The Allman Brothers Band in tandem with the Owsley Stanley Foundation is offering a special release exclusive 2-LP limited run of electric “Orange Sunshine” vinyl on November 3.
Presented by the Owsley Stanley Foundation and The Allman Brothers with members including Duane Allman, Gregg Allman, Dickey Betts, Berry Oakley, Johanny Johnson and Butch Trucks. The vinyl displays a collection of restored and mastered recordings of the ABB’s performances at New York City’s Fillmore East captured by the legendary Grateful Dead soundman Owsley ‘Bear’ Stanley.
The 2-LP exclusive “Orange Sunshine” vinyl is essential to listen to for Allman Brothers fans, showcasing the original tapes from the Owsley archive, a seven-song set blues masterpiece featuring “Hoochie Coochie Man,” “Statesboro Blues”, the spin-off of Donovan’s “Mountain Jam,” and the ominous Gregg Allman composition “Whipping Post.”
I had no prior experience with mixing their music, so I hope you don’t mind the rough edges in my mixes here. There was a wonderful feeling at these concerts that made the shows a lot of fun for us all…I had a good time working at these shows, and I hope you will have a good time listening to this historic early Allman Brothers Band.
– Owsley “Bear” Stanley
The Allman Brothers were on the brink of stardom in the 1970s and became best known for a wicked blend of rock, jazz, and R&B creating a unique groundbreaking sound. While only together for 11 months, promoter Bill Graham booked them in San Francisco and New York, inviting them back to the Fillmore East on a triple bill with Grateful Dead and Love. Fortunately for us, the Dead’s soundman Owsley “Bear” Stanley had his tapes rolling.
Bear’s Sonic Journals: Allman BrothersBand Fillmore East February 1970 tracklist:
Dmitry Wild, a New York-based rock artist, released his newest track, “Rock N Roll Is My Business.” Following up to his 2022 album, Electric Souls, his newest track comes alongside a few recent singles.
Inspired by an experience at a business convention, Dmitry Wild penned “Rock N Roll Is My Business” in response to a question posed to the audience, “What is your business?”. Finding himself at odds with the businesspeople and conventiongoers, he was inspired by his own answer, “Rock N Roll Is My Business.”
Wild’s newest track exudes confidence, accompanied by ever-present horns and funky, layered vocals. He latches onto the classic rock-n-roll figurehead frame, and creates a Halloween-esque sound that solidifies his place in the rock-n-roll business.
“Rock N Roll Is My Business” released following Wild’s single, “Son of a Gun,” another funky rock track with a bright, eclectic music video alongside. In addition, he released “New York Stones” in July, a rock ballad dedicated to the city of New York. Wild sings, “No matter where we go, no matter what we do, New York is in our soul, the city that gave us rock and roll.”
Catch Dmitry Wild at his upcoming shows in New York. He will play Woodstock’s The Colony on October 28, as well as Freddy’s Bar in Brooklyn on November 5. Finally, he will make a stop at No Fun in Albany on December 21 to close out the year.
Singer-songwriter Cat Power has announced a special Carnegie Hall Valentine’s Day performance, recreating Bob Dylan’s iconic performance at the Royal Albert Hall.
The show will feature a 15-song recreation of Dylan’s set, and will be released as a companion to her album, Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert to be released on November 10.
In addition to announcing her Dylan tribute set, Power released two singles from her upcoming album. “Mr Tambourine Man” and “Like A Rolling Stone,” both live Dylan covers, honor the legendary folk musician with Power’s distinct flair.
I had and still have such respect for the man who crafted so many songs that helped develop conscious thinking in millions of people, helped shape the way they see the world. So even though my hands were shaking so much I had to keep them in my pockets, I felt real dignity for myself. It felt like a real honor for me to stand there.
Chan Marshall (Cat Power)
Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert is a recording of a live tribute show, based on Bob Dylan’s May 1966 show at Manchester Free Trade Hall. The show was put down in history as the Royal Albert Hall Concert due to a mislabeled bootleg. Dylan’s famous set featured a mid-show switch from acoustic to electric, which Power will duly recreate.
Cat Power, offstage known as Chan Marshall, will embark on a four-date tour honoring Bob Dylan and celebrating her new album. She will make two sold-out stops at West Hollywood’s The Troubadour, and one at Los Angeles’ Palace Theatre, following up with a Valentine’s Day performance at New York City’s Carnegie Hall.
Brazilian NYC-based band Shower Curtain dropped their first single in two years, titled “Edgar.” The group released an official music video shot in New York City, following lead vocalist Victoria Winter’s cat Edgar’s point of view.
The track approaches a heavy topic, as Edgar faces many medical issues. However, the music video seeks to create a lighter tone by playing with perspective: the video shifts from following the cat’s point of view at floor level to overhead shots of people searching for him.
“Edgar” is a dreamy, melancholic rock track that shows strong, deliberate use of intense guitar riffs, as well as moments where the song pulls back to showcase clear emotion.
Photo Credit: Juliette Boulay
Shower Curtain recently evolved from being Victoria Winter’s solo project to adding musicians Jill Olesen on bass, Ethan Williams on guitar, and Sean Terrell on drums.
It feels very liberating to share this song with the world. Not only is it marking a new phase for the project but I think an overall process of maturing as a creative, letting go of the old aesthetic and sound that defined Shower Curtain when I lived in Brazil. The new sound is of course a reflection of the project evolving from a solo project into a band, and the band’s contribution to this song is evident in the instrumentation.
Victoria Winter
Shower Curtain is currently focusing on their first album, set to release sometime in 2024. In addition, they will play a celebratory show at Brooklyn venue Trans Pecos on November 9 to mark their resurgence as a group. Shower Curtain is Victoria Winter (vocals), Jill Olesen (bass), Ethan Williams (guitar), and Sean Terrell (drums).
The Buffalo Central Terminal will host its infamous Oktoberfest on Sunday, October 22, with live music from local bands featuring southern soul, blues, hip-hop, pop-rock, and gospel-inspired sets.
Get ready for a day of autumnal fun with live music and delicious treats at this year’s Oktoberfest. This family-friendly fall festival blends contemporary elements with the traditional charms of Oktoberfest, promising an unforgettable experience with activities for all ages.
Live music: Enjoy music with DJ P followed by live performances featuring southern soul, blues, hip-hop, pop rock, and gospel-inspired sets from fantastic local bands. Don’t miss a Free Music Party at 1:00 pm, as well as Miller and The Other Sinners at 3:00 pm.
Bills Watch Party: Watch the Bills take on the Patriots at Oktoberfest’s Bills Watch Party. Cheer for your favorite team on several big screens. Wear your Bills gear, and don’t forget your lawn chairs and picnic blankets.
Petting Farm: Bring the kids for a chance to pet, feed, and learn about some adorable animals such as goats, pigs, tortoises, rabbits, and more, at the petting farm.
Hayrides: The hay wagon is back in the neighborhood. From 11:00 am to 2:00 pm, enjoy the crisp autumn air on a hayride around the historic Terminal. Pumpkin Decorating: Skip the mess and get creative at Oktoberfest’s no-carve pumpkin decorating station.
Local Food and Drinks: Indulge in your delicious fall favorites, from traditional Oktoberfest fare to plant-based foods, they have something for everyone. Oktoberfest vendors include sausages from Shish Kabob Heaven, plant-based treats from Avenue29 Foods, spice and flavor from KT Caribbean Cuisine, and artisan German cookies from Catering by Marjorie. Oktoberfest has your favorite local beer, wine, cider and MORE served up by Buffalo Brewing Company, Bully Hill Vineyards, Tree Hugger Hard Cider, Blue Groove Coffee, and Bubba’s Loganberry.
The Buffalo Central Terminal has also partnered with their neighbors at Buffalo Brewing Company to present “Central Terminale,” a pre-prohibition style amber ale brewed in honor of Oktoberfest at the Terminal. A portion of the proceeds from the sale of “Central Terminale” will support the rehabilitation of the Buffalo Central Terminal. The release of this special brew will happen this week at Buffalo Brewing Company’s Myrtle Avenue tap room.
“This partnership echoes our slogan ‘Good Neighbors, Great Beer.’ The Buffalo Central Terminal and our renovation of Schreiber Brewing run on parallel tracks. Even though each project is happening independent of one-another, they both will have a profound effect on Broadway-Fillmore and the East Side,” said John Domres, Jr., owner of Buffalo Brewing Company.
These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.” said Lindsey Taylor, events consultant for the Buffalo Central Terminal.
Lindsey Taylor, events consultant for the Buffalo Central Terminal
Buffalo Central Terminal’s Oktoberfest is the perfect opportunity to embrace the autumn spirit and create lasting memories with friends and family. So, bring your picnic blankets and lawn chairs to celebrate at the Buffalo Central Terminal on Sunday, October 22 from 11 am to 4 pm at 495 Paderweski Drive Buffalo. Tickets are free for all October events at the Buffalo Central Terminal.
For more information and event updates, visit the Buffalo Central Terminal website.
Toronto-NYC indie rock power trio ON has unveiled the music video for their latest single release ‘Gator’, an infectious groove and rock waltz, released via Toronto’s Indiestructable Records on October 10.
The band ON is a power trio including lead vocalist Lucy Di Santo, drummer Dan Cornelius and guitarist Steve Fall, they continue to carry out the legacy of previously formed 90’s Sire Records band ACID TEST. The newest single ‘Gator’ encompasses infectious guitar riffs with a dash of groove that honors their post-punk, grunge, old-school funk and 90s college roots. The song is a clever blend of pop melody and raw rock, with a tight weave of classic and alternative coated with grunge. ‘Gator’ follows up the bands latest single ‘Make Me’, a song of frustration and wanted to recapture that euphoria in the new video.
“The song has a strong guitar hook and melody – and the drums are tailored to support and enhance those elements. So I thought the drums should be a drum pattern that anyone could tap along to ON their steering wheel while waiting in traffic. Simple drum groove. Simple drum fills.”
– Drummer Dan Cornelius
Upcoming Tour Dates
Sun 10/15 Toronto – Bovine Sex Club (with Snailmate, Second Wife)
Tues 10 /17 Ithaca, NY – Deep Dive (with Snailmate)
Wed 10/18 Buffalo, NY – The Lounge at Revolution Gallery (with Snailmate & Daisy Chain)
Thurs 10/19 Kingston, ON – The Toucan (with Snailmate)
Sat 10/21 NYC, NY – Bar Frida (with Snailmate)
‘Gator’ is out now and available from fine music platforms, including Spotify, Apple Music and Bandcamp.
Enso Taves, the New York-based Dominican singer-songwriter, has long been recognized for his unique fusion of Bachata with Latin American Bolero, Son, and Jazz. This remarkable combination of styles has earned him a dedicated fan base eager to embrace his upcoming release, “Tengo Sueños.”
Released on October 13, this single is not only a symbol of Enso’s artistry but also a testament to his ability to create contemporary music with the heart of traditional Bachata.
Enso Taves is more than just a singer-songwriter; he is a storyteller who weaves the rich cultural tapestry of his Dominican heritage into every note and lyric. His music can be described as elegant simplicity with a touch of sophisticated romance, a characteristic often associated with Bolero and Bachata. Yet, what sets Enso apart is his ability to infuse these traditional sounds with a modern twist, creating a unique listening experience.
“Tengo Sueños” begins with a warm and inviting melody, an unmistakable hallmark of Bachata. The song carries the heart of traditional Bachata with its gentle yet emotionally charged guitar strums, which form the backbone of the genre. The traditional bongo and maracas add a layer of authenticity to the rhythm, making you feel as though you’re dancing in a Dominican plaza.
But what sets “Tengo Sueños” apart is its fusion of these traditional elements with modernity. Enso Taves’ voice is velvety smooth, guiding you through the song’s narrative with a sense of intimacy and nostalgia. As the song progresses, a contemporary touch emerges with the incorporation of electric guitars and a richer percussive backdrop, hinting at the influence of pop and rock.
The lyrics of “Tengo Sueños” beautifully encapsulate the power of love to conquer adversity. As Enso sings:
“Tengo sueños tienes que dos también un verso que te quite el miedo de dorar fracto preñar tus sueños que esta historia empieza no… vamos a ver para fugar no donde quiera de no puedo corazón…”
Here’s the translation:
“I have dreams, you have two, a verse that takes away your fear, gilds the cracks, nurtures your dreams, this story begins now… let’s see where it goes, I can’t go anywhere, my heart…”
These words balance vulnerability and strength, emphasizing the importance of understanding each other’s dreams and fears in a relationship.
For Enso Taves, “Tengo Sueños” is not just a song; it’s a testament to his artistry and his commitment to preserving the cultural heritage of his Dominican roots while pushing the boundaries of contemporary music. Enso Taves will be taking this enchanting musical journey on the road with his upcoming “Bachata Bohemia 2023” tour, bringing this fusion of tradition and innovation to audiences around the world. The single promises to be a musical experience that transcends the barriers of time and tradition, carrying us into a world of love and dreams where the power of music knows no bounds.
You’re in a circle, running around and bumping into people with the beat of hardcore bass and percussion surrounding you, syncing with the beat of your heart. You feel a sense of violence, and yet safety. All your pent-up rage from yesterday begins to pour out; you feel yourself forget arguments you had with your coworkers, or the piles of homework on your desk. You let yourself enjoy the music for a couple of hours with strangers that somehow– in a few hours– became family.
Moshing, where people in the crowd of a concert run and slam into each other in beat with the music, has been around since the early 80s– but its origins can be traced back to Skanking in the late ’50s and ’60s. Originally called “mashing” in fanzines, it was still pronounced “moshing,” and ultimately stayed that way. There is no definitive origin to the term, or credit for its invention. These mosh pits started at high energy punk concerts. The anarchic nature surrounding the music made the fans need to release their energy somehow– thus, moshing came into the spotlight.
But, you can’t talk about moshing without mentioning the history of punk rock; moshing wouldn’t exist without it.
Punk rock is defined by its unique sound, fashion, and behavior. Typical punk rock is made up of fast tempos, nasal or shouted vocals, black clothing with shocking colorful and spiky hair, with an anti-establishment “stick-it-to-the-man” attitude.
Punk rock has roots in garage rock way back in the ‘60s, preceding the hippie era, and as a movement to rebel against the change in rock n’ roll– how it became more “commercial” and “bloated.” It was the beginnings of other musical genres such as hardcore punk, pop punk, and even Christian punk. But they ALL started as punk rock.
Punk rock was picked up quickly by fans but also musicians because of the overall anarchical vibe: it disregarded musical and social rules, leaving a great deal of freedom for experimentation on numerous fronts.
While it’s hard to pinpoint exactly where punk rock began, there are bands that are absolutely monumental in the punk rock origins, such as The Stooges (or Iggie and the Stooges), MC5, The Velvet Underground, and The Sex Pistols.
The band that is best known as the creator of punk rock is The Stooges– where, in Detroit on Halloween night 1967, Iggy Pop performed what would become common punk behavior. In fact, some fans thought he was possessed– likely because he cut himself with glass, flashed the crowd, and even smeared his chest with hamburger meat and peanut butter. Iggy is also credited with integrating stage diving into hardcore concerts, which later spread to all types of music. But, while The Stooges are credited in the early beginnings of punk rock, they did not have all the requirements to be a punk rock band– sound, fashion, and behavior. Regardless, their actions on that Halloween night started a movement that influenced numerous bands, and also had parents thinking their children were devout Satan worshippers.
MC5 on ‘Kick Out The Jams’: “We weren’t on a meth power trip… just a power trip” – UNCUT
When people think of punk rock, if they don’t think of The Stooges, they think of MC5. They started playing together in Lincoln Park, and were automatically put into the “garage rock” category. However, due to their eclectic performances, they stood out to people as being something entirely different and new.
Shunned in the ’60s for their avant-garde, shocking rock, The Velvet Underground were more important to music’s future than the Fab Four, argues Greg Kot – BBC
The Velvet Underground then took up NYC with their bold and experimental sound in the early ‘70s– “experimental” because many people said their music bordered on noise.
Glam Rock also had immense influence over the punk rock genre, such as David Bowie and the New York Dolls. This genre contributed greatly to the aesthetic and lifestyle of artists in punk rock, such as dressing outrageously, living extravagantly, and producing loud, trashy rock.
The first concrete punk rock scene– where it was purposeful and not accidental– was in the mid ‘70s with The Ramones, Wayne Country, Johnny Thunders and the Heartbreakers, as well as Blondie and the Talking Heads, all playing at CBGB.
But punk is not all-american. There were big influences in the UK as well from The Strand, formed in 1972, later renamed to the Sex Pistols in 1975 with the arrival of John Lydon. The Sex Pistols are credited with kicking off the punk movement in the UK.
The Sex Pistols’ lone album reached number one in the UK charts, and was known as one of the most censored records in history, due to the song “God Save The Queen” – many calling it “treason.” While this would be devastating for most bands, it actually worked precisely the way they had hoped, as the negative press that they accumulated worked in their favor to sharpen their anti-establishment lyrics and attitude.
The Sex Pistols’ God Save the Queen storm: ‘We declared war on England without meaning to’ – The Telegraph
In the late ‘70s, punk rock emerged as a solid musical force, and split into many genres including horror punk, hardcore punk, pop punk, psychobilly punk, Christian punk, Celtic punk, cowpunk, death rock, emo, gypsy punk, hardcore, street punk, and many more.
Boston Concussion Victim Speaks Out Against City’s Moshing Ban – exclaim
Moshing typically emerges in a crowd during punk rock concerts, as well as metal and hardrock. With all the energy that builds up at concerts such as these, everyone needs an outlet to let out their energy in a (mostly) safe manner. Pits form where people slam into each other, on beat with the music, while also dancing and singing/screaming.
The first mosh pits formed in the early ‘80s hardcore punk rock scene, and more followed in hardrock and metal scenes. They later spread to grunge and rock concerts, and in recent years, they even started in hip hop and rap.
Moshing actually took a while to become what it is today. It can be traced back to skanking, created by the Rude Boys of Ska and Reggae music in the late ‘50s and ‘60s.
After skanking came the Pogo, invented by punks in the ‘70s in the UK. This dance is where fans jump up and down, and lightly bump into each other. It likely started at a Sex Pistols concert, where no one could see the band, so they started jumping up and down to see the Sex Pistols– then everyone started doing it, and the short-lived Pogo was born.
After all of this, moshing finally came to life. Originally “mashing,” it’s when people start getting “mashed together” as they jump and move all over in a pit.
There are two types of moshing, starting with the well-known circle pit, where people run along the edge, leaving the middle open. In fact, this is seen as a tame version, as the other type of moshing is called The Wall of Death– where two groups line up and slam into each other. More brutal than the circle pit, The Wall of Death dates back to the ‘80s pun scene, emerging as a variant of the circle pit, said to be invented by the American hardcore punk band Sick of it All– but like punk rock itself, the origin is debated.
When you see moshing, whether on a video or in-person– though it’s SURREAL to see in real life– you may think “that looks really scary and dangerous.” And if moshing is done wrong, yes, it can be. The ideal mosh pit is safe and welcoming, with people helping each other up when they fall, and being aware of who is in the ring and who isn’t.
This writer’s experience with moshing thus far has been a good one. At The Interrupter’s Concert at the Stone Pony in Jersey, I stayed on the outskirts and kept people in, or helped them when they wanted to get out. If anyone had accidentally hit me, they apologized immediately. Memorably, a big, burly dude dressed in black from head-to-toe stepped in front of me to make sure no one knocked me down. Everyone dressed like they could kill, but everyone made me feel welcomed and safe.
Astroworld tragedy renews debate on the safety of mosh pits – The Tribune
More recently, there was a devastating Travis Scott Astroland festival, where 10 fans died with hundreds injured in 2021– and Travis Scott didn’t stop the concert. Victims were pinned against barriers, and unconscious fans were crowd-surfed out of the mosh pit and dumped into the sea of bodies waiting for the rapper to start performing, ultimately resulting in numerous deaths and injuries. The official cause of death for some of these fans was compression asphyxia, which an expert likened “to being crushed by a car.”
While this writer still enjoys moshing, it must be done safely in order to continue to be fun. At any given show, there may be people who don’t trust the crowd enough to join in– which should be respected. That being said, for those who do engage in mosh pits, there are some guidelines that emerged because of the potential dangers from moshing that everyone must follow in order to have a safe environment, and keep moshing from being banned completely.
No karate in the pit.
Never try to hurt anyone intentionally.
Offer help if necessary.
Be aware of everyone else. Pick people up when they fall. Tell everyone to stop if it gets messy, and similarly, if told to stop, listen.
Don’t wear accessories that could hurt anyone.
Those spiky bracelets are cool, but if they can hurt you, they can hurt others. Leave them behind if they’re too spiky.
Don’t bring loose items into the pit.
Don’t bring anything with you that can fall down and be stomped on. If you find anything on the ground, let everyone know.
Respect the borders.
If they’re not in the pit, they are not involved. Leave them alone and respect the pit’s boundaries and their boundaries.
29 Wholesome Pics and Memes Filled With the Feels – eBaum’s World
Punk rock started a new era of music, birthing numerous subgenres that wouldn’t exist without punk. While punk rock scared parents, it gave teens and young adults an outlet to release their rage in a mosh pit. But don’t let the aesthetic confuse you: the goal of punk rock and moshing is never to hurt anybody, but to allow yourself to let go of your everyday worries, and enjoy the trashy music and outrageous clothing.
Albany by way of Altamont prog-rockers Timbre Coup released a new single, “Firestorm,” on September 21, coming two years after the release of Sudden Urge.
Timbre Coup – Andrew Chamberlaine (guitar), Ben Pickering (bass), Dan Gerken (guitar/vocals), Matt Pickering (drums) – grew from the Capital District music scene in 2007, moving on to play hundred of shows alongside bands including The New Deal, Dopapod, Papadosio, Pigeons Playing Ping Pong, and Consider the Source, in additional performing at Camp Bisco, Catskill Chill, moe.down, The Big Up, Mountain Jam, Wormtown and Strangecreek, among others.
Following a hiatus from 2014-18, which saw the band perforing in projects including Mister F and Lord Electro, Timbre Coup began playing and preparing for live shows again, making their triumphant return to a near sold out crowd on March 2, 2019 at The Hollow. Check out the live album from their return show on Bandcamp.
In 2020 the band would go on to record and later release in 2021 their fourth original album, Sudden Urge, a collection of previously unrecorded songs, both old and new.
Timbre Coup performing at Lark Hall – photo by Zak Radick
Singer and lyricist Dan Gerken shares this on the new track:
Firestorm was written in summer/fall of 2022 and consists of a guitar harmony driven theme throughout. The harmonies range from beautiful mixolydian keys to a more minor approach as the song wears on, telling a weaving story of heartache many people can relate to. The lyrics are meant to uplift. The song is a reminder to not be so dependent on a lover or a partner, but each has to stand alone in greatness to magnify the results of the partnership.
“Firestorm” is the latest from Timbre Coup and is part of a new recording and writing goal for the band as they embark on their fifth studio album this coming winter and spring. The band records at Gerken’s studio just outside of Albany, giving the group a great deal of freedom and flexibility in the recording and writing process. With raw ideas aplenty, the band looks to the structure and writing styles for each song as they press ahead.
We have another completed song we are going to finish and release hopefully by the end of the year, and then we get to really start grinding on some new and old ideas in the practice space and the studio to get the desired amount of material for a release.
Dan Gerken, guitar/vocals, Timbre Coup
Timbre Coup brings a little something for everyone in the live setting as well, giving the group room to improvise upon their dynamic compositions, sing both melodic and haunting vocals, all with slick chops from all members, entertaining any crowd with fervor.
There was a place where the water didn’t flow There was a place All that matters is what you hold In spite of it all it’s a hopeless mess for some there was a place I’d like to run
I saw that she left me for dead and I was freaking out I knew I should’ve left her instead But now I’m bleeding out
Description for some Definition for all I don’t want to see you dropping the ball So carry that weight a burden reaffirmed and begin to use all that you’ve learned
“Firestorm” from Timbre Coup was released on all platforms in Septmeber 2023.
Disco Biscuits have a long history of music festivals in New York State, their own Camp Bisco, as well as numerous performances at festivals of all sizes around the state. For the first time since 2013, a new, intentionally more intimate festival, BISCOLand, was conceived and held in Lafayette at Wonderland Forest over October 6-7.
photo by Tara Gracer
Joining Disco Biscuits were a pair of bands that appeared on earlier Camp Bisco lineups – Lotus and Emancipator, and newcomers to the Bisco fold – Opiou, The Floozies, Eggy and Space Bacon. With classic Camp Bisco lineups featuring up and coming artists as well as staples of the EDM/jamtronica community, the vibe of a stripped down but still well dressed music festival, perfect for an autumn weekend in Central New York.
As for the Disco Biscuits, the jamtronica pioneers took the opportunity to break new ground with some unique musical pairings over the weekend. Biscuits fan Shimmy noted this was the first time the band segued “Confrontation” into “Orch Theme” and followed that up with “And The Ladies Were the Rest of the Night,” the other being December 29, 2014.
Even more notably, the band took the encore on Saturday, October 7 to perform the first ever inverted “Kitchen Mitts,” playing the ending of song first, then the first part. Add to that this inverted “Mitts” appeared inside of a fitting encore appearance of “Home Again” made for an apt coda on the weekend.
Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 6, 2023
Set 1: Wet, Munchkin Invasion > The Wormhole > Space Train > Cyclone > Nughuffer1 Set 2: Nughuffer 1 > Shocked > To Be Continued > Reactor 2 > M1 > To Be Continued
1 dyslexic 2 inverted
Disco Biscuits – BISCOLAND at Wonderland Forest – LaFayette, New York – October 7, 2023
Set 1: Jam 1 > Bombs > The Deal > Voices Insane 2 > I-Man Set 2: Mindless Dribble 3 > Confrontation 4 > Orch Theme 5 > And the Ladies Were the Rest of the Night 4 > Spacebirdmatingcall Encore: Home Again > Kitchen Mitts 6 7 4 > Home Again
1 w/ ‘Could U Be Loved’ (Bob Marley) teases 2 unfinished 3 w/ Wormhole quotes 4 inverted 5 w/ Crickets tease 6 LTP 2/4/2023 (53 shows) 7 first time inverted