Category: Hip Hop/Rap

  • “Book Of HOV” Exhibit Opens In Brooklyn, Celebrating The Legacy Of Jay-Z

    The Brooklyn Public Library recently unveiled a tribute exhibition “The Book Of HOV,” in honor of legendary rapper Jay-Z. The exhibit, divided up between key elements of Jay’s career, is available for free to anyone with a library card. The display includes a recreation of Baseline Studios, a collection of records used as samples, artifacts, apparel, photos, and more. 

    Born Shawn Carter, Jay-Z grew up in the Marcy housing projects in Bedford-Stuyvesant, Brooklyn. Raised by his mother Carter grew an affinity for music, specifically hip-hop, at an early age. In 1995, Jay, along with two partners, originally established Roc-A-Fella records after multiple labels rejected them. It was under Roc-A-Fella that Carter would drop his now famous debut album Reasonable Doubt in ‘96. The project would catapult the artist to rap stardom and since then “HOV” hasn’t looked back. 

    In total the Brooklyn native has released 13 solo albums, 4 collaborative projects, and has amassed 24 Grammy Awards. The rapper’s pen game has long been praised as one of the best in hip-hop history. Equipped with an endless supply of lyrical flows, metaphors, stories, and rhyming patterns, Jay has become one of the most influential figures in music. 

    Carter’s artistic legacy could provide more than enough content for an exhibit by itself, however it’s the rapper’s business and cultural accomplishments that has solidified him as one of the most successful musicians of all time. The Book Of Hov aims to honor the influences and events that helped to shape Jay into the artist and person he is today.

    Jay-Z-Magna-Carter-Tour

    Punctuated by an atmosphere of inclusivity and individuality, the exhibit looks to inspire guests from all walks of life to “always bet on yourself”. Designed by Bruce and Shelly Rogers, the display makes up two floors of the library. In collaboration with the event the library created 13 new custom cards to correspond with HOV’s albums. Organizers also encourage guests to bring their own phones and music to help add to the experience.

    Roc Nation CEO Desiree Perez devised the entire event reportedly without Carter’s knowledge. The organizers strategically placed the exhibit in a public space to ensure maximum accessibility. Roc Nation reportedly covered the costs of the entire exhibit and are expected to donate money, books, and records to the library. 

    Here for more information and details about The Book Of Hov.

  • NY Supergroup Boot Camp Clik Reunite After 16 Years With New Single “Wotcha Call Strength”

    As the world is getting ready to celebrate the 50th Anniversary of Hip Hop, some of the genre’s biggest icons are stepping back into the limelight including the New York supergroup Boot Camp Clik. After a sixteen year long hiatus, the group now returns with an old school music video alongside their new single “Wotcha Call Strength.”

    Boot Camp Clik is a Brooklyn, New York hip-hop supergroup started by Duck Down Records in the 90’s and comprised of the eight members; Buckshot (Black Moon), Tek and Steele (Smif N Wessun), Rock, the late great Sean Price (Heltah Skeltah), Starang Wondah, Top Dogg, and Louieville (O.G.C.). The collective has also recently added long-time affiliate Rustee Juxx to the group. 

    The Clik was one of the genre’s first true supergroups that changed how hip hop music was received as their influence in music and fashion was undeniable during the genre’s golden age. Individually, and collectively, the BCC has created numerous classics, albums, and singles including Black Moon’s Enta Da Stage, Smif N Wessun’s Dah Shinin’, Heltah Skeltah’s Nocturnal, Fab 5’s (Heltah Skeltah & O.G.C.) ‘Leflaur Leflah Eshkoshka” and Sean Price’s Monkey Barz.

    Now, back for round two, the BCC’s new single “Wotcha Call Strength,” produced by The Arcitype and directed by David Janoff, reminds the world what true icons they really are. The video shows the group roaming around an empty Forest Hills Stadium in Queens. Starting off strong with a verse by Rustee Juxx, the song follows each member taking their turn speaking their truth straight to the camera, showing viewers what a comeback truly looks like.

    BCC’s co-founder Dru Ha claims, “In honor and celebration of Hip Hop 50, we felt that the BCC’s catalog of work, contributions and legacy needed to be recognized properly. It’s too easy to sit back and say the Hip Hop community should verify you and painstaking to go out and have to remind people with words, so we felt there was no better way to make a statement than to drop a new record with all the original members (RIP to Sean Price).”

    The Boot Camp Clik will also be taking to the stage in the upcoming Rock The Bells Festival at the Forest Hills Stadium which will take place on August 5th. Until then, fans will be able to stream and enjoy their single everywhere.

  • The Second Annual Bronx Summer Jam: Music for All Ages

    New York City’s soundscape was on full display at the second annual Bronx Summer Jam this past Saturday, July 15. Local Bronx artists encapsulated the Bronx’s vast musical environment, performing everything from rock and hip hop to reggae and soul. 

    Bronx Summer Jam participants and audience members ’23. Photo courtesy of Michael Nickerson.

    This wide array of genres not only reflects the Bronx’s sound but the individuals that create it. Take Emelia Vero for example, who performed on the Kings Stage from 1:30-2:30 pm under her stage name Bombii. In between her silky-smooth songs, she explained why her lyrics switched from English to Spanish. She said by singing in both languages, her music was able to fully represent herself. As such, she loves when people call her by her stage name. If they know her music, they know her. The notes bind audience and singer together, creating a family. 

    Audience member Francesca echoes Bombii’s sentiments. “I remember being a teenager, and a lot of people from different high schools would all go to these concerts. These would be people whose real names I didn’t even know. But when we were there, we were best friends. We were family.” 

    For some, it truly is family. From 4:30-5:00 pm, DJ F1rst Class performed. His wife Alina and daughter were front and center to watch him. Alina said the reason they are together is because of their passion for music.

    Alina was glad she was able to bring her daughter to relish in the music as well. Most of the time, it isn’t easy to bring children to concerts. But the Bronx Summer Jam was outside at a local park, making it easily accessible for everyone.

    “Usually they have it at places where there’s alcohol or it’s indoors. I couldn’t always bring my daughter,” Alina said. “But the Bronx Summer Jam is for all ages.”

    Wastewood performing for the crowd at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.

    Bronx Summer Jam was produced by Sirens & Kings, a co-production company made of two Bronx music collectives, Sounds & Sirens and The Fox & King. They hoped that by locating the festival at a park, it would allow everyone to be able to participate. It was a hope that was achieved.

    “I live right across the street, and I came out for just a few minutes to sit on the park bench. Then I started hearing the music and walked right over here,” said Ivecte Lopez.

    Despite the scorching heat, the crowd grew throughout the day. Those walking through the park stopped by to enjoy the music. Some set up hammocks or chairs under the trees’ shade and within hearing distance of the festival. Others took on the sun’s beating rays, standing within feet from the stage. 

    With a bigger crowd, the musicians began to engage with the crowd. Bombii did a call-and-answer. Everytime she said “Para,” the audience sang back “Siempre.” Later in the day, artists Ray Pearson, Ki Storii, WIN, Kony Brooks, and July Quinn left the confines of the stage. They moved across the park’s lawn to the beats of their rap and hip-hop songs.

    Their performances were contrasted with the full rock sounds of Wastewood and Balcony Talk. The bands’ sounds were then further contrasted by the acoustic sounds of Drew Torres. 

    Drew Torres performs at Bronx Summer Jam ’23. Photo courtesy of Michael Nickerson.

    During his set, Torres sang an original upbeat song titled “Minus 4,” named for his glasses prescription. He later ended his set with tapping, a technique that involves tapping one’s hands on the guitar’s body. 

    “This is not just a hobby for me,” Torres said. “This is my therapy. This is the way I personally express myself. I just want to inspire others.”

    Audience member and devoted member of the Bronx music scene, Mocha said it was concerts like the Bronx Summer Jam that inspired him to play music. “I was inspired to pick up an instrument at a local show back in 2004. I saw bands and immediately was like, ‘This is what I’m going to do.’ I was sixteen then. Without that concert, I don’t have any clue who I would have been now.” 

    Perhaps this festival inspired someone in the audience to learn an instrument or to start singing. The festival’s music definitely reached a number of people ranging from those who knew about the festival to those in the park who happened upon it. 

    To see more of what Sirens & Kings will produce, click here and here. 

    Performers:

    12:30-1:00 pm – DJ JYNN

    1:00-1:30 pm – Drew Torres

    1:30-2:00 pm – Emelia Vero (Bombii)

    2:00-2:30 pm – Wastewood

    2:30-3:00 pm – DJ Mike

    3:00-3:30 pm – Ray Pearson

    3:30-4:00 pm – Richard Pigkaso

    4:00-4:30 pm – Balcony Talk

    4:30-5:00 pm – DJ F1rst Class

    5:00-5:30 pm – Ki Storii

    5:30-6:00 pm – WIN

    6:00-6:30 pm – Kony Brooks

    6:30-7:00 pm – July Quinn Band

  • Great South Bay Music Festival Returns in 2023 with an Unforgettable Lineup

    The Great South Bay Music Festival 2023, one of the most highly anticipated events of the summer, is set to make a triumphant return this year after facing numerous challenges due to the COVID-19 pandemic. The festival begins on Thursday, July 20 and runs through Sunday, July 23rd.

    Great South Bay Music Festival 2023

    As Long Islanders emerge from quarantine and yearn for the joy of live music, this family-friendly festival promises to deliver an unforgettable experience for music enthusiasts of all ages. I had the pleasure of speaking with James Faith, the festival’s producer, about the festival’s journey and what attendees can expect this time around on The Long Island Sound Podcast

    The Great South Bay Music Festival, held in the picturesque Patchogue, Long Island, has always been a celebration of local talent alongside renowned artists from various genres. What sets this festival apart is its commitment to creating a family-friendly environment, where attendees of all ages can enjoy music from both local acts and big-name performers across multiple stages.

    James Faith – Producer of the Great South Bay Music Festival

    James Faith, the festival’s producer, emphasized the importance of creating an inclusive atmosphere, stating, “We want to make sure that families can come and enjoy the music together. It’s not just about the headliners; it’s about showcasing the incredible talent from our local community as well.” This unique blend of local and established acts allows for a diverse range of musical styles and ensures that there’s something for everyone to enjoy.

    Putting the Pandemic in the Past

    Reflecting on the impact of the pandemic, Faith described the challenges faced by the festival and its organizers. Despite the uncertainties and setbacks, they remained committed to delivering a memorable experience for attendees. “We had to adapt and overcome numerous obstacles, but we never lost sight of our goal: to bring people together through the power of music,” Faith explained.

    We want to provide a platform for emerging artists to shine alongside the big names. It’s about fostering a sense of community and giving these talented musicians the exposure they deserve.

    James Faith

    Now, as the festival gears up for its 2023 edition, attendees can look forward to an impressive lineup that embodies the festival’s spirit. A few of the local artists have been my guests on The Long Island Sound Podcast, including, Matt Marshak, Kerry Kearney, Lex Grey and Phil Firetog.

    Among the artists set to grace the stages are Phil Lesh and Friends, Gov’t Mule, Dave Mason, Hot Tuna, Dirty Heads, Cassandra House, Kerry Kearney, Gold Finger, The Fabulous Thunderbirds, Duane Betts, Bad Fish, Tauk, Neighbor, Miles to Dayton, Lex Grey and the Urban Pioneers, oogee Wa Wa, Clifdiver, Harbour, The Joni Project, Phil Firetog Trio, Shecky and the Twangtones, Adam and the Metal Hawks, Jules Radino, Jack Licitra, and Matt Marshak.

    Great South Bay Music Festival 2023

    The Great South Bay Music Festival goes beyond just the music, offering a range of activities and amenities to enhance the overall experience. Attendees can explore artisan craft vendors, indulge in delicious food from local vendors, and engage in interactive workshops and activities for all ages. From art installations to face painting, there’s something to captivate the entire family.

    Faith encouraged attendees to immerse themselves in the vibrant Long Island music scene by exploring the Long Island Music Hall of Fame in Stony Brook. This esteemed institution showcases the island’s rich musical legacy and pays tribute to iconic musicians such as Billy Joel, Eddie Money, Joan Jett, and many more.

    The Great South Bay Music Festival promises to be a thrilling experience for music lovers and a testament to the resilience of the Long Island community. With its four-day duration, family-friendly atmosphere, and a diverse lineup of local and renowned acts, this festival is set to reclaim its place as one of the region’s premier summer events.

    I have my tickets to the Festival! So when you see a white haired guy, who looks like the picture below, make sure you say hello.

    For more information and updates on the Great South Bay Music Festival 2023 including ticket sales and the complete artist lineup, stay tuned to The Long Island Sound Podcast and visit the festival’s official website.

  • Hot 97 Summer Jam 2023: New York’s Premier Hip Hop Show Finds Its New Home

    Hot 97’s annual Summer Jam always kicks off the summer season with a bang, and this year did not disappoint. The show moved away from its fully outdoor experience at Metlife Stadium and into a hybrid approach at UBS Arena in Belmont, NY.

    Hot 97 Summer Jam
    2Rare and NLE Choppa performing on the Warner Records Stage. Photo By: Lucas Kurzweil.

    Summer Jam started outside of the arena with the Warner Records Stage, featuring up and coming artists in the hip hop world and guest appearances from some of hip hop’s biggest names. NLE Choppa, who was a main stage performer, joined 2Rare on stage to perform their hit song “Do It Again,” and French Montana, another main stage act, came out to greet the crowd and get them hyped for the full day of music.

    After a couple hours at the Warner stage, the show moved to the inside of the arena. NLE Choppa opened up as fans started to fill in their seats. Choppa performed some of his most popular tracks including “Walk Em Down.” After Choppa, Bed-Stuy’s Lola Brooke took the stage with a high energy performance complete with a dance team and guest appearances from BreezyLYN and Billy B. By the time Lola’s set was finished there was not an empty seat in sight.

    Hot 97 Summer Jam
    Lola Brooke at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    This year’s event had an emphasis on women in rap, and every female act that took the stage shined a bright light onto the future of the rap game. Coi Leray, one of the biggest female stars in hip hop today, took the stage following Lola Brooke’s performance. Coi’s smooth choreography helped boost her performance as fans went word for word singing her hit song “Girls Is Players Too.” Dancers were doing flips and using red solo cups as props during Coi’s set and matching her every move as she graced the stage.

    Coi Leray at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    Last year’s headliner and East Flatbush native Fivio Foreign followed Coi and turned the crowd up to another level. It was only fitting that Fivio opened up his performance with “City of Gods,” his song that features Alicia Keys and Kanye West, and refers to New York City as the City of Gods. Fivio then brought out two New York Rappers to assist his performance: Brooklyn’s Sleepy Hallow and Bronx’s Lil Tjay. Sleepy performed his popular tracks “2055” and “Deep End Freestyle.” Lil Tjay joined Fivio in performing their track “Zoo York” and stayed on stage to support Fivio as he performed “Big Drip.”

    Lil Tjay and Fivio Foreign at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    Up next was Bronx Rapper Ice Spice. Her performance on the Hot 97 stage was action packed to say the least. Ice Spice brought out numerous guests and received a gold plaque for her song “Munch (Feelin’ U)” while on stage. She brought Lil Tjay back out to perform their song “Gangsta Boo,” and she also brought out Flo Milli, Kali and Kenzo B. The crowd welcomed the guests with open arms as Flo Milli performed “Conceded” followed by Kali and Kenzo B performing their viral song “Area Codes.” Ice made sure to show appreciation to the New York City crowd, thanking them for her recent success.

    Hot 97 Summer Jam
    Ice Spice at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    In between sets, Hot 97’s DJ Funk Flex played tunes to keep the fans engaged. But after Ice Spice’s set, Funk Flex brought out another surprise artist. DaBaby joined Flex in the DJ booth before taking the mainstage to perform his new hit “SHAKE SUMN.” DaBaby then went into the crowd to play “SHAKE SUMN” a couple of times and his song “Suge.”

    Hot 97 Summer Jam
    DaBaby in the crowd at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    After DaBaby, French Montana took the stage. Like many other mainstage acts, French also brought out many surprise guests, including: Luh Tyler, Capella Grey, Remy Ma and NLE Choppa. Montana played many of his most popular tracks including “Unforgettable” and his verse on “All The Way Up.” Following French Montana, The LOX took the stage for their 50 years of Hip Hop performance. Their set brought fans back to the earlier days of hip hop with tracks like Jadakiss’s “Who Shot Ya (Freestyle)” and “We Gonna Make It” Even with their nostalgic performance they too had special guests, Rakim and Scar Lip. 

    Hot 97 Summer Jam
    The LOX at Hot 97 Summer Jam. Photo By: Lucas Kurzweil.

    Closing out the action packed night was Washington Heights native Cardi B. Cardi’s performance featured numerous pyrotechnical visuals with fire and smoke shooting out of the stage. Cardi followed the trends of Summer Jam by also bringing out a surplus of surprise performers, her guests were Kay Flock, Glorilla, Latto and 21 Savage. She had the crowd going to all of her tracks as she went through her discography for the sellout crowd. Her performance showed the New York fans that Summer Jam will continue to be a staple in hip hop culture and although the event moved, its high quality performances stayed the same. 

    Cardi B at Hot 97 Summer Jam. By: Lucas Kurzweil.
  • Hip Hop 50 Live adds more New York Talent to its Star-Studded Lineup

    With Mass Appeal and Live Nation’s Hip Hop 50 Live show at Yankee Stadium less than a month away, new talent has been added to the already stacked lineup.

    Some may think that having Run-D.M.C., Snoop Dogg and Lil Wayne already on the roster, there is no possible way to improve the show, but they would be wrong. The new additions include Wiz Khalifa, who will be joining Snoop Dogg for a joint performance, Bronx rapper A Boogie wit da Hoodie, Bronx DJ and Rapper Kid Capri, and Harlem’s own Cam’ron. 

    Updated Hip Hop 50 Lineup via mlb.com.

    Fans can expect a performance of Snoop Dogg and Wiz Khalifa’s hit song “Young, Wild and Free” along with many other classics that span the decades of their respective careers. A Boogie wit da Hoodie is hot off of his world tour, where he performed at the Barclays Center in Brooklyn last March in addition to stopping into Legacy Records in Dumbo to meet some of his fans. 

    A Boogie Wit Da Hoodie at his fan meet and greet at Legacy Dumbo. Photo By Lucas Kurzweil.

    The Hip Hop 50 show is shaping up to be one for the ages as we celebrate a half decade of Hip Hop where it all started: The Bronx. Tickets for the show are available HERE on Ticketmaster.

  • Bronx Summer Jam returns to Bronx Park East on July 15

    This Saturday, July 15, the second annual Bronx Summer Jam will be held at Bronx Park East – Oscar Comras Memorial Mall. Catch live music from local Bronx musicians for free from 12-6 pm. 

    Bronx summer jam

    July Quinn, WIN, and Kony Brooks return to the festival alongside a number of local artists. Drew Torres, The Phoenix Within, Wastewood, Balcony Talk, Richard Pigkaso, and Ki Storii will perform on the Kings Stage. Audience members can enjoy an array of genres, ranging from rap and indie rock to hip hop and reggae. 

    While artists from the Kings Stage take breaks after their thirty minute sets, the music continues on the Sirens Stage. Audiences will hear Jynn, DJ Mike, and F1rst Class perform. 

    The festival is produced by Sirens & Kings, a co-production company made of two Bronx music collectives, Sounds & Sirens and The Fox & King. Their goal is to showcase the often overshadowed music scene of the Bronx. 

    Bronx summer jam
    Performer at last year’s Bronx Summer Jam. Photo courtesy of Sirens & Kings.

    “Everyone always focuses on Brooklyn, or Queens, or Manhattan for New York City’s music scene,” DJ Mike Nickerson, Founder of Sounds & Sirens, said. “There’s a thriving scene in the Bronx. We hope to be able to showcase it, have it grow, and support everybody in it.” 

    DJ Mike hopes the Bronx’s music scene will be heard by all, allowing a music community to grow, just like the one from his teenage years. During their teenage years, DJ Mike and Co-Owner and Founder of The Fox and King, Fernando Michael, were part of the Bronx’s The Underground community. The Underground was a prominent music scene in the late 2000s and early 2010s before its decline. 

    “Going to Bronx Underground shows when I was younger shaped the person I turned into,” DJ Mike said. “When you’re in high school or middle school, you may not like things that other people like. You’re not cool or popular, because you like rock, hip hop, or classical jazz. But coming together in a music community, like what we experienced growing up, helps foster a community that tells you that you’re not alone – that you have a group of people you can identify with and can party with.” 

    In 2018, The Fox & King started a reemergence of The Underground. They brought back live music shows to the First Lutheran Church in the Bronx. The pandemic, however, killed any efforts of a rejuvenation of this music community. After a lull in live shows, they hope the Bronx Summer Jam will reignite the drive to rebuild this music community. 

    At last year’s Bronx Summer Jam, sparks of their dream were seen. The first Bronx Summer Jam started off slow, but as the festival continued, its audience grew. 

    Performers and organizers from last year’s Bronx Summer Jam. Photo courtesy of Sirens & Kings.

    “Slowly the public, the regular folks that go to the park, were showing up to the event, without knowing it was there,” said Christopher Vasquez, Co-Owner and Public Relations Manager of The Fox & King. “It became a natural audience.”

    Fernando Michael referenced Field of Dreams. “If you build it, they will come.” Not only does this refer to the audience but to the musical artists as well. Fernando said, “We have musical artists reaching out to us in mass, because what we do is so prominent to the borough.” 

    They will come, even in the rain. The original date of the Bronx Summer Jam was this past June 24. It had to be rescheduled due to potential thunderstorms. Instead of doing nothing, some of the musicians got together and performed at Legendary Bar and Grill in the Bronx. They proved this musical community is back.

    Christopher Vasquez notes how essential it is to have this musical community back. “Without someone to tell the story of the people in a community, it’s detrimental. You need the voice. You need the storytellers. The storytellers that are on a mic, the writers that write in a book or a journal – music does all these things. It brings people together.” 

    To be part of this music community and to check out the vast array of performers, head to the second annual Bronx Summer Jam this Saturday, July 15, from 12-6 pm at Bronx Park East – Oscar Comras Memorial Mall.

  • Lowkey Legends: Your Old Droog

    Coming from New York – you either got it or you don’t. Plain and simple. Some of the most prolific New York hip-hop penmanship comes from Your Old Droog. The word Droog serves as a synonym for buddy or pal as this Brooklyn-based Ukrainian writes, ideates and executes with the best of them. Magnetically, Droog’s mild mannerisms and downright delicate delivery separate him from the pack.

    Initially, many thought that Nas voiced Droog as some sort of concealed alternate persona. Also, Mass Appeal [Media Platform owned by Nasir Jones] posted one of his early singles, “Nutty Bars” further propagating the alias. Nevertheless, this man transcends time with his collaborative contributions to the overarching grand scheme of hip-hop. Particularly, his work with Tha God Fahim proves incredibly extensive.

    To discover the intriguing parts about Your Old Droog (or any artist for that matter) one must immerse and grow with the music over time. Alas, YOD makes music that elicits immersive qualities and allows a person to intrinsically reflect. After all, Droog loosely translates to friend. Listen to the song below to hear about how Droog ended up going the independent route.

    Choosing What is Right

    The directions by which life twists and turns represent a common denominator. To truly understand what fate means to you – look inward. Subsequently, Your Old Droog refused to put down the microphone after declining many major label deals. Instead, he remained independent and pivoted by way of artwork with Mach Hommy. Recording radio-friendly music via releases to satisfy a record deal do not amount to creative fulfillment in this day and age.

    Zoom into 2019 alone – two years after Droog meets Tha God Fahim and Mach Hommy. The three mixtapes that hit Soundcloud in 2019 are lowkey legendary classics within the underground hip-hop hemisphere. Jewelery has since been removed but It Wasn’t Even Close and Transportation still knock through any stereo.

    Distinguishing Factors

    Furthermore, Your Old Droog’s evocative lyrics vastly distinguish his content from his counterparts. His approach captivates the crowd with cohesive and atmospheric energy developed according to lyrical circumstances. As a humble individual, Your Old Droog promotes conversational and self-deprecating content. Humorous humility and comedy comprise the well-balanced nature of this New York artist. Your Old Droog maintains a balanced homeostasis throughout the fulfillment of his earthly obligations.

    Droog uses a stream-of-consciousness flow that doesn’t always require syllabic rhyme. By piecing together double entendres and using words in a nontraditional fashion, Droog consistently tries to best himself on every track. Particularly, his use of tonal perception as a mind-altering agent allows him to pair words and phrases in a fashion that many have never heard before.

    Breaking Down the Language

    Droog represents the Beastcoast and provides a deeper meaning to the complexities of our language in his music. Clearly, this unorthodox artist venerates and redefines the art of storytelling. Listening to tunes by Droog, it would prove useful to become familiar with the rewind button. This “rap revivalist” makes an impact with powerful opening lines and punchlines that stand among the likes of Big L, Prodigy, and Kool G Rap.

    Hence, intonation and modulation are some of the crucial components of Droog’s vocal renditions. Modern artists tend to fill vocal space with adlibs and attention grabs, but Droog steers clear of filler material. Rather, he prefers to exert precision, accuracy, and intonation to his trademark raspy delivery. 

    As a “self-aware slang slinger,” Your Old Droog’s presence captivates countless city slickers worldwide. He radically explores the historical implications and inclinations of our complex lexicon. Through virtuosic analyses, in-depth comparisons, and brilliant metaphors, Droog makes his message clear.

  • Grammy-Nominated Artist Lil Uzi Vert Announces Tour, Stop at Barclays Center

    Lil Uzi Vert just announced they will embark on their “PINK TAPE TOUR,” in honor of their recent release of album Pink Tape, coming to the Barclays Center on Nov. 20.

    In addition to Lil Uzi Vert’s 2018 Grammy nomination as “Best New Artist,” the artist also received the “Breakout Artist of the Year Award” and the “Breakthrough Artist” award during Billboard’s 2017 Touring Awards. The rap superstar has also been featured on several record-breaking tracks. In 2020, Uzi dropped the deluxe edition of  Eternal Atake, which includes part two of the album, titled LUV vs. The World 2, reaching #1 on the Billboard 200.Eternal Atake would go on to gain RIAA Platinum certification and was nominated for favorite rap/hip hop album at the 2020 American Music Awards.  Uzi made their 2022 return a strong one with a flood of national festival performances and the release of the EP Red & White. Now 2023’s The Pink Tape becomes the first hip Hop album to debut at #1 on the Billboard charts. 

    Just recently, Uzi opened the 2023 BET Awards with an electrifying performance of “Spin Again” and “Just Wanna Rock” from Pink Tape. Earlier this year, they delivered dazzling performances at the 2023 Grammys, Wrestlemania 39, and The Tonight Show Starring Jimmy Fallon.

    The “PINK TAPE TOUR” marks their first headlining tour since 2018. Tickets are available now.

    LIL UZI VERT 2023 TOUR DATES: 

    Sat Oct 21 — Minneapolis, MN — The Armory

    Mon Oct 23 — Chicago, IL — Byline Bank Aragon Ballroom

    Tue Oct 24 — Cincinnati, OH — The Andrew J Brady Music Center

    Wed Oct 25 — Detroit, MI — Fox Theatre

    Tue Oct 31 — Boston, MA — MGM Music Hall at Fenway

    Thu Nov 02 — Hampton, VA — Hampton Coliseum

    Fri Nov 03 — Raleigh, NC — PNC Arena

    Sun Nov 05 — Birmingham, AL — Avondale Brewing Company

    Mon Nov 06 — Atlanta, GA — Coca Cola Roxy

    Wed Nov 08 — Dallas, TX — South Side Ballroom

    Thu Nov 9 — Austin, TX — Moody Center

    Fri Nov 10 — Houston, TX — 713 Music Hall

    Mon Nov 13 — Denver, CO — Fillmore Auditorium

    Thu Nov 16 — Los Angeles, CA — The Kia Forum

    Sat Nov 18 — San Francisco, CA — Bill Graham Civic Auditorium

    Mon Nov 20 — Brooklyn, NY — Barclays Center

    Wed Nov 22 — Philadelphia, PA — Wells Fargo Center

  • Jim Jones and Pusha T Officially Have Rap Beef, What Comes Next?

    In a year where hip hop is on a commercial downturn, it’s nice to see an essential part of the culture remains. This latest edition of rap beef kicked-off with Jim Jones challenging Pusha T’s validity among rap’s royalty on various hip hop platforms. However, it wasn’t Jones’ opinion on Pusha T that sparked the brouhaha, but rather his determined effort to make it seem like Pusha had little to no cultural relevance. With Jones saying, “Nobody has dressed like him. Nobody wants to be like Pusha T. I don’t remember nothing.”

    Jim Jones and Pusha T
    Jim Jones vs Pusha T is hip hop’s latest beef

    In turn, Pusha T’s expectedly cunning response created a moment on social media. In sinister tone and fashion, Push gave his reply at the Louis Vuitton fashion show, where record producer — and longtime Pusha T cohort — Pharell Williams debuted his collection as men’s creative director. With this intention, Pusha and his brother, No Malice, who make up Clipse, walked the runway in the show as their new track played. With the fabled duo sharing their first collaboration in 14 years.

    Pusha T Fires Back

    Although the diss-record was previewed inconspicuously, the public pieced together the Jim Jones disses within the track. Addressing Jones’ comments, Push raps, “beware of my name, that there’s delegate/ You know I know where you’re delicate/ Crush you to pieces, I’ll hum a breath of it…I’m watching your fame escape relevance/ We all in a room but here’s the elephant/ You chasing a feature out of your element.”

    https://www.youtube.com/shorts/vFSAG90jYZo

    By the same token, Push continuously attacks Jim for his own public financial troubles, while reminding of his own mercurial standing within his circle.

    “And those lab diamonds under inspection/ The question marks block your blessings/ It’s no tombstones in the desert/ I know by now you get the message,” he goes on to say. 

    All in all, it was a masterful move by Push to withhold his reply until the time was right. Despite Jim Jones’ assertion that Pusha T held little relevance musically, here he is walking in a fashion show for one of the world’s preeminent brands to his own record, while A-list stars like Jay-Z and Beyoncé were seen boppin’ to the song in the crowd. Jones gave an instant reply on social media, although his perceived carefree attitude did little to sway fans, Jones needed to reply with bars and couldn’t finesse his way out of this one.

    Bomb First, Jim Jones Replies

    To Jim Jones’ credit, he did reply, albeit with a stellar yet not quite up-to-snuff effort when compared to his adversary. His “Summer Collection, From The Block” video performance saw the Dipset rapper try his hand at Pusha T’s beat. Altogether, Jim held his own with his brand of witty wordplay and street tales, however his flow and presence on the record failed to match Pusha T’s output. That is to say nothing of Jim’s own lyrical expertise as he had his own ammo for Push. Namely, attacking his street cred and claiming that he knew little of the drug dealing he rapped about and for his association with Ye, who helped Pusha launch his solo career on his Good Music label. But nonetheless, it seemed a mistake to rap over a beat that was curated specifically for Pusha and No Malice.

    “These two roach niggas don’t know what to do in no raid/ Kanye gave you whips, but that’s what they do to the slaves/ you tryna act bad, but we ain’t doin’ charades/ I really have bombs on the block just like I threw a grenade.”

    Jim Jones might have felt similar sentiments as he continued to hop on airwaves and diminish Pusha’s efforts. The one they call Capo phoned in to the Joe Budden Podcast and share more colorful sentiments about this battle. Namely, called Pusha T’s diss-track “cute” and claimed that things might get violent if Pusha goes to similar extents as he did in his beef with Drake. With Capo hilariously quipping “whose going to spin the block for him, Pharrell?”

    What Comes Next?

    Hopefully more music. Although with Push leading the vote in public opinion, Jim may need to double-down on his attacks to get ahead of things, but would he want to poke to proverbial bear? As things stand, what else can Jim Jones say as it relates to Pusha T? Despite his best efforts, the “Diet Coke” MC remains in the upper echelon of rappers. Altogether, Push has tallied an impressive resume, with platinum-selling albums as a member of the Clipse and as a solo artist. His last two albums, 2018’s DAYTONA and 2022’s It’s Almost Dry got him Grammy nominations and he is still one of the only artists that can snag a Jay – Z feature.

    All things considered, Jims’s best bet is to throw a few haymakers and hope his witty-ness is able to catch the public’s ears, basically play the social media battle. Pusha T, meanwhile, seems to be more patient and isn’t as keen to respond through the media. After all, he knows he has the advantage lyrically. Moreover, his abrupt releases and ability to find his opponents hidden skeletons seems to leave foes on edge.