The New York Youth Symphony (NYYS) announced that Michael Thomas has been appointed Director of the NYYS Jazz program, beginning with the 2023/24 season.
Founded in 1963, the New York Youth Symphony is internationally recognized for its award-winning and innovative educational programs for talented young musicians. The symphony was awarded the 2023 Grammy for Best Orchestral Performance – Classical, the first youth orchestra to win a Grammy in this category. The NYYS has provided over 7,000 music students unparalleled opportunities to perform at world-class venues including Carnegie Hall, Jazz at Lincoln Center, Joe’s Pub, and The Times Center. Students gain valuable life skills like commitment, discipline, focus, collaboration, and friendships that last a lifetime.
Michael Thomas is an award-winning saxophonist, composer, and arranger, arriving in New York City in 2011, becoming an active member of the jazz community. He began his musical career as a pianist at age five, switching to saxophone at age nine because his father was also a saxophonist, and his mother a clarinetist. He has performed throughout the United States and abroad, including tours in Central and South America, Australia, Europe, Japan, and Russia. He can be heard on over 30 recordings, including three albums as a leader, and has been commissioned by schools and professional ensembles around the world. In addition to his own trio, quartet, and quintet, Michael Thomas also co-leads and writes for the Grammy-nominated Terraza Big Band.
Thomas follows Andy Clausen, who will step down from his position at the end of the 2022/23 season after seven seasons. The New York Youth Symphony Jazz is a 17-member swing ensemble dedicated to studying, rehearsing, and performing classic big-band jazz music from the 1930s and 40s, incorporating the music into current and emerging styles that define the genre for the present generation. “We are thrilled to have found Michael, who we are confident will be a worthy successor to Andy Clausen, who has brilliantly led the program for the last seven years,” explained Robert J. Levine, Senior Vice President of NYYS Trustees and Head of the Jazz Director Search Committee. “Michael’s experience and impressive knowledge of all aspects of the jazz repertoire and his strong ability to communicate with our young musicians were immediately evident in his live audition.”
For more information about the NYYS and upcoming events, visit here.
Kleinhans Music Hall has announced its annual fundraiser Rhythm and Brews will take place on Friday, June 16 from 6:00 pm-9:00 pm in the Mary Seaton Room at the famed Buffalo venue.
Buffalocal will again bring together wide representation from the Western New York brewery scene. In addition to selections from 12 breweries, patrons will be able to taste high-end cuisine courtesy of Oliver’s, Britesmith, Creekview Restaurant, and Marcato by Oliver’s, all part of the Schutte Hospitality Group.
Kleinhans Music Hall was built in 1940 thanks to the generosity and vision of Edward and Mary Seaton Kleinhans, who made their fortune from the clothing store that bore their name, and the stewardship of their charitable dreams by the Community Foundation for Greater Buffalo. The hall was designed by the Finnish father-and-son team of Eliel and Eero Saarinen, along with architects F.J. and W.A Kidd. Kleinhans is known for its combination of graceful structural beauty and extraordinary acoustics.
In 1989, the hall was designated a National Historic Landmark, the highest designation of significance a site or structure can receive. Today, the hall plays hosts to performances by the Buffalo Philharmonic Orchestra and Buffalo Chamber Music Society, the Just Buffalo Literary Center’s Babel series, and touring acts such as Fiona Apple, Cowboy Junkies, Bill Burr and others.
Proceeds from the event will benefit Kleinhans Music Hall’s programming including the annual National Geographic Live Speakers Series and the upkeep of this National Historic Landmark building.
True to the very nature of the venue, music will be provided by My Cousin Tone’ and The John Bacon Quintet!
My Cousin Tone’ is a jazz band of talented and extraordinary musicians. The band plays classic jazz, jazz blues, hard bop, and jazz soul from the era when Blue Note, Prestige, Verve, and Riverside all produced a collection of jazz tunes that will live on forever. Our sets includes jazz vocals from the Great American Songbook. The band benefited from the fantastic guidance and arrangement talents of Dick Griffo , the legendary alto sax player formerly with Woody Herman and now honors his memory along with the memory of Jim Kurzdorfer, the great bassist and original member of Spyro Gyra who served as a mentor. Come and re-live the era of jazz greatness.
Journeyman drummer and educator, John Bacon Jr, leads this quintet of young professionals. The John Bacon Quintet pays tribute to Buffalo’s musical legacy and gives its members an opportunity to share their own unique voices, all while challenging the status quo of what it means to play jazz in Buffalo. This quintet is a do not miss!
General admission event tickets are $45, but a limited number of VIP tickets are available for $75 which include early admission at 5:00 pm: first tasting of brews, and reserved table seating.
Tickets can be purchased at the Kleinhans Music Hall Box office by calling 715-885-5000 or online at www.kleinhansbuffalo.org.
The legendary Newport Jazz Festival returns for the summer at Fort Adams State Park in Rhode Island from Aug. 4-6, featuring legendary talents like Herbie Hancock and Diana Krall, and newcomers like Bronx native Samara Joy.
The Newport Jazz Festival returns for its 69th anniversary at Fort Adams State Park, one of the most important and enduring cultural institutions in America. Fans and artists alike return each year to the venue to experience the joy of this long-running tradition of diversity, discovery, and artistic virtuosity. The festival is produced by The Newport Festivals Foundation (NFF), a non-profit organization with the goal to offer opportunity, inspire through exposure and facilitate the collection of resources needed for musicians to celebrate and innovate. This year’s festival features many legendary artists, including a thrilling new class of GRAMMY winners and nominees.
This year’s festival lineup features artist legendary keyboardist, NEA Jazz Master, and 14-time Grammy winner Herbie Hancock and Canadian jazz pianist and singer known for her contralto vocals and for selling 15 million albums worldwide, Diana Krall. Charles Lloyd, NEA Jazz Master who plays tenor saxophone and flute, and Vijay Iyer, Grammy-nominated and multi-award winning composer, and pianist also make an appearance.
Some of today’s most virtuosic artists and cultural leaders like Jon Batiste and Kamasi Washington will perform at the festival as well as GRAMMY winners and nominees including Best New Artist Samara Joy, DOMi & JD Beck, and the first Pakistani to win a Grammy Award, Arooj Aftab. The lineup also includes bounce legend Big Freedia, musical polyglots Thundercat, and DJ Pee .Wee (aka Anderson .Paak). Big Gigantic and Alfa Mist, as well as songwriters Cautious Clay, Durand Jones and The War & Treaty, perform as well. Special ensembles include Newport Jazz artistic director Christian McBride’s annual Jam Jawn, MoodSwing, Scary Goldings featuring John Scofield, Superblue, Orrin Evans Quintet, and the Bill Charlap Trio.
Tickets are on sale now, with specially priced three-day tickets and student tickets available. Children ten and under are free, and single-day and two-day tickets go on sale at a later date. For more information about the Newport Jazz Festival and to purchase tickets, visit here.
Wabanaki bassist, composer, and songwriter Mali Obomsawin has announced three shows across New York State, celebrating their newest album, Sweet Tooth.
On March 26th Mali Obomsawin will be playing Caffe Lena in Saratoga Springs, followed by a performance at National Jazz Museum in Harlem, as part of the Jazz and Social Justice Event on March 28th, ending with a performance at Public Records on March 29th.
Sweet Tooth, the debut album from Obomsawin, highlights centuries of clever adaptation and resistance that have fueled the art and culture of Wabanaki people. Written as a compositional suite, the album blends Wabanaki stories and songs passed down in Obomsawin’s own family with tunes addressing contemporary Indigenous life, colonization, continuity, love and rage. It’s at once intimately personal, featuring field recordings of relatives at Odanak First Nation, but also conveys a larger story of the Wabanaki people, stretching across the domain of their confederacy from Eastern Canada to Southern New England.
Obomsawin’s show at the National Jazz Museum in Harlem will be followed by an in-depth conversation with series host Larry Blumenfeld, NJMH Executive Director and Co-chief Marten Band/Ramapo Munsee Lenape Nation Tracy Hyter-Suffern, and other panelists about connections between jazz and Indigenous cultures, and the issues surrounding Indigenous resistance movements.
In three movements, Obomsawin’s powerful compositions honor the Indigenous ability to shape great art from the harshest fires of colonialism. The compositions reveal threads that bind together blues, jazz, hymns, folk songs, and Native cultures, and foreground the breadth and continuity of Indigenous contributions to these genres. “Telling Indigenous stories through the language of jazz is not a new phenomenon,” Obomsawin explains. “My people have had to innovate endlessly to get our stories heard – learning to express ourselves in French, English, Abenaki… but sometimes words fail us, and we must use sound”.
The CGI Rochester International Jazz Festival has announced the lineup for the 20th anniversary, happening from June 23-July 1 at 19 venues across the Flower City featuring over 1,700 artists.
Photo by Eli Stein.
Founded in 2002, the CGI Rochester International Jazz Festival is one of the world’s leading jazz festivals, held annually in Rochester with over 210,000 attendees. Over nine days, there are 300 shows with more than 1750 artists from around the world, traveling from places like Australia, Benin (West Africa), Canada, Cuba, Denmark, England, Finland, Japan, and more. The festival is produced by RIJF, LLC, a privately held company owned by John Nugent and Marc Iacona.
In a blink of an eye, we find ourselves producing our 20th Jazz Festival. Sustaining an event of this magnitude has been realized thanks to hundreds of thousands of appreciative fans, talented musicians, overwhelming community support, collaborative corporate and government sponsorship support, and an enthusiastic team that goes above and beyond every June to make this Jazz Fest succeed. We are so appreciative of them all. We are committed to presenting a unique combination of Grammy Award-winning musicians for our Headliner Series, Club Pass Series, and free concerts. The power of the unity, community, and positive energy created during these nine days is second to none! We are blessed to be able to celebrate these memorable two decades and focus on ‘Jazz in June’ for many years to come!
Marc Iacona, Producer and Executive Director.
More than 100 free shows and events will be presented on nine free stages including 49 shows on the City of Rochester Jazz Street Stage presented by the Community Foundation, 16 free shows in the new Wegmans Pavilion on East at Chestnut, Squeezers Nightly Jam Sessions presented by the DiMarco Group at the Hyatt Regency Rochester, 8 shows on the Wegmans Stage at Parcel 5, 2 shows on the City of Rochester Stage at East & Chestnut, 5 Jazz workshops for music students, and more.
The ticketed headliner shows return to Kodak Hall at Eastman Theatre this year. On June 23, Pat Metheny‘s Side-Eye will perform at 8 p.m. Metheny is an American jazz guitarist and composer, leader of the Pat Metheny Group, and is also involved in duets, solo works, and other side projects. Metheny’s new Side-Eye project will be an unforgettable encounter spotlighting two sensational rising stars: pianist Chris Fishman and drummer Joe Dyson.
On June 24 at 8 p.m., five-time Grammy-award blues musicians Keb’ Mo’ performs. He is a singer, guitarist, and songwriter, writing much of his own material, applying his acoustic, electric, and slide guitar skills to jazz and rock-oriented bands. The next day brings Omara Portuondo on her farewell tour at 4 p.m. She is a Cuban singer and dancer and a founding member of the popular vocal group Cuarteto d’Aida. During her long career, she has collaborated with many important Cuban musicians and won many prestigious awards.
Keb’ Mo’.
Finishing out the ticketed headliners is a sold-out show with Bonnie Raitt on her Just Like That…Tour. Raitt is a 13-time Grammy award winner, receiving 30 nominations, and a Grammy Lifetime Achievement Award. She has been ranked No. 50 on Rolling Stone’s list of the “100 Greatest Singers of All Time,” and ranked No. 89 on the magazine’s list of the “100 Greatest Guitarists of All Time.
The free headliners for Rochester’s International Jazz Festival will perform at the Wegmans Stage at Parcel. Kicking off the events on June 28 is Bruce Hornsby & The Noisemakers, playing a mix of folk rock, bluegrass, Southern rock, and more. Hornsby has won three Grammy Awards, including a 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, a 1990 Grammy Award for Best Bluegrass Album, and a 1994 Grammy Award for Best Pop Instrumental Performance.
The next day brings Southside Johnny & The Asbury Jukes at 9 p.m. Founded by the Jersey Shore, the group is closely associated with Bruce Springsteen & The E Street Band, recording and performing several Springsteen songs. He also made an appearance on their Better Days album in 1991. June 30 brings the Artimus Pyle Band Celebrating Lynyrd Skynyrd. Since his departure from Skynyrd Rock and Roll Hall of Fame inductee Artimus Pyle’s career has led him down an amazing path of solo records and projects culminating into one the finest tributes to southern rock royalty. Artimus Pyle, Brad Durden, Jerry Lyda, Dave Fowler, and Scott Raines come together to deliver hit after hit, with some of the most seasoned musicians in the southeast.
Ending the five free headliner shows on July 1 is Trombone Shorty & Orleans Avenue at 9 p.m. Trombone Shorty is a Grammy-nominated NOLA icon, blurring the lines between funk, soul, R&B, and psychedelic rock. His latest release Lifted contains bold lyrics full of self-assurance, standing up to hard times and loss with grit and determination.
The Festival’s signature Club Pass Series will present 192 shows in 11 venues. Enjoy unlimited access with a 3 or 9-Day Club Pass, or $30, $35 (Kilbourn Hall) cash at the door. For more information on other events happening at the International Jazz Festival and to purchase club passes, go here.
2023 Full Lineup
78 RPM Big Band, Airmen of Note, Akiko Tsuruga Organ Group, Al Chez & the Brothers of Funk, Albino Mbie, Alexi Tuomarila Quartet, All in Brass Band, American Patchwork Quartet, Artimus Pyle Band Celebrating Lynyrd Skynyrd, Atlas Band, B.D. Lenz Group, Bassel & the Supernaturals, Big Lazy, Bill Frisell Trio, Bill Goodwin Trio, Bill Tiberio Band, Blue Moon Marquee, Bonnie Raitt: Just Like That…Tour 2023, Brockport Big Band, Bruce Hornsby & the Noisemakers, Camille Thurman with Darrel Green Quartet, Catherine Russell, Celebrating Toots Thielemans With Kenny Werner & Gregoire Maret, Chris Lewis & the Jon Ballantyne Trio, Chris Minh Doky All Stars, Chris Whiteman Trio, Christian Sands, Christian Sands Trio, Corner House, Cory Weeds Quartet, Curtis Stigers, Damon Fowler, Dave Restivo Trio + Christine Jensen, David Hazeltine, David Hazeltine Quartet, Dawn Thomson & Gary Versace, Deanna Witkowski Plays Mary Lou Williams, Dear Marian: Laura Dubin Trio Plays Marian McPartland, Diana Herold & Helium, Doc Robinson, Durham County Poets, Eastman Youth Jazz Orchestra w/ Herb Smith, Eastman Community Music School (ECMS) Faculty w/ Special Guest Vocalists!, ECMS Jazz Alumni, ECMS Jazz Combos Directed by Bob Sneider, Eddie 9v, Eldorado Slim Featuring Scott Sharrard of Little Feat, Emilie-Claire Barlow, Erez Aviram Ensemble, Eri Yamamoto & Bruce Barth, Eastman School of Music-RIJF, Fred Costello, Gabrielle Cavassa, Gate Swingers Big Band, Glen David Andrews, Greece Jazz Band, Harold Danko, Harry Allen Trio, Helen Sung Quartet+, Helen Sung Solo, High School Jazz Bands, Houston Person & Eric Person, Houston Person & Eric Person “Person2Person,” iGNiTE, Joe Beard Band, Joe Robinson, Joel Frahm Trio, Joey Alexander Trio, Joona Toivanen Jazz & Flyfishing, Jonatavious Willis, Juliet Lloyd, Keb’ Mo’, Kurt Rosenwinkel Quartet, Latriste Fulton & The Frequencies, Lionel Loueke & Gretchen Parlato, Los Angeles Jazz Orchestra, Luis Deniz Quartet, Mambo Kings, Marc Broussard, Mark Guiliana Quartet, Mark Kelso & the Jazz Exiles, Matthew Whitaker, Melody Masters Big Band, Mike Kaupa’s Ecms Ensembles! Saturday Ensemble & Junior Jazz, Miss Tess, Ms. Lisa Fischer w/ Taylor Eigsti, Music Educators Big Band, Nancy Kelly, Nathan Paul & the Admirables, Nduduzo Makhathini, Neil Swainson Trio, Nellie McKay, New Horizons Big Band Directed by Priscilla Todd Brown, New Horizons Jazz Band Directed by Don Sherman, Nick Finzer Sextet, NYChillharmonic, Oddgeir Berg Trio, Okan, Olli Hirvonen Group, Omara Portuondo “Vida,” Pat Metheny Side-Eye, Pedrito Martinez, Penfield Big Band, Peter Johnstone & Tommy Smith, Phylicia Rae Sealy, Ralph Alessi & This Against That, Rich Thompson Trio, Richie Goods & Chien Chien “Connected,” Rochester Metro Jazz Orchestra, Samara Joy, Soul Stew, Southside Johnny & the Asbury Jukes, St Paul & the Broken Bones, Steve Smith & Vital Information, Syndicate Jazz Octet, Tatiana Eva-Marie, The Baylor Project, The Bossa Nova Wave Diego Figueiredo + Ken Peplowski, The Buddahood, The Clements Brothers, Tia Fuller Quintet, Tom Guarna Trio, Tommy Gearhart, Trombone Shorty & Orleans Avenue, Twisted Pine, USP, VickiKristinaBarcelona, Victoria Victoria w/Charlie Hunter, Vince Ercolamento & Friends, Vincent Peirani, Violet Mary.
San Francisco-based guitarist and composer Bill Orcutt will return to Brooklyn’s Roulette to present his latest project, an all-electric Guitar Quartet, performing the music from his critically-acclaimed 2022 LP, Music for Four Guitars on Monday, March 27 at 8 pm.
One of today’s most innovative guitarists and composers, Orcutt will join forces with three other renowned experimentally-minded players – Wendy Eisenberg, Ava Mendoza and Shane Parish – to present this music in an expanded format combining Orcutt’s intricate compositions with no-holds-barred improvisation.
Orcutt is the former guitarist and founder of the notorious 90’s group Harry Pussy. His sound is a stuttered reimagining of blues guitar, one weaving looping melodic lines and angular attack into a dense, fissured landscape of American primitivism, outsider jazz, and a stripped-down re-envisioning of the possibilities of the guitar. Whether he’s playing his decrepit Kay acoustic or gutted electric Telecaster (both stripped of two of their strings, as has been Orcutt’s custom since 1985), Orcutt’s jagged sound is utterly unique and instantly recognizable, compared with equal frequency to avant-garde composers and rural bluesmen. The New York Times has called him a “powerful musician… a go-for-broke guitar improviser,” and described his sound as “articulated sprays of arpeggiated chords and dissonance.”
With Music for Four Guitars, Orcutt created 14 brief pieces built upon tiny minimalist phrases which expand into dense tapestries of sound and mood. His sound marries the collective guitar punch of the minimalist guitar orchestras work of No Wave pioneers Glenn Branca and Rhys Chatham with the knotty Delta psychedelia of Trout Mask Replica-era Captain Beefheart.
While Orcutt played all four guitars on the album, he is presenting the expanded version at Roulette with the assistance of three of the most talked-about players on the alternative guitar scene – Ava Mendoza, Wendy Eisenberg and Shane Parish
Mendoza is a guitarist, singer/songwriter, composer and bandleader based in Brooklyn who leads the globe-trotting avant-rock trio Unnatural Ways, works in a duo with former Can vocalist Malcolm Mooney, and records and performs in a variety of contexts. She is a first-call session musician who has worked with bandleaders including William Hooker, Nels Cline, Nate Wooley, and William Parker. Her knotty, dynamic, yet intricately melodic playing style mixes rock, jazz, metal, and funk with years of classical and improvisational training.
Wendy Eisenberg is an improviser and songwriter who uses guitar, pedals, the tenor banjo, the computer, the synthesizer and the voice. Their work spans genres, from jazz to noise to avant-rock to delicate songs in performances spanning from international festivals to intimate basements. Though often working solo as both a songwriter and improviser, with acclaimed releases on Tzadik, VDSQ, Out of your Head and Garden Portal, they also perform in the rock band Editrix, and in endless other combinations of their heroes and peers including Allison Miller, Carla Kihlstedt, John Zorn, Billy Martin, and Caroline Davis.
OLYMPUS DIGITAL CAMERA
Athens, Georgia-based guitarist/songwriter Shane Parish is a self-taught musician who communicates through emotion, unexpected melodicism, technical whimsy, a nuanced sense of form, and rich timbral variety, simultaneously drawing from the guitar’s history and aiming for its future. Avant Music News described Parish as “one of the most consistently innovative finger-picking acoustic guitarists in a generation.” In 2016, he was recognized for his solo acoustic efforts by composer John Zorn, who issued the album Undertaker Please Drive Slow on Tzadik Records, hailing it as “a remarkable and soulful acoustic solo project that digs deep into Appalachian roots… At times reminiscent of John Fahey and Robbie Basho, at times of John Cage and Morton Feldman.” Parish has self-released numerous recordings of folk interpretations in the years since Undertaker.
For tickets and information, visit the event site here.
Just a hop skip and a jump from the historic boat houses of Canandaigua Lake is the Fort Hill Performing Arts Center. A newer venue repurposed from an older one, Fort Hill PAC house about 400 seats, with 40 mezzanine seats that provide amazing views of the stage. Amazing view for acts like Stanley Jordan who brought his solo guitar show the house on March 18.
Rising to notoriety in the mid 80s, Jordan was first artist signed to Blue Note Records by new president, Bruce Lundvall, as they were working to re-establish their label to include contemporary jazz. Subsequently, Jordan’s album Magic Touch was released and hit number 1 on Billboards Jazz chart for nearly a whole year. Jordan has released 13 other albums, with number 15 in the works for release early 2024.
Hitting the stage at Fort Hill PAC, Jordan was welcomed by a blend of younger baby boomers, with a pinch of Gen-X’s and a dash of young Gen-z patrons. Quite a diverse group of ages for Jordan, whose sound is lightly reminiscent of island sounds, perfect chill music after a long days work.
While Jordan didn’t interact with the Fort Hill Performing Arts Center crowd too much, he was definitely aware of everything going, and acknowledged the random “We love you, Stanley” or the unexpected ovation. Just as well, there was issue during set with the center speakers in front the performer, and while he played most of the first half of show with it, he addressed the issue and assured the fans that the show will be so much better when he can actually hear all the sounds. As expected, the crowd laughed and gave short round of applause.
To finish the first set, Stanley, took seat at the piano and did some double duty as he continued playing the guitar, while adding piano to the mix. Truly an amazing arrangement and showcase of his skill set on the stage.
Coming back from intermission, Jordan continued to play the guitar in his own way, which consists of very little traditional strumming, and more tapping along the neck to create his own unique sound. He opened up the second set with his rendition of Mozart’s Piano Concerto #21 and Blue Monk (Thelonius Monk), both remarkable in their own rights.
While I was not able to see the end of the show, he finished off with a cover of the classic Rogers and Hammerstein’s “Somewhere Over the Rainbow.” If like the rest of the show, I am sure the crowd was in awe with this, as I am sure I would have been.
Follow Stanley for up-to-date news including the release of his much anticipated 15th album. US tour dates continue through April, before headed off on his international tour.
The 12th annual Blue Note Jazz Fest is scheduled to run for the month of June, and then some, across seven locations in New York City this summer.
The festival begins on May 31 and continues until July 2. Venues for this year’s Blue Note Jazz Festival include the Beacon Theatre, Sony Hall, Town Hall, SummerStage in Central Park, Celebrate Brooklyn at the Prospect Park Bandshell, and the Blue Note Jazz Club itself in Greenwich Village.
The lineup for this year’s Blue Note Jazz Fest. Credit: Sacks and Co
A number of artists are scheduled to perform at the Festival including Grace Jones, Pat Metheny, NxWorries, Robert Glasper, BJ The Chicago Kid, Bruce Hornsby & The Noisemakers, and more. The festival will open at the Hammerstein Ballroom with a performance by the great Grace Jones. While Jazz music is an inspiration behind the festival, the Blue Note continues to broaden its offerings, highlighting all musical styles, backgrounds, and cultures. Additionally, a number of celebrities have made appearances at the Blue Note. Stevie Wonder, Tony Bennett, Quincy Jones, Liza Minelli, Dave Chapelle, and Chris Rock have made appearances, among others.
Since 1981, the Blue Note Jazz Club has been recognized for its artistic integrity, commitment to showcasing diverse and genre-spanning artists, and a long-running community of music lovers and friends built within its storied walls. The club is committed to preserving the history of Jazz while simultaneously showcasing new talent. In addition to highlighting new talent, the club has been known for iconic appearances from Chick Corea, McCoy Tyler, Joe Lovano, John Scofield, and Chris Botti. In 2011, the Blue Note Jazz Festival brand was established. It has since become the largest Jazz festival in New York City.
Ticket information and more about the Blue Note Jazz Fest in New York City can be found here.
2023 BLUE NOTE JAZZ FESTIVAL LINEUP
May 31 /// Grace Jones /// Hammerstein Ballroom June 1 /// Ghost-Note /// Blue Note June 1 /// Mashina /// Beacon Theatre June 2 /// Ghost-Note /// Blue Note June 2 /// Ms. Lisa Fischer /// Sony Hall June 3 /// Ghost-Note /// Blue Note June 3 /// Avery Sunshine /// Sony Hall June 3 /// Bruce Hornsby & The Noisemakers + John Scofield, Kenny Garrett, Christian McBride /// Town Hall June 4 /// Ghost-Note /// Blue Note June 4 /// Harlem Blues Project /// Blue Note Brunch June 5 /// Talib Kweli and The Whiskey Boys /// Blue Note June 6 /// Talib Kweli and The Whiskey Boys /// Blue Note June 7 /// Talib Kweli and The Whiskey Boys /// Blue Note June 8 /// Lettuce & Friends /// Blue Note June 9 /// Lettuce & Friends /// Blue Note June 9 /// Manhattan Transfer /// Sony Hall June 10 /// Lettuce & Friends /// Blue Note June 10 /// Cortex /// Sony Hall June 10 /// Chucho Valdés & Paquito D’Rivera /// Town Hall June 11 /// Lettuce & Friends /// Blue Note June 11 /// Harlem Gospel Choir /// Blue Note Brunch June 12 /// Talib Kweli and The Whiskey Boys /// Blue Note June 13 /// Talib Kweli and The Whiskey Boys /// Blue Note June 14 /// Talib Kweli and The Whiskey Boys /// Blue Note June 15 /// Soulive /// Blue Note June 16 /// Soulive /// Blue Note June 17 /// Soulive /// Blue Note June 18 /// Soulive /// Blue Note June 18 /// Buddy Guy /// SummerStage June 18 /// Harlem Gospel Choir /// Blue Note Brunch June 19 /// TAUK /// Blue Note June 20 /// The Motet /// Blue Note June 21 /// The Motet /// Blue Note June 21 /// Meshell Ndegeocello /// Sony Hall June 22 /// Ron Carter /// Blue Note June 22 /// Omara Portuondo /// Sony Hall June 23 /// Ron Carter /// Blue Note June 23 /// Sergio Mendes /// Sony Hall June 24 /// Ron Carter /// Blue Note June 24 /// Pat Metheny Side-Eye /// Beacon Theatre June 24 /// NxWorries, Robert Glasper with Lalah Hathaway & Bilal, BJ The Chicago Kid /// Celebrate Brooklyn June 25 /// Ron Carter /// Blue Note June 25 /// Harlem Gospel Choir /// Blue Note Brunch June 26 /// Julius Rodriquez /// Blue Note June 27 /// Ron Carter /// Blue Note June 28 /// Ron Carter /// Blue Note June 28 /// Harlem Gospel Choir Sings Nina Simone /// Sony Hall June 29 /// Soulive /// Blue Note June 30 /// Soulive /// Blue Note July 1 /// Soulive /// Blue Note July 2 /// Soulive /// Blue Note
The improvisatory Rust Dust, also known as Jason Stutts, has announced the release of his sophomore Album, Twere But It Were So Simple via Omad Records. On March 10, the new album was celebrated with a CD release party at The Museum of Folk Art in NYC.
Some musicians require precision for the success of their projects, while others take a supple approach. Rust Dust belongs to the latter group, allowing whatever sounds, words, energy, and emotions to manifest into songs. According to Dust, “I don’t typically sit down to write a song. Sometimes I’m lucky enough to recognize them when they appear.” This process can occur for minutes or over the course of years.
Twere But It Were So Simple is a spacious-sounding LP that was recorded live in a ramshackle Brooklyn brownstone. The vivacious instrumental “Helter Fukov Awakens” segues into improbable guitar pop, with songs such as “All-Lit-Up-With-Nowhere-To-Go” and “UFO.” Additionally, songs like “Ice Queen Sandwich” and “Speaking In Tongues” vibe together like Robyn Hitchcock cornering Townes Van Zandt at a buoyant, boozy rent party. Songs such as “Snakes In My Pockets”, “A Rope Around My Neck” and “Sky,” a haunting, heartbreaking collaboration with the award winning John DeNicola took a somber turn.
Fans can expect to enjoy a harmonious country and a blues roots melody when listening to Rust Dust’s new album. To match his vintage aesthetic, Dust used an old Yamaha nylon and a Godin Multiac which is a modern nylon-string electric designed to mimic an acoustic when plugged to craft his sound.
A mutual appreciation for old gear initially brought Stutts and DeNicola together. The two helmed the first Rust Dust record known as Diviners and Shivs in DeNicola’s Upstate New York studio. His newest album can be featured here.
Flushing Town Hall is celebrating Women’s History Month with a special “Octogenarian Women of Jazz” performance. Four octogenarian women will take center stage at Flushing Town Hall on Friday, March 24th, in honor of Women’s History Month. Well past the age of retirement but still very much in their artistic prime, these women prove that great jazz, like great wine, gets better with age.
Flutist/tenor saxophonist Carol Sudhalter, beloved as Flushing Town Hall’s house band leader, will celebrate her 80th birthday leading a very special quintet of Octogenarians for the occasion. She will be joined in the band by world-renowned pianist Bertha Hope (86), drummer Paula Hampton (87) of the legendary jazz Hampton family, and widely popular vocalist Keisha St. Joan (84).
In addition, the concert will feature the rare participation of revered bassist Bill Crow, joining the women on stage at an impressive 95 years of age. Performing well past the typical age of retirement and still very much in their artistic prime.
“Looking at movies, books, and general depictions, we are accustomed to thinking of 80 as an ending, as an age when the mind and body begin to decline,” says Carol Sudhalter.” But now that I am 80, I realize that it is just the beginning of a new life and such a rewarding culmination of past years’ work at the same time. I am so excited to share the stage with my fellow Octogenarians to bring a wonderful evening of jazz to the audiences in Queens.”
“I have been honored to have Carol lead the house band of our popular Louis Armstrong Legacy Monthly Jazz Jams for several years now and am excited to see her take the stage with this extraordinary ensemble for her big birthday,” says Flushing Town Hall’s Executive and Artistic Director Ellen Kodadek. “Carol’s work is extremely important to Flushing Town Hall and the Queens jazz community — and we are so excited to celebrate her birthday with this special concert.”
Flushing Town Hall’s Women of Jazz concert begins at 8:00 PM EST on Friday, March 24th. Tickets are $15/$10 for members, seniors, and students with ID. Tickets can be purchased here.
