Category: Reviews

  • Kristian Montgomery & The Winterkill Band Release Layered Fourth Album ‘Lower County Outlaw’

    Kristian Montgomery & The Winterkill Band will be releasing their fourth album in three years. The twelve-track journey titled Lower County Outlaw not only shows the exceptional range and skill of Montgomery as a multi-talented musician but displays an exceptional improvement in production and clarity from his previous records. With an August 5 release date, it will be accompanied by a promotional party at Pauly’s Hotel in Albany.

    Who is Kristian Montgomery?

    Kristian Montgomery has been a part of the music industry for a while and originally began his career as a metal vocalist, but has turned to country in recent years. Since the switch-up, his success has reached all new heights as his music has received increasing attention all over the world and has even received a nomination for the New England Music Awards and Boston Music Awards.

    The New England based artist doesn’t have a static genre, however, as his music often drifts between rock, soul, and the blues as is evident in his previous three albums The Gravel Church, Prince of Poverty, followed by his latest, A Heaven for Heretics. Montgomery’s first two albums were raw reflections of the dark aspects of his past while A Heaven for Heretics worked to make sure listeners knew they weren’t alone. No matter the music, if it comes from Montgomery, people are sure to experience the countless layers of human emotion, struggle, and isolated country living.

    The band’s new album, Lower County Outlaw, has Andrew Kross on production, a producer who has worked with Grammy winning artists such as John Legend and Alicia Keys. Not only is the album’s production an incredible success with its crystal clear instrumentals and the strength of Montgomery’s vocals, but the story created slaps listeners straight in the ears. Lower County Outlaw is a project of pure heartbreak, rage, and spiteful energy as it tells listeners about a woman who is in every way an outlaw when it comes to Mongomery’s heart.

    Album Review

    For the most part, the album stays close to Montgomery’s usual style of country/rock, at times giving listeners a feel of his metal-head past. Throughout the album, his voice soars as strong as ever with enticing melodies and crazy instrumentals. However, tracks like “Easy To Forget You When I’m Gone” and “The 4th of July” see the artist taking a step back from the spiteful lyrics and in-your-face rock styles seen in other album tracks such as “Somebody’s Baby Mama” and “The Girl With The Gauges In Her Ears.” “Easy To Forget You When I’m Gone” is a forceful reminder that Montgomery is a modern country artist, taking listeners on a slow physical and emotional drive away from constant and painful reminders of the woman he no longer has.

    The final track combines his rage full lyrics with an old upbeat country melody that closes the album with a goodbye that foreshadows a return. During the track, Montgomery mercilessly rips the woman mentioned throughout the twelve tracks apart, similar to the rest of the album, and simultaneously creates hope for himself to stand on saying, “when you’ve got nothing, you’ve got nothing left to lose.” While Lower County Outlaw is well-put together and easily catches listeners attention, the themes seem to cut women down in stereotypical ways in order to build the lyricist up. Although stemming from a place of heartbreak and loss, the message distracts from the music.

    Overall, the album is definitely worth a listen and fans should be excited to hear it live throughout the band’s summer tour stretch and feel free to make it their angry heartbreak album!

  • Phish Kick off 7 Nights at MSG with Plenty of Jams

    Phish began their seven-night run at Madison Square Garden (MSG) on Friday, July 28, a well-anticipated run in the middle of their Summer Tour, which was recently extended to include two benefit shows at SPAC in late August.

    Phish MSG
    photo by Cory Schwartz

    Kicking off Night 1 with the re-emergence of “Evening Song,” which hadn’t been played live in more than a year, Phish shifted into an extended and spaced out “Wave Of Hope,” two common themes through each set of music so far. Friday’s first set also featured a funked out “Cities,” an all-too-fitting “Old Home Place” for the band’s 73rd performance at Madison Square Garden, and an explosive “My Soul” to cap things off.

    Phish MSG
    photo by Cory Schwartz

    Friday’s second set began with “More” and the band took this to heart and applied it to the massive “Ruby Waves” that followed, one of the new truer jam vehicles of this era. Seamless segues into a riveting “Plasma” and “Simple” also highlighted the set before a super dark, scary and all around amazing “Split Open and Melt” served as a momentous set closer.

    Phish MSG
    photo by Cory Schwartz

    Phish – Friday, July 28th, 2023 – Madison Square Garden (MSG), New York, NY

    Set 1: Evening Song > A Wave of Hope, Cities, The Old Home Place > Free, Brian and Robert, Stash, My Soul

    Set 2: More > Ruby Waves-> Plasma > Simple > Mountains in the Mist, Split Open and Melt

    Encore: Good Times, Bad Times

    https://www.youtube.com/watch?v=6E3fslzpJiU

    Saturday evening’s show picked up right where Friday’s left off in terms of energy and musical cohesiveness beginning with the show-starting “Get Back On The Train.” Phish again delivered a massive blow in the two-spot with an early but effective “Down With Disease.” More familiar first set tunes like ”Sugar Shack” and “Horn” also made appearances. And the band continues to mix in newer material in their sets with songs like Anastasio’s quarantine tune “Evolve,” a song quickly growing in popularity. A classic take on “Foam” followed by a rousing cover of David Bowie’s “Moonage Daydream” ended the first set in fine fashion.

    Phish MSG
    photo by Cory Schwartz

    Phish continued to kick out the jams in the second set, courtesy of a super extended and exploratory “Fuego” that clocked in at close to thirty minutes in all. This was followed by another one of the new songs that is quickly making a name for itself, “Oblivion.” The set was punctuated by an absolutely raucous “2001” that had all of Madison Square Garden in a collective uproar. Things lightened up a bit afterwards with the first “Cracklin’ Rosie” cover in eleven years. There was still room for one more rocker though and “First Tube” in its typical encore slot more than served that purpose, with the Garden loudly showing its collective appreciation once more.

    Phish – Saturday, July 29th, 2023 – Madison Square Garden (MSG), New York, NY

    Set 1: Back On The Train > Down With Disease, The Dogs, Bug, Sugar Shack, Evolve, Horn > Foam, Moonage Daydream

    Set 2: The Wedge, Fuego > Oblivion > Wingsuit > Also Sprach Zarathustra,->Hold Your Head Up > Cracklin’ Rosie > Hold Your Head Up, Say It To Me S.A.N.T.O.S

    Encore: Farmhouse, First Tube

    The “can’t miss” Sunday show featured a first set of all old school songs played in the new school fashion, beginning with a show-opening “AC/DC Bag” that took a stroll for a bit before melding into “My Friend, My Friend.” The opening stanza also featured a truly interesting and slightly funked out “Theme From The Bottom,” the “newest” song played in the set. Things amped up even further with the rollicking “Llama” that followed which featured some mesmerizing lighting effects.

    Phish then reintroduced some newer material in the second set with a “Sigma Oasis” opener that set the table for the first ever performance of “Life Saving Gun.” The “No Men In No Man’s Land” that followed featured one of the heavier and more experimental jams of the evening and the band even dusted off “Frankie Says” for a rare second set appearance. The second set concluded with “Light” and its typical powerhouse accompanying jam. An encore of “Suzy Greenberg” and a fiery take on Jimi Hendrix’s “Izabella” served as a fitting conclusion for the first weekend of Phish’s summer residency at MSG.

    Phish – Sunday, July 30th, 2023 – Madison Square Garden (MSG), New York, NY

    Set 1: AC/DC Bag->My Friend, My Friend->Bathtub Gin, Theme From The Bottom>Llama, Tube>Golgi Apparatus

    Set 2: Sigma Oasis, Life Saving Gun>No Men In No Man’s Land>Lonely Trip>Frankie Says>Gotta Jibboo>Light

    Encore: Suzy Greenberg, Izabella

    Photos by Cory Schwartz

  • Post Malone Performs to a Hometown Crowd at Darien 

    Post Malone is no stranger to Western NY. Growing up just outside of Syracuse brought this booming artist out to Darien Lake July 17. He gathered not just his family, but also dedicated fans who sold out this venue effortlessly. 

    Photo Credit: Maddie McCafferty

    NYC’s very own underground band Beach Fossils opened up the night. They filled the amphitheater with their dreamy pop influences and narrative story-telling. Core band members consist of Dustin Payseur, Tommy Davidson, Jack Doyle Smith, and Anton Hochheim.  

    Photo Credit: Maddie McCafferty

    Richard Austin Post, also known as Post Malone, is a well renowned rapper and singer. He first gained serious traction in 2015 for his hit “White Iverson” and from there absolutely steam-rolled the music scene. People may have discovered Posty from a popular song but soon found that this man’s discography is full of bangers. 

    Photo Credit: Maddie McCafferty

    Post Malone has invited a new element into traditional rap songs. His incomparable vocals and love for all genres makes him an artist that can’t be defined by short terminology. Post Malone’s performance at Darien Lake proved just that. He began his show filling the stage with numerous band members. Half of which were orchestra members playing the violin, cello, and more. The airy notes and melancholy strumming gave a nostalgic vibe. Post Malone then walked on stage and rose his red solo cup in celebratory fashion before rocking out to “Better Now.” 

    Photo Credit: Maddie McCafferty

    The one take away from Posty’s If Y’all Weren’t Here, I’d Be Crying tour is wow does this man know how to put on a show. From insane guitar solos, to belting vocals, to stage production that had jaws dropped. He performed songs stretching across all his timeless albums. Additionally, he played his latest singles “Mourning” and “Overdrive” which will be on his upcoming album Austin

    Photo Credit: Maddie McCafferty

    Don’t let anybody fucking stop you from living your fucking dreams. And thank you for giving me the confidence to live mine and chase my fucking dreams. I hope y’all do the same fucking thing ladies and gentlemen. Don’t let anybody fucking stop you from being who the fuck you are.

    Post Malone to the Darien Lake crowd
    Photo Credit: Maddie McCafferty

    Throughout the concert Post Malone continuously shared his gratitude for the unwavering support from his fans. As a new father and a man who beat the 27 club there was much to celebrate that night. Post Malone is nothing short of an inspiration. He encourages people to chase their dreams and celebrate even the smallest of milestones. Individuals who meet this young artist always say he has the kindest soul and somehow people can feel that even from hundreds of feet away.

    Photo Credit: Maddie McCafferty

    He brought the feels back when performing “Feeling Whitney” and “I Fall Apart.” Posty puts his full emotion when singing these songs and running all over the stage. He finished the night with his upbeat single “Chemical” and went out to meet fans immediately after. 

    Photo Credit: Maddie McCafferty

    The love of Post Malone can be felt everywhere and if you want to be a part of that make sure to listen to his upcoming album Austin set to release July 28. For our Western NY family make sure to check out upcoming shows at Darien Lake. Foreigner will be there July 28. Also Boy George and Culture Club performs July 29. Get tickets here.

    Photo Credit: Maddie McCafferty

    Setlist: Better Now, Wow, Zack and Codeine, Goodbyes, Hollywood Dreams (cover), Mourning, I Like You, Jonestown Interlude, Take What You Want, Over Now, Rockstar, Feeling Whitney, Stay, Overdrive, I Fall Apart, Wrapped Around Your Finger, Circles, Enough is Enough, Too Young, White Iverson, Congratulations

    Encore: Broken Whiskey Glass, Sunflower, Chemical

    Photo Credit: Maddie McCafferty
  • At The Bottom of the Mann: Two Scorching Nights with Phish in Philadelphia

    Phish stopped at the Mann Center in Philadelphia 7/25-7/26 as part of their summer tour. The tour is quickly gaining momentum with a seven-night run at MSG up next. Locals and fans descended to the lots in masses despite the intense heat and powerful rain storm during the first day.

    Night one started off with an impressive first set starting with “Strawberry Letter 23” and featured highlights like “Back on The Train”and “Axilla Part 2”. The set concluded with a thoroughly jammed out “46 Days.”

    The second set began with “Down with Disease,” followed by one of the new Phish song’s to make its debut this summer, “The Well.” This went “well” into a Type 2 Jams, getting dark and rocking hard. At the Osiris Podcast pre-party the next day ,everyone agreed that “The Well” is an amazing song and collectively as now our favorite.

    The show concluded with a powerful “Piper,” “Crosseyed & Painless,” and a beautiful segue into “Chalkdust Torture”. The band played a two-song encore: “Wading in the Velvet Sea” followed by a mind blowing cover of Jimi Hendrix’s “Fire.”

    Spirits were high and the weather was hot on day two. The night opened up with “Mike’s Song” followed by “Boogie on Reggae Woman” > “Mike’s Reprise”. The first set was filled with crowd favorites like “Moma Dance” and “Mound.” The set concluded in rocking fashion with a raging “Fluffhead.” 

    The second set opened up with “Set Your Soul Free” followed by a dark “Carini.” Highlights included “Golden Age” & “Golgi Apparatus” with a well jammed “Harry Hood” to close out the second set. The band encored with “Life Beyond A Dream” and “Run Like an Antelope,” and boy did they run.

    Next up 7 nights at Madison Square Garden, happy summer tour!

  • Album Review: 222 Reasons why Lil Tjay Did Not Disappoint

    Coming off his near-fatal shooting, Bronx crooner Lil Tjay was up against hip hop history. After all, surviving 7 gunshot wounds was reason enough to anticipate the “Calling My Phone” rapper’s next release. However, hip hop’s ever-changing landscape and Tjay’s replicable sound may have done the rapper in when it came to sales. With the news that his first project since his shooting, 222, had garnered just 22K in first-week streaming sales it came with a perception that Tjay’s album was a disappointment, or worse, that he was falling off.

    Lil Tjay album cover
    Lil Tjay’s first project since his near-fatal shooting sold 22k in its first week

    Album Review

    In light, this isn’t to say that 222 is a great album by any means. This latest effort is an inconsistent body of work that showcases many of Tjay’s talents, but also highlights why Lil Uzi Vert’s idiosyncratic effort is the only hip hop album to debut at number 1 on Billboard in 2023. Although with Tjay’s track record and a story to tell, there were high expectations. Nonetheless, some head scratching choices left the project feeling a bit manufactured.

    222 starts strong with “Nightshift” and “June 22nd,” as both records showcased an underrated part of Tjay’s repertoire. Known for his catchy hooks, piercing vocals and crooning melodies, he decides to start the album with two emphatic rap records that have an authentic New York feel. “Nightshift” sees the Bronx native put his stamp on the project and rap game, followed by the witty, story-telling June 22nd, depicting his almost-deadly shooting. It wouldn’t be long before Tjay got vulnerable as the next five songs saw him get into his melodic bag. The reflective “Nobody” and “Scared 2 Be Lonely” are both very good while “2 Grown” featuring The Kid LAROI will probably go diamond on Tik Tok.

    Lil Tjay's album tracklist
    222 is starts strong but tails off in the second half

    Where it Went Wrong?

    However, things take a turn in the album’s second half with what feels like quite a few filler records and questionable decision making. Tjay’s youth might also play a part in this, as no one must have told him that nobody over the age of 14 wants to sing along to a song whose hook is “Bla, Bla, Bla” — although the song isn’t bad as he and Fivio Foreign mesh well. He follows that by leaning too much into his singing on “Someone Who Cares” which made for a hard listen where piercing quickly turned nasally.

    The rest of the album follows this same ebb-and-flow of quality versus content. “Forgot I Was The 1” is a good record, but that’s followed by an out-of-place Jadakiss feature — and it didn’t help that the mixing made the veteran rhymer sound no less than 190 years old. The head scratching decisions continued with a sequel to his Billboard charting return single on “Beat The Odds Pt 2,” featuring a Polo G verse that derailed what was meant to be an emotional comeback record. Ultimately, Tjay finishes the album strong with the honest “Foster Baby” — where he reveals he was adopted — and the contemplative “Grateful.”

    Why Lil Tjay Didn’t dissapoint

    All things considered, what could have have been Lil Tjay’s defining project will end up being more fodder for the microwave music culture. Yet, its hard to see anything the “Pop Out” rapper could have done to generate substantially better numbers. While it may be concerning that he’s now doing half of his what his debut sold only 4 years ago, such is the state of NY hip hop’s commercially. After all, Fivio Foreign assisted by A-list talent mustered 29k first-week sales. In the streaming era, it is much more important to keep a few charting songs and known features than a great project top-to-bottom. It’s what the system rewards.

    While these factors all play a part in why first-week sales shouldn’t matter too much for Tjay, the most obvious hindrance to his growth as an artist is his sonic likeness to A Boogie Wit Da Hoodie. The two Bronx rappers maintain a tense relationship with Tjay usually on the defending end of his music. Regardless, it’s hard to ignore the similarities on the Summer Walker mashup “Stressed” and “Foster Baby” which both sound like carbon copy A Boogie records. But then again, is it right to fault Tjay for sounding like someone who grew up 20 minutes from him?

    Look how many records I done sold, woke up, I feel like a pot of gold. How it happened, I don’t even know, I saw my lane and all I know is go.

    – Lil Tjay, “Nightshift”

    Nonetheless, the mainstream audience hold the true power of sway and right now A Boogie is the preferred New York crooner. With allegations of his own drop-off in quality the “Look Back at It” rapper more than doubled Tjay’s first-week numbers with his last project. All in all, Tjay may have given himself the best advice on “June 22nd” rapping, “the show’s lined up, album’s soundin’ like some crack, so I’m excited for the music comin’ out and for the sack.”

  • In Focus: Grassroots Festival, A Memorable Celebration of Music, Arts, and Community

    From the moment you stepped foot into the Grassroots Festival grounds, you were transported to a world of creativity, community, and culinary delights. This year’s festival, held in Trumansburg, NY, was a true testament to the power of music and the arts in bringing people together for an unforgettable experience.

    Families of all ages were greeted with a plethora of arts and crafts activities that sparked creativity and imagination. From face painting and tie-dye workshops to interactive art installations and collaborative mural projects, there was something for every member of the family to enjoy. The festival organizers went above and beyond to ensure that kids and adults alike could engage in enriching and entertaining experiences, fostering an atmosphere of togetherness and joy.

    Of course, the heart of Grassroots Festival was the music, and what a lineup it was! Spread across multiple stages, bands from all corners of the US delivered electrifying performances that left the audience in awe. The Thursday night performances set the bar high, with explosive sets by performers and bands like Laila Belle, Sophistafunk, Donna the Buffalo, Maddy Walsh and Blind Spots, Laila Belle, Gunpoets, and Giant Panda Guerilla Dub Squad. Their energy and passion set the tone for an unforgettable weekend of musical journeys.

    Sophistafunk

    Friday’s lineup continued to impress, with dynamic performances by the Fall Creek Brass Band, Kevin Kinsella, Jupiter & Okwess, The Rollin Rust, Motherwort, The Mavericks, Jimkata and Double Tiger. Each act brought their unique sound and style to the stage, ensuring that every musical taste was satisfied.

    Jimkata

    Saturday was a highlight of the festival, featuring sensational performances from Rising Appalachia, Watchhouse, Sona Jobarteh, Ryan Montbleau Band, and The Comb Down. The eclectic mix of genres, from folk to world music, had the crowd dancing, singing, and swaying in harmony, creating a unified atmosphere of joy and celebration into the late night underneath the stars.

    Watchhouse

    As the festival approached its closing day, Sunday, the anticipation was palpable. A highlight moment was the Happiness Parade that made its way through the grounds. The Legendary Ingramettes delivered a powerful and soulful performance. Sim Redmond Band, DahkaBrakha, Driftwood, and the All-Star Jam with Donna the Buffalo were the perfect conclusion to a weekend filled with musical magic.

    In addition to the outstanding music, the Grassroots Festival treated its attendees to a diverse array of delectable foods from vendors representing different cuisines from around the world. From Caribbean delights to pizzas, mouthwatering Thai dishes to comforting pasta plates, there was an endless variety of flavors to satisfy any craving.

    In conclusion, the Finger Lakes Grassroots Festival in Trumansburg was an unparalleled celebration of arts, music, and culinary delights that left a lasting impression on all who attended. The remarkable performances, the engaging arts and crafts, and the mouthwatering food options came together to create an experience that celebrated the richness of human creativity and connection. As the festival came to a close, attendees left with full hearts, new friendships, and an enduring appreciation for the magic of music and community. Until next year, Grassroots Festival – thank you for an unforgettable experience!

  • In Focus: Jason Aldean Delivers Unforgettable Performance at SPAC

    On Sunday, July 16, country superstar Jason Aldean took the stage at Saratoga Performing Arts Center for the third night of his highly anticipated Desperado Tour. Despite the challenges he faced the previous night in Connecticut, where he unfortunately suffered a heat stroke and had to end the show early, Aldean showed his resilience and determination by delivering an outstanding performance that will be remembered for years to come.

    Jason Aldean by Allison Marie

    The evening began with a dynamic opening sets by Corey Kent and Mitchell Tenpenny, setting the stage for an electrifying night. As the rain poured down intermittently throughout the show, the crowd’s enthusiasm remained undeterred. It was evident that the fans were eager to support their favorite artist and make the most of the unforgettable experience. Jason Aldean took the stage amid a sea of cheers and applause, and from the first note, it was clear that this would be a night to remember. The energy in the venue was palpable, and the atmosphere was charged with excitement. Despite the weather challenges, Aldean’s magnetic stage presence and unwavering energy quickly captivated the audience.

    Jason Aldean by Allison Marie

    One of the standout moments of the night was when the crowd, demonstrating their patriotic spirit, spontaneously erupted into chants of “USA” multiple times during the show. This collective display of pride and unity further fueled the electric atmosphere, highlighting the special connection between Aldean and his devoted fanbase.

    Jason Aldean by Allison Marie

    The Macon, GA native (pop. 157,000), Aldean performed a stellar setlist comprised of his number one hits from the past decade and beyond, including his controversial new single, “Try That In A Small Town.” Each song was met with an enthusiastic response, with die-hard fans singing along to every word. From the infectious energy of “Dirt Road Anthem” to the heartfelt emotions of “You Make It Easy,” Aldean showcased his versatility as an artist, delivering a mix of high-energy anthems and poignant ballads that resonated deeply with the audience.

    Jason Aldean by Allison Marie

    Jason Aldean’s performance at SPAC was a testament to his professionalism and unwavering dedication to his fans. His resilience and commitment to providing an unforgettable experience were evident throughout the night, leaving concertgoers in awe of his talent and stage presence. Despite the rain and the heat stroke setback from the previous night, the artist and his passionate fans shared an incredible bond that transcended any obstacles. The Desperado Tour will undoubtedly go down in history as a testament to Aldean’s indomitable spirit and the enduring power of his music.

    Setlist: Tough Crowd, Tattoos On This Town, When She Says Baby, Thats What Tequila Does, Fly Over States, Rearview Town, Amarillo Sky, We Back, Try That In A Small Town, Take A Little Ride, Dirt Road Anthem, Got What I Got, Crazy Town, Trouble With A Heartbreak, You Make It Easy, Big Green Tractor, Lights Come On, Girl Like You, If I Didn’t Love You, Hicktown, My Kinda Party, She’s Country

  • Resonating Energies: Shinedown’s Electrifying Concert at Fallsview Casino

    On Sunday July 23rd, Fallsview Casino’s OLG Stage in Niagara Falls marked an unforgettable night for the attendees. Shinedown delivered a powerful and electrifying performance to conclude their recent tour supporting their latest album, Planet Zero. Preceding the headlining act, the crowd was treated to an impressive opening set by Sleep Theory, hailing from Memphis TN, who energized the audience with their raw and captivating sound.

    As the lights dimmed and the anticipation reached its peak, Shinedown took the stage, igniting the atmosphere with their opening track, “Diamond Eyes (Boom-Lay Boom-Lay Boom).” Lead vocalist Brent Smith’s commanding presence held the audience in thrall from the very beginning, setting the tone for an evening filled with rock anthems and heartfelt ballads. Many fans were excited to see the use of pyro and flash bangs inside. It wasn’t as big as an outdoor show, but was still spectacular.

    The band’s well-curated setlist of 19 songs showcased their musical versatility, incorporating both fan-favorite classics and fresh tracks from their latest album. Hits like “Second Chance” and “Sound of Madness” had the crowd singing along passionately, while newer releases like “Devil” and the album’s title track, “Planet Zero,” demonstrated the band’s continued evolution and growth.

    A standout moment of the night was the acoustic rendition of Jimmy Eat World’s hit, “The Middle.” The stripped-down performance showcased Smith’s soulful vocals and resonated deeply with the audience, creating an intimate and emotional connection.

    Throughout the concert, Shinedown engaged with their fans, with Smith delivering heartfelt speeches that emphasized themes of resilience, unity, and hope. This personal touch forged a strong bond between the band and their dedicated supporters, making the event feel like a shared and special experience.

    As the night approached its climax, the band closed with an explosive performance of “Cut the Cord,” leaving the crowd in a state of euphoria. The overwhelming energy and passion on display demonstrated why Shinedown has remained a force to be reckoned with in the modern rock scene.

    In the aftermath of the concert, attendees were left with lasting memories of an exceptional night of music and showmanship. Shinedown’s ability to connect with their audience, coupled with the stellar opening act by Sleep Theory, solidified the event as a remarkable and unforgettable experience. As the lights came up and the cheers subsided, it was evident that Shinedown’s music and live performances will continue to resonate with fans for years to come. They are not stopping anytime soon.

    Sleep Theory

    Shinedown

  • In Focus: The Skatalites at Alive at 5

    On Thursday, July 20, 2023, The Skatalites performed a peaceful night of reggae at Albany’s Jennings Landing.

    Photo by Jarron Childs

    The show was opened by Dr. Jah and the Love Prophets. For over 30 years, Dr. Jah has been bringing peace, love, and positivity to the Capital Region. With the Love Prophets by his side, they performed for what may have been their second Alive at 5. The vibes were kept peaceful for the most part, but their set ended on a more political note. Guitarist Dave Geoghegan expressed his frustration with the recent decision to strike down Roe v. Wade. They finished the set with a song he said they hadn’t thought about being relevant again in over 30 years.

    Photo by Jarron Childs

    Dr. Jah was followed up by The Skatalites. Originally from Kingston, Jamaica, the band has a history that dates back to 1964. They were founded on the popular Jamaican genre, “Ska,” and have since grown and incorporated Reggae, Rocksteady, Ska-Jazz, and a few other sub-genres into their sound. Doreen Schaffer is the only original member of the band that still plays with them today. Though she was not there for the performance in Albany, she may make an appearance for the band’s 60th anniversary next year.

    Photo by Jarron Childs

    Ska music tends to generate a lot of dancing because of its rhythms and horns. There were few lyrics, as the crowd mostly vibed out for an hour and a half. They did bring out a singer to perform a cover of “Three Little Birds” by Bob Marley. A group of high schoolers raising funds for a sports trip formed a conga line that helped those who were moving to get up a go. This was probably one of the most mellow Alive at 5’s for the year before things turn up to close out the series.

    The Skatalites perform at The Music Room in West Yarmouth, MA on Aug. 12.

  • Day 3 of the Great South Bay Music Festival with Phil Lesh and the Eric Krasno Trio

    The third day of the Great South Bay Music Festival was one of the most anticipated and unforgettable days of the event. With the legendary Phil Lesh and Friends headlining the show, the ecstatic crowd was treated to an unforgettable three-and-a-half-hour set filled with Grateful Dead classics.

    Phil Lesh, the founding member of the Grateful Dead, brought together a group of exceptionally talented musicians to join him on stage for an unforgettable performance. The lineup included Eric Krasno on guitar and vocals, Jason Crosby on keys and vocals, John Molo on drums, James Casey on sax and vocals, Jennifer Hartswick on trumpet and vocals, and Grahame Lesh on guitar and vocals.

    The setlist kicked off with the classic “Shakedown Street,” setting the tone for a night of euphoric melodies. The band members really clicked well and it was obvious to see, as they effortlessly fed off each other’s energy. With Eric Krasno’s mesmerizing guitar solos, Jennifer Hartswick’s soulful singing, and Phil Lesh’s iconic bass lines, the audience was treated to an immersive musical experience.

    The band didn’t hold back in delivering Grateful Dead favorites, and “Friend of the Devil” had the entire crowd singing along. The musicians felt like close friends as they played together, sharing melodies and harmonies that showed how well they understood each other’s music.

    Earlier in the day, before the Phil Lesh and Friends set, the Eric Krasno Trio took the stage. Eric Krasno, already dazzling the audience as part of the headliner, showcased his versatility and talent in this earlier performance. The trio delivered a captivating set, drawing from various genres and captivating the audience with their musical finesse.

    Aside from the headliners, the day also featured a diverse lineup of acts, each adding their unique flavor to the festival. Acts like Neighbor, Cassandra House, and Baked Shrimp contributed to the day’s eclectic vibe, ensuring that there was something for every music enthusiast.

    As the festival’s last notes filled the air, everyone felt incredibly happy. Day 3 of the Great South Bay Music Festival was an exciting celebration of music and togetherness. With the weather being perfect, Phil Lesh and Friends’ performance was truly amazing and left a deep impression on everyone present. With a fantastic lineup and a beautiful waterfront setting, this event will be treasured by music lovers for a long time. Check out more from Day 1 and Day 4 of Great South Bay Music Festival.

    Phil Lesh Setlist: Shakedown Street, Friend of the Devil, Ramble On Rose, Cassidy, Deal, I Second That Emotion, St Stephen, Bridsong, Mason’s Children, Sugaree, Stella Blue, West L.A. Fadeaway, One More Saturday Night.