NYS Music 2023

Category: Show Reviews

  • Pixies and Modest Mouse Knock it Out of the Park in Cooperstown

    It was rain-soaked double header in Cooperstown on Friday, August 25th, as a near-capacity crowd braved the elements at Brewery Ommegang for a pair of headlining sets from legendary alternative rockers Pixies and Modest Mouse.  Along with support from critically acclaimed opening act Cat Power, the powerhouse bill proved to be a home run with fans of all ages, despite some minor curveballs thrown by Mother Nature. 

    Upon arrival, the ominous sky over Brewery Ommegang felt only fitting. That’s because every time DSP Shows bring Modest Mouse to town, dating back to their first visit in 2014 and again in 2021, the weather seems to head south just prior to showtime. The same was true this year when opening act Cat Power had to abruptly cut their set short when it started raining cats and dogs in an absolutely torrential downpour that sent fans running for cover under the tree line.

    Dark Center of the Universe: An ominous sky over Brewery Ommegang felt only fitting on 8/25/23.

    Doing little else to detour the remainder of the show, however, the audience was quick to embrace the soggy scene and use the minor rain delay to fill up their beer cups and grab some merch of which there was plenty.  A simple glance around the grounds showed that while many fans were already sporting their brand new (and dry) Pixies and Modest Mouse threads, plenty of bands they’ve helped influence were represented as well. Twenty-somethings wearing shirts for bands like Nirvana, Smashing Pumpkins and Built to Spill, along with newer acts like King Gizzard and the Lizard Wizard and The Strokes, but it was the surprising amount of Deadheads and Ramones fans in the audience that proved just how diverse the appeal of this show was.  

    Fire It Up: Modest Mouse was “beautifully bold” in their return to Cooperstown on 8/25/23.

    Taking the soaking wet stage shortly after 8pm and greeting the audience with his best impersonation of an old-time radio sports announcer, Modest Mouse front-man Isaac Brock immediately connected with the crowd with some playful baseball banter, before ‘leading off’ with “Dark Center of the Universe,” one of the groups oldest and most iconic songs. Comfortably dressed in a sweatshirt depicting magic mushrooms, on deck was the infectious groove of “Tiny City Made of Ashes,” which the band seemed to jam on for a minute before Brock gave his OK to “Fire It Up.” Then came a pair of songs that helped introduce Modest Mouse to the masses back in 1996 with the first two tracks from their debut album This Is a Long Drive For Someone With Nothing to Think About.

    A beautiful and always appreciated “Dramamine” would seamlessly segue into “Life Like Weeds,” before the angst-ridden rock of “Breakthrough” would fall just shy of turning the muddy grounds into an all-out mosh pit. Cooling off the aggression with some of Brock’s signature thought provoking lyrics, “Baby Blue Sedan” had sentimental fans singing along to the lyrics of “I am doing the best that I can” in a touching moment of solidarity.

    “Sad song, last dance and no one knows who the band was, except this one mattered and I felt it had a spirit.” – Issac Brock

    Up next came “Back to the Middle” from Modest Mouse’s most recent album, 2021’s The Golden Casket, before Brock would swap out his guitar for a banjo and deliver a playful backwoods rendition of “This Devil’s Workday.” His intense delivery and ferocious growls often overshadowing the brilliance of his songwriting, Brock’s unique perspective and ability to translate surrealism into words have long made him among this generations most thought-provoking lyricists.

    After busting out the beloved B-Side of “King Rat” and then 1997’s “Heart Cooks Brain,” Modest Mouse would then get the crowd singing along with the recent radio hit “We Are Between,” before Brock would really sink his teeth into the performance with a jaw dropping version of “The Ground Walks, with Time in a Box,” which featured Isaac playing the guitar solo behind his head and then with his mouth! Falling just short of going full blown Marty McFly, the kids at Ommegang absolutely loved Brock’s vintage rock-star antics here and would erupt even further when the song seamlessly transitioned into the chart topping “Float On,” the bands breakout hit from 2004’s Good News For People Who Love Bad News.

    Following“The Whale Song,” the quick 75 minute, career spanning set would come to a close with another upbeat singalong, “Dashboard.” Fantastic, focused and swinging for the fences, the amount of “good songs” this band still had left in their arsenal is quite a testament to just how deep and diverse their catalogue runs.    

    Modest Message: “Don’t worry, even if things end up a bit too heavy we’ll all float on.”

    With two bonified headliners on the same bill, there was a strong showing of followers for each. Between sets, it was a playful conversation starter to ask which of the two you were really there to see. While the majority didn’t hesitate to say “both,” I was surprised by just how many blamed the Friday night out on their partners, saying “oh, my wife loves the Pixies, she was obsessed with them in high school,” as if there was some kind of wrong answer or guilt for admiring either of these groups and still listening to them. 

    After a brief “7th inning stretch”, suddenly the lights went dark and the legendary Pixies stepped up to the plate using The Beatles “You Know My Name (Look Up the Number)” as their walk-up music. Stoic, confident and fierce, the band opened up their performance with fan favorite “Gouge Away,” followed by two more songs also from the bands iconic 1989 album Doolittle, “I Bleed,” and “Crackity Jones,” before going all the way back to the beginning with “Isla de Encanta” from their earliest album Come on Pilgrim.

    A lot of Doolittle: Pixies performed 9 songs from their iconic album Doolittle on 8/25/23.

    With the current lineup consisting of original members Black Francis, Joey Santiago, and drummer David Lovering, the band would name Paz Lenchantin as their permanent bassist in 2016. Providing ample energy on the low end, the crunchy groove of “Planet of Sound” never sounded better as bandleader Black Francis belted out at the near full moon, before “There’s A Moon On” had fans dancing under it. Black Francis, the type of guy that wears sunglasses at night, appeared to be dressed for a funeral, but make no mistake, Pixies are alive and well in 2023. Often imitated, never duplicated, his primal and raw delivery sounded as visceral this night as it did 30 years ago.

    With his distinct vocal style ranging from dynamic bloodcurdling shrieks, to melodic, near spoken word nonchalance, his lyrics remain as cryptic and open to interpretation as ever. We’d get a healthy dose of the new stuff next with a “triple play” of songs from their latest album. 2022’s Doggerel, before bringing the audience back to more familiar territory with some of their biggest tunes like “Here Comes Your Man,” “Motorway to Roswell,” and “Caribou,” which the person next to me hailed as their best song.

    Here comes your frontman: Black Francis was in fine form at Brewery Ommegang on 8/25/23.

    While many romanticize about the Pixies and their obvious influence on 90’s music, you don’t often think of them as a romance band meant for date night. The fans at Ommegang, however, never got that memo as couples all around found great joy in reliving the soundtrack of their youth, stealing kisses in the key moments, savoring every second as one of their all-time favorite groups serenaded them under the misty, cinematic skies. Enchanting and magnetic, Paz Lenchantin, the original bass player of Maynard James Keenan’s A Perfect Circle and Billy Corgan’s Zwan, here now as a Pixie, seemed to be having the most fun out of everyone. Headbanging through the fog and shadows on her beautiful Fender 69 P-bass, picking away on classic tunes like “Hey,” “Cecilia Ann” and the crowd pleasing “Debaser.”

    Debasser: Paz Lenchantin picks away on classic Pixies songs on 8/25/23.

    Bright, loud, and beautiful, fans knew almost every word to every song for the remainder of the show.  From 1987’s “Holiday Song,” to another pair of hits from Doolittle, a surfed-out version of “Wave of Mutilation” and the climate change wakeup call of “Monkey Gone to Heaven” that saw the often experimental Francis take sonic frequencies to the warning track, building a wall of swirling distortion as he shoved his guitar into the amps creating intentional feedback. The career spanning set wouldn’t be complete, though, without the most well-known song in the Pixies catalog, “Where is My Mind?”

    Gone to Heaven: Pixies performed a Hall of Fame setlist on 8/25/23.

    While playing it every night may feel like a chore for some members of the band, it was quite clear that it still resonates after all these years and that the next generation of kids who only know Pixies from the 1999 David Fincher film Fight Club – were here for it too. Holding their phones up in lieu of lighters, the massive field of cellular fireflies created a stunning visual image and a feeling that you were experiencing an epic moment in time courtesy of one of Rock’s most influential bands. While the show could have ended there and no one would have complained, we were then treated to one final ‘call to the bullpen’ for a cover by one of the original pioneers of Punk. Closing the show with a searing rendition of Neil Young’s “Winterlong” to put an emphatic stamp on a fantastic 26-song set of timeless alternative anthems. Convening at the center of the stage to take their bows, fireworks began illuminating the night as the Pixies slowly faded into it, triumphantly bringing another successful Summer Concert Series at Brewery Ommegang to a close. A bitter-sweet realization, but hey, as they say in baseball, “there’s always next year.” We’re already looking forward to it.

    Pixies closed out Brewery Ommegang’s Summer Concert season on 8/25/23.

    Pixies | August 25, 2023 | Brewery Ommegang | Cooperstown, NY

    Setlist: Gouge Away, I Bleed, Crackity Jones, Isla de Encanta, Planet of Sound, There’s a Moon On, Who’s More Sorry Now?, Get Stimulated, The Lord Has Come Back Today, Mr. Grieves, Death Horizon, Here Comes Your Man, Motorway to Roswell, Snakes, Caribou, Hey, Doggerel, Cecilia Ann*, St. Nazaire, Debaser, Cactus, The Holiday Song, Monkey Gone to Heaven, Wave of Mutilation**, Where is My Mind?, Winterlong***

    *The Surfones cover
    **UK Surf version
    ***Neil Young cover

    Modest Mouse | August 25, 2023 | Brewery Ommegang | Cooperstown, NY

    Setlist: Dark Center of the Universe, Tiny City Made of Ashes, Fire It Up, Dramamine > Life Like Weeds, Breakthrough, Breakthrough, Baby Blue Sedan, Back to the Middle, This Devil’s Workday, King Rat, Heart Cooks Brain, We Are Between, The Ground Walks, With Time In a Box > Float On, The Whale Song, Dashboard.

    Pixies

    Modest Mouse

  • In Focus: JVKE Stops at the Rooftop at Pier 17

    Rhode Island born pop-artist JVKE took the scenic stage at the Rooftop at Pier 17 this past Wednesday, August 30th. Fans from all over – and many of them younger kids with their parents – flocked to see the “golden hour” singer put on his This is What Tour Feels Like show. 

    JVKE, photographed by Sarah Hyun

    JVKE, blowing up in part on TikTok for songs like “this is what falling in love feels like” and “this is what sadness feels like,” previously played at Irving Plaza on January 25th. Crafting songs with his producer-brother Zac truly transformed JVKE’s music into the masterpieces they are today. The body-shaking beats, powerful vocals, and intricate piano accompaniments have created a sound so uniquely him. Aside from the beautiful melodies and productions of each song, JVKE’s lyrics touch on heavy subjects like love, heartbreak, sadness, and acceptance in the most unfiltered and gut-wrenching way. 

    JVKE, photographed by Sarah Hyun

    Before the show began, a robotic-like female voice came on and introduced itself as JVKE’s emotional intelligence. The stage was set up like his bedroom, with JVKE even sporting a pair of plaid pajama pants and a black oversized hoodie. As he journeyed through his this is what ____ feels like album—which is divided into four groups of three songs—he made a point to give a small anecdote for each by detailing his experiences with certain people and emotions. For example, during “this is what heartbreak feels like,” “i’m not okay,” and “ghost town,” JVKE described the betrayal and utter hopelessness he felt after his first breakup. Before singing songs “this is what falling out of love feels like,” “catch me,” and “i can’t help it,” he described his initial struggle but ultimate success in moving on from that past relationship. JVKE is truly a talented storyteller, as emotions were at an all-time high throughout the whole show. 

    JVKE, photographed by Sarah Hyun

    During “golden hour,” JVKE sat down at his bedroom desk and began playing the iconic opening notes on a keyboard that laid there. Children eagerly climbed onto their parents tall shoulders, tweens stood on their tippy-toes with poster in hand, and couples slow-danced in the back of the crowd as golden lights lit up with venue. The performance of this song was truly breathtaking. Fans passionately reached out their hands as they belted lyrics like, “I don’t need no light to see you shine” // “It’s your golden hour” // “You slow down time” // “In your golden hour.”

    JVKE ended the night at Rooftop at Pier 17 with an incredible encore and promised to return for another show. He has two more scheduled dates for this run of tour, one in Philadelphia and another in Boston.

  • Mauskovic Dance Band Gets the Bug Jar Moving

    Donald Mauskovic, Mano Mauskovic, Marnix Mauskovic, Nico Mauskovic make up the Mauskovic Dance Band. From Amsterdam, they swung through Rochester at the Bug Jar on Tuesday, August 29, part of their late summer US tour. The Mauskovic’s though are, like the Ramones, not really Mauskovic’s and not really related.

    Though this mysteriousness only served to enhance their performance. The who’s, the what’s. the how’s, were not important. The only thing that mattered was the rhythm and the groove, and the Mauskovic’s were doling out heaping helpings of both. The energy emerging from the stage was immediate and the audience was converted to a dancing frenzy in no time. The band may not have been related, but they invited the Rochester crowd to their family gathering in the upside down apartment that is the Bug Jar. The party was underway and soon enough everyone was a Mauskovic.

    Drums, percussion, synthesizers, and effects and echo laden vocals were stitched together by an ever-present and deliciously grooving bass, sometimes doubled up with a second more melodic bass. African, Jamaican and Brazilian sounds all seeped into the mix, bobbing heads, shuffling feet and moving everything in between. At one point supremely deep bass blasts even moved bodies at the cellular level.

    Lyrics, sometimes in English, sometimes not, sometimes improvised, sometimes not, piled more into the mystery. Songs blurred together into never ending strings further dizzying the senses, breaking the crowd down into dancing mounds of putty waiting to be sculpted. When the dust settled though there was no doubt, that was a damn fun time on a Tuesday night in Rochester with the Mauskovic Dance Band.

  • Lil Baby brings out A Boogie, Lil Durk and Meek Mill at Madison Square Garden

    On Wednesday, August 30th, Lil Baby’s “It’s Only Us” tour made a stop at the iconic Madison Square Garden. Openers for the show included Hunxho, Gloss Up and Glorilla. The openers were a perfect precursor to Baby’s set as they all featured commanding tones, letting the crowd settle into the style of rap.

    Lil Baby Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

    Lil Baby started the show on an elevated platform, where he delivered his first two tracks of the night, “Never Hating” and “Stand On It.” From there, the show was split into five chapters. Chapter One was titled “WEST END” and included a guest performance from Rylo Rodriguez.

    Glorilla Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

    Chapter Two was called “TRAPPED.” Baby opened the chapter with his hit song “Pure Cocaine” and followed it up by bringing out Bronx Rapper A Boogie wit da Hoodie. A Boogie performed his popular songs “Jungle” and “Hello.” Chapter Three was titled “EARTH QUAKES” and during the chapter Lil Baby moved over from the main stage to a stage in the middle via a floating bridge. EARTH QUAKES was the shortest chapter of the show, featuring four songs. 

    Lil Baby Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

    Chapter Four, “RICHES,” was arguably the most stacked part of the show. Baby cycled through famous tracks like “Woah,” “Yes Indeed,” “We Paid,” and “Drip Too Hard.” In addition to his hit filled chapter, Baby also shared the stage with two surprise guests. The first being Chicago rapper Lil Durk. Durk joined Baby to perform “Every Chance I Get,” and then played “Hellcats & Trackhawks.” During chapter four Baby also brought out Philly rapper Meek Mill, and with Meek’s guest performance came the classic “Dreams and Nightmares.”

    A Boogie wit da Hoodie Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

    The final chapter of Lil Baby’s “It’s Only Us Tour” was “SERENITY.” Baby started off the chapter with “Waterfall Flow” and returned to the middle stage to perform “California Breeze” before closing out the night with “Freestyle.” By the end of the show, fans were left in awe after seeing multiple modern day rap legends grace the Madison Square Garden stage on a magical August night.

    Lil Durk and Lil Baby Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

    Tickets to the rest of Lil Baby’s “It’s Only Us Tour” can be found on Ticketmaster.

    Lil Baby Performing at Madison Square Garden on the “It’s Only Us Tour.” Photo by: Lucas Kurzweil

  • The Offspring Let the Bad Times Roll at Darien Lake

    The summer of throwback shows at Darien Lake continued on August 20, as The Offspring’s Let the Bad Times Roll tour stopped in Western NY. With the tour carrying the name of their 2021 album, and 10th studio cut, Canadian punkers Simple Plan and Sum 41 tag along and create a little nostalgic tour.

    After starting out in the mid 80s, I am sure that Dexter Holland only dreamed of the success he has had with The Offspring. 10 studio albums, nearly 1600 concerts, and a number of punk/alternative hits, these guys found their niche and rolled with, and never really cared what the naysayers were naysaying.

    With no shortage of energy and fans, Simple Plan took the stage and shredded it for nearly an hour, hitting the stage to the Star Wars theme music. With that kind of entrance, you know you are in for a killer show.

    From Montreal, the wrecking crew of Pierre Bouvier (vocals, bass, percussion) Chuck Comeau (drums, percussion), Sebastien Lefebvre (rhythm guitar, vocal, bass), and Jeff Stinco (guitar, backing vocals) were all in sync from the start, pumping the crowd up, running around the stage in classis 90s alternative/punk fashion. From the opening notes of “I’d Do Anything” to the finishing tunes on “Perfect,” Bouvier had fans jumping bouncing around like a mechanical Tigger toy and giving everyone around them the middle finger, or the Simple Plan salute as he stated. He gratefully thanked fans often as he recalled the last time Simple Plan was in town, back in 2005 for a Warped Tour stop and raved about how he loved Darien Lake and the fans (if he only knew about the parking issues).

    With a new album out recently, the band played “Iconic” and dedicated to anyone and everyone who has struggled or is struggling with acceptance. Bouvier urged those individuals to proudly extend their hands and offer up the finger and let others know that they will be Iconic.

    As the set was coming to an end, and about halfway through “I’m Just a Kid”, Bouvier took a seat at the drums as Comeau took to crowd surfing, in an attempt to high five as many fans in mosh pit as possible.

    Setlist: (entered to Star Wars theme), I’d Do Anything, Shut Up!, Jump, Addicted, Welcome to My Life, Iconic (new song), All Star/Sk8er Boi/Mr. Brightside, What’s New Scooby Doo, Where I belong, Im Just a Kid, Perfect

    Following up Simple Plan and preceding The Offspring is no easy task, but Sum 41 came out and absolutely crushed any doubts that anyone had. Another solid entrance, this time to AC/DC’s “T.N.T”, Sum 41, with frontman Deryck Whibley racking up the steps on his Fitbit, was just as motivated at their predecessors and continued to amp up the crowd in preparation for the headliner.

    Guitar and bass solos by Dave Brownsound, Tom Thacker, and Cone McCaslin were huge part of this set, with Frank Zummo doing his best Animal impression on the drums. These Ajax, Ontario natives came to play and did just that for the next hour for fans of all ages. Near me was a father, probably in his late 40s, having the time of his life with his young child. The kid was dancing and having just as much fun and was all smiles for the entire set of Sum 41, even more so during their cover or Queen’s “We Will Rock You.” Memories that are sure to last.

    Setlist: T.N.T (entrance music), Motivation, The Hell Song, Over My Head (Better Off Dead), We’re All to Blame, Walking Disaster, We Will Rock You (Queen cover), In Too Deep, Fat Lip, Still Waiting.

    With the opening acts done for the night, the packed house in Darien was riding a musically induced high that wasn’t going down anytime soon. With some time to kill, the tour had a blimp floating around the seating area with special camera such as ‘kiss cam’, ‘fuck you’ cam, and of course a “headbanging” cam where fans could pose for the camera doing the assigned task. It was the first time I have seen this at a concert, and the crowd absolutely loved it. The “baby got back” cam and the “fuck you” cam seemed to be the most popular as women were shaking their rear ends to the infamous Sir Mix-a-Lot song and giving double middle fingers as the blimp floated by or camera team was nearby. Definitely a great use of dead time as the stage was prepared for the headliner.

    Taking the stage around 9:30pm, Dexter Holland and the rest of The Offspring showed Darien Lake why they have been around nearly 40 years, as they helped bring punk rock into the 90s alternative vibes.

    With 10 studio albums to pull from, the setlist could have been arranged in any form and fans would have still left smiling and riding that musical high. Tonight, “Come Out and Play” was the first song. Inspired by gang and school violence in the mid 90s, as well as Holland commuting through East LA for grad school, this and many track on 1994s Smash were about what was happening in front of him. Yet 30 years later, this particular track seems to fit to landscape just the same. Regardless, still a fan favorite as displayed on this night.

    As the night went on, Holland was reminiscing just as Sum 41 did about playing Darien Lake on the Warped Tour and marveled at the number of fans that poured into the venue. Bills fan, Sabres fans, and music fans alike. According to his calculations and his people, the attendance at this show, which he called the ‘best thing to happen to rock and roll’, was just under 1.48 million people. This, of course would be a new world record for a concert. I would venture a guess that either he counted wrong, or he had people from the Board of Elections tallying the tickets.

    Showcasing guitar skills, Noodles and Todd Morse both were demonstrating new tracks they have learned. With opening chords from classics like Black Sabbath’s “Iron Man” and GNR’s “Sweet Child O’Mine”, they both were dueling for bragging rights as Holland went right into his rendition of “Blitzkrieg Pop” from Ramones. This little number, paired with animated show on back drop screen was quite the display of talent from these punk rockers, as the sync was perfectly timed all night.

    Let’s talk about that animation screen behind the band. A seizure inducing light show to rival the best, thought provoking animation (think classic 80s music videos, A-Ha, New Radicals artwork), and nonstop beats the entire night. The screen added an element to each set that took you back the first time you heard any of the bands. Truly a memorable show for those hovering around 50, and for those younger fans who are in the punk phase of their musical lives.

    Setlist: Come Out and Play, All I Want, Want You Bad (with organ), Let the Bad Times Roll, Staring at the Sun, Original Prankster, Hassan Chop, Hammerhead, Bad Habit, Iron Man/The Trooper/Sweet Child O’ Mine/In the Hall of the Mountain King, Blitzkrieg Pop (Ramones), Gotta Get Away, Gone Away, Why Don’t You Get A Job?, (Can’t Get My) Head Around You, Pretty Fly (for a White Guy), The Kids Aren’t Alright, Encore: You’re Gonna Go Far, Kid, Self Esteem

  • In Focus: Lainey Wilson Has Record Breaking Opening Night at the NYS Fair

    In a blazing whirlwind of country charisma, Lainey Wilson swept onto the stage at the New York State Fair‘s grand opening with an energy that ignited the night. The anticipation leading up to her performance was palpable, fueled by recent news of her meteoric rise in the music industry. Fresh off the heels of her breakthrough year, the Yellowstone Actress and Country Music Artist showed us exactly why she’s become a household name.

    The New York State Fair, known for its rich history and large-scale celebrations, was the perfect setting for Wilson’s record-breaking concert attendance. As the sun dipped below the horizon, the massive crowd came to life, ready to experience a musical journey led by the the artist who has brought flare to the country music world by storm.

    This past year has been a whirlwind of success for Lainey Wilson. From her chart-topping singles to her captivating performances, she has effortlessly woven her way into the hearts of country music enthusiasts worldwide. Her resume speaks volumes about the authenticity and artistry she brings to her craft. Standing among the roaring crowd at the NYS Fair, it was clear that Wilson’s star was still on the rise, burning brighter than ever before.

    As the night unfolded, Wilson seamlessly navigated between her hits, old and new. Her dynamic stage presence and charisma kept the audience engaged from the first note to the last. The setlist was a blend of foot-stomping anthems like “Roadrunner” and soul-stirring ballads, showcasing the depth and versatility of her musical prowess. Whether she was belting out the infectious “Things a Man Oughta Know” or tugging at heartstrings with “Watermelon Moonshine,” Wilson’s emotional connection with her lyrics was palpable.

    Lainey Wilson’s recently was the most nominated female artist getting 7 nominations for the People’s Choice Country Awards. Partnering up with Wrangler for a fashion collection also further underscored her influence in the world of music. Her ability to bridge the gap between traditional country roots and a contemporary sound has struck a chord with fans of all generations. This was evident as the crowd, spanning various age groups, sang along to every lyric, proving that Wilson’s music transcends boundaries.

    In the end, as the final notes reverberated through the night air, it was clear that Lainey Wilson had left an indelible mark on the New York State Fair and its attendees. Her record-breaking concert attendance (53,200 fans) is a testament to her soaring popularity and the connection she has forged with her listeners. As we left the grandstand, the echoes of her performance lingered, a reminder of the power of music to unite and uplift.

    In a world where music can be a guiding light, Lainey Wilson’s NYS Fair performance was a shining example of the magic that happens when an exceptional artist connects with their audience.

  • BRIC Celebrate Brooklyn! Host The Head And The Heart

    The annual BRIC Celebrate Brooklyn! Festival in Prospect Park brought their ceremonies to a close with a performance from The Head And The Heart on the evening of Aug. 24.

    Brooklyn Celebrates! is one of New York City’s most beloved musical experiences. At the outdoor setting of the Bandshell stage, free admission and delicious locally sourced foods made city goers flock to the park for one last summer hoorah. The Head And The Heart’s long-standing luminary folk sound pulled in one of the largest crowds to ever attend the festival.

    Photograph by Erin Reid Coker

    One of August’s faltering days where rain overtakes the forecast to hint at autumn’s approach took place. The grass turned to mud, people huddled under trees dense with leaves for shelter, and umbrellas sprouted and flowered above heads in the crowd like colorful flower buds. Despite the wet chill in the air, people spent their entire days in the park in a slow burn of anticipation. A Brooklyn crowd cannot be beaten, for the kindest people mingled and introduced themselves over the common ground of an affinity for music.

    Photograph by Erin Reid Coker

    Between the spouts of drizzling rain the opener, Izzy Heltai, took the stage. The alternative folk singer provided a great introduction, for his sound was unique and the crowd received him warmly. Izzy’s lyrics were humanly raw with an unwavering braveness to them, braveness through vulnerability. The queer singer sang passionately about the cruciality of mental health and its interconnection with the queer community. He sang of relationships, places, and seasons from a very personal perspective. Though, it’s wondrous how the most personal ideas can be so universal, for each song was lifted up and represented by the audience. Heltai expressed his gratitude for the platform he commanded that evening, and for the opportunity to share the same stage as The Head And The Heart.

    Photograph by Erin Reid Coker

    After a brief intermission between sets and another rain shower, The Head And The Heart finally made their way onto the Bandshell stage. The murmurs of conversations abruptly shifted into eager cheers, and the tungsten lights turned blue in solidarity with The Head And The Heart’s most recent record Every Shade Of Blue. The sextet took their places behind their instruments and mics to begin the show.

    Photograph by Erin Reid Coker

    The Head And The Heart is an esteemed band in the music industry, having released their first record in 2011. They moved into a particular corner of folk music and consistently paid rent, delivering five total records of great esteem. Lead singer, Josiah Johnson, reminisced on the last time the band was at Celebrate Brooklyn! back in 2012. He spoke lightly about the band’s origin and journey since then and thanked everyone in the audience for supporting them all these years. Johnson introduced the rest of his band members; the impressive multi-instrumentalist and vocalist Charity Rose Thielen, guitarist Johnathan Russel, bassist Chris Zasche, drummer Tyler Williams, and pianist Kenny Hensely.

    Photograph by Erin Reid Coker

    Each of the members’ contributions to The Head And The Heart’s sound proved vital and intentional. They have a raw sound cultivated in production that isn’t lost but tastefully added to during their live sets. Dominant, messy, tuneful piano notes mixed with crisp and punctual percussion, all led by the melody of Rose’s violin strings, made for a distinct foundation for their collective musicality. If the emotional sensation of longing could be a sound, it would be The Head And The Heart song.

    Photograph by Erin Reid Coker

    Their song “Lost In My Mind” from their first self-titled album made a lasting impression on the show. Each band member’s stage presence was electrified, and the high-energy crowd fed off of it. Pockets of fans linked arms to spin and skip. Arms flung up towards the sky in praise. One audience member even lifted their head-phoned baby above the crowd, gently bouncing him to the beat of the music. Johnson shouted out the young fan between choruses to acknowledge, “baby’s first concert!” Even the trees that swallowed the stage seemed to dance.

    As the sun set behind the gray sheet of rain, nature’s lights dimmed. The stage glowed through the light fog settling over the audience. Russel smiled up at the darkening clouds, “I swear it always rains when we come to New York.” The audience laughed at their state, soaked and content. For their last song on stage, Josiah made his way into the pit and through the audience. The Head And The Heart’s fans are very gracious. They made way for him and respected his space while he roamed.

    Photograph by Erin Reid Coker

    The band abruptly left the stage, but the audience would not accept a goodbye. There were too many songs people desperately needed to hear. Voices called out pleading for an encore. Shortly after their departure, the band returned.

    They put on a three-song encore, the first of three being “The Orchid.” Lyrically, the song was a meditation on isolation and glimmers of hope that can only be spotted during dark stillness. It was so quiet in the audience that for the first time all evening, one could hear the wind brushing the trees. The last two songs were “Living Mirage,” and their most iconic song, “Rivers And Roads.” In a collective voice, the audience sang the song back to The Head And The Heart. The slow and drawn-out pounds of the drum counted out the remainder of the night. True to their sound, The Head And The Heart left Brooklyn longing for more.

  • Joss Stone Celebrates 20 Years of Soul at OLG Stage

    Celebrating 20 years of her debut album, Soul Sessions, Joss Stone has embarked on a city North American tour, including a stop at the OLG Stage in Niagara Falls, Ontario on Aug. 26. Tagging along for the ride was singer/songwriter Stephen Wilson Jr.

    Released in the Fall of 2013, Soul Sessions was the first studio album for Stone who was discovered at the age of 13 during a voice competition. With comparisons early on to Janis Joplin with Motown vibes, Stone had her work cut out for her and made the most of every opportunity. Soulful, bluesy, sultry, sensual, and spiritual are all perfect adjectives for any part of her music.

    Prior to her soulful show, music fans were treated to some rustic sounds from Stephen Wilson Jr. Primarily a writer, Wilson has discovered that he can draw fans with his voice as well. Playing an approximately 45-minute set, he serenaded the crowd with some witty humor, 70s Bruce Springsteen-like vocals, and a guitar.

    After going to school for microbiology, Wilson made the hard life choice to pursue music rather than the science field, with some inspiration from songs like “Don’t Take the Girl.” He calls himself a recovering microbiologist, and personally, I feel he made the right choice, science is overrated, anyway.

    Raised by his father, they stayed close until his passing a few years ago. One of his last words to the younger Wilson was “write a good song for me.” For his father, the song “Father’s Son” was written. It is a very profound melancholy-filled song, sure to resonate with many who give it a listen.

    I wear his blue jean jacket and his name like a badge of honor
    I used to hate being called Junior
    Now I don’t mind any longer

    Stepen Wilson Jr. – “Father’s Son”

    Many songs from his forthcoming album carry loosely based storylines from his life, including “Holler From the Holler” and “For What It’s Worth.” Keep an ear open for the new music in the next month.

    With Stephen Wilson cleared from the stage, the anticipation of a night of soulful blues music was growing. With nine albums to her credit and a number of notable renditions she has performed over the years, the set list for Joss is hard to imagine. For this night, fans were treated to a medley of two songs, followed by two songs from her debut, “Super Duper Love” and “Fell in Love With a Boy.”

    As she continued on, Joss shared a little bit of information from each album. Mind, Body, and Soul was all about her and her life choices. Introducing Joss Stone, which she sometimes refers to as her debut, is where she got to work with Raphael Saadiq and Laurn Hill, a dream come true for her. Color Me Free is titled based on where she was in her life, wanting her freedom space.

    A storyteller as much as a vocalist, Stone seemed to float across the stage barefoot as always, as she performed and replayed her memories for her fans. Memories of previous tours, memories from trips to Botswana, and memories of working with notable talents as she blossomed into the star she is today. One story of note is from Botswana, where she was asked to write a song to bring the rain. While on a trip there, she was told that there had not been rain for nearly nine months, a true drought for sure. As requested, she wrote the song, aptly titled “Rain Song” and when she went back to Botswana to play it the rain poured down. A very spiritual person, Joss was left amazed at this marvel.

    While she is known for her bluesy, jazzy styles, Joss is very capable of any genre, as she displayed during a three-song reggae set, including parts of a song that her father used to sing to her. While she is no Marley or Jimmy Cliff, her ability to put her own style on something like Island music is something that sets her apart. With an innocent giggle at the end of the set, as the stage goes dark, it’s clear that Joss was having quite a good time.

    With the show winding down, fans were hit with a confetti canon as she sang about the power of music and spoke about how music brings people together, creates love, and inversely can divide people. Soulful, spiritual, and cheerful, Stone graciously thanked everyone for coming out tonight.

    When artists hit the stage to perform, they often have a set routine and follow it pretty closely. I am sure that Joss Stone is no different, but the way she delivers it all is second to none. Joking with the crowd, giggling all night, dancing around the stage in any of the 3 outfits she donned, and presenting fresh sunflowers to random fans all speaks volumes to the level of fun she has. A real class act that Fallsview Casino Resort should be bragging about.

    Joss Stones Setlist: Intro Medley, Super Duper Kind of Love, Fell in Love With a Boy, Jet Lag, Proper Nice, Tell Me ‘Bout It, 4&20, The Love We Had, Even the Sky, Reggae mix, When You’re In Love, Rain Song (for Botswana), Music, Put Your Hand On Me/Son of A Preacher Man, Right to Be Wrong, Spell on You, Some Kind of Wonderful

  • In Focus: Amplified Echoes Tour with Jimmy Eat World and Manchester Orchestra Stops at Outer Harbor in Buffalo

    The sounds of rock echoed between the Buffalo Harbor and the Buffalo Skyway on Friday, as Jimmy Eat World and Manchester Orchestra teamed up to bring the Amplified Echoes Tour to the Outer Harbor.  The two bands are wrapping up a summer co-headlining tour which saw them swap headlining duties each night.  Indie rockers the Middle Kids opened the concert.  

    Grey skies and soggy grounds couldn’t dampen the concert spirit, as the early arriving crowd quickly filled the concert field.  The evening’s festivities kicked off with a set by the Middle Kids.  Making their way from Sydney, Australia, the indie rock group wasted no time getting the crowd engaged.  Opening with “Never Start” off their 2018 release Lost Friends, the upbeat track quickly had fans on their feet and moving.  It quickly became apparent to those in attendance the band were rising stars on the music scene.  This was never more evident than when the band would play their two newest tracks. 

    Early in their 30 minute set, the band performed their latest single, “Highlands,” a catchy and upbeat track that had heads bopping and is sure to have fans singing along in the near future.  As the set neared a close, the band performed their other release from 2023, “Bootleg Firecracker.”  The slower paced track was perhaps the highlight of this set, as singer Hannah Joy’s vocals danced and swirled in front of a layer of hypnotic sounds.  

    The Middle Kids perform at Outer Harbor in Buffalo

    With their familiar logo draped behind and a setting sun to stage left, Manchester Orchestra took the stage next.  The band wasted no time getting started, opening with the fan favorite “Pride.”  The slow building rocker saw singer Andy Hull’s familiar vocals build from a near whisper, to a growl as the song’s intensity built.  Fans jumped and threw fists in the air as the song exploded with a high energy finish.  The band kept the momentum going with the fast paced rockers “Keel Timing” and “Bed Head” next, both tracks of their 2021 release The Million Masks of God. 

    The band would dig deeper into their catalog as their 75 minute set moved along.  2006’s “I Can Barely Breathe” was a prime example of the band’s ability to build intensity through out a song, while tracks like “Simple Math” and “The Gold” showcased the familiar harmonies that have become associated with the band.  The band pulled off these harmonies in the concert setting with precision.

    Manchester Orchestra perform at Outer Harbor in Buffalo

    During the set singer Andy Hull would pause to honor a young fan in attendance who was attending her first concert.  “She asked me to play ‘I Can Feel A Hot One’ so I’m going to play a little bit of that… Dad we should probably talk about why is this her favorite song,” Hull said, which was met with much laugher from the crowd.  With their slot nearing a close, the band would end with “The Silence.” The track would start at a slow pace but build towards another climactic finish which saw fans passionately singing the song’s closing lyrics. As the song came to a close, Hull took the mic to the front of the stage, repeating the songs lyrics several times in front of layers of feed back as his band members laid their instruments down and left the stage.

    Manchester Orchestra performs at Outer Harbor in Buffalo

    Taking the headlining duties on this evening were indie-rockers Jimmy Eat World.  The band took the stage in near darkness, and began the slow burning and intense “Congratulations” off their latest album, Surviving (2019).  As the song’s intensity built, lights would flash to briefly illuminate the various members of the band, with front man Jim Adkins moving about the stage. By the end of the seven minute track, the song had built into a high intensity rocker. This served way for the bands’ second song, the high speed and ever popular “Bleed American.” Fans bopped and sang along to the anthemic track. The band kept the energy going as they segued into their 2001 smash hit “Sweetness” which had the audience calling back lyrics. The remainder of the bands 75 minute set served something like a running sprint, with the band firing off upbeat rocker after upbeat rocker, fitting in a total of 17 tracks during their set.

    Jimmy Eat World perform at Outer Harbor in Buffalo

    With their set nearing its close, the band would mellow the tempo a bit to perform the fan favorite “Hear You Me,” an emotional track about the loss of a loved one. They would waste no time ramping up the energy again, closing out the set with perhaps their biggest hit track, “The Middle.” It was a fitting way to close their set, allowing fans one last opportunity to sing and jump along to one of the band’s many hit tracks.

    Jimmy Eat World

    Manchester Orchestra

    The Middle Kids

  • Jinjer Unleash Metal Mayhem in Niagara Falls

    A night of metal mayhem engulfed the Rapids Theater in Niagara Falls on Friday, August 25th as the thunderous sounds of Jinjer and Until I Wake reverberated through the venue. This marked a historic moment for both bands. With a fervent crowd, it was a night that showcased the raw power of metal and the unifying force of music.

    Local pride was on full display as Until I Wake, hailing from Buffalo, took the stage. This homecoming show held special significance for the band, and they made sure to make every second count. Despite a brief almost 30 minute set, they unleashed an explosive barrage of sound, captivating the audience with tracks like “Inside my Head,” “Still Sinking,” and their latest hit “Cold.” Alex Curtin’s thunderous drumming, August Geitner’s electrifying guitar work, Cody Jamison Johnson’s compelling vocals, and Ryan Ridley’s driving bass formed an unstoppable sonic assault. It’s clear that Until I Wake is a force to be reckoned with, and this performance was just a glimpse of their promising future as headliners.

    As the anticipation reached its zenith, Jinjer, all the way from Donetsk, Ukraine, took command of the stage. This marked a monumental moment for the band as they graced the WNY area for the first time. Despite the distance from home, Jinjer’s energy was unwavering, fueled by the crowd’s enthusiastic reception. The setlist was a sonic journey through their repertoire, with hits like “Perennial”, “I Speak Astronomy” and a thunderous finale in “Sit Stay Roll Over.”

    Tetiana Shmailyuk- Vocals

    Tetiana Shmailyuk, the commanding presence at the forefront, effortlessly switched between guttural growls and melodic harmonies, a testament to her vocal prowess and dynamic stage presence. Roman Ibramkhalilov’s guitar riffs cut through the air like a scythe, while Eugene Abdukhanov’s basslines resonated deep within the chest. Vladislav Ulasevich’s drumming served as the backbone of the performance, driving the music forward with unrelenting force and time shattering blast beats.

    The band’s communication was concise but impactful, allowing the music to speak volumes. The crowd reciprocated the energy, creating a frenzy of mosh pits that pulsed in time with the music. Shmailyuk’s interactions with the audience demonstrated a deep connection, as if their souls were intertwined through the music.

    The Rapids Theater felt alive that night, pulsating with the energy of metal enthusiasts who had waited eagerly for this experience. Jinjer’s performance was a testament to their growing stature in the metal scene, as evidenced by the near-capacity crowd that bore witness to their sonic onslaught.

    As the night came to a close, it was evident that both Jinjer and Until I Wake had left an indelible mark on the Rapids Theater and the hearts of everyone present in Niagara Falls. The concert was a triumphant celebration of metal’s unifying power, and a harbinger of even greater things to come for both bands.

    Jinjer

    Until I Wake