Each Sunday evening from 7-9 p.m. you’ll find EQXposure on WEQX, featuring two hours of local music from up-and-coming artists. Tune into WEQX.com this Sunday night to hear new music from Reese Fulmer, Modern Fools, and Northern Faces.
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
Modern Fools don’t fall into just one genre, creating music that can be classified as country, folk, alternative, or even indie. Last year they released the track “Misery,” tune into EQXposure on Sunday to hear it.
Reese Fulmer and his Carriage House Band are quickly rising stars in the Capital Region. Fulmer is a bit of an old soul, and his music is reminiscent of Justin Townes Earle, Jeffrey Foucault, John Prine, and Iron & Wine. He will be performing at the Hollow in Albany on April 22, and tickets are on sale here.
Northern Faces is a rock band formed in 2012 featuring Bryan Shortell and Marco Testa on vocals and guitars, and Matt Ippolito on bass. Their single “18” was released on March 17.
NYC indie-pop artist Olivia Reid is getting ready to release her newest single “Wounds (Healing)” on Friday, April 14th. The track is an introspective, ethereal reflection that sees the budding singer-songwriter questioning the layered, complex healing process.
Olivia Reid stated about the single, “I recognized how much I had to heal from, but simultaneously feared that truly healing it would leave an absence or a blankness in me. When I’m in fight or flight mode long enough, wounds in the form of anxiety or sadness can mistakenly feel like a crucial part of who I am. The wounds feel familiar, so starting the healing process made me feel so much weaker at first.”
Based in NYC, Olivia Reid’s production style blends indie acoustics with exploratory electronic pop soundscapes, landing listeners in a visceral sonic world. Reid’s interests are diversified, exploring areas such as screenwriting, neuroscience, digesting current events, advocating for nature.
Currently, Olivia is involved with Brian Eno’s charity EarthPercent, and listening to podcasts, she formerly hosted Spotify For Artists and Notable’s Song Start podcast where she interviewed artists like Sam Smith, Victoria Monet, Hayley Williams of Paramore.
As a self-proclaimed “chronic collaborator,” Reid has connected with audiences around the world via collaborations such as “Time is Mine” with Kidswaste, “What You Came Here For” with Jae Luna, and “Above the Clouds” with SŸDE.
As stated in a previous article by NYS Music, Reid’s music serves as a self-reflection and dedication to her path to success, above all of the challenges. Olivia Reid’s debut EP Earth Water hit streaming platforms in 2021, with new songs on the way in 2023. Fueled by deeply personal lyrics and boundary-pushing production, the new project conceptually details an artist’s slow descent into madness.
The most prolific and exciting band in the jam scene, this side of Phish, is Pigeons Playing Ping Pong (PPPP), and they brought their rabid flock of fans and patented bevy of groovy tunes to the famous Brooklyn Bowl for the opening night of a 3 night run on April 13th. The 3 hour show showcased the band’s vast talents and was buoyed by a fervent fan base happy to see their favorite band return to New York City. The show was brought to us by Dog Fish Head and Record Store Day.
photo courtesy of Lee Melnikoff
Baltimore-based, Pigeons has been around longer than one might suspect. The members have been performing as a unit for over 15 years. The band formed at University of Maryland when Greg and Jeremy were in the dorms together in 2007 – the boys inform me that Wikipedia has this wrong. Drummer Gator was hired in 2015 to complete the current lineup of Scrambled Greg Ormont (Vocals, rhythm guitar), Jeremy Schon (lead guitar) and Ben Carrey (bass.) Some acts PPPP has opened for include Umphrey’s Mcgee, Moe., Disco Biscuits, String Cheese Incident, and Lotus. Some acts that have opened for PPPP include Goose, Kitchen Dwellers, Tauk, Karina Rykman and Magic Beans. PPPP present their own festival, Domefest, which is highly respected and regarded in the scene.. The band serves up a lively chat of all things PPPP in their FB group appropriately titled, “The Flock.” There is another FB group for merchandise and tickets. The band has released an initial EP and then 5 full length albums that all start with the letter P.
photo courtesy of Lee Melnikoff
Over a tasty dinner, I was able to ask Jeremy and Greg some questions. Greg ordered the salmon – a dish he orders almost every night for dinner on the road because it packs on protein and energy while being easy to digest before the show.
Chadbyrne: What’s the most challenging song you play live and why?
Greg: I find our newest songs are most challenging, especially when they have vocals. I’ve been focusing more on lyrics these days, sometimes finalizing them right before showtime, which makes them tricky to memorize. Instrumentally, our new song “Miyagi” is a doozy.
Jeremy: You’ll know when you hear it!
Chadbyrne: PPPP has blown up in recent years, is there a specific moment when you felt like you “made it”?
Greg: That’s really nice of you to say. I don’t know if I’ll ever truly feel like we “made it” per se, but it was so exciting when we decided to quit our day jobs to pursue music full-time about 12 years ago. I held a few jobs after college, but we were simultaneously touring almost every weekend of the year. We would go on these epic weekend runs and then I’d show up for work just so beat. Eventually we decided it was time to give this thing a real shot and tour full-time, and the fun hasn’t stopped.
Jeremy: Every time I look into the crowd and see people smiling and/or losing themselves to our music, I get that amazing feeling that “we made it”. We’ve had so many awe-inspiring moments at shows and festivals that it’s hard to just pick one, but a few big ones that come to mind are some of our Peach Festival sets, our first headlining shows at the 9:30 Club, and All Good Festival in 2015.
Chadbyrne: As a songwriter, what song are you most proud of and why?
Greg: All of them! Writing music is so fun because you always remember each song’s origin and development. Some ideas develop quickly, others take years, but in both cases it’s so exciting when they’re finally played live because you remember the journey.
Jeremy: I try not to pick favorites, but it’s always a proud moment when I hear people singing along with our songs!
Chadbyrne: If music hadn’t worked out, what profession do you think you would have undertaken?
Greg: I was in sales after college. I had a knack for it, but I wasn’t passionate at all. I don’t know if I could go back to a 9 to 5, but I could see myself getting into real estate as a means to an end to spend more time with my family.
Jeremy: If I didn’t find myself somewhere in the music industry, I’d probably be working some sort of IT job. I have degrees in Marketing and Business Information Systems, in case anyone is wondering the secret behind my playing.
Chadbyrne: Who is your favorite guitarist and why?
Greg: I always keep my ears open for inspiration and don’t play into the favorites game much. That said, I love Nile Rodgers, but I also love Shmeeans from Lettuce, Ryan from The Motet, Dan from Kyle Hollingsworth Band and countless others. They’re all great listeners, unique players, always melodic and in the pocket. Also since we don’t have a keyboardist, I often listen to those elements live. Huge fan of Joey Porter from The Motet and his funky approach on the clavinet, and everything Page from Phish plays.
Jeremy: I’m a huge Phish fan, so I can’t deny that Trey Anastasio has been a huge inspiration – he’s a master of tension/release.
photo courtesy of Lee Melnikoff
“Let Your Cup Overrun”
Yam Yam opened the night. Pigeons took the stage just after 9pm. This was the only night of the run anticipated not to sell out but that was just as well for the hard core members of The Flock in attendance as they were afforded more dancing room. “Distant Times” was the perfect up-tempo opener and the crowd knew all the lyrics. But it was “Live it Up” that was the highlight of the first set. The popular Pigeons staple builds and builds until Jeremy and Greg get locked into a tight call and response ultimately paying off with an exquisite crescendo.
After a Chili Peppers cover, as usual, Fun in Funk provided a spark near the end of the set. PPPP are masters of no matter the genre or the song – they can always find a groove and it is usually danceable. Manny Newman again demonstrated why he is one of the best LDs in music.
photo courtesy of Lee Melnikoff
PPPP is like going to the Circus. Greg is the affable and enthusiastic carnival barker who lures in patrons, Jeremy is the lion tamer guiding and patient who leads the posse to the next level and Ben is the charismatic clown always entertaining the masses with zest.
A highlight of the 2nd set was Gator on the drums – he is a heavy hitter adept at keeping impeccable time behind the kit as best exemplified by his bombastic extended drum solo at the end of “Water.” PPPP should do the soundtrack to a sci-fi film as the music is not of this world. Jeremy continues to demonstrate that he is the most underrated guitarist around – with the fastest fingers in the scene. The show was complete, with even Ben singing a tune. The encore was special with arguably the band’s best tune, “Dawn a New Day.” Upbeat and packed with lyrics ala “Strawberry Letter 23,” it is a lengthy joyous romp and a proper way to end the epic night on a positive note.
Pigeons Playing Ping Pong – Brooklyn Bowl, Williamsburg – Thursday, April 13
Set 1: Distant Times, Henrietta, Live it Up, Hit the Ground Runnin, Around the World, Overrun, Fun in Funk>Skinner
Set 2: Fall in Place, Water, Beneath the Surface, Bad for You, Melting Lights, Ha ha ha yeah, su casa, schwanthem
NYC’s Alt-pop duo Fake Dad has released their newest single titled “Fashion Girl,” today, April 14th. The alt-pop duo is delivering their second project of 2023 that perfectly captures an electrifying, cathartic, throwback 90’s grunge sound that is a departure from their usual discography, demonstrating their versatility as both songwriters and performers.
The single “FASHION GIRL” is angsty and nostalgic sounding, paying homage to groundbreaking throwback styles like 80’s new wave and 90’s female led riot grrrl punk. In the song, Fake Dad tells the story of a personal best friend breakup while offering commentary on a variety of topics like beauty standards, body and gender dysmorphia, daddy issues, insecurity, and female rage.
At first glance, “FASHION GIRL” is a fun, energetic track that calls upon listeners to let-lose with contagiously danceable reverb-soaked Oberheim drum machine patterns, messy driving distorted guitar, heavy bass, and surf-rock style riffs. With a deeper look into the single, Fake Dad speaks to an untapped, silent pain that so many people carry around with them about constantly being made to feel like they will never look good enough, be pretty or hot in the right way, and the unacknowledged frustration, and rage, that they live in a world that assigns so much of their worth to people’s ability to live up to superficial ideals.
Following recent releases “maybe next year” and “New Machines,” the duo delivers their second project of 202. They perfectly capture an electrifying, cathartic, throwback 90’s grunge sound that is a departure from their usual discography, demonstrating their versatility as both songwriters and performers.
Birthed from Fake Dad’s deep dive into Russian Dark Wave (and post-punk bands) and a tragic falling out with a fashion major (childhood) best friend who hailed from a wealthy UES Manhattan type family, this song is about the insecurity and sadness hidden behind the eyes of so many of the people the fashion industry swallows up with the promise of beauty and power. It at once exalts, criticizes, and empathizes with them, aiming to hand the fashion girls back their power and grant them an opportunity to reconcile with the ephemeral love and power that masquerades as the ideal, golden shell of a life.
When listening to the single, fans can hear a reminiscent of 80s New Wave (New Order, Joy Division, The Cure, Talking Heads) for a non-male-led era. In other words, all the female-fronted, angsty energy of 90s riot grrrl/bikini kill punk along with its slightly more pop-leaning, bratty (yet still unequivocally angry) early 2000s sound reminiscent of bands like No Doubt, The Cardigans, Alanis Morissette, Paramore, and P!nk.
Fake Dad wants listeners to experience a sense of catharsis from this track, “whether it’s someone who dedicates their life to changing themselves into something that looks good enough, or someone who wishes they could opt out of the value system entirely, there is an anger that needs to be released.”
“Fashion Girl” premiers on all platforms April 14th.
Hudson Valley based indie rock-folk band Setting Sun has just announced their sixth full-length studio album in ten years, The Feelings Cure due out on May 19th.
Alongside the announcement, the band shares a brand-new hit single “Feelings Cure,” along with an accompanying music video. Setting Sun will also be playing live in Woodstock for their official album release show the day before the album drops.
The single “Feelings Cure” aims to resist feelings of pain and sadness through music. Levitt says the track is about “denial and playing music and finding a cure for sadness or pain.” Written three months into the start of the pandemic, Levitt was forced to confront the reality of diving back into music, only this time, in quarantine with his wife and toddler which presented new challenges.
“Setting Sun create an Arcade Fire urgency, creating sweeping orchestrations, driving rhythms”
–Pop Matters
Levitt adds, “It took a while to be able to turn on the creativity at will according to the clock, but I found it was actually possible. The limitations made me more productive. This song was one of the first I recorded for the new record and maybe it helped get out some of that frustration from being forced into a new life and future not made by my choice.”
The band Setting Sun, led by songwriter Gary Levitt, began in San Francisco where the band’s first release, holed up, was recorded in 2003. From there, Levitt moved to Los Angeles, then to Brooklyn and now resides in the Hudson Valley.
With their newest, and most comprehensive body of work yet, Setting Sun is ready to re-introduce themselves to society. In the band’s current state, joining Levitt are long-time collaborators Lawrence Roper (keyboards, vocals), Jonathan Hambright (drums) and John Burdick(bass/vocals).
The Feelings Cure was recorded like no other Setting Sun record, diligently. Explaining the creative process and creating the album while now being a father, Levitt says,“I wasn’t sure if I’d be able to get in the creative zone with set times of having to turn creativity on and off like a switch. I used to write and record in creative blasts when I felt it come on like a wave or virus. Having kids forced me to write, record, and mix in the gaps of being a father and the maturity shows on this record.”
Over 10 rich tracks, Levitt turns inward to blend genres and juxtapose upbeat instrumentals and production with melancholic lyrics. Unafraid to take risks and allowing himself to create without reserve, the album chronicles Levitt further discovering himself and his artistry, culminating in the band’s most realized work to date.
While producing the album, Levitt learned to listen to himself and how he was feeling to best use his time and play to his strengths. “I produced this record myself in my studio and enlisted friends to lay down some tracks like drums, harmonies, violins, etc. One trick I learned is to be aware of my mood. If I wasn’t feeling a creative wave, I’d then do some mixing. If I was in the creative zone, I’d sit and write and record a part to one of the songs.”
The creative process became casual, free-flowing and unforced. Levitt says, “Most of the sounds you hear on this record were written and recorded simultaneously, so you’re getting the raw thing, not a reenactment of the moment it was written, this is the moment.”
Setting Sun will celebrate the release of their first album in ten years with a show at Colony in Woodstock on May 18th. The following month, the band will perform at Riverside Concerts in Germantown on June 15th.
Tickets for the release show are on sale, to purchase click the link here.
To pre-order The Feelings Cure, click the link here.
For more music by Setting Sun, click the link here.
Fans of all ages wearing fancy attire attentively listened to Laufey’s captivating vocals as she sang multiple songs from her latest jazz album, Everything I Know About Love. People traveled from Puerto Rico, Florida, and New York City for this one time show.
Laufey
Laura Elliot opened the show with an incredible set, singing multiple songs off of her first album People Pleaser to celebrate one year since its release. Born and raised in the Hudson Valley she gained recognition after collaborating with Lizzy McAlpine on “weird,” and joining artists like The Walters on tour before having her own People Pleaser tour in 2022.
Laura Elliot
After a twenty minute intermission, Laufey took the stage at 9:05, causing a stream of excited screams to erupt from her eager crowd. The 23-year-old jazz-pop artist got her start in 2020 when her singing videos gained huge recognition on TikTok. Growing up in Iceland and now living in LA, Laufey attended Berklee College of Music and grew up around classically-trained musicians. Since she was young, she listened to jazz artists like Ella Fitzgerald and Billie Holiday, who largely inspired the type of music she writes today. Laufey is currently off tour, but previously played at the Bowery Ballroom in 2022 during her Everything I Know About Love tour across North America and Europe.
Laufey writes a majority of her songs about heartbreak, which is evident in both her raw and meaningful lyrics and in the short spoken monologues she gave to introduce each song. Her performances of tracks like “James,” “Let You Break My Heart Again,” and “Dear Soulmate” touched on her difficult experiences with past partners, breakups, and feeling lost in the realm of love. Lit by the starlike backdrop of the beautiful Mahaiwe theater, Laufey ran onto the stage with her shiny red guitar and played an incredible show with just her voice and her instruments. Her awed fans—consisting of elders, middle-aged adults, teenagers, and children wearing suits, ties, long flowy skirts, dresses, heels, and intricate updos—stayed completely silent during each performance. No phones were present, as people went to truly enjoy the show. Nearing the end of her set, Laufey announced the workings of a second album, and even performed two unreleased songs for the first time that would feature on it.
After playing her last song, “Falling Behind,” Laufey made a quick exit before re-entering to play an encore. She performed a beautiful rendition of “Two Sleepy People” on the stage’s grand piano, and called it a “lullaby” for her audience of one thousand.
Setlist: Fragile, Street by Street, Best Friend, I Wish You Love, Dear Soulmate, Valentine, Let You Break My Heart Again, Like the Movies, Promise (unreleased), From the Start (unreleased), Beautiful Stranger, James, Magnolia, Falling Behind Encore: Two Sleepy People (Hoagy Carmichael and Frank Loesser cover)
The Easter weekend episode of Saturday Night Live (SNL) featured longtime cast member Molly Shannon, alongside musical guests Jonas Brothers.
The cold open featured James Austin Johnson as indicted former President Trump, interrupting The Last Supper to compare himself to Jesus, and pointing out where he would have done better.
Molly Shannon, who has been on a roll with The White Lotus and I Love That for You, in addition to her biography Hello, Molly! available in paperback starting April 11, opened the show with a song alongside featured players.
If you were looking for references to classic Shannon characters, you were in luck. Jeannie ‘Don’t get me Started’ Darcy was featured in her own “Selective Startage” Netflix special, bringing back the super dry humor.
Please Don’t Destroy played Molly 2K23, a video game series based on Shannon’s life, and hidden within the only Mary Catherine Gallagher reference of the night.
Nick Jonas joined the 5-timers club this week, having hosted and performed sans brothers, both of whom have played Studio 8H three times. Nick would stop by during “The Play” and the trio would appear in the final skit of the night, featuring Sally O’Malley, who can kick, stretch and kick.
The latest single from Jonas Brothers, “Waffle House” – featured a dozen backup singers plus a five-piece band for the pure pop tune that is no doubt catchy.
The second song had a far more animated use of the performance space, with “Walls” had backup singers getting enthuasiastically down, a surprise banger to close the night.
Lower East Side legend and classic rock musician Robin Eaton is excited to announce the release of “Wishing Well.” The latest single from Eaton’s upcoming album, Memories of A Misspent Youth, due for release on May 1st.
The single “Wishing Well” combines cinematic Western music with classic rock instrumentals. Using sensibilities reminiscent of Eric Clapton, Robin Eaton evokes memories of days gone by with his haunting vocals.
On the single release, there are many layers of folk, Americana, and classic rock sounds infused with cosmic synths and reminiscent of the Lower East Side in the 1970s. Thus, where Eaton earned his stripes on the local music scene. The latest single, alongside “Drugs R 4 Kids” and “Tell Me Your Dream,” helps Robin Eaton continue to pave a sonic lane for himself.
As a prolific songwriter and producer, Robin Eaton is reintroducing himself as a performing artist in 2023. In addition to his background as a songwriter and artist, he was also in the original Broadway production of Hair.
In the 80s, Robin moved to Nashville and built the studios Alex The Great Recordings and Club Roar Recordings, where Memories of A Misspent Youth was recorded. Eaton is also a combination of a producer, recording engineer, and mixer with an instrumentalist able to fill in wherever there is a hole, be it a guitar gnat, bass bump, even a sitar squiggle.
There should be no shock in naming the latter instrument prior to mentioning Eaton’s status in Nashville, where he moved from his native Pennsylvania to follow the musical muse. The country & western capital, after all, is where the sitar was utilized on a whole series of hits at the height of pop music’s raga rage in the ’60s and ’70s.
Aside from his personal music, Robin Eaton is also a respected composer. Robin’s recent score credits include the film Mountain Rest and, written with collaborator Roger Moutenot, the Narcissa podcast (which was one of last year’s top dramatic podcasts). Both works were directed and written by Robin’s daughter, Alex O Eaton.
Listen to “Wishing Well” from Robin Eaton by clicking the link here.
Memories of A Misspent Youth is due for release on May 1st.
For more music by Robin Eaton, click the link here.
If Melody’s Echo Chamber were to release a recording of their performance at Music Hall of Williamsburg on Sunday, April 2, the second of back-to-back sold out shows, I would buy it immediately. This was their first show in New York City in nearly eight years, and based on how the crowd responded to this one, they won’t have trouble selling out more whenever they come back.
The band was an absolute force on stage from the moment they kicked off their set with “Endless Shore.” And throughout their set, they brought already-excellent songs to life in rollicking fashion while staying true to the vibe established in the studio versions. It’s one thing to listen to a band’s records, but when a band is this good live, getting to feel the music and have it played loud hits harder.
Hailing from France and led by Melody Prochet on vocals in both French and English, synth, and tambourine, the band featured Reinhardt N. Fischer on guitar, bass, and synth, Frederik Swahn on bass and guitar, Johan Holmegard on drums, and Jay Pich on guitar and backing vocals. And all five of them were excellent.
Not that there were any doubts about where the night was going after the first few songs, but “Some Time Alone, Alone” off the band’s self-titled 2013 release was an early standout in the set, showcasing the band’s collective and individual talents. And the setlist was very well crafted, with a mix of songs from all of the band’s studio releases intertwined, with songs from the self-titled album serving as the backbone.
“Quand les Larmes D’un Ange Font Danser la Neige” closed out the main set, and about halfway through the song, Prochet exited the Music Hall of Williamsburg stage, allowing the full focus of the audience to remain on the rest of the band as they blasted through a jam that felt like it could last forever.
As for the encore, the band kicked into the super popular “I Follow You,” one of their catchiest. And they closed out with “Cross My Heart,” the first track off Bon Voyage, another one that felt like time had stopped specifically for the audience to bask in the sound of this incredible band.
If you’re looking to catch the band live and happen to be out west in the fall, they’re playing Seattle, Portland, and San Francisco. Those shows are just days before Desert Daze, and while there’s no lineup info about the festival yet, it wouldn’t be surprising if they wound up playing there, too.
Setlist: Endless Shore, Looking Backward, Mount Hopeless, The Hypnotist, Some Time Alone, Alone; Personal Message, Quand vas-tu rentrer?, Pêcheuse de Lune, Bisou Magique, Unfold, Where the Water Clears the Illusion, Crystallized, Shirim, Visions of Someone Special, on a Wall of Reflection; Alma, Quand les larmes d’un ange font danser la neige
Troy band Adequate Phil has shared a unique new single, “Mystery Jam,” the band’s first live recording, which is accompanied by a multi-cam video of the performance filmed at the Jive Hive in Albany.
The single showcases the band’s signature sound, blending catchy, experimental hooks, dreamy jams, and intricate rhythms to create a captivating listening experience.
Adequate Phil is an indie rock band, drawing influences from Radiohead, Animal Collective, The Beatles, and The Shins, with a sound blending experimental rock, psychedelic pop, and alternative folk.
Since forming in 2021, Adequate Phil has been making waves in the local music scene, earning plays on WEQX and performing at local festivals such as Bacchanalia and at various venues, including Rare Form, No Fun, and the Troy Speakeasy. They have also performed in Massachusetts at venues such as Greylock Works in North Adams, where they have an upcoming 3-show residency, dubbed as the “Doritos Daze” Residency.
Monday April 10 is “Cool Ranch” night with special guests Boss Crowley, and Monday May 8 is “Spicy Nacho” with special guests Headless Relatives.
With a growing fan base and a reputation for delivering unforgettable live performances, Adequate Phil is poised to become a force to be reckoned with in the indie rock scene.
