Standout singer, songwriter, and bassist Karina Rykman dropped her first single and title track from her upcoming debut album JOYRIDE. The project is set to be released on August 18 and marks Rykman’s first collection of songs since she’s put out a slew of acclaimed singles dating back to 2019.
Karina Rykman was born and raised in New York City. She found music at an early age, making her way around the city performing at and attending live music venues. By the end of her time at NYU she had appeared on America’s Got Talent and the TODAY show. As part of Marco Benevento’s band, Rykman performed dates with Vulfpeck, Dispatch, and The Claypool Lennon Delirium.
Photo Credit: Brantley Gutierrez
Rykman’s own band is made up of Adam November (guitar, loopers, effects) and Chris Corsico (drums). Together the group has made a name for themselves due to their strong instrumentation, funky groove, layered production, and often genreless sound.
All these elements help to make “Joyride” such an interesting and fun listen. The track features a strong vocal performance from Rkyman, whose breathy voice and wistful lyrics could compete with any indie-pop record. The song’s tasteful synths and syrupy bass drive the beat toward an almost psychedelic sound. Joyride also features a guitar performance from JOYRIDE co-producer Trey Anastasio.
’Joyride’ is about being driven insane as you’re kept awake by music in your head all night – so much so that eventually, you give up and ask your partner to take you on a joyride instead of tossing and turning
Karina Rykman
The connection between Rkyman and Anastasio goes back to childhood. Rykman went to middle school with the Phish star’s daughters and became family friends because of it. However, the two had no musical relationship until they both performed at Peach Music Festival in Scranton. Anastasio became interested in being a part of Rykman’s first album, offering the use of his iconic Vermont studio “The Barn.”
When I first heard the early demos, the first thing I said was more Karina… Turn up the bass, sing more, and step out. What makes me most happy about the finished album now is that to my ears, it sounds like Karina unapologetically. It has her nature. It has her incredible joyous outlook that I know is real because I saw it in her when she was a kid.
Trey Anastasio
Photo Credit: Jesse Faatz
JOYRIDE was written and recorded with Rykyman’s childhood friend, producer Gabe Monro. Trey Anastasio’s guitar appears on five of the album’s nine tracks. Legendary mixer Bryce Goggin (Pavement, Swans, Ramones) also helped to create the project.
“You only get to make your first album once,” she adds, “and I couldn’t be prouder of what we created with this one. It’s a moment in time – the first of what I hope to be a lifetime of making records and touring behind them.
Governors Ball wrapped up the weekend last night with a stellar, career-spanning performance from Kendrick Lamar. Sunday was another eclectic day of music from all ends of the spectrum, featuring sets by Lil Nas X, Pusha T, Black Midi, Girl In Red, and Phony Ppl.
Kendrick Lamar, Governors Ball 6/11/2023. Photo by Lucas Kurzweil
Rap music was on clear display for Sunday. Coast Contra gave some early afternoon rap to the Bacardí stage. The dynamic rap group brought the old school vibes with their “Scenerio Freestyle.” Over on the GoPuff Stage, Central Cee displayed classic UK rap to the New York crowd. He had the fans going wild for his hit song “Doja.”
Leading up to the headlining slot on Sunday, Pusha T brought his rash flow to a wild crowd at the Bacardi Stage with a deep setlist full of crowd favorites and covers. At the same time, Sofi Tukker’s house/pop blend reverberated from the GoPuff Stage sending infectious dance beats through the park. Lil Nas X followed with thrilling dancing and intricate costumes culminating in a giant sing-along to his hit song “Old Town Road”.
Pusha T, Governors Ball 6/11/2023. Photo by Joseph Buscarello
It was only fitting that Kendrick Lamar headlined Sunday night because there was truly no better way to end the 2023 edition of the Governors Ball. Fresh off the larger-than-life Big Steppers Tour, Kendrick brought his more stripped-back festival production to the GovBall Stage. It’s hard to imagine how such a mega artist can create an “intimate” festival performance while still bringing every bit of energy you expect. A bare stage with varying backdrops, flanked by lighting from the sides of the stage and vertical laser walls made Flushing Meadows feel like a window into the life of Kendrick Lamar songs. The power and raw energy of Kendrick’s flow echoed throughout the audience who were in awe of what they were witnessing.
Kendrick Lamar, Governors Ball 6/11/2023. Photo by Joseph Buscarello
With 2023 in the books, we can already start thinking about next year. The move to Flushing Meadows Park was a major success for Governors Ball. The vast park is the perfect venue for a music festival with large field areas and thick tree lines providing shade and texture to the grounds. Fans have easier access via mass transit and the neighborhoods surrounding the park are home to the most diverse local food vendors anywhere in the world. The future is bright for Governors Ball after finally finding the perfect home. After housing multiple World Fairs in 1939 and 1964, the city has kept large festivals away from Flushing Meadows; a trend that has finally ended.
Stay tuned for more artist galleries, as well as a in-depth look into Kendrick Lamar’s historic headlining set in Queens.
Governors Ball is in full swing over in Flushing Meadows Park with day 2 wrapping up on Saturday. Picture perfect weather settled in for the day, while a diverse lineup did their thing across the three stages, punctuated by a thunderous spectacle courtesy of Odesza.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
At the GoPuff Stage, KennyHoopla brought the energy. Fans were deeply invested in Hoopla’s rash, indie rock tone as his live band brought the lyrics to life. Kenny Beats rocked the Bacardà stage with a stellar DJ performance, mixing current favorites and old school classics. Before the set began, Kenny brought numerous fans onstage to enjoy his set from a platform behind him. Kenny Beats had the moshpit raving over his bass-heavy beats and high climax drops, frequently turning around and dancing along with the fans on stage.
Kenny Beats, Governors Ball, 6/10/2023. Photo by Lucas Kurzweil
Saturday also highlighted two of the biggest artists from South Korea and Japan who are making waves in the United States. The GovBallNYC Stage hosted Rina Sawayama earlier in the day. The Japanese singer dazzled the devoted fans with her energetic interpretive dance sequences and mega vocal prowess. Later on in the afternoon, fresh off throwing out the first pitch at a Yankees game, South Korean girl group Aespa brought their signature K-pop and hyper-pop music to the stage. Self-proclaimed “number one fans” flanked the barricade for their chance to see Aespa up close and personal.
Aespa, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Back at the GoPuff Stage, Oliver Tree brought his wacky pop music to the festival stage. Utilizing a keytar, Oliver played unreleased music and got the fans rocking with his viral song “Miss You.” To close off the night at the GoPuff Stage, Lil Baby put on a show stopping performance. Baby circled his discography going through hits like “Drip Too Hard,” “On Me,” and “Yes Indeed.”
Lil Baby, Governors Ball 6/10/23. Photo by Lucas Kurzweil
While Lil Baby drew a big audience over at the GoPuff Stage, an eager crowd gathered at the GovBallNYC to catch Odesza’s headlining set. The Washington state electronic duo are known for larger than life production and they did not disappoint. The show opens with a drumline appearing out of thin air at the front of the stage followed by relentless stage pyro, sprawling laser shows, and an epic fireworks finale while driving electro-house keeps fans moving.
Odesza, Governors Ball, 6/10/2023. Photo by Joseph Buscarello
Governors Ball wraps up today, Sunday with a much anticipated headlining performance from Kendrick Lamar. Black Midi, Pusha T, Lil Nas X, and Giveon fill out the day; a proper finale to another installment of New York City’s premier summer music festival. Stay tunes for Sunday’s recap and check out a gallery from Saturday below.
Governors Ball kicked off the 2023 edition on Friday, June 9th, showing off their new digs in the sprawling in Flushing Meadows Park. After many years on Randall’s Island, and a brief stint in the parking lot of Citi Field, Governors Ball made the long anticipated move to the famed Queens park. Nestled amongst the giant trees and iconic landmarks, the festival feels right at home in the World’s Borough. The Canadian wildfire smoke cleared out entirely for the day, letting perfect weather shine for most of the day.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
On the GovballNYC stage, Saba set the tone with his early afternoon performance. He got the crowd going with hits like “Ziplock” and “Photosynthesis.” Over at the GoPuff stage, Tai Verdes kept it cool with “A-O-K” to get the crowd ready for Brooklyn’s own Joey Bada$$. Joey went through songs across his entire discography and made sure to let his hometown crowd feel his energy. Joey made a tribute to XXXTENTACION by performing their song “infinity (888).”
Joey Bada$$, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
The GoPuff stage did not disappoint with later sets from Ice Spice, Metro Boomin, and Lil Uzi Vert. Ice Spice drew one of the biggest crowds of the day, and took the house down with her viral songs “Much” and “In Ha Mood.” Metro Boomin’ followed up Ice Spice’s performance with an intricate DJ set. Rain started to pour but that didn’t stop the fans from screaming every word, bar for bar, during Metro’s performance. Over on the Bacardi stage, the brief rain shower made for an even raunchier set than normal from pop icon Kim Petras.
Kim Petras, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Lil Uzi Vert closed out the night with a bang. Interacting with fans throughout the set, he even announced that the highly anticipated “Pink Tape” will drop at the end of the month. Uzi went through the hits, brought out Ken Carson and Destroy Lonely and ended the night with their latest hit “Just Wanna Rock.”
Lil Uzi Vert, Governors Ball, 6/9/2023. Photo by Lucas Kurzweil
Meanwhile, over on the GovBallNYC stage, Lizzo dominated the stage with her larger than lifer performance. Flanked by a sea of dancers, backup vocalists, a killer live band, and several outfit changes, Lizzo’s powerful voice reverberated through Flushing Meadows.
Lizzo, Governors Ball, 6/9/2023. Photo by Joseph Buscarello
Day 2 gets going today, with sets from Finneas, Snail Mail, Rina Sawayama, Lil Baby, and Odesza. Stay tuned for our Saturday recap tomorrow morning.
Brooklyn-based artist Elijah Wolf released a new single “Fading” on May 23. The single previews his upcoming album,Forgiving Season, scheduled for release on June 23 via Mtn Laurel Recording Co. The song was co-written with Wolf’s longtime creative partners Sam Cohen, the album’s producer, and drummer Joshua Jeager.
“Fading” was written “about the experience of meeting someone special while fighting the impulse to self-sabotage. The song deals with the tangled emotions of excitement, fear, and the euphoria of total surrender,” explained Wolf.
Furthermore, Wolf explained that he wrote the song “after meeting someone who made me feel present and in sync. As good as it felt, I couldn’t help but feel the anxiety of allowing someone in. To me this song is about the process I went through to reach acceptance and an openess to new experiences and the happiness it brought me.”
“While recording, I was incredibly inspired by the changing season outside the studio, where I would watch the trees grow greener by the day. The outro is particularly inspired by the sounds of the earth coming back to life—crickets at night, wind through the trees, the hum of frogs, the thawing of the ground all into a spring dance.”
“Fading” follows the release of the official video for other songs on the album, “We Talked About It” and “Care Anymore.“ Elijah Wolf’s childhood friends created the videos using footage of New York City from early 2020.”Care Anymore” was praised by Under the Radar who said, “Wolf has managed to both wrangle the disaffected swirl of emotions he was dealing with when writing the record and crystalize those feelings into vibrant indie rock.”
After a successful 2021 album Brighter Lighting, accompanied by notable tour dates and festival performances, including Newport Folk Festival, Austin City Limits, and The End of the Road in England, Wolf returned to New York feeling lost and plagued by self-doubt. Through this, Wolf found himself unable to write or record. Finally, months later, he called producer Sam Cohen who urged him to visit the studio and scrap his previous work, starting fresh.
“At Sam’s direction, we made a decision to take a leap and not recreate anything I had done already. We wanted to get away from the folk-rock band sound of traditional instruments in a room together,” Wolf explains. “In the end, I wrote a record about vulnerability, about the ways that mechanisms of self-protection can make you miss the good around you. It’s about allowing the walls to come down and accepting your own failures and imperfections.”
Forgiving Season follows Wolf’s 2021 album Brighter Lighting, standalone single “Yesterday, With You” featuring Fleet Foxes’ Robin Pecknold, and an Aquarium Drunkard Lagniappe Sessions release.
Hudson Valley natives Rock City Junction have just released their newest single titled “Morning Sun,” the third single they have ever released. To support the upcoming release, the band will be touring throughout the Hudson Valley in early June.
Rock City Junction meets in the middle with soulful original songs and luscious instrumentation. Their latest releases such as “Corn Song” and “Souls Byond the Road” are uniquely beautiful, having aspects of a light summer day within the Hudson Valley itself.
This eclectic, harmony driven, Roots/Americana band is quickly becoming one of the premiere folk bands within the Hudson Valley. The band features three singer/songwriter/ instrumentalists such as David Chapman, Denise Parent, and Laura Leigh. Each artist plays a special part in combining to create the unique sound that Rock City Junction has to offer.
Denise Parent has been a supreme artist, drummer, and singer in the north east jam band scene since 1993, and is currently touring the U.S in the only all-female Grateful Dead cover band, Brown Eyed Women. Denise released her debut album of her original songs in 2021 titled The Songs in my Heart.
David Chapman is an engineer, producer, multi-instrumentalist, renaissance-man who has held a commanding presence in the Hudson Valley Rock scene since the early 90’s, leading many bands such as Cold Flavor Repair, Rivergrass, The Working Dogs, and more.
Laura Leigh is the new darling of the Albany music scene. Laura released her first album of original music in 2021 which features evocative stories of small-town USA and echoes Appalachian, old-timey traditions and sounds.
UPCOMING SHOWS:
June 8th @ The Parish. New Paltz NY. 7pm
June 9th @ Unihog Hoosick Falls NY. 8pm
June 10th @ Argyle Brewing Company (The Depot). Cambridge NY. 6pm
Listen to Rock City Junction by clicking the link here.
Up-and-coming artist Sarah Gargano released her new single “Self Diagnosis” on June 2. The song features a unique melody and thoughtful lyrics that highlight Gargano’s distinctive sound.
Sarah Gargano is a 25 year old singer-songwriter born and raised in New York City. She started writing when she was fifteen and in 2018 released her first EP, Paper Girl. Furthermore, American Songwriter described Gargano as having “highly melodic acoustic-based songs consistently feature insightful and introspective lyrics that often tackle unusual subjects.”
“Self Diagnosis” is an interesting song. The unique sound of the song draws even more focus to the lyrics which consist of self-reflective lines. The straightforward and literal lyrics allow the listener to see into Gargano’s headspace when writing the song. The song gets better with every listen as you register more of the lyrics.
Other releases from Gargano include songs like “Deadline,” “Dear Juliet,” “London,” and, most recently, “Eating Peaches Daily.”
Outside of music, Gargano has a degree in creative writing and sociology. She also enjoys frolicking in flower fields, crying over fictional characters, arts-n-crafting, taking pictures, antique hunting, journaling, and eating cookie dough. Additionally, Gargano runs her own small jewelry business on the side, known as The Crafty Songwriter.
Gargano also opened for Jeffrey Lewis in Huddersfield, England and continues to play gigs in many different cities. Her next show is in Nashville, TN on July 11.
Brooklyn’s alternative rock band Superbloom returns to the stage with their newest rock single “Head First.” Along with this release, the band is getting ready for their upcoming release Life’s A Blur, out on June 8th with an EP release show at Brooklyn Made on June 10th.
Feverish and raw, and with an instantly memorable punch, Brooklyn’s latest rock phenomenon is a group of four guys making the songs that they want to hear. That means searing, overdriven guitars and thrashing drums; heavy, hearty riffs full of fire and flavor; and impassioned, driving vocal melodies that get stuck in your head for weeks on end.
Behind the out-of-world sound is Dave Hoon (vocals/guitars), Tim Choate (guitars), Brian DiMeglio (bass) and Matteo Dix (drums). Having played in bands for their whole lives while pursuing full-time careers, they decided to form the infectious Superbloom in 2018.
With no room for bluffs or half-hearted attempts, Superbloom introduced themselves with 2020’s “Level Head,” followed the next year by their 12-track debut album Pollen. This release represents Superbloom’s early era of self-discovery.
Superbloom’s newest upcoming EP Life’s a Blur is music you can feel in your gut. A conscious progression from Pollen, its songs have a harder edge and an undeniable, ever-present weight.
They reach greater depths of sound through dynamic, varied songs and interludes that range from ethereal to manic, all while retaining those signature hooks, dreamy tones, and infectious bouncy rhythms that made their debut so irresistible. These new songs showcase an expansion into new sonic dimensions and dynamics as is evident on the new single “Head First.”
As a hard-hitting band with an unapologetic sound, Superbloom is a success story to never give up on your dreams, and they have a lot more in store as they step into a bold new era. “I’d be lying if I said we planned to throw away the playbook for the EP, but I’m glad we did, because everything cool and unfamiliar mushroomed from there — on and off stage,” Dave Hoon says. “Pollen is in the rearview and I’m hungry for what’s next.”
Tickets for the album release show are available here.
Beginning in the afternoon on Friday, May 26 through the late evening on Sunday, May 28, the 12th installment of the beloved Boston Calling music festival returned to its home at Harvard University in Boston (Allston), Massachusetts this past Memorial Day weekend.
For three straight days, more than 40,000 fans of all ages passed through the gates into the Harvard Athletic Complex where they were welcomed daily to engaging activities such as a ride on a 100-foot Ferris wheel, delicious food served up by 29 local vendors, and of course, great music performed by 51 artists (17 each day) across four outdoor stages dubbed the Green Stage, the Happy Valley Red Stage, the Blue Stage and the Tivoli Audio Orange Stage, which championed acts with local ties to New England.
Paramore | Photo Credit: Michael Dinger
Inaugurated in 2013, the acclaimed Boston Calling festival is produced by Boston Calling Events, owned in part by Boston-based Crash Line Productions, whose hallmark of bringing new sounds each and every year was on full display again. In step with the festival’s commitment to securing an iconic mix of musical performances, headlining the festival on Day 1 (Friday) wereRock & Roll Hall of Famers Foo Fighters. Having played in New Hampshire two days prior, this would only betheir second official concert following drummer Taylor Hawkins’ tragic death in March 2022. The Lumineers, soulful alternative-folk rockers from Denver, Colorado, headlined Day 2 (Saturday) of the festival. Day 3 (Sunday) of the festival was headlined by indie rock darlings Paramore, formed in Franklin, Tennessee in 2004. Paramore, having already performed at the festival back in 2018, made their triumphant return on the heels of releasing their sixth studio album, This is Why.
Foo Fighters | Photo Credit: Michael Dinger
Boston Calling also featured renowned co-headliners on each day, including The National and Boston natives Dropkick Murphys on Day 1, the latter who quickly stepped in for the art-punk trio YeahYeahYeahs due to an undisclosed illness announced the day prior. The Celtic punk band’s frontman, Ken Casey, would announce to the crowd during their blistering set, “The Yeah Yeah Yeahs said ‘no no no,’ but we never say no!” Day 2 saw seven-time Grammy Award-winning singer/songwriter Alanis Morissette take the Red Stage, playing her first show in Boston since 2012. Queens of the Stone Age, alternative metal rockers from Seattle, Washington, brought their hard-pounding musicianship toDay 3 of the festival. Having recently announced their long-awaited eighth studio album, In Times New Roman, they thrilled their die-hard fans with two new tracks from this forthcoming release (June 16), including “Emotion Sickness” and “Negative Space.”
Dropkick Murphys | Photo Credit: Michael DingerQueens of the Stone Age | Photo Credit: Michael Dinger
Joining these headlining and co-headlining acts were well-established artists such as Noah Kahan, Bleachers, The Flaming Lips (who celebrated the release of Yoshimi Battles The Pink Robots by performing the 2002 album in its entirety), King Gizzard and the Lizard Wizard (the psychedelic rock band from Australia who were forced to bow out of last year’s festival due to COVID-19), Mt. Joy, Maren Morrisand many more.
Bleachers | Photo Credit: Michael DingerMt. Joy | Photo Credit: Michael DingerThe Flaming Lips | Photo Credit: Michael Dinger
The holiday weekend also offered its patrons plenty of performances from up-and-coming talent, including Razor Braids, The Beaches, The Aces and The Linda Lindas (an all-girl quartet ranging in age from 13 to 19 who easily won over the crowd after a personal introduction to their set by the Mayor of Boston, Michelle Wu), to name just a few.
The Beaches | Photo Credit: Michael DingerThe Linda Lindas | Photo Credit: Michael Dinger
Although the temperature each day of the festival was not as hot as it could have been for this time of the year, the sun did take its toll on some of the audience members who were not adequately hydrated. I witnessed firsthand at least five people who appeared to faint due to heat stroke, all of whom required to be quickly pulled out of the crowd by security and whisked away for treatment by EMT personnel.
The only critique that I have for this year’s festival is also the same as 2022’s festival, the merchandise tent line was long, exceedingly long. As I talked to fans who were proudly wearing their new t-shirt or hat, I learned that time spent in line (and away from the stages) was a minimum of two hours! Often, the sought after merch had already been sold-out. However, fans were at least able to complete an order form for the requested item to be shipped at a later date.
Fans soaking in the action at the Red Stage (Day 2) | Photo Credit: Michael Dinger
No festival experience is considered complete without first meeting and interacting with fellow fans. My own personal encounters included talking to Paul from Toronto, Canada in front of the Green Stage for most of Friday afternoon. I learned that he and his 16-year old son drove for eight hours Thursday night and into the wee morning hours to see the Foo Fighters for the first time. Paul emotionally shared with me that his son “will always remember this, so it was well worth it.” On Friday, I also met Kirby from Danbury, Connecticut, an avid fan of all music genres, as well as a talented drummer and guitarist. He revealed to me that he was dealing with painful plantar fasciitis in both feet, so when I saw him again on both Saturday and Sunday along the rail of the Red Stage, I was glad he was able to still see the artists he loves up close and personal. Being a graduate of the University of Connecticut (UCONN), it was also a pleasure to spend time speaking with Seth for a few hours, a UCONN professor for nearly 20 years and an amateur live music photographer.
Shane Hawkins Joins Foo Fighters Onstage | Video Credit: Michael Dinger
During a festival filled with three days and nights of highlights, it’s easy for me to pick out my favorite one. Throughout the Foo Fighters’ two hour set, Dave Grohl’s devastation by the loss of his friend and bandmate was palpable – on his face and in his speeches to the audience. So, when Grohl welcomed to the stage “one of [his] favorite drummers in the world,” 17-year old Shane Hawkins, it was truly a goosebumps moment. With Shane taking a couple of minutes at the drum kit to adjust the stool height left for him by the Foo Fighters newest member, Josh Freese, Grohl stalled for time. “Hello Boston, how’s it going over there? Earlier, I was in my dressing room and I heard the audience going absolutely fucking bonkers for someone. And I was like, who the fuck is playing that someone is going [this crazy]? It was Niall Horan [of One Direction fame], is that his name? How’s it going there Shane? Oh my God, there is a curfew Shane. This is an old song from our first record and when we play it . . .” Abruptly, in came Shane with a thunderous drum roll to launch “I’ll Stick Around.”
Anyone and everyone is welcome to attend the Inclusion Festival – a sensory friendly, accessible music and wellness event for all ages and abilities. The festival’s 2018 debut marked the nation’s first festival designed to accommodate disabled people. The festival returns this year at the Kempton Community Center from July 14-16 in Pennsylvania’s Lehigh Valley region. The festival will feature virtual components to increase accessibility for those unable to attend the live event.
Activities
Presented by the non-profit Accessible Festivals and supported by Rex Foundation and Mimi Fishman Foundation, the Inclusion Festival offers a uniquely immersive, fully inclusive experience. The festival offers music, workshops, camping, art, relaxation areas, a resource fair, a parade, flow arts, and more. The events are presented in an environment entirely designed to be accessible for all, including sensory-friendly music, sensory-friendly supportive relaxation spaces, and more.
Additionally, in an effort to increase accessibility, the virtual component of the festival will include an accessible livestream with captions, virtual workshops, virtual sensory zones, home activities, and more.
Music
The festival largely emphasizes the role of music in connecting people. Music is a universal language with the ability to connect people from differing backgrounds and experiences. Inclusion Festival strives to feature diverse and disabled regional artists, showcasing a wide variety of genres and styles.
This year’s lineup will include Flux Capacitor, a trio of brothers from Pennsylvania who meld rock and electronica. Additionally, Gooch & The Motion will deliver a unique blend of country, blues, and rock & roll. Miss Cantaloupe will perform Fleetwood Mac’s Rumors album. Performances from Liz Bills & The Change,Lee Ross,Darlingtyn, and a special Inclusion Family Jam will bring celebrate inclusion through music.
More Information
All festival donations directly support Accessible Festivals, a non-profit committed to empowering communities through accessible music and recreation. Accessible Festivals fosters connection and understanding through music, creating an inclusive platform for all abilities and identities to connect. Inspiring the creation of safe, inclusive, and equitable communities
To purchase tickets, donate, get involved, or learn more about accessibility at the event, visit their website.
