During a famous MTV Unplugged performance, Kurt Cobain once sarcastically asked, “What are they tuning, a harp?” His tone somewhat mocking of the instrument, as if it had no place in his rock n’ roll world. For a long while, I may have thought the same thing too, but then a funny thing happened to me on Thursday, December 7.
That was the night I saw Mikaela Davis and Southern Star perform at Lark Hall in Albany for the first time. Armed with a six-foot-tall harp, a bold voice, and a certain element of mystique, the classically trained harp player-turned-folk rocker completely redefined everything I thought I knew about the instrument, simultaneously shattering whatever limitations my mind may have placed on it.
Mikaela Davis and Souther Star made their Lark Hall debut on December 7th, 2023.
Captivating the audience with a dreamy blend of psychedelic pop, driving folk rock, and a healthy dose of sonic improvisation, Mikaela Davis and Southern Star simply dazzled in Albany. A long-time believer in the group, Greg Bell of Guthrie Bell Productions has often said this is one of his favorite acts and has been bringing them to the Capital Region for years now. Regularly making stops at venues like The Hollow and Putnum Place, this night would mark their graduation to the historic room of Lark Hall. Delivering a dynamic, genre-bending performance full of emotion, beauty, and star-making energy, it was easy to see what all the hype over the talented harp-playing singer and her incredible band was all about.
Originally formed in Rochester, Mikaela Davis and Southern Star have been playing together for over a decade. Notably sharing the stage with the likes of Bob Weir and Phil Lesh, Bon Iver, and Circles Around the Sun, the group released their first full-length album as a band, And Southern Star, in August of this year and it’s already showing up on many of the “year’s best” lists. Focusing much of the show on its material, the multi-layered improvisation that also came from it was nothing short of a breath of fresh air and a major reason why they’ve been so warmly embraced by the extended jam band community.
Home in the Country: Mikaela Davis and Souther Star made themselves at home in Albany on 12/7/23.
Casually kicking things off with the melodic one-two punch of “Cinderella” and “In My Groove,” Mikaela Davis and Southern Star had Lark Hall’s undivided attention from the very start. Along with Davis, Southern Star also consists of the McCarthy brothers, Cian on guitar and sax and Shane on bass, Alex Cote on drums, and the talented Kurt Johnson on pedal and lap steel.
Keeping things going, the infectious single called “Home in the Country” was an early set highlight, as was watching Johnson’s incredible dexterity as he employed a litany of effects and knob turning to his pedal steel rig to create all kinds of subtle textures to accent Davis’s delectate harp in the most sophisticated way.
Kurt Johnson of Southern Star had his hands full on pedal and lap steel on 12/7/23.
After a bit of funky plucking on 2018’s “Get Gone”, “Far From You” would cross over into a more euphoric fairytale-type feel before landing on what would ultimately be the centerpiece of the show, an enchanting and transformative take on the Grateful Dead’s “Here Comes Sunshine.” Showcasing their propensity to improvise just as Garcia and company famously did, the stunning arrangement felt right at home at Lark Hall, a venue that recently expanded to include a Dead-inspired wine and coffee bar downstairs dubbed The Eleven. The lengthy rendition commanded your attention and was enough to win over any of the Heads in the audience who still weren’t sure of the greatness happening before our ears and eyes.
Here Comes Sunshine: Mikaela Davis and Southern Star wowed the Lark Hall crowd with their Grateful Dead cover on 12/7/23.
What started as a chilled-out version of “Leave it Alone” soon boiled over into blues-rock territory before seamlessly finding the opening chords of “Promise,” the second single from And Southern Star. With the crowd fully engaged and swaying to the up-tempo vibe and colorful riffs, the band’s synergy and skill were on full display. As the momentum continued to build, perhaps the most “rockin’” song of the night came next with a jammed-out version of “Don’t Stop Now,” featuring one of multi-instrumentalist Cian McCarthy’s best solos of the night.
Pausing to thank the audience for coming out and commenting on how nice it was to be playing Lark Hall for the first time, Mikaela then broke the news that she’s already looking forward to coming back in a few months with her pals (and fellow 2023 Lark Hall alumni), Circles Around the Sun.
Talking from the heart about how special it is to play music live, she also mentioned the best way to directly support touring artists is by picking up some of their merch at the gigs. Davis and Southern Star would then bring the main portion of the show to a close with a beautiful rendition of “Pure Divine Love,” before returning for a luscious encore of “Other Lover” from Mikaela’s debut 2018 album, Delivery.
After wrapping up their final show of the year with a hometown throwdown in Rochester, Mikaela Davis and Southern Star already have their sights firmly set on 2024. The band has just announced a full slate of new tour dates alongside psychedelic, Dead-inspired prog jammers Circles Around Sun. The collaborative tour is set to feature several New York dates with stops at Brooklyn Bowl, Ithaca’s Deep Dive, and Buffalo Iron Works.
Mikaela Davis | December 7, 2023 | Lark Hall | Albany, NY
Setlist: Cinderella > In My Groove, Home in the Country, Get Gone, Far From You, Here Comes Sunshine, Leave it Alone > Promise, Don’t Stop Now, Pure Divine Love
Crossing the train tracks that led up to the concert venue, a stranger stopped me and asked, “Is this the way Heaven?” “No,” I said. “Basilica Hudson.” While my Field of Dreams film reference was undoubtedly missed on the man, music fans could have sworn they were in heaven on Wednesday night, November 8th, when legendary UK space rockers Spiritualized made their spectacular debut in Hudson, NY. Delivering a spellbinding tour-de-force performance that will be remembered for years to come, it was the kind of show that cracked you open, rearranged your insides, and sent you home wanting to be a more productive person.
Making a rare stateside appearance with only six East Coast dates, fans from all over made it a priority to be there. The unique venue known as Basilica Hudson provided the perfect launching pad for such a formidable occasion. Located in the industrial section of town, Basilica Hudson is actually an old, refurbished glue factory that was originally built in the 1880’s. Now a multi-purpose, energy efficient arts center along the city’s “South Bay” riverfront, many consider the spot to be a crown jewel of Hudson Valley concert halls. On this night it would also serve as our Space Station for the highly anticipated sold-out show that was presented by Chosen Family.
The Spaceman Cometh: Jason Pierce AKA J. Spaceman performing with Spiritualized on 11/8/23.
With the stage set against a starfield backdrop, things lifted off shortly after 8pm. The current Spiritualized juggernaut includes 9 band members spearheaded by our flight commander for the evening, Jason Pierce, better known by some as J. Spaceman. A revered songwriter with an almost cult-like following, it’s been no secret Pierce has been battling a number of health issues in recent years. Clinically pronounced dead twice at one point, indeed every show he plays these days is something of a miracle. Performing seated and wearing his trademark sunglasses, the veteran rocker who turns 58 this month, was showered with adoration and encouragement as the countdown to ignition finally commenced.
Spiritualized performed to a sold out crowd at Basilica Hudson on 11/8/2023.
Like most Spiritualized shows in recent years, “Hey Jane” was selected as the opening number. Blasting off with some infectious high-octane psych-rock, the tone was set for the transformative journey ahead. Sounding massive from the very start, “She Kissed Me (It Felt Like a Hit) kept the raw rock energy going as the room had now filled to capacity. Then hitting the rewind button and taking us back to where it all started, next was a song from the bands debut album, “Shine a Light,” from 1992’s Lazer Guided Melodies. Making this one count, the momentum really started building here, as sprawling layers of sonic distortion and cascading crescendos reached a new level intensity, matching the equally intense, pulsating light show. And just when you thought you couldn’t take it anymore, our captain gently brought us back down, effortlessly guiding the band into the chilled-out hypnotic groove of “I’m Coming Home Again” that conjured up some heavy Velvet Underground vibes.
“If you want a rocket ship, I would be a rocket ship for you” – Lyrics from “Always Together With You”
A beautiful rendition of “A Perfect Miracle” proved to be an early highlight of the set, while “Always Together With You” took on an infectious astral-pop quality that saw Pierce’s lyrics playing up the bands outer space imagery. Cloaked in white robes, the minimal 3-girl gospel choir sounded beautiful together, adding intricate layers of harmony and filling in the space with “ohhhs” and “ahhhs” that contributed a great deal to the overall sound. Up next came a trio of songs from the album many, including Pierce himself, thought might be the bands last; 2018’s And Nothing Hurt. Flowing beautifully from fan favorite “I’m Your Man” into the hard charging “The Morning After,” and then capping it off with “Here it Comes (The Road) Let’s Go,” which from my perspective, received some of the loudest cheers of the evening.
“Labored over these words too long and nothing to behold / Wanted it to be special for you, but it’s just a song” – Jason Pierce
The next portion of the night featured material from Spiritualized’s most recent release Everything Was Beautiful. Starting the sequence off with “Best Thing You Never Had (The D Song),” things got a little weird when suddenly a man jumped over the barricade and onto the stage. Basking in the spotlight for a moment, it was unclear if this was part of the act. As the band played on with perplexed looks of plausible concern, it soon became obvious that it was just some inebriated dude looking for attention. Then attempting to stage dive his way out of the awkward situation, fans in the front made zero attempt to catch him. The resulting splat that followed was amusing to some, but a complete mental distraction for others. To their credit, Spiritualized never missed a single note. If nothing else, the incident seemed to be an ice breaker, for as serious as this performance was, fans realized it was okay to let their hair down a bit as it was still a rock n’ roll show.
Idiot bastard, son of a gun Heaven is easy, your living is done Take it down easy, won’t know what you’ve done And we’re gone.
-Lyrics from The A Song (Laid in Your Arms)
Resetting the coordinates now, the deliberately hypnotic buildup of “Let It Bleed (For Iggy) produced massive moments of introspection and then euphoria, while the hard charging angst of “The A Song (Laid in Your Arms)” furthered the momentum into another deafening climax where Pierce seemingly confronts his demons while pondering over his lasting legacy. Looking even deeper within, Pierce confessed he’s “Damaged” while lamenting the lines “I wanna just close my mind / Feel like I’m floating on a ship out of time.” Soaring forward with cathartic, blissed-out beauty, “Soul on Fire” achieved an almost orchestral peak, despite there being no string or horn section. While the crowd sang along to its repeating chorus, the magnitude of the moment was enough to make the hair on your neck stand up. Acknowledging his struggles with addiction once more, “Sail on Through” would bring the main portion of the show to a jaw-dropping close.
Spiritualized performing in Hudson, NY on 11/8/23.
So long you pretty thing, God save your little soul The music that you played so hard ain’t on your radio And all your dreams and diamond rings and all that rock and roll can bring you Sail on, so long.
-Jason Pierce
After a few moments of silence off stage, Spiritualized would sail on with a passionate rendition of their psychedelic space pop manifesto “So Long You Pretty Thing.” The final song of the night was also the loudest. Encoring with the lone track from the bands 1997 undisputed masterpiece Ladies and Gentleman We Are Floating in Space, “Come Together” nearly blew the roof of Basilica Hudson and put an emphatic stamp on a life-affirming performance that simply shook the audience to the core. Standing up and facing them for the first time all night, Pierce would humbly take a bow and gracefully exit to a chorus of both cheers and tears. Mesmerizing and beautiful, heart wrenching, vulnerable and honest, it was the rare type of performance that satisfied all of your senses and filled you with hope. The type of show that made you feel lucky to be alive and grateful for the struggle. A little piece of Heaven right there there in Hudson, NY.
Spiritualized | November 8,2023 | Basilica Hudson | Hudson, NY
Setlist: Hey Jane, She Kissed Me (It Felt Like a Hit), Shine A Light, I’m Coming Home Again, A Perfect Miracle, Always Together With You, I’m Your Man, The Morning After, Here it Comes (The Road) Let’s Go, Best Thing You Never Had (The D Song), Let It Bleed (For Iggy), The A Song (Laid in Your Arms), Damaged, Soul on Fire, Sail on Through
Full of gritty energy, thoughtful storytelling, extremely tight improvisation, a spectacular light show, and a palpable connection to their audience, Kitchen Dwellers brought their unique brand of psychedelic bluegrass to Cohoes, NY on Thursday, October 12th.
No strangers to the Capital Region, Kitchen Dwellers have played the area many times over the years, but the second show of their 2023 fall tour would be their first at the historic Cohoes Music Hall, one of the oldest (and allegedly haunted) venues in the country. Delivering an absolute scorching performance, the level of musicianship on display was scary good.
Kitchen Dwellers made their Cohoes Music Hall debut on 10/12/2023.
Showing up to the corner of Remsen and Cayuga, you were instantly met with heady vibes from the municipal lot as the jokers and tokers greeted one another. There was a laid back feeling of familiarity and optimism as people of all ages lined up to check out the plethora of band merch and the gorgeous limited edition show poster designed by artist Dan Dippel. Fans who got there early enough were treated to a delicious appetizer from the young-and-hungry opening act, Fireside Collective from Asheville, NC.
After a brief set change, Capital Region show promoter Greg Bell of Guthrie Bell Productions took center stage to welcome everyone to the Cohoes Music Hall and wax nostalgic for a moment before introducing Kitchen Dwellers to a massive ovation. Wasting no time serving up the main course, the band set the tone early with a “Sundown” opener, the first of five songs that would be played from their latest album, Wise River. They had the crowd captivated from the very first note.
Kitchen Dwellers (L-R): Max Davies, Torrin Daniels, Joe Funk, and Shawn Swain performing on 10/12/23.
Consisting of Torrin Daniels on banjo, Joe Funk on bass, Max Davies on guitar, and Shawn Swain on mandolin, describing their inspired sound is no easy task. Utilizing traditional string instruments, adding a few effect pedals and foregoing a drummer, their expansive playing is full of character, bombastic banjo riffs, lightning fast licks, virtuosic finger picking and foot-stomping grooves. These guys make the complex look effortless. After squeezing “Their Names Are The Trees” into a “This Time” sandwich, the Kitchen Dwellers were cooking with pure gasoline as they alligatored “Smokestack” through a pair of choice covers – “Salt Creek” and “Alcohol in the Bloodstream.” Coming up for air to greet the audience and exchange some friendly banter about the proper pronunciation of Cohoes, the band would then invite Fireside Collective dobro player, Tommy Maher, to the stage for the remainder of the set.
Chest Fever: Fireside Collective’s Tommy Maher (dobro) joined in on the fun on 10/12/23.
Taking control of the ship and guiding the band through the crowd-pleasing title track of 2019’s Muir Maid, upright bassist Joe Funk’s vocals sounded fantastic here, while the extended interplay and energy of Torrin’s flying dreadlocks and Maher’s youthful exuberance sent the room into a fever pitch. With the venue itself located just on the outskirts of Levon Country, perhaps that was their intention all along, as a well-placed cover of The Band’s classic “Chest Fever” would bring the opening frame to a close.
Kitchen Dwellers’ Joe Funk croons away in Cohoes, NY 10/12/23.
When Kitchen Dwellers hit the stage for round 2, it didn’t take them long to address the elephant in the room, or in this case, the ghost. Nicknamed “The girl who made vaudeville famous,” many believe the spirit of Eva Tanguay has haunted the Cohoes Music Hall since her death in 1947. Often “felt” hanging around just off stage left and sometimes in the center of the balcony’s second row, the band acknowledged this bit of folklore by offering up their song “Ghost in a Bottle” in tribute.
Ghost in a Bottle: Kitchen Dwellers make an offering to the ghost of Eva Tanguay on 10/12/23.
The real meat and potatoes of the set would come next as the Dwellers found their groove on “Stand at Ease” which seamlessly segued into a cover of “White Freightliner Blues.” Showing a deep respect to their roots by weaving together a tapestry of their influences, the dexterity and speed at which these guys play make it almost impossible to stand still. After a stellar version of “Gypsy,” the band gave a special shoutout to a group of friends who traveled there from Vermont, allegedly breaking the record for the most people you can cram into a van, something which Torrin found debatable. Announcing they weren’t going to do the typical encore thing and that they’d just play until the venue kicked them out, the enthusiastic crowd were then treated to a sizzling combination of “Mountain” > “Drowning (… Again)” > “Ebenezer’s Winter” to bring the tasty night of galaxy-grass jams to a close just after midnight.
Putting a fresh spin on an old genre and blending the past with the future, Kitchen Dwellers rose to the occasion in Cohoes and threw down a performance that will be talked about for years to come. Upon leaving the Cohoes Music Hall, perhaps one excited fan summed it up best, saying “That was the best $20 I’ve spent in a very long time.“
With fall tour just getting underway, fans in New York won’t need to wait long to catch them again. Kitchen Dwellers have been tapped by Twiddle to take part in their final shows next month before going on an indefinite hiatus. The sentimental sendoff will take place at the historic Capitol Theatre in Port Chester. For more details on tour dates and tickets head to kitchendwellers.com.
Kitchen Dwellers | October 12, 2023 | Cohoes Music Hall | Cohoes, NY
Set 1: Sundown, This Time > Their Names Are the Trees > This Time, Smokestack>Salt Creek >Alcohol In the Bloodstream, Muir Maid * > Chest Fever *
Set 2: Ghost in the Bottle > Cuckoo’s Nest [Traditional] > Ghost In the Bottle, Stand At Ease > White Freightliner Blues, Gypsy, Mountain > Drowning (… Again) > Ebenezer’s Winter
* Featuring Tommy Maher of Fireside Collective on Dobro
It was rain-soaked double header in Cooperstown on Friday, August 25th, as a near-capacity crowd braved the elements at Brewery Ommegang for a pair of headlining sets from legendary alternative rockers Pixies and Modest Mouse. Along with support from critically acclaimed opening act Cat Power, the powerhouse bill proved to be a home run with fans of all ages, despite some minor curveballs thrown by Mother Nature.
Upon arrival, the ominous sky over Brewery Ommegang felt only fitting. That’s because every time DSP Shows bring Modest Mouse to town, dating back to their first visit in 2014 and again in 2021, the weather seems to head south just prior to showtime. The same was true this year when opening act Cat Power had to abruptly cut their set short when it started raining cats and dogs in an absolutely torrential downpour that sent fans running for cover under the tree line.
Dark Center of the Universe: An ominous sky over Brewery Ommegang felt only fitting on 8/25/23.
Doing little else to detour the remainder of the show, however, the audience was quick to embrace the soggy scene and use the minor rain delay to fill up their beer cups and grab some merch of which there was plenty. A simple glance around the grounds showed that while many fans were already sporting their brand new (and dry) Pixies and Modest Mouse threads, plenty of bands they’ve helped influence were represented as well. Twenty-somethings wearing shirts for bands like Nirvana, Smashing Pumpkins and Built to Spill, along with newer acts like King Gizzard and the Lizard Wizard and The Strokes, but it was the surprising amount of Deadheads and Ramones fans in the audience that proved just how diverse the appeal of this show was.
Fire It Up: Modest Mouse was “beautifully bold” in their return to Cooperstown on 8/25/23.
Taking the soaking wet stage shortly after 8pm and greeting the audience with his best impersonation of an old-time radio sports announcer, Modest Mouse front-man Isaac Brock immediately connected with the crowd with some playful baseball banter, before ‘leading off’ with “Dark Center of the Universe,” one of the groups oldest and most iconic songs. Comfortably dressed in a sweatshirt depicting magic mushrooms, on deck was the infectious groove of “Tiny City Made of Ashes,” which the band seemed to jam on for a minute before Brock gave his OK to “Fire It Up.” Then came a pair of songs that helped introduce Modest Mouse to the masses back in 1996 with the first two tracks from their debut album This Is a Long Drive For Someone With Nothing to Think About.
A beautiful and always appreciated “Dramamine” would seamlessly segue into “Life Like Weeds,” before the angst-ridden rock of “Breakthrough” would fall just shy of turning the muddy grounds into an all-out mosh pit. Cooling off the aggression with some of Brock’s signature thought provoking lyrics, “Baby Blue Sedan” had sentimental fans singing along to the lyrics of “I am doing the best that I can” in a touching moment of solidarity.
“Sad song, last dance and no one knows who the band was, except this one mattered and I felt it had a spirit.” – Issac Brock
Up next came “Back to the Middle” from Modest Mouse’s most recent album, 2021’s The Golden Casket, before Brock would swap out his guitar for a banjo and deliver a playful backwoods rendition of “This Devil’s Workday.” His intense delivery and ferocious growls often overshadowing the brilliance of his songwriting, Brock’s unique perspective and ability to translate surrealism into words have long made him among this generations most thought-provoking lyricists.
After busting out the beloved B-Side of “King Rat” and then 1997’s “Heart Cooks Brain,” Modest Mouse would then get the crowd singing along with the recent radio hit “We Are Between,” before Brock would really sink his teeth into the performance with a jaw dropping version of “The Ground Walks, with Time in a Box,” which featured Isaac playing the guitar solo behind his head and then with his mouth! Falling just short of going full blown Marty McFly, the kids at Ommegang absolutely loved Brock’s vintage rock-star antics here and would erupt even further when the song seamlessly transitioned into the chart topping “Float On,” the bands breakout hit from 2004’s Good News For People Who Love Bad News.
Following“The Whale Song,” the quick 75 minute, career spanning set would come to a close with another upbeat singalong, “Dashboard.” Fantastic, focused and swinging for the fences, the amount of “good songs” this band still had left in their arsenal is quite a testament to just how deep and diverse their catalogue runs.
Modest Message: “Don’t worry, even if things end up a bit too heavy we’ll all float on.”
With two bonified headliners on the same bill, there was a strong showing of followers for each. Between sets, it was a playful conversation starter to ask which of the two you were really there to see. While the majority didn’t hesitate to say “both,” I was surprised by just how many blamed the Friday night out on their partners, saying “oh, my wife loves the Pixies, she was obsessed with them in high school,” as if there was some kind of wrong answer or guilt for admiring either of these groups and still listening to them.
After a brief “7th inning stretch”, suddenly the lights went dark and the legendary Pixies stepped up to the plate using The Beatles “You Know My Name (Look Up the Number)” as their walk-up music. Stoic, confident and fierce, the band opened up their performance with fan favorite “Gouge Away,” followed by two more songs also from the bands iconic 1989 album Doolittle, “I Bleed,” and “Crackity Jones,” before going all the way back to the beginning with “Isla de Encanta” from their earliest album Come on Pilgrim.
A lot of Doolittle: Pixies performed 9 songs from their iconic album Doolittle on 8/25/23.
With the current lineup consisting of original members Black Francis, Joey Santiago, and drummer David Lovering, the band would name Paz Lenchantin as their permanent bassist in 2016. Providing ample energy on the low end, the crunchy groove of “Planet of Sound” never sounded better as bandleader Black Francis belted out at the near full moon, before “There’s A Moon On” had fans dancing under it. Black Francis, the type of guy that wears sunglasses at night, appeared to be dressed for a funeral, but make no mistake, Pixies are alive and well in 2023. Often imitated, never duplicated, his primal and raw delivery sounded as visceral this night as it did 30 years ago.
With his distinct vocal style ranging from dynamic bloodcurdling shrieks, to melodic, near spoken word nonchalance, his lyrics remain as cryptic and open to interpretation as ever. We’d get a healthy dose of the new stuff next with a “triple play” of songs from their latest album. 2022’s Doggerel, before bringing the audience back to more familiar territory with some of their biggest tunes like “Here Comes Your Man,” “Motorway to Roswell,” and “Caribou,” which the person next to me hailed as their best song.
Here comes your frontman: Black Francis was in fine form at Brewery Ommegang on 8/25/23.
While many romanticize about the Pixies and their obvious influence on 90’s music, you don’t often think of them as a romance band meant for date night. The fans at Ommegang, however, never got that memo as couples all around found great joy in reliving the soundtrack of their youth, stealing kisses in the key moments, savoring every second as one of their all-time favorite groups serenaded them under the misty, cinematic skies. Enchanting and magnetic, Paz Lenchantin, the original bass player of Maynard James Keenan’s A Perfect Circle and Billy Corgan’s Zwan, here now as a Pixie, seemed to be having the most fun out of everyone. Headbanging through the fog and shadows on her beautiful Fender 69 P-bass, picking away on classic tunes like “Hey,” “Cecilia Ann” and the crowd pleasing “Debaser.”
Debasser: Paz Lenchantin picks away on classic Pixies songs on 8/25/23.
Bright, loud, and beautiful, fans knew almost every word to every song for the remainder of the show. From 1987’s “Holiday Song,” to another pair of hits from Doolittle, a surfed-out version of “Wave of Mutilation” and the climate change wakeup call of “Monkey Gone to Heaven” that saw the often experimental Francis take sonic frequencies to the warning track, building a wall of swirling distortion as he shoved his guitar into the amps creating intentional feedback. The career spanning set wouldn’t be complete, though, without the most well-known song in the Pixies catalog, “Where is My Mind?”
Gone to Heaven: Pixies performed a Hall of Fame setlist on 8/25/23.
While playing it every night may feel like a chore for some members of the band, it was quite clear that it still resonates after all these years and that the next generation of kids who only know Pixies from the 1999 David Fincher film Fight Club – were here for it too. Holding their phones up in lieu of lighters, the massive field of cellular fireflies created a stunning visual image and a feeling that you were experiencing an epic moment in time courtesy of one of Rock’s most influential bands. While the show could have ended there and no one would have complained, we were then treated to one final ‘call to the bullpen’ for a cover by one of the original pioneers of Punk. Closing the show with a searing rendition of Neil Young’s “Winterlong” to put an emphatic stamp on a fantastic 26-song set of timeless alternative anthems. Convening at the center of the stage to take their bows, fireworks began illuminating the night as the Pixies slowly faded into it, triumphantly bringing another successful Summer Concert Series at Brewery Ommegang to a close. A bitter-sweet realization, but hey, as they say in baseball, “there’s always next year.” We’re already looking forward to it.
Pixies closed out Brewery Ommegang’s Summer Concert season on 8/25/23.
Pixies | August 25, 2023 | Brewery Ommegang | Cooperstown, NY
Setlist: Gouge Away, I Bleed, Crackity Jones, Isla de Encanta, Planet of Sound, There’s a Moon On, Who’s More Sorry Now?, Get Stimulated, The Lord Has Come Back Today, Mr. Grieves, Death Horizon, Here Comes Your Man, Motorway to Roswell, Snakes, Caribou, Hey, Doggerel, Cecilia Ann*, St. Nazaire, Debaser, Cactus, The Holiday Song, Monkey Gone to Heaven, Wave of Mutilation**, Where is My Mind?, Winterlong***
*The Surfones cover **UK Surf version ***Neil Young cover
Modest Mouse | August 25, 2023 | Brewery Ommegang | Cooperstown, NY
Setlist: Dark Center of the Universe, Tiny City Made of Ashes, Fire It Up, Dramamine > Life Like Weeds, Breakthrough, Breakthrough, Baby Blue Sedan, Back to the Middle, This Devil’s Workday, King Rat, Heart Cooks Brain, We Are Between, The Ground Walks, With Time In a Box > Float On, The Whale Song, Dashboard.
Legendary Grateful Dead singer/guitarist Jerry Garcia touched many lives in his brief 53 years on Earth. Regarded as one of the most influential musical figures of all time, even 28 years after his passing, Garcia’s legacy and words continue to inspire and resonate with a whole new generation. An artist in every sense of the word, his creativity, curiosity, kindness, vulnerability, sense of humor and his unique ability to collaborate with almost anyone make him one of the most revered players of any era. Relatable to millions and a limitless source of inspiration for countless Grateful Dead-inspired tribute acts, while Jerry’s journey may be one of the greatest stories ever told, you could easily argue that even though he’s gone, the music never stopped.
Jerry Garcia’s Birthday Bash: NYS Dead Coalition featuring Organ Fairchild and Vinnie Amico of moe. performing at Lark Hall on 8/1/23.
Born Jerome John Garcia on August 1, 1942, in 1965 he would become one of the founding members of The Grateful Dead and from there, go on to become one of the most recognizable figures of the last century. One of the most recorded musicians in history, he’s also said to have played in over 25 side projects while releasing more than 30 studio albums. Since his passing on August 9, 1995, Deadheads around the world have respectfully anointed the “days between” his birth and death as a time to honor Garcia’s life and legacy. Fortunate to be living in a place both rich in local talent and Grateful Dead history, this year I wanted to try something a little different to convey my appreciation. With multiple venues across the area holding special Jerry-themed celebrations during the first 9 days of August, I charged up my camera, cleared out my memory cards and set off to hit as many of them as I could. If I told you all that went down, it would burn off both of your ears, but as best as I can remember, here’s how the Capital Region celebrated the Days Between in 2023.
Moe. drummer Vinnie Amico sat in with NYS Dead Coalition at Lark Hall on 81/2023.
Kicking off the weeklong celebration was New York’s own Organ Fairchild. Stopping by Albany’s Lark Hall on August 1st as part of “Jerry’s Birthday Bash,” the Buffalo-based band would pull double duty on the night. First playing a set that mixed originals songs in with Grateful Dead covers like “Picasso Moon,” “Cream Puff War,” and “He’s Gone,” Organ Fairchild would return later in the night with a few friends for an extra special NYS Dead Coalition set. Featuring Vinnie Amico of moe. on drums along with Tom Mahoney and Ron Permoda from the Utica-based Dead band Into The Now, the memorable performance featured stellar renditions of uptempo rockers like “Let The Good Times Roll,” “After Midnight,” “Cumberland Blues,” and “New Speedway Boogie,” while the back half the set was far more tender and introspective with our first “Bird Song” of the week, along with “Peggy-O,” “They Love Each Other” and a lengthy dose of “Love Light” that even Jerry Garcia himself would have been moved by.
Rockin’ on the River: It was all ‘Sunshine Daydreamin’ with Neon Avenue on 8/2/2023.
The next stop on our “Days Between the Capital Region” tour took us down by the riverside of Troy, where it was all ‘sunshine daydreaming’ with Neon Avenue. Headlining perhaps their biggest show yet as part of the Collar City’s annual Rockin’ On the River’ concert series, the energetic Clifton Park band more than rose to the occasion, delivering a phenomenal set of improvised jams on some of the Grateful Dead’s most beloved material.
Wharf Rats: Neon Avenue’s thoughtful setlist had fans dancing in the Collar City streets until sundown on 8/2/2023.
The picture-perfect weather brought out a huge crowd and songs like “Shakedown Street,” “Sugaree,” and “Scarlet Begonias” > “Fire on the Mountain” had both fans new and old on their feet and dancing all the way to sundown. Also mixing in hits like “Touch of Grey,” “Truckin,” and “Casey Jones,” for good measure, it was Neon Avenue’s thoughtful placement of songs like “Wharf Rat, “Sugar Magnolia” and “Magnificent Sanctuary Band” that yielded the most sentimental moments. Playing off their surroundings to great effect, perhaps the biggest cheers of the night came during the set closing “U.S. Blues.” Troy is said to be the original home of Uncle Sam after all.
View Grateful Dead and Jerry Garcia shows from across the years in New York State with our interactive map below!
Our third stop of “Jerry Week” took us back to Lark Hall for another milestone performance, this time for legendary Hudson Valley rockers The Deadbeats who were celebrating their 30th anniversary. After playing around the area nearly every week for the last three decades, the highly respected group of local musicians have amassed a devoted following and they came out in full force on this Friday night in August. Blasting off with “Bertha,” the energy was there from the start and never let up. Working their way through a nice combination of “Beat it on Down the Line” and “The Greatest Story Ever Told,” other highlights of the first set included our only “Candyman” of the week, as well as “Dire Wolf,” and another smokin’ rendition of “Cumberland Blues” before “Scarlet Begonias” > Fire on the Mountain” took us to halftime.
The Deadbeats celebrated Jerry and a milestone of their own at Lark Hall on 8/4/2023.
Returning for a lengthy second set that included an impressive ride through “Help on the Way” > “Slipknot” > “Franklin’s Tower,” The Deadbeats also managed to throw in a few Jerry Garcia Band surprises too, like “Rubin and Cherise,” “Midnight Moonlight” and “Ride Mighty High.” “Truckin” and “Not Fade Away” had the whole room moving and grooving, but really, anyone who was there will tell you the second set was all about the funked-out version of “Throwing Stones” that essentially stole the show and helped make the band’s 30th anniversary party so memorable. Kudos to all members of The Deadbeats, past and present, for helping keep Jerry’s spirit alive in Albany all these years.
The Deadbeats Mike Johnson has been ‘playing in the band’ for an astonishing 30 years.
The next show we had the privilege of attending was a special stripped down acoustic performance by 3 members of The Wheel. Taking place on the 28th anniversary of the day Jerry Garcia passed, the intimate cocktail hour gathering, also at Lark Hall, was easily the most unique and sentimental performance of the week-long celebration. Consisting of Bryan Gautie on guitar and banjo, Andy Morse on guitar and mandolin and Woodstock’s Misty Mountain Ramblers’ keyboardist Kenny Schneidman, all three members jelled together nicely and would take turns singing and cracking jokes between songs. Opening up with “Dark Hollow” and our only “Deep Elum Blues” of the Days Between, other highlights of the set included gorgeous renditions of “Friend of the Devil, “Black Peter,” “Catfish John,” and “Must Have Been the Roses.”
Ripple Effect: The Wheel Trio unplugged for a sentimental cocktail hour set at Lark Hall on 8/9/23.
With no rhythm devils or soaring electric guitar solos during the set, the real beauty was being able to fully concentrate on the actual songwriting and Robert Hunter’s timeless lyrics. Perhaps the trio’s biggest strength, however, was the combination of their voices together. Using three-part harmony to great effect, there were moments during the set that simply gave you the chills, particularly on “Bird Song” and the set closing “Ripple,” which you can watch below.
Watch fan shot footage of The Wheel Trio performing “Ripple” at Lark Hall on 8/9/23.
Afterwards the buzz was all about “the other” Grateful Dead-inspired show that was also happening in the area that night. Full of heart and still daylight outside, those who couldn’t get enough Jerry packed up the party and trucked on over to the Cohoes Music Hall where two sets of Bearly Dead was just getting underway.
Bearly Dead’s Dynamic Debut: The Boston-based band buzzed with high energy during their Cohoes Music Hall performance on 8/9/23.
Walking into to the historic (and allegedly haunted) Cohoes Music Hall is always a vibe, but I admit I wasn’t very familiar with Bearly Dead beforehand. Kicking off their show with our first “Here Comes Sunshine” of the week, right away you could tell these guys “really cook” and I could feel a sense of ease come over me as I knew after all this poking around, I ended up in exactly the right place. Working their way through fiery renditions of “Passenger,” “Mississippi Half-Step Uptown Toodeloo,” and the crowd favorite “Ramble on Rose,” it was clear that Bearly Dead were diligent students at Grateful University and they had done their homework. Bringing a fresh and energetic approach to these ageless tunes, the band first came of age in Somerville, MA in 2015 and would go on to do a 5-year Wednesday Night Residency at Thunder Road before the venue closed in the midst of the pandemic. Now taking their show on the road and touring nationally, Bearly Dead brought their A-game to Cohoes on August 9th. Immediately making a good first impression with first set staples like “Black-Throated Wind,” and “Tennessee Jed,” by the time the band linked together a monstrous “Terrapin Station” > “China Cat Sunflower” -> “I Know You Rider” jam sandwich to close the opening frame, no one needed further convincing that these guys are the good shit.
Sharing the Weight: Bearly Dead paid tribute to both Jerry Garcia and Robbie Robertson on 8/9/23
On the same day the world learned that legendary singer/songwriter Robbie Robertson of The Band had passed away, the second set began with a touching moment of acknowledgement to one of their other musical heroes. Introducing the first song by saying, “I think Jerry wanted a buddy to jam with today,” Bearly Dead then broke into a heartfelt rendition of “The Weight.” Stragglers still smoking outside must have been kicking themselves as they quickly rushed in to fill the noticeably empty floor, so in an effort to help them out a little, I quickly pulled out my phone and hit the record button. That footage can be seen in the clip below.
Watch fan shot footage of Bearly Dead covering “The Weight” during their Cohoes Music Hall debut on 8/9/23.
One of the most striking things that helps separate this band from others like it is that every member can really sing and with convincing passion. Perhaps Jerry’s most well-known solo song came next with “Cats Under the Stars,” before “Rhapsody in Blue,” and “Easy Wind” flowed beautifully into the iconic Grateful Dead anthem “Dark Star.” Seamlessly working in “Miss You” teases by The Rolling Stones, “Dark Star” would continue to burn straight into a poignant take on “He’s Gone,” and even further into “Uncle John’s Band,” before reeling in the 40 plus minute frame of uninterrupted music with the gorgeous bluesy b-side “Death Don’t Have No Mercy.” Picking up the pace once again, the dance party resumed one final time with a proper and appropriate “The Music Never Stopped” before segueing into one of the most powerful versions of “Morning Dew” I’ve heard in a long time. Simply cathartic.
Watch fan shot footage of Bearly Dead performing “Death Don’t Have No Mercy” at the Cohoes Music Hall 8/9/23.
As the Days Between celebrations came to a bittersweet close, a flood of emotions ran through my mind. Pardon the obligatory pun, but I couldn’t help but feel grateful and for so many different reasons. Reinvigorated and inspired. Even 28 years after Jerry Garcia’s passing, it’s clear the music he made is as relatable and as relevant today as it ever was and that Jerry’s contributions will never be forgotten. Over the course of the 5 shows, you were bound to hear some repeats, but considering how few there actually were is quite a testament to just how deep GD’s songbook is. I’m grateful for the musical community I live in that continues to play these songs, the talent that it takes to get up there and actually do it and to the amazing local venues that provide a platform for them to do it on. There will never be another Jerry Garcia, but if this 9 day period taught me anything, it’s that this music is absolutely timeless, “Weir everywhere” and that the Capital Region still has plenty of heart, I can hear it beat out loud.
Check out full setlists and photos of each show courtesy of NYS Music correspondent Zak Radick.
Organ Fairchild ft. NYS Dead Coalition | August 1, 2023 | Lark Hall | Albany, NY
Set 1: Morning Coffee, Over the Handlebars, Yum, Picasso Moon > Cream Puff War > He’s Gone, Chamelonious Monk with Layla tease
Set 2: Let the Good Times Roll, After Midnight, Cumberland Blues, New Speedway Boogie, Bird Song, Peggy-O, They Love Each Other, Love Light.
*Set 2 featured members of Into The Now and Vinnie Amico of moe.
Neon Avenue | August 2, 2023 | Riverfront Park | Troy, NY
Setlist: Shakedown Street, Touch of Grey, Sugaree, Scarlet Begonias > Fire on the Mountain, Truckin > Wharf Rat > Sugar Magnolia > Casey Jones, Magnificent Sanctuary Band, U.S. Blues
Encore: Brokedown Palace.
Deadbeats | August 4, 2023 | Lark Hall | Albany, NY
Set 1: Bertha, Beat It On Down the Line > Greatest Story Ever Told, Hard To Handle, Candy Man, Cumberland Blues, The Buzz, Dire Wolf, Scarlet Begonias > Fire On the Mountain
Set 2: Help on the Way > Slipknot > Franklin’s Tower, Crosstown Traffic, Truckin, Rubin and Cherise, Throwing Stones, Not Fade Away, Midnight Moonlight, Ride Mighty High
Encore: Ripple, US Blues
The Wheel Trio | August 9, 2023 | Lark Hall | Albany, NY
Setlist: Dark Hollow, Deep Elum Blues, Oh Babe It Ain’t No Lie, Jack A Roe, Dire Wolf, Rosalie McFall, Friend of the Devil, Deal, Black Peter, Bird Song, Catfish John, Must Have Been the Roses, On the Road Again, Uncle John’s Band, Midnight Moonlight, Cumberland Blues, Ripple
Bearly Dead | 8-9-2023 | Cohoes Music Hall | Cohoes, NY
Set 1: Here Comes Sunshine, Passenger, Mississippi Half-Step Uptown Toodeloo, Ramble On Rose, Black-Throated Wind, Tennessee Jed, Terrapin Station > China Cat Sunflower -> I Know You Rider
Set 2: The Weight[1], Cats Under the Stars, Rhapsody in Blue, Easy Wind > Dark Star[2] > He’s Gone -> Uncle John’s Band > Death Don’t Have No Mercy, The Music Never Stopped > Morning Dew
[1] Dedicated to Robbie Robertson [2] Contained Rolling Stones “Miss You” teases
In what’s become a bit of a Saratoga summer tradition, it was another ‘boot scootin’ boogie’ of a good time when the Zac Brown Band brought their “From The Fire” tour to the Saratoga Performing Arts Center (SPAC) on Aug.13.
Playing two sets of crowd-pleasing favorites, the memorable performance also included guest sit-ins galore and a plethora of unexpected cover songs from artists like Pink Floyd, Radiohead, and The Band. Proving they are anything but your “typical” country rock superstars, the genre-defying crossover juggernaut led by Brown had something for everyone and cemented why they are considered one of today’s top live acts and party atmosphere you can count on.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
After getting the night started with stellar sets from a pair of kings, the up-and coming Nashville act King Calaway and Southern blues powerhouse rocker Marcus King, the highly prolific, Grammy Award winning Zac Brown Band took the Broadview Stage at SPAC shortly after 8 pm. Opening up the curtains to the show in dramatic fashion, “Make This Day” had the crowd on their feet and singing along to the very first note. Accompanied by a backing entourage of talented musicians Brown referred to as “the best in the business,” the collective sound of everyone playing together was massive inside the packed pavilion, overpowering the singing of the audience, both inside and on the lawn, who just seemed to be savoring every second of the show.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Playing some of their most well-known material in the first set that included “Knee Deep,” “Keep Me In Mind,” “Where the Boat Leaves From” and a laidback version of “Free” that segued nicely into Van Morrison’s “Into the Mystic,” ZBB would also show massive respect to the handpicked opening act King Calaway by covering one of their songs, “When I Get Home.” Following that up with another cover song about home, the Atlanta, GA-based group then unleashed a high-octane, foot stomping fiddle clinic with their take of the Charlie Daniels Band classic, “The Devil Went Down to Georgia.”
After working their way through “Tomorrow Never Comes” and “Same Boat,” one of the emotional high points of the night came next with a lovely tribute to Robbie Robertson of The Band who passed away just a few days earlier. Known for regularly working various songs from The Band’s storied catalog into their live shows, on this Sunday night in August, ZBB opted to go with a cover of “The Weight.” The clear influence of the Saugerties icons was on full display here and was palpable. Following an extended drum and percussion solo next, “Jump Right In” would have fans jumping for joy before heading to the concession stand for a short break in the music.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Kicking off the second set with the opening track of 2015’s Jekyll + Hyde, the pop energy of “Beautiful Drug” instantly got the crowd moving again, before Southern blues guitarist and all-around ‘goodfella’ Marcus King would join in on the party by lending his incredible talents to a cover of Derek and the Dominos’ classic anthem “Layla.” The sweet sounds of “Sweet Annie,” was next, followed by “Whiskey’s Gone,” and “As She’s Walking Away,” before another standout of the night came in a version of “Colder Weather” that dipped its toes into Pink Floyd’s “Wish You Were Here” territory before going into the popular ZBB original tune “Toes.”
Keeping the “cover-heavy” theme of the night going strong, I don’t think anyone expected the pair of selections that came next. First reassuring anyone who might be experiencing their first Zac Brown Band show that they do, in fact, belong there was “Creep” from Radiohead’s legendary debut album Pablo Honey, which is celebrating its 30th anniversary this year. The next surprise was that of U2’s stadium-sized sing-along “With Or Without You” that saw the whole crowd doing their best Bono impressions. Following it up with a smash hit sing-along of their own, the Zac Brown Band original song “Homegrown” all but brought the packed SPAC house down, leaving fans hollering for more as the second set came to a close.
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
Returning to the Broadview Stage with big smiles and time for a few more, Zac Brown Band went ‘around the horn’ so to speak, playing an impressive country-styled mashup of songs that gave each member of the band ample time to bask in the spotlight. Weaving in and out of songs like a well-oiled machine, the medley alligatored together through “Mountain Music”>”Chattahoochee”>”All My Ex’s Live In Texas”>”Fishing In The Dark”>”Callin’ Baton Rouge”>”Family Tradition”>”Boot Scootin’ Boogie”>”I Will Always Love You”>”Here’s a Quarter” and finally concluded with the crowd pleasing “Friends In Low Places.” Met with an absolutely rousing ovation, it was clear that fans not only wanted one more song from ZBB, they needed it. Happy to oblige and send everyone home happy, Zac Brown Band would conclude another year’s stop in Saratoga Springs with the song that started it all for them, “Chicken Fried.”
The Zac Brown Band performing at SPAC on 8/13/2023. Photo by Zak Radick.
After a few days of rest, the “From the Fire” tour picks back up on Aug. 19 with a highly anticipated performance at Boston’s Fenway Park, followed by a pair of already sold out shows in Gilford, NH. Fans in the New York/New Jersey area won’t need to wait long to get their next fix of ZBB though. They will play in Atlantic City on Sept. 1, followed by a pair of dates at the Jones Beach Theater in Wantagh.
Zac Brown Band
Set 1: Make This Day, Knee Deep, Keep Me In Mind, Where the Boat Leaves From, When I Get Home [1], The Devil Went Down to Georgia [2], Free > Into the Mystic [3], Tomorrow Never Comes, Same Boat, The Weight [4], Drums, Jump Right In.
Set 2: Beautiful Drug, Layla [5], Sweet Annie, Whiskey’s Gone, As She’s Walking Away, Colder Weather>Wish You Were Here [6], Toes, Creep [7], With Or Without You [8], Homegrown.
Encore: Mountain Music>Chattahoochee>All My Ex’s Live In Texas>Fishing In The Dark>Callin’ Baton Rouge>Family Tradition>Boot Scootin’ Boogie>I Will Always Love You>Here’s a Quarter>Friends In Low Places [9], Chicken Fried.
It’s 2023 and there’s nothing wrong with the Earth’s gravitational pull, but you don’t need to be a scientist to calculate The Heavy Heavy is going to be huge someday. With a delightful chemistry and a decidedly sun-soaked pop sound that feels almost like stepping back into the glory days of the British Rock Invasion, the buzz-worthy UK-based rock quintet is quickly earning a reputation as one of music’s “next big things.”
They have an uncanny knack for focused songwriting, brilliant four-part harmonies, and energetic live shows. On the eve of making their Newport Folk Festival debut, the band stopped by Albany for one final tune-up. Headlining Lark Hall on Thursday, July 27, not only did The Heavy Heavy deliver a heady heady dose of old-school rock n roll, but they also delivered perhaps the “feel good” performance of the summer.
Brighton, UK-based band The Heavy Heavy made their Albany debut at Lark Hall on 7/27/23.
3,382 miles. That’s how far Brighton, UK is from Albany and for a band that only played two gigs before the Covid-19 pandemic shut down live music, The Heavy Heavy have come a long way in a short amount of time. Not to be confused with the other English band known for their “How You Like Me Now?” hit single, these redundant retro-rockers have set out to put a new spin on the kind of music the 1960s forgot.
Festival-ready from the very first note, the group was first put together by musical companions Will Turner and Georgie Fuller and have since been living the real-life version of their song “Miles and Miles” since coming to America in September of 2022. Expanding their lineup to include talented multi-instrumentalist Frank Fogden, happy-go-lucky bassist Tom Holder and Houston Matthews on drums, the charismatic quintet has been touring the States all summer long and earning rave reviews everywhere they play.
Will Turner (guitar) and Tom Holder (bass) of The Heavy Heavy perform at Lark Hall on 7/27/23.
Rolling into the intersection of Lark and Hudson on a warm Thursday night, The Heavy Heavy casually took their positions on the darkened stage that was adorned in flowers. Gracefully getting the intimate crowd warmed up with a bit of a surf-rock-styled instrumental called “Parakeets,” the groovy vibe and luscious guitar tone of Turner’s vintage white Fender quickly made a splash with the Lark Hall faithful and it would only sound better and better as the night went on. Frontwoman Georgie Fuller would pause to welcome everyone to the show by saying, “We are The Heavy Heavy, but you already know that because you’re here. Thanks for coming out. We’ve got a fun one planned for you and we’re gonna have a good time tonight!”
The Heavy Heavy’s Georgie Fuller mesmerized the Albany audience on 7/27/23.
Launching into the opening track from their debut album Life and Life Only, “All My Dreams” highlighted the band’s signature blues-rock sound paired up with gorgeous full-band harmonies that help make this group so special. Following it up with a reverb-drenched tribute to Turner’s Malvern homeland, the irresistible hook of “Man of the Hills” saw the energy in the room reach new heights as the band took the song on a ride into psychedelic territory; the crowd gleefully swaying to the chorus before Fuller would steal the spotlight with her powerful Joplin-like “singing from the depths” bravado in the song’s peak.
No stranger to the performing arts, Fuller is also a classically trained actress and appeared as comfortable on the Lark Hall stage as any back home in Brighton. After “Why Don’t You Call?” The Heavy Heavy would surprise the audience with arguably their most popular song next, confidently delivering “Go Down River” early in the set as fans scurried to get out their phones and hit the record button. An original song that sounds like it could have been written by The Mommas and the Papas, you couldn’t help but be swept up in the feel-good groove of the folksy singalong.
Watch fan-shot footage of The Heavy Heavy performing “Go Down River” live at Lark Hall on 7/27/23.
After working their way through some unreleased material like “Dirt” and a laid-back rendition of “All I Need” that featured beautiful keyboard work from multi-instrumentalist Frank Fogden, The Heavy Heavy then treated the audience to a well-received cover of “Lonesome LA Cowboy” by The New Riders of the Purple Sage. Keeping it colorful, “Purple Flowers” was next followed by another stellar cover selection in the form of Father John Misty’s “Real Love Baby.”
Frank Fogden of The Heavy Heavy performing at Lark Hall on 7/27/23.
After a little bit of “Everything,” The Heavy Heavy would then take us to “the garden of our mind” on the upbeat Jefferson Airplane-esq love song “Because You’re Mine.” The slow build-up intro to “One of a Kind” had fans clapping their hands and stomping their feet as the band really let it rip with their magnetic stage presence and carefree confidence. Despite this, the band was having none of the usual “walk of the stage before the encore” wankery. Announcing they only had time left for one more and that they’d be hanging out in the back signing merch if you wanted to meet them, The Heavy Heavy closed with the song that helped put them on the map, “Miles and Miles.”
Despite their unfamiliarity with many of these tunes, the always attentive Lark Hall audience knows a good thing when they hear it. Embracing the up-and-coming British band wholeheartedly, virtually everyone who was there, it seemed, ended up getting in line to say “hello” and take selfies with the group. While most of their studio cuts are short and suited for radio airplay, in the live setting where there is room to breathe, the songs really cook and are quite suited for jamming, something the band demonstrated they do very well.
Tastefully drawing upon their 60’s influences of acid rock and sunshine pop, The Heavy Heavy is weaving together a modern sound that is undeniably their own. Combining colorful riffs, danceable rhythms, and stunning harmonies that reach the depths of your soul, the “timeless quality” of this fresh new act is off the charts and it’s easy to see why they are garnering such attention. For those who were fortunate enough to be at Lark Hall for their Albany debut, soak it in, because something tells me the next time The Heavy Heavy comes around, they’ll be playing in a much bigger room.
Setlist: Parakeets, All My Dreams, Man of the Hills, Why Don’t You Call?, Go Down River, Dirt, All I Need, LA Cowboy, Purple Flowers, Real Love Baby, Everything, Because You’re Mine, One of a Kind, Miles and Miles.
Spafford is a band that deserves more: more fans, more coverage, and more respect. With a signature sound amphitheater-ready and a technical proficiency seldom heard in today’s music, the fact they haven’t reached greater heights yet is truly one of life’s simple mysteries. Hooked from the moment I first heard them in 2017, I’ve been singing their praises to anyone who will listen for years now. That being said, a recent fan post in the band’s “Spaffnerds” group got my blood boiling a bit. It read something to the effect of “Guys. Spafford is destroying the northeast right now and not a single jamblog is writing about it. WTF.” Having written about this band several times in the past, at first I took offense, but then I took it as a personal challenge to get these guys some more ink. So in a completely irrational, last second decision, I loaded up the car in Albany and made the two and half hour drive across state lines to catch Spafford’s headlining show at the Homestead in Morristown, New Jersey on Monday, July 10th.
Spafford brought weekend vibes to Morristown, NJ on Monday 7/10/23.
Having never been to the Homestead before, I initially found parking to be a bit of a situation. With the summer night life of Morristown hustling and bustling right through showtime, I ultimately ponied up at a nearby municipal garage. Following my ear, I knew exactly where to go once I stepped out of the car. That’s because you could hear Spafford’s opening reggae-styled cover of “Soul to Squeeze” by the Red Hot Chili Peppers’ firing up from almost a block away. The colorful and luscious guitar tone of Brian Moss’ custom ax, Raven, was like a beacon calling to everyone nearby, ‘lend us your ears and we’ll send you home happy.’ By the time the band landed on “Plans,” the entire outdoor patio was packed with people. Even the curiously vacant parking lot adjacent to the venue started filling with people who were at least interested enough to listen, but on the fence about paying for it.
Spafford fans made themselves at home in Morristown on 7/10/23.
Inside the Homestead was a completely different vibe. A combination of danceable and sweaty energy, the smell of chicken wings and comfort food, and more mesmerizing than anything, the sound. The high ceilings of the venue made Spafford sound huge. Admitted audiophiles, the band which consists of Brian Moss (guitar,vocals), Jordan Fairless (bass,vocals), Nick Tkachyk (drums,vocals), and Cory Schechtman (keybords), work tirelessly before every show to achieve peak tones in whatever room they’re playing; they always sound great on whatever stage you put them.
Originally formed in Arizona, the last few years have seen much of the band return to their east coast roots. With Moss growing up in Jersey, the show would take on a bit of a “hometown throwdown” feel. Close family and friends could be seen dancing along on the side of the stage, including Moss’ adorable little rock star, Henry, who appeared to be having a blast watching his dad shred into our third song of the night in “Todd’s Tots.” While I don’t know who Todd is, I do know this was the musical highlight of the opening set. Things would then get down right “untzy” then “reptilian” with a well-placed combination of “Funkenseven” that alligatored into the Jordan Fairless led “Salamander Song” to send the Morristown crowd dancing the whole way into set break at the Homestead.
Keyboardist Corey Schechtman played his first show with Spafford at this same venue in 2023.
Walking out for second set accompanied by music from Rage Against the Machine, you could just feel the boys were about to get down to some serious business. Launching into the nights only track from their most recent studio album, 2022’s Simple Mysteries, “Fake the Fate,” the dance party resumed almost instantly. Some fans expressing themselves by spinning in circles, showing their moves to drift away while the surging groove carried us straight into “Windmill,” one of the band’s most sought after originals. Perhaps the centerpiece of the show, Spafford let it all hang out here, tongues included. Sustaining those high notes for added emphasis, when Moss starts making unintentional stank face, you know things are going pretty good. People who were seeing the band for the first time simply could not believe what they were hearing. As Brian’s complicated guitarwork reached soaring new heights reminiscent of what you might hear in the peak of Phish’s “David Bowie,” one older gentleman near the soundboard commented how he hasn’t heard chops like that since his days of seeing Jerry.
So Raven: Spafford’s Brian Moss plays his custom ax in Morristown 7/10/23.
Exchanging rays of mental dues Accepting moods that new grooves proves A simple song, it has no cost Through this rif my troubles’ lost You’ve got me dreaming again Open my mind to a new way A long way from fine
-Lyrics from “Windmill”
Up next came another Fairless special with “Lonely,” a track that has continually showed itself to be one of the bands biggest jam vehicles. This exceptional rendition proved that true once again with Jordan crooning his heart out while the band stretched its legs into some beautiful type II territory. Keyboardist Corey Schechtman also really shinned here. Schechtman, who played his first Spafford gig at this same venue one year prior, has really settled into his role nicely; you can just see how much more confident he is now. With other-worldly skills dripping out of his fingertips, Schectman has the ability to completely change the direction the jam is going…and that’s usually for the better. Often locking eyes with Nick on drums, the two seemed to have formed a strong bond over this past year.
Spafford drummer Nick Tkachyk played Jersey in a jersey on 7/10/23.
Showing amazing musical maturity by building the groove up, then holding onto it until they have everyone’s undivided attention, imagine how difficult it must be to show this kind of restraint. Like driving a Ferrari through a 30mph school zone, Spafford’s patience has always been one of their biggest assets. They always seem to know just the right moment to step on the gas and when to let off of it. Closing the four song second set was our second cover of the night, a crowd-pleasing version of “Love Song,” as popularized by The Cure. It was only the second time they’ve played it this year.
Spafford bassist Jordan Fairless had his fingerprints all over the Morristown setlist on 7/10/23
With a hard 11pm curfew rapidly approaching, it was from here to “Eternity” as another Jordan led song was selected as the lone encore of the evening, capping off another stellar performance by a band that’s currently at the top of their game. Afterwards the guys could be seen hanging out by the merch table, signing posters and taking selfies with fans. Their approachability is yet another endearing quality.
While the high-flying bird band Goose is currently commanding most of the jam scene headlines, bubbling just under the surface is a whole litany of other amazing acts of the same genre. Right at the top has got to be Spafford. Using music as their weapon and perhaps benefitting from all the recent attention the improv community has been getting, we can only hope this band will get their big break soon. Worth every penny of the $20 ticket and worth traveling for every time I’ve seen them, these guys are the real deal. Real people with a real shot at achieving their dreams. Still finding the balance between touring life, raising toddlers, and writing new songs, these hardworking guys are putting it all on the line every time they go out there, both musically and personally. When I asked Moss point blank if filling amphitheaters is even what he wants, without hesitation he said, “Of course, that’s what I’m in this for. We’re here to take over the world.” A true rock n’ roll answer if there ever was one, well Mr. Moss, I believe you can do it and I believe in Spafford.
Spafford | July 10, 2023 | The Homestead | Morristown, New Jersey
Set 1: Soul to Squeeze*, Plans, Todd’s Tots, Funkenseven>Salamander Song
Set 2: Fake the Fate > Windmill, Lonely, Love Song **
It was a career-defining night for Connecticut’s indie-groove sensation Goose on Friday, July 7. Making their debut at the iconic Saratoga Performing Arts Center, it would ultimately prove to be their biggest headlining performance to date, drawing an estimated 11,000 fans from across the Northeast. Rising to the occasion, the high-flying band captivated attendees with their signature sound, all played with purpose, gusto, and pride. A milestone moment in time that was as satisfying for the fans as it was for the members of Team Goose, this show felt special and more like a homecoming celebration for our triumphant underdogs.
Goose made their Saratoga Performing Arts Center debut on 7/7/23
From the dimly lit club scene to lighting up amphitheaters across the country, the meteoric rise of Goose has been a phenomenon rarely seen in today’s music climate. Ever since accepting the proverbial “torch” from a guy named Trey at Radio City Music Hall last summer, the band has been running with it full speed ahead, no brakes and all gas. From making their national television debut to selling out Red Rocks and their residency at the Capitol Theatre, to earning praise from legendary Grateful Dead members Bob Weir and Phil Lesh and even comedians like Jimmy Fallon and Bert Kreischer, the widespread appeal of this band seems to span across generations. Even people who don’t listen to “new” music are talking about Goose.
Goose guitarist/lead vocalist Rick Mitarotonda performing at SPAC on 7/7/23
Consisting of Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], Ben Atkind [drums], and Jeff Arevalo [vocals, percussion, drums], the buzz surrounding Goose’s SPAC debut was palpable. Coming off major festivals like Peach and the final Resonance, then a pair of sold-out 4th of July shows at the Stone Pony and Portland, ME, the momentum coming into Saratoga had reached a level not seen since, well, Phish. Afternoon rain would make for a bit of a messy shakedown situation, but right around showtime, as if on cue, the clouds turned as fans started filling up the lawn and pavilion. The highly collectible posters commemorating the evening were long gone well before the first note was played.
Goose made a little Saratoga magic during their SPAC debut on 7/7/23
Walking out to a thunderous and sustained standing ovation, the members of Goose were grinning ear to ear upon taking their positions on the storied SPAC stage. Afterward, on social media, the band would reflect on it saying, “We will never forget the energy we felt right at the start of last night’s show, absolute chills.” Soaking it all in for a moment, the guys would suddenly drop into an inspired “Silver Rising,” with Mitarotonda emphatically singing out the opening lyrics:
Peter Anspach lead Goose through “Red Bird,” a touching tribute to his Mother on 7/7/23
Next came the emotional high point of the first set with a personal song near and dear to multi-instrumentalist Peter “Handini” Anspach. Leading the band through “Red Bird” in a fitting tribute to his mother who has supported his music every step of the way, hearing Peter sing it during the biggest show of his career was very touching. After dipping their toes into some gorgeous improvisational type-II territory, a rollicking rendition of “Same Old Shenanigans” (SOS) would send us to intermission and leave the excited crowd buzzing about what they’d just witnessed and what was still yet to come.
Red bird don’t get tired now
You can almost touch the light
Red bird don’t stop singing your song
Fly for tomorrow tonight
– Lyrics from “Red Bird”
The second set started off with the band paying homage to Goose’s precursor project Vasudo. Playing a heartfelt rendition of “The Empress of Organos,” a song that was also played at the final Vasudo show ten years ago, one couldn’t help but be inspired by just how far this band has come during that time. Now playing with a new custom-made guitar appropriately named “The Empress,” Mitarotonda’s tone sounded glorious all night long and the band looked completely comfortable and at home on the big stage. They are simply born for this. Following the 23-minute “Empress” came a beautiful blues-inspired cover of David Gray’s “Please Forgive Me” that saw some serious peak shredding from Snakes.
The Empress: Rick Mitarotonda’s new custom ax sounded glorious under the SPAC pavilion on 7/7/23
The SPAC show will be remembered for a lot of things, but for me, the real “get down” took place during the SPAC “Thatch.” One of the funkiest and crunchiest grooves this side of Phish’s “Moma Dance,” the band originally debuted the song just up the road in Glens Falls last November while opening for the Trey Anastasio Band. Nearly doubling its length with this version (while also managing to sneak a “Tequila” tease in), the song is destined to become a fan favorite and setlist staple for years to come. Check out pro-shot footage of “Thatch” here:
Easing us into the comedown was another beautifully executed version of “This Old Sea,” one of the most tender ballads in the band’s arsenal, it would also be the shortest song played all night. Seamlessly transitioning into the title track from the band’s latest studio album, 2022âs Dripfield, the mesmerizing climax and stunning light show courtesy of LD Andrew Goedde left Goose fans dripping for more.
On your way to kill the beast
You meet the child, the only one you know
And he sings to you, “Let go,
May the nighttime be your home
-Lyrics from “Factory Fiction”
After hanging backstage for a minute to bask in the ovation and savor the moment, there was only one song that made sense for an encore; a song reserved for only the most special and monumental occasions. As the opening notes of the rare “Factory Fiction” rang out (or ‘Spactory Fiction’ as some fans are already calling it), the excitement and jubilation could be felt by everyone who was there and collectively sent chills down your entire body. Bringing the band full circle on this surreal summer night, from beginning to end, their performance made an emphatic statement. The golden Goose has arrived, and buckle up because their time is now
Goose played their biggest headlining show to date on Friday, 7/7/23 at SPAC
Up next, the band will return to the Newport Folk Festival for their first appearance on the main stage. Later this fall, Goose will return to New York to headline the Borderland Music Festival in Buffalo, before heading across the pond to play their first European tour in November.
For more information, tickets, and tour dates, visit here.
Set 1: Silver Rising, California Magic, Animal, Red Bird, Same Old Shenanigans
Set II: The Empress of Organos, Please Forgive Me (David Gray cover), Thatch, This Old Sea, Dripfield
“Due to circumstances beyond our control, the show will not continue.” That was the announcement made just moments before Noel Gallagher’s High Flying Birds were about to perform on Saturday night, July 8, in Saratoga Springs. Confused fans weren’t sure if it was part of the act or if it was a public safety concern as speculation quickly ran rampant. Gallagher, the former principal songwriter of British blue-collar bad-boy band Oasis, is no stranger to making headlines. Familiar to millions, at one time he was the most outspoken member of the biggest (and most controversial) band in the world.
The stage was set for Noel Gallagher’s High Flying Birds just moments before it was suddenly called off on 7/8/23
All things seemed ‘business as usual’ just prior to showtime Saturday night at SPAC. After opening sets from critically acclaimed rock bands Metric and Garbage went on without a hitch, everything was on schedule for the evening’s headliner. As smoke machines began to ramp up and hip, pre-show music by Little Sonny, Larry Coryell, and Funk Inc. piped over the PA system, by 9:45 pm fans were getting anxious over the delayed start. Suddenly the house lights came on and the announcement was made that “the show will not continue” and to “please move calmly and safely to the nearest exit.”
What’s the Story: A disappointed fan reacts to the news that Noel Gallagher will not be performing on 7/7/23
Security and Live Nation reps confirmed this was not “part of the show” and that everyone needed to leave the concert grounds immediately. Sent out into the night with more questions than answers, disappointed fans complied and exited the venue, seemingly without incident. Further information was hard to come by. There is currently no “official” word on what caused the sudden cancellation, refunds, or, rescheduling.
After the show, Garbage’s Twitter feed posted “Our love and concern to all the fans at our show in Saratoga Springs tonight. We pray you are all safe and sound. This is fucking insane.” An Instagram post from bassist Daniel Shulman shed a little more light on the situation, saying “We had to evacuate quickly due to a bomb threat …. Scary.”
