In a blazing crescendo of metal mastery, the Oncenter War Memorial in Syracuse bore witness to a seismic collision of sonic forces as Gojira and Mastodon united in a co-headlining tour that left the audience spellbound. The evening was an electrifying journey that began with the intense ferocity of Lorna Shore, setting the stage for an unforgettable night of melodic chaos and unbridled energy.
Lorna Shore ignited the atmosphere with an unrelenting onslaught of blistering tracks. The crowd was propelled into a maelstrom of sound as they unleashed the primal fury of “Sun//Eater” and the guttural intensity of “Cursed to Die.” The unapologetically heavy “Into The Earth” sent shockwaves through the venue, reverberating through the bones of every attendee.
However, it was the mesmerizing three-part opus of “Pain Remains” that truly captivated the audience, guiding them through an emotional odyssey that resonated deeply. The performance was more than just music; it was a cathartic release that manifested in fervent mosh pits, a swirling sea of bodies in harmonious chaos. Lorna Shore’s unyielding presence and raw energy served as an incendiary introduction that ignited the night’s fiery proceedings.
Gojira, the heralds of progressive metal, took the stage with an aura of enigmatic reverence. As the first notes of “Born for One Thing” reverberated, the crowd was transported into a sonic realm where the dichotomy of heaviness and melody coalesced seamlessly. “Backbone” and “Stranded” demonstrated the band’s masterful command of dynamics, alternating between thunderous riffs and ethereal passages that seemed to hang in the air like a delicate mist. The audience’s anticipation reached a fever pitch as the familiar opening of “Flying Whales” erupted, triggering a collective frenzy of headbanging and fist-pumping that reverberated throughout the venue.
Gojira’s performance was a showcase of musical finesse and emotional resonance. “The Cell” and “The Art of Dying” served as sonic tapestries, woven with intricate layers of sound that painted a vivid emotional landscape. A captivating drum solo added a mesmerizing dimension to the performance, capturing the audience’s attention in a hypnotic trance. But it was Gojira’s commitment to their eco-conscious message that truly set them apart. Tracks like “Amazonia” weren’t just songs but powerful rallying cries for environmental awareness, seamlessly merging artistry and activism on stage. As the night reached its zenith with the haunting strains of “The Gift of Guilt,” it was clear that Gojira had left an indelible mark not only on the audience’s ears, but also on their hearts and minds.
Mastodon, the titans of modern progressive metal, commanded the stage with a setlist that spanned their storied career. The opening salvo of “The Wolf Is Loose” and “Crystal Skull” unleashed a torrent of sonic energy that rippled through the crowd. The colossal force of “Megalodon” showcased Mastodon’s ability to craft massive, sludgy riffs that pummeled the audience like a sonic avalanche. The mesmerizing “Divinations” and the ethereal journey of “Andromeda” were a testament to the band’s genre-defying prowess, seamlessly blending elements of progressive, psychedelic, and classic metal into a cohesive sonic experience.
Tracks like “Sultan’s Curse” and “Fallen Torches” demonstrated the band’s dynamic range, effortlessly transitioning between intricate vocal harmonies and thunderous instrumental passages. A moment of introspection arrived with “Pushing The Tides,” a song that offered a glimpse into the emotional depth of Mastodon’s songwriting. The unrelenting assault of “Mother Puncher,” “Circle of Cysquatch,” and “Crusher Destroyer” created a maelstrom of mosh pits that bordered on ecstatic chaos, embodying the raw power that Mastodon’s music possesses. As the night reached its climactic conclusion with “Blood and Thunder,” a cathartic explosion of sound that left the crowd exhilarated and breathless, it was evident that Mastodon’s performance was a testament to their status as modern metal legends.
The co-headlining tour of Gojira and Mastodon, supported by the fierce energy of Lorna Shore, was a symphony of sonic majesty that transcended the boundaries of metal. Each band carved its own path through the night, weaving together a tapestry of emotion, intensity, and musical virtuosity that will resonate with fans for years to come.
Set Lists:
Lorna Shore: Sun//Eater, Cursed to Die, Into The Earth, Pain Remains I: Dancing Like Flames, Pain Remains II: After All I’ve Done, I’ll Disappear, Pain Remains III: In a Sea of Fire
Gojira: Born for One Thing, Backbone, Stranded, Flying Whales, The Cell, The Art of Dying, Drum Solo, Grind, Another World, Silvera, Amazonia, The Chant, The Gift of Guilt
Mastodon: The Wolf Is Loose, Crystal Skull, Megalodon, Divinations, Andromeda, Sultan’s Curse, Fallen Torches, Pushing The Tides, More than I Could Chew, Aqua Dementia, Steambreather, Iron Tusk, March of the Fire Ants, Mother Puncher, Circle of Cysquatch, Crusher Destroyer, Blood and Thunder
History was made on a warm summer night as hip-hop enthusiasts from around the world gathered in the heart of the Bronx for the monumental Hip Hop 50 concert at Yankee Stadium. The event was a celebration of the genre’s rich legacy, marking the 50th anniversary of hip hop, and featuring a star-studded lineup that spanned generations and showcased the evolution of hip-hop culture. Run DMC, one of hip-hop’s most iconic groups, took the stage for the final time, marking the end of an era and bringing a bittersweet yet triumphant close to the night.
Hip Hop 50 Concert
The Hip Hop 50 concert was a journey through time, paying homage to the genre’s pioneers, innovators, and current stars. Run DMC, one of hip-hop’s most iconic groups, took the stage for the final time, marking the end of an era and bringing a bittersweet yet triumphant close to the night.
The evening kicked off with an explosive opening set by Marley Marl, Mc Shan, and Craig G. The trio took the audience back to the roots of hip-hop with performances of classic tracks like “Symphony” and “The Bridge,” setting the tone for the night ahead.
Performers
As the concert unfolded, Ralph McDaniels, a prominent figure in the hip-hop community, orchestrated a series of nostalgic moments. Notably, the legendary DJ Kool Herc and his sister Cindy Campbell, both pivotal figures in the birth of hip-hop, graced the stage, bringing an aura of authenticity to the event. In like manner, the old school set that followed featured luminaries like Kurtis Blow, Roxanne Shante, and Grandmaster Caz, reminding everyone of the genre’s origins.
Additionally, Grandmaster Caz’s collaboration with Kool Mo Dee on “Otis” was a highlight that bridged the gap between eras, emphasizing the intergenerational bond that hip-hop nurtures. As the night progressed, Epmd took over the stage with hits like “What You Sayin’” and “You Gots to Chill,” showcasing the genre’s evolution into the ’90s.
Of course, the energy remained electric as Melle Mell and Scorpio, accompanied by Sugarhill Gang, delivered crowd-pleasers like “Rapper’s Delight,” “Apache,” and “The Message.” Slick Rick’s charismatic storytelling captivated the audience, with hits like “Young World,” “Mona Lisa,” and “Children’s Story” reminding everyone of his unique lyrical prowess.
As the evening continued, a poignant moment arrived when Kool Herc and his sister were brought back on stage, accompanied by Queen Mother, who bestowed a blessing upon Herc. This heartfelt gesture honored the pioneers who laid the foundation for hip-hop’s global phenomenon.
Comparatively, Lupe Fiasco’s soul-stirring performances of “Hip Hop Saved My Life” and “Superstar” highlighted the genre’s power to inspire and uplift. Likewise, Common’s freestyle prowess, coupled with tracks like “The Food” and “Go,” showcased his lyrical mastery and social consciousness.
The Women of Hip Hop
The spotlight then shifted to female rappers, with Remy Ma, Trina, Lola Brooke, and Lil’ Kim owning the stage with their fierce personas and anthems of empowerment. Chiefly, Lil’ Kim’s set culminated with a memorable collaboration with Lil’ Cease on “Crush on You,” reminding everyone of her undeniable impact on hip-hop’s landscape.
As the night drew on, the stage welcomed a diverse array of hip-hop royalty. For one thing, TI’s dynamic set, featuring hits like “Rubber Band Man” and “Whatever You Like,” kept the energy high.Meanwhile, Havoc of Mobb Deep brought forth the gritty essence of New York hip-hop with tracks like “Shook Ones” and “Survival of the Fittest.”
New York Takes Center Stage
In turn, Cam’ron’s performance of classics like “Oh Boy” and “Hey Ma” encapsulated the vibrant spirit of Harlem, while Ghostface Killah, alongside Inspectah Deck, Method Man, and Cappadonna, delivered Wu-Tang Clan classics that echoed through the stadium.
Kid Capri’s DJ skills added a touch of nostalgia as he spun classic tracks, and a surprise appearance by baseball legend Derek Jeter elicited cheers from the crowd. Moreover, A Boogie’s modern hits resonated with a new generation, while Fat Joe’s collaboration with KRS-One on “South Bronx” paid tribute to hip-hop’s geographical roots.
Similarly, Lil Wayne’s set was a reminder of his enduring influence, as he commanded the stage with hits like “Uproar” and “A Milli.” Ice Cube’s West Coast swagger brought a different flavor to the lineup, with “Today Was a Good Day” evoking nostalgic memories.
The West Has Something to Say
Furthermore, Snoop Dogg’s performance was a highlight, with classics like “Drop It Like It’s Hot” and “Gin and Juice” igniting the crowd. Collaborations with Too Short and Wiz Khalifa added to the excitement, and the legendary pairing of Dougie Fresh and Slick Rick for “La Di Da Di” was a testament to the genre’s timeless appeal.
As the night approached its climax, Nas graced the stage with his thought-provoking lyrics. A collaboration with Kool G Rap on “Fast Life” was a standout moment, and the surprise appearance of Lauryn Hill for hits like “Ready or Not” and “If I Ruled the World” brought an ethereal touch to the evening.
Hip Hop Royalty
Finally, at 1:30 AM, the crowd erupted as Run DMC made their way to the stage for their last performance. The group’s historic setlist, including “It’s Tricky,” “King of Rock,” and “Walk This Way,” resonated deeply with fans, encapsulating the essence of their groundbreaking career.
The Hip Hop 50 Yankee Stadium concert was a marathon of music, spanning from 6:00 PM to 2:00 AM, and embodying the cultural and artistic evolution of hip-hop over five decades. This iconic event united generations, celebrated legends, and reminded everyone of hip-hop’s ability to transcend time, inspire change, and bring people together through the universal language of music. As the lights dimmed and the echoes of Run DMC’s final notes reverberated through the stadium, the audience departed with a renewed appreciation for the genre that had shaped lives and defined a culture for half a century.
Setlist: Rock Box, Sucker M.C.’s, Its Like That, It’s Tricky, Beats to the Rhyme, Mary Mary, King of Rock, Run’s House, Down With The King, Peter Piper, Charlie/Ruckus, You Be Illin’, Ooh Whatcha Gonna Do, My Adidas, Walk This Way.
In the midst of her North American “Hold the Girl” tour, Rina Sawayama played a sold out show at Pier 17 this weekend (August 12) with support from Magdalenda Bay and Disko Cowboy. You can view Rina Sawayama’s upcoming tour dates here and listen to her latest record here.
Check out our gallery of photos from the show by David Reichmann below.
Irving Plaza was set ablaze on Aug. 11 as the vibrant indie-pop sensation, Tessa Violet, took the stage, with the equally captivating Frances Forever opening the night. The air was charged with excitement as fans streamed into the venue, anticipating a musical experience that promised to be nothing short of unforgettable.
With Tessa Violet’s reputation for infectious energy and Frances Forever’s rising popularity, the anticipation was palpable. As the lights dimmed and the first chords reverberated through the air, it was clear that this concert would be a convergence of artistic talent and a celebration of the profound connection between musicians and their devoted followers.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever, the burgeoning indie-pop sensation, is carving a unique path with their music that resonates deeply with audiences across the globe. Born from a rich tapestry of influences spanning from folk to lo-fi bedroom pop, Frances Forever delivers an unmistakable sound that stands out in today’s music landscape. With introspective lyrics and melodies that effortlessly navigate themes of love, identity, and the rollercoaster of emotions that come with growing up, Frances Forever has captured the hearts of listeners seeking authenticity and reliability.
Their breakout hit “space girl” and the subsequent releases have showcased a rare combination of vulnerability and catchy hooks, solidifying their place as a rising star in the indie scene. With an ever-growing fan base and a distinctive musical style, Frances Forever is undoubtedly an artist to watch as they continue to craft music that leaves an indelible mark on listeners and charts a fresh course in the world of indie-pop.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever’s opening performance was an absolute whirlwind of emotions and musical prowess. Kicking off with a powerful mashup of “depression” and “cry inside my car,” they immediately set the tone for an intimate and emotionally charged set. The audience was captivated by the seamless transitions between songs and the raw authenticity that Frances Forever brought to the stage. Tracks like “Mr. Man” and “Frankenstein Wannabe” showcased their ability to blend introspective lyrics with energetic melodies, creating a dynamic and engaging atmosphere.
The standout moment of the night was the live performance of “Monica Gives Me Lockjaw,” an unreleased gem that resonated deeply with the crowd. The unrestrained emotion and vulnerability in their delivery left an indelible mark, reaffirming their status as a rising indie sensation. The juxtaposition of heartfelt tracks like “my condolences to myself” with the infectious energy of “paranoia party” demonstrated Frances Forever’s versatility and the range of emotions they can evoke through their music.
“Space Girl” served as a fitting conclusion to their set, leaving the audience with an anthemic chorus echoing in their minds. Frances Forever’s performance was a journey through introspection, heartache, and catharsis, all expertly woven into a mosaic of indie pop brilliance. Their ability to connect with the audience on such a personal level while delivering a polished and energetic performance is a testament to their burgeoning talent. As they left the stage, the crowd was left buzzing with excitement, fully immersed in the emotional rollercoaster that Frances Forever had taken them on.
Frances Forever Setlist: depression / cry inside my car (Mashup), Mr. Man, fuck u, Frankenstein Wannabe, treehouse, Stuck, my condolences to myself, Monica Gives Me Lockjaw (Unreleased), paranoia party, space girl
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet, an emerging luminary in the indie-pop realm, is captivating audiences with her distinctive blend of introspection, vulnerability, and clever lyricism. From an eclectic musical background that spans genres, Tessa Violet has cultivated a sound that effortlessly weaves together catchy melodies and deeply relatable narratives. Her breakout tracks, such as “Crush” and “Bad Ideas,” have resonated deeply with listeners for their unfiltered portrayal of emotions and self-discovery.
With an innate ability to craft songs that explore the highs and lows of relationships and personal growth, Violet has firmly established herself as a rising star in the music scene. Beyond her music, her engaging presence and relatable charm have endeared her to fans around the world. As she continues to evolve as an artist and explore new musical territories, Tessa Violet’s journey promises to be a captivating one, leaving an indelible mark on the indie-pop landscape.
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet’s electrifying performance was a showcase of her artistry, vulnerability, and boundless energy. The night held a series of delightful surprises, starting with Frances Forever joining Tessa on stage during “Play with Fire,” adding an extra layer of charm to an already captivating song. Violet’s interaction with the crowd brought a personal touch to the show, prompting them to share their gratitude, leading to a delightful chant about dopamine. As she ventured into deeper conversations, she hopped off the stage to engage with fans, leading to a heartfelt exchange of dreams and desires.
A poignant moment followed as Tessa introduced “I Don’t Know Who I Am Without You,” drawing from personal loss and connecting with the audience through a powerful and heartfelt performance. Throughout the show, her dynamic outfit changes, from the golden goddess dress to the iconic pink armor, added to the visual spectacle of the night.
Her connection with her band members was evident, particularly with her fiancé Dante Cimadamore on guitar and Mike McKerracher on drums, who joined her on stage for an intimate dance during “I Don’t Know Who I Am Without You.” The live rendition of “When the Curtain Falls” was introduced with Tessa’s characteristic witty banter, giving a glimpse into the theme of her introspective and multi-dimensional album MY GOD!
The set design, featuring a painting depicting Violet’s different personas, was a visually striking representation of her evolving artistry. Her acoustic take on “Bad Ideas,” with the crowd enthusiastically contributing to the ad-libs, showcased her effortless ability to engage and uplift the audience. Her candid speech on confidence, positive affirmations, and self-love resonated deeply, and the collective affirmation exercise led seamlessly into her empowering anthem “Bad Bitch.”
Tessa Violet (photograph by Chinaza Ajuonuma)
The show’s high-energy climax during “Crush” saw her stepping off the stage, mingling with the crowd, and sharing the microphone, creating an unforgettable moment of connection. The evening wrapped up with an encore featuring Frances Forever and their band, dancing, celebrating, and line dancing along with her during a spirited rendition of “Born This Way.” Tessa Violet’s performance was more than just a concert; it was an immersive journey through her music, emotions, and empowering spirit, leaving the audience inspired and invigorated.
Tessa Violet Setlist: YES MOM, Breakdown, Play With Fire, Again Again, Good Things Go Bad, Haze / Wishful Drinking (entitled on the setlist, Hazeful Drinking), I Like (the Idea of) You, I Don’t Know Who I Am Without You, When The Curtain Falls, song without a title, Games, Bad Ideas + Liability by Lorde (Mashup), Honest, BAD BITCH, Kitchen Song (voice memo), Kitchen Song, MY GOD!, You Are Not My Friend, Crush
Encore: Born This Way (Lady Gaga Cover)
Tessa Violet (photograph by Chinaza Ajuonuma)
In terms of upcoming shows, “MY GOD! The Tour” will be wrapping up on Sept. 7 in San Diego. If you find yourself in the UK later in September, you can also catch Tessa at Bittersweet Daze!
Updates for any future Tessa Violet shows can be found on socials, and her website. The same goes for Frances Forever, and you can find their socials and website linked here.
Brooklyn band Big Bliss is set to drop their latest album Vital Return on August 18. Created by brothers Cory and Tim Race, and joined by Wallace May, Big Bliss has fostered an impressive and unique sound since 2015. Vital Return showcases the group’s ability to seamlessly incorporate elements of alt-rock, post-punk, indie-pop, and more into a cohesive body of work.
Big Bliss by Kevin Condon
The album is a profound and bold exploration into themes of sobriety, death, trauma, and recovery. Produced by Jonathan Schenke, Vital Return harnesses these difficult and unsettling ideas into a web of interconnected songs. While each track stands alone, there is an aura of anxiety and confusion that permeates each title on the project. Despite the intense nature of the topics, Big Bliss is still able to construct an enjoyable and hopeful album.
As a band, and also as individuals, were thrust into some massive changes starting around 2019… Many of which felt too heavy to surmount – the tumult of addiction/early sobriety and familial grief being at the top of the heap. We did make it though. Ultimately the record is about that: reemergence, about coming out the other side.
Tim Race
The Album
Marked by atmospheric layered sounds along with pounding drums, “A Seat at the Table” lays the foundation for what is to come in Vital Return. The opening track manages to be up-tempo and hypnotic, while also featuring tense and sincere lyrics. The song flows perfectly into the second track on the album “Sleep Paralysis.” Big Bliss expertly balances noisy instrumentation with melancholic and compelling vocals on the song. In “Sleep Paralysis,” the group details a decidedly confusing yet meaningful relationship. Poignant lyrics like “Am I falling or not? Hope I wake before landing” cut through the song’s catchy indie-rock soundscape.
While Big Bliss certainly doesn’t break down any walls with their vocal performances, the album is full of powerful and raw lyrics. Each song on Vital Return has a level of emotionality that can be heard with almost every breath. “Solace” is one of the band’s most moving songs and helps to show how versatile and varied the band can be. The track has an alt-rock sound but even features influences of contemporary folk-rock. “Solace” is laced with a frantic and inescapable feeling of being unable to escape from the past. The group is constantly searching for some reprieve from their trauma, singing “Nothing is just as it seems, some invisible violence arriving.” The song is haunting yet hopeful, a perfect representation of the album as a whole.
Big Bliss by Kevin Condon
Big Bliss is at their post-punk best with “Tell Me When You’re Ready” and “Off Guard.” Both offerings include fast-paced driving instrumentation which injects a sense of positivity into the project. While the songs are by no means free of the distress and discomfort that is standard with Vital Return, they mark a steady shift in the album. Both tracks are keenly self-aware and acknowledge the issues that Big Bliss struggle with. Although much of the album’s lyrics are abstract and symbolic, the writing starts to become more specific as the project progresses. “Tell Me When You’re Ready” is almost a call to action as the lyrics “I’ll figure out what I’m missing, I’ll draw it out of the ground, draw it out of my mouth” ring out as some of the first signs of recovery in the album.
As the ten-track project comes to a close, the group sonically and emotionally seem to turn a corner. “Vital Return,” the album’s title-track, caps off the project with a cathartic and dreamy sound. Big Bliss depart slightly from their often noisy production and opt for smoother, more stripped-back instrumentation. The writing on “Vital Return” indicates signs of stability and empowerment. The lyrics, “I have built a city and burned it down, now I know my grief is somewhere under the wreckage, for the first time I will dig it up” testify to how far Big Bliss has come. The song is not meant to represent complete closure but rather a sign that things are heading in the right direction.
Big Bliss by A.F. Cortés
Conclusion
Vital Return is a beautiful and authentic project that ultimately looks to tell the story of progress. Big Bliss don’t try to bite off more than they can chew and instead stick to the sounds, melodies, and lyrics that organically fit their performance range. While the instrumentation on certain songs can overpower the writing, each track still has a sense of emotion and purpose. The band’s varied musical influences spiral together to create a distinctive sound that resonates with each note. Vital Return is a truly cohesive and unified album that somehow manages to maintain the same earnest atmosphere throughout.
Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.
With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.
Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.
Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.
In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.
Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.
Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.
Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine
Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.
His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.
When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.
Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.
Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman
mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.
Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawnand dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.
mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”
With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.
Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”
Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.
Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.
mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa
Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.
Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.
Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.
With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.
Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.
Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.
“frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.
Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home
Encore: Boys Will Be Bugs, Devil Town
In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.
You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.
Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.
AstroGun, a Queens-based alternative rock band, has released their new LP The Underground Sessions. The 11 tracks are, as intended, raw and authentic with the hollow creaks of instruments and the echoes of underground jam sessions.
Credit: B. G. Aramayo
AstroGun is now in its sixth year with three previous LPs: Internalization, Truth & Lies and Liquid Love. The Underground Sessions takes the best of what these LPs had to offer for a powerful album that represents the best the band has to offer. The band has solidified with Astro Li as the drummer, Adam Anthony as bassist and vocalist, as well as Robby Thunders as the guitarist.
We wanted to capture our live sound on a recording, which we hadn’t done before. Something like what Radiohead did with From The Basement. We were also thinking of Nirvana’s Smart Sessions, we wanted it to be raw and organic.
Bassist and Vocalist Adam Anthony
The album has a distinct lyrical sound due to Anthony’s vocals, and maintains an energetic, raw vibe throughout the piece. Each song has an iconic opening the distinguishes one from the other. It occasionally plays with headphone panning, separating certain sounds into one or the other. This happens in “Mind Revolution,” which also contains some of Li’s best drumming with satisfying echoes and creaks. Li’s beats offer a strong foundation for this song.
“Writing on the Wall” is the final song on side A, and it has a satisfying opening using headphone panning. A lone guitar begins on the left side while the main instrumentals come roaring in on the right. It also carries that authentic styling with a small audio spike and the occasional sliding of fingers down a guitar. The lyrics are well mixed in “Writing on the Wall,” more distinct than in other pieces.
“Liquid Love” on side B takes the time for some slower moments that are missing from other songs. This makes it a unique entry, especially with the echoing guitar throughout the piece. The vocals are quieter, but are given space with an absence of clamor. While it is not always so, one of the background drum beats sounds like a dull heartbeat, which is perfect for “Liquid Love.”
The Underground Sessions, divided into separate entries for side A and side B, can be found on the band’s Spotify page.
With the summer full of concerts across the state, there are plenty to attend but one in particular was the Psychotherapy Sessions Tour at St. Joseph’s Amphitheatre in Syracuse with Mudvayne, Coal Chamber, GWAR, Nonpoint, and Butcher Babies.
The aftermath of GWAR set.
It was a beautiful night for a show with just a cloud or two here and there and to start off this evening was Butcher Babies, hailing from Los Angeles. If you’ve never seen them live, they bring lots of energy to the stage with their two frontwomen, Heidi Shepherd and Carla Harvey, who are very well known for swinging their hair around as they headbang, as they did during their set. Next up was Nonpoint, an American rock band from Fort Lauderdale, Florida, who had no trouble keeping the crowd going after Butcher Babies, with their high-energy set.
Chad from Mudvayne gives the crowd an up-close experience.
Following them was GWAR and if you have never seen them live, if you plan on staying dry, it’s suggested to not be towards the front. Their set started with a character talking to the crowd and suddenly the band came on with another character with a saw, who began to use it on the first character and the fake blood began to spew out to the pit covering everyone.
To take the stage next was Coal Chamber who came back after their hiatus and reunited back in 2022. They had a colorful display on stage, with faces on the amps and lights. To end the night was Mudvayne, also back from a hiatus that started in 2010 but that didn’t stop them from putting on one hell of a performance. To kick off the set, the singer Chad Grey made his way to the barricade separating the pit from the stage and practically leaned on the ones who were lucky enough to be at the front and came back multiple times to interact with the crowd. All the members were dressed for the occlusion, all with makeup and headpiece.
To end the night as folks left, they also had one last treat with it being a beautiful evening for a concert, a full moon was out lighting up the surrounding area as the concert goers made their back to the parking lot.
It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.”
They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.
Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.
3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.
Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play.
Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.
Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”
The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.
Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.
No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.
Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.
After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”
Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.
After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.”
Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.
Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention. For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room.
Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.
Niagara Falls was treated to a night of pulsating rhythms, electric energy, and a mix of rock anthems as Incubus took the stage on Sunday, Aug. 6 at Fallsview Casino’s OLG Stage. Despite a few hiccups, the band managed to deliver a memorable performance that left the crowd both exhilarated and yearning for more.
Disappointment tinged the excitement as news spread that Paris Jackson (Michael Jackson’s daughter) was unable to make the show, leaving fans to wonder what might have been. Nevertheless, the disappointment was fleeting, quickly replaced by the mounting excitement for the headlining act.
The evening kicked off with an explosive set by Badflower, the opening act that set the stage on fire. Lead singer Josh Katz’s charismatic presence was undeniable as he ventured into the crowd, serenading fans with an infectious energy that set the tone for the night. The band’s sound reverberated through the venue, leaving a lasting impression on concertgoers who were undoubtedly pleased by the musical appetizer they had just devoured.
As Incubus graced the stage, cheers echoed throughout the venue. However, as the band delved into their setlist, a discerning ear couldn’t help but notice moments where lead vocalist Brandon Boyd seemed to be struggling with pitch. While his distinctive voice remained captivating, occasional off-key notes hinted at monitor problems that might have marred his performance. Technical glitches can affect even the most seasoned of performers, and Boyd’s professionalism in powering through demonstrated his dedication to the fans.
Despite these minor setbacks, Incubus unleashed a cascade of hits that had the crowd swaying, singing, and chanting along. “Anna Molly” and “Nice to Know You” ignited fervor among the audience, while the introspective “Make Yourself” provided a moment of introspection amid the raucous excitement. The band’s synergy was undeniable, with Mike Einziger’s guitar riffs intertwining seamlessly with Jose Pasillas’ rhythmic drumming, crafting a sonic tapestry that resonated throughout the venue.
The setlist was a carefully curated journey through Incubus’s discography, touching on both classic favorites and newer tracks. A notable highlight was their electrifying rendition of The Beatles “Come Together,” which injected a dose of nostalgia into the night. As the show reached its zenith with “Pardon Me” and “Stellar,” the crowd’s energy surged, a testament to the enduring power of these iconic hits.
The performance concluded with a poignant tribute, as Incubus seamlessly segued from “Wish You Were Here” into a snippet of Pink Floyd’s equally iconic track by the same name. The crowd’s applause and cheers filled the air, a fitting send-off for a night of musical magic.
Despite the technical hiccups and occasional off-pitch moments, Incubus managed to cast a spell on their Niagara Falls audience, reminding everyone present of the transcendental power of live music. As the lights dimmed and the echoes of the final notes faded, concertgoers left the Fallsview Casino’s OLG Stage with hearts full and spirits lifted, a night of rock and roll reverie etched into their memories forever.
