Category: Folk/Americana

  • New York Series: ”John Brown’s Body,” Song of the Civil War

    Songs are often measured by their ability to stand the test of time. “John Brown’s Body” is one of those songs that has held up even into the present day. Although the tune has gone by many names and many iterations over the centuries, the hymn turned revolutionary anthem retains its status as one of the most memorable songs of the Civil War.

    Gloria Jane 2004 Arrangement of John Brown’s Body. Vocals, Guitar, and added one chorus from another version of the song, changed the words “Shall all be free” to “Were all set free” to fit today.

    The origins of “John Brown’s Body” trace back to Southern methodist camp meetings in the early 1800s. The song “Say, Brother Will You Meet Us,” provided the framework for what would become the famous abolitionist tune. Both feature the now famous chorus, “Glory, glory, hallelujah.”

    “John Brown’s Body” as we know it was originally published in July of 1861. It was reportedly first sung at Fort Warren in Boston on May 12, 1861, and later on July 18 by the 12th Massachusetts Volunteer Infantry, according to American Music Preservation.

    Despite what many believe however, the song was not originally about the famed abolitionist John Brown. In fact, it was about a Scotsman of the same name. This “other” Brown, who served as sergeant in Boston, was well aware of his counterpart, as were his fellow soldiers. They would gleefully tease him with lines like, “His soul’s marching on.” 

    John Brown ascending the gallows. LIBRARY OF CONGRESS
    John Brown ascending the gallows. LIBRARY OF CONGRESS

    But as the song spread across infantries via word of mouth, the nuances of the original joke was lost. Everyone assumed the lyrics referred to the abolitionist who was captured and hung at Harpers Ferry a few years prior. New lyrics were added to the old ones resulting in verses like this:

    Old John Brown’s body is a-mouldering in the dust,
    Old John Brown’s rifleís red with blood-spots turned to rust,
    Old John Brown’s pike has made its last, unflinching thrust, 
    His soul is marching on!

    So “John Brown’s body lies-a-mouldering in the ground” was not originally the revolutionary sentiment it now commonly appears as, it actually began more or less an inside joke.

    Poet Julia Ward Howe would later write her own words to the tune after hearing it sung by troops on a trip she took to Washington. From this she penned “The Battle of the Hymn Republic.” Unfortunately, John Brown the Scottsman never heard this version, having somewhat ironically died early on in the war.

    The United States Army Field Band performs the famous Civil War-era piece, “The Battle Hymn of the Republic” in 2016.

    “John Brown’s Body” has been recorded numerous times in various ways. Pete Seeger covered it in 1960. Bob Dylan wrote his own song simply called “John Brown” back in 1962. In Ithaca, there is even a popular reggae band by the name of John Brown’s Body that has been together for over two decades.

    The band, John Brown’s Body combines reggae and dub.

    John Brown continues to remain relevant even today. He is honored at John Brown Farm, a state historic site located near Lake Placid, NY. It features the home and gravesite of the famed abolitionist.

    In 2021, John Brown Lives!, a nonprofit organization focused on human rights and education created a proposal back in 2021 with plans to build a visitor center and conference center. Just last week, there were even two meetings held to receive public feedback on the ongoing plans.

    John Brown's home at John Brown Farm in North Elba, NY, 3 miles southeast of Lake Placid. capecodphoto/Getty Images
    Brown’s home at John Brown Farm in North Elba, NY, 3 miles southeast of Lake Placid. capecodphoto/Getty Images

    Change however, might not be as fast as Brown probably would have liked. The state agencies expect, following drafts and additional public comment periods, a final plan to be adopted by early 2025 according to Times Union.

    Still, John Brown continues to live a life of fame long after his death, his name memorialized in both song and minds. Even if the tune was never meant for him, his soul indeed goes “marching on “ long after death.

  • In Focus: Stephen Sanchez, Live at Irving Plaza

    Stephen Sanchez, with opener Kings Elliot, made a stop at Irving Plaza on Thursday, February 16th for his show in New York during his Fall Tour. Sanchez, with his snazzy suit and southern charm, fully entranced the audience with his stellar vocals and rock star performance. 

    stephen sanchez
    Photograph by Chinaza Ajuonuma

    Stephen Sanchez is a 20-year-old Tennessee-based musician who’s been constantly on the rise. In June 2020, Sanchez posted a cover of Cage the Elephant’s “Cigarette Daydreams” on TikTok and he built an audience through a steady stream of content. After sharing a snippet of his song “Lady by the Sea”, singer-songwriter Jeremy Zucker reached out and offered to produce the official version, which was released in July 2020 and resulted in Sanchez signing a deal with Republic Records.

    stephen sanchez
    Photograph by Chinaza Ajuonuma

    Kings Elliot is a blue-haired Swiss rockstar now based in London. Musically, the singer draws inspiration from the wistfully melancholic melodies of the ’40s and ’50s, blending these soothing harmonies with her own tumultuous lyrics. She has a knack for creating hauntingly beautiful and devastating songs that sound uniquely current, yet timeless with her out-of-this-world vocals.

    stephen sanchez
    Photograph by Chinaza Ajuonuma

    Kings opened the show with a bang by launching into her hits “I’m Getting Tired of Me” and “Ashes by the Morning”, belting out these bangers to all her adoring fans. With support from Garrett Schwenk on keys, the entire performance was one to remember.

    Kings Elliot Setlist: I’m Getting Tired of Me, Cry Baby Cry, ‘Till I Die, The Outsider, Ashes by the Morning, Lost Again, Call Me A Dreamer

    stephen sanchez
    Photograph by Chinaza Ajuonuma

    When Stephen finally graced the stage, the crowd was warmed up and immediately went wild as Stephen started singing “Hey Girl”.  Throughout the show, his enthusiasm and good vibes infected the crowd as he jumped around with his guitar, put on a birthday hat from a fan, and gave his “single bassist” Jesse Houle a shoutout. There was a moment near the end of the show when he sang his, arguably most famous song, “Until I Found You” when Stephen became emotional. The crowd shared in these feelings from the solid 3-minute ovation he received. As a stop on his first headline tour, Stephen brought the house down on the iconic venue.

    Stephen Sanchez Setlist: Hey Girl, Hold Her While You Can, Kayla, Lady by the Sea, Please Don’t Go Home Yet, Mountain Peaks, See the Light, I Want You, The Pool, Evangeline, Only Girl (unreleased), To Stay (unreleased), Unchained Melody, Until I Found You, Amy & Mary [The Righteous Brothers cover]

    stephen sanchez
    Photograph by Chinaza Ajuonuma

    In terms of upcoming shows, Kings Elliot will be performing with Stephen on this tour until Feb 26th in Minneapolis, Minnesota. 

    Stephen will continue on the winter/spring leg of the tour all the way until March 17th, ending up in Vancouver, Canada. He’ll be returning to NYC during the fall portion of tour, hitting up Terminal 5 on December 2nd. 

    For more information or announcements for upcoming performances from either of these artists, check out their social media accounts.

  • Brandi Carlile delivers tour de force solo performance at The Capitol Theatre

    In the midst of intimate “Special Solo Performance” dates that kicked off in Portland, Maine the day before Valentine’s Day, Brandi Carlile performed back-to-back sold out shows this past week at The Capitol Theatre (affectionately known as “The Cap”) located in the center of downtown Port Chester. I was one of 1,800 lucky participants to attend Friday night’s show on February 17, to witness her multi-genre talents, including folk rock, alternative country and Americana, firsthand.

    brandi carlile

    To say Carlile has been busy lately is an understatement. She played Madison Square Garden this past October, was the musical guest on Saturday Night Live in December and just won her eighth and ninth Grammy Awards (out of 25 total nominations and seven from 2022 alone) for “Broken Horses” (Best Rock Performance and Best Rock Song) at the 65th award ceremony in Los Angeles earlier this month, a night on which she also executed a fierce version of said song.

    At 6:30 pm sharp, doors to the historic venue constructed in 1926 opened to adoring Carlile fans that had been patiently waiting in a short line, but that could not wait any longer. However, with the show still nearly two hours away, most fans who had arrived early to the village known as the “Gateway to New England” were seen congregating at nearby restaurants. Not only to pass the time, but to escape the frigid temperatures that had dropped by more than 30 degrees from earlier the same afternoon, my wife and I opted for authentic Mexican cuisine right next door to The Cap, enjoying margaritas as Brandi Carlile tunes played over El Tio’s speakers.

    brandi carlile
    brandi carlile

    Suddenly, as show time neared, throngs of patrons hurriedly began to file through the maze of security fencing outside of the main entrance and into the warm confines of the theatre’s lobby. Many fans headed straight for the merch table to purchase a t-shirt, hoodie or poster commemorating Carlile’s brief two-night residency, while others grabbed a drink before heading to their seat in the orchestra or upper balcony.

    Running slightly behind schedule, the moment finally arrived as Carlile took the stage at 8:25 pm, from which she would not depart until more than two hours later. With more than two decades of singer-songwriter experience under her belt, the rural girl from Ravensdale, Washington was about to give her fans a career-spanning glimpse at her discography, performing at least one song from each of her seven studio albums. Sharply dressed as always, tonight in an arctic blue blazer and matching turtleneck with lime green slacks, Carlile “took it all in” for several moments as the crowd erupted before her.

    Excitedly, Carlile addressed her adoring fans, “Yes! I knew the crowd was going to be like this! I did this solo tour to recover my artist’s self after the Grammys, which I will never stop being grateful for, or terrified by. But I knew that I was going to need these concerts so that I could come back into myself and come face to face with my lyrics and do something that really scares me, which this does.” Then, as guitar tech Claire Murphy handed Carlile a well-worn, vintage Gibson acoustic (one of four she would play in addition to two custom Collings), the festivities were officially underway.

    brandi carlile
    brandi carlile

    The first of 20 offerings that Carlile bestowed upon the packed house was her very first song (“Follow”) from her very first self-titled release in 2005. Although the audience would be seated for majority of the show, they rose to their feet triumphantly at the conclusion of each and every song, beginning with this one. On an evening filled with deep cut tracks, the next song (the aforementioned “Broken Horses”) from her most recent studio album (2021’s In These Silent Days) would not be one of them. During the introduction to “Mama Werewolf,” another song from her seventh album, Carlile playfully addressed her two young daughters seated stage left in VIP boxes above. After the third song had ended, and it was now time to head back up the aisle with my camera to a standing room only perch at the rear of the house, I glanced at the beaming faces of fans as I strolled by. The next two songs presented by Carlile were “The Things I Regret” (The Firewatcher’s Daughter, 2015), and speaking of deep cuts, “I Will,” the seventh track from her third studio album (Give Up the Ghost) released in 2009.

    brandi carlile

    Taking a seat at the piano for the first time of the night, which she taught herself to play (along with guitar) after dropping out of high school to pursue her dream of a career in music, Carlile introduced her next song by revealing “I don’t know any other way to do [“The Eye”] without the twins (songwriting brothers Phil and Tim Hanseroth who also reside in the band’s family as bass and guitar players, respectively) and a three-part harmony. Without them, the only thing that I can think to do, is to do it different.” During the course of the next twenty minutes, Carlile beautifully delivered the title track from 2007’s The Story and “The Mother” (By the Way, I Forgive You, 2018), sandwiched by the first of the night’s four covers, Tears for Fears’ “Mad World.” “The Mother” followed, also taken from her sixth studio album released in 2018, before Carlile was joined by wife Catherine for a glorious coupling of fan favorites comprising “I Belong to You” and “You and Me on the Rock.”

    Before commencing their final song together, Tracy Chapman’s “The Promise,” Carlile imparted a humorous tale about a recent time when she and Catherine performed the same song during a vow renewal at Ellen DeGeneres’ house (which really looks more like a castle): “Just when I thought the ceremony was at the lesbian tipping point, we were at a campfire a half an hour later with Melissa Etheridge playing to all of us. I was like what the hell, this is amazing! The sun was setting. We drank non-alcoholic beer. A perfect lesbian moment [Catherine adds]. And I was like, I know how we can top this. Right now, we can sing Tracy Chapman. So, we did. We’re going to repeat that moment for you right now.”

    brandi carlile

    As the set rolled on, the crowd continued to display its deep appreciation for Brandy Carlile, vigorously clapping in unison during the chorus to “Raise Hell” (the lone tune performed from Bear Creek) and then cheering wildly for the night’s third cover, Robyn’s “Call Your Girlfriend.” What followed next was the ‘wipe the tears from your eyes’ moment of the show when Carlile moved to the edge of the stage apron to perform an off-microphone, six-minute version of “Cannonball” (The Story, 2007) – a song that was not played the night before – with every audience member remaining dead silent to ensure Carlile’s voice could be heard throughout the entire venue.

    brandi carlile

    As if we had not already witnessed greatness, the final quintet of songs showcased Carlile’s unreal vocal chops as she took to the piano again for a string of recent hits consisting of “Letter to the Past,” “Right on Time,” “The Joke” (with Carlile back on guitar) and “Party of One.” And on a night where love filled the air, the final number (Joni Mitchell’s “A Case of You”) of the epic show was a fitting nod to Carlile’s close friend and folk icon.

    The final stop on Carlile’s intimate solo tour will be at the Durham Performing Arts Center in North Carolina this upcoming Wednesday, February 22. For those of you who missed her Port Chester shows, you will get another chance when she returns this summer touring in support of P!NK at Citi Field in Queens on August 3.

    Brandi Carlile Setlist: Follow > Broken Horses > Mama Werewolf > The Things I Regret > I Will > The Eye > The Story > Mad World (Tears for Fears cover) > The Mother > I Belong to You > You and Me on the Rock > The Promise (Tracy Chapman cover) > Raise Hell > Call Your Girlfriend (Robyn cover) >  Cannonball > Letter to the Past > Right on Time > The Joke > Party of One > A Case of You (Joni Mitchell cover)

  • Cobblestone Live Announces 2023 Lineup feat. Andy Grammer, Twiddle, Andy Frasco and more

    The 5th annual Cobblestone Live Music & Arts Festival will be held on Friday, July 14th and Saturday, July 15th, 2023 in the heart of the Historic Cobblestone District in downtown Buffalo, NY. Presented by Twenty6 Productions and Buffalo Iron Works, the festival features two outdoor stages located on South Park and Columbia streets, indoor stages at Buffalo Iron Works & Lockhouse Distillery, a vendor village, local artisans, food trucks and multiple bars throughout the site. 

    Over the last decade, the Historic Cobblestone District has become a breeding ground for live music and entertainment. Cobblestone Live is a single neighborhood of bars, restaurants, and venues coming together to throw a two-day, community-focused festival which will continue to grow to a national sized event in the years to come.

    For the 2023 installment of Cobblestone Live, renowned multi-platinum singer/songwriter Andy Grammer, Vermont-based jam titans Twiddle, blues-rock luminaries Andy Frasco & The U.N, and TikTok sensation Cooper Alan will headline this year’s lineup. The diversity defined in this year’s curated lineup is represented by national, regional, and Buffalo’s favorite local acts.

    Cobblestone Live 2023 Lineup 

    Andy Grammer 
    Twiddle 
    Andy Frasco & The U.N. 
    Jukebox The Ghost 
    Cooper Alan 
    Doom Flamingo 
    The Beaches 
    Start Making Sense – Talking Heads Tribute 
    Lespecial 
    Eric Hutchinson 
    Little Stranger 
    Joslyn & The Sweet Compression 
    Funktional Flow 
    Workingman’s Dead 
    Dreamville – Tom Petty Tribute feat: Leroy Townes Band 
    SE2 Silent Disco 
    Fernway 
    Space Junk

    In addition to its eclectic roster of over 20 musical artists, this year’s festival will also feature over 50 local artisan vendors, a chicken wing eating contest presented by Wingnutz, craft beverages, mocktails, immersive activities, local food, and more. 

    It has been our favorite two days of the summer for the last five years and this is slated to be our best year yet. Cobblestone Live is one of the greatest representations of Buffalo culture and what it has to offer. It is a family friendly event that highlights the diversity of our community by featuring our best music, crafters, local businesses and more. There is something for everyone to enjoy.

    Grace Vesneske, Festival Co-Director & President 

    Early Bird Tickets are currently on sale at the following rates and will increase as each tier sells out:  Two-Day General Access – $90; Friday General Access – $50; Saturday General Access – $50; Two-Day VIP – $250; Friday VIP – $150; Saturday VIP – $150.

    Cobblestone Live is a true reflection of our city, our neighborhood and our people. It’s diverse, vibrant, unique, resilient and full of life. Spending half a decade building such a beautiful event has been nothing short of spectacular and we are beyond excited to share, what we feel, is the best lineup of artists, local food, craft beverages and artisan vendors to date. Cobblestone Live is a vibe this year and we hope that fans from all over the region decide to spend their weekend with us here in Buffalo.

    Josh Holtzman, Festival Co-Director & CEO 

    VIP passes include private VIP-only tented areas, a premium bar with craft beverages & mocktails, lounge area under VIP tent, complimentary hors d’oeuvres and snacks, private bathroom access at each VIP tent, a commemorative laminate, tables and chairs for seating options. Tickets are available here.

  • Hoot = Love at Winter Hoot 2023

    The 2023 Winter Hoot was held February 3-5, 2023, at the Ashokan Center in Olivebridge. N.Y. This year marks the Hoot’s 10th anniversary, started as a collaboration by Mike Merenda and Ruthy Ungar in conjunction with the Ashokan Center and those in the surrounding area.

    Winter Hoot 2023

    Friday night started with a community dinner followed by the showing and discussion of the documentary film “Inhabit: A Permaculture Perspective.,” by filmmaker Costa Boutsikaris. A jam session followed to close out the evening. Sunday activities included yoga, guided hikes around the center and a community sing. Saturday proved to be the meat of this down-home, down-to-earth gathering.

    The Hoot is set up as a family fun time. This was obvious from all those who brought their children with them. Saturday featured a kid’s zone of craft making, learning to blacksmith, and an ice sculping exhibition by Thomas Brown.

    But music is the star of this semi-annual event. In the main lobby of the Esopus Lodge, you encountered a one-of-a-kind instrument petting zoo. An area encouraging people to pick up an instrument and join in with real musicians to make their own music. Farther into the Ashokan campus, the Pewter house offered small intimate musical performances.  The ambiance of the room set the mood of entertainment in earlier times.

    Winter Hoot 2023

    In the lodge’s performance hall, you got the feeling of attending a large family gathering on a cold winter day. Those in the Winter Hoot audience were treated to some of the Hudson Valley’s finest musicians. People were encouraged to sing along and when the song was right, dancing would break out in front of the stage. Featured performers included Jay Ungar & Molly Mason, Jude Roberts, Rachael Yamagata, and The Mammals.

    This three-day gathering went off without a hitch. Whether you participated in activities or were just there for the music, you came away with the felling of what the Hoot is about. It is love. Love for community, nature, and music.

  • Hayley Jane and the Hold On Honeys Share ‘The Weight’ in Albany

    Captivating the audience with beautiful harmonies and songs of both heartbreak and hope, Hayley Jane and the Hold On Honeys put on a stellar performance at Lark Hall in Albany on February 2nd. Collaborating with each other for the first time and trading sit-ins, the immediate chemistry between these two respective acts could be felt by everyone in the room.

    Haley Jane performs with Troy, NY’s Hold On Honeys at Lark Hall on 2/2/2023

    Kicking off the show were Troy natives The Hold On Honeys, an indie folk minimalist vocal trio comprised of Emily Curro, Raya Malcolm and Shannon Rafferty. Trading leads and singing to their strengths, each member of the Honeys’ was given an equal chance to shine, but the true beauty came when this pitch-perfect trio sang together as one. After serenading the highly receptive audience with songs like “Case of You,” “Lullaby,” and “Maple Lane,” tender ballads about finding love and losing it, the gals then showed their more optimistic and fun-loving side with “Get High,” before sending us to intermission with “Down Home Girl.” A very enjoyable set, but it wouldn’t be the last time we’d see this promising up-and-coming act.

    hold on honeys hayley jane lark hall
    The Hold On Honeys opened the show at Lark Hall on 2/2/2023

    After a quick break in the action, it was officially time for Hayley Jane to grace the Lark Hall stage. A familiar face to the Albany crowd, Jane has been playing the area for years, mostly with The Primates behind her, or as part of Yes Darling with Ryan Montbleau. For this run however, Hayley enlisted an equally talented group of Burlington, VT based players that featured Josh Dobbs on keyboards and the former Swimmer rhythm section of Jack Vignone handling bass and Cotter Ellis on drums.

    Opening her set with “Look to the Moon,” the pace quickly picked up when Hayley went into a bit of medley of mashup cover songs. Touching on a Cowboy Junkies-esq rendition of “Blue Moon Revisited” that took a ‘tasty’ left turn into the Italian classic “That’s Amore,” before eventually paying homage to the Grateful Dead with a beautiful version of “Ramble on Rose.”

    hold on honeys hayley jane lark hall
    Haley Jane gives up her secrets at Lark Hall on 2/2/2023

    Inviting you in with her undeniable charisma and vulnerability, Jayne’s storytelling between numbers left you feeling like you actually knew her. Looking around the room, you literally could see an entire audience falling in love. Working her way through a few songs from her most recent solo album, “Road Map” and “Soul Shaken,” from 2021’s Late Bloom, one of the most powerful and emotional highlights of the night came next when Hayley Jane performed “For Someone Who Needs It,” a song about depression, loneliness and reaching out for help. Fan shot footage of that can be seen below.

    Taking her listeners on a humble journey, Hayley would tell the audience she was raised as a Baptist, and despite some groans, would give credit to her church choir for teaching her to sing. After belting out stellar versions of “Ignite” and “Madeline,” another of Jane’s favorite covers, Gregory Alan Isakov’s “Big Black Car” was next. Revealing a little more about herself, Jane would say the best thing she ever did was stop caring what other people think about her.

    Essentially freeing her to be who she really is while also allowing a natural relationship to develop with the audience, Hayley confessed that “nerds rock” and are also “better in bed.” “Loose Screws” and “Madam Humphrey” would take a little walk on the wild side before Haley would play a new one called “Assembly of Words,” a song that was written while living in California and simultaneously going through the pandemic and a tough break-up. Some of her most vulnerable lyrics yet, afterwards she would admit to “feeling nervous” and “naked” during that one.

    hold on honeys hayley jane lark hall
    Hayley Jane and the Hold On Honeys captivate an intimate Lark Hall crowd on 2/2/2023

    Picking the pace back up with another rocker from The Primates 2014 album Gasoline was “Hey Mister,” followed by an unreleased new song that was recently recorded with members of The Main Squeeze called “Girl.” Instead of leaving the stage and returning ala your typical encore however, Hayley would invite the members of the opening act, Hold On Honeys, to join her on stage for the remainder of the night. What then transpired was pure magic. Playing in Levon country and rambling together for the first time, Hayley and the Honeys’ uncorked an absolutely beautiful version of The Bands’ classic song “The Weight,” a rite of passage in this part of New York.

    Feeling the combined energy of the women on stage, Hayley beamed with pleasantries for her new gal pals, even claiming she’d love to take them out on the road with her. As the curfew came and went, Jane would quickly check with Lark Hall staff if it was “Alright” to play one more. Once given the green light, Haley would quickly teach the Honey’s the chorus to the final song of the evening, “Make It Alright,” which was then jammed out to perfection, fusing multiple genres and stretching its legs all the way to the 15-minute mark and included “Wild Thing” teases for good measure.

    hold on honeys hayley jane lark hall
    Haley and the Honeys made a cold February night more than alright at Lark Hall 2/23/

    After thanking everyone for coming out and wishing them well on their way home, the girls would convene near the center of the stage for a group hug and shared smiles. An exceptional performance all around and yet another reason to never miss a Thursday show at Lark Hall. An evening filled with genre bending, thought provoking, and at times heartbreaking music. Honest storytelling and songwriting, surprise collaborations, dancing, and beautiful down- home harmonies. Great medicine for these modern times indeed. While it remains to be seen how serious Jane is about taking her new friends out on the road, what we do know is that ‘Hayley and the Hold On Honeys’ sure has a nice ring to it.

    Haley Jane | Albany, NY | 2/2/2023 | Lark Hall
    Setlist: Look to the Moon, Ramble on Rose, Roadmap, For Someone Who Needs It, Ignite, Madeline, Big Black Car, Loose Screws, Soul Shaken, Madam Humphrey, Assembly of Words, Hey Mister, Girl

    Encore: The Weight, Make It Alright
    *Grateful Dead cover
    **Gregory Alan Isakov cover
    ***The Band cover featuring The Hold On Honeys
    **** Featuring The Hold On Honeys

    Hold On Honeys | Albany, NY | 2/2/2023 | Lark Hall
    Setlist: Wisely, Calling All My Children, TN River, Chicago, Getting Home, Case of You, Lullaby, I’m On Fire, Maple Lane, Knowing, Get High, Down Home Girl

    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
    hold on honeys hayley jane lark hall
  • Angel Olsen and Erin Rae Warm Hearts at Asbury Hall in Chilly Buffalo

    On a frigid Buffalo February, fabulous female folkies fed off frantic fans for fantastic fun. F yeah! Angel Olsen and the Big Band were in town at Babeville’s Asbury Hall, and they had Erin Rae along to open the show.

    angel olsen

    Rae, a Nashville-based singer/songwriter, was back in Buffalo for only the second time, waiting about 10 years for her return. Her last visit was a house show in front of just 7 people. Asbury Hall, an old converted church with seemingly endless height, and an attentive full house, was quite the jump up. One woman, one guitar and a ton of space to fill with a lot of ears and minds to reach. But Rae was able to command the crowd like they were just a handful in a living room. Maybe it was the spirit of her great grandmother who won woman of the year in Buffalo some 50-odd years ago lifting her up, but more likely it was Rae’s stellar skills put into practice.

    And there was more to celebrate then just a long-awaited return to Buffalo. It was the one-year anniversary of her latest album, Lighten Up. She of course played liberally from it, opening with “Cosmic Sigh,” working a nice bit of mouth trumpeting in “Candy & Curry,” and closing up with “Lighten Up and Try.” She also tucked a couple older ones in, like “Can’t Cut Loose” and the enchanting “June Bug” from Putting on Airs.

    angel olsen

    Headliner Angel Olsen was also coming through with a nearly year-old album, having put out Big Time back in June. An album called “Big Time” warrants a big band, and Olsen had it covered with a seven-piece that included violin, cello, bass, drums, guitar, keys and herself on vocals, guitars ,and keys.

    The story behind this latest release is Olsen’s turn toward classic country. Olsen delivered on that in spades, showing range on acoustic and electric guitars, her voice soaring and punctuated, soft and gentle, whatever it need be to drive home songs like “Dream Thing” and “Ghost On.” During both “Right Now” and “Go Home” the energy swelled and crashed multiple times like incoming waves, Olsen steered her crew deftly through voice and guitar.

    The makeup of the band allowed for a flexible sound, and they flexed that muscle powering through some older material. They showed a poppier edge on “Shut Up and Kiss Me,” immediately flipped into grunge on “Give It Up,” then teetered into new wave on “All Mirrors.” Later in set, “Lark” provided fireworks. The fiddle, cello and bass opened in a humming drone, which led into more undulating ebbs and flows which strengthened with each passing chorus, until a final explosion left the same starting drone in its wake.

    Olsen felt comfortable toying with her audience. She promised a premiere of a new song she wrote earlier that day, only to reveal it as a joke. Then she offered to play a request only to rebuff them all and play what she wanted instead. Though it may have only endeared her even more to the crowd. And really, what wasn’t to love?

    After the final frame finished, fans filed from the festive fling, feeling fabulous. F yeah indeed.

    Setlists

    Erin Rae: Cosmic Sigh, Gonna Be Strange, California Belongs to You, Can’t Cut Loose, June Bug, Candy & Curry, Bad Mind, True Love’s Face, Modern Woman, Lighten Up and Try

    Angel Olsen: Dream Thing, Big Time, Ghost On, Right Now, Shut Up and Kiss Me, Give It Up, All Mirrors, Go Home, Through the Fires, Lark, Sister, Those Were the Days, All the Good Time, Chance E: Without You (Harry Nilsson)

  • Fifth Class of the Capital Region Music Hall of Fame Announced

    The newest class of the Capital Region Music Hall of Fame has been announced, with an induction ceremony to take place Monday, March 27th.

    Eight individuals will be inducted into the fifth class of the Capital Region Music Hall Of Fame at Universal Preservation Hall. The group includes two members of a pioneering late 1960s and early 70s alt-country band; a nun who helped launch the careers of hundreds of music industry professionals around the globe; one of the region’s most active and best-known bluegrass musicians over the past eight decades; a woman who has promoted bluegrass music through the local airwaves for over 40 years; a legendary rock music photographer; and two guitarist virtuosos who forged careers that have generated international recognition.

    “It is inspiring to think about the accomplishments of these men and women and what they represent. Weaved together, their stories represent an amassing cross-section of the American music scene. And collectively they reflect an amazing, vital music scene in the Capital Region.”

    Jim Murphy, founder and producer of the Eddies Music Hall of Fame

    The class will be inducted with musical performances, short videos about their careers, speeches and more in a public celebration at UPH. The evening kicks off 6 p.m. with a social gathering; the Capital Region Music Hall Of Fame induction ceremony begins 7 p.m. All inductees are represented with plaques at Universal Preservation Hall in Saratoga Springs, as well as brief videos highlighting their careers.

    Eddies Music Hall of Fame Class of 2023

    Hall Of Fame Inductee
    Martin Benjamin

    If an artist is a Rock & Roll Hall of Fame inductee, chances are better than even that Martin Benjamin has photographed them at some point in their career. His first published photo was of Bruce Springsteen at the Palace Theatre in Albany in 1979. Since then, the Union College visual arts professor’s lenses have captured everyone from AC/DC to Frank Zappa, and his work has been exhibited across the U.S. and in Europe and Asia, as well as published as part of 18 TV productions and in The New York Times, The Mirror, People, Rolling Stone, American Photographer and elsewhere.

    Mike Campese

    Albany native Mike Campese has released 11 solo albums featuring his fusion guitar mastery and is a former member of the Trans-Siberian Orchestra. He has been featured in Guitar One, Guitar World and Guitar Player, among other magazines, and is a columnist for several publications. A graduate of the Musicians Institute in Hollywood, he has also taught throughout his career. When not on the road, Campese splits his time between the Capital Region and California.

    Hall Of Fame Inductee
    Felicia Collins (Lori Van Buren / Times Union)

    Felicia Collins grew up in Albany’s Arbor Hill, acquiring her first guitar at the age of 12 from a pawn shop and teaching herself to play. She is best known for her role as guitarist and vocalist in Paul Schaffer’s celebrated “Late Night with David Letterman” band for the show’s entire run (1993-2015) on CBS. She has toured and recorded with artists such as George Clinton, Aretha Franklin, Cindy Lauper, Madonna and the Thompson Twins, among many others. And she has led her own bands and recorded three solo albums.

    Hall Of Fame Inductee
    Wanda Fischer

    Wanda Fischer has hosted WAMC-FM/Northeast Public Radio’s weekly “The Hudson River Sampler” show – dedicated to folk music, bluegrass, and blues music – since 1982. Prior to joining WAMC, Fischer hosted a similar show in Worcester, Mass. for four years. She was inducted into the Folk Alliance International’s Folk DJ Hall of Fame in 2019. This Tennessee native, also a singer/songwriter, relocated to Schenectady in 1979.

    George Frayne

    According to The New York Times, George Frayne, “as the frontman for the band Commander Cody and His Lost Planet Airmen melded Western swing, jump blues, rockabilly and boogie-woogie with a freewheeling 1960s ethos to pave the way for generations of roots-rock, Americana and alt-country musicians.” The band scored one Top 10 hit and a live album was ranked by Rolling Stone as one of the top 100 albums of all time. Frayne, Idaho born, moved to Saratoga Springs in the 1990s, where he was active as a musician and visual artist and lived until his death in 2021.

    Hall Of Fame Inductee
    Smokey Greene

    Smokey Greene remained active in the country and bluegrass music scene for nearly eight decades as a banjo, guitar, mandolin and fiddle player, as well as a vocalist. He owned his own music club in Thompson, N.Y., toured with his band the Green Mountain Boys in the 1970s, worked as a country radio DJ for two decades in Glens Falls and founded a bluegrass festival in Corinth which enjoyed a 16-year run. Born into a musical family in Tinmouth, Vt., Greene often played late in his career with sons Arlin and Scott.

    Sister Mary Anne Nelson, CSJ

    Sister Mary Anne Nelson, CSJ, founded and led The College of St. Rose’s Music Industry program for 49 years, retiring in 2021. She was responsible for steering the program towards a greater focus on popular music. During her tenure, music students ran their own record label, worked on live music television productions, studied music law and entrepreneurship, and ran lights and sound and performed at a bar-like venue on campus. Her vision put Saint Rose on the map as one of the top U.S. music industry programs as recognized multiple times by Billboard magazine.

    Hall Of Fame Inductee
    John Tichy (Will Waldron/Times Union)

    Guitarist and vocalist John Tichy is an original member of Commander Cody and His Lost Planet Airmen, formed in 1967 in Ann Arbor, Mich. After playing for two years in local bars, the core members migrated to Berkeley, Calif. The group disbanded in 1976 after five studio and two live albums, and one Top 10 hit, “Hot Rod Lincoln.” Tichy, born in St. Louis, who previously earned a Ph.D. from the University of Michigan, soon joined the faculty of Rensselaer Polytechnic Institute in Troy, where he became head of the Department of Mechanical, Aerospace and Nuclear Engineering.

    The Eddies Music Hall of Fame ceremony will be followed by the Eddies Music Award Show at Proctors on Sunday, April 30. About 200 nominees will be acknowledged in roughly 35 categories. More information is available at theeddiesawards.com.

    Tickets are on sale at universalpreservationhall.org

  • Judy Collins to Perform Acclaimed Album ‘Wildflowers’ at The Town Hall in NYC

    On Saturday, February 25, pop icon Judy Collins is heading to the Town Hall to bring her signature blend of folk and pop to NYC as she performs her 1967 album, Wildflowers — to this day, her highest-charting album —  front to back with the Harlem Chamber Players. 

    Judy Collins Wildflowers
    Judy Collins, performing Wildflowers on February 25 at The Town Hall

    Judy Collins came to NYC from the west coast at the start of the sixties. She landed in Greenwich Village, singing songs written by contemporaries such as Tom Paxton, Bob Dylan and Leonard Cohen. With Cohen, Collins was a veritable salonnière of the Greenwich Village scene; she brought together Joni Mitchell, Randy Newman and many more, so the artists could share inspirations and audiences. Her background working with protest singers has stayed with Collins, she works with multiple social justice organizations and represents UNICEF.

    While she came on the scene as an interpretive cover artist — she won the Grammy for Best Folk Recording in 1969 for her cover of Joni Mitchell’s “Both Sides Now — Collins soon established herself as an adept songwriter as well, starting with “Since You Asked” in 1967. This year, Collins has been nominated for a Grammy again, this time for her folk album Spellbound, her first complete album of all original, self-penned songs in her career. 

    At the Town Hall on February 25, fans will hear Collins’ famous rendition of Joni Mitchell’s “Both Sides Now” live, as well as other hits from that album: “Albatross,” “Since You Asked,” and “Hey, That’s No Way to Say Goodbye.” Joining Collins is the Harlem Chamber Players, an acclaimed chamber band that works to increase access to high-caliber classical music in Harlem and the greater city. Doors will open at 7 p.m. and the show will begin at 8 p.m. Tickets can be purchased here

  • The Wood Brothers Announce New Album, 5 Stops in NY on National Tour

    Roots band The Wood Brothers have announced their eighth studio album, titled Heart Is The Hero, which is set to be released on April 14 through Honey Jar/Thirty Tigers. The album will be supported by a tour, with stops in Buffalo, Ithaca, New York City, Accord, and Fairpoint. Prior to embarking on their tour, the band will release the first single from Heart Is The Hero in February.

    From left to right: Chris Wood, Jano Rix, and Oliver Wood

    The Wood Brothers consist of brothers, Chris and Oliver Wood, who grew up in Boulder, Colorado. Their “honorary sibling,” Jano Rix is also in The band. They focused more on the importance of performing rather than studio perfection for this album, resulting in an album that emphasizes the themes of presence, grace, and faith.

    “The chorus of the album’s title track says, ‘the heart is the hero of every song.’ By no means was it intentional, but much of the material we were writing for this record seemed to come full circle to the idea of trusting in your heart in matters that you can’t control,” says Oliver Wood.

    I’m looking forward to going on the road with these new songs from Heart Is The Hero and seeing how they evolve from night to night when performed in front of audiences. The recording process for this album was completely different from our last one, Kingdom In My Mind, where we had all the time in the world to experiment, tinker, and shape performances. For those sessions, I was living in Nashville close to Oliver and Jano, but I’ve since relocated to Canada, so our time to record together this time around had to be extremely focused and intentional.

    Chris Wood

    The Wood Brothers tour has New York shows that start this March. Dates and venues are available below. As of Jan. 26, artist pre-sale has begun. General on-sale started Jan. 27. Tickets can be purchased at thewoodbros.com.

    The Wood Brothers 2023 Tour

    1/31 – Solana Beach, CA – Belly Up Tavern ^ (Sold Out)
    2/1 – Solana Beach, CA – Belly Up Tavern ^ (Sold Out)
    2/2 – Ventura, CA – Ventura Music Hall ^
    2/3 – Oakland, CA – Fox Theater ^
    2/4 – Stateline, NV – Bally’s Lake Tahoe Casino Resort ^
    2/6 – Santa Cruz, CA – Rio Theatre ^
    2/8 – Bend, OR – Midtown Ballroom ^
    2/9 – Seattle, WA – Neptune Theatre ^ (Sold Out)
    2/10 – Portland, OR – Revolution Hall ^ (Sold Out)
    2/11 – Portland, OR – Revolution Hall ^
    2/24 – North Little Rock, AR – Simmons Bank Arena ^^
    3/1 – Lexington, KY – Lexington Opera House
    3/2 – Detroit, MI – Majestic Theatre
    3/3 – Buffalo, NY – Town Ballroom
    3/4 – Ithaca, NY – State Theatre
    3/6 – Westerly, RI – The United Theatre
    3/8 – Harrisburg, PA – XL Live
    3/9 – Rocky Mount, VA – Harvester Performance Center (Sold Out)
    3/10 – Winston-Salem, NC – The Ramkat
    3/11 – Chattanooga, TN – Walker Theatre
    4/11- Scottsdale, AZ – Virginia G. Piper Theater – Scottsdale Center for the Performing Arts
    4/12 – Flagstaff, AZ – Orpheum Theater
    4/14 – Beaver Creek, CO – Vilar Performing Arts Center
    4/15 – Denver, CO – Mission Ballroom
    4/17- Salina, KS – The Stiefel Theatre for the Performing Arts
    4/18 – Fayetteville, AK – JJ’s Live
    4/20 – Tulsa, OK – Cain’s Ballroom
    4/21- Tilmon, TX – Old Settler’s Music Festival
    4/22 – Houston, TX – The Heights Theater
    5/10 – Peoria, IL – Premier Event Center *
    5/11 – Chicago, IL – The Salt Shed *
    5/12 – Minneapolis, MN – Utepils Brewing Co. *
    5/13 – Milwaukee, WI – Riverside Theater *
    5/15 – Akron, OH – Goodyear Theater *
    5/16 – Cincinnati, OH – Taft Theatre *
    5/18 – Atlanta, GA – The Eastern *
    5/19 – Raleigh, NC – North Carolina Museum of Art *
    5/20 – Washington, DC – The Anthem *
    5/21 – Knoxville, TN – Tennessee Theatre *
    6/7 – Portland, ME – State Theatre *
    6/8 – Boston, MA – Roadrunner *
    6/9 – New York, NY – The Rooftop at Pier 17 *
    6/10 – Accord, NY – Arrowood Farms *
    6/11 – Fairport, NY – Perinton Center Park Amphitheater *

    6/13 – New Haven, CT – College Street Music Hall *
    6/15 – Charlottesville, VA – Ting Pavilion *
    6/16 – Williamsburg, VA – Virginia Arts Festival’s Williamsburg Live *
    6/17 – Pittsburgh, PA – Mountain View Amphitheatre *
    6/18 – Grand Rapids, MI – venue TBA *
    6/23 – Greenfield, MA – Green River Festival
    8/18-20 – Wellston, MA – Hoxeyville Music Festival – Wellston, MI

    ^ w/ Taylor Ashton
    ^^ w/ The Avett Brothers & Turnpike Troubadours
    * w/ Shovels & Rope