve played it this year.
Spafford bassist Jordan Fairless had his fingerprints all over the Morristown setlist on 7/10/23
With a hard 11pm curfew rapidly approaching, it was from here to “Eternity” as another Jordan led song was selected as the lone encore of the evening, capping off another stellar performance by a band that’s currently at the top of their game. Afterwards the guys could be seen hanging out by the merch table, signing posters and taking selfies with fans. Their approachability is yet another endearing quality.
While the high-flying bird band Goose is currently commanding most of the jam scene headlines, bubbling just under the surface is a whole litany of other amazing acts of the same genre. Right at the top has got to be Spafford. Using music as their weapon and perhaps benefitting from all the recent attention the improv community has been getting, we can only hope this band will get their big break soon. Worth every penny of the $20 ticket and worth traveling for every time I’ve seen them, these guys are the real deal. Real people with a real shot at achieving their dreams. Still finding the balance between touring life, raising toddlers, and writing new songs, these hardworking guys are putting it all on the line every time they go out there, both musically and personally. When I asked Moss point blank if filling amphitheaters is even what he wants, without hesitation he said, “Of course, that’s what I’m in this for. We’re here to take over the world.” A true rock n’ roll answer if there ever was one, well Mr. Moss, I believe you can do it and I believe in Spafford.
Spafford | July 10, 2023 | The Homestead | Morristown, New Jersey
Set 1: Soul to Squeeze*, Plans, Todd’s Tots, Funkenseven>Salamander Song
Set 2: Fake the Fate > Windmill, Lonely, Love Song **
It was hot and muggy in Western New York on July 16, 1990. Crosby, Stills and Nash were opening up for the Grateful Dead at Rich Stadium, and Brent Mydland was amid his final tour with the Dead.
The Grateful Dead played Buffalo a total of 12 times in their storied career, including May 9, 1977 at Buffalo Memorial Auditorium (a day after the famed Cornell 77 show) a show at Kleinhan’s Music Hall on March 17, 1970, and six total shows at Rich Stadium, including this show in 1990. A typical summer stop from 1986-1993, Orchard Park’s Rich Stadium had far more space for fans, after the band outgrew the Memorial Auditorium, The Rich shows becoming part of Deadhead lore.
Playing in Foxboro, MA the night before, fans trekked overnight from Eastern Massachusetts to Western New York, a seven hour drive (not factoring in stops, switching drivers and catching sleep at rest stops along the way). With a capacity of more than 70,000, Rich Stadium was ready to welcome more than Foxboro held by a margin of 10,000, plus plenty of fans arriving from across the Empire State who would call this their first Grateful Dead show.
On the NYS Thruway, traffic crawled in the heat, with fans walking along the highway, slow cars filling the breakdown lane, with fans looking for Miracles via hand-lettered signs as you filed into the Rich Stadium lot. The traffic was so bad getting from the Thruway to Orchard Park, fans were pulling into the lot as the opener, Crosby, Stills and Nash, were beginning to play, the songs trickling over the top of Rich Stadium.
Ticket to the Grateful Dead at Rich Stadium, July 16, 1990
Part of their “Live It Up Tour,” Crosby, Stills and Nash toured off the album Live It Up, the first album the trio recorded since 1983. The album came together when Crosby and Nash began working on a new album as a pair, but following the trio performing at the collapse of the Berlin Wall in 1989, Stills became involved in the Crosby and Nash project, as noted in Dave Zimmer’s Crosby, Stills and Nash: The Authorized Biography (The Definitive Inside Story of the Super Group).
View this and more Grateful Dead shows from across the years in New York State with our interactive map below!
Playing a set that was mostly unchanged for the entire tour, CSN made sense as an opener – both bands were part of the late 60s music explosion on the west coast, and with Crosby from Los Angeles and the Dead based in San Francisco and many festival and show billings together, the two bands shared a long history together. Crosby even recorded and performed live with members of the Grateful Dead, billed as David and the Dorks for three shows in 1970. So an opening slot or two on their summer tour was a natural fit, especially with large stadiums like Foxboro and The Rich on the tour schedule.
David and a dork
However, CSN did not mix up their setlist and did not factor in the Grateful Dead shows on their tour, where fans would see more than one night of the tour and catch onto repeats a bit faster. Fans not engaged in the July 16th opening set led to Graham Nash saying to the audience something to the effect of “show us you deserve to wear those tye-dyes and get into it,” reacting to fans non-reaction of the milquetoast opener. One fan recalled that at both shows they saw on the tour, CSN said both times “So, this is what a Grateful Dead audience looks like” with the same banter factored into the set.
This show at Rich Stadium for the Grateful Dead would also be the final tour for Brent Mydland, although that may not have been apparent to many fans at the time. A week later, Mydland would play his final show with the Dead, and die three days later from an overdose. There are points of the show between tunes where the band is enjoying themselves and Brent takes a moment to play a few bars of George M. Cohan’s “Over There” and the “Mickey Mouse Clubhouse,” keeping it playful and fans on their toes during these brief interludes.
It was unmistakable though, the presence of Mydland on this short, Midwest/east-coast 12-show summer tour, that made his death harder on many. His talent and boisterous vocals on “Man Smart, Women Smarter” and originals like “Blow Away,” the last of which was played this evening in Orchard Park, were unmistakable, clearly identifying shows with his raspy, soulful voice and precision work on the keys.
Following a breezy afternoon, the stadium climate was muggy yet the Grateful Dead were dialed in from the start, opening with “Hell in a Bucket” and following up with an early highlight of the set, “Mississippi Half-Step Uptown Toodeloo.” “Blow Away” had all the emotion Brent ever put into any of version, and featured a “Mind Left Body” jam, standing out as the final performance of the song.
A pair of cowboy songs – “Mama Tried” and “Mexicali Blues” flowed seamlessly together with Bob Weir on vocals, with a fresh off-the-shelf “Loose Lucy” following, fans cheering in gratitude to hear a song not played since 1974 that made its return in March of 1990. The Rolling Stones “It’s All Over Now” fit in nicely with the flow of this stimulating first set, with “High Time,” and a thoroughly enjoyable “Let It Grow” following, with the Brent-heavy “Don’t Ease Me In” closing out the first set.
The second set would feature a unique “Sugar Magnolia” / “Sunshine Daydream” sandwich, the show opening with the first stanza of “Sugar Magnolia” before dissolving into a smooth and unexpected segue onto “Scarlet Begonias” after only three minutes. The crowd reaction when “Scarlet Begonias” is realized by thousands is a sound to behold and embrace. Not stopping, the Dead moved into “Man Smart, Woman Smarter,” the lyrics in unison from Garcia, Weir and Mydland driving the song.
“Ship of Fools” served as a bridge to the obligatory and long-awaited “Truckin’,” with the “Truckin’, up to Buffalo” lyrics eliciting the largest cheers of the night, the jam meandering but finding itself in the final minutes before “Drums.” If you’re looking to revisit the show or listen for the first time, “Drums” is a percussive trip, with “Space” having a creepy laugh track in the background during the first half, a fun (maybe?) accent to the night for those in attendance.
Ticket to the Grateful Dead at Rich Stadium, July 16, 1990
Jumping out of “Space” were short versions of “The Wheel” and “Gimme Some Lovin’” and a somber “Wharf Rat” to balance them out. “Around and Around” found its place coming out of “Wharf Rat,” diving into “Sunshine Daydream” to an enthusiastic crowd hearing a fantastic full set sandwiched inside a classic Grateful Dead song.
“When the 2nd set ended, I remember experiencing an exaggerated exhilarated feeling that I’ve never felt from any show before. Obviously others felt the same because when the Sunshine Daydream reprise finally ended, we were jumping up and down and even the people behind us were so amped that we all just stood there hugging each other. It was ridiculously intense. No other show has lifted me to such heights before and I am so glad I was here.”
The encore of “Brokedown Palace” fit in perfectly to close the night, capping a day for the fans, and Brent Mydland as he performed his final show in New York.
Crosby Stills and Nash – Rich Stadium, Orchard Park, NY – July 16, 1990
Setlist: Love the One You’re With, Chicago, Drive My Car, Live It Up, Got It Made, Just a Song Before I Go, Night Time for the Generals, For What It’s Worth, Wasted on the Way, Our House, Almost Cut My Hair, Helplessly Hoping, Déjà Vu, (Got to Keep) Open, Southern Cross, Wooden Ships, Teach Your Children, Woodstock
Grateful Dead – Rich Stadium, Orchard Park, NY – July 16, 1990
Set 1: Hell in a Bucket, Mississippi Half-Step, Blow Away, Mama Tried > Mexicali Blues, Loose Lucy, It’s All Over Now, High Time, Let it Grow > Don’t Ease Me In
Set 2: Sugar Magnolia > Scarlet Begonias > Man Smart/Woman Smarter, Ship of Fools, Truckin’ > drums > space > The Wheel > Gimme Some Lovin’ > Wharf Rat > Around and Around > Sunshine Daydream
