Smokey Robinson graced the stage at Fallsview Casino in Niagara Falls, Canada, and from the moment he walked out to the introductory overture, the audience knew they were in for an unforgettable night of classic Motown magic.
“Being With You” set the tone for the evening, with Robinson’s velvety voice still as captivating as ever. He transported us back in time with “I Second That Emotion,” a nod to his days with The Miracles, and followed it up with “You’ve Really Got a Hold on Me,” a soulful rendition of The Miracles’ classic.
As the night progressed, Robinson’s timeless hit “Quiet Storm” swept through the venue like a gentle breeze, and “Ooo Baby Baby” had the crowd swaying in their seats, relishing every note. The medley of “The Way You Do the Things You Do,” “Get Ready,” and “My Girl” paid tribute to The Temptations, showcasing Robinson’s versatility as he effortlessly crooned through these iconic songs.
“The Tears of a Clown” brought a wave of nostalgia, and Robinson’s emotional delivery tugged at heartstrings throughout the venue. “I Love Your Face” was a tender and heartfelt moment, showing that even after all these years, Smokey’s ability to convey deep emotions remains unparalleled.
Robinson’s rendition of “Fly Me to the Moon” was a testament to his vocal range and ability to infuse a timeless classic with his unique style. “If We Don’t Have Each Other” and “Beside You” showcased his more contemporary work, reminding us that his talent continues to evolve.
“Just to See Her” had the crowd on their feet, swaying and clapping along, and “The Tracks of My Tears” was a pure, unadulterated masterpiece, transporting us back to the golden era of Motown.
Closing out the night with “Cruisin’,” Robinson left the audience craving for more, his voice as smooth and captivating as ever. The energy in the room was electric, a testament to the enduring appeal of Smokey Robinson’s music.
In Niagara Falls, Canada, OLG Stage at Fallsview Casino, Smokey Robinson delivered a concert for the ages, taking us on a journey through his illustrious career. His voice, still as mesmerizing as when he first graced the stage, left no doubt that he is a true legend of Motown. The setlist was a perfect blend of classics and newer hits, ensuring that both longtime fans and newcomers alike left the venue with their hearts full and their spirits lifted. Smokey Robinson’s performance was a musical experience that will be cherished for years to come.
Borderland Music & Art Festival brought some heavy hitting national and local bands to the historic Knox Farm State Park situated in the small village of East Aurora. Over three beautiful days – September 15, 16 & 17 – the historic grounds hosted many great bands on two stages that filled the air with sounds to sooth the soul from some amazingly talented artists.
Friday started as a wonderful partly cloudy morning with perfect temps. As festival goers started to flow in, setting up their chairs and blanks for the day, you could hear the first band. Folk/Americana jam-type band The Stove Pipes playing the Homespun stage which was situated off behind the horse stables at the top of the hill opposite the Mainstage. As the day progressed there was very minimal overlapping of each band’s sets. Making it an easy walk between both stages through or around the horse stables to see each band play throughout the day.
On the Homespun stage you could catch other local and reginal acts like, Dirty Blanket, Not Fade Away Band (Playing Dead Zepplin) & Farrow. The Mainstage acts included local, regional, and national touring acts like Leroy Townes Band, The 502s, Dawes & Goose. Goose being the closing act of night one, brought the house down with their amazing set of music. An absolute not to be missed band of abundantly talented musicians. Setlist via Elgoose.net.
Goosesetlist: Flodown[1], Mr. Action, Pancakes, Honeybee[2], Writing A Novel[3], Creatures, Rosewood Heart[4], Animal Encore: Slow Ready -> Arcadia [1] Flopener. [2] With Coach on rainstick. [3] Father John Misty. [4] With Taylor Goldsmith on guitar and vocals, Griffin Goldsmith on drums, and Jeff on guitar.
Saturday at Borderland was met with beautifully clear skies and temperatures out on the farm. Saturday’s crowd filled in the ground of Knox Farm State Park much earlier being a Saturday. Again with very little overlapping of each band’s sets, it was quite easy to catch most of each act playing both the Homespun and Mainstage. Starting out the day on the Mainstage with a great improvisational set was The Damone Jackson Outcome, a band known for their high energy improv sets.
First up on the Homespun stage was A Girl Named Genny, a folk/Americana band with a little bit of Rock and Roll. Other Homespun stage acts included local and reginal bands, Never Ben, Public Water Supply, Grosh and Organ Fairchild. Other Mainstage acts included local, reginal and national acts like, Miller & The Other Sinners, Mighty Poplar, Neal Francis and Sammy Rae & The Friends. Trey Anastasio Band closed out night two with a stellar set of mostly Phish tunes to send everyone home only wanting more. And what an exceptional set of music it was, made even better with an almost Phish/Kuroda level light show. Setlist via Phish.net
Trey Anastasio Bandsetlist: Sand, Back on the Train, Everything’s Right, Blaze On, A Wave of Hope, Outside the Lines, Llama [1], Heavy Things, Oblivion, Pillow Jets > …And Flew Away, Wolfman’s Brother > First Tube Encore: Ghost [1] Performed in an alternate arrangement.
Sunday, was the closing day to the perfect three-day Borderland Music & Arts festival and the weather could not have been better for mid-September. Starting out the day on the Homespun stage was The Red Grenadines, followed by Folkfaces, and NYS Dead Coalition. During Folkfaces and in between The Red Grenadine & NYS Dead Coalition was the Tailgate & Buffalo Bills Watch Party with many in attendance. Starting the day on the Mainstage was Karina Rykman, followed by, Krasno/Moore Project, The Infamous Stringdusters, and to close out the night, and festival, with two sets, our hometown heroes, moe.
Set 1: The Pit> Rise, Blond Hair and Blue Eyes, Gone, Do It Again> George, Lazarus Set 2: Skitchin’ Buffalo, Mexico> Ups And Downs> Silver Sun> Rebubula> Four[1] > Rebubula [1] Chuck on vocals. 1st time played since Chuck’s stroke.
The Stove PipesLeroy Townes BandDirty BlanketThe 502sNot Fade Away BandDawesFarrowGooseGooseGooseGooseGooseGooseGooseGooseThe Damone Jackson OutcomeA Girl Named GennyMiller & The Other SinnersNever BenMighty PoplarPublic Water SupplyNeal FrancisGroshSammy Rae & The FriendsOrgan FairchildTABTABTABTABTABTABTABTABTAB
On Wednesday September 20 at Irving Plaza, English Band Ladytron returned to perform the first show of their Fall 2023 Tour. This was a highly anticipated tour for fans since their last appearance in NY back in 2019 at the Brooklyn Steel.
Ladytron has defined the electropop movement of the early 2000’s using synthesizing sounds to encompass a unique psychedelic, ethereal and electronic rock performance. Irving Plaza was the perfect venue to highlight the bands ambience with sparkling chandeliers, hanging disco ball, dim-lit standing room and balcony to illuminate the show goers atmospheric experience.
As the band walked on stage the crowd cheered and danced to express their enthusiasm for Ladytron and the performance of fan favorites and new album release Times Arrow. With Strobe lights, polka dots and dream-like psychedelic visuals enhancing the hard bass driven beats, contemporary melodies, synth tones and female vocals. Ladytron put on quite an invoking show to kickoff the Fall tour.
Alongside the exciting Time’s Arrow release their soundscapes and innovative music leaves fans in awe while they are able to create visual narratives within their songs, Ladytron attendees leave with an unforgettable experience. Following their Irving Plaza show, Ladytron plans to continue the long awaited tour with their next stop on Friday, September 22 in Los Angeles, California at The Belasco.
LADYTRON 2023 TOUR DATES
Fri Sep 22 – Los Angeles, CA – The Belasco
Sat Sep 23 – San Diego, CA – Crossroads at House of Blues
Thu Nov 16 – Austin, TX – The Mohawk
Fri Nov 17 – Dallas, TX – The Granada Theater
Sat Nov 18 – Houston TX – Numbers Night Club
Sun Nov 19 – Mexico City, MX – Corona Capital Festival
Ladytron – Irving Plaza, NYC – Wednesday, September 20
Setlist: City of Angels, Faces, Ghosts, Deadzone, True Mathematics, The Animals, Flight From Angkor, Soft Power, USA vs. White Noise, Misery Remember Me, International Dateline, Fighting in Built Up Areas, The Island, Paper Highways, Discotraxx, Ace of Hz Encore: California, Playgirl, Seventeen, Destroy Everything You Touch
Blind Boys of Alabama returned to play City Winery New York on September 17, following the release of this latest album Echoes Of The South, which was released on August 25.
The Blind Boys of Alabama have faced a great deal of struggles and success in the music industry than most musicians will in their lifetimes. Their eight decades of experience and pure talent has led them from street performances in the Jim Crow South all the way to being the soundtrack of the Civil Rights Movement, giving them the chance to perform for three different United States Presidents and landing them as legends in the Gospel Music Hall of Fame.
This dedication and persistence to one another and to their love of music is epitomized in their newest single, as they will not only “work” but “sing” until their days are done. There is no stopping a powerhouse group like Blind Boys of Alabama, as they rely on one another and a shared agreement that “as long as everybody gives all that they have to give and we sing songs that touch the heart, we’ll live on forever.”
Willie Nelson brought his Outlaw Music Festival to Saratoga for a late-summer jam session. With a tour that celebrates Willie’s lifelong musical genius and his legacy of hits, this tour seems extra special as Willie turned a remarkable 90 years old this year. The show brings an “Outlaw Village” with it, which is a little village of vendors that travel with the festival. And there is certainly a festival vibe as attendees ate and partied all throughout SPAC’s beautiful grounds.
The evening opened with Waylon Payne playing a solo acoustic set of country and bluegrass. (Particle Kid (Willie’s Nelson’s son’s group) was not there to start the night off.) Highlights from Payne’s set include an excellent cover of Johnny Cash’s “Ring of Fire,” and Payne’s own classic “Born to Lose.” Payne was genuinely thankful to be performing and expressed that gratitude many times. Payne showed up later in the night as Willie’s right hand man during Willie’s set. A good night for Waylon Payne.
Los Lobos was up next. It’s unfortunate that the festival was held on a week night. Even though it was Friday, it was slow to fill and was still visibly empty when Los Lobos took the stage. They handled it like the classic professionals they are though and put on a hell of a set. Even with attendance low, one could look anywhere in the amphitheater and see people dancing to Los Lobos’ hits. With what had to be a nod to Bobby Weir, they opened with their song “Will the Wolf Survive?”. They followed that up with Three Midniters’ “Love Special Delivery.” The standout for the set was the set closing “La Bomba” segueing into The Olympics’ “Good Lovin’” and then back into “La Bomba.” With the set opening and closing with a nod to Mr. Weir, the crowd was warmed up indeed!
Hitting the stage next was The String Cheese Incident. Having been 20 or so years since this listener last saw SCI, it was special to hear them open with “Smile.” Michael Kang busted out his violin and the jam took off into classic Outlaw territory. With a blend of deep cuts and new tunes, it was good to hear these guys again. The highlight for this listener was the 20ish minutes of “Missing Me” segueing into “Just One Story.” Looking around the venue, one could see many Friends of Cheese dancing to the jams.
Setlist: Smile, Get Tight, Suntan, Barstool, Missin’ Me, Just One Story, Bhangra Saanj, Can’t Stop Now.
While this constant listener is not an old-school Deadhead with hundreds of Grateful Dead shows under his belt, but I have been listening to them for about 40 years now, and they remain in regular rotation at my home and in my car. Having been at this show, and from seeing chatter online, what occurred with the Bobby set this evening was one hell of a Dead set. Bobby Weir and the Wolf Bros Featuring the Wolfpack dropped an incredible set of music on SPAC. The Wolfpack brings horns to jam. Drop a horn section into a “Dark Star”, a slow-building “Dark Star”, and magic happens. Add a “West LA Fade Away”, a “Wharf Rat”, and wrap it up with a “Sugar Magnolia” and you have one incredible set. And all this fails to mention the “El Paso”, the “Greatest Story Ever Told”, and the “New Speedway Boogie”! Listen to this set over Nugs.Net, and don’t you think of skipping that “Lost Sailor” with horns!
Setlist: Bertha, Greatest Story Ever Told, Dark Star, El Paso, Lost Sailor, Saint of Circumstance, West LA Fadeaway, New Speedway Boogie, Wharf Rat, Sugar Magnolia
To cap the evening off, Willie Nelson came on stage and amazed the crowd with his never-ending charisma and charm. His opening number “Whiskey River” segued into “Stay All Night (Stay a Little Longer).” Listening to Willie is always a trip down Nostalgia Lane. He has written so many classic tunes, it’s mind-blowing. Highlights for this listener were “Don’t Let Your Babies Grow Up to be Cowboys”, “On the Road Again” and that all-time classic “Always on My Mind” (written by Wayne Carson, Johnny Christopher, and Mark James).
The patience shown by die-hard fans waiting for their statesman Willie Nelson paid off that evening. Sitting through the noodle-ly dancing of the Cheese- and Deadheads, fans were now saying they were glad that people were sitting so they could see Willie on stage. Willie was remarkable. At 90 years of age, he came out on stage unassisted, sat and played for an hour, and then left after waving and throwing his bandana into the crowd. Imagine catching Willie Nelson’s bandana? What a keepsake!
Setlist: Whiskey River (Johnny Bush cover), Stay a Little Longer (Bob Wills and His Texas Playboys cover), Still Is Still Moving to Me, Bloody Mary Morning, I Never Cared for You, Workin’ Man Blues (Merle Haggard and The Strangers cover), Mamas Don’t Let Your Babies Grow Up to Be Cowboys, Angel Flying Too Close to the Ground, On the Road Again, Always On My Mind, Good Hearted Woman (Waylon Jennings cover), Help Me Make It Through the Night (Kris Kristofferson cover) (Waylon Payne – lead vocals), Roll Me Up and Smoke Me When I Die, Still Not Dead, Georgia (On My Mind) (Hoagy Carmichael and His Orchestra cover), I Been to Georgia on a Fast Train (Billy Joe Shaver cover), Write Your Own Songs (Willie Nelson & Kris Kristofferson cover), Move It on Over (Hank Williams With His Drifting Cowboys cover), Me and Bobby McGee (Kris Kristofferson cover), Will the Circle Be Unbroken? (William MacEwan cover) (with Bob Weir), I’ll Fly Away (Rev. J.M. Gates cover) (with Bob Weir), It’s Hard to Be Humble (Mac Davis cover), Saw the Light
Afropunk returned to Brooklyn for 2 days of music on August 26th & 27th. The festival took place at Brooklyn’s Greenpoint Terminal Market for 2023.
As on brand for Afropunk, the lineup for the festival was all black artists from various genres. Some notable names included Tobe Nwigwe, Baby Tate, and Vince Staples. The lineup also included New York’s own Joey Bada$$, and day 2 headliner, Teyana Taylor.
Unlike last year, this year had a theme, which was Circus of Soul. Motifs of this theme could be seen throughout the event. Both on stage and in the crowd, fans and artists dressed as though they were part of a circus. R&B artist Cleo Reed really leaned into the theme by dressing them selves and other stage performers in clown attire during their set. There were performers on stilts wearing kente cloth patterns walking throughout the crowd. There were also Aerial Ring performers periodically doing stunts throughout the weekend.
This year was truly one to be at, as there were many performances and attractions that festival goers could really interact with all day.
A festival of the Arts
Afropunk is a festival that is bigger than music. Though music may be the highlight, it also features art and artists from all over the globe that center their creativity around the African diaspora. Inside the Spin Thrift Market, there were vendors selling things like clothes, jewelry, books, and weed products. Outside the Market, there were spaces for health and beauty. Festival goers were able to get their hair and makeup done, henna tattoos, and facials. Most of the vendors were also African American owned and operated.
In addition to vendors that were selling merchandise, there were also areas for festival goers to interact. In the center between the two stages, there were tents set up for festival goers to play games and run through a bubble pit. It seems as though they learned from last year as most activities and vendors were set up under large tents to protect against any potential rain.
Nonetheless, as much as there was to do off stage, there was much to watch on stage. There was a two stage setup to accommodate for about 30 performances. In between performances on both stages were DJ SNS and DJ Mohogany. They helped to keep the party going as people awaited some of their favorite artists to take the stage.
Day 1 Highlights
Day 1 had strong performances from Cleo Reed and a collaboration from the Soapbox presents on the 3 Ring Stage. The Soapbox brought together vocalists and musicians to bring a rock, R&B, and gospel like performance. This was one of the many perfect displays of how African American music is has roots in so many different genres that tend to overlap one another. The performance had fans feeling cool in the end of summer heat.
One of day 1’s most notable and electric performances was from Tobe Nwigwe. Originally from Houston, TX, Tobe holds on to his Nigerian roots well as they could be seen in his performances. He is always recognizable with his seafoam green outfits and sets. He brought out his wife, Martica Nwigwe, for a few songs from his set. He also had Olu from Earthgang come out for a song. Olu came out on brand, wearing seafoam green wings to sing “WILDLINGS” with Tobe. The performance was full of energy and surprises that keep the audience screaming for an hour.
Tobe’s performance was evened out by a more mellow from Vince Staples. Vince stared as “Maurice” earlier this year in the Emmy award winning show, Abbott Elementary. His Long Beach, CA vibes really brought the crowd down from their state of choas from before. Though his set did not features as many theatrics like Tobe’s, he still had the attention of the crowd. Vince had the crowd singing along to his hit song, “Norf Norf,” before there was a mass exodus from the event.
An uneventful end to the hype
The first night was headlined by Flying Lotus. He is a producer and DJ who has worked on many projects on TV shows and film. One of the most notable projects was Netflix’sYasuke, an anime centered around the story of Japan’s first black samurai. He makes a lot of EDM and electronic rap songs primarily.
Flying Lotus did not receive much of an introduction which left many fans confused. Though his fans would be familiar with his music and style, this may have been many’s first exposure to him. He could barely be seen from behind his DJ booth and did not say a word for at least the first 20 minutes of his set. About halfway through, he was joined by rapper Smoke DZA, who he is working on a collaborative album with. Smoke DZA did bring some excitement and energy to his performance.
After Smoke DZA’s exit, Flying Lotus played a few more songs and was about to leave. He did not realize that his set was not over and played for about another 15 minutes. Flying Lotus had a pretty anti-climatic exit, as it was a pretty bleak end to day 1 of Afropunk 2023.
A stark turn around from Day 1’s mishaps
Day 2 still featured a full lineup that had Greenpoint full. What was nice about this year’s festival was the scheduling of performances. With the stage schedules pretty staggered, fans were able to see all their artists without really having to miss a performance. This really set Afropunk apart from other festivals as many usually have fans contemplating which artists they wanted to see more. If they wanted to, fans could see just about every artist and take in the full Afropunk experience.
Some notable performances from Day 2 were from Baby Tate and Joey Bada$$. Baby Tate brought a fun energy out of the crowd. With a lot of positive sexual messages infused in her lyrics, her music and performance made Greenpoint a safe space for women to express themselves. In the middle of her set, Baby Tate took a break and her DJ Sky Jetta tapped into a different side of her fans. Though Baby Tate makes rap music, Sky Jetta played alternative rock hits, including “I write sins not tragedies” that absolutely killed.
Baby Tate came back and continued to kill. She played unreleased song “Wig” and ended on her hit “I am” to leave things on a high. Joey Bad$$ proceeded her and continues to bring smiles.
New York showing out for New York artists
Joey Bad$$ was happy to be back in his hometown as he expressed his love for Brooklyn all through out his performance. The theme around his performance was love as he turned the camera toward the audience to celebrate black love. He had a kiss cam going on for a bit before singing “Love is only a feeling.” He dedicated a few songs to fallen black artists including, XXXTentacion, Nipsey Hustle, Pop Smoke, Young Dolph, and more.
Before he left, he expressed his happiness to be playing at an event where he could see so many black faces. He also threw a jab at Afropunk for being a bit unprofessional behind the scenes. He still left things on a high with “Devasated” before handing the stage over to Teyana Taylor.
The energy from day 2 was drastically different than from the previous day. Day 2’s lineup featured so many artist that people knew and loved. They had performances that people wanted to be a part of and sing along with. Day 2 was originally supposed to end with Grammy award winner Jazmine Sullivan. Due to some personal reasons, she could not perform, but Teyana Taylor was passed the torch to close out the weekend.
Rose of Harlem feeling the love
Nicked named the “Rose of Harlem”, Teyana Taylor closed out to packed audience in her city. Teyana had mentioned during her performance that she was nervous to headline a show as she felt as though no one would stay for her. Though some mic issues may have fueled those nerves early on, New York showed her so much love that it brought her to tears.
The sound was getting too much for Teyana as she asked for just the keys to play during one of her songs. She was able to get real close and emotional with the crowd before turning things back up. The crowd screamed “Issues” and ” Gonna Love Me” with Teyana.
She was joined on stage by her daughter ,”Junnie,” and husband Iman Shumphert, for a few songs. Her daughter helped her throw out free t-shirts to the audience. Teyana also had 3 outfit changes that synced up with the many different vibes of her performance.
She exited the stage, but quickly came back for an encore. Teyana ran into the middle column of the pit to slap the hands of her fans before closing out the night. She thanked New York for showing her so much love and making this performance one worth leaving retirement for.
Afropunk continued to bring peace, love, and education about African American culture to one of the biggest melting pots of the world. With Afropunk’s voice continuing to reach millions, it’s only a matter of time before it starts to expand to other cities across the globe.
John Legend, the 12-time Grammy award-winning artist performed at Tanglewood at the Koussevitzky Music Shed in Lenox, MA on Sunday, Sept. 3. This was a highly anticipated and long-awaited performance for local fans as well as those who traveled to the Berkshires during Labor Day weekend.
Fans arrived right on time to find their seats in the covered area of the Shed, while the lawn was filling up fast, finding their perfect spots to enjoy the evening. Everyone was bustling about with preconcert energy. Families gathering, friends visiting, and people exploring the beautiful grounds of Tanglewood.
The show began at 7 pm. Taking the stage, John appeared in a light-colored suit smiling as he made his way to the piano ready to share his story and music.
He started his story from the beginning. Formally introducing himself with his birth name, where he was from, his childhood, and through the years. He played well-known songs such as “All of Me,” “Stay with You,” “Wonder Woman,” and many others during the evening. His stories give an inspiring insight into his life and music.
“An Evening with John Legend” is exactly what this concert experience is – a wonderful evening indeed.
Monday, September 11 saw indie-rock legends Pavement perform at Brooklyn Steel for the first of four shows, amid a reunion tour that has stretched on since 2022 and is wrapping up with a performance at The National’s Homecoming Festival.
Drummer Steve West welcomed the crowd, saying, “Hi, we’re the Pavement Band,” setting a tone for the night, kicking off with “Heckler Spray” off 1993’s Westing (By Musket and Sextant). The lengthy first set included “Embassy Row,” “Kennel District,” “Gold Soundz” and “Serpentine Pad,” closing out the show with “Major Leagues.”
Prior to the three-song encore, frontman Stephen Malkmus thanked the audience and the openers for the evening, Kiwi Jr, from Toronto, joking with the fans and thanking them for coming to see ‘some washed up losers.’ The band wrapped up the show with “Father to a Sister of a Thought,” “Cut Your Hair,” and “Stop Breathin.”
Pavement – Brooklyn Steel, Brooklyn – Monday, September 11, 2023
Setlist: Heckler Spray, Feed ‘em to the (Linden) Lions, Embassy Row, Starlings of the Slipstream, Perfume-V, Kennel District, She Believes, Gold Soundz, Black Out, Silence Kid, Serpentine Pad, Folk Jam, Spit on a Stranger, We Dance, Box Elder, The Hexx, Painted Soldiers, Harness Your Hopes, fight This Generation, Shoot the Singer (1 Sick Verse), Debris Slide, Type Slowly, Major Leagues
Encore: Father to a Sister of Thought, Cut Your Hair, Stop Breathin
The 2023 Albany Latin Fest was held on Saturday, August 26 in Washington Park, with the day-long family-friendly community event hosting music and fun activities for children and adults alike. All throughout the park, families and friends celebrated Latin American culture while enjoying games, dominoes, food trucks, and live music performances.
Live music and cultural performances were presented by Legacy Women, Son Latino, Lulada Club and Puncho & The Boricua Legends. Sibie LaVoz paid homage to Hip Hopâs 50th Anniversary, being celebrated in 2023. During the live performances, crowds were growing, dancing and grooving to the variety of Latin music on hand this afternoon. Sponsors, Congressman Paul Tonko and Organizers of Latin Fest spoke on Latin Culture and their yearly involvement with Latin Fest, and efforts within the Latin community of the greater Capital District.
For many years, Albany Latin Fest has established itself as a unique platform in the Capital Region, providing the local Hispanic population with deserved recognition as a vital element of the community. At Latin Fest, the showcasing of local, regional and international performing artists provides commercial and non-profit businesses and organizations access to the local Hispanic population and engaging in coalition building efforts to address recent disaster relief efforts. Â All photos by Mabou Riddick for NYS Music.
This year’s annual end-of-the-summer celebration of music in Lake George at the Adirondack Independence Music Festival saw two evenings with moe. and a one evening with Dark Star Orchestra. The three-day festival held over Labor Day Weekend saw day-long music with bands alternating between two main stages.
photo by Allison Marie
The festival is always a smooth event, and as attendees we get to see the machinations of soundchecks and the work of loading and off-loading a stage, thanks to side-by-side stages. Emcee Jeff Morad from WEQX gave hourly hydration reminders as he thanked each band and announced the next act. The organization has it down, and it’s great to be there catching all the jams.
Photo by Derek Java
Day One saw a mix of regional and national acts. Standouts during the day were the always jammy Dogs in a Pile, a super fun band, and if you haven’t seen them, consider New Years Eve at Putnam Place. Keller Williams was blissful as always, starting his set with a great version of “Breathe.” Throughout a great loop-filled set (he is a master at building songs solo using loops), he dropped covers and originals, and standing out was a fun-filled “Freeker by the Speaker.” You can’t count any of the daytime bands out, though, as all day was filled with fun jams, people dancing, and bubbles floating through the air. Other daytime acts included Hilltop, Sophistafunk, Eggy, Lucid.
Photo by Derek Java
Headliners on Friday were the always incredible Dark Star Orchestra (DSO). Bringing an authentic sound to the date they reinterpreted, DSO channeled the Grateful Dead’s show on April 16, 1978 show from Huntington, WV, with clarity and wisdom. The sound was spot-on and the crowd danced and sang along all evening. We know the term “nostalgia act” gets some negative connotations, but for DSO, that is the mission, who make every show fun for spectators to guess the date of the show, and the more knowledgeable in the crowd can guess the direction the show is taking by the equipment being brought out by the players. Super fun evening with a classic Dead show performed by DSO.
Photo by Derek Java
Saturday of Adirondack Independence Music Festival saw more attendees and a continuation of killer music. Star-on-the-rise Karina Rykman brought the jams throughout her set, working off her new album, Joyride.
For listeners at ADK Fest, the first half of her 60 minute set saw only three songs, as she and her two bandmates, Adam November on guitar and Chris Corsico on Drums, set the festival alight, taking risks and diving deep into the jammy sections of her bass-led compositions.
Photo by Derek Java
Saturday also had a particular reggae vibe to it. Roots of Creation brought their fiery dub-ska, blending a mythos of Bob Marley-esque roots with Grateful Dead covers including “Row Jimmy” and “Fire on the Mountain,” lots of fun for all seeing this band.
Mihali brought his reggae vibe, too, bringing out a new tune or two, with Twiddle fans all smiles singing reggae-tinged Twiddle songs and Mihali’s own songs from his album Effection.
Photo by Derek Java
There was also a “foodie” aspect to the daytime bands on Ssaturday, with a blend of rock and jam by Creamery Station, Baked Shrimp, and stretching the metaphor, Melt. Fans of these bands and new listeners alike had a great day of music. Rounding out the daytime acts were Dumpstaphunk.
photo by Chris De Cotis
moe. has made ADK Fest the spiritual successor to moe.down, with a feel of Labor Day weekends spent in Turin at Snow Ridge Ski Resort throughout the weekend. Opening up with a pair of tunes usually played in reverse – “Okayalright” and “Wormwood” – moe. could have opted for “Not Coming Down” to complete the Wormwood trilogy, but shifted to “Downward Facing Dog” before inviting Ivan Neville from Dumpstaphunk to the stage for “Happy Hour Hero.”
photo by Dave Decrescente
Set 2 saw Mihali come to the stage for an intense and exploratory “Recreational Chemistry” (see video below), and moe. breaking out a set nearly full of old school songs, capped off with a classic “Jazz Wank” > “Buster.” For an encore, the addition of Nate Wilson to the lineup has led to the fresh covers making their appearance in the last two years, this evening including Traffic’s “Light Up or Leave Me Alone.”
Set 1: Okayalright > Wormwood > Downward Facing Dog, Happy Hour Hero^, Yellow Tigers -> Mar-Dema > Brent Black Set 2: Recreational Chemistry* > Sensory Deprivation Bank > Seat Of My Pants > Ups And Downs, Jazz Wank > Buster Encore: Light Up Or Leave Me Alone, Spaz Medicine ^ With Ivan Neville on keys. * With Mihali on guitar.
photo by Chris De Cotis
Sunday saw Jimkata keep the crowd swaying in the sunshine and get pumped up for moe. later that evening. What made Jimkata’s performance even more remarkable was the fact that they had performed in Virginia for a late night show the evening before, making the seemingly impossible journey from Virginia to Adirondack Independence Music Festival for a mid-day performance a testament to their commitment to their fans.
photo by Allison Mariephoto by Allison Marie
Neighbor graced the stage and dropped an instrumental cover of The Beatles/Joe Cocker’s “With a Little Help from my Friends. Prince Bowie featured Twiddle/Marble Eyes/Breakfast/Kung Fu drummer extraordinaire Adrian Tramontano on drums along with the Cool Cool Cool horns. Luke Bemand from lespecial joined the all star tribute group for Prince’s “Controversy.”
For moe.’s weekend closing sets, they opened up with “Water” as a nod to Lake George, and closed the set with “Meat” featuring Schleigho guitarist Suke Cerulo joining his one-time bandmates. Set two had no let up, opening with a slow burn of “Tubing the River Styx” > “The Pit”, a cover of Allman Brothers Band’s “In Memory of Elizabeth Reed” – featuring Neighbor/Pink Talking Fish keyboardist Ricky James – followed by “Silver Sun” and a solid 1-2 punch of “George” and “Lazarus.” An encore of “Gone” and “Plane Crash” capped a fantastic weekend of music in Lake George, an annual affair made for a band like moe. and live music fans from across the Northeast.
photo by Frankie Cavone
Set 1:Water, ATL, Donâtcha Know, In Stride, Skrunk, Meat^ Set 2:Tubing The River Styx > The Pit, In Memory Of Elizabeth Reed2, Silver Sun, George, Lazarus Encore: Gone, Plane Crash ^ With Suke Cerulo on guitar * With Ricky James on keys
