Category: Profiles

  • Lowkey Legends: Your Old Droog

    Coming from New York – you either got it or you don’t. Plain and simple. Some of the most prolific New York hip-hop penmanship comes from Your Old Droog. The word Droog serves as a synonym for buddy or pal as this Brooklyn-based Ukrainian writes, ideates and executes with the best of them. Magnetically, Droog’s mild mannerisms and downright delicate delivery separate him from the pack.

    Initially, many thought that Nas voiced Droog as some sort of concealed alternate persona. Also, Mass Appeal [Media Platform owned by Nasir Jones] posted one of his early singles, “Nutty Bars” further propagating the alias. Nevertheless, this man transcends time with his collaborative contributions to the overarching grand scheme of hip-hop. Particularly, his work with Tha God Fahim proves incredibly extensive.

    To discover the intriguing parts about Your Old Droog (or any artist for that matter) one must immerse and grow with the music over time. Alas, YOD makes music that elicits immersive qualities and allows a person to intrinsically reflect. After all, Droog loosely translates to friend. Listen to the song below to hear about how Droog ended up going the independent route.

    Choosing What is Right

    The directions by which life twists and turns represent a common denominator. To truly understand what fate means to you – look inward. Subsequently, Your Old Droog refused to put down the microphone after declining many major label deals. Instead, he remained independent and pivoted by way of artwork with Mach Hommy. Recording radio-friendly music via releases to satisfy a record deal do not amount to creative fulfillment in this day and age.

    Zoom into 2019 alone – two years after Droog meets Tha God Fahim and Mach Hommy. The three mixtapes that hit Soundcloud in 2019 are lowkey legendary classics within the underground hip-hop hemisphere. Jewelery has since been removed but It Wasn’t Even Close and Transportation still knock through any stereo.

    Distinguishing Factors

    Furthermore, Your Old Droog’s evocative lyrics vastly distinguish his content from his counterparts. His approach captivates the crowd with cohesive and atmospheric energy developed according to lyrical circumstances. As a humble individual, Your Old Droog promotes conversational and self-deprecating content. Humorous humility and comedy comprise the well-balanced nature of this New York artist. Your Old Droog maintains a balanced homeostasis throughout the fulfillment of his earthly obligations.

    Droog uses a stream-of-consciousness flow that doesn’t always require syllabic rhyme. By piecing together double entendres and using words in a nontraditional fashion, Droog consistently tries to best himself on every track. Particularly, his use of tonal perception as a mind-altering agent allows him to pair words and phrases in a fashion that many have never heard before.

    Breaking Down the Language

    Droog represents the Beastcoast and provides a deeper meaning to the complexities of our language in his music. Clearly, this unorthodox artist venerates and redefines the art of storytelling. Listening to tunes by Droog, it would prove useful to become familiar with the rewind button. This “rap revivalist” makes an impact with powerful opening lines and punchlines that stand among the likes of Big L, Prodigy, and Kool G Rap.

    Hence, intonation and modulation are some of the crucial components of Droog’s vocal renditions. Modern artists tend to fill vocal space with adlibs and attention grabs, but Droog steers clear of filler material. Rather, he prefers to exert precision, accuracy, and intonation to his trademark raspy delivery. 

    As a “self-aware slang slinger,” Your Old Droog’s presence captivates countless city slickers worldwide. He radically explores the historical implications and inclinations of our complex lexicon. Through virtuosic analyses, in-depth comparisons, and brilliant metaphors, Droog makes his message clear.

  • Lowkey Legends: Roc Marciano

    When it comes to making music, everyone charts different territory through various methods of approach. Some people choose to pay homage to those that came before them in order to emulate and reciprocate greatness. Such is the case with Roc Marciano, a smooth operator out of the 100 Block of Terrace Avenue in Hempstead.

    Growing up in Hempstead was rough for this New Yorker but he managed to climb his way out of the, “city in the suburbs.” His residing area receives major attribution for the direction of his approach, style and taste within the genre of hip-hop.

    roc marciano
    Alchemist x Roc Marciano

    Six Degrees of Separation

    Coming up, many people were hip to Marciano’s talents and abilities. Once he linked up with Busta Rhymes – those recognizable traits started to gain major traction. Marciano attributes his Busta Rhymes connection to the  “six degrees of separation” theory. Subsequently, he went to school with Busta’s younger brother who caught wind of some early musical efforts and passed them along to Busta. 

    Obviously, both of them thought highly of his capabilities and gave him the chance to shine on a brighter platform. Around 2000, Roc Marciano sparred bar for bar with some of the hardest artists in the game. Along the way, he bestowed the utmost respect to legendary artists who paved the way for him to thrive. He paid homage to those before him but also would gauge where they set the bar and try to surpass that. When he contributed to “The Heist” on Busta Rhymes’ album, Anarchy – he exchanged verses with the likes of Ghostface Killah (fresh off classic album Supreme Clientele) and Raekwon, both from the Wu-Tang Clan.

    UN or U Out?

    In 2001, he formed his own clique called “UN Crew” with his Uniondale High School counterparts, Dino Brave, Laku and Mike Raw. They received cosigns from major influential artists such as Large Professor, Madlib and Just Blaze. The group rapped over Pete Rock beats called, “Petestrumentals” and navigated their way into a record deal.

    After their deal with Loud Records fell through, the UN Crew would ink an agreement with Carson Daly and 456 Entertainment. Roc Marciano grew tired of obeying commands and having to rap over beats chosen for him and eventually disbanded from the UN Crew and the record label they were signed to.

    roc marciano

    After a while, Roc began to truly differentiate himself from his peers. Rather than constantly trying to rap over the “hardest” beat, he strayed from the typical path and shifted the paradigms of his artistry. Large Professor played a monumental role in the encouragement of Roc Marciano’s solo career. Large Professor encouraged this burgeoning artist to tap into the twisted sounds within his brain and individually produce every track for his forthcoming album.

    Often, rappers have a leg up on their competition when they are able to rhyme over self-produced beats and melodies. Furthermore, Roc Marciano executes his verses well with an off-kilter and complicated form. He received widespread internet acclaim when he dropped Marcberg in 2010. On his debut album, he received high amounts of underground reception because he was able to display the intricacies of his artistry. By rapping over his self-produced beats, Marciano was able to deliver sounds in pristine form and enter a zone that made him truly stand out. 

    Smooth Maneuvers

    Roc Marci exists as a New York individual that keeps it fresh – stylistically, metaphorically and within his approach to the genre. His casual intensity makes what he does seem effortless, with a highly stylized stream of consciousness. Alas, every move made on wax and between the scenes requires a great deal of calculation, rehearsal and craftiness. Being both smooth and strange has yielded beneficial results for this New York artist. Roc Marciano puts forth masterful bodies of work regardless of theme/concept, ultimately serving the hip-hop ecosystem with compositional lyricism. 

    As an unpredictable, risk-taking and edgy performer, Roc Marciano keeps it very interesting when it comes to creating tunes. In order to change the landscape of the genre and push culture forward he consistently tests the boundaries and takes risks to improve himself as an artist. He chronicles his endeavors extravagantly and uses a hyper syllabic percussive flow. By doing so, he extricates great detail through the use of imaginative imagery. 

    https://www.youtube.com/watch?v=JNxCljW2uWQ
    Verse Starts at 1:03

    He paints narratives with specific skill and prolific penmanship by layering images via dense wordplay. Hence, he masters his entire process with non-traditional methods. Roc Marciano illustrates so well that his verses could be translated into movie scenes. With carefully crafted concoctions, he aims to develop scores for cinematic production.

    With psychedelic wordplay, Roc is a hip-hop natural. By proceeding upon an organic path, the music that he releases allows the audience to follow the voyage of a time traveling wordsmith who is magic whenever he graces the mic. As a lowkey legend, Roc remains recluse and observant. In general, he does not care for radio spins as long as the checks come in and those who truly appreciate the music continue to catch wind of his endeavors. He has extremely high standards and tries to outdo himself every time he steps in the booth. He is constantly reinventing his craft and submits his ultimate contribution to the game by submitting songs that sustain with longevity. 

    Roc Marciano x Flee Lord Delgado

    Verbal Technician

    Roc Marciano nonchalantly devastates his opponents. As a descriptive and introspective emcee he illuminates the virtues of a true player in the game. His stone cold delivery accentuates elements of linguistics and exuberance. He flourishes with precise timing, cadence and tonality. His hyper-controlled nature allows for him to direct the process in the direction he sees fit for his persona.

    He amassed a significant following in part to his extremely impressive flair for storytelling. He attributes his gravitation to the art of rap to the group, Ultramagnetics. They showed him the “scientific” aspect of rap and Roc was highly intrigued by the possibility of evolution within the genre. With an innovative approach, authenticity and discrete nature – no wonder why people appreciate him and his music.

  • Tubby’s Caps Off Summer Of Music With An Anniversary Celebration

    Part neighborhood bar and part underground music venue, Tubby’s has established itself as a must-stop destination for music lovers across New York. Located in Kingston, the bar has become a premier venue in the Hudson Valley

    Tubby’s has earned a reputation for highlighting both underground and well-known artists just about every night. Positioned roughly 100 miles North of NYC, the venue has developed into the perfect haven for acts leaving or entering the city. Past performers include Black Midi, Steve Gunn, Jeff Parker, MIKE, Protomartyr, Katy Kirby, and more.

    Black Midi performing in Webster Hall

    Tubby’s commitment to high-quality music means that there is always a wide assortment of genres, sounds, and styles represented on a weekly basis. This commitment goes further than just picking great acts. Owned and operated mostly by musicians, Tubby’s is also dedicated to treating artists with the utmost respect.

    This summer, the bar/venue will host well over 30 concerts. Some of the bands and artists performing are Joyce Manor, R.L. Boyce, Soul Glo, and Rose City Band.

    Even when the warm weather starts to fizzle out the music doesn’t stop at Tubby’s. The venue, originally founded in 2018, plans to celebrate its five-year anniversary in late September with a festival. “Tubby’s 5 Year Anniversary Weekend” will go down across three days, September 29 through October 1.

    The celebration includes a full roster of musicians from a wide variety of genres. Some of the artists who will perform as part of the festival include Armand Hammer, Bonnie Prince Billy, and billy woods. Click here for tickets and more details.

    Tubby’s Kingston Summer Lineup

    JUNE 24- GARCIA PEOPLES

    JUNE 27- Follow Your Arrow: A Queer Singer/Songwriter Night:COLTON THORN + FRANCESCA HOFFMAN + AME

    JULY 1- SEA MOSS + RONG + M. GEDDES GENGRAS + OPEN HEAD

    JULY 2- JOYCE MANOR + TINY BLUE GHOST (SOLD OUT)

    JULY 5- BONZIE + CARLOS TRULY + GREEM JELLYFISH

    JULY 6- BASHER + THE WARBLERS

    JULY 8- ART GRAY NOIZZQUINTET + SKULL PRACTITIONERS +LOVE LETTER

    JULY 11- RL BOYCE (North Mississippi Hill Country Living Blues Legend)

    JULY 12- MUTE DUO + GIFT HORSE

    JULY 13- PYREX + RIDER/HORSE + BEECH CREEPS

    JULY 14- SOUL GLO + MSPAINT

    JULY 17/18- MERIDIAN BROTHERS (first night sold out)

    JULY 19- HAYDEN PEDIGO

    JULY 21- JOHANNA SAMUELS + STUART BOGIE

    JULY 23- ROSE CITY BAND 

    JULY 25- CHEER-ACCIDENT

    JULY 26- SWDYT? Joe Baiza/Damon Smith/Matt Crane; Alec Redfearn’s SWRM

    JULY 27- MAGIC TUBER STRINGBAND + POST MOVES

    JULY 29- BLUE RANGER + CAROL + BRENNAN WEDL

    AUG 1- STOREY LITTLETON

    AUG 2- SWDYT?: GREX + Allen Lowe & Lewis Porter Duo

    AUG 8- ANNIE HART

    AUG 9- TOMATO FLOWER

    AUG 17- CINDY LEE + FREAK HEAT WAVES 

    AUG 24- MIKAELA DAVIS

    AUG 25- JOHNNY DYNAMITE + BUMMER CAMP + SCAFFOLDING

    AUG 26- WILLIAM TYLER & THE IMPOSSIBLE TRUTH + GARCIA PEOPLES 

    AUG 31- GHÖSH + COMMUNITY RAVE NETWORK DJs

    SEPT 1- THE BODY + TROLLER + DEAD TIMES

    SEPT 6- SPEEDY ORTIZ

    SEPT 7- DAVID LONGSTRETCH + BING AND RUTH

    SEPT 9- BLACK DUCK (DOUGLAS McCOMBS)

    SEPT 13 SWDYT? GOLD SPARKLE TRIO + CISCO BRADLEY (reading)

    SEPT 14- ELI WINTER

    SEPT 15- Drom30: DROMEDARY RECORDS 30TH ANNIVERSARY BASH

    SEPT 19- ALIEN NOSEJOB + ACE OF SPIT

    SEPT 21- LEWSBERG + RIDER/HORSE

    SEPT 24- TUBBY’S DJ SET AT WOODSIST

    SEPT 29 -OCT 1 TUBBY’S 5-YEAR ANNIVERSARY PARTY

    Here for more information and details.

  • Zoomo Digs in the Crates to Make Unique New York Music

    It’s tough to Google “Zoomo” and find anything other than World Class E-Bikes. Perhaps intentionally and synonymously, Zoomo – from the New York hip-hop group Real Recognize Real – maintains a low profile. Operating as a soulful crate digger, Zoomo achieves success through a subtle, steady emergence onto the scene.

    Left to Right: Starker, YL and Zoomo sell merchandise at Supply and Demand 2021 Hosted by Top Shelf Premium and Peter Rosenberg [Photo By Mos Neammanee [img.mos]

    Zoomo glues the R.R.R. Music Group with gorilla cohesion. His meticulousness leads him to piece through countless old-school records to find and fine-tune the exact sound he provides. The works of art speak for themselves as anyone can see his name often placed right alongside the artist in album titles. Technicalities aside, Zoomo stands out because he creates timeless art bound to leave a legacy.

    Let the Beat Build

    Zoomo often finds one word or phrase and lets that serve as the basis for the entire beat structure. Then at the end, sporadically in the middle or even at the beginning he plays the entire phrase sequence to give the listener a better idea as to the source of that word loop. 

    Working your way up through tinkering, crate-digging and experimentation proves worthwhile for any producer. The difference inlies within the fact that not just any producer loops soulful melodies together the way Zoomo does in New York.

    Image from Video Shoot of Out My Head

    While Zoomo’s beats definitely have a theme – you could never consider them repetitive! Beat structures in modern mainstream hip-hop regurgitate the same hi-hats, sounds and patterns – Zoomo always infuses something new. Whether that be different placement or rotating the parts where he draws emphasis – this man carries many tools in his arsenal.

    Hence, his latest project – Cloyd represents a milestone for this man. As every Zoomo-stamped project adds value to the underground ecosystem – this one seems like a culmination of several aspects of his career. Zoomo hosted this mixtape release and multiple different artists hopped on the track. Most times – the artist hosts/promotes the mixtape and the producer receives a credit. 

    Let the Beat Speak

    Zoomo makes the beat sing. What does that mean? Well, consider the songs “Oh Boy” by Cam’ron [Prod. by Just Blaze] “By Your Side” by Jadakiss [Prod. by Baby Grand] or “Hold You Down” by Prodigy [Prod. by and feat. Alchemist] 

    In each of these songs, the artist may take a breath or irregular pause to let the beat complete their sentence. Thus, these types of songs like prove innovative and allow Zoomo to fulfil his role masterfully as his beats provide a story of their own. 

    Furthermore, as a hip-hop head I wake up with a different song floating through my cranium daily. Whenever a R.R.R. song makes its way through those precious grooves – the Zoomo sing-sample almost always pops up and plays on loop.

    Undoubtedly, Zoomo carved his own path and continues to kick down doors for him and his team. To hear his latest offering, check out, “More Life” with YL from recent album, Don’t Feed the Pigeons which hit the airwaves on June 16, 2023.

  • Elysium Furnace Works’ 2023 Hudson Valley Lineup Receives New Additions

    Elysium Furnace Works (EFW) has announced that the Bass Bridge Quartet will be joining their 2023 seasonal lineup in the Hudson Valley. They are now one of five bands who will play with EFW from July until December 2023.

    Co-led by Mike Faloon and James Keepnews, Elysium Furnace Works is a cooperative project that seeks to present the work of upcoming artists in dedicated art-focused settings. While not exclusive to live music, EFW primarily works through live music venues in and around the Hudson Valley.

    2023 Lineup

    Brass Bridge Quartet – Ballet Arts Studio, Beacon – July 22 at 8:00 p.m.

    The new additions to the season, Brass Bridge Quartet, features four celebrated multi-instrumentalists all performing on upright double bass. A new band formed in 2023, members include: Che Chen, a guitarist for the band 75 Dollar Bill; Dave Hofstra; William Parker; and Dave Sewelson, an accomplished, veteran baritone saxophonist. The band seeks to “explore the lower frequencies of improvisation.”

    They will be performing at a new location for EFW, the Ballet Arts Studio at 107 Teller Avenue in Beacon. Tickets are $20 in advance and $30 at the door, though the advance discount ends at midnight on the evening before the performance. Tickets can be found here.

    exclusiveOr – Cunneen-Hackett Arts Center, Poughkeepsie – Sept. 23

    A duo that uses electronic sound to leave behind conventional definitions of music. The two members of the group are Sam Pluta, a Peabody Institute professor of Computer Music and Music Engineering & Technology, as well as Jeff Snyder, a director of Electronic Music and the Princeton Laptop Orchestra at Princeton University.

    Sana Nagano’s Smashing Humans – Cunneen-Hackett Arts Center, Poughkeepsie – Oct. 21

    Led by the Brooklyn-based noise-jazz violinist Sana Nagano, the band also features Anna Webber on saxophones, Jonathan Goldberger on guitar, Kim Cass on bass, and Danny Sher on drums.

    Joe McPhee with Strings – Cunneen-Hackett Arts Center, Poughkeepsie – Nov. 18

    The group, which features legendary Poughkeepsie-based multi-instrumentalist Joe McPhee, is a large string ensemble that includes: bassists Michael Bisio and Hillard Greene; cellists Fred Lonberg-Holm and Lester St. Louis; violists Melanie Dyer and Mat Maneri; violinists Rosi Hertlein and Gwen Laster; and guitarists James Keepnews and Billy Stein.

    Joe Fielder – Cunneen-Hackett Arts Center, Poughkeepsie – Dec. 16

    A solo performance by consummate trombonist, composer, and arranger Joe Fielder. It is built on his recent solo recordings of “The Howland Sessions,” and will close EFW’s 2023 season.

    For more information, check out Elysium Furnace Works’ Facebook page.

  • Perelman Performing Arts Center to Open in Lower Manhattan this September

    The final public piece of the reconstruction of the World Trade Center, the Perelman Performing Arts Center (PAC), will be opening in September 2023. Executive Director Khady Kamara and Artistic Director Bill Rauch announced recently that the facility would be opening after 20 years of labor to create a new heart of culture in lower Manhattan.

    Perelman Performing Arts Center
    Perelman Performing Arts Center exterior at day. Credit: Field Condition

    The vision for the PAC began almost 20 years ago as a part of the original master plan for reconstructing the World Trade Center during Michael Bloomberg’s time as mayor of NYC. Bloomberg currently acts as the chair for the project. Named after Ronald O. Perelman, a businessman, philanthropist, and benefactor, the building was designed by the architecture firm REX, with many interior spaces being designed by Rockwell Group.

    According to a recent article by the New York Times, the building has gone through a lot of changes over its 20-year development. Even without formally changing the name of the building, the institution has switched from calling it “the Perelman” to “the PAC.” Though the namesake of the PAC, Ronald Perelman, has his name on the building, former mayor Bloomberg has now contributed more capital, totaling at $130 million.

    Our goal in developing the artistic program is to innovate – providing exciting new ways
    for artists to create, collaborate, and share their work with a broad public – while representing and celebrating the humanity of our city in all its fullness. Whoever you are, wherever you come from, we want you to be able to find yourself in the PAC and find your connection to everyone else who shares in the work we do.

    Artistic Director of PAC Bill Rauch

    A defining feature of the building’s façade are the 5,000 panels of bookmatched marble. They allow for light to cast an amber glow into the building in the day and for the building to produce an amber glow at night. The panels were quarried and cut in Portugal, fabricated with glass in France, and assembled into panels in Germany.

    Perelman Performing Arts Center
    Perimeter interior of the PAC, with marble panels visible. Credit: Laurian Ghinitoiu

    The interior design is also unique, with three modular stages that can quickly merge or separate depending on the venue’s requirements. Independently, the three stages include: the John E. Zuccotti Theater, which seats up to 450; the Mike Nichols Theater, which seats up to 250; and the Doris Duke Theater, which seats up to 99. Altogether, their capacities range from 99 to 950 people.

    Perelman Performing Arts Center
    A render of a theater in PAC. Credit: REX

    The interior of the eight-story structure is divided into three main sections. The “public” level includes the John C. Whitehead Lobby, which features a stage for free performances, a restaurant, a bar, and the Dalio Family Terrace. The “artist” level has the necessary support spaces for artists at the center, whereas the top level, the “play” level has the three theaters and a rehearsal space.

    Perelman Performing Arts Center
    Render of the restaurant on the “public” level. Credit: Rockwell Group

    Leading PAC is Executive Director Khady Kamara, who has more than 24 years of theater management experience. Prior to being executive director at PAC, Kamara was executive director for Second Stage in NYC. She would go on to win a Tony Award in 2022 as a member of the leadership team for “Take Me Out.” As a part of her extensive non-profit background, Kamara had a 20-year career with Arena Stage in Washington DC.

    Responding to the sanctity of the World Trade Center site and the humanistic
    aspirations of the PAC’s mission, our design empowers artistic teams to imagine and create a vast range of performances and audience experiences, within a building that addresses its setting with respect and warmth.

    Joshua Ramus, founding principal of REX

    Bill Rauch acts as PAC’s artistic director, and has worked as a theater director in venues ranging from small community centers to the largest in the country. He has been a part of productions of the Tony Award-winning “All The Way” and its sequel “The Great Society,” as well as directed seven world premieres of plays.

    While details for the opening Fall shows have yet to be announced, more information and updates can be found on the PAC’s website.

  • Neighborhood Heroes: Billie Essco, Buffalo Pioneer

    Billie Essco flourishes within the hip-hop and fashion scene on his own terms. Holding it down for Buffalo, NY – which he also describes as a “hyperbaric chamber.” Essco is a Buffalo kid through and through. The city of of Buffalo is known for its grimy-ness and is known to make men out of boys by placing individuals on the frontlines and running them through the gauntlet. Hence, some get chewed up, spit out and booed off stage – others accept the challenge and emerge war-ready. Billie Essco stands tall amidst the onslaught of adversity as a true Fashion Rebel in every sense of the word.

    Billy Essco
    Twitter/@BillyEssco

    Subsequently, Griselda Records x Fashion Rebels encompass everything that hip-hop has been missing. The way that they have ushered in their own style, adornment, musical influence and mastery resembles the way that A$AP Mob emerged to fill a void in the 2010s. Griselda Mob carries the torch in a valid manner through top-tier excellence and curation.

    Surging Buffalo Renaissance

    Beautifully, Billie Essco blossomed under the Griselda umbrella as a contemporary curator. His brand, Cafe spurned from the idea that local cafes felt outdated without contemporary taste. To coincide with Cafe, his brand Czen specializes in repurposed garments and consciously progressive graphic design. 

    Billy Essco's brand Cafe is here to stay.
    -Recently, Cafe announced a collaboration with New Era.

    Nonetheless, the way he designed the brand represents meticulous construction. Drawing from his Fashion/Textile technology experience at Buffalo State – Billie came up with two four-letter brands. The brevity and impactful nature of these eight letters combined with the color schemes and exquisite patterns create the ultimate consumer’s dream.

    Multihyphenate Ghetto Couture

    Incredibly, the most beautiful part about Essco’s creations lies within their multifaceted roots. Everyone gets their start from somewhere – it just so happens that Billie arose from Buffalo’s trenches. Essco’s vision received the ultimate boost in 2020 when he styled Westside Gunn for the Off-White x Louis Vuitton Paris Fashion Show. Working with Virgil Abloh encouraged him to double down on his efforts. 

    A political-conscious contemporary brand, Cafe represents the times and adapts accordingly. Similarly, Cafe + Czen releases merchandise that deconstructs racist policies and politics. Auspiciously, with youthful aura and purity, the Cafe trucker hat gives off a Midwestern type vibe. Geographically, this makes perfect sense given Buffalo’s proximity to Cleveland. Foundationally, this brand performs well and resonates heavily with consumers because of its underlying message and the creative connections associated with its core brand elements.

    Undoubtedly, the world needs more people like Billie Essco – a critical thinker with historical prowess, tried-and-true methodology and contextually colorful design schemes. In like manner, the young designers continues to elevate with a collaboration with New Era symbolizing a major milestone. Essco’s journey can serve as inspiration for many Buffalo natives. A person who pursues spiritual and mental growth will never plateau in regards to their potential. No matter what age, color or creed – you have limitless abilities – just tap into your gift and never stop working toward your destiny.

  • Harlem Stage’s 40th Anniversary Season

    Harlem Stage has announced its 40th Anniversary Season, taking place from September 2023 to June 2024. It aims to celebrate Harlem Stage as an institution that has been a platform for emerging and established artists of color. Many of the events for the 2023-2024 season feature artists with whom Harlem Stage has built long-term relationships.

    Credit: Harlem Stage

    Aaron Davis Hall, Inc., later named the Harlem Stage, was opened in 1983 to provide resources, a platform, and an audience for artists of color due to their unequal treatment and recognition. For almost 40 years, the organization has championed the unique and diverse artistic legacy of Harlem. They continue to be a voice for justice as well as historical examination and denunciation of racism and its legacy.

    Harlem Stage has hosted legendary artists, including Harry Belafonte, Max Roach, Sekou Sundiata, Abbey Lincoln, Sonia Sanchez, Eddie Palmieri, Maya Angelou, and Tito Puente. The organization has also won the Association of Performing Arts Presenters William Dawson Award for Programming Excellence and Sustained Achievement in Programming.

    Harlem Stage began in a time of great inequity, resulting in a form of censorship by exclusion of visionary artists of color. Our intent was to level the playing field by supporting the development of their new work in new forms. Artists of color are constantly in a dialogue with their worlds—and Harlem Stage has always sought to be a place where all of our constituents can engage in the kind of transformative discourse that enriches our lives and broadens our horizons.

    Artistic Director and CEO Patricia Cruz

    Events

    WaterWorks Commissions

    A signature program of the Harlem Stage, WaterWorks is intended to identify and cultivate emerging or established artists of color. It engages with the community through residencies and educational activities.

    On Dec. 9, 2023 is the “WaterWorks Emerging Artists Showcase,” which will feature artists such as: interdisciplinary performing artist and painter Shantelle Courvoisier Jackson; singer/songwriter Hannah Lemmons; choreographer and dancer Bobby Morgan; interdisciplinary artist, composer, and pianist Mary Prescott; and trumpeter and composer Kalí Rodríguez-Peña.

    March 29 and 30, 2024 will have Ambrose Akinmusire performing “Banyan.” It is an intersection of griot, mentor, and oral historian in social history that culminates in this multi-part suite.

    On May 3 and 4, 2024, Tamar-kali will be presenting excerpts from the work-in-progress opera “Black Damask.” The opera is about the life and times William Dorsey Swann, who is the first to dub himself as a “queen of drag.” Following the excerpts will be a discussion with the creators of the opera.

    E-Moves

    “E-Moves” is Harlem Stage’s flagship dance series and has showcased movement-based creations for over 20 years. For the 40th Anniversary Season, Harlem Stage is inviting back several artists critical to the institutions dance legacy.

    On a yet-to-be-announced date is Kyle Abraham, who created “Pavement” through the WaterWorks program and first performed with E-Moves in 2006.

    EVIDENCE and Ronald K. Brown will return on Oct. 13 and 14, 2023 for a not-to-be-missed performance featuring work from an emerging choreographer, as selected by Brown. EVIDENCE first performed with the organization in 1998.

    April 19 and 20, 2024 will feature the Bill T. Jones/Arnie Zane Dance Company. Their performance in 2024 will include an emerging artist selected by Jones. They performed at the opening of the Harlem Stage Gatehouse in 2006.

    On May 17 and 18, 2024, nora chipaumire is presenting “ShebeenDUB” featuring three dancers and a dub DJ. A monumental sound installation, the “soundshitsystem” will be used for the performance. The installation was designed by Ari Marcopoulos and Kara Walker, and constructed by Matt Jackson Studio. nora chipaumire herself is based in Berlin, Germany and Harare, Zimbabwe.

    Camilla A. Brown, first in E-Moves in 2004, is returning June 14 and 15, 2024. She is presenting her own work alongside the work of her associate choreographers: Rickey Tripp; Mayte Natalio; Chloe Davis; and Maleek Washington. The theme for the night is “BLACK JOY.”

    Guest Curated Programs

    On March 1 and 2, 2024, Vijay Iyer is returning to guest curate and perform in “Eternal Spirit: Vijay Iyer and Friends Celebrate the Music of Andrew Hill.” The ensemble includes: drummer Nasheet Waits; trumpet player Milena Casado; and saxophonist Mark Shim. Iyer originally wrote a commissioned work with the Harlem Hall called “Holding It Down.”

    Jason Moran will guest curate and perform on April 26 and 27, 2024 for “Pianos for Duke Reimagined: Featuring Jason Moran, Abdullah Ibrahim, and Friends.” Moran originally played Duke Ellington’s music in 1999 with Harlem Stage for “Piano’s For Duke” alongside other superstars of piano. The event for April is to be presented on the 125th anniversary of Ellington’s birth.

    Special Projects

    Sept. 14, 2023 will have the “Harlem Stage 40th Anniversary Concert” in collaboration with Bryant Park. A thus-far unannounced major jazz artist will be performing.

    On Oct. 20 and 21, 2023, Craig Harris will be presenting “TONGUES OF FIRE (in a harlem state of mind),” a combination of music, poetry, and movement. It is an exploration of the evolution of the Harlem community from the ’70s to present day.

    “In the Court of the Conqueror,” performed by george emilio sanchez, will be on Nov. 3, 2023. It is a solo performance that revolves around the 200-year-old Supreme Court ruling that reduced sovereignty for native nations, juxtaposed against sanchez’s own experiences with Indigenous identity in an Ecuadorian immigrant household.

    On March 22 and 23, 2024, Stew’s “HIGH SUBSTITUTE FOR THE DREAD LECTURER: Baraka Jones in Dub” will be featured. It is in the spirit of his other work, the critically acclaimed “NOTES OF A NATIVE SONG,” and is focused on the twin influences of his life and art.

    Uptown Nights

    To be fully announced in September 2023, “Uptown Nights” will feature “Uptown Nights Latinx Music Series” from Sept. to Dec. 2023. Uptown Nights is a music series that presents an array of artists from across genres.

    For more information, check out Harlem Stage’s website.

  • Foothill Performing Arts Center, Oneonta’s Hidden Gem

    Nestled amongst the backdrop of the Catskill mountains, just an hour outside Albany, Foothills Performing Arts Center (PAC) is a non-profit entertainment and civic center that serves the cultural, educational, and community needs of the Otsego, Delaware, and Chenango tri-county region.

    Foothills Performing Arts Center

    Centered in the eclectic university community in Oneonta, Foothills PAC originally opened in 2005 and has become the region’s go-to venue for live entertainment for both national and local acts such as Bela Fleck and The Flecktones, Gordon Lightfoot, Bernie Williams, Rusted Root, Tanya Tucker, John Michael Montgomery, Joe Diffie, and Thompson Square.

    Foothills Performing Arts Center
    Wilber Wright Atrium

    Foothills consists of multiple venues on its property, from its grand two story Wilber Wright Atrium, perfect for weddings and large events, to its Bettiol Theatre for smaller productions. The center also offers two smaller production spaces, The Loft and The Production Center.

    As part of Foothill’s community engagement initiative, Foothills is also home to the Oneonta Farmers Market, providing the local community with fresh, home grown produce and artisanal crafts.

    The Loft Performance Space

    Recently appointed Executive Director Geoff Doyle has spent the better part of the last two years investing hundreds of thousands of dollars into renovations for Foothills, as part of his initiative to turn Foothills into a more diverse and utilized space for the local community. When Foothill’s closed at the beginning of the Covid-19 pandemic, Mr. Doyle took that time to write grants and to fundraise. Having found themselves with an empty building, as well as a surplus of funding from grants and generous donations, the Foothills Board used that time and those resources to finally do the work that had needed to be done for many years.

    Bettiol Theatre

    Taking both comments and critiques from the local community, renovations have included updated lighting and sound equipment for productions, to infrastructure improvements of the performance spaces.

    We’ve become more than an arts center over the years. People donate blood here. They vote here. They attend weddings, birthday parties, bridal showers, conferences, speaking engagements, fundraising events and so much more. We’ve been partners with SUNY Oneonta’s Music Industry program for a decade now, providing internships for many students in that time, and even hiring recent grads.

    Geoff Doyle, Executive Director

    Foothills Performing Arts Center is also home to Black Hole Studios, a fully equipped recording studio local artists can book for recording, mixing and mastering. With a top-ten Music Industry program located just down the street at SUNY Oneonta, the addition of Black Hole Studios has allowed student artists to have yet another resource to utilize their art.

    Foothills Performing Arts Center
    Atrium Entrance

    Upcoming events include this fall’s “Foothill’s Fringe Festival”. The brainchild of newest board member, Allie Church, Foothills Fringe takes inspiration from similar festivals around the world, and will be the centers newest annual event. Taking place over two days this September, Foothill’s Fringe will offer plays, film screenings, musical productions, stand-up comedy and more. With over 30 acts already booked, Fringe Festival is sure to draw in hundreds of spectators, artisans, and vendors.

    Foothills Performing Arts Center

    In celebration of Pride Month, Foothills will also be hosting an 18+ Alice In Wonderland themed “Pride Prom” in collaboration with the Otsego Pride Alliance. The Prom, taking place June 30th, will feature dancing, face painting, specialty cocktails, prizes, fashion, and drag performances by local drag artists.

    For more information, or to book an event space, please visit Foothills Performing Arts Center’s website.

  • Roam Out of Your Comfort Zone – A Rome Streetz Profile

    Not all those who wander are lost. If you’re wondering, Rome Streetz travels far into well-versed pockets of the universe, never one to remain stagnant. His nomadic nature has landed him within several sectors of New York City and London. Nowadays, his rhymes are beginning to land him on concert flyers. Is Jerome in the house?

    Nah. Jerome is out and about. At a young age his family sprung Rome into action. Moving back overseas and embodying change might have been his biggest blessing.The T-Mobile Sidekick LX inspired the rhyme writing at an early age but it wasn’t until he ended up back in London did the rhymes start to resonate. It’s almost like you don’t get love until you leave your hometown?

    On the verge of a European record deal, Rome’s family moved him back to NY. It is impossible to name an exact region of NY where Rome roamed as he inhabited nearly every borough and bounced throughout every block in his lifetime. Alas, he has resided in Queens, Long Island, Brooklyn – say what you wish – this man is one of the most raw NY lyricists in the game today.

    Rome Streetz goes from Mud to Moet

    Rome Streetz emerged via DatPiff circa 2011. His mixtape, “Vagabond” earned a Coast to Coast Mixtapes title belt. At this moment, he began to align himself so that the chips would fall in his favor. As a result, Coast to Coast promoted the tape which sent his bars swirling within countless underground hip-hop circles. Unfortunately, Rome could not stake an ownership claim on any of the beats. Although this victory did not come with a paycheck – it symbolized the fall of the first domino for this lucrative Griselda Records Artist.

    Fast forward to the present moment, Rome Streetz cannot miss. His tangential progression showcased a project per quarter last year which normally indicates an artist on a tear. 

    Creativity Breeds Consumption

    Many artists harbor and labor over their projects as perfectionists. To each their own – those who consistently drop projects receive more placements, engagements and impressions.

    Rome Streetz exists as a flaneur – an ambivalent figure of affluence with the ability to wonder; an acute observer of industrialized contemporary life (UGHH.) In other words, he has spent his time opening doors. Furthermore, when you think of Rome Streetz the word sonder comes to mind. Likewise, his rhyme patterns make you truly contemplate the fact that each and every passerby is living a life as vivid and complex as your own. 

    Last November, Rome Streetz represented Griselda Records to the fullest as the headliner at the Crib in Providence, RI. Ramon Lazo better known as 1000words hosts shows for those that rose from the underground concrete. The sacrifices that Lazo [More than just a Polaroid Photographer] makes for the underground culture cannot be undermined – only appreciated.

    Warrior-like on a tape with Ransom – Rome sparred with an extraordinarily dense and picturesque emcee. His collaboration tape with DJ Muggs broadened reach to the West Coast. His verses on Westside Gunn’s eighth installment of Hitler Wears Hermes Side B (mixtape title is a play on Devil Wears Prada) were head and shoulders above other guests. 

    Capturing the Crown

    Subsequently, the independent blueprint is alive and well thanks to non-gatekeeping individuals like Westside Gunn. Rome Streetz’ Joyeria mixtape released via Daupe! Media and for heads who know – not everyone receives placement via that platform. We’ve noticed that he loves to use imagery and alliteration while delivering art and storytelling. Furthemore, Rome Streetz clearly showed he can get his mixtapes poppin’ on his own. What Westside Gunn did was recognize his ability and accelerate the rate by which he could represent his region.

    -Listen to Rome Streetz’ Griselda debut, Kiss the Ring

    The likening of his music to that of addictive substances cannot be overlooked. Many of the recanted tales could not be told if they hadn’t been lived. Undoubtedly, Rome knows how to add the right amount of seasoning to infuse the track with the proper flavorful adrenaline. His imaginatively infectious bars increase intention and interaction. Therefore, a hyphy energetic approach coupled with stamps of approval and strong rapport seal the deal.

    Moreover, Streetz will continue to combine and intertwine laced rhymes for years to come. Especially with how the vinyl culture continues to flourish. Why sign to a major label when people are collecting CDs, cassettes and vinyls for $50 to $100 a pop?