On the summer evening of Tuesday, Aug. 15, Shakey Graves pulled a crowd of friends, strangers, and lovers to the rooftop of New York City’s Pier 17. On their “Movie Of The Week Tour,” Shakey Graves is celebrating the release of their newest EP, Big In The World. New York City was lucky enough to be a stop on Shakey Graves’s map, for the performance was unlike anything else the rooftop has seen before. As the unique sunset of pearly pink tufts and layers of soft yellow fortified, the perfect evening settled and waited for the show to begin.
Photograph by Emma Dowd.
Lucius, the opener, put on a riveting show of their own. The Brooklyn-born indie-pop band successfully combined the subgenre of alt-pop with disco tech, which called for a dancey audience. The crowd sang along with the instruction of lead singers, Jess Wolfe and Holly Laessig. Their matching hot pink blazers couldn’t be missed, neither could their impressive lyricism and captivating stage presence.
The duo left the stage, while the band held the set with an instrumental serenade. After a brief interlude, Wolfe and Laessig returned in disco-tile mini dresses. They made their way to the center of the audience, and the entire venue took a seat to listen and admire. At the center of gracious applause, Lucius closed out their performance.
Photograph by Emma Dowd.
In between Lucius’s and Shakey Graves’s set, the rooftop filled up with fans. A vital cooling August breeze rolled off the East River and sewed its way between the bodies of the crowd. With the wind came a threatening sheet of gray clouds holding in their bellies of rain, but the crowd stood unwavering, true to Pier 17’s rain-or-shine nature. Thankfully the weather prevailed, and the night remained nothing short of perfect.
As the sun finally set vocalist of Shakey Graves, Alejandro Rose-Garcia, made his way onto stage dressed in all black, from his cowboy hat down to his boots. It was just him on the stage for the first two songs. During that time he introduced himself with his guitar and established his tuneful and guttural vocals. He spoke about the theme of his show before singing his song “Late July,” saying “The running theme of tonight’s music is that time flies by.” In New York City fashion, time whirred around and above the audience, across the Brooklyn Bridge, and in the flickering seconds of the downtown skyline. Though, time moved slowly on the rooftop, for the audience swallowed every guitar strum and studied the lyrics like a hymn.
Photograph by Emma Dowd.
The rest of his six man-band joined him for the third song of the set. Cameron Neal, Patrick O’Connor, and Taylor Craft owned the strings. Matt Pence conducted the versatile percussion, and Dancey Jenkins commanded the keys. The sound was immediately elevated, and the smokey influences of blues, folk, country, and psychedelic rock could be heard clearly and with intent.
Photograph by Emma Dowd.
The music became something tangible through the physical effect it had on the audience. It became elusive as it settled as personal emotion in everyone’s gut. Pockets of people danced barefoot on the concrete, piling up their shoes, tossing their bags, and stomping on the rooftop. There was something about Shakey Graves’ music that was so raw, so human, that it elicited movement. Music can do that, it makes the body want to feel the ground connect with its soles, meet skin with every beat, and allow the passage of the body to really feel the relationship between sound and soul.
Photograph by Emma Dowd.Photograph by Emma Dowd.
The band paused their performance for Rose-Garcia to make a toast. “I want to congratulate all of you on making it through some crazy shit… I have a lot of things I love that I need to be more grateful for, family and friends… to you and yours, may you live forever. Cheers.” A roar of gratitude washed from the crowd onto Shakey Graves. Audience members embraced each other and smiled endearingly at their best friends and lovers, daughters and sons, mothers and fathers. Bodies held each other a bit tighter, and stood a bit closer, as the rest of the show unfolded.
Photograph by Emma Dowd.
Shakey Graves’s music spotlights the romance, the pain, the peace, that comes with falling in and out of love with people, places, and moments in time. It’s the moments of transition, realization, and reckoning that live in their lyrics. People sang their songs like they would solidify a promise, so faithful and sure. The rest of the evening consisted of songs of old and new. Rose-Garcia spoke on his relationship with New York City, one he created when he was young and “flat broke,” which landed relatable to the crowd of New Yorkers. He told the birth story of his hit single, “Tomorrow” (released in 2016), and how he wrote it during his time in the city.
The band left the stage, but the crowd remained in hungry anticipation of an encore. Sure enough, the band met the audience’s needs and returned to the stage for a branding final performance. People towards the spacious back end of the crowd let loose, dancing with their entire bodies and singing with their hands clasped to their chests. The band expressed their gratitude once more, and Rose-Garcia introduced his band members. When it came time for Shakey Graves to leave and the lights to turn on, everyone remembered it was a Tuesday night. Time sure had flown by, just as the band promised it would.
As the sky transitioned from a vibrant blue to hues of pink and orange, the scene was set for The Chicks, formerly known as the Dixie Chicks. The trio, consisting of Natalie Maines, Emily Strayer, and Martie Maguire, had captured the hearts of audiences for decades with their harmonious blend of country, folk, and Americana music. This is the first tour under the bands new name.
The Chicks performing at CMAC on August 11, 2023
The mood was elevated as the show’s opener, the venerable Ben Harper, took to the stage. Known for his soulful blend of folk, rock, and blues, Harper’s performance was nothing short of electrifying. His masterful guitar skills and heartfelt lyrics resonated deeply with the audience, setting the tone for an unforgettable evening. Harper’s ability to effortlessly weave together messages of love, unity, and introspection with his dynamic musical talents showcased his status as a true artist.
As the night unfolded, one thing became abundantly clear: The Chicks were not only there to entertain but to connect. Each song was a chapter in a story, an invitation to experience life’s highs and lows, love and heartache, resilience and redemption. The beauty of their music lies in its universality, and that night, it felt like the crowd was singing their own stories through every lyric.
One remarkable aspect of the performance was the synchronization of visual elements with the music. As The Chicks’ harmonies soared, the backdrop came alive with breathtaking visuals that amplified the emotions of each song. From nostalgic montages to evocative animations, the visual journey was a mesmerizing accompaniment to their already stirring music.
The Chicks’ onstage chemistry was undeniable, a testament to the camaraderie they’ve cultivated over their illustrious career. The seamless blend of Natalie Maines’ commanding vocals, Emily Strayer’s masterful guitar work, and Martie Maguire’s virtuosic fiddling created a musical tapestry that captivated every corner of the venue.
In a world where music has the power to transcend, The Chicks’ performance at CMAC was a testament to the enduring magic of live music. Their harmonies echoed in the hearts of 14,000+ overjoyed fans as they danced under the stars, creating an evening of empowerment, connection, and artistry that will resonate for years to come.
Setlist: Gaslighter, Sin Wagon, Texas Man, Julianna Calm Down, Talking The Long Way, My Best Friend’s Weddings, Sleep At Night, Ready To Run, Top Of The World (Patty Griffin Cover), Wide Open Spaces, Tights On My Boat, Daddy Lessons/Long Time Gone, Cowboy Take Me Away, Landslide (Fleetwood Mac Cover), Rainbowland (Miley Cyrus Cover), Don’t Let Me Die In Florida, March March, For Her, Everybody Loves You, White Trash Wedding, Not Ready to Make Nice, Goodbye Earl.
Rain couldn’t dampen the spirits of metalheads as Pantera, accompanied by Lamb of God and Child Bite, electrified the St. Joseph Health Amphitheater. The weather may have been gloomy, but the atmosphere inside the amphitheater was ablaze with energy, thanks to the raw power of the bands and a few unexpected surprises.
Lamb of God.
Lamb of God’s electrifying set energized the crowd and set the stage for an unforgettable night. With a blistering start, the band launched into “Momento Mori,” a track that immediately established their intent to dominate the stage. Each note resonated with precision, a testament to Lamb of God’s seasoned prowess.
The intensity never wavered as the band seamlessly transitioned from one hit to another. “Ruin” ignited a frenzy in the audience, while the ever-popular “Walk With Me In Hell” united voices in a melodic roar. The setlist was meticulously crafted to showcase Lamb of God’s versatility, as evidenced by the seamless shift to “Now You’ve Got Something To Die For,” which delivered a fierce social commentary amidst the sonic onslaught.
“Omens” brought a modern edge to the performance, highlighting the band’s evolution without compromising on their core aggression. Lamb of God’s stage presence was captivating, with vocalist Randy Blythe’s raw energy feeding off the crowd’s enthusiasm.
Lamb of God.
As the rain persisted, Lamb of God’s set reached its zenith with “Redneck.” The pit erupted into a tumultuous sea of movement, and the crowd’s interaction with the band reached its peak. The shared experience of relentless headbanging and cathartic release transformed the weather’s adversity into a unifying force.
Pantera, known for their ferocious live performances, took the stage by storm, proving once again why they are hailed as legends in the metal world. Despite the absence of original drummer Vinnie Paul and guitarist Dimebag Darrell, the lineup alterations did not detract from the band’s intensity. With Phil Anselmo’s commanding presence and the bass prowess of Rex Brown, the crowd was treated to a spectacular display of Pantera’s iconic sound.
The inclusion of guest guitarist Zakk Wylde, known for his work with Ozzy Osbourne, and drummer Charlie Benante from Anthrax injected a fresh dynamic into the performance. Their chemistry with the band members was evident as they seamlessly integrated into Pantera’s lineup.
The setlist, spanning Pantera’s illustrious career, left no fan disappointed. Kicking off with a thunderous rendition of “A New Level,” the crowd was instantly captivated. The hits kept coming, with “I’m Broken” and “Walk” inciting frenzied mosh pits and headbanging that defied the rain. Phil Anselmo’s voice, as potent as ever, delivered the raw emotion that has defined Pantera’s music for decades.
Pantera.
The evening’s climax arrived with the finale. “Cowboys From Hell” resonated through the amphitheater, reminding everyone why this song is a metal anthem. The roaring crowd demanded more, leading to an unforgettable encore of “Yesterday Don’t Mean Shit.” The sheer energy of the band and the audience’s fervor forged a connection that transcended the weather’s challenges.
Pantera’s performance was a reminder of their enduring legacy, an echo of a bygone era of metal that still resonates powerfully with fans today. The band’s ability to unite the audience, even in the face of rain, showcased their unwavering impact on the metal community.
Lamb of God Setlist: Momento Mori, Walk With Me in Hell, Resurrection Man, Ditch, Now You’ve Got Something to Die For, Omens, Ruin, Contractor, Laid to Rest, Redneck
Pantera Setlist: A New Level, Mouth for War, Strength Beyond Strength, Becoming, I’m Broken, Suicide Note Pt. II, 5 Minutes Alone, This Love, Fucking Hostile, Cemetary Gates, Planet Caravan(Black Sabbath cover), Walk, Domination/Hallow, Cowboys From Hell, Yesterday Don’t Mean Shit
In what’s become a bit of a Saratoga summer tradition, it was another ‘boot scootin’ boogie’ of a good time when the Zac Brown Band brought their “From The Fire” tour to the Saratoga Performing Arts Center (SPAC) on Aug.13.
Playing two sets of crowd-pleasing favorites, the memorable performance also included guest sit-ins galore and a plethora of unexpected cover songs from artists like Pink Floyd, Radiohead, and The Band. Proving they are anything but your “typical” country rock superstars, the genre-defying crossover juggernaut led by Brown had something for everyone and cemented why they are considered one of today’s top live acts and party atmosphere you can count on.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
After getting the night started with stellar sets from a pair of kings, the up-and coming Nashville act King Calaway and Southern blues powerhouse rocker Marcus King, the highly prolific, Grammy Award winning Zac Brown Band took the Broadview Stage at SPAC shortly after 8 pm. Opening up the curtains to the show in dramatic fashion, “Make This Day” had the crowd on their feet and singing along to the very first note. Accompanied by a backing entourage of talented musicians Brown referred to as “the best in the business,” the collective sound of everyone playing together was massive inside the packed pavilion, overpowering the singing of the audience, both inside and on the lawn, who just seemed to be savoring every second of the show.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Playing some of their most well-known material in the first set that included “Knee Deep,” “Keep Me In Mind,” “Where the Boat Leaves From” and a laidback version of “Free” that segued nicely into Van Morrison’s “Into the Mystic,” ZBB would also show massive respect to the handpicked opening act King Calaway by covering one of their songs, “When I Get Home.” Following that up with another cover song about home, the Atlanta, GA-based group then unleashed a high-octane, foot stomping fiddle clinic with their take of the Charlie Daniels Band classic, “The Devil Went Down to Georgia.”
After working their way through “Tomorrow Never Comes” and “Same Boat,” one of the emotional high points of the night came next with a lovely tribute to Robbie Robertson of The Band who passed away just a few days earlier. Known for regularly working various songs from The Band’s storied catalog into their live shows, on this Sunday night in August, ZBB opted to go with a cover of “The Weight.” The clear influence of the Saugerties icons was on full display here and was palpable. Following an extended drum and percussion solo next, “Jump Right In” would have fans jumping for joy before heading to the concession stand for a short break in the music.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Kicking off the second set with the opening track of 2015’s Jekyll + Hyde, the pop energy of “Beautiful Drug” instantly got the crowd moving again, before Southern blues guitarist and all-around ‘goodfella’ Marcus King would join in on the party by lending his incredible talents to a cover of Derek and the Dominos’ classic anthem “Layla.” The sweet sounds of “Sweet Annie,” was next, followed by “Whiskey’s Gone,” and “As She’s Walking Away,” before another standout of the night came in a version of “Colder Weather” that dipped its toes into Pink Floyd’s “Wish You Were Here” territory before going into the popular ZBB original tune “Toes.”
Keeping the “cover-heavy” theme of the night going strong, I don’t think anyone expected the pair of selections that came next. First reassuring anyone who might be experiencing their first Zac Brown Band show that they do, in fact, belong there was “Creep” from Radiohead’s legendary debut album Pablo Honey, which is celebrating its 30th anniversary this year. The next surprise was that of U2’s stadium-sized sing-along “With Or Without You” that saw the whole crowd doing their best Bono impressions. Following it up with a smash hit sing-along of their own, the Zac Brown Band original song “Homegrown” all but brought the packed SPAC house down, leaving fans hollering for more as the second set came to a close.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Returning to the Broadview Stage with big smiles and time for a few more, Zac Brown Band went ‘around the horn’ so to speak, playing an impressive country-styled mashup of songs that gave each member of the band ample time to bask in the spotlight. Weaving in and out of songs like a well-oiled machine, the medley alligatored together through “Mountain Music”>”Chattahoochee”>”All My Ex’s Live In Texas”>”Fishing In The Dark”>”Callin’ Baton Rouge”>”Family Tradition”>”Boot Scootin’ Boogie”>”I Will Always Love You”>”Here’s a Quarter” and finally concluded with the crowd pleasing “Friends In Low Places.” Met with an absolutely rousing ovation, it was clear that fans not only wanted one more song from ZBB, they needed it. Happy to oblige and send everyone home happy, Zac Brown Band would conclude another year’s stop in Saratoga Springs with the song that started it all for them, “Chicken Fried.”
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
After a few days of rest, the “From the Fire” tour picks back up on Aug. 19 with a highly anticipated performance at Boston’s Fenway Park, followed by a pair of already sold out shows in Gilford, NH. Fans in the New York/New Jersey area won’t need to wait long to get their next fix of ZBB though. They will play in Atlantic City on Sept. 1, followed by a pair of dates at the Jones Beach Theater in Wantagh.
Zac Brown Band
Set 1: Make This Day, Knee Deep, Keep Me In Mind, Where the Boat Leaves From, When I Get Home [1], The Devil Went Down to Georgia [2], Free > Into the Mystic [3], Tomorrow Never Comes, Same Boat, The Weight [4], Drums, Jump Right In.
Set 2: Beautiful Drug, Layla [5], Sweet Annie, Whiskey’s Gone, As She’s Walking Away, Colder Weather>Wish You Were Here [6], Toes, Creep [7], With Or Without You [8], Homegrown.
Encore: Mountain Music>Chattahoochee>All My Ex’s Live In Texas>Fishing In The Dark>Callin’ Baton Rouge>Family Tradition>Boot Scootin’ Boogie>I Will Always Love You>Here’s a Quarter>Friends In Low Places [9], Chicken Fried.
In a blazing crescendo of metal mastery, the Oncenter War Memorial in Syracuse bore witness to a seismic collision of sonic forces as Gojira and Mastodon united in a co-headlining tour that left the audience spellbound. The evening was an electrifying journey that began with the intense ferocity of Lorna Shore, setting the stage for an unforgettable night of melodic chaos and unbridled energy.
Lorna Shore ignited the atmosphere with an unrelenting onslaught of blistering tracks. The crowd was propelled into a maelstrom of sound as they unleashed the primal fury of “Sun//Eater” and the guttural intensity of “Cursed to Die.” The unapologetically heavy “Into The Earth” sent shockwaves through the venue, reverberating through the bones of every attendee.
However, it was the mesmerizing three-part opus of “Pain Remains” that truly captivated the audience, guiding them through an emotional odyssey that resonated deeply. The performance was more than just music; it was a cathartic release that manifested in fervent mosh pits, a swirling sea of bodies in harmonious chaos. Lorna Shore’s unyielding presence and raw energy served as an incendiary introduction that ignited the night’s fiery proceedings.
Gojira, the heralds of progressive metal, took the stage with an aura of enigmatic reverence. As the first notes of “Born for One Thing” reverberated, the crowd was transported into a sonic realm where the dichotomy of heaviness and melody coalesced seamlessly. “Backbone” and “Stranded” demonstrated the band’s masterful command of dynamics, alternating between thunderous riffs and ethereal passages that seemed to hang in the air like a delicate mist. The audience’s anticipation reached a fever pitch as the familiar opening of “Flying Whales” erupted, triggering a collective frenzy of headbanging and fist-pumping that reverberated throughout the venue.
Gojira’s performance was a showcase of musical finesse and emotional resonance. “The Cell” and “The Art of Dying” served as sonic tapestries, woven with intricate layers of sound that painted a vivid emotional landscape. A captivating drum solo added a mesmerizing dimension to the performance, capturing the audience’s attention in a hypnotic trance. But it was Gojira’s commitment to their eco-conscious message that truly set them apart. Tracks like “Amazonia” weren’t just songs but powerful rallying cries for environmental awareness, seamlessly merging artistry and activism on stage. As the night reached its zenith with the haunting strains of “The Gift of Guilt,” it was clear that Gojira had left an indelible mark not only on the audience’s ears, but also on their hearts and minds.
Mastodon, the titans of modern progressive metal, commanded the stage with a setlist that spanned their storied career. The opening salvo of “The Wolf Is Loose” and “Crystal Skull” unleashed a torrent of sonic energy that rippled through the crowd. The colossal force of “Megalodon” showcased Mastodon’s ability to craft massive, sludgy riffs that pummeled the audience like a sonic avalanche. The mesmerizing “Divinations” and the ethereal journey of “Andromeda” were a testament to the band’s genre-defying prowess, seamlessly blending elements of progressive, psychedelic, and classic metal into a cohesive sonic experience.
Tracks like “Sultan’s Curse” and “Fallen Torches” demonstrated the band’s dynamic range, effortlessly transitioning between intricate vocal harmonies and thunderous instrumental passages. A moment of introspection arrived with “Pushing The Tides,” a song that offered a glimpse into the emotional depth of Mastodon’s songwriting. The unrelenting assault of “Mother Puncher,” “Circle of Cysquatch,” and “Crusher Destroyer” created a maelstrom of mosh pits that bordered on ecstatic chaos, embodying the raw power that Mastodon’s music possesses. As the night reached its climactic conclusion with “Blood and Thunder,” a cathartic explosion of sound that left the crowd exhilarated and breathless, it was evident that Mastodon’s performance was a testament to their status as modern metal legends.
The co-headlining tour of Gojira and Mastodon, supported by the fierce energy of Lorna Shore, was a symphony of sonic majesty that transcended the boundaries of metal. Each band carved its own path through the night, weaving together a tapestry of emotion, intensity, and musical virtuosity that will resonate with fans for years to come.
Set Lists:
Lorna Shore: Sun//Eater, Cursed to Die, Into The Earth, Pain Remains I: Dancing Like Flames, Pain Remains II: After All I’ve Done, I’ll Disappear, Pain Remains III: In a Sea of Fire
Gojira: Born for One Thing, Backbone, Stranded, Flying Whales, The Cell, The Art of Dying, Drum Solo, Grind, Another World, Silvera, Amazonia, The Chant, The Gift of Guilt
Mastodon: The Wolf Is Loose, Crystal Skull, Megalodon, Divinations, Andromeda, Sultan’s Curse, Fallen Torches, Pushing The Tides, More than I Could Chew, Aqua Dementia, Steambreather, Iron Tusk, March of the Fire Ants, Mother Puncher, Circle of Cysquatch, Crusher Destroyer, Blood and Thunder
JPEGMAFIA and Danny Brown continued their “Scaring the Hoes Tour” with a stop at Terminal 5 in New York City on Friday, Aug. 11. They played several tracks off their newly released collaboration album, Scaring the Hoes, and took turns playing songs their own solo catalogs throughout the set. They brought Redveil onstage to play “Kingdom Hearts Key” from the album. DJ Dave opened up the show with her signature style of using code to create music.
You can see our full gallery from the show below. Check out JPEGMAFIA and Danny Brown’s Music here. Their North American Tour continues, and you can view upcoming dates here.
Redveil joins JPEGMAFIA and Danny Brown on stage at Terminal 5, NYCDJ Dave plays Terminal 5, NYCPhotography by David Reichmann (@davidpresspass)
Irving Plaza was set ablaze on Aug. 11 as the vibrant indie-pop sensation, Tessa Violet, took the stage, with the equally captivating Frances Forever opening the night. The air was charged with excitement as fans streamed into the venue, anticipating a musical experience that promised to be nothing short of unforgettable.
With Tessa Violet’s reputation for infectious energy and Frances Forever’s rising popularity, the anticipation was palpable. As the lights dimmed and the first chords reverberated through the air, it was clear that this concert would be a convergence of artistic talent and a celebration of the profound connection between musicians and their devoted followers.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever, the burgeoning indie-pop sensation, is carving a unique path with their music that resonates deeply with audiences across the globe. Born from a rich tapestry of influences spanning from folk to lo-fi bedroom pop, Frances Forever delivers an unmistakable sound that stands out in today’s music landscape. With introspective lyrics and melodies that effortlessly navigate themes of love, identity, and the rollercoaster of emotions that come with growing up, Frances Forever has captured the hearts of listeners seeking authenticity and reliability.
Their breakout hit “space girl” and the subsequent releases have showcased a rare combination of vulnerability and catchy hooks, solidifying their place as a rising star in the indie scene. With an ever-growing fan base and a distinctive musical style, Frances Forever is undoubtedly an artist to watch as they continue to craft music that leaves an indelible mark on listeners and charts a fresh course in the world of indie-pop.
Frances Forever (photograph by Chinaza Ajuonuma)
Frances Forever’s opening performance was an absolute whirlwind of emotions and musical prowess. Kicking off with a powerful mashup of “depression” and “cry inside my car,” they immediately set the tone for an intimate and emotionally charged set. The audience was captivated by the seamless transitions between songs and the raw authenticity that Frances Forever brought to the stage. Tracks like “Mr. Man” and “Frankenstein Wannabe” showcased their ability to blend introspective lyrics with energetic melodies, creating a dynamic and engaging atmosphere.
The standout moment of the night was the live performance of “Monica Gives Me Lockjaw,” an unreleased gem that resonated deeply with the crowd. The unrestrained emotion and vulnerability in their delivery left an indelible mark, reaffirming their status as a rising indie sensation. The juxtaposition of heartfelt tracks like “my condolences to myself” with the infectious energy of “paranoia party” demonstrated Frances Forever’s versatility and the range of emotions they can evoke through their music.
“Space Girl” served as a fitting conclusion to their set, leaving the audience with an anthemic chorus echoing in their minds. Frances Forever’s performance was a journey through introspection, heartache, and catharsis, all expertly woven into a mosaic of indie pop brilliance. Their ability to connect with the audience on such a personal level while delivering a polished and energetic performance is a testament to their burgeoning talent. As they left the stage, the crowd was left buzzing with excitement, fully immersed in the emotional rollercoaster that Frances Forever had taken them on.
Frances Forever Setlist: depression / cry inside my car (Mashup), Mr. Man, fuck u, Frankenstein Wannabe, treehouse, Stuck, my condolences to myself, Monica Gives Me Lockjaw (Unreleased), paranoia party, space girl
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet, an emerging luminary in the indie-pop realm, is captivating audiences with her distinctive blend of introspection, vulnerability, and clever lyricism. From an eclectic musical background that spans genres, Tessa Violet has cultivated a sound that effortlessly weaves together catchy melodies and deeply relatable narratives. Her breakout tracks, such as “Crush” and “Bad Ideas,” have resonated deeply with listeners for their unfiltered portrayal of emotions and self-discovery.
With an innate ability to craft songs that explore the highs and lows of relationships and personal growth, Violet has firmly established herself as a rising star in the music scene. Beyond her music, her engaging presence and relatable charm have endeared her to fans around the world. As she continues to evolve as an artist and explore new musical territories, Tessa Violet’s journey promises to be a captivating one, leaving an indelible mark on the indie-pop landscape.
Tessa Violet (photograph by Chinaza Ajuonuma)
Tessa Violet’s electrifying performance was a showcase of her artistry, vulnerability, and boundless energy. The night held a series of delightful surprises, starting with Frances Forever joining Tessa on stage during “Play with Fire,” adding an extra layer of charm to an already captivating song. Violet’s interaction with the crowd brought a personal touch to the show, prompting them to share their gratitude, leading to a delightful chant about dopamine. As she ventured into deeper conversations, she hopped off the stage to engage with fans, leading to a heartfelt exchange of dreams and desires.
A poignant moment followed as Tessa introduced “I Don’t Know Who I Am Without You,” drawing from personal loss and connecting with the audience through a powerful and heartfelt performance. Throughout the show, her dynamic outfit changes, from the golden goddess dress to the iconic pink armor, added to the visual spectacle of the night.
Her connection with her band members was evident, particularly with her fiancé Dante Cimadamore on guitar and Mike McKerracher on drums, who joined her on stage for an intimate dance during “I Don’t Know Who I Am Without You.” The live rendition of “When the Curtain Falls” was introduced with Tessa’s characteristic witty banter, giving a glimpse into the theme of her introspective and multi-dimensional album MY GOD!
The set design, featuring a painting depicting Violet’s different personas, was a visually striking representation of her evolving artistry. Her acoustic take on “Bad Ideas,” with the crowd enthusiastically contributing to the ad-libs, showcased her effortless ability to engage and uplift the audience. Her candid speech on confidence, positive affirmations, and self-love resonated deeply, and the collective affirmation exercise led seamlessly into her empowering anthem “Bad Bitch.”
Tessa Violet (photograph by Chinaza Ajuonuma)
The show’s high-energy climax during “Crush” saw her stepping off the stage, mingling with the crowd, and sharing the microphone, creating an unforgettable moment of connection. The evening wrapped up with an encore featuring Frances Forever and their band, dancing, celebrating, and line dancing along with her during a spirited rendition of “Born This Way.” Tessa Violet’s performance was more than just a concert; it was an immersive journey through her music, emotions, and empowering spirit, leaving the audience inspired and invigorated.
Tessa Violet Setlist: YES MOM, Breakdown, Play With Fire, Again Again, Good Things Go Bad, Haze / Wishful Drinking (entitled on the setlist, Hazeful Drinking), I Like (the Idea of) You, I Don’t Know Who I Am Without You, When The Curtain Falls, song without a title, Games, Bad Ideas + Liability by Lorde (Mashup), Honest, BAD BITCH, Kitchen Song (voice memo), Kitchen Song, MY GOD!, You Are Not My Friend, Crush
Encore: Born This Way (Lady Gaga Cover)
Tessa Violet (photograph by Chinaza Ajuonuma)
In terms of upcoming shows, “MY GOD! The Tour” will be wrapping up on Sept. 7 in San Diego. If you find yourself in the UK later in September, you can also catch Tessa at Bittersweet Daze!
Updates for any future Tessa Violet shows can be found on socials, and her website. The same goes for Frances Forever, and you can find their socials and website linked here.
Central Park‘s SummerStage was a vibrant sphere of music and camaraderie on Aug. 3, as the “Bittersweet Daze” Tour took the entire park by storm. Cavetown and an ensemble of incredibly talented friends — Grant Perez, mxmtoon, and Ricky Montgomery — transformed the iconic outdoor venue into a musical haven. Just as the sun began its descent, casting a warm golden glow over the park, the stage came alive with a promise of extraordinary performances.
With the collective energy of the artists and the eager anticipation of the audience, it was evident that this evening held the potential for an unforgettable musical experience. The air was filled with palpable excitement as dedicated fans eagerly awaited the musical journey about to unfold, setting the stage for an enchanting evening of diverse talents, heartfelt melodies, and captivating harmonies.
Under the enchanting twilight at Central Park’s SummerStage, the stage ignited with the promise of a remarkable evening. As the opening chords reverberated through the air, the audience’s anticipation was met with a fusion of talents — Cavetown and friends, including Grant Perez, mxmtoon, and Ricky Montgomery. Each artist brought their unique musical essence, weaving together emotion and melody that resonated with the crowd. Cavetown’s introspective lyrics, Grant Perez’s authenticity, mxmtoon’s charming melodies, and Ricky Montgomery’s soulful performance merged seamlessly, creating an electric atmosphere of unity and creative camaraderie. The audience’s collective energy mirrored the artists’ passion, forging a night that celebrated the power of music to forge connections and leave lasting memories.
Grant Perez, the spirited singer-songwriter hailing from Sydney, Australia, is making waves with his emotive musical storytelling and genuine connection to his audience. Combining his diverse influences and personal experiences, Grant weaves poignant narratives through his melodies, delving into themes of love, growth, and the human experience. With tracks like “Confusing Girl” and “Why I Love You,” his candid lyricism and distinctive sound have captured listeners’ hearts, setting him on a path to carve his name in the music scene.
In September 2021, Grant released his debut single “Cherry Wine,” a track that would go on to achieve gold certification in Australia by 2023. The resonance of this achievement was a testament to his growing presence in the industry.
Continuing his musical journey, in June 2023, Grant released his fourth EP, “When We Were Younger.” A seven-track song cycle centered around the theme of nostalgia, this EP delved into the complexities of looking back on moments that have shaped his journey. With each release, he cements his position as an artist capable of capturing the essence of life’s intricacies through his authentic and relatable music.
Grant Perez burst onto the stage with infectious energy, launching his performance the moment the doors opened at 6:00, drawing fans into his electric world. His distinctive accent added a unique charm as he delivered a tight 20-minute set that oozed dynamism. Between songs, Perez engaged the crowd with playful banter, keeping them hooked with countdowns and witty interactions. His invitation to start a mosh pit just before the balladic “Cherry Wine” led to a surprisingly amusing slow-motion mosh in the front. The unexpected trumpet noises during the instrumental break further highlighted his exuberance and unpredictability. Perez even led the audience in a lighthearted “guided meditation.” Wrapping up precisely on time, his performance was a vibrant kick-start to the evening, amplifying the anticipatory atmosphere as more fans streamed in from the winding lines outside.
Grant Perez Setlist: Confusing Girl, Old With You, Stuck On You, Ego, Why I Love You, Cherry Wine
Ricky Montgomery, a relatable star in the indie-pop realm, has been capturing hearts with his music that strikes a unique chord between introspection and vibrant storytelling. Hailing from a musical background, his artistry has been shaped by a myriad of influences that seamlessly blend into his signature sound. With lyrics that cut deep and melodies that resonate, Ricky’s songs embody raw emotion and introspection, resonating with audiences seeking authenticity.
His breakout singles like “Line Without a Hook” and “Mr. Loverman” have garnered widespread acclaim for their unfiltered approach to themes of love, heartbreak, and the human experience. Beyond just crafting captivating tunes, his music has become a refuge for those seeking solace in relatable narratives. Whether it’s his debut album or his intimate live performances, Ricky Montgomery’s journey in music continues to captivate listeners, firmly establishing him as an artist whose profound storytelling and emotional vulnerability are second to none.
When Montgomery took the stage with boundless enthusiasm, he weaved his way around the platform. He launched into silly antics, including engaging in a mock beatdown with his guitarist, evoking laughter and excitement from the audience during the intro of “Black Fins.” An endearing highlight was his impromptu participation with the drummer, borrowing a drumstick to whimsically “assist” during the initial moments of “Talk To You.” The set took an unexpected and delightful turn as he transformed into a fervent merch advocate, shouting out about his new merchandise and playfully complying with his team’s promotion requests. The culmination of this merchandise extravaganza was a slingshot-assisted distribution of his merchandise into the crowd – an unprecedented gesture that Ricky declared was a first-time experience for everyone.
Yet, the pinnacle of connection came during “Line Without a Hook” when Ricky defied the stage barrier, leaping into the space between the stage and the audience. His direct interaction with fans encapsulated his dedication to creating an intimate experience and left an indelible mark on the concertgoers. The setlist, featuring hits like “This December,” radiated Montgomery’s emotive songwriting and resonated deeply with the captivated crowd. Ricky spirited performance, infused with playfulness and authenticity, set an exhilarating tone for the night ahead, leaving a lasting impression on the Bittersweet Daze crowd.
Ricky Montgomery Setlist: Talk to You, Line Without a Hook, Black Fins, Don’t Say That, Out Like a Light, This December, Mr. Loverman
mxmtoon (aka Maia), a rising indie-pop sensation, has been making waves with her distinct blend of sincerity, vulnerability, and hilarious wit. With a musical background that embraces a wide spectrum of influences, from classic rock to 90s R&B, mxmtoon has cultivated a sound that stands out in the industry. Her breakthrough tracks such as “prom dress” and “fever dream” have earned widespread acclaim for their unfiltered and genuine approach to songwriting, addressing themes of love, heartache, and self-discovery with remarkable openness.
Since the release of her debut EP plum blossom in 2018, mxmtoon has established herself as a compelling force in the music scene, captivating listeners with her intimate and evocative storytelling. Her latest releases, including the EPs dawnand dusk, showcase her exceptional songwriting skills, delving into the complex emotions and experiences of the Gen Z generation. With an ever-growing fan base and a series of successful tours, mxmtoon’s infectious energy and self-deprecating charm continue to win over audiences worldwide, solidifying her status as an artist to watch and a voice that resonates with authenticity.
mxmtoon’s performance was an enchanting blend of playful energy and heartfelt connection that lit up the Summerstage. From the moment she stepped onto the stage, her charismatic presence was undeniable. With a mischievous grin, she engaged the crowd, coaxing them to join in on a collective cry before launching into the captivating “feelings are fatal.” The intimate banter continued as she introduced “cliche,” a love song born from a singular interaction, playfully dedicating it to “all the delusional people.”
With a touch of self-deprecating humor, mxmtoon offered a glimpse into her creative process, describing her music as “sad songs that sound happy.” This artistic juxtaposition was beautifully evident in her performance, where her melodies exuded a bittersweet charm that resonated with fans.
Demonstrating her affinity for meaningful connections, mxmtoon dedicated “seasonal depression” to Tater Tot, a feline TikTok sensation, and playfully shouted out, “This one’s for the gays! Because me too!” before launching into the spirited “kaleidoscope.”
Adding to the hometown flair, the Brooklyn-based artist embraced the crowd with warmth, reminding everyone that this was a sort of pseudo-hometown show. She encouraged the audience to channel their inner “European nightclub spirit”, injecting vibrant and jumpy energy into the venue during “sad disco.” In a touching moment, she introduced her band members, solidifying the sense of camaraderie that permeated the night.
Her setlist, including hits like “coming of age,” and “mona lisa,” blended seamlessly into the next. With her infectious charm, mxmtoon created an atmosphere that transcended the stage, uniting the crowd in a shared experience of joy, introspection, and the magic of her distinctive sound.
mxmtoon Setlist: fever dream, sad disco, kaleidoscope, ok on your own, seasonal depression, cliché, feelings are fatal, prom dress, bon iver, coming of age, mona lisa
Cavetown, the musical project of British singer-songwriter Robin Skinner, has emerged as a prominent figure in the indie music landscape, characterized by his unique blend of introspective lyrics and melodic arrangements. From his humble beginnings on platforms like YouTube, where he gained a devoted following for his heartfelt original songs and covers, Cavetown has transformed into an artist who resonates deeply with audiences around the world. His music, often centered on themes of self-discovery, identity, and mental health, strikes a chord with listeners seeking solace and connection. Cavetown’s discography is a testament to his evolving sound, marked by poignant compositions such as “This Is Home,” which have become anthems for a generation grappling with their place in the world.
Notably, Cavetown’s impact extends beyond his musical offerings. The creation of Bittersweet Daze, a collaborative project, showcases his dedication to fostering a sense of community and providing a platform for like-minded artists. Through Bittersweet Daze, Cavetown orchestrates a multi-artist event that celebrates the diversity of talent within the indie music sphere, creating an unforgettable experience for fans and artists alike.
Furthermore, Cavetown’s commitment to social change shines through in his philanthropic efforts. A powerful example is his initiative to donate a portion of ticket sales from the Bittersweet Daze tour to the This Is Home Project. Founded by Cavetown himself, this project channels funds towards organizations that support LGBTQ+ youth in need, reflecting his determination to give back and create positive change.
With his sincere lyrics, catchy melodies, and unwavering dedication to making a difference, Cavetown’s journey continues to inspire and resonate deeply with audiences worldwide. As he navigates the music industry with authenticity and a passion for both art and advocacy, Cavetown’s influence is undeniable, cementing him as a true artist to watch.
Cavetown’s performance was a whirlwind of energy and heartwarming interactions that left the audience completely captivated. Amidst the joyous melodies, an unexpected moment of concern arose as a lady passed out just before “Fall in Love With a Girl.” Robin promptly halted the show to ensure her well-being before resuming the set. The stage was adorned with imaginative cardboard mountains, creating an enchanting backdrop that perfectly complemented Cavetown’s whimsical vibe. Throughout the night, Robin’s engagement with fans was nothing short of endearing. During “Guilty,” he playfully accepted a stuffed cow from an eager fan in the front row, and in “heart attack,” he infused the stage with exuberance by clapping, jumping, and swirling a pride flag.
Robin’s connection with the audience deepened with each anecdote. Prior to performing “Juno,” he queried the crowd about their loyalty since his earlier days, invoking nostalgic camaraderie. The giggle-inducing revelation of his skewed sleep schedule for the initial tour dates added an extra layer of relatability. The tender moment when he introduced “Nobody Loves Me” and invited Ricky and Maia back on stage, followed by their heartfelt rendition, showcased not only artistic collaboration but a genuine sense of camaraderie.
“frog” became a standout as Robin interacted playfully with the crowd, plucking up a plush toy frog and delivering the song’s captivating melodies while experimenting with cool, distorted synth samples on the keyboard. Amid the diverse array of pride flags bestowed upon him, Robin donned a trans flag as a cape during “This Is Home,” a touching gesture of solidarity. His words before this song, admitting the evolution of his connection to it while dedicating it to the fans, underscored the sincerity he brings to each performance. The night culminated in a breathtaking display of talent during “Boys Will Be Bugs,” where Robin’s guitar prowess and commanding vocals resonated, leaving an indelible mark on the audience and concluding a remarkable evening.
Cavetown Setlist: worm food, Fall in Love With a Girl, Lemon Boy, Pigeon, Guilty, better, 1994, heart attack, juno, Nobody Loves Me (ft. mxmtoon and Ricky Montgomery), frog, Juliet, Home
Encore: Boys Will Be Bugs, Devil Town
In terms of upcoming shows, you can catch mxmtoon at plus63 festival if you happen to find yourself in Manila, Philippines this October. In the meantime, keep up with Maia on Twitter and Instagram.
You can also catch Grant on tour this fall when he swings through NYC at Webster Hall on Nov. 1.
Bittersweet Daze is heading to the UK with new artists! Cavetown will remain the headliner, but he’ll be joined by Alfie Templeman, Tessa Violet, Dodie, and Cafuné.
It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.”
They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.
Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.
3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.
Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play.
Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.
Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”
The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.
Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.
No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.
Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.
After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”
Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.
After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.”
Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.
Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention. For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room.
Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.
Niagara Falls was treated to a night of pulsating rhythms, electric energy, and a mix of rock anthems as Incubus took the stage on Sunday, Aug. 6 at Fallsview Casino’s OLG Stage. Despite a few hiccups, the band managed to deliver a memorable performance that left the crowd both exhilarated and yearning for more.
Disappointment tinged the excitement as news spread that Paris Jackson (Michael Jackson’s daughter) was unable to make the show, leaving fans to wonder what might have been. Nevertheless, the disappointment was fleeting, quickly replaced by the mounting excitement for the headlining act.
The evening kicked off with an explosive set by Badflower, the opening act that set the stage on fire. Lead singer Josh Katz’s charismatic presence was undeniable as he ventured into the crowd, serenading fans with an infectious energy that set the tone for the night. The band’s sound reverberated through the venue, leaving a lasting impression on concertgoers who were undoubtedly pleased by the musical appetizer they had just devoured.
As Incubus graced the stage, cheers echoed throughout the venue. However, as the band delved into their setlist, a discerning ear couldn’t help but notice moments where lead vocalist Brandon Boyd seemed to be struggling with pitch. While his distinctive voice remained captivating, occasional off-key notes hinted at monitor problems that might have marred his performance. Technical glitches can affect even the most seasoned of performers, and Boyd’s professionalism in powering through demonstrated his dedication to the fans.
Despite these minor setbacks, Incubus unleashed a cascade of hits that had the crowd swaying, singing, and chanting along. “Anna Molly” and “Nice to Know You” ignited fervor among the audience, while the introspective “Make Yourself” provided a moment of introspection amid the raucous excitement. The band’s synergy was undeniable, with Mike Einziger’s guitar riffs intertwining seamlessly with Jose Pasillas’ rhythmic drumming, crafting a sonic tapestry that resonated throughout the venue.
The setlist was a carefully curated journey through Incubus’s discography, touching on both classic favorites and newer tracks. A notable highlight was their electrifying rendition of The Beatles “Come Together,” which injected a dose of nostalgia into the night. As the show reached its zenith with “Pardon Me” and “Stellar,” the crowd’s energy surged, a testament to the enduring power of these iconic hits.
The performance concluded with a poignant tribute, as Incubus seamlessly segued from “Wish You Were Here” into a snippet of Pink Floyd’s equally iconic track by the same name. The crowd’s applause and cheers filled the air, a fitting send-off for a night of musical magic.
Despite the technical hiccups and occasional off-pitch moments, Incubus managed to cast a spell on their Niagara Falls audience, reminding everyone present of the transcendental power of live music. As the lights dimmed and the echoes of the final notes faded, concertgoers left the Fallsview Casino’s OLG Stage with hearts full and spirits lifted, a night of rock and roll reverie etched into their memories forever.
