Songwriter, harpist, and Rochester born artist Mikaela Davis has recently shared a stunning music video to accompany her newest single “Cinderella.” The song is a selection from her upcoming album And Southern Star which will officially be released on Aug. 4 via Kill Rock Stars.
Since releasing her debut album Delivery five years ago, Mikaela Davis has traveled far away from her hometown of Rochester to fully immerse herself in her musical journey. The artist has joined the stage with musicians from all backgrounds of music and genres including founding members of the Grateful Dead Bob Weir and Phil Lesh, eight-time Grammy Award winner Christian McBride, and American indie folk band Bon Iver.
Although Davis earned her degree in harp performance at the Crane School of Music, she has grown and built off of that foundation into a multi-genre and multi-talented artist, molding her classical music training to create an original and genre-bending catalog that weaves together 60s pop-soaked melodies, psychedelia, and driving folk rock. This diverse mix of sounds is what fans should expect from her upcoming album along with the story of Davis’ ever-evolving relationships between her closest friends and bandmates. And Southern Star is a truly collaborative effort that ruminates on the choices we make, and the people we always come back to.
Fans can now use the single “Cinderella” to understand the direction Mikaela Davis is heading in this new decade of growth and storytelling. The song begins with the hauntingly beautiful picking of a solo harp quickly joined by Davis’ atmospheric and soul-stirring melodic voice. Davis can be seen playing the instrument in a gorgeous red dress, tearing the pieces, and running through fields of green throughout the video. As the song picks up, more instruments are built on to add support to a primarily fragile musical story surrounding the girl with countless choices to make with even more roadblocks in her way: Cinderella.
Davis will continue to give her fans all the content they desire as the artist is starting out on tour this summer and into the Fall. She will travel to stages all over the United States bringing her beautiful voice and classically trained harp skills to select audiences. Joining her in multiple locations is the alternative and indie band The Mountain Goats.
Mikaela Davis Tour Dates
AUG 3, THU Happy Valley, OR Pickathon FEST AUG 4, FRI Happy Valley, OR Pickathon FEST AUG 5, SAT Seattle Nectar AUG 8, TUE Redding, CA The Dip AUG 9, WED Fresno, CA Strummers AUG 11, FRI Phoenix, AZ Last Exit AUG 12, SAT Truth or Consequences, NM Artist Abbey AUG 13, SUN Santa Fe, NM Meow Wolf AUG 17 THU, Minneapolis, MN Turf Club AUG 20 SUN Evanston, IL SPACE OCT 2 MON @ 7:00 pm Solana Beach, CA Belly Up * OCT 3 TUE @ 7:00pm Los Angeles, CA The Belasco Theater * OCT 5 THU @ 7:00pm San Francisco, CA August Hall * OCT 6 FRI @ 7:00 pm San Francisco, CA August Hall * OCT 7 SAT @ 7:00 pm Sacramento, CA Ace Of Spades * OCT 9 MON @ 7:00 pm Spokane WA Martin Woldson Theater at The Fox * OCT 10 TUE @ 8:00 pm Boise, IDKnitting Factory Concert House * OCT 11 WED @ 7:00 pm Bozeman, MT The Elm * OCT 13 FRI @ 8:00 pm Boulder, CO Fox Theatre * OCT 14 SAT @ 8:00 pm Englewood, CO Gothic Theatre *
The Binghamton Philharmonic is set to kick off its free summer concert series, Concerts in Every Corner with four beautiful and unique performances by the Empire Saxophone Quartet. The series will begin on July 20th at 11:20 AM with performances by the quartet stretching into the 21st.
The Binghamton Philharmonic is no stranger to introducing their community to rich and tasteful music as the group presents an annual series of classical, pops, and chamber music concerts in Downtown Binghamton and throughout Broome County. Concerts in Every Corner will feature the Quartet in four locations throughout the city including the Ross Park Zoo, Columbus Park, Cheri A. Lindsey Memorial Park, and Fairview Park.
Bringing home the Empire Saxophone Quartet is quite the treat for the orchestra as the chamber music ensemble has a repertoire that includes classics from the Renaissance Era through the 21st century as well as pop, jazz, and ragtime selections. Their diverse musical abilities and delightful performances have astonished audiences for years and Binghamton should be prepared for nothing less. The quartet was originally founded by April Lucas who is now joined by saxophonists Daniel Miller, Crystal Fisher, and Nicole Mushalla.
The concerts will be a family-friendly mix of jazz, pops, and contemporary classics suited and welcome to all ages, so come and celebrate the summer through the sweet sounds of music.
Concerts in Every Corner
July 20, 2023:
11:20am: Ross Park Zoo, 60 Morgan Road, Binghamton
12:30pm: Columbus Park, 26 Columbus Park East, Binghamton
July 21, 2023:
11:20am: Cheri A. Lindsey Memorial Park, 1 Truesdell Street, Binghamton
12:30pm: Fairview Park, 58 Fairview Avenue, Binghamton
The 13th season of the Geneva Music Festival came to a close, showcasing how exceptional music can create and build community with ten performances, 32 artists, and over a thousand attendees.
Geneva Music Festival’s Theme
Each season of the Geneva Music Festival has a theme, and this year’s was Gods, Myths, and the Divine. A rather capacious theme, it lent itself to a truly fascinating lineup of concerts in a variety of styles. From modern myths to Taiwanese legends to Christian and Jewish religious music, the season spanned cultures and belief systems.
Concert attendees commented not only on the quality of the musicianship but on the music’s ability to form connections. The breadth of repertoire from the Jason Clayborn Band impressed Charles McCadd, a Geneva resident. “The actual diversity of how much music they fit in of everything was amazing,” McCadd said. “Being able to go from all these different generations of music and then collide them all together to make everyone in the audience happy was just amazing.”
It’s easy when listening to music, especially classical music, to forget the interpersonal connections that underpin it. The intimate setting of chamber music reminds the audience of the connection between artists. They also orchestrate chamber music together, rather than training their focus on a conductor. One of the really striking themes of the Geneva Music Festival is the camaraderie the artists share. The audience member feels like they are being let in on an inner world.
Artistic Director Geoffrey Herd wrapped up the season by concluding, “Many thanks to our dedicated patrons and supporters who helped make our 2023 season sensational. The GMF musicians were honored, as always, to perform for our community and explore the diverse repertoire inspired by our theme, Gods, Myths, and the Divine. I wish all of you a peaceful and happy summer, and I look forward to sharing details about our next season soon.”
Livestreams of all performances are available to be purchased here until July 31.
Luzerne Music Center (LMC) is has announced their 43rd season, spanning from June 18 to August 13. Nestled in the peaceful setting of Lake Luzerne, New York, LMC is a summer music camp for talented youth and a host of the esteemed Luzerne Chamber Music Festival with a lineup of unforgettable performances by world-class guest artists and accomplished LMC faculty members.
With the commitment to artistic excellence and guidance of Elizabeth Pitcairn, a world famous violin soloist and Luzerne Music Center’s CEO and Artistic Director, they have meticulously curated an impressive selection of concerts to cater to a diverse audience.
Founded in 1980, Luzerne Music Center has been a beacon for thousands of talented young musicians, offering a unique blend of a high-intensity music festival and a traditional summer camp experience in the breathtaking foothills of the Adirondacks. With a commitment to fostering courage, resilience, empathy and compassion, Luzerne Music Center provides world-class instruction for gifted musicians aged 9 to 18, regardless of their financial circumstances. The center offers comprehensive training in both large and small ensembles, private lessons and group classes, attracting young talents from around the world.
Luzerne Chamber Music Festival
At the heart of the season lies the Luzerne Chamber Music Festival, featuring four magnificent concerts by world-class guest artists including musicians of the NYC Ballet Orchestra and The Philadelphia Orchestra, WindSync, Glen Inanga, Toby Blumenthal, Darrin C. Milling and Elizabeth Pitcairn. Expect to be taken on a journey of musical brilliance that will leave a lasting impression.
The concerts will be held in the Jack Lawrence Performance Lodge on Luzerne Music Center’s campus on Mondays at 7:30 PM.
July 3 – Musicians of the NYC Ballet Orchestra with Elizabeth Pitcairn, Glen Inanga and the LMC Faculty Orchestra
Jul 10 – WindSync (www.windsync.org)
July 24 – Toby Blumenthal’s 90th Birthday Celebration with Elizabeth Pitcairn, Darrin C. Milling and Fabulous Philadelphians
July 31 – Fabulous Philadelphians: Musicians of The Philadelphia Orchestra
Tickets for the Luzerne Chamber Music Festival are available here. Prices include VIP $45/ Adults $35/ Seniors $25 / Students $5 / Under 18 Free.
Faculty Artist Series
Mark your calendars for an extraordinary series of six public concerts featuring programs curated and performed by the renowned LMC faculty. The performances will be held on Fridays, June 23 and 30; July 7, 21 and 28; and August 4, at 7:30 PM in the Jack Lawrence Performance Lodge on Luzerne Music Center’s campus. Each concert incorporates music from all periods, including LMC’s composers-in-residence Jake Gunnar Walsh and Robert Paterson, Director and Co-Founder of the Mostly Modern Festival based in Saratoga Springs, New York.
To discover the wealth of experience and artistry that each faculty member brings to the LMC community, please visit www.luzernemusic.org/faculty.
Tickets are available here. Prices are $15 for adults, $10 for Seniors, $5 for Students, and free for under 18.
Free Student Concerts
Visit Luzerne Music Center and be a part of the extraordinary student concerts, where the next generation of musicians will showcase their talent, passion, and dedication to the art of music.
Throughout the summer, LMC’s lakeside campus in the foothills of the Adirondacks will be a home for over 174 talented campers from 19 states and 12 countries. There, they will be able to immerse themselves in furthering their music studies, supported by LMC’s exceptional faculty and internationally recognized visiting artists and partake in many concerts both as performers and listeners; all during a life-changing summer camp experience fostering intellectual, social and emotional growth. All their remarkable progress and passion will be showcased during eighteen student concerts that are free and open to the public.
Student Showcases:
Saturday, June 24 – 7:30 PM Solo Showcase
Friday, June 30 – 3:30 PM Chamber Showcase
Saturday, July 8 – 7:30 PM Solo Showcase
Thursday, July 13 – 7 PM Chamber Showcase
Saturday, July 22 – 7:30 PM Solo Showcase
Saturday, July 29 – 7 PM Chamber Showcase
Saturday, August 5 – 7:30 PM Solo Showcase
Saturday, August 12 – 4 PM Student Composer’s Concert
Saturday, August 12 – 7 PM Chamber Showcase
Piano Prelude and LMC Symphony Orchestra:
Sunday, June 25 – 1:30 PM
Saturday, July 1 – 1:30 PM
Sunday, July 9 – 1:30 PM
Friday, July 14 – 1:30 PM
Sunday, July 23 – 1:30 PM
Sunday, July 30 – 1:30 PM
Friday, August 4 – 4 PM Orchestra Only
Sunday, August 6 – 1:30 PM
Sunday, August 13 – 1:30 PM Piano Prelude, Brass Choir, & Orchestra
Jeffery B. Ziegler Recital Hall and Jack Lawrence Museum Unveiling
Additionally, July 3rd marks the unveiling of Luzerne Music Center’s new recital hall and museum, the Jeffery B. Ziegler Recital Hall and Jack Lawrence Museum. The grand unveiling will take place during the intermission of the first Luzerne Chamber Music Festival concert of the season, featuring a captivating performance by musicians of the NYC Ballet Orchestra with Elizabeth Pitcairn, Glen Inanga and the LMC Faculty Orchestra. The concert program includes Antonio Vivaldi’s The Four Seasons and Amy Beach’s Piano Quintet, promising an extraordinary musical experience for all attendees.
At the heart of the transformed Luzerne Music Center campus, the Jeffrey B. Ziegler Recital Hall and Jack Lawrence Museum stands as a testament to the organization’s dedication to artistic excellence. This remarkable octagonal building spans 1,000 square feet, featuring stunning pine finishes and an abundance of natural lighting, creating an inspiring environment for musicians and composers alike.
Crafted by Topsider Homes in North Carolina and assembled on-site by local contractors, the recital hall serves as an intimate performance venue, a museum honoring the esteemed songwriter Jack Lawrence, and a versatile space for masterclasses and small group classes. The project was made possible through the generous support of Jeffrey B. Ziegler and the Jack Lawrence Charitable Trust. Their vision and commitment to the arts have been instrumental in bringing this transformative project to life.
Within the Jeffrey B. Ziegler Recital Hall, the centerpiece is the 1903 Steinway Model O grand piano, generously donated from Michael Kamen’s family. The hall’s modular seating allows for a diverse range of activities, including composition workshops, individual lessons, guest masterclasses, intimate studio recitals, group classes, chamber music rehearsals and small receptions. Adorning the interior perimeter of the hall, the Jack Lawrence archives will create a captivating retrospective, celebrating the life and legacy of this iconic songwriter.
The official opening of the Jeffrey B. Ziegler Recital Hall and Jack Lawrence Museum will be a momentous occasion, graced by the presence of esteemed musicians, including Elizabeth Pitcairn, Glen Inanga, Arturo Delmoni, Sarah Hewitt-Roth and Michael Roth. The intermission will feature a special ribbon cutting ceremony and a special performance by one of the student groups within the newly inaugurated space, allowing guests to fully immerse themselves in the beauty and acoustics of the recital hall.
CEO and Artistic Director
Luzerne Music Center’s CEO and Artistic Director Elizabeth Pitcairn has earned a stunning reputation as one of America’s most beloved violin soloists. She concertized with the Philadelphia Orchestra at the Academy of Music, made her New York debut at Alice Tully Hall with the New York String Orchestra, and has since performed in halls across the world.
Ms. Pitcairn performs with one of the world’s most legendary instruments, the Red Mendelssohn Stradivarius of 1720. A gift from her grandfather in 1990, it was named the ‘Red Stradivarius violin’ while in possession of Joseph Joachim, and is said to have inspired the Academy Award–winning film The Red Violin.
Named Luzerne Music Center’s Artistic Director in 2011 and President in 2012, Ms. Pitcairn remains deeply passionate about youth and music education. She is formerly a member of the distinguished faculties at the Colburn School and USC’s Thornton School of Music. Ms. Pitcairn performs regularly around the globe as soloist and an ambassador to LMC. On tour, she makes time for school visits and leads master classes for aspiring music students. For tour dates and more information, visit her website here.
For more information about Luzerne Music Center and its programs, please visit www.luzernemusic.org.
Elysium Furnace Works (EFW) has announced that the Bass Bridge Quartet will be joining their 2023 seasonal lineup in the Hudson Valley. They are now one of five bands who will play with EFW from July until December 2023.
Co-led by Mike Faloon and James Keepnews, Elysium Furnace Works is a cooperative project that seeks to present the work of upcoming artists in dedicated art-focused settings. While not exclusive to live music, EFW primarily works through live music venues in and around the Hudson Valley.
2023 Lineup
Brass Bridge Quartet – Ballet Arts Studio, Beacon – July 22 at 8:00 p.m.
The new additions to the season, Brass Bridge Quartet, features four celebrated multi-instrumentalists all performing on upright double bass. A new band formed in 2023, members include: Che Chen, a guitarist for the band 75 Dollar Bill; Dave Hofstra; William Parker; and Dave Sewelson, an accomplished, veteran baritone saxophonist. The band seeks to “explore the lower frequencies of improvisation.”
They will be performing at a new location for EFW, the Ballet Arts Studio at 107 Teller Avenue in Beacon. Tickets are $20 in advance and $30 at the door, though the advance discount ends at midnight on the evening before the performance. Tickets can be found here.
exclusiveOr – Cunneen-Hackett Arts Center, Poughkeepsie – Sept. 23
A duo that uses electronic sound to leave behind conventional definitions of music. The two members of the group are Sam Pluta, a Peabody Institute professor of Computer Music and Music Engineering & Technology, as well as Jeff Snyder, a director of Electronic Music and the Princeton Laptop Orchestra at Princeton University.
Sana Nagano’s Smashing Humans – Cunneen-Hackett Arts Center, Poughkeepsie – Oct. 21
Led by the Brooklyn-based noise-jazz violinist Sana Nagano, the band also features Anna Webber on saxophones, Jonathan Goldberger on guitar, Kim Cass on bass, and Danny Sher on drums.
Joe McPhee with Strings – Cunneen-Hackett Arts Center, Poughkeepsie – Nov. 18
The group, which features legendary Poughkeepsie-based multi-instrumentalist Joe McPhee, is a large string ensemble that includes: bassists Michael Bisio and Hillard Greene; cellists Fred Lonberg-Holm and Lester St. Louis; violists Melanie Dyer and Mat Maneri; violinists Rosi Hertlein and Gwen Laster; and guitarists James Keepnews and Billy Stein.
Joe Fielder – Cunneen-Hackett Arts Center, Poughkeepsie – Dec. 16
A solo performance by consummate trombonist, composer, and arranger Joe Fielder. It is built on his recent solo recordings of “The Howland Sessions,” and will close EFW’s 2023 season.
The Binghamton Philharmonic Orchestra has announced its first annual “Bing, Bing, Swing,” event, a live swing orchestra gala that will take place on August 12 at The Binghamton Club.
In addition to the live swing orchestra, complimentary cocktails, non-alcoholic beverages, food options, a live auction, and dance instruction by Vince Brust Dance Studios bring even more excitement to the event.
Regarding the artists, Maestro Daniel Hege will be alongside Boston-based vocalist/jazz musician Amanda Carr for an unforgettable kick-off performance.
Carr began her career in specifically rock and pop, playing in Boston area nightclubs across her teenage years, before eventually shifting to jazz and band shows.
Maestro Daniel Hege has been the music director for the Binghamton Philharmonic Orchestra since 2018, and will happily enjoy sharing the stage with Carr for “Bing, Bing, Swing.”
For the event’s details, “Bing, Bing, Swing” will take place August 12 at The Binghamton Club from 6:30 pm to 9:00 pm. Tickets are $100 per person and $180 per couple with a black tie dress code ideal for the occasion.
For tickets and more information on the evening, contact the Binghamton Philharmonic box office at 607-723-3931 or click here.
Amanda Carr performing “Century Of Sinatra” for Boston Swing
The New York Philharmonic started off summer with a bang on Tuesday, June 13th in the Bronx.
For years, the New York Philharmonic Orchestra has had a yearly summer concert in Van Cortlandt park, and last night continued the tradition. This summer, music director Jaap van Zweden conducts iconic classical pieces Beethoven’s Fifth Symphony and Johan Strauss’ On the Beautiful Blue Danube. The orchestra also plays Copland’s Fanfare for the Common Man, the William Tell overture, and Strauss’ overture to The Bat.
Audience members got to the Van Cortlandt Parade Grounds in the afternoon early before the concert. Hundreds of people were out on the grass before the sun set. With the orchestra playing such famous pieces, everyone was excited. Plus, audiences this summer get to hear recent pieces composed by two graduates of the New York Philharmonic’s Very Young Composers program.
Founded by John Deak, the very Young Composers Program (VYC) mentors kids and gives them the “tools they need to transform their musical ideas into finished compositions.” The kids also get to hear professional New York Philharmonic musicians—and sometimes the full orchestra—playing their work. The 12-week program works to empower children ages 8-15 and help them reach their full creative potential. Then, they can create art to express themselves and the world around them. The New York Philharmonic was founded in 1842, and it’s the oldest symphony orchestra in the country. Educational programs like the VYC ensure the future of music by making sure the next generation is given opportunities to learn. The two pieces that the orchestra are performing this summer were written when the students were in VYC.
Bronx resident Mio Mićić wrote their piece, Raft Dino Spies, in 2013 when they was just 9. “The title reflects the fact that I was 9,” they said to the audience last night. The piece depicts the experience of riding a rollercoaster that they went on as a kid. Mićić tried to compose it “as audibly realistic as possible” to make audiences feel the same experience. They even asks the musicians to do something unusual: to scream as loudly and long “as they’re willingly able.” Even though the music is memorable on its own, the screaming orchestra makes it stand out in audience’s minds.
Rodriguez wrote his piece in 2019. At the age of 12, he was inspired by the moon landing to write Trip to the Moon. He saw the moon landing footage and compared it to musical concepts. As the orchestra counts down from ten, they “[take] you for a ride and [give] you a perspective of such an amazing feat.” (Michael Rodriguez) Lately, Rodriguez has been inspired recently by Latin music, and how to compose for orchestras based in the style.
Just like always, the performance ended with a fireworks show. The New York Philharmonic is still performing free Concerts in the Parks this summer. On the 16th, they’ll be in Queens’ Cunningham Park, then Friday the orchestra plays at Prospect Park in Brooklyn. Both of these outdoor shows start at 8PM. Although sold out, the Philharmonic wraps up their concerts in the parks on the 18th with an indoor concert in Staten Island’s St. George Theatre. Still, concerts in Brooklyn and Queens are open for all! If you can’t make it this summer, you can still listen to some of the NY Philharmonic’s great work online.
The American Symphony Orchestra has recently announced plans for its 62nd season which will feature four full-orchestra programs at Carnegie Hall and Manhattan’s Riverside Church among other concert events. The 2023-24 season will commence on September 7th with a free opening picnic concert from the symphony orchestra, titled American Expression, and will end on March 22nd of next year.
In 1962, Leopold Stokowski founded the American Symphony Orchestra as a way to provide music within the means of everyone. That mission has been enhanced and expanded since the year of 1992 which brought forth Music Director Leon Botstein, who introduced thematic concerts to the orchestra in order to explore music from the perspective of visual arts, literature, religion, and history, as well as revive scarcely performed works that audiences would otherwise never have had the opportunity to experience through a live orchestra.
Keeping to this theme, the 62nd season is to be littered with rich performances of select compositions from history’s choral catalogue. A few program highlights include a performance of George Frideric Handel’s Judas Maccabaeus which will be presented in Morningside Heights at the Riverside Church on December 14th. This will be followed by a rare performance of Dvořák’s Requiem in January at Carnegie Hall. On March 22nd, Schoenberg’s massive cantata, Gurre-Lieder, infrequently performed due to the unusually large number of musicians required, will bring the Orchestra’s season to an impressive close.
Botstein, who will conduct each of the four program’s performances, mentions his excitement for the ongoing mission as he enters the new season saying, “As we prepare for our 62nd season, I am energized by our ongoing ability to renew live orchestral music as a vital force in contemporary American culture. Now that we have emerged from the major restrictions of the pandemic, the ASO continues that mission in 2023-24 by presenting large choral works that highlight the power of the human voice.”
The American Symphony Orchestra will also be offering two free performances under America UNBOUND at Bryant Park as a part of its chamber concert series. These performances will be presenting percussionist and composer Javier Diaz’s new work Suns and Moons of a New World. In addition, the organization will also offer a digital premier of Ficciones, an immersive concert film experience featuring Roberto Sierra’s Concerto for Electric Violin and Orchestra performed by renowned soloist Tracy Silverman.
September 10, 3:00 PM – Kupferberg Center for the Arts, 6530 Kissena Blvd, Flushing, NY: American Symphony Orchestra; Leon Botstein, conductor; George Antheil: A Jazz Symphony; Ruth Crawford Seeger: Music for Small Orchestra; Aaron Copland: Music for the Theatre; Florence Price: Andante moderato (for string orchestra); John Alden Carpenter: Krazy Kat
In the years immediately following World War I, the American artistic scene experienced an extraordinary burst of creativity. Responding to the horror and brutality of the war, artists, writers, and composers rejected the ideals of the previous century, focusing instead on creating a means of expression that would reflect the realities this new age required. With jazz, many American composers found a source of distinctly American inspiration that was modern and exciting. Some of the works offered in this program reflect a fascination with the language of the Roaring Twenties and its rhythmic energy and catchy melodies. Other composers sought to push the boundaries of musical expression with ‘ultra-modern’ language such as jagged counterpoint or atonality. The experimental impulses of this generation are presented here with works by some of its key proponents.
Tickets: Free performances.For BryantPark on Sept. 7, no tickets or RSVP required, staff lends out free picnic blankets, provides bistro chairs, and offers a curated selection of food and drink to purchase from local vendors. For Sept. 10 at Kupferberg Center for the Arts, attendance is free with online RSVP at americansymphony.org (starting on August 10, 2023).
September 18 and September 25, 5:30 PM – UNBOUND: Free Chamber Concerts in Bryant Park – Bryant Park Upper Terrace: Toyin Spellman-Diaz, oboe, English horn, voice; Shari Hoffman, clarinet; John Sheppard, trumpet; Javier Diaz, percussion; Shiqi Zhong, percussion; Pauline Kim Harris, violin; Pete Donovan, double bass; Javier Diaz: Suns and Moons of a New World; I. Preludio de la Gran Sabana (Prelude of the Great Plains); II. Mis Muertos Cantan (All My Dead Sing); III. Concierto Barroco (Baroque Concerto); IV. Domingos Álvares, A Priest of Sakpatá in Eighteenth-Century Brazil; V. Sinfonía de Cámara (Chamber Symphony)
The ASO continues its series of free concerts in Bryant Park with America UNBOUND. The program underlines the importance of multicultural influences in the music of the Americas and presents the new chamber work Suns and Moons of a New World, by percussionist and composer Javier Diaz. Offering a compositional look at the American continent unbound through musical histories that emphasize the universality of sound, word, and song, the piece incorporates musical and cultural elements from across the Americas, including the use of a J.S. Bach chorale in Venezuelan merengue. It is performed by a chamber ensemble of ASO musicians and features GRAMMY-nominated Imani Winds’ oboist Toyin Spellman-Diaz. Commissioned by the ASO, the work received its world premiere at Bryant Park in May 2023.
Tickets: Free, no tickets required.Guests will find a limited number of first-come, first-served chairs set up near Bryant Park’s Upper Terrace to enjoy an after-work respite with live music.
December 14, 7:00 PM – Riverside Church Nave, 490 Riverside Drive, New York, NY – Judas Maccabaeus: American Symphony Orchestra; Leon Botstein, conductor; Members of Bard Festival Chorale and Riverside Choir; George Frideric Handel: Judas Maccabaeus, HWV 63
The ASO offers an alternative to Handel’s Messiah with another oratorio, Judas Maccabaeus. Set amidst the story of Hanukkah, the oratorio is a dramatization of the Jews’ resistance to their oppressors during the Maccabean Revolt. Handel’s depiction of a peoples’ triumph over tyranny is brought to life through exultant choruses, sung by members of Bard Festival Chorale and Riverside Choir and soloists. Soloists will be announced at a later date.
Tickets:Priced at $25–$35, and $15 for students and seniors, are available on September 1 at americansymphony.org.
January 25, 2024, 8:00 PM – Carnegie Hall, Isaac Stern Auditorium – Dvořák: Requiem – Conductor’s Notes Q&A, 7:00 PM: American Symphony Orchestra; Leon Botstein, conductor; Antonín Dvořák: Requiem, Op. 89
Antonin Dvořák’s Requiem (1890)is nowhere nearly as well-known or performed as the composer’s late symphonies, chamber pieces, or other choral works, such as his StabatMater. Dvořák’s Requiem is close to Fauré’s or Cherubini’s contributions to the genre in its often introspective mood, its gentle melodies and overall lyricism. The use of a four-note chromatic motif in almost all sections of the piece gives the work a feel of thematic unity. While rich in invention and expressivity, its melancholic examination of the mysteries of life and death make the Requiem more deserving of further exploration in the public sphere.
Tickets: Priced at $25–$65, tickets are available on September 1 at carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or visiting the box office at 57th St. & 7th Ave.
March 22, 2024, 8:00 PM – Carnegie Hall, Isaac Stern Auditorium – Schoenberg’s Gurre-Lieder – Conductor’s Notes Q&A 7:00 PM: American Symphony Orchestra; Leon Botstein, conductor; Bard Festival Chorale; James Bagwell, choral director; Arnold Schoenberg: Gurre-Lieder
To mark the centennial of its 1913 world premiere in Vienna, and more than 90 years since its 1932 American premiere by American Symphony Orchestra founder Leopold Stokowski with the Philadelphia Orchestra, the ASO presents Arnold Schoenberg’s massive and rarely performed Gurre-Lieder. Wagnerian in conception, this cantata represents the ideal of late Romanticism, with its lush, colorful orchestration of more than 150 musicians, endless melodies, and a highly chromatic harmonic language. The work is seldom performed due the sheer number of artists involved and the logistical challenges it poses. The cantata springs from a sonnet in an 1868 novella titled A Cactus Blooms by the young Danish poet Jens Peter Jacobsen, who based his prose on a 14th-century Gurre legend about King Valdemar, his passion for the maiden Tove Lille, and their love tryst at Gurre Castle. Soloists will be announced at a later date.
Tickets: Priced at $25–$65, tickets are available on September 1 at carnegiehall.org, by calling CarnegieCharge at 212.247.7800, or visiting the box office at 57th St. & 7th Ave.
Suis generis producer MVW continues to flood the streets with a run of ear-catching singles. Coupled with vocals from frequent collaborator Valee, MVW delivered fans the Groovy sounding “Pistachio” and “Could Be,” a straightfoward take on the two artists musical philosophy. The two records offer a taste into how MVW plans to build on his sound, or add to what’s working. Namely, “Could Be” is a piano and Hi Hat laced track that sees Valee chime in with his laidback delivery. In a 2-minute loop MVW’s ominous piano riffs set the tone as Valee illustrate through various luxury items on the grand lifestyle that “Could Be” for his romantic partners.
MVW (right) and Valee (left) embark on their latest musical journey
In a similar vein, the Zelooperz assisted “Pistachio” brings a lively twist to MVW’s classic-trap blend. Likewise, Valee brings his colorful idioms, characterizations and laid-back delivery in toasting to the pistachio-colored seats of their luxury car, with each emcee bringing a whimsical confidence in their verses. The sonics, courtesy of MVW, sway with an addictive nocturnal funk. His classical roots at play, adding gorgeous hum of woodwinds giving the record a grand feel.
“‘Pistachio’ was a special track that was made together with Valee, Zelooperz, and I one night in LA all together, last summer, MVW reveals. “As soon as Valee began laying the hook, there was a particular feeling in the air, the rest was history. I can’t really put my finger on it, but I’ll never look at Pistachios the same.”
VALEEDATION will see MVW and Valee continue to grow into one of the best duos in hip hop
Valee and MVW’s VALEEDATION
These records are a continuation of MVW’s musical journey. Beginning as a classical composer and building himself up as a respected hip hop producer. In doing so, MVW has since worked alongside some of the industry’s best up-and-coming and established artists alike. His steady collaborative efforts with Valee have been a defining staple throughout this time.
Fittingly, the former Classical composer will release his third hip hop album in as many years this July. However, this installation of classical-trap symphonies will come alongside frequent collaborator Valee, as the duo embark on a full-album journey that their musical synergy demands. Slated for a September release date, VALEEDATION will be a chance for a MVW and Valee to establish themselves as a preeminent duo with unrivaled chemistry.
“For the Music!” is a live music event created to help raise funds for Brooklyn non-profit Spoke The Hub. The fundraiser features performances from seven different musicians, many of whom are Brooklyn locals. The event gets underway on Saturday, June 10 at 6 p.m.
Spoke The Hub is an arts organization that offers classes, performance spaces, and community events for the Brooklyn community. Originally created in 1979, Spoke The Hub has helped to foster and nourish the arts scene in New York City throughout the years. The organization has contributed to the work of thousands of artists through their multiple different series.
Proceeds from “For the Music!” will go toward finding an upright piano to better serve musicians, vocalists and musical theater artists who want to rehearse and teach at Spoke the Hub.
Victor V. Gurbo and his band are known for their unique and multi-faceted folk music. While Gurbo’s sound is reminiscent of traditional American folk, there are unmistakable flavors of blues, jazz, rock and even ragtime. High in tempo and energy, Gurbo’s music is made for dancing.
Petra Jasmiina a Finnish singer-songwriter who has crafted her own lane and sound in New York City. Jasmiina’s music has the catchy and bubbly nature of modern indie-pop with the soulful features of folk. Cinema and storytelling are however the most pervasive influences through her work, helping to create songs that are perfect to sing along to.
Kathryn “Kat” Lewis enjoys playing mostly classic country songs but is also a fan of reggae and pop. She often performs with The Sheriff of Goodtimes at the Thompson Street Medicine Show, Billygoat, and her band Country City.
Guitarist and composer Carlos Pavan has been creating intricate and delicate music for over a decade. Despite the classical nature of his music, the sounds of guitars and strings help to bring a liveliness to each one of Pavan’s songs. He is currently the composer/artistic director of Trio Concertante & Park Slope Chamber Players.
Buffalo native Don Militello is a jazz pianist and educator who has done just about everything in his musical career. Besides going on an international tour, Militello has shared the stage with Etta Jones and performed at the Charlie Parker Jazz Festival. Alongside Militello, bassist Charles Ruble will also be performing. Ruble is currently a member of the High School Jazz Academy at Lincoln Center.
A longtime friend of Spoke, David Goddy will also be performing as part of the fundraiser.
