Long Island-based alternative acoustic “mom rock” group Phil Firetog Trio & Co. have just released their upcoming single “How A Heart Breaks.” The single is an uptempo pop-rock track about dealing with grief and memorializing loved ones.
“How A Heart Breaks” describes heartache whilst retaining the intensity of rock progressions, paired with emotionally charged lyrics. They have also recently released their fan-favorite single, “Fall,” the first track to include the “Company” performing alongside the trio and their latest holiday-themed single “Long Island Christmas Eve.” The band is set to perform five shows in Westhampton Beach in February and March.
Phil Firetog Trio & Co. was formed in 2015 and is composed of a Phil Firetog (lead vocalist/guitarist), Johnny “Pots” Potocnik (drummer), Liam Gordon (bassist), Tye Granger (saxophone) and Gabriel Nekrutman (flute/clarinet/alto sax). Each member of the band is diversely talented, they are musicians who blend their individual and distinct styles to craft a sound that is truly rare.
Singer/Songwriter Phil Firetog develops music that is rich and intricate and spans the spectrum from clean to grit and ambient to rocking by mastering acoustic guitars with pedals and distorted amps. Johnny “Pots” Potocnik & Liam Gordon fill the spaces with complex & rhythmic grooves, intriguing listeners while they connect on another level outside the lyrical storytelling.
The band will continue new single releases in 2022 starting in September with their release of “Fall”. It’s clear that Trio and Company will continue to reshape and reinvent itself in this ever-shifting industry while staying on the edge of new sounds and genres – never losing the essence of the core trio: ‘Rare and Transformative’
Upcoming Tour Dates:
FEB 04 – @ Westhampton Beach Brewing Co. Westhampton Beach, NY
FEB 18 – @ Connolly’s Pub & Restaurant 45th St. New York City, NY
MAR 03 – @ Westhampton Beach Brewing Co. Westhampton Beach, NY
APR 22 – @ Westhampton Beach Brewing Co. Westhampton Beach, NY
MAY 20 – @ Westhampton Beach Brewing Co. Westhampton Beach, NY
For more information on tour dates and to purchase tickets, click the link here.
On Friday, February 3rd, The Q-Tip Bandits sold out the beloved Mercury Lounge on the Lower East Side of Manhattan. With support from openers Enrose and Seeing Double, there was an incredible and animated vibe as both the crowd and the performers fed each others energy over the course of the night.
Photograph by Chinaza Ajuonuma
The Q-Tip Bandits are a Boston-based, five-piece, indie-rock pop ensemble with an epic stage presence and and even better tunes. Made up of Leo (frontman), Claire (bassist), Dakota (drums), Hoyt (trombone) and Maclin (trumpet), their stylish, colorful, and refreshing music is supported by the raw intensity of rock, R&B, and funk influences, as well as the use of brass horns.
Photograph by Chinaza Ajuonuma
Within the first three weeks of its release, their lead track “Willow” received 50,000 Spotify streams, giving the band the motivation they needed to start recording their debut EP, Ain’t It Great. Despite its debut during a global pandemic, it was incredibly well received by the masses, and has propelled the band forward since.
Photograph by Chinaza Ajuonuma
Enrose took the stage first and immediately started swinging with an incredible set filled with unreal saxophone solos by the talented saxophonist and singer-songwriter, Gabi Rose. Mixed with vibes of grunge rock and R&B, it was a unique performance that really got the crowd ready for the night ahead.
Photograph by Chinaza Ajuonuma
When Seeing Double got on stage next, there the ambiance shifted as the crowd prepared for these legends with their funky outfits and equally funky beats. As a New York based rock band, they’re known across the scene for their high-energy shows and eccentric stage presence, which was incredibly clear through their performance. With their signature feel-good grooves and punchy instrumentals, Seeing Double did an absolutely incredible job warming and amping up the crowd for the rest of the night.
Photograph by Chinaza Ajuonuma
When the Q-Tip Bandits took the stage, they immediately captivated the audience with velvety, warm and eccentric tones from the trombone and trumpet. With the crowd giddy with anticipation, the vibes escalated even more, complete with an open and excited atmosphere and daisy shaped balloons released during the song “Daisy”. As a cute little keepsake, the crowd jumped around in time with the balloons and the beat as the show closed out, warmth and excitement high on a cold winter’s day.
Photograph by Chinaza Ajuonuma
These artists are booked and busy, so make sure to keep up with all these artists on socials, and all their shows.
The Q-Tip Bandits will be launching into The Tip Toe Tour down south during March, as well as playing at Boston Calling on May 27th if you find yourself in Boston this spring. Seeing Double will be playing in Ithaca opening for Melt on March 28th, and there are more show dates on the horizon to be announced. Enrose doesn’t currently have any performances scheduled, but be sure to check their Instagram for any show updates.
Setlists
Enrose: Feels Like Home, NoDoubt, Wait Create, MenU, Save Yourself Seeing Double: Don’t Wait, Lovefool [The Cardigans Cover], TIOLI [RONA Cover], Bygones, Ɛ + 13, Valerie [Amy Winehouse Cover], Leah The Q-Tip Bandits: Chasing Cars, Asking 4 A Friend, Wrong Address, As It Was [Harry Styles Cover], Better Place, July, Kids [MGMT Cover], Tip Toe, Happy, Daisy, Willow
Photograph by Chinaza AjuonumaPhotograph by Chinaza AjuonumaPhotograph by Chinaza Ajuonuma
The Disco Biscuits stopped at the Palace Theatre in Albany on Friday Feb. 3rd. This was the third stop of their winter tour, and the coldest night of the year in the Northeast. Those fans who were willing to brave the sub-zero temperatures were treated to a heater of a show. The Disco Biscuits also treated fans with the release of a new studio album Shocked! on the same day.
Snake and Stars opened the show. The electronic duo is comprised of Michael Travis (The String Cheese Incident) and Aaron Johnston (Brazilian Girls, David Byrne’s American Utopia). The band was formed last year between the two long time friends as an improvisational exploration of electronic dance music. Their current tour continues into April.
The Disco Biscuits opened up with the relatively new “Why We Dance,” followed by “Spy” which was an encore for the band at their November 1, 2007 show at The Palace. A nonstop segue of “Times Square > Bombs > Humuhumunukunukuapua’a > Another Plan of Attack” rounded out the rest/majority of the first set. Set two opened with fan favorites “Crickets” and “42”, followed by the Shocked! track “Tourists (Rocket Ship)”, which continued the segue frenzy, leading into “Tempest > Svenghali > 42” with the new “To Be Continued” closing out the second set.
If you missed this show, catch the Disco Biscuits at one of their upcoming tour stops, including three more shows in New York at the Capitol Theatre in Port Chester over March 23rd, 24th, and 25th.
Check out the Biscuits’ setlist and full photo gallery below.
The Disco Biscuits – Palace Theatre, Albany – Friday, February 3, 2023
Set 1: Why We Dance, Spy, Times Square > Bombs > Humuhumunukunukuapua’a > Another Plan of Attack Set 2 Crickets > 42 > Tourists (Rocket Ship) > Tempest> Svenghali > 42, To Be Continued Encore Frog Legs
Sometimes you need to head west in the winter to find some heat, and at 1st Bank Center on Saturday, February 4, that’s just what was found. Amid bitter cold back east, I flew out to Denver for a short weekend and experienced my first Billy Strings show.
This is not to say I’ve never seen Billy Strings perform – I first saw him at WinterWonderGrass in Stratton, VT in December 2018, after years of hearing the buzz about this Michigan bluegrass musician. It took until last summer to catch him a second time, during Outlaw Music Fest when it came to Saratoga Performing Arts Center. But I had never seen him in a regular show setting, and festival sets always give you a different experience than seeing the band for an evening with. Thus, this would be my first Billy Strings show, on the last night of his sold out three-night run in Broomfield, CO, and what a show it was.
Cutting to the chase here, Billy Strings, featuring Mr. Strings (guitar), Billy Failing (banjo), Royal Masat (bass), Jarrod Walker (mandolin), and Alex Hargreaves (fiddle), puts on one hell of a show. There wasn’t a dull moment, an unengaged fan or any feeling I was arriving to the show as an outsider – the crowd was welcoming, one that assured me afterwards that I got a heater at my first Billy show.
With a half an hour before show time (given the 815pm start time the previous two nights), our crew found ourselves on the floor about a third of the way from the front, stage right. With 15 minutes, 10 minutes and 5 minutes before showtime, a brief announcement came on the screens with the voice of god saying “X minutes until Fuzzy Rainbows” – a unique way to get the crowd prepared for the show at the same time the band is getting ready and heading to the stage. With all the shows I’d listened to of Billy Strings’, this was a brand new concept and one of those welcome surprises that did not disappoint.
Kicking off with two substance-tinged tunes, the ever popular “Dust in a Baggie” and “Heartbeat of America,” eyes were drawn to the video screens on either side of the stage. These made Billy and the band seem larger than life (by design), with the band-wide shot above the stage giving a horizontal frame to the band. For those way back in the audience, this was helpful as the five musicians side by side appeared so tiny after looking at the video screens of Giant Billy looking down on the crowd.
The hour long first set had an array of covers, with traditional tunes from Roy Acuff and Larry Sparks complemented by covers from The Moody Blues and John Hartford. Billy Strings’ blending of his own originals and covers that go back through the history of bluegrass, as well as non-bluegrass tunes is a great part of the appeal that makes the music so accessible to so many.
Alongside the video screens were the lights, which were another thing that could not translate to the audio-only experience, let alone festival sets. The lights were on par with the 20th Century Fox intro spotlights, continually shining all around, rotating and occassionally connecting with the disco ball way up in the rafters off stage left. This unexpected element to a bluegrass show gave a never-ending intertwining of lights, something you’d only see at a Greensky Bluegrass show.
After a not too long setbreak, set 2 came out swinging with an Oak Ridge Boys tune, a mellow and delightful “Watch It Fall” and the traditional “Cumberland Reel.” From there, the set picked up speed and never let up, dropping in with the dark as hell “Psycho” that segued smooth as silk into J.J. Cale’s “Ride Me High.” The Bad Livers’ tune “Pretty Daughter” – covered often by Yonder Mountain String Band – jumped up late in the set, with Billy moving from side to side on the stage, hamming it up a bit and watching his bandmates take solos. The closing “Turmoil & Tinfoil” rounded things out with a punch, with an all too brief encore of “Tennessee,” noted as the band’s destination for some recording, and not a sit-in with Phil Lesh and Friends the next day in Denver.
And with that, I checked my first Billy Strings show off the list, with assurance from the show and crowd that this would not be the last.
Billy Strings – 1st Bank Center, Broomfield, CO – Saturday, February 4, 2023
Set 1: Dust In A Baggie, Heartbeat of America, Along The Road (Dan Fogelberg), Streamlined Cannonball (Roy Acuff), The Fire On My Tounge > Know It All, John Deere Tractor (Larry Sparks), The Preacher & The Bear (Arthur Francis Collins), Wargasm, Nights In White Satin (The Moody Blues), This Old World, Bronzeback, All Fall Down (John Hartford), These Old Blues (Traditional)
Set 2: Dig A Little Deeper In The Well (The Oak Ridge Boys), Ice Bridges, Watch It Fall, Slow Train, Cumberland Reel (traditional), Psycho (Eddie Noack) > Ride Me High (J.J. Cale) The Train That Carried My Girl From Town (Doc Watson) > Black Mountain Rag, Love Like Me, Whisper Your Name (New Grass Revival), Pretty Daughter (Bad Livers), Nothing’s Working, Turmoil & TInfoil
Captivating the audience with beautiful harmonies and songs of both heartbreak and hope, Hayley Jane and the Hold On Honeys put on a stellar performance at Lark Hall in Albany on February 2nd. Collaborating with each other for the first time and trading sit-ins, the immediate chemistry between these two respective acts could be felt by everyone in the room.
Haley Jane performs with Troy, NY’s Hold On Honeys at Lark Hall on 2/2/2023
Kicking off the show were Troy natives The Hold On Honeys, an indie folk minimalist vocal trio comprised of Emily Curro, Raya Malcolm and Shannon Rafferty. Trading leads and singing to their strengths, each member of the Honeys’ was given an equal chance to shine, but the true beauty came when this pitch-perfect trio sang together as one. After serenading the highly receptive audience with songs like “Case of You,” “Lullaby,” and “Maple Lane,” tender ballads about finding love and losing it, the gals then showed their more optimistic and fun-loving side with “Get High,” before sending us to intermission with “Down Home Girl.” A very enjoyable set, but it wouldn’t be the last time we’d see this promising up-and-coming act.
The Hold On Honeys opened the show at Lark Hall on 2/2/2023
After a quick break in the action, it was officially time for Hayley Jane to grace the Lark Hall stage. A familiar face to the Albany crowd, Jane has been playing the area for years, mostly with The Primates behind her, or as part of Yes Darling with Ryan Montbleau. For this run however, Hayley enlisted an equally talented group of Burlington, VT based players that featured Josh Dobbs on keyboards and the former Swimmer rhythm section of Jack Vignone handling bass and Cotter Ellis on drums.
Opening her set with “Look to the Moon,” the pace quickly picked up when Hayley went into a bit of medley of mashup cover songs. Touching on a Cowboy Junkies-esq rendition of “Blue Moon Revisited” that took a ‘tasty’ left turn into the Italian classic “That’s Amore,” before eventually paying homage to the Grateful Dead with a beautiful version of “Ramble on Rose.”
Haley Jane gives up her secrets at Lark Hall on 2/2/2023
Inviting you in with her undeniable charisma and vulnerability, Jayne’s storytelling between numbers left you feeling like you actually knew her. Looking around the room, you literally could see an entire audience falling in love. Working her way through a few songs from her most recent solo album, “Road Map” and “Soul Shaken,” from 2021’s Late Bloom, one of the most powerful and emotional highlights of the night came next when Hayley Jane performed “For Someone Who Needs It,” a song about depression, loneliness and reaching out for help. Fan shot footage of that can be seen below.
Taking her listeners on a humble journey, Hayley would tell the audience she was raised as a Baptist, and despite some groans, would give credit to her church choir for teaching her to sing. After belting out stellar versions of “Ignite” and “Madeline,” another of Jane’s favorite covers, Gregory Alan Isakov’s “Big Black Car” was next. Revealing a little more about herself, Jane would say the best thing she ever did was stop caring what other people think about her.
Essentially freeing her to be who she really is while also allowing a natural relationship to develop with the audience, Hayley confessed that “nerds rock” and are also “better in bed.” “Loose Screws” and “Madam Humphrey” would take a little walk on the wild side before Haley would play a new one called “Assembly of Words,” a song that was written while living in California and simultaneously going through the pandemic and a tough break-up. Some of her most vulnerable lyrics yet, afterwards she would admit to “feeling nervous” and “naked” during that one.
Hayley Jane and the Hold On Honeys captivate an intimate Lark Hall crowd on 2/2/2023
Picking the pace back up with another rocker from The Primates 2014 album Gasoline was “Hey Mister,” followed by an unreleased new song that was recently recorded with members of The Main Squeeze called “Girl.” Instead of leaving the stage and returning ala your typical encore however, Hayley would invite the members of the opening act, Hold On Honeys, to join her on stage for the remainder of the night. What then transpired was pure magic. Playing in Levon country and rambling together for the first time, Hayley and the Honeys’ uncorked an absolutely beautiful version of The Bands’ classic song “The Weight,” a rite of passage in this part of New York.
Feeling the combined energy of the women on stage, Hayley beamed with pleasantries for her new gal pals, even claiming she’d love to take them out on the road with her. As the curfew came and went, Jane would quickly check with Lark Hall staff if it was “Alright” to play one more. Once given the green light, Haley would quickly teach the Honey’s the chorus to the final song of the evening, “Make It Alright,” which was then jammed out to perfection, fusing multiple genres and stretching its legs all the way to the 15-minute mark and included “Wild Thing” teases for good measure.
Haley and the Honeys made a cold February night more than alright at Lark Hall 2/23/
After thanking everyone for coming out and wishing them well on their way home, the girls would convene near the center of the stage for a group hug and shared smiles. An exceptional performance all around and yet another reason to never miss a Thursday show at Lark Hall. An evening filled with genre bending, thought provoking, and at times heartbreaking music. Honest storytelling and songwriting, surprise collaborations, dancing, and beautiful down- home harmonies. Great medicine for these modern times indeed. While it remains to be seen how serious Jane is about taking her new friends out on the road, what we do know is that ‘Hayley and the Hold On Honeys’ sure has a nice ring to it.
Haley Jane | Albany, NY | 2/2/2023 | Lark Hall Setlist: Look to the Moon, Ramble on Rose, Roadmap, For Someone Who Needs It, Ignite, Madeline, Big Black Car, Loose Screws, Soul Shaken, Madam Humphrey, Assembly of Words, Hey Mister, Girl
Encore: The Weight, Make It Alright *Grateful Dead cover **Gregory Alan Isakov cover ***The Band cover featuring The Hold On Honeys **** Featuring The Hold On Honeys
Hold On Honeys | Albany, NY | 2/2/2023 | Lark Hall Setlist: Wisely, Calling All My Children, TN River, Chicago, Getting Home, Case of You, Lullaby, I’m On Fire, Maple Lane, Knowing, Get High, Down Home Girl
The late Gord Downie & Canadian producer Bob Rock have just released their latest single “The Moment Is A Wild Place.” The epic rock duo has also just announced their upcoming album Lustre Parfait, the ninth album to bear Downie’s name outside of The Tragically Hip, and the first to bear Rock’s.
The single is a long-fabled collaboration between Gord Downie, late front man of legendary Canadian rock band The Tragically Hip, and GRAMMY® Award-winning producer/musician Bob Rock. Their partnership began in 2006 when Rock produced The Tragically Hip’s acclaimed 10th studio album, World Container, followed in 2009 by the chart-topping We Are The Same.
Robert Jens Rock, record producer, engineer, guitarist, and songwriter has produced and engineer top-selling albums by such timeless artists as Metallica, Bon Jovi, The Tragically Hip, The Cult, Mötley Crüe, Aerosmith, Cher, Loverboy, Bryan Adams, Simple Plan, Michael Bublé and many others. He is known for his robust, radio-friendly production touch and the intuition to play to an artist’s character and strengths, Rock is perhaps best known for his long-standing role as producer for Metallica.
“I’ve always been a fan of long pieces of music,” says Bob Rock. “Setting a mood and going someplace, just taking you somewhere. The music was based on that journey, this rising tide of chords, crescendos in the chorus. Somehow, I stumbled on this magic chord, a simple minor to a major progression, and it moved me. And Gord reacted to it. It’s absolute perfection in terms of songwriting and in terms of what he did. It’s special because of what he talks about. The lyric was written before he was diagnosed with the sickness that he had. They say you gotta live in the moment. It causes you to look back, and I get choked up every time I hear it, still. I think most people will be moved by it. It’s one of his finest moments.”
More than a decade in the making, Lustre Parfait sees Downie’s peerless lyricism and incendiary heart given newfangled energy by his longtime friend and collaborator, famed producer/musician Bob Rock.
Gord Downie is the late lead singer and songwriter of The Tragically Hip, who, over more than 30 years and across fourteen studio albums, built an enduring legacy as perhaps the essential Canadian rock band. With seven solo albums to his name, Downie’s own music refutes definition, renowned for its adventurous poetry, collaboration, elastic composition, and singular vocal wail.
Unfortunately, Downie passed away on October 17th, 2017. Since his passing, The New York Times stated that Downie has “no parallel in the United States. Imagine Bruce Springsteen, Bob Dylan, and Michael Stipe combined into one sensitive, oblique, poet-philosopher, and you’re getting close.”
“First and foremost Gord was my friend,” continues Rock, “and having the opportunity to work with him on these songs was one of the biggest highlights of my professional life. I am grateful that I got to witness his genius in such close proximity.”
To listen to “The Moment Is A Wild Place,” click the link here.
To preorder the upcoming album Lustre Parfait, click the link here.
Formed upon a chance encounter while busking in the subways of New York City, Bandits on the Run have released their newest single, “You Have Changed,” on February 2nd. Thus, marking a new phase of Banditry; this is the first release that they have self-produced, and offers a taste of what’s to come on the follow-up record to 2021’s acclaimed EP, Now Is The Time.
“‘You Have Changed’ is about being torn apart, begrudging acceptance, and lingering love. It’s about the uncontrollable wellspring of grief that comes swooping in when life smacks you in the face, and you’re just not ready for it,” the band reveals. Written at a moment of uncertainty, when their futures seemed tenuous, they say that the creation of the song was a mediation on accepting reality. “It felt like the world was caving in under us and all of a sudden everything we loved and held onto had changed.” It’s evident that those feelings resonate with listeners.
“When we perform this song, people tend to open their hearts to us and share their stories of change and loss. For some people, ‘You Have Changed’ is about a loved one that’s passed, or a lover that’s left, or a storm that’s finally clearing up. We love that it takes on a new meaning with every person who hears it, and is about whatever is changing in their life at the moment.”
“Bandits on the Run capture the urgency of the moment… harmony rich… [with] a rousing atmosphere.”
– Rolling Stone
Comprised of Adrian Blake Enscoe, Sydney Shepherd, and Regina Strayhorn, the Brooklyn-based indie-pop-Americana trio is anchored by three-part harmonies and eclectic instrumentation. This includes accordion, cello, melodica, and a suitcase-kick-drum.
Their most recent EP, Now Is The Time, was produced by Ryan Hadlock (Brandi Carlile, The Lumineers), and surrounding that release, the band produced a short musical film, Band At The End Of The World. They’ve also gone on to compose music for the Netflix children’s animated series, Storybots, score the newest Peter Hedges movie, The Same Storm, and tour the globe with appearances at the Cambridge Folk Festival, Floydfest, Milwaukee Summerfest, Americanafest, and the Singapore Grand Prix.
In addition, they stay in touch with their theatrical roots: Strayhorn is a freelance casting director currently working with The Telsey Office, Shepherd is a Broadway veteran who graced the stage in the world premiere of the musical August Rush, and Enscoe starred opposite Hailee Steinfeldin the AppleTV+ show, Dickinson, and on stage in Swept Away (by The Avett Brothers).
Their next release will be their most collaborative yet: a self-produced EP featuring various and sundry bandit friends that explores the tensions of a world that has been broken open but is putting itself back together.
Coinciding with the release of “You Have Changed,” Bandits on the Run kick off a midwestern tour with several performances at Folk Alliance. A video for the single is coming soon.
UPCOMING TOUR DATES: 2/2 – 2/4: Folk Alliance at Marriot Crown Center (Kansas City, MO) 2/3: Tiny Concert at Effing Candle Co. (Kansas City, MO) 2/6: Bishop Hill Community Commons (Bishop Hill, IL) 2/8: Rhythms & Brews @ Gibson Music Community Center (Appleton, WI) 2/9: Epiphany Center For The Arts (Chicago, IL) 2/10: Rose Bowl (Urbana, IL) 2/11: Bradley University (Peoria, IL)
To purchase tickets and for more details about Bandits on the Run, click the link here.
On Sunday, February 5th, 2023, Mac Saturn gave the young teens of Empire Live Underground a show worth missing the Grammys. Opening with rising star, Billy Tibbals, the show kicked off to a roaring start.
Carson Macc of Mac Saturn at Empire Live Underground – Photo by Jarron Childs
Coming from England, then moving to L.A. in his teens, Billy Tibbals has been chasing his dreams of being the next rockstar. Drawing inspiration from The Beatles, David Bowie, and The Damned; Billy and his band has a very vintage style of rock-n-roll that really electrifies the stage. His hopes are to get the youth off their phones and back to enjoying each other in person. He has 3 singles available currently on streaming services and plans to release in first album in April.
The Billy Tibbals Band began the night strong and loud. With a style copied and pasted from a 70’s GQ magazine, Billy lead his sharply dressed band to an electric and energetic start. Things took a slow turn with a song titled “3am” about Tibbals’ younger sister. But it did not last for long as he really played his heart out for his potential new fan base. After the show, he was selling vinyls of his upcoming album, Stay Teenage, before it hits streaming services.
Billy Tibbals of The Billy Tibbals Band at Empire Live Underground – Photo by Jarron Childs
Mac Saturn, of Detroit, took the stage not soon after Billy’s 45 minute set. This was both their first national tour and their first time in Albany. They originally formed back in 2014 at a Christmas party and soon became a sextet of mixed instruments and vocals. They released a five song EP, Until the Money Runs Out, last August and plans to release a new single hopefully sometime later this year.
Keeping on the trend of vintage, Mac Saturn’s lead vocalist, Carson Macc, came out ice cold in a blazer his grandfather probably wore and rough 70s mullet. Though the crowd was small, they had the amplitude of a thousand screaming teens at Govball. Macc had them singing the lyric’s of “Ain’t Like You” back to them with ease.
Guitarist Mike Moody of Mac Saturn at Empire Live Underground – Photo by Jarron Childs
Though Macc took frequent breaks off stage, it gave more time for guitarist, Mike Moody, to really rock the crowd with gut wrenching solos. They performed a cover of Charles Brown Mint Julep shortly before ending with their number one song, “Plain Clothes Gentleman.” They really held a powerful presence for their last song, really sucking the crowd in with phenomenal instrumentals and partying with the fans.
They continue their tour with another New York stop at the Town Ballroom in Buffalo on February 9th. Their tour ends in their home state of Michigan with two shows in Ann Arbor on the weekend of April 1st.
Mac Saturn Setlist: Diamonds, Paradiso, Persian Rugs, Boxcutter, Get on the Phone, Ain’t Like You, Sleep, Mint Julep, 5 Long Minutes, Mr. Cadillac, That’s Business, Plain Clothes Gentleman
NYC‘s mmeadows have shared “When We Are Together We Are Really Free,” the final single from their debut album Light Moves Around You, which was released on Friday, February 3rd. The prog-pop duo will also be performing an album release show May 6th at Baby’s All Right.
Vocalist Kristin Slipp’s (Dirty Projectors) vocals weave seamlessly through Cole Kamen-Green’s production (walls of horns, synths, and piano) for a sound that’s mysterious, mercurial, and fearless. The track cements their trademark style, a permeable mix of sounds both fluid and rhythmic, organic and electronic.
The song is accompanied by a video filmed in an abandoned church, lending a visual atmosphere at once carefree and ominous, a perfect match for the track and the album as a whole.
“[“King of the Castle”] It’s a catchy, unpredictable dose of art pop…”
– BrooklynVegan
The track is accompanied by a bold video directed byHaoyan of America, in which the duo performs the song in an abandoned church. Complete with glow stick dance parties and colorful tarot cards, it creates an atmosphere at once carefree and ominous, a perfect match for the track and the album as a whole: mysterious, mercurial, and fearless.
Their singular alt-pop songcraft is ultimately the synthesis of complementary talents, mutual trust, and years of partnership. Light Moves Around You reflects this connection; a dynamic and deeply-honed collection of pop songs that silence chaos and celebrate the tender acts of making space.
“With community heavy on my mind during early days of the pandemic, but not within physical reach, I set out to write a song that I might play during one of a handful of virtual dance parties we hosted,” Slipp says. “The catharsis of sharing digital space with my friends during such a surreal time was powerful and lasting, and that energy motivated us to make this track super danceable, brimming with feeling, and short enough to demand an immediate repeat listen.”
Iconic underground punk-blues rocker Jon Spencer is back and with him is a whole new band of misfits, The HITmakers. Making a stop at Lark Hall in Albany on January 31st, the highly entertaining and outspoken group unleashed an explosive performance that was raucous and loud and hit the Capital Region crowd over the head like a 12-ounce hammer.
Jon Spencer and the HITmakers made their Lark Hall debut on 1/31/23
First bursting on the scene in the mid-‘80s with bands like Pussy Galore and Boss Hog, Spencer found his biggest commercial success in the 1990’s as front man for The Blues Explosion. A forefather to the bass-free, fuzz-heavy garage rock revival that would spawn acts like White Stipes and The Black Keys, after 2015’s Freedom Tower album, The Jon Spencer Blues Explosion would quietly disband when guitarist Judah Bauer became too sick to go on tour.
The Jon Spencer Blues Explosion took off in the 90’s with over-the-top performances like the one seen here
Now back on the road supporting his latest record, 2022’s Spencer Gets It Lit, his new band, The HITmakers, consists of Sam Coomes (Quasi, Heatmiser) on keyboards and Bob Bert (Pussy Galore, Sonic Youth) on percussion with Andy Zammit on drums. Fans hoping for a “best of the Blues Explosion” type set on this cold Tuesday night in January were shit out of luck. Taking the Lark Hall stage and promptly turning his back to the audience until the opening number “Junk Man” fully kicked in, Spencer and the HITmakers played the intimate venue as if it were an arena. Socking it to them with his signature reverbed-out grunts and growls and blistering blues guitar licks, you couldn’t help but snicker at some of the onstage antics. Even at Spencer’s age (he turns 58 on February 5th), he comes off as more believable than men half his age.
Jon Spencer rips into it at Lark Hall on 1/31/23
Working their way through songs like “Push Comes to Shove,” “Primary Baby,” and “Beatle Boots,” it was impossible not to take notice of the clanging and banging coming from percussionist Bob Bert. That’s because his unique kit was made entirely of scrap metal, trash cans and an old gas tank. Trading in drumsticks for a screwdriver and some 12-ounce hammers, “the noise, the noise, the noise” from Bert was particularly felt on “The Wilderness.”
Tools of the Trade: Bob Bert takes out the trash in Albany 1/31/23
Blasting out scuzzy rock anthems like “My Hit Parade,” “Strike 3,” and “Bruise,” keyboard player Sam Coones got way out there, shouting along and adding all kinds of otherworldly synth textures to songs like “Ghost” and “The Worst Facts,” going so far as to tell the crowd that the problem with Albany is that everyone here is too optimistic. “You think you can really do anything you want.”
Sam Coomes lights it up at Lark Hall 1/31/23
Tearing through the 75 minute set, “Love Handle” from 2018’s Spencer Sings the Hits got the crowd moving and grooving before one of the most raucous songs of the night, “Get It Right Now,” where in his charismatic preacher’s-like howl, Spencer proclaimed “Mick Jagger ain’t got nothing on me. Daryl Hall, John Oats, Billy Joel, no! Jeff Bezos, Bill Gates, Zuckerberg…NOTHING ON ME.” A darker theme then emerged with “Death Ray” followed up by “Just Wanna Die” before “Worm Town,” a song which ponders being in “a dirt nap, six feet under,” would bring the set to a close with Spencer simply putting down his guitar and walking off stage. It took a little convincing from the appreciative Lark Hall crowd, but eventually The HITmakers would return for an appropriate encore of “Trash Can.”
Time ain’t got nothing on Jon Spencer
One-man band and surf rock guitar playing virtuoso Bloodshot Bill opened the show and dazzled with his unique vocal delivery, catchy hooks and hilarious banter. At one point saying he “felt so good he could do about a million pushups,” but since he still had songs to play, he invited anyone from the audience to come up and do them for him. There was only one taker and he maxed out doing less than 10. For a crowd of less than a hundred on a cold Tuesday in Albany, it was yet another memorable night at Lark Hall. Artsy, offbeat and 100% rock n roll.
Bloodshot Bill opening up for The HITmakers on 1/31/23
Jon Spencer & the Hitmakers – January 31, 2023 | Lark Hall | Albany, NY Setlist: Junk Man, Push Comes to Shove, Primary Baby, Beetle Boots, My Hit Parade, Strike 3, Wilderness, Ghost, Bruise, The Worst Facts, Love Handle, Get It Right Now, Death Ray, Just Wanna Die, Worm Town Encore: Trash Can
