Category: Blues/Jazz

  • Troy Music Hall to Welcome Joshua Redman & Jazz at Lincoln Center Orchestra with Wynton Marsalis in February

    The Troy Savings Bank Music Hall will welcome two incredible jazz legends in February – Joshua Redman will perform on February 7, while Jazz at Lincoln Center Orchestra with Wynton Marsalis will fill the historic venue on February 17. 

    Joshua Redman – February 7

    From its inception, the Blue Note label has stood for “The Finest In Jazz.” The same can be said for Joshua Redman. Over the past three decades, the saxophonist, composer, and bandleader has consistently demonstrated how to honor the music’s verities while expanding its reach in contemporary settings. He found the perfect partner in young vocalist Gabrielle Cavassa.

    “I had maybe heard Gabrielle’s name from her time in the Bay Area,” Redman notes, “but I wasn’t at all familiar with her music. One night in the Fall of 2021, my manager texted me in the middle of Gabrielle’s performance at a party in New Orleans. ‘You’ve got to hear this young lady,’ she said. ‘This is not a concert, it’s a casual event, and she is just riveting.’ Once I heard Gabrielle, I realized that she has an expressive quality and an intimacy and a vulnerability in her sound that is singularly captivating.” Having found a collaborator, Redman embarked on what proved to be a unique process.

    “Most of my previous recordings grew out of bands that had played and toured together consistently, and eventually developed a vibe and chemistry and repertoire to the point where we felt like we had to record. But in this case, while I had worked with each of the other instrumentalists many times before in a wide variety of settings, we hadn’t yet played all at the same time in the same group; and Gabrielle and I had literally never made a note of music together.” The resulting program is “not really about the pandemic itself,” Redman stresses, “but the uniquely isolating conditions of that time certainly played a role in the music’s creation. What began as a formal concept allowing two unacquainted artists to organize their ideas – something that could be discarded if necessary over time – had gained a deeper significance. “This was an album whose meaning revealed itself in the making.” where are we will leave listeners seeking to define where they, and we, are — inspired by the latest example of Joshua Redman at his finest.

    Jazz at Lincoln Center Orchestra with Wynton Marsalis – February 17

    The world’s premier big band, the Jazz at Lincoln Center Orchestra with Wynton Marsalis consists of 15 permanent members performing live in New York City and around the world. In 1988 the Orchestra was formed as an outgrowth of its concert series, Classical Jazz, with David Berger conducting. When Wynton Marsalis became artistic director in 1991, he emphasized the history of jazz, particularly Duke Ellington. The first album was Portraits by Ellington (1992), and seven years later the Ellington centennial was honored with the album Live in Swing City: Swingin’ with the Duke (1999). Under the leadership of Marsalis, the band performs at its home The House of Swing , tours throughout the U.S. and abroad, visits schools, appears on television, and performs with symphony orchestras. The Orchestra backed Wynton Marsalis on his album Blood on the Fields , which won the Pulitzer Prize in 1997.

    Since 2015, the Orchestra’s albums have been issued on its own label, Blue Engine Records. The first release from Blue Engine Records, Live in Cuba, was recorded on a historic 2010 trip to Havana by the JLCO and released in October 2015. The label issued Big Band Holidays in December 2015, The Abyssinian Mass in March 2016, The Music of John Lewis in March 2017, and the JLCO’s Handful of Keys in September 2017. Blue Engine’s United We Swing: Best of the Jazz at Lincoln Center Galas features the Wynton Marsalis Septet and an array of special guests, with all proceeds going toward Jazz at Lincoln Center’s education initiatives. Blue Engine’s most recent album releases (2023) include Wynton Marsalis Plays Louis Armstrong’s Hot Fives and Sevens  and The Jungle, a recording of Marsalis’ fourth symphony featuring the JLCO and the Melbourne Symphony Orchestra.

    Tickets are on sale at 10am Wednesday, December 6th to Music Hall Members.  Anyone can become a member and gain access to the pre-sale.  Single tickets go on sale to the general public Friday, December 8th, at 10am via phone, (518) 273-0038, in person, or online at www.troymusichall.org.   More information on the Troy Savings Bank Music Hall and upcoming programs is available on the website at www.troymusichall.org.  

    Pre-sale tickets for Troy Savings Bank Music Hall Members are available Wednesday at 10am.  Single tickets will go on-sale at 10am to the public this Friday December 8.

  • Rochester International Jazz Festival 2024 Headliners Include Samara Joy and Lee Ritenour

    CGI Rochester International Jazz Festival 2024 producers Marc Iacona and John Nugent announced the first two headliners for the nine-day 21st Edition Festival, from June 21 to 29, 2024.

    Rochester International Jazz Festival 2024
    One of the festival headliners is Samara Joy. Photo credit: Meredith Traux.

    The 21st edition of the Rochester International Jazz Festival is from June 21 to 29, 2024. The first headliner is the 2023 GRAMMY-winning Artist of the Year Samara Joy, who performed at RIJF in 2022 and 2023 in the Club Pass Series.

    23-year-old Samara Joy has a rich, velvety, precociously refined voice, earning appearances on the TODAY Show, The Tonight Show w/ Jimmy Fallon, The Late Show w/ Stephen Colbert, and CBS Mornings. She further cements her status as perhaps the first Gen Z jazz singing star every day. The New York Times praised the “silky-voiced rising star” for “helping jazz take a youthful turn” while NPR All Things Considered named her a “classic jazz singer from a new generation.” Joy will perform at the 2024 Rochester International Jazz Festival on Friday, June 28 at 8 p.m. at Kodak Hall at Eastman Theatre.

    Jazz guitar legend, Lee Ritenour makes his debut performance at RIJF on Saturday, June 22, with his band and special guests Randy Brecker and Bill Evans. The concert is at 8 p.m. at Kodak Hall at Eastman Theatre. During his dazzling five-decade career, Lee Ritenour has taken his music to the outer limits, touching on every genre and occupying every position in the rock ‘n’ roll sphere.

    He’s been involved in ’70s fusion, the ’80s pop chart, Brazilian jazz, and the ’90s supergroup, Fourplay. Ritenour’s accolades include 45 albums, 16 GRAMMY nominations, Alumnus of the Year at USC, Los Angeles’ Jazz Society Honoree (2019), plus thousands of sessions with legends such as Frank Sinatra, Pink Floyd, B.B. King, and Tony Bennett, among others.

    Tickets for both shows go on sale this Friday, December 8th at 10 a.m. EST.

    https://youtu.be/6vsYoY2ljP4?si=fnogIt_wx6hOEyG6
  • Plattsburgh Promoter Receives Blues Foundation “Keeping the Blues Alive” Award

    Laura Carbone, a music photographer and promoter in Plattsburgh, who founded the popular Plattsburgh Blues and Jazz (PB&J) series, was announced recently as one of the recipients of The Blues Foundation “Keeping the Blues Alive” Award.

    Blues Foundation "Keeping the Blues Alive

    Founded in Memphis, Tennessee more than 40 years ago, The Blues Foundation has grown from a small base of Memphis supporters that presented the first National Blues Awards at the Orpheum Theatre on November 16, 1980, to an international membership of over 4,000 individuals and organizations. The Blues Music Awards are managed by The Blues Foundation staff, with close to 100 blues experts from across the blues industry acting as nominators to choose the final five nominees in each of 25 categories. Winners are determined by a vote of The Blues Foundation membership.

    In 1984, The Blues Foundation began producing the National Blues Amateur Talent Contest, which has grown into what is now the largest blues competition in the world, renamed the International Blues Challenge in 1995. Hundreds of blues societies from around the world have affiliated with the Foundation, and many annually sponsor bands, solo/duo artists, and youth showcase participants as IBC competitors after hosting their own local live challenges. What began as a few local bands vying for recognition now attracts over 225 blues groups each year who are honored to perform on Beale Street and who look to win cash prizes, bookings, gear, recording deals, and that all-important recognition as a rising blues band or artist.

    During IBC Week, The Blues Foundation also recognizes those members of the blues community who have spent a lifetime celebrating and promoting blues music with what are now known as the Keeping the Blues Alive Awards. The Blues Foundation began honoring these behind-the-scenes blues flame keepers in 1981, just one year after the organization was founded.

    The awards are held to honor those who have made a significant “behind the scenes” contribution to blues music. Recipients are selected by a select panel of Blues professionals.

    laura carbone

    Laura Carbone is an accomplished Plattsburgh-based photographer known for her contributions to leading blues publications around the world. Her work spans regional publications in Upstate New York, national platforms covering blues music, and international magazines across Europe. Through her lens, Carbone magnificently captures the essence of the blues, in the process, supporting, promoting, and expanding awareness of the genre.

    Beyond her photography skills, Carbone supports the blues community by wearing numerous other hats. As an event promoter, she brings regional, national, and international artists to upstate New York. Along with providing unique work opportunities for these artists, her events introduce blues to a region where its presence was previously non-existent.

    Carbone goes the extra mile by organizing Blues in the School events, creating additional work for touring musicians, and actively supporting Kids Rock The Nation, a program that provides instruments and instruction to aspiring young music students. Moreover, Carbone has demonstrated her commitment to the genre through generous acts of philanthropy. She contributes her photos to fundraisers, financially supports worthwhile causes, and frequently opens her home as a rehearsal space. Similarly, the popular house concerts she hosts provide an intimate setting for music enthusiasts. Carbone engages in these charitable activities without seeking recognition or expecting any tangible rewards, showcasing a genuine dedication to the blues community. For all these reasons and more, The Blues Foundation has honored Carbone with a 2024 Keeping the Blues Alive Award.

    I was blown away, quite an honor. This award has been given to giants in the industry. It is not only for my photography but also for all the work I do bringing in music to the North Country.

    Laura Carbone

    Also honored with the Keeping the Blues Alive Award for 2024 are Anne Marie & Jacques Garcia, who have contributed to blues events and preservation efforts in France; Fame Records and Ecko Records guitarist Larry Chambers; Boston Blues Society direction and WATD Music Director John Hall; Mark Stenzler of Radio Free Ithaca and host of Blues Zeppelin; renowned harmonica virtuoso and founder of Lee Oskar Harmonicas, Lee Oskar; the Columbus (Ohio) Blues Alliance, and Blues Association Turkey.

    NYS Music congratulates Laura Carbone and all the recipients of the Keeping the Blues Award.

  • Hearing Aide: Chess Club Release Debut EP “They Wanted A Demo” ft. Isaiah Sharkey, Felix Pastorius & Cory Wong

    Chess Club recently released their debut EP, They Wanted a Demo on November 17. The 4 track brain-child of Adam Chase (JAZZ IS PHSH, James Brown Dance Party) and Danny Darress clocks in at just under 15 minutes. The EP notably features both Felix Pastorius (Cindy Blackman, Jeff Coffin, and son of Jaco) and Isaiah Sharkey (John Mayer, D’Angelo).

    Chase and Darress, also known by their stage names Champagne and Paris, recorded the entirety of the EP live at Echo Mountain Studios in Asheville, North Carolina. They recruited Cory Wong (Vulfpeck, Fearless Flyers) as their mixing engineer for the release. Headed into the studio with an all star line-up ready to record, They Wanted a Demo was born.

    Chess Club Release Debut EP "They Wanted A Demo"
    Photo courtesy of Chess Club

    When Chase and Darress formed the group in 2023, they set out to create something unique, fresh, and different from their previous projects. As the drummer and keyboardist/vocalist respectively, Champagne and Paris utilized their jazz backgrounds and expertise to write four ear-worm pop songs. The EP features lighthearted, sometimes humorous lyrical topics, and an extremely tight rhythm section reminiscent of early R’n’B and Vulfpeck-like minimalist funk.

    Chess Club Release Debut EP "They Wanted A Demo"
    Photo courtesy of bandcamp

    The first and third tracks off the EP, “Your Shirt” and “Stay Fresh” feature Felix Pastorius on bass guitar. “Your Shirt”, a song about getting caught staring at someone’s shirt, is driven by Felix’s bassline and Darress on Wultizer. “Stay Fresh”, which tackles the topic of letting someone you love know they might need a breath mint, is defined by its chill, laid back pocket groove. This track features a solo by Pastorius. 

    The remaining tracks, “Santa Knows” and “It’s Not Me, It’s You” feature Isaiah Sharkey on guitar. He provides beautiful accompaniment to the duo’s Christmas ballad, and brings the song to new heights during a meticulously built guitar solo. His stylistic techniques during the introduction of “It’s Not Me, It’s You” and phrasing throughout adds an additional layer of depth and flavor. He is the featured soloist on both tracks. 

    As stated on their Bandcamp, “With an irreverent sense of humor and a knack for infectious hooks, Champagne and Paris have crafted a songbook that will go down in history as one of the best catalogues ever recorded.” They Wanted a Demo is officially available on all streaming services here

    Key Track: “Stay Fresh” featuring Felix Pastorius

  • Five Can’t-Miss Shows in Rochester This December

    2023 was a lot of things, and hopefully one of those things, for you, was music-filled. Happy to be here to help guide you to some of the good stuff in and around Rochester every month. Here are five more shows to help you finish the year off with a bang.

    December 6: Another Michael at Bug Jar

    Philadelphia’s Another Michael returns to the Bug Jar after their killer show there last November. They come with their brand new album, Wishes to Fulfill, in tow, ready to delight fans new and old with their hooky songs featuring breezy guitars and dreamy vocals. JODI, Pluck, and Comfy round out this excellent bill.

    Tickets are are $12/$15 dos and bands get started around 9pm.

    December 7: Howard Levy 4 at Fanatics

    Grammy-winning harmonica wizard Howard Levy, who long ago was an original member of Bela Fleck and the Flecktones, brings his new four piece to Fanatics. He and his signature diatonic harmonica playing are joined by Chris Siebold on guitar, Josh Ramos on bass and Luiz Ewerling on drums.

    Tickets are $25 and the show starts at 7pm.

    December 8: Mikaela Davis and Southern Star at Essex

    Way back in January we recommended Mikaela Davis’ shows at Abilene and Maybird’s show at Bug Jar. Twelve months later and we’re back to recommend a show featuring them both on one bill at the brand new venue Essex. Mikaela Davis and Southern Star have since released a new album and have been touring heavily throughout the year. These two bands go way back too. Davis used to frequently play in Josh Netsky’s bands and Kurt Johnson, now a pedal steel and guitarist in Southern Star was a founding member of Maybird. Will they sit-in with each other? Only time will tell, but either way, this is sure to be a groovy psychedelic night featuring some of the areas brightest talents.

    Tickets are $30 and the show starts at 7pm.

    December 16: Ember at Bop Shop Records

    Ember, the Brooklyn-based trio of Caleb Wheeler Curtis, Noah Garabedian, and Vinnie Sperrazza will close out what has been another busy and exciting year of eclectic live music at Bop Shop Records. Creative and band focused, they will push the limits of improvisation for a night of invigorating and heady night at the intimate shop in Brighton.

    Tickets are $20 and the music gets going at 8pm.

    December 31: moe. at Kodak Center

    moe. will jam in the new year once again at the Kodak Center, returning after their blowout run at the same venue to welcome in 2019. The band is finishing out a solid year of touring after being plagued by more unfortunate health issues, with guitarist Chuck Garvey suffering a stroke in November 2021. Rochester is blessed with many excellent live music options to ring in the new year, but this one should top them all.

    Tickets are $46-106 with an option to get a 2-night package. Show will start around 8p.

  • Buffalo Central Terminal Announces Winter Fest Coming This December

    The Buffalo Central Terminal invites the WNY community to join in seasonal merriment at the inaugural Winter Fest. As the cold weather sets in, Buffalo Central Terminal’s outdoor Winter Fest event promises a heartwarming and memorable experience for attendees of all ages.

    Winter Fest at the Terminal features an ice sculpture display, horse-drawn carriage rides, a variety of winter characters, live saxophone performance and DJ music from Will Holton, Victorian-themed carolers, AKG Art Truck kids’ activity, and more.

    The Central Terminal Restoration Corp. (CTRC) is a 501c3c non-profit organization driven by a mission to develop the Buffalo Central Terminal – a majestic historic landmark – as a lasting cultural and economic hub for the community. The CTRC has cared for this living landmark for more than 20 years. A prominent feature of Buffalo’s East Side and the Broadway-Fillmore neighborhood, the Buffalo Central Terminal is an opportunity to ignite a shared vision for a new future. The 2021 community-driven Master Plan re-establishes the Terminal as a vibrant local and regional destination—a beacon that attracts people and investment, celebrates and fosters community voice, and shapes broader equitable development.

    Buffalo Central Terminal‘s Winter Fest is the perfect opportunity to embrace the winter spirit, bundle up for an outdoor celebration, and create lasting memories with friends and family, so clear your calendar on Saturday, December 9th, from 12:00 pm to 2:00 pm.

    “These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.”

    Lindsey Taylor, events consultant for the Buffalo Central Terminal.

    EVENT FEATURES

    Ice Sculpture Exhibition: Renowned artist Stan Kolonko from The Ice Farm will craft a 7-ft tall Terminal Tower and other impressive ice sculptures.

    Horse Drawn Carriage Rides: Enjoy scenic rides against the backdrop of Buffalo Central Terminal in charming horse-drawn carriages.

    Winter Characters: Meet popular winter characters Elsa and Olaf from Frozen, the Grinch, and a festive Toy Soldier.

    Live Jazz and DJ Music: Will Holton returns to the Terminal for a live saxophone and DJ performance.

    Victorian-Themed Carolers: Experience the spirit of the season with holiday favorites performed by a trio of Victorian-themed carolers.

    AKG Art Truck: Encourage creativity at the AKG Art Truck, offering engaging artistic activities for kids.

    Crafts for All Ages: My Victorious Lifestyle will offer candle decorating for all ages.

    Hot Beverages: Bubba’s Blue Coffee & Logan Berry will offer hot beverages for attendees to enjoy.

    Winter Fest at the Buffalo Central Terminal is completely free to enter, and all are welcome. For more information and event updates, please visit the Buffalo Central Terminal website.

  • Flashback: Trey Anastasio Joins Medeski Martin and Wood at Albany’s Palace Theatre, December 1, 2000

    There was already magic in the air when Medeski, Martin and Wood took the stage on December 1, 2000 at The Palace Theatre in Albany. The night was cold but the rumors were hot that some very special guests would be joining MMW that night.  

    Medeski Martin Wood Albany MMW Palace Theatre Trey Anastasio

    Those rumors turned out to be true. Elysian Fields founder/guitarist Oren Bloedow as well as Brazilian percussionist Cyro Baptista joined Medeski Martin and Wood for the entire show.  Rumors had been swirling like an upstate snow squall that Phish frontman Trey Anastasio would be there and when He  joined Medeski, Martin and Wood (plus Bloedow and Baptista) late in the second set, the energy of the crowd and the band reached some amazing heights.

    The night began with some ambient improvisation from Medeski, Martin and Wood with special guests Bloedow and Baptista joining from the start. Instrumental grooves set the mood and seemingly took the audience from jungle to the tropics and through various soundscapes before leading in to “The Dropper.” The first pure melodies of the night then followed with “Nostalgia in Times Square.” From “The Dropper” to “Times Square” – the psychedelic journey had begun and the band took the crowd on what sounded like an audio description of a psychedelic experience through New York City.

    One can almost see the different store fronts, streets, alleys, cabs, people and hallucinations as MMW and friends wind their way from Times Square through “Angel Race (I’ll Wait For You)” and “Shacklyn Knights”, the latter featuring some vintage psychedelic 60’s style guitar leads from Bloedow. A heavy trance like percussion jam brought a return to “Shacklyn Knights” before closing the first set with a dark and jazzy “Seven Deadlies,” again invoking the chaos of mixing psychedelics and The Big City.  

    Ticket stub for Medeski Martin and Wood, which featured sit-ins from Trey Anastasio, Oren Bloedow and Cyro Baptista.

    Set two began with John Medeski laying down an eerie organ intro before Billy Martin kicked in a big beat on drums for “Big Time”.  Chris Wood’s bass fueled the opening jam while MMW was once again joined by Oren Bloedow and Cyro Baptista.  The Five-some took the music to deep, dark space before returning to planet Earth via the Jimi Hendrix classic “Third Stone From The Sun” which featured funky grooves and blistering lead guitar from Oren Bloedow and a percussion breakdown.  The crowd erupted as Trey Anastasio appeared and it was announced that “another special guest” was going to join the stage.  The new ensemble, armed with one of the world’s most talented guitarists kicked off with MMW’s “Partido Alto” with Trey adding his signature guitar style. 

    When asked about this show, Capital region resident Maria Levin, who was in attendance said, “Trey playing “Partido Alto” with MMW is still one of the highlights of my live music life.” “We Are Rolling,” “Start Stop” and a haunting, Roky Erickson-esque “Dracula” had Trey and company exploring the far reaches of the universe with a sound that seemed to encapsulate some of the best elements of Phish and MMW.  Jax Why commented in the Facebook group PHISH TOUR 2014, “A superb evening. The “rumor” was not much of a surprise by the time Big Red (Trey Anastasio) emerged for the second set. However, the style and energy in which He played was. It was quite a different sit-in from when Trey joined MMW in Austin, TX about 4 years prior.  Mature jamming and placement with intent and patience.”  Following “Dracula,” Chris Wood captivated the Palace Theatre crowd with a bass solo that set the tone for a jazzy, funky and at times scary “Chubb Sub” that closed out the set.  

    After a standing ovation, Medeski, Martin, Wood, Bloedow, Baptista and Anastasio returned to the stage and sent the fans home into the Albany night with a “Swamp Road” for the ages.  

    The collaborations at The Palace Theatre in Albany on December 1, 2000 would not only lead to an unforgettable night for those in attendance but also change the course of jamband history.  This magical night in Albany was the first time Trey Anastasio and Cyro Baptista joined forces together on stage. Trey would invite Cyro to join The Trey Anastasio Band in 2002. Cyro continues to be a part of TAB to this day.  

  • Catch Holiday Jazz in Buffalo All Season Long

    This holiday season, Buffalo’s local venues Seneca One and The Canterbury Woods Performing Arts Center will host a variety of Christmas festivities with holiday jazz for all. The events feature A Charlie Brown Christmas presented at both venues for a total of three shows, as well as the “In The Christmas City” Jazz Concert, featuring rising jazz vocalist Corinne Mammana.

    A Charlie Brown Christmas

    Seneca One will present A Charlie Brown Christmas on December 2 at 7:30PM and December 3 at 2PM. The Ed Croft Trio will perform the beloved soundtrack by Vince Guaraldi. Ed Croft will lead the performance with story anecdotes between songs, celebrating the adored holiday classic movie. Tickets are available for December 2 and December 3.

    Corinne Mammana
    Corinne Mammana

    Seneca One will follow with a holiday jazz concert titled “In The Christmas City” on December 8. The show stars rising jazz vocalist Corinne Mammana, combining jazz with timeless holiday traditions. Mammana has not just vocal skills, but is also a songwriter, arranger, recording artist, and bandleader sure to deliver a wonderful performance. Tickets are available here.

    Finally, The Canterbury Woods Performing Arts Center will also present “A Charlie Brown Christmas” on December 13 led by the Ed Croft Trio. The Trio consists of Ed Croft, Ivan Docenko, and Dave Wasik. Presented by JazzBuffalo and Canterbury Woods, the classic soundtrack to A Charlie Brown Christmas is a perfect holiday event for Buffalo. Tickets are available here.

  • Legendary Jazz Masters To Perform At Flushing Town Hall

    NFA Jazz Masters Concert will continue for the 18th year in a row at the Flushing Town Hall. This beloved event is an annual highlight for New York City’s many jazz aficionados who know the Queens venue to be one of the city’s finest to find the best jazz artists. 

    Flushing Town Hall began a significant tradition when it hosted the first-ever NEA Jazz Masters concert on November 17, 2006. This remarkable occasion showcased three iconic NEA Jazz Masters: Jimmy Heath (saxophone); Clark Terry (trumpet); and Dr. Billy Taylor (piano). Since then, the Smithsonian affiliate has continued to dazzle jazz enthusiasts by welcoming a roster of luminaries most often found frequenting Manhattan’s renowned clubs. The Queens stage has witnessed performances by Earl May, Benny Powell, Albert “Tootie” Heath, Cándido Camero, Paquito D’Rivera, Reggie Workman, Toshiko Akiyoshi, Joey DeFrancesco, Dr. Barry Harris, Sheila Jordan, Antonio Hart, Bill Charlap, Gustavo Casenave, and many other jazz greats.

    This year, the NEA Jazz Masters concert will bring arrangements of several NEA Jazz Masters and their own compositions to the stage, including performers Jimmy Owens, Gary Bartz, Louis Haves, Joann Brackeen, Ron Carter, and Wycliffe Gordon.

    Jimmy Owens (2021 NEA Jazz Master) has over forty-five years of experience as a jazz trumpeter, composer, arranger, lecturer, and music education consultant. His experience covers a wide range of international musical achievements, which include extensive work as a studio musician, soloist, bandleader, and composer of orchestral compositions, movie scores, and ballets. Owens is one of the few trumpeters of his generation who performed with many extraordinary jazz leaders, including sitting in with Miles Davis at age 15 and playing with Kenny Barron, Count Basie, Kenny Burrell, Duke Ellington, Dizzy Gillespie, Benny Golson, Lionel Hampton, Charles Mingus, Max Roach, Archie Shepp, Billy Taylor, and Gerald Wilson. 

    Gary Bartz (2024 NEA Jazz Master) was born in 1940 in Baltimore, Maryland, to nightclub-owning parents. Because of his upbringing, Gary Bartz was exposed to many great jazz artists early on. Renowned for his “informal composition” (as opposed to improvisation) on alto saxophone since the 1960s, he collaborated with jazz luminaries like Max Roach, Charles Mingus, Art Blakey, and Miles Davis. With over 45 solo albums and 200 guest appearances, Bartz also mentors emerging jazz talents today. Music serves a higher purpose for him, passionately advocating for Black Americans and their musical heritage. Through his saxophone (alto and soprano) and vocals, Bartz communicates profound convictions about the role of Black Americans today.

    Louis Hayes (2023 NEA Jazz Master) was born in 1937 in Detroit, Michigan. Hayes’ musical journey began with piano, before his father gave him a set of drums at age 10. Guided by a cousin who recognized his talent and was inspired by Detroit’s vibrant music scene in the 1950s, he honed his skills alongside luminaries like Yusef Lateef, Kenny Burrell, and Doug Watkins. At age 18, Hayes joined the Horace Silver Quintet in New York, making his mark with the iconic “Six Pieces Of Silver.” Over the next decade, he led and co-led dynamic, electrifying ensembles which included talents like Freddie Hubbard, Kenny Barron, and Dexter Gordon. Notable recent engagements include The Kennedy Center for the Arts and the Chivas Jazz Festival in Brazil. His latest endeavor, “Serenade for Horace,” pays tribute to his mentor Horace Silver, and marks his debut as a leader on Blue Note Records.

    https://www.youtube.com/watch?v=n3mTrBHRQPA&pp=ygUPam9hbm5lIGJyYWNrZWVu

    Joanne Brackeen (2018 NEA Jazz Master) was a child prodigy and learned piano at 11 in six months by transcribing eight Frankie Carle solos and began professional performances at 12. Early influences include Art Farmer and Dexter Gordon. She was offered a full scholarship from the Los Angeles Conservatory and attended classes less than one week before deciding the bandstand was more significant. Her distinct style demands attention in various musical settings, from solo to quintet. Her captivating improvisations and intricate, rhythmically daring compositions span a wide range of styles. As a full-time professor at Berklee College of Music (Boston, MA) and a guest professor at the New School (New York City), Brackeen imparts her expertise. Brackeen, an award-winning artist, tours globally, having played in 46 countries.

    Ron Carter (1998 NEA Jazz Master) is among the most original, prolific, and influential bassists in jazz. He has recorded over 2200 albums and has a Guinness world record to prove it. From 1963 to 1968, he was a member of the acclaimed Miles Davis Quintet. Over his 60-year career, he has recorded with many of the jazz greats: Lena Horne, Bill Evans, B.B. King, Dexter Gordon, Wes Montgomery, Bobby Timmons, Eric Dolphy, Cannonball Adderley, and Jaki Byard. He can be heard on many iconic jazz records of the 60s and 70s such as Speak No Evil, Maiden Voyage, Red Clay, Speak Like a Child, Nefertiti, and Miles Smiles, to name a few. In 2015 Carter earned a Guinness World Record as the most recorded jazz bassist with 2,221 recordings and has recorded hundreds more since then.

    Trombonist Wycliffe Gordon boasts an impressive career touring the world, performing to great acclaim from audiences and critics alike. He received the “Trombonist of the Year” accolade from the Jazz Journalists Association a record-breaking 13 times and claimed “Best Trombone” in the Downbeat Critics Poll an unprecedented six times (2020, 2018, 2016, 2014, 2013 & 2012).  With a mantle adorned by the “Louie Award,” the International Trombone Award, and the Satchmo Award, among others, Wycliffe stands out as a prolific recording artist. He is celebrated for his distinctive signature sound, plunger technique, and unique vocals. His music graces numerous recordings, soundtracks, live DVDs, and documentaries, resonating with musicians and ensembles worldwide, and his arrangement of NPR’s “All Things Considered” theme song is heard daily across the globe.

    “I feel truly privileged to welcome two of the newest NEA Jazz Masters, Gary Bartz, and Louis Hayes, alongside the return of some seasoned Masters and outstanding jazz talents to our stage…”Queens is the borough so many jazz legends have called home, and our annual NEA Jazz Masters concert upholds the borough’s history as a go-to destination for jazz icons and audiences alike.”

    Ellen Kodadek, Executive and Artistic Director at Flushing Town Hall

    The Legendary Jazz Masters concert at Flushing Town Hall on Friday, December 15, begins at 8:00 PM. Tickets are $40/$32 members and seniors, $20 students with ID. Table packages for two with refreshments are available for $130/$110 members. 

    From 5:00- 6:30 PM, patrons with paid tickets for the concert are invited to join a free pre-concert workshop, “NEA Jazz Masters in Conversation,” discussing the icons that the Masters have performed with, including Max Roach, Oscar Peterson, Charles Mingus, Art Blakey, and Billy Taylor.

    For ticket information, visit this website. For the Flushing Town Hall schedule, visit this website.

  • In Focus: John Scofield Trio featuring Vicente Archer & Bill Stewart Residency at The Blue Note

    The John Scofield Trio, featuring Vicente Archer & Bill Stewart, began their residency at The Blue Note in NYC on Tuesday, November 21.

    John Scofield Trio Residency

    A three-time Grammy winner, Scofield has recently released Uncle John’s Band (ECM), featuring Vicente Archer and Bill Stewart tackling material from Dylan’s “Mr Tambourine Man” to Neil Young’s “Old Man”, Leonard Bernstein’s “Somewhere” and Miles Davis classic “Budo.”

    While there has been a John Scofield Trio at play since the late 70’s, remaining his undisputed favorite format for live performance, this newest incarnation has Scofield on guitar, bassist Vicente Archer, and drummer Bill Stewart, sailing through tightly knit sets that typify the musical diversity that has colored Scofield’s long career.

    There are two shows a night during this current John Scofield Trio residency at The Blue Note NYC, through November 26. Tickets and more info can be found here.