NYS Music 2023

Category: Show Reviews

  • Goin’ Down to the Central Part of Town: Nights 6 and 7 of Phish at Madison Square Garden

    We are now at the end of Phish’s seven-night run at Madison Square Garden, and the band has continued their hot streak, finding new room for jamming in old standards, and then some.

    Perri Sage Photography

    Opening up the Friday, August 4th show with “Buried Alive,” “The Moma Dance” and “46 Days,” Phish was driving out of the gate, energetic and not missing a beat over this 25-minute opening segment. The only lull of the set came in the form of the debut of “Back in the Bubble” and “Bouncing Around the Room,” both of which were, in hindsight, well placed, as the remainder of the set had little room to breathe. “Birds of a Feather,” welcome as always in the first set, which led to a substantial “Halley’s Comet” that followed, with Trey Anastasio changing the lyrics to “I’m going down to the central part of New York City,” his second nod to the Big Apple in the last two shows. On par with the ever so smooth segue found late in the first set on Wednesday, Phish segued fluidly into an ethereal “Roggae,” before sticking the landing of the set with “Run Like an Antelope.”

    Perri Sage Photography

    If there was a theme of playing better than the previous night, the second set maintains that theory, with an immense “Mike’s Song” with a jam that had people wondering, “Is this still Mike’s?,” all while getting deep into the more than 23 -minute jam, which stands to be the second longest version of the song ever. Shrugging off a potential turn towards “Tweezer,” the band eventually shifted into “Sand,” getting even deeper with Trey finding a familiar riff that segued sveltely into the Talking Heads “Crosseyed and Painless.” The lone breather of the set, “A Life Beyond a Dream” gave way to “The Lizards,” well-placed deep in the second set. “While My Guitar Gently Weeps” closed the set, only the third appearance of the Beatles song in the last 10 years.

    During the breather before the encore, the crowd knew what to expect and the band delivered – an encore of “Weekapaug Groove” had the fans as hyped as at any point this run. And when the band could have called it a night, the opening notes to “Fluffhead” kept the crowd cheering on, shouting “Fluff came to New York” along with the perma-grinned Anastasio, an exclamation point on the penultimate show of a legendary run at The Garden for Phish.

    Perri Sage Photography

    Phish returns on Saturday, August 5th, to close the run.

    Setlist via Phish.net

    Phish – Madison Square Garden, Friday, August 4, 2023

    Set 1: Buried Alive, The Moma Dance, 46 Days > Back in the Bubble[1], Bouncing Around the Room, Birds of a Feather, Halley’s Comet[2] -> Roggae, Run Like an Antelope

    Set 2: Mike’s Song > Sand -> Crosseyed and Painless > A Life Beyond The Dream, The Lizards, While My Guitar Gently Weeps

    Encore: Weekapaug Groove > Fluffhead

    [1] Phish debut.
    [2] Lyrics changed to “central part of New York City.”

    With one last night to play with, Phish left very little to chance and delivered a powerhouse Saturday performance featuring a completely unexpected bust out to go out on the highest of notes. After a fan’s wedding proposal and successful engagement on the floor prior to the show, the band seemingly picked up on this and fittingly opened with “Loving Cup.” A shift into “Maze” immediately afterwards produced another spine-tingling crowd roar early on that signaled MSG’s collective readiness. A mid-set “Divided Sky” felt perfectly placed and the “Prince Caspian” that came next followed in the footsteps of other recent ones and went especially deep. “Drift While You’re Sleeping” then wrapped things up in its now familiar set closing spot.

    With one last set to go, and still no “Tweezer” in sight, it was almost a matter of when, not if, Phish was going unleash its second set staple. Fans wouldn’t have to wait long once the set opening “Set Your Soul Free” finished with Trey Anastasio quickly jumping into the signature opening licks of the song everyone was expecting. This “Tweezer” was no certainly no slouch and served as the springboard for Phish to usher in the return of “Guy Forget,” the first time played since 2011, over 400 shows ago. It certainly came out of left field, but Phish stuck with it, making it well more than a tease and turning it into a full on jam, with “Tweezer” quotes continuing to weave in and out effortlessly. As the jam wound down into near ambience, “What’s The Use?” followed, showing just how quiet MSG can get as well when needed. A full scale “Scents and Subtle Sounds” brought things back to life and with it, another discernable “Tweezer” jam that paved the way for “Everything’s Right,” an accurate statement about the evening, and the entire run, as a whole. A brief little “Manteca” quote even managed to sneak in here. After a completely raucous “Tweezer Reprise” that closed out the set, Phish delivered one last classic with a mesmerizing and patient take on “Harry Hood,” closing out the run in style and setting the stage for what promises to be two incredible shows at SPAC in a few weeks.

    Phish – Madison Square Garden, Saturday, August 5, 2023

    Set 1: Loving Cup > Maze, Martian Monster > Divided Sky > Prince Caspian->NICU>Steam, Drift While You’re Sleeping

    Set 2: Set Your Soul Free, Tweezer->Guy Forget>What’s The Use?>Scents and Subtle Sounds->Tweezer->Everything’s Right>Backwards Down The Number Line>Tweezer Reprise

    Encore: Harry Hood

    Photos by Perri Sage

  • In Focus: JRAD at Pier 17 Rooftop

    Joe Russo’s Almost Dead (JRAD) played a sold out show at the Pier 17 Rooftop. Packed with Deadheads and Phish phans eager for the upcoming MSG run, the band’s backdrop was the Brooklyn Bridge & Empire State Building. The venue featured a beautiful, panoramic view of Manhattan, quite the site to behold.

    The night started off with a bang “Playing in the Band” followed by “Mississippi Half Step”. The set included fan favorites like “Bertha” & “Scarlet Begonias”. They closed the set with “Touch of Grey”.

    The second set started off with Scott Metzger shining on “Hard to Handle” followed by a rocking “Here Comes Sunshine”. The second set was incredible and featured songs like “Truckin” & “St. Stephen”.

    The band played “Shine on You Crazy Diamond” >”Not Fade Away” but was cut short as the band was instructed to stop playing. This was not due to the amount of faces being melted, but due to lightning in the area. “Shine on” also  featured a saxophonist Stuart Bogie.

    The band and fans got to enjoy most of the show and quickly scurried out before the rain. This band just keeps getting better and every show is an incredible show. These guys don’t miss!

    Set 1: Playing in the Band, Mississippi Half Step, Music Never Stopped, Bertha, Tell Me Mama > Scarlet Begonias, Touch of Grey

    Set 2: Hard to Handle, Here Comes Sunshine > Throwing Stones > Wharf Rat > Truckin’, St.Stephen > Shine on You Crazy Diamond

  • In Focus: Matchbox 20’s Slow Dream Tour stop at St Joseph’s Lakeview Amp

    On July 29, Matchbox 20 brought their Slow Dreams Tour to St. Joseph’s Lakeview Amphitheater in Syracuse. Filled with incredible performances, unexpected weather, and a dedicated crowd of passionate fans who weathered the storm and years of rescheduled show dates to witness their favorite band live on stage.

    Matchbox 20, photo by Allison Marie

    The evening began with an opening set by the talented Matt Nathanson, who wasted no time in captivating the audience with his infectious energy and witty banter. Despite the pouring rain that persisted for hours before the show, Nathanson’s performance had the crowd laughing and singing along, setting the perfect tone for what was to come. As the night continued, the weather may have been colder than the high heat we’ve been experiencing, but the excitement and anticipation in the air were palpable. For More on Matt Nathanson, click here.

    Slow Dream Tour opener, Matt Nathanson

    Matchbox 20 fans, who had been eagerly waiting for this concert were finally getting their chance to see their beloved band in action. Rob Thomas and the band wasted no time in delivering hit after hit, taking the crowd on a nostalgic journey through their iconic discography.

    Matchbox 20

    The band’s powerful presence on stage, combined with their genuine interactions with the audience, created a connection that went beyond the rain and cold, making it a truly magical experience for all in attendance.

    Rob Thomas of Matchbox 20 performs, Real World at St Josephs Lakeview Amp on Saturday July 29, 2023

    As the concert came to an end, the cheers and applause echoed through the amphitheater, reflecting the collective appreciation for Matchbox 20’s extraordinary performances of their iconic hits.

    Setlist: Friends, How Far We’ve Come, Real World, Disease, Wild Dogs, She’s So Mean, All I Need, If You’re Gone, Mad Season, Don’t Get Me Wrong, Overjoyed, The Way, Downfall/Knocking On Heaven’s Door, Bent, Back To Good, Long Day, Rebels
    Encore: 3AM, Unwell, Push, Bright Lights
    Encore 2: Don’t You Forget About Me.

    For More on Matchbox 20, click here.

    Matt Nathanson

  • Pawns and Kings Tour: A Triumphant Night of Rock in Buffalo

    On a warm Tuesday, August 1st evening, the Outerharbor in Buffalo, became the epicenter of a breathtaking display of rock mastery as Alter Bridge, Sevendust, and Mammoth WVH kicked off their highly anticipated Pawns and Kings tour. With an intimate atmosphere and a diverse set of hits and new songs, this show proved to be a memorable and personal experience for every rock enthusiast in attendance.

    Mammoth WVH, the brainchild of the multi-talented Wolfgang Van Halen (Son of Eddie Van Halen), stormed the stage first, proving that talent indeed runs in the family. Despite being relatively new to the music scene, Mammoth WVH delivered a blistering performance that left a lasting impact. The crowd sang along to the infectious hooks of hits like “Mr. Ed,” “You’re to Blame,” and “Don’t Back Down.” Wolfgang’s mastery of the guitar was awe-inspiring, and his powerful vocals resonated throughout the venue.

    But it was when Mammoth WVH performed “Distance,” a poignant tribute to his late father, that the atmosphere became particularly emotional. The song’s heartfelt lyrics, combined with Wolfgang’s raw emotion, struck a chord with the audience, leaving many in tears.

    Sevendust took the stage next, despite being a four-piece due to guitarist John Connolly’s unfortunate illness. This setback didn’t diminish the band’s energy, as they burst onto the stage with an electrifying presence. Lajon, Sevendust’s iconic lead singer, won the hearts of the audience with his endearing interaction with the crowd. When a cheeky fan yelled, “Go Bills,” Lajon, a staunch Kansas City Chiefs supporter, playfully replied, which was met with good-natured boos before they all united in headbanging and cheers as the band started playing.

    Morgan Rose

    Sevendust’s setlist was a well-balanced mix of classic hits and new songs from their latest album. The crowd erupted when they played their hits, “Face to Face,” “Denial,” and “Thank You.” The new tracks also received an enthusiastic response, showcasing Sevendust’s ability to maintain their signature sound while continuing to evolve as artists.

    Finally, the moment the crowd had been eagerly waiting for arrived as Alter Bridge took center stage. As always, their musicianship and tight-knit chemistry were evident from the first note. Frontman Myles Kennedy’s soulful voice soared, captivating everyone in the venue. Alter Bridge’s setlist was a perfect blend of their most beloved hits, including “Silver Tongue,” “Come to Life,” and the anthemic “Rise Today.” Each song brought a surge of energy, with the audience singing and headbanging along in unison.

    What truly made this concert special was the connection between the bands and their fans. The intimate setting of the Outerharbor allowed for a more personal experience, fostering a sense of camaraderie between the artists and their audience. The bands interacted with the crowd, creating an atmosphere of genuine appreciation and love for the music.

    The Pawns and Kings tour’s opening night in Buffalo was an unforgettable evening of powerful performances, unforgettable moments, and a celebration of rock music’s enduring spirit. Sevendust, despite the setback, showed resilience and enthusiasm. Mammoth WVH demonstrated immense promise and talent, and Alter Bridge once again proved why they are revered as one of rock’s finest acts.

    As the night drew to a close, it was evident that this tour would leave a lasting impression on fans and musicians alike. The Pawns and Kings tour is a testament to the timeless allure of rock music, and with this spectacular start, it is sure to captivate audiences across the nation. If this performance was any indication, the journey is set to be a magnificent one, and those who are fortunate enough to attend will undoubtedly be in for an unforgettable experience.

    Mammoth WVH

    Sevendust

    Lajon Witherspoon

    Alter Bridge

  • Up Late With Dopapod at Sony Hall

    There was quite a big fish market near MSG with thousands rushing to midtown for night 5 of Phish, as well as the post-shows that would follow. Dopapod had the honors of playing Sony Hall in NYC on Saturday, July 29, playing from just around midnight until almost 3 AM.

    dopapod nyc

    The band has long been a staple of the jam scene and a crowd favorite for many years. The funkiness of Eli Winderman on keys, with Rob Compa’s expert and original guitar playing, mixed with phenomenal Chuck Jones on bass and drummer Neal ‘Fro’ Evans, making a late-night force to be reckoned with.

    dopapod nyc

    Their late night set was full of energy, as should be after a Phish show, especially one where many fans had just seen an exhilarating show right beforehand. Their set included originals like “Trickery” & “Present Ghosts” as well as a rocking cover of “Dazed and Confused,” played in true Dopapod fashion.

    dopapod nyc

    Dopapod – July 29, 2023, Sony Hall, NYC

    Setlist Trickery, Turning Knobs, Freight Train, Present Ghosts, Bubblehouse, Dracula’s Monk, Onion Head, Fannie, Dazed and Confused, We are Not Alone, Weird Charlie, End it on the Yeah, Nuggy Jawson

    dopapod nyc
    dopapod nyc

  • Phish Keep Garden Residency Rolling on Nights 4 and 5

    After their first weekend at Madison Square Garden, Phish took a day off and returned with even more energy, making the Tuesday, August 1 show stand head and shoulders above the three previous shows.

    phish madison square garden

    Opening up with a monstrous “Ghost” laid the groundwork for deep, exploratory jams, including an ethereal, outstanding version “Reba” that followed. You’d be remiss to find a version of Son Seals’ “Funky Bitch” that did not pair up as well with the energy that flowed from “Reba”‘s finale. “Timber (Jerry the Mule)” had a much longer presence in the first set than typically found, flowing into the debut of “Broken Into Pieces.” A rip-roaring 17-minute “Wolfman’s Brother” was quickly discussed at setbreak as one of the best versions ever seen, and the Beatles’ “I Am the Walrus” closed, easily the best first set of the run.

    https://www.youtube.com/watch?v=L_mwN-I-OJU

    Throwing it back to the Baker’s Dozen, Set 2 opened with the rarely jam-friendly “Sample in a Jar,” and tonight would end up being the longest version of the Hoist track, at more than 17 minutes in total. The jam would spill over to “Kill Devil Falls” which included quotes from a new song not played this evening “The Well” from Fishman, and made for two sets of the first two songs combining for more than 28 minutes of music to get things started. “Golden Age” was another substantial jam to follow this pairing, with “Shade” giving the crowd a breather before dipping into the warm waters of “Sneakin’ Sally Through the Alley,” funk filling in the round room. A short “Twist” and set closing “You Enjoy Myself” would be the cap to the second set, fully

    phish garden

    For an encore, “Wilson” made an appearance where you might find “Cavern” or “Golgi Apparatus” following, but the ever rare “Sanity” making its first appearance in two years, giving fans a chance to cross this tune off their “Most Common Phish Songs Not Heard” list. Just when you thought it was over, the hi-hat intro of “David Bowie” gave way to an unexpected (now) three song encore, with a dialed in jam that seemed to be cut short after Trey and Fishman had a chat, only to close out “Bowie” and bring in “Character Zero” for the grand finale of the evening.

    Setlists via Phish.net

    Phish – Madison Square Garden, NYC – Tuesday, August 2

    Set 1: Ghost, Reba, Funky Bitch, Timber (Jerry the Mule), Broken Into Pieces[1], Wolfman’s Brother, I Am the Walrus

    Set 2: Sample in a Jar > Kill Devil Falls[2] > Golden Age, Shade > Sneakin’ Sally Through the Alley > Twist, You Enjoy Myself

    Encore: Wilson > Sanity, David Bowie > Character Zero

    [1] Phish debut.
    [2] Unfinished.

    If there is a theme emerging from this run of Phish shows, it would simply be that each show is better than the last. Wednesday, August 3rd put that theory to the test, opening up with a pair of animal tunes, “Possum” and “Guyute,” both of which might be a vanilla way to start the show, but tonight the energy was high. So high that the Apples in Stereo song “Energy” reemerged in the rotation for the first time since last summer, providing a wonderful jam that found its way into the “Meatstick.” The fan interaction tune was met with a jam that followed and one of the smoothest segues you’ll find this summer as it moved into “It’s Ice.”

    Set two opened with a slow, funky jam, reminiscent of the Island Tour’s “Cavern” opener, and that was exactly the song that would emerge, a slow and funky version of the normally late-set tune. A fiery “Carini” followed, which brought back a jam on “Angels We Have Heard on High,” riffed by Trey quite a bit and also found in the “Kill Devil Falls” of Syracuse a few weeks prior. Following “Piper” was the new track, “The Well,” which at first sounds like “Wolfman’s Brother Part 2” but that’s just the first half. The second half of the song was one of the deepest jams the band could provide in a new song, one that fans will be clamoring for at SPAC and Dick’s later this summer.

    Closing the set were the “2001” jam-adjacent “The Howling”, “Taste” and “About the Run,” with a “Chalkdust Torture” tacked on at the end for good measure. For an encore, keyboardist Page McConnell appeared on stage with his keytar, signaling “Frankenstein,” which hadn’t been heard live since before Covid. But that wasn’t all – Anastasio would end up playing the opening notes to “Slave to the Traffic Light” for the final song of the night, eliciting immense cheers from the audience when Trey sang “Seen the Greatest City.”

    Phish – Madison Square Garden, NYC – Wednesday, August 3

    Set 1: Possum, Guyute, Axilla (Part II) > Energy -> Meatstick -> It’s Ice > Blaze On

    Set 2: Cavern[1] > Carini > Piper > The Well > The Howling > Taste > About to Run, Chalk Dust Torture

    Encore: Frankenstein[2], Slave to the Traffic Light[3]

    [1] Slow, funky version.
    [2] Page on keytar.
    [3] Lyrics changed to “see the best city.”

    Photos by Derek Java

  • EDM Showcase Featuring Atlas.B Brings a Night of Rave Culture to Troy

    No Fun, a Capital Region music venue on River Street in Troy, hosted five live electronic acts this past Saturday, July 29. The night included an hour-long set from Albany-native Atlas.B, alongside performances from fellow DJs Spike Right, SM Ink, Dito, and Waybach.

    The self-proclaimed “hub for experimental music in the Capital Region” is a smaller-sized bar and music performance space owned by Downtown Albany bar Pint-Sized. No Fun has created a comfortable community vibe using multicolored string lights, wall murals, a low stage, and a spacious dance floor for crowd engagement.

    Lighting Designer Riley Irving from Colonie’s Technical Video Inc. programmed a dual-screen stage set-up featuring LED wall tiles that cycled through kaleidoscopic color patterns as a live visual accompaniment to the music.  Spike Right accompanied by Sherwood traded on-and-off the DJ setup for an hour of live D.I.Y. beats mixed with samples from popular rappers like Ice Spice.

    By 9 p.m., No Fun was packed from stage-front to the side of the bar with concertgoers. The crowd was made up of Capital Region locals out for an evening of casual nightlife, alongside electronic dance music (EDM) fans who brought the party with rave glow wands and brightly colored outfits. Shuffling and freestyle moves took over the dance floor as other crowd members encouraged more people to join in and clap to the beat.

    Dito and SM Ink continued the night with similar vibes of fresh beats intertwined with well-known hits. In contrast to the other performances, Waybach and Atlas.B have a deep bass and funk vibe. The pair have previously collaborated with singles “Life is So Hard” and “All Out of Time.” Altas.B not only performed previously released songs but also experimented with new mixes and techniques using Ableton Live. 

    The variety and creativity of each DJ set refreshed the crowd and kept the good energy flowing throughout the evening, with dancing only increasing with every passing hour. Listen to Altas.B’s newest single, “Don’t Look Back,” released on July 20, 2023, on all major platforms.

    For information on future shows at No Fun, visit their website at NoFunTroy.com.

    Photo Gallery by Jarron Childs

  • Foreigner Cranks Up The Jukebox on Their Way Out The Door

    If you are someone who is closer to 50 than you are to 25, chances are really good that you have listened to Foreigner, either on your own accord or thanks to friends or maybe parents. Were you riding around in your friend’s Trans-Am with your Aqua-Net glazed hair standing pat as “Juke Box Hero” filled the summer air? Maybe you were driving your 5.0 Mustang around with the cheerleading captain in the passenger seat, singing along to “I Wanna Know What Love Is.” Regardless, you have the memories, and you need not be embarrassed.

    Originally formed in 1977, Foreigner has had their time in the limelight. Now 46 years later, the band had decided to Rev on The Red Line for one more time, as they brought their Farewell Tour to Darien Lake Amphitheater on July 28.

    While the band has seen its share of members come and go, including founding members, Mick Jones has stood the test of time as the lone original member. Along with Rochester native Lou Gramm, Jones formed Foreigner with Ian McDonald (of King Crimson), Al Greenwood, Dennis Elliot, and Ed Gagliardi. The band’s name was decided based on citizenship. With three Brits and three Americans, at least half of the band would be foreigners no matter where they were playing.

    in 1977, Foreigner’s self-titled album was released and would be the first of 4 consecutive releases to go 5x platinum. “Feels Like First Time” and “Cold as Ice” would help make Mick Jones and crew a household name for years to come. The following year Double Vision peaked at number three on the charts and gave us “Hot Blooded” the title track, which became a number two hit.

    Into the 80s, Foreigner continued to have huge success with hits like “Urgent,” “Juke Box Hero,” and the powerful ballads “Waiting For a Girl Like You” and “I Want to Know What Love Is.” Songs that have stood the test of time, just as 78-year-old Mick Jones has.

    Opening up for Foreigner are Canadian rockers, Loverboy. With hits like “Turn Me Loose” and “Working For The Weekend,” Loverboy is no slouch in the arena rock business and are members of the Canadian Music Hall of Fame.

    With nine studio albums to their credit, Mike Reno and the rest of Loverboy have been on and off for the past 30 years, touring with REO Speedwagon, Styx, Journey, Night Ranger, and Pat Benatar/Neil Giraldo over this time.

    Tonight, though, Loverboy and Foreigner blew the tent of Darien Lake Amphitheater like it was 1985 all over again. Starting around 7:30 to an already packed house, Mike Reno and crew played exactly what the crowd came for. Hit after hit resonated with the crowd of fans that most likely owned cassette tapes of both bands and donned denim jackets 24/7.

    Starting with 1987’s “Notorious,” Reno hit the ground running hard and continued for nine more songs, finishing up with “Turn Me Loose” and “Everybody’s Working For The Weekend.” While they never had a number-one song or album, Loverboy made their mark on the music world and songs continue to be played and enjoyed by younger generations, as well as original fans.

    Loverboy setlist: Notorious, Lucky Ones, Queen of the Broken Hearts, Take Me to the Top, The Kid is Hot Tonight, Heaven in Your Eyes, Lovin’ Every Minute of It, Hot Girls in Love, Turn Me Loose, Working for the Weekend.

    Rocking the stage at 9 p.m., Foreigner took the stage without Mick Jones. They were fired up, though, and ready to go as they opened up with “Double Vision,” “Head Games,” and “Cold as Ice.” Sadly, while this is the Farewell Tour, Mick Jones will be a game-time decision for most stops on the tour, as he battles health issues that have limited his stage time since 2012.

    Even without the only remaining member, Kelly Hansen and the rest of the band kick some serious ass as it “Feels Like The First Time” with every show. Hard guitar riffs, solid drums, and vocals that bring a smile to Lou Gramm’s face are all part of what makes Foreigner the recognizable band they are.

    After the band finishes “Girl on The Moon,” Hansen addresses the modern issue of AI as it pertains to ‘art’ and associated topics. Clearly annoyed by so many who utilize computer-generated pieces of AI, he makes sure the fans know that this show is 100% live, with no use of AI whatsoever. Vocals are actually sung, and all the backing sounds are made right before our eyes. Just like the old days, we all remember.

    Going back to the memories mentioned before, this Hansen touches on that as they finish up a three song acoustic set. Mentions that while there are a handful of fans under the age of 40, the fans over 40 have the memories to last a lifetime. Music without AI, enjoying a full show without phones, and the joy of cassette tapes. “How many of those under 40 remember rolling up a cassette tape with a pencil?” Those are memories that the under-40 crowd won’t get or appreciate, and this feels like the first time they are hearing the song, like the song they released 46 years prior, “Feels Like the First Time.”

    As the night goes on, the crowd is getting more and more active, with fans dancing through the aisles and spilling their $18 can of beer, singing along with every word. As “Juke Box Hero” begins, the beer spiller is escorted to the exit, and the fans go nuts as they await the “standing in the rain…” opening lyric. On stage, however, there is no Kelly Hansen. Spotlights direct fans to the soundboard area, about halfway to the lawn seats. There stands Hansen strapped to a rising pedestal and about 30 feet above the crowd. Someone put a quarter in the jukebox, and Kelly Hansen is now the hero they wanted.

    For 46 years, Foreigner has stood the test of time. They have sold countless albums, download after download, and thousands of cassettes rolled up with number two pencils. They have been a recognizable voice for a generation that drank water from the hose and lived to talk about it. They get played at thousands of weddings and proms every year, and yet they are not in the Rock & Roll Hall of Fame. For 46 years, the band that brought Lou Gramm and Mick Jones together is saying goodbye on this Farewell Tour and blowing the roofs off venues one last time. Do you have your tickets yet? Polish the Trans-Am, put on the leather pants one more time, pop side A of Double Vision in the cassette deck, and cruise on down to your local Ticketmaster outlet to get your tickets. Better yet, here is a shortcut.

    Setlist: Double Vision, Head Game, Cold as Ice, Waiting For a Girl Like You, Dirty White Boy, When it Comes to Love (acoustic), Girl on the Moon (acoustic), Say You Will (acoustic), Feels Like the First Time, Urgent, Keyboard solo, Drum Solo, Juke Box Hero, I Want to Know What Love Is, Hot Blooded

    Foreigner

  • Boy George and Culture Club bring the new wave vibe to Darien Lake

    When Culture Club burst onto the scene in the early 80s, new wave music was the new big thing. Synthesizers, flashy attire, neon lights, and new sounds were all the rage in music and Boy George knew how to play the game well. Always known as a flashy dresser, Boy George and Culture Club became icons in the new wave genre. Now, 40 years later, the music style is making a new splash and of course one of the originals is right there again, as they bring The Letting It Go Show to Darien Lake on July 29. Riding the waves on the tour are Howard Jones and Berlin.

    With rain showers going on for the early part of the day, and more in the forecast, Darien Lake Amphitheater is slow to fill as Howard Jones takes the stage for a 40-minute set. A flashy dresser in his own right, Jones comes out in classic 80s attire consisting of a black suit with a t-shirt underneath, Don Johnson would be proud. Jones belts out hits such as “No One is to Blame,” “Everlasting Love,” and “Like to Get To Know You Well” as diehard fans from yesteryear sing along with him.

    Following up Jones was Berlin, who had some success with a song from some movie with Maverick and Goose. Additionally, Terri Nunn and her bandmates have put out nine studio albums since 1979, when Nunn joined the band for the first time as lead singer. While they never tore up the charts, Berlin did have their biggest, and ultimately last, big hit in 1986’s Top Gun, “Take My Breath Away.”

    Like Howard Jones and Culture Club, Berlin’s sound was in the new wave genre and influenced by sounds coming over from Germany and much of Western Europe at the time. Tweak some keyboard notes, add a little more synth-pop to it, and presto, you have your own style.

    Finishing up the night was the iconic and poignant Boy George with Culture Club. With iconic sound, looks, and creativity, Boy George is welcomed to the stage standing atop a small staircase flanked by two drum kits, casually outfitted with stereotypical baggy and bright clothing.

    Joining him on stage were the two drummers, two dancers/backup vocalists, a saxophonist, two bassists, and a keyboardist. Just like the glory days, Boy George puts on an eclectic show, with everyone on stage taking part in the production. The two dancers provide backing vocals throughout the set, as well as both strut their stuff at the front of the stage later in the set. Equally amazing job by both, and the crowd made them aware.

    Going through the set, it was noticeably more mellow than the classic sounds of Culture Club, which provided a little more upbeat mix. During “Do You Really Want to Hurt Me?” the song almost seemed dragged out as Boy George took his time and made it more of a story. It was very reminiscent of “The Crying Game” from the early 90s which was a solid rendition.

    Regardless of the sounds you hear today or what it may have sounded like 40 years ago, this tour with Boy George & Culture Club, Howard Jones, and Berlin is the perfect blend of original new wave artists as a new generation is getting cultured in ‘old people music.’

  • Declan McKenna’s Big Return to NYC

    Declan McKenna, the enigmatic and thought-provoking indie-pop sensation, set the stage ablaze with two back-to-back shows in New York City as part of his “The Big Return” tour. On June 20, he graced the iconic Brooklyn Steel venue with his infectious energy and magnetic presence, captivating the audience with his genre-defying sound and heartfelt lyrics. The anticipation was palpable as fans eagerly awaited Declan’s performance, knowing they were in for an unforgettable night of music and connection.

    The following evening, June 21, found Declan at Webster Hall in Manhattan, where he continued to weave his magic, leaving the crowd mesmerized by his electrifying performance. With each song, Declan’s authenticity and vulnerability shone through, forging an unbreakable bond between him and his adoring fans. These two shows were a testament to his undeniable talent and his ability to create an intimate and unforgettable experience for his audience.

    Declan McKenna, the rising indie-pop sensation hailing from the UK, is making waves with his captivating blend of thought-provoking lyrics, infectious melodies, and undeniable charisma. With a musical journey that started at a young age, Declan’s eclectic upbringing exposed him to a wide range of influences, from classic rock to punk and indie music. This diverse palette has shaped his unique sound and sets him apart in the industry.

    Declan burst onto the scene with his breakout single “Brazil” in 2015, which earned him widespread acclaim and attention for his sharp social commentary and clever songwriting. His debut album, What Do You Think About The Car? released in 2017, further solidified his position as a talented singer-songwriter with a distinctive voice.

    Known for his insightful and introspective lyrics, Declan fearlessly addresses topics ranging from politics and societal issues to personal reflections on love and self-discovery. His ability to combine catchy pop hooks with meaningful storytelling has won the hearts of fans worldwide.

    With each subsequent release, including the singles “British Bombs” and “Beautiful Faces,” Declan continues to captivate audiences and expand his musical horizons. His sophomore album, Zeros, released in 2020, showcased a more experimental and ambitious sound, further cementing his status as a genre-defying artist.

    In addition to his musical prowess, Declan’s magnetic stage presence and engaging live performances have earned him a dedicated and enthusiastic fanbase. As Declan McKenna continues to evolve as an artist with recent hits such as “Sympathy”, he reaffirms his status as an exciting force in the music scene, capturing hearts with his authenticity, vulnerability, and undeniable talent.

    With his finger on the pulse of the issues that resonate with today’s youth, Declan’s music speaks to a generation, making him a relevant and essential voice in the modern music landscape.

    Declan McKenna’s electrifying performances at Brooklyn Steel and Webster Hall in New York City were nothing short of exhilarating. At Brooklyn Steel, a fan brought a stuffed Kermit the Frog plushie dressed as Declan, adding a whimsical touch to the show. During “Why Do You Feel So Down,” Declan took Kermit from the fan and playfully placed it on the speaker behind him. Later, during “Rapture,” he playfully threw Kermit into the air during a guitar breakdown, seamlessly blending fun and artistry.

    Declan’s boundless energy was infectious throughout the shows. He shed his suit jacket, fully immersing himself in the music, and asked the crowd if they wanted to dance before launching into “Isombard.” The response was overwhelming, with fans flailing and dancing passionately in the back of the crowd and pressing against the barricade up front, trying to get as close to Declan as possible.

    During “Sympathy,” the opener Eli Smart and his band joined Declan, playing tambourines and creating a church gospel choir vibe that had the crowd singing along with fervor. Declan’s skills on the keyboard were reminiscent of a piano virtuoso, adding another layer of talent to his already impressive performance.

    The encores were equally electrifying, with Declan taking off his shirt while keeping on his tie, exuding feral rockstar vibes. His cover of “All Things Must Pass” by George Harrison showcased his guitar prowess, and during the guitar solo, he ventured off the stage, held up by the crowd in a moment of sheer rock ‘n’ roll energy.

    The Webster Hall show was equally exhilarating, with Declan impressively leaping from piano to tambourine and back during “Isombard.” The crowd turned into a choir during the chorus of “Make Me Your Queen,” elevating the song’s emotional impact. Instead of the planned cover, Declan surprised the audience with “I’m the Man, That Will Find You,” by Connan Mockasin showcasing his versatility as an artist.

    As the second encore began with “British Bombs,” Declan took the energy to a whole new level, executing one-legged spin jumps and rolling on the ground while passionately belting out the last chorus. The show ended with Declan being handed bouquets from the adoring crowd, which he graciously accepted and posed triumphantly.

    Declan McKenna’s performances were nothing short of extraordinary, leaving the audience in awe of his talent, charisma, and sheer passion for his craft. With each song, he demonstrated his prowess as a musician and captivated the crowd with his authentic and unforgettable performances

    Declan McKenna Setlist: The Kids Don’t Wanna Come Home, Beautiful Faces, You Better Believe!!!, Be An Astronaut, My House, Why Do You Feel So Down, Humongous, Isombard, Daniel; You’re Still a Child, Rapture, Make Me Your Queen, Paracetamol, Twice Your Size, The Key to Life on Earth, Brazil, Sympathy

    Brooklyn Steel Encore: All Things Must Pass (George Harrison cover), British Bombs

    Webster Hall Encore: I’m the Man, That Will Find You (Connan Mockasin cover), British Bombs

    Stay up to date with Declan on socials and any updates from the tour here.