NYS Music 2023

Category: Photo Gallery

  • San Holo’s Cosmic Concert at Brooklyn Steel: A Sonic and Visual Wonderland

    As the doors of Brooklyn Steel swung open on a crisp, autumn evening, fans of San Holo streamed into the venue, eager to immerse themselves in an evening of music and visuals that would take them on an existential journey. San Holo, the Dutch DJ and producer known for his distinctive blend of emotional, existential music, was about to captivate the audience with an electrifying performance.

    Images captured by @adrian_hernandezz on instagram

    The concert began with a sense of anticipation, which only intensified as the venue plunged into darkness. The crowd’s murmurs turned into roars of excitement as the moment we had all been waiting for arrived. A massive curtain, suspended above the stage, dropped dramatically to the ground. It was a jaw-dropping moment that marked the beginning of this sonic and visual odyssey.

    Colorful lasers pierced through the blackness. These lasers danced and swirled above the crowd, setting the stage for an otherworldly experience. The visuals were nothing short of breathtaking, and they would play a pivotal role throughout the night.

    As the audience was spellbound by the mesmerizing light show, San Holo opened with the classic track “Lift me from the Ground,” immediately sending waves of nostalgia through the crowd. The existential soundscapes that define San Holo’s music began to envelop the room, and the audience was entranced. The ethereal, guitar-driven melodies intertwined with his signature glitchy beats, creating an emotional resonance that was tangible.

    San Holo’s connection with the audience was palpable as he swayed to the music, pouring his heart into every chord and beat. His energy was infectious, and it didn’t take long for the crowd to become a unified, pulsating mass of fans, all lost in the music and the moment.

    But this was not merely a trip down memory lane. San Holo was on a mission to showcase his latest album, “EXISTENTIAL DANCE MUSIC,” and the audience was more than ready. Tracks like “DON’T LOOK DOWN” and “ENERGY” pushed the boundaries of his signature sound. The bass was deeper, the drops more intense, and the audience responded with an electrifying surge of energy.

    The visuals accompanying these tracks were a sight to behold. Colors and shapes exploded on the screens, perfectly synced with the music, creating an immersive experience that left the crowd in awe. The existential themes of the album were brought to life through the interplay of light and sound, making us question the very essence of our existence in this dance music universe.

    As the night drew to a close, San Holo returned to some classic tracks, including “Light” which had the crowd swaying and singing along with heartfelt emotion. It was the perfect ending to a night filled with introspection, energy, and incredible music.

    San Holo’s concert at Brooklyn Steel was more than a show; it was an existential experience. The fusion of his timeless tracks and the visually stunning performance left an indelible mark on everyone in attendance. As the crowd spilled out into the Brooklyn night, the shared experience of San Holo’s music and visuals created a sense of connection, reminding us all that, in the midst of life’s complexities, there’s always room to dance and lose ourselves in the beauty of existence.

  • Polyphia Shreds with Sold Out Show at Terminal 5 NYC

    Acclaimed instrumental progressive rock band, Polyphia, played a sold-out show at Terminal 5 in New York City last week (October 26, 2023) with support from Domi and JD Beck.

    Polyphia at Terminal 5. Photograph by David Reichmann (@davidpresspass)

    Jazz duo Domi and JD Beck opened the show, with keyboardist Domi Louna and drummer JD Beck delivering a very impressive and lengthy set. Their songs featured highly technical drum patterns and keys. They joked between songs about the quality of their performance, taking jabs at their own skills, which the audience rewarded with big laughs and applause. They played in a fully packed venue and thanked the crowd for showing up early for the set. They left the stage with big applause and a heightened anticipation of the headlining act.

    Domi and JD Beck opening for Polyphia. Photograph by David Reichmann (@davidpresspass)

    After some brief intro music, Terminal 5 erupted in applause as blinding lights flashed, welcoming Polyphia to the stage. Guitarists and founders Tim Henson and Scott LePage are widely considered to be two of the most influential rock guitarists of today, and they are both Ibanez-endorsed artists with several signature guitars of their own. One of their biggest singles, “Playing God,” has garnered over 30 million views on YouTube. The platform was their initial proving ground when one of their earliest singles, “Impassion,” launched them into fame.

    Their set at Terminal 5 included tracks from throughout their four-album catalog. For their encore, they played fan favorites, “Playing God” and “G.O.A.T.” They didn’t speak directly to the crowd at any point in the show, as they didn’t have microphones. But they held their guitars aloft in thanks at the end of the show and walked off with wide smiles on their faces. The crowd cheered them out and left more than satisfied.

    You can listen to their latest album here and you can see their upcoming tour dates here. Check out Domi and JD Beck’s music here.

    Photo gallery by David Reichmann below.

    Photography by David Reichmann (@davidpresspass)

  • Remembering Sinéad O’Connor: A Tribute at City Winery

    City Winery New York hosted a special night to remember Sinéad O’Connor on October 29th. What started as an idea by Amanda Palmer took shape over the last few months and came together with a star-studded lineup.

    Amanda Palmer

    The lineup included Stephin Merritt (Magnetic Fields), Amanda Palmer, John Cameron Mitchell, Kevin Devine, Suzanne Vega, Kat Edmonson, Julia Cumming (Sunflower Bean), Catherine Russell, Martha Wainwright, Resistance Revival Chorus, Bilal, Dida Pelled, Toby Lightman, Susan McKeown, and Joy Askew.

    Stephin Merrit (The Magnetic Fields)

    The house band was led by Tony Shanahan (Patti Smith) and featured Gerry Leonard (David Bowie), Jamie Edwards, and Yuval Lion. All the proceeds were donated to Bring Change to Mind and the Emma Swift Mental Illness Recovery Fund.

    Bilal

    Setlist: Dida Pelled: Jealous/Toby Lightman: You Made Me The Thief of Your Heart/Lahna Deering: Dense Water, Deeper Down/Susan McKeown: I Am Stretched on Your Grave/Joy Askew: Mandika/Kevin Devine: This Is To Mother You/Bilal: Just Like You Said It Would Be/Julia Cumming: Success Has Made a Failure of Our Home/Stephin Merrit: The Last Day of Our Acquaintance/Amanda Palmer: Black Boys on Mopeds/Kat Edmonson: In This Heart/Martha Wainwright: Nothing Compares to You/Resistance Revival Chorus: Thank You For Hearing Me/John Cameron Mitchell: The Emperor’s New Clothes/Suzanne Vega: All Apologies/
    Catherine Russell: No Man’s Woman

    John Cameron Mitchell
    Martha Wainwright
    Dida Pelled
    Joy Askew
    Julia Cumming (Sunflower Beam)
    Kat Edmonson
    Kevin Devine
    Lahna Deering
    Resistance Revival Chorus
    Susan McKeown
    Toby Lightman
    The House Band

  • “Walrus in Wonderland” Debuts in Brooklyn, A Psychedelic Triumph Through Alice’s Adventures

    On Thursday, October 26, in a mesmerizing fusion of musical prowess and theatrical artistry, Brooklyn’s own Walrus brought a Brooklyn Bowl audience on a transcendent journey through a musical reimagination of Lewis Carroll’s timeless Alice’s Adventures in Wonderland. The original production, “Walrus in Wonderland,” presented by Loop Toupe, delivered an immersive experience that blended the iconic sounds of the 60s psychedelic era with mesmerizing live dancers, enchanting costumes, and light show projections.

    Since forming in 2021 WALRUS has been on a mission to celebrate the psychedelic music of the Beatles and their contemporaries. From a weekly residency at Manhattan’s The Delancey, to becoming a regular presence at Brooklyn Bowl, Walrus has solidified their status as a cultural staple among New York area concert-goers.

    Led by the musical ingenuity of brothers Chris and Tom Mackin and collaborator Josh Santiago, the original soundtrack of “Walrus in Wonderland”  enveloped listeners in a psychedelic symphony that evoked the sonic oeuvre of the 1960s across the show’s 13 songs. The night’s standout performance was the debut of the Walrus original “Cheshire Cat” with groovy baselines and ripping solos that left the audience grinning from ear to ear. 

    During the show, Walrus band members Chris Mackin (Guitar/Vocals), Josh Santiago (Guitar/Vocals), Satoko Mori (Keyboard/Vocals), Dan Shein (Drums) and Sarah Elaz (Bass/Vocals) were joined by a roster of talented guest musicians including Will Corona, Michael Conklin, and Coco Solazzo who took attendees on a musical adventure down the rabbit hole.

    The debut performance was elevated by the visual spectacle projection-mapped by Ghost of Provence and seamlessly matched with dance choreography by the talented Megan Roe. Together, the ensemble delivered an experience that defied convention and brought attendees through the looking glass for an evening of unrivaled artistic immersion. “Walrus in Wonderland” was put on by the New York production company Loop Troupe, a group of artists presenting new and experimental material.

    Reflecting on opening night, Chris Mackin the show’s lead guitarist said, “It is incredible to see this cacophonous experience brought to life. Tom and I have talked for a long time about wanting to create a concert experience that went beyond the music and played to all of your senses. It is thrilling to watch audiences go on this multi-sensory adventure.”

    Walrus in Wonderland – Brooklyn Bowl –October 26

    Set One: Mr. W Rabbit > Down, Down, Down > Bottle Says Drink Me, Pig Baby, Garden Of Live Flowers [1], Cheshire Cat, Looking Glass House, Mad Tea Party [2]

    Set Two: Nonsense If You Like [3], Vorpal Sword, The Mouse > Caterpillar Hookah, Curious Dream [3] > Down, Down, Down Reprise 

    Encore: I Am the Walrus [1] [4]

    [1] Featuring Will Corona on vocals
    [2] Featuring Michael Conklin on saxophone
    [3] Featuring Coco Solazzo on vocals
    [4] Beatles Cover

  • Disco Biscuits Close out 2023 Touring at The Capitol Theatre

    To cap off a wildly successful 2023 touring schedule that spanned every corner of the country, The Disco Biscuits celebrated with two powerhouse shows in the friendly confines of the legendary Capitol Theatre in Port Chester.

    The band is still riding high atop a new wave of creativity and cohesion that’s fostered some of their best performances to date. Friday and Saturday night in Port Chester were no exceptions with the Biscuits doling out some pre-Halloween goodies.

    Friday night initiated with “Hope” in the opener spot, aka a good old fashioned “Hopener” that saw the band fly through this older number with ease. The first of tonight’s two cover song selections came next as the Biscuits took the Men Without Hats hit “Safety Dance” out for a spin. A brief outro jam soon morphed into the beginning of “Caterpillar” that took its time with a nicely extended opening section and the band was off and running. A silky smooth segue into the instrumental “M1” came next before an inverted “Naeba” and the end of “Caterpillar” wrapped up the opening stanza.

    A Biscuits classic in “House Dog Party Favor” kicked off the second set in fine fashion as the band’s iconic light show replete with laser beams coated the walls of the Capitol Theater in a rich tapestry of colors and images. The second set maintained an old school vibe to it early on with the near-20 minute “Helicopters” that came next and featured a well crafted jam with guitarist Jon Gutwillig leading the way. As it reached yet another climax, a slight change in the rhythm then ushered in the second cover of the night, the band’s instrumental take on Donna Summer’s Disco Era hit “I Feel Love.”

    Another funk laden jam with a slow build in intensity served as the foundation for a segue into the ending of “To Be Continued,” another one of the the new batch of Disco Biscuits originals and the first time it’s ever received the “inversion” treatment, with the ending section played immediately before the beginning of the song. Another newer number in “Freeze” followed before a quick re-visit to “Helicopters” to close out a second set that was one long segue of music after the opening “House Dog.” “Times Square” followed by a triumphant and powerful “Morph Dusseldorf” put one last finishing touch on the evening in the encore slot.

    Saturday night’s first set featured another extended bookending as it both began and concluded with another selection from the newer originals, “Twisted In The Road.” Seemingly picking up right where they left off the previous night, a dark, up-tempo jam was the first one out of the shoots. The band continued to show their comfort with the new material with another seamless segue into a monstrous “Buy The Time” that came next and clocked in at close to 30 minutes overall. With infectious melodies provided by Aron Magner on keys and a completely danceable beat, this one is sure to be a live staple for years to come and produced, arguably, the best jam of the entire weekend.

    Near its completion, elements of “Digital Buddha” began to seep in and the Biscuits were soon away with an inverted take on an old crowd favorite. The band then shifted from the old right back to the new with the fittingly-titled “Monster” that came next, only the third time ever this instrumental song has been played live. It featured some familiar chording that had some thinking “Lunar Pursuit” or otherwise instead. As the tempo began to increase, another familiar sound began to emerge, this time the peak of “Crickets” as the band steamrolled through another inverted rendition of a live staple before wrapping up the set.

    The last frame of music for the weekend did nothing but feature more of the same: only a few songs needed with added bountiful jams placed in between each. Things got started with a cover of Pink Floyd’s “Run Like Hell” that started with a slow, patient intro jam before fully kicking into gear. Much like its first set predecessor in “Buy The Time,” a significant chunk of the second was devoted to another new tune in “The Deal,” with this one clocking in at well over 30 minutes in total.

    An inverted (for the first time ever) “One Chance To Save The World” took the yet-to-be-released ‘Space Rock Opera’ took the song to new height, peak performance that found itself slipping into “Basis for a Day.” Fans got a taste of “Basis” in April when the second set of the final night featured multiple segues in and out of portions of the song, fitting newer tunes like “The Deal” and “To Be Continued…” within “Basis.” This evening, just one new song, “Photograph” would be sandwiched in between, an intense, energy driven combination, closing the night over the last 38 minutes.

    An encore of “Home Again” fit the bill nicely, as fans have found the Capitol Theatre to be home base in the New York metro area, with annual – and now bi-annual runs at the original rock palace. Just before truly calling it a night, Marc Brownstein thanked the crowd and dropped the band back into the final portion of “Basis for a Day,” dubbed “Basis for a Tour” in the Nugs recording.

    While the band is done touring for the year, they will be at North Beach Music Festival in Miami in early December, at Palladium Times Square for a late night show on December 28, followed by two nights at Franklin Music Hall in Philadelphia, before heading out west in 2024. Full tour dates can be found here.

    Setlists via Biscuits Internet Project

    Disco Biscuits – The Capitol Theatre, Port Chester, NY – Friday, October 27, 2023

    Set 1: Hope, Safety Dance > Caterpillar > M1 > Naeba 1 > Caterpillar
    Set 2: House Dog Party Favor, Helicopters > I Feel Love > To Be Continued 2 1 > Freeze > Helicopters
    Encore: Times Square, Morph Dusseldorf
    1 inverted
    2 first time inverted

    Disco Biscuits – The Capitol Theatre, Port Chester, NY – Saturday, October 28, 2023

    Set 1: Twisted in the Road > Buy The Time > Digital Buddha 1 > Monster 2 > Crickets 3 1 > Twisted in the Road
    Set 2: Run Like Hell 4 > The Deal > One Chance To Save The World 5 1 > Basis For A Day > Photograph > Basis For A Day
    Encore: Home Again, Basis For A Day 6
    1 inverted
    2 LTP 3/12/22 (108 shows)
    3 w/ Gamma Goblins tease
    4 unfinished
    5 1st time inverted
    6 reprise

    Photos by Brian Ferguson

  • In Focus: My Morning Jacket Makes Long-Awaited Return To Albany

    There was a palpable buzz across the Arbor Hill neighborhood in North Albany on Wednesday, as rockers My Morning Jacket made their long-awaited return to the area with a performance at the Palace Theatre. The band last played in the city in 2006. Madi Diaz opened the performance.

    Hailing from Louisville, Kentucky, My Morning Jacket has amassed quite the resume over its twenty-five years. Fronted by Jim James (vocals, guitar), the band also features Carl Broemel (guitars), Tom Blankenship (bass guitar), Bo Koster (keyboards), and Patrick Hallahan (percussion). The band has released nine studio albums, along with several EPs and live albums. Their current tour is in celebration of the 20th anniversary of the release of It Still Moves, and has seen the band perform the album in its entirety at certain shows.  

    Those arriving early on this evening were treated to an opening performance by singer-songwriter Madi Diaz. A lone spotlight illuminated the stage, as Diaz took opened the performance, just herself and a guitar. Diaz would take those in attendance on an emotional journey, performing songs like “Crying In Public” and “Same Risk.” Her powerful vocals, reminiscent of Phoebe Bridgers, filled the theater and captivated those in attendance.

    As the clock struck 9:15, the stage went dark and the band’s familiar orchestral walk-on music played over the house speakers. The band members took to the stage to a thunderous roar from the audience.  The familiar chord strums of “Circuital” would open the show and immediately all in attendance were on their feet. As the song slowly built in energy, fans made their way to the front of the stage, filling the side wings to dance about as the song kicked into full gear. The band kept the momentum going early, playing fan favorites such as “It Beats 4 U,” “I’m Amazed,” and “Mahgeetah” early in the set. 

    Jim James would bring Madi Diaz back to the stage early in the performance, to offer a beautiful rendition of the band’s classic ballad “I Will Be There When You Die.” The song would see Diaz harmonizing with James, with the two trading lyrics during the second verse, which even included Diaz adding a line to call out her hometown in Pennsylvania.

    In all, the performance would feature all the familiar staples of a My Morning Jacket concert. Jim James’ signature vocals danced about the beautiful Palace Theatre. The band consistently elevated songs from their studio form, with jams and improvisations making each song unique to this night, with several tracks stretching into extended jam sessions. A prolific light show mesmerized those in attendance, with a giant disco ball dropping from the ceiling during “Wordless Chorus.”  

    After a nearly two-hour, career-spanning main set, the band would return to the stage for four more songs, opening the encore opening the encore with the hypnotizing “Feel You.” The band broke out older classics “The Dark” and “Anytime” before ending with the high-energy “One Big Holiday.” After such a brilliant set, fans poured into the streets, hopeful the wait for a return performance wouldn’t be nearly as long next time.

    My Morning Jacket – Palace Theatre, Albany – Wednesday, October 25, 2023

    Setlist: Circuital, It Beats 4 U, Love Love Love, I’m Amazed, Mahgeetah, Spinning My Wheels, I Will Be There When You Die (with Madi Diaz), Spring (Among the Living), Off the Record, Lay Low, Old Sept. Blues, I Will Sing You Songs, Phone Went West, Victory Dance, Holdin On to Black Metal, Lucky to Be Alive, Wordless Chorus

    Encore: Feel You, The Dark, Anytime, One Big Holiday

  • Bad Religion Rocks the Paramount in Huntington, Long Island

    On the evening of Tuesday, October 24, Huntington, Long Island was treated to a blistering performance by the legendary punk rock band Bad Religion. The Paramount, a renowned venue on Long Island, was almost sold out as fans eagerly awaited a night of high-energy music and a setlist spanning the band’s impressive 40-plus-year career.

    Formed in 1980 by a group of punk rock enthusiasts in Los Angeles, California, Bad Religion has since become a driving force in the punk and alternative music scenes. Known for their thought-provoking and socially-conscious lyrics, the band has released numerous albums that have left a lasting impact on the genre. With a unique blend of punk and melodic sensibilities, they have earned a dedicated fan base worldwide. The current lineup includes Greg Graffin as the lead singer, Jay Bentley on bass, Brian Baker on guitar, Mike Dimkich on guitar, and Jamie Miller on drums.

    The October 24 show was part of Bad Religion’s 2023 North American tour, which consisted of an impressive 22 shows. This leg of the tour was set to culminate at the Starland Ballroom in New Jersey on October 29, after which the band was scheduled to take their electrifying act overseas to Argentina, Brazil, Chile, Peru, and Colombia in December.

    Bad Religion took the stage to raucous applause and immediately launched into their set. They opened with “The Defense,” and from that moment on, it was non-stop punk rock euphoria. The band expertly weaved their way through their extensive discography, performing fan favorites like “Against the Grain,” “Infected,” “No Control,” “Sorrow,” “Generator,” and many more.

    One remarkable aspect of the performance was the relentless mosh pit that raged at the center of the floor, where bodies surged and collided in a frenetic dance of exhilaration. People were continually crowd surfing, their figures soaring over the rail, borne aloft by a sea of outstretched hands. In the midst of this chaotic fervor, Bad Religion displayed their unwavering energy and enthusiasm, traits that have been the hallmark of their live shows for over four decades. Their music, often delving into pressing societal and political issues, struck a deep chord with the crowd. Fans not only sang along and shouted their approval but also joined the relentless mosh pit, passionately responding to the band’s contagious punk anthems.

    The climax of the night came with the encore, which featured one of their most iconic songs, “American Jesus.” In total, Bad Religion played an impressive 26 songs, showcasing the depth of their catalog and their enduring ability to captivate audiences.

    A special mention must be made of the opening act, Speed of Light. Comprised of a group of young, talented musicians, this band had the honor of warming up the crowd for Bad Religion. Riley Christensen, a 16-year-old prodigy, took center stage as the lead singer, bassist, and songwriter. Her older brother, Cameron Christensen, at 19 years old, played guitar, sang backup, and also contributed to the band’s songwriting. Completing the trio was Tyler Christensen, the drummer, who not only kept the rhythm but also provided backup vocals and songwriting.

    The night of October 24 at The Paramount in Huntington, Long Island, was a memorable one for punk rock enthusiasts. Bad Religion delivered a performance that not only showcased their enduring talent but also underlined the continued relevance of their music. As they continued their North American tour and looked forward to their international dates, it was clear that Bad Religion’s legacy in the world of punk rock remained as vibrant as ever. The show was a testament to the timelessness of their music, and fans left the venue with a sense of satisfaction, knowing they had been part of something truly special.

    Setlist: The Defense, Against the Grain, Past is Dead, Anesthesia, Wrong Way Kids, To Another Abyss, Fuck You, Requiem for Dissent, Infected, My Sanity, Portrait of Authority, Delirium of Disorder, No Control, Do What You Want, Recipe for Hate, We’re Only Gonna Die, Los Angeles is Burning, 21st Century (Digital Boy), Drunk Sincerity, Candidate, I Want to Conquer the World, Sorrow, You, Fuck Armageddon…This is Hell, Generator, American Jesus

  • Daze of the Dead: Billy & The Kids Rock The Capitol Theatre

    This past weekend, Billy & The Kids played a two-night run at the legendary Capitol Theatre, with sets including covers of the Grateful Dead, Rolling Stones, The Who, and Eric Clapton.

    This time around the band included of course Bill Kreutzmann, and the ‘kids’, Reed Mathis, Aron Magner, and Tom Hamilton, who were joined by Andrew and Brad Barr of The Barr Brothers.

    The band started of with a tight set featuring crowd favorites like “Eyes of the World,” “Jack Straw,” and “Beat It on Down the Line.”

    On October 20th, the theater celebrated the 1000th show for Head Usher Brian Lynch who had the occasion commemorated with a trophy which was handed by Pete Shapiro and Billy Kreutzmann himself.

    The second set started off with a traditionally psychedelic “Drums > Space” into another crowd favorite “Scarlet Begonias.” The second set was filled with elaborate jams and ended with an incredible “Fire on the Mountain” and the band came back for an encore of “Lay Down Sally” and “Ripple.”

    Billy & the Kids – The Capitol Theatre – Port Chester – Friday, October 20, 2023

    Set 1: The Kids Are Alright, St. Stephen, Eyes of the World, She Belongs to Me, Beat It on Down the Line, Mama Tried, Jack Straw, Row Jimmy, Let’s Spend the Night Together

    Set 2: Drums > Space, Scarlet Begonias, Friend of the Devil, Ramble on Rose, A Hard Rain’s A-Gonna Fall, Fire on the Mountain 

    Encore: Lay Down Sally, Ripple 

  • In Focus: My Morning Jacket at The Beacon Theatre

    Celebrating 20 years since the release of It Still Moves, My Morning Jacket and their loyal fans descended upon the Upper West Side of Manhattan for three nights of shows at the Beacon Theatre, with Madi Diaz opening up each night.

    my morning jacket beacon theatre

    My Morning Jacket kicked off their 3-night run at The Beacon Theatre with a bang, playing their album It Still Moves in its entirety to the sold out crowd. A real treat for fans, the band returned for a 7-song encore, starting with Jim James solo on “I Needed It Most”, played for the first time since 2018.

    The encore included a live debut of “Grab a Body” as well as “Feel You,” “It Beats 4 U,” and “Phone Went West” to close out the night. James spoke about how blessed we are to be in such a beautiful place that is the Beacon Theatre.

    Friday night of My Morning Jacket at the Beacon Theatre started off with a full version of “Cobra,” clocking in at almost 17 minutes. The setlist that followed captivated the sold-out crowd from start to finish, with stand out songs including “O is the One That Is Real,” “Strangulation,“ and “Victory Dance.”

    They returned to the stage for a 6-song encore with opener Madi Diaz joining Jim James and company to perform “The Wind” by Cat Stevens. The highlight of the encore was “Highly Suspicious,” off their 2008 album Evil Urges.

    my morning jacket beacon theatre

    Saturday saw Diaz join the band once again, joining for “I Will Be There When You Die,” an apt song given the first lines being “Joe was born in New York City, Son of Paul and Catherine, Always down and always out, But his ‘morrows always seemed jus’ fine.”

    This week, the tour marches on, playing in Albany on Wednesday, October 25 at the Palace Theatre and at The Met in Philadelphia on Friday, October 27, before heading to the Southeast and closing the tour out in Chicago November 9-11.

    My Morning Jacket – Beacon Theatre, NYC – Thursday, October 19

    Setlist: It Still Moves, Mahgeetah, Dancefloors, Golden, Master Plan, One Big Holiday, I Will Sing You Songs, Easy Morning Rebel, Run Thru, Rollin Back, Just One Thing, Steam Engine, One in the Same
    Encore: I Needed It Most, Old Sept. Blues, Feel You, It Beats 4 U, Compound Fracture, Grab a Body, Phone Went West

    my morning jacket beacon theatre

    My Morning Jacket – Beacon Theatre, NYC – Friday, October 20

    Setlist: Cobra, Gideon, The Way That He Sings, Lay Low, Slow Slow Tune, Run It, I’m Amazed, Least Expected, Lucky to Be Alive, War Begun, Strangulation!, Victory Dance, O Is the One That Is Real, Smokin’ From Shootin’, It’s About Twilight Now, Anytime
    Encore: Butch Cassidy, The Wind (with Madi Diaz), Only Memories Remain, First Light, Highly Suspicious, Touch Me I’m Going to Scream Pt. 2

    my morning jacket beacon theatre

    My Morning Jacket – Beacon Theatre, NYC – Saturday, October 21

    Setlist: In Its Infancy (The Waterfall), Spring (Among the Living), Holdin On to Black Metal, Never in the Real World, Evil Urges, I Think I’m Going to Hell, I Will Be There When You Die (with Madi Diaz),
    Knot Comes Loose, Heartbreakin Man, What a Wonderful Man, Honest Man, Tropics (Erase Traces), Thank You Too!, Climbing the Ladder, Off the Record, Wasted, Dondante, Love Love Love, Circuital
    Encore: State of the Art (A.E.I.O.U.), Touch Me I’m Going to Scream Pt. 1, Wordless Chorus

    my morning jacket beacon theatre
    my morning jacket beacon theatre
    my morning jacket beacon theatre
    my morning jacket beacon theatre
    my morning jacket beacon theatre
    my morning jacket beacon theatre

  • Daniel Donato brings his “Cosmic Country” to Brooklyn Bowl

    On the evening of Saturday, October 21, fans gathered at the legendary Brooklyn Bowl in Williamsburg to witness an unforgettable performance by Daniel Donato. The 1000 capacity venue was completely sold out as Daniel and his ensemble graced the stage, bringing his unique presentation, “Cosmic Country,” to the streets of Brooklyn.

    Daniel, who is currently in the midst of his fall tour, made a resounding statement by packing this iconic venue to the brim. The atmosphere was electric. Taking the stage promptly at 8:00 PM, Daniel showcased not just his musical talent but also the profound connection he shares with his audience. “Cosmic Country,” originally the title of one of his albums, has become more than just a moniker; it symbolizes a journey into the world of Americana, and the boundaries he pushes as he explores each song.

    Hailing from Nashville, Tennessee, Daniel had previously made guest appearances at this venue earlier this year with the Kitchen Dwellers, and his growing popularity as an original artist has also seen him collaborating with mainstream icons. Notably, he recently joined Grateful Dead drummer Bill Kreutzman for several of his recent shows, including the sold-out Pier 17 NYC performance in August, as well as performing with Bob Weir in his home state last year.

    https://youtu.be/lAOzVcLgoV8?si=mUMJR5Udcpu99M5t

    Daniel’s “Cosmic Country” experience takes the audience on a captivating journey, with his influences in jam band music shining through. It’s a blend of country and folk, infused with groovy and funky elements. The music is structured yet possesses an ethereal, space-like quality. The audience, in sync with the Cosmic Country vibe, sported cowboy, western, and psychedelic attire.

    A standout moment in the performance was when Scott Metzger, of Joe Russo’s Almost Dead fame, made a guest appearance during the first set. The energy in the venue was palpable as Daniel and Scott engaged in a musical duel, their notes creating a delightful exchange that resonated with the ecstatic audience. Throughout the night, Daniel’s ensemble band played an indispensable role in the evening’s success. Will Clark, commanding the drums, Nathan Aronowitz, who effortlessly alternated between keys and guitar, and Will McGee, holding down the bass, provided a solid musical foundation for the evenings journey.

    As the final set concluded, Daniel playfully bid the sold-out crowd a faux goodnight. The audience, buzzing with excitement, began chanting for an encore, and their enthusiasm was infectious. Prominent venue owner Peter Shapiro even emerged, further igniting the crowd’s energy. Daniel and his band returned to the stage amidst cheers, embarking on a final descent that left a lasting impression. As fans exited the Brooklyn Bowl, they were left buzzing with excitement, their anticipation for Daniel Donato’s promising career is undeniable. He is undoubtedly on the cusp of becoming a prominent figure in the Rock Community, with a dedicated fan base to support him.

    For those in Buffalo eager to catch a glimpse of the Cosmic Country phenomenon, a performance is scheduled for Tuesday, October 24. Furthermore, fans can look forward to his upcoming album, Reflector, set to release on November 10.