Author: Tori Baker

  • Kitchen Dwellers Has Announced 2024 “L.F.G. Tour” With Tour Closing Stops in Brooklyn and Syracuse

    Kitchen Dwellers, a genre-bending quartet from Bozeman, Montana, has announced their 2024 “L.F.G. Tour.”

    Kitchen Dwellers tour

    Included on the tour for Kitchen Dwellers are two performances at Brooklyn Bowl Williamsburg, and one performance at the Westcott Theater in Syracuse, which round out the tour in March and April, 2024.

    The quartet—Shawn Swain (mandolin), Torrin Daniels (banjo), Joe Funk (upright bass), and Max Davies (acoustic guitar)—twist bluegrass, folk, and rock through a kaleidoscope of homegrown stories, rich mythology, American West wanderlust, and psychedelic hues. 

    After amassing 5 million-plus streams, selling out shows, and receiving acclaim from Huffington Post, Relix, American Songwriter, Forbes, and more, the group brings audiences back for the ride on their third full-length album.

    Kitchen Dwellers’ Instagram

    In the past, the group’s songs touched on the physical surroundings of Wise River, a 30-mile long river running through the Southwestern region of Montana. This time, the band decided to dive deeper and talk about the issues everyone has faced after the pandemic in 2020.

    “The town of Wise River is basically a forgotten spot on the map. It used to be a thriving place with many prosperous mines, but now it’s practically dried up. There’s a hell of a lot of melancholy. In our mind, it symbolizes the overall feeling of being in slowed-down Montana life.”

    Shawn Swain (mandolin)

    Kitchen Dwellers share timeless American stories. Song topics vary from mental health issues in the music industry to the death of a friend. Everyone can find a song that speaks to them, and that shows the band’s expansive writing and musical skills, and how they’ve grown since their already musically-sound past albums Ghost In The Bottle and Muir Maid.

    Kitchen Dwellers’ Instagram

    KITCHEN DWELLERS ON TOUR

    October 26 @ Suwannee Hulaween | Live Oak, FL

    October 27 @ Pour House | Charleston, SC^

    October 28 @ Pour House | Charleston, SC^

    October 29 @ Visulite Theatre | Charlotte, NC^

    October 31 @ Georgia Theatre | Athens, GA^ 

    November 9 @ Cervantes’ Other Side | Denver, CO – VIP ONLY

    November 10 @ Ogden Theatre | Denver, CO^^

    November 11 @ Ogden Theatre | Denver, CO

    November 30 @ Fine Line | Minneapolis, MN**

    December 1 @ The Sylvee | Madison, WI #

    December 2 @ Wooly’s | Des Moines, IA**

    December 3 @ RecordBar | Kansas City, MO**

    December 6 @ Kenny’s Westside Pub | Peoria, IL** 

    December 7 @ The Stache At The Intersection | Grand Rapids, MI**

    December 8 – 9 @ The Summit Music Hall | Columbus, OH**

    December 29 @ Top Hat Lounge | Missoula, MT

    December 30 @ The Wilma | Missoula, MT

    December 31 @ The Wilma | Missoula, MT

    1/16 @ Belly Up Aspen | Aspen, CO**

    1/17 @ Belly Up Aspen | Aspen, CO**

    1/18 @ Mesa Theater | Grand Junction, CO**

    1/20 @ Center For The Arts | Crested Butte, CO** 

    1/21 @ Sheridan Opera House | Telluride, CO** 

    1/23 @  Meow Wolf | Santa Fe, NM*

    1/25 @ Beer City Music Hall | Oklahoma City, OK* 

    1/26 @  Deep Ellum Art Co. | Dallas, TX*

    1/27 | Empire Garage | Austin, TX* 

    2/13 @ Treefort Music Hall |  Boise, ID 

    2/14 @ The Commonwealth Room | Salt Lake City, UT % 

    2/16 @ Belly Up Tavern | Solana Beach, CA 

    2/17 @ Troubadour | West Hollywood, CA

    2/18 @  The Independent | San Francisco, CA

    2/21 @  WOW Hall | Eugene, OR**

    2/22 @  Revolution Hall | Portland, OR**

    2/23 @ Midtown Ballroom | Bend, OR** 

    2/24 @ Neptune Theatre | Seattle, WA** 

    2/25 @  Wild Buffalo | Bellingham, WA**

    3/1-3 @ WinterWonderGrass | Steamboat Springs, CO 

    3/21 @ Infinity Hall | Hartford, CT^^ 

    3/22 @ The Met | Pawtucket, RI^^ 

    3/23 @ State Theatre | Portland, ME^^ 

    3/24 @ The Drake |  Amherst, MA^^ 

    3/27 @ The Capitol Room at The Harrisburg Midtown Arts Center | Harrisburg, PA^^ 

    3/28 @ Lincoln Theatre | Washington, DC^^

    3/29 @  Brooklyn Bowl | Brooklyn, NY^^

    3/30 @  Brooklyn Bowl | Brooklyn, NY

    4/2 @  Westcott Theater | Syracuse, NY^^

    General ticket on sale is Friday, October 27 at 10am local time. For ticket information, visit their website.

    Stream Kitchen Dwellers’ music on Spotify or Apple Music.

    For more information, follow Kitchen Dwellers on Instagram, Facebook, or YouTube.

  • Nickel Creek 2024 Tour To Stop in Rochester, Troy, Buffalo

    Grammy Award-winning trio, Nickel Creek—mandolinist Chris Thile, violinist Sara Watkins and guitarist Sean Watkins—will continue their extensive headline tour next year including newly confirmed shows in Rochester, Troy, and Buffalo.

    After meeting as young children in California’s That Pizza Place, and subsequently earning the respect of the bluegrass circuit for a decade, the trio signed with venerable label, Sugar Hill Records, in 2000 and quickly broke through with their Grammy-nominated, Alison Krauss-produced self-titled LP. Since that effort, the trio has released three more studio albums to date: 2002’s This Side, which won Best Contemporary Folk Album at the 45th Grammy Awards, 2005’s Why Should the Fire Die? and 2014’s A Dotted Line

    Each member of Nickel Creek has also taken part in many outside projects over the years. Chris Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the American radio variety show “Live from Here” (formerly “A Prairie Home Companion”) from 2016 to 2020. He has also released collaborative albums with world-renowned musicians like Yo-Yo Ma, Edgar Meyer, Brad Mehldau and Stuart Duncan as well as six studio albums with his Grammy-winning band, Punch Brothers. Sean Watkins is a co-founder of Watkins Family Hour alongside Sara, who has released three albums and maintains a long-running collaborative show in Los Angeles. Sean has also released a string of solo albums, while Sara’s extracurricular projects include the aforementioned Watkins Family Hour, as well as the Grammy-winning roots trio, I’m With Her, which she co-founded alongside Aoife O’Donovan and Sarah Jarosz. Sara Jarosz has released four studio albums and has contributed fiddle to recordings for artists like Phoebe Bridgers, The Killers, and John Mayer.

    Even stronger when together, Nickel Creek revolutionized bluegrass and folk in the early 2000s and ushered in a new era of what we now recognize as Americana music. In a 2020 retrospective entitled, “The Year Folk Broke: How Nickel Creek Made Americana The New Indie Rock,” NPR Music praised, “20 years ago this month, an album arrived that seemed to speak all these languages at once: unafraid to push the boundaries of its primary genre, and packing the musical chops to bring such an eclectic vision to life. Behind it were three musicians just barely old enough to vote” and continued, “That makes Nickel Creek and its unofficial debut a critical point along a storied timeline, one whose innovations offer countless connections between the genre’s origins and its future. Once dubbed ‘progressive newgrassers,’ the three musicians now fit firmly within the ranks of Americana music—however nebulous, layered and diverse that realm may be. They have only themselves to thank.”

    The upcoming shows add to a landmark year for the group, who released Celebrants—their fifth studio album and first release in nine years—this past spring via Thirty Tigers. Additionally, Nickel Creek recently received the Lifetime Achievement Trailblazer Award at the 2023 Americana Music Association Honors & Awards and performed on “Jimmy Kimmel Live!” and “CBS Saturday Morning” earlier this year.

    Recorded at Nashville’s RCA Studio A, the album was produced by longtime collaborator Eric Valentine (Queens of the Stone Age, Grace Potter, Weezer) and features Mike Elizondo on bass. Reflecting on the project, the band shares, “This is a record about embracing the friction inherent in real human connection. We begin the record yearning for and pursuing harmonious connection. We end the record having realized that truly harmonious connection can only be achieved through the dissonance that we’ve spent our entire adult lives trying to avoid.”

    NICKEL CREEK CONFIRMED TOUR DATES

    February 6, 2024—Iowa City, IA—Hancher Auditorium

    February 7, 2024—Madison, WI—Overture Hall

    February 9, 2024—Des Moines, IA—Hoyt Sherman Place

    February 10, 2024—Indianapolis, IN—Murat Theatre at Old National Centre

    February 12, 2024—Peoria, IL—Peoria Civic Center Theater

    February 13, 2024—Kalamazoo, MI—Kalamazoo State Theatre

    February 15, 2024—Columbus, OH—Mershon Auditorium

    February 16, 2024—Fort Wayne, IN—The Clyde Theatre

    February 17, 2024—Louisville, KY—The Louisville Palace

    February 19, 2024—Durham, NC—Durham Performing Arts Center

    February 20, 2024—Augusta, GA—Miller Theater

    February 21, 2024—Jacksonville, FL—Florida Theatre

    February 23, 2024—Fort Lauderdale, FL—Broward Center for the Performing Arts

    February 24, 2024—Clearwater, FL—Ruth Eckerd Hall

    March 12, 2024—Canton, OH—Canton Palace Theatre

    March 14, 2024—Bethesda, MD—Music Center at Strathmore

    March 15, 2024—Newark, NJ—NJPAC

    March 16, 2024—Rochester, NY—Kodak Center

    March 17, 2024—Burlington, VT—Flynn Center for the Performing Arts

    March 19, 2024—Groton, MA—Groton Hill Music Center Concert Hall 

    March 21, 2024—Storrs, CT—Jorgensen Center for the Performing Arts

    March 22, 2024— Troy, NY—Troy Savings Bank Music Hall

    March 23, 2024—Buffalo, NY—University at Buffalo Center for the Arts

    March 24, 2024— Lancaster, PA—American Music Theatre

    April 26, 2024—Knoxville, TN—Tennessee Theatre

    April 27, 2024—Savannah, GA—Johnny Mercer Theatre

    April 30, 2024—Huntsville, AL—VBC Mark Smith Concert Hall

    May 2, 2024—Little Rock, AR—The Hall

    Tickets for the 2024 shows are available for pre-sale starting today, October 25, at 10:00am local time with general on-sale following this Friday, October 27 at 10:00am local time. Full details can be found at www.nickelcreek.com/tour

    For more information on the band or any upcoming shows, follow Nickel Creek on Twitter, Instagram, Facebook, YouTube, or visit their website.

    Stream their music via Apple Music or Spotify.

  • Seven Act Golden Oldies Spectacular Will Come to Proctors in November

    An incredible seven act Golden Oldies Spectacular hits the Proctors’ stage on Sunday, November 12 with performances from The Happenings, Jay Siegel’s Tokens, The Bronx Wanderers, Barbara Harris and The Toys, and Kid Kyle.

    The Happenings, featuring incredible original lead singer Bob Miranda, continues to impress audiences with their showmanship and vocal capabilities. Their 1966 and 1967 chart-topping hits, including “See You in September” (still ranked in the top 100 “summer songs” in pop history) and “I Got Rhythm” were both gold records, as was “Go Away Little Girl” and “My Mammy.” The Happenings appeared on TV many times, including Johnny Carson’s Tonight Show, the Smother Brothers, and Merv Griffin shows. Audiences are sure to be dancing on their feet, especially during his version of “Proud to be an American,” a tribute to veterans. 

    Jay Siegel’s Tokens started their career as the Linc-Tones in 1955 in Brooklyn at Abraham Lincoln High School. Jay Siegel was the lead singer, with Neil Sedaka in the band. They evolved into the Tokens in 1960 and had a top 15 hit and million seller in 1961: “Tonight I Fell in Love.” Their international #1 hit, “The Lion Sleeps Tonight,” followed shortly after. Unique in the history of pop music, “The Lion Sleeps Tonight” re-entered the charts 33 years later and went to #1 worldwide again, stoked by its use in “The Lion King” Disney movie. The Tokens’ last hit was “Portrait of My Love.” 

    The multi-talented Jay Siegel and the Tokens also produced many hits for The Chiffons, The Happenings, and Tony Orlando and Dawn. In 1962, they were the first vocal group to produce a #1 hit for another vocal group (“He’s So Fine” by The Chiffons). They also sang on many commercials for Pan America, Ban, Clairol, Cool Whip, and Chesterfield cigarettes. As popular producers, they hired Bob Miranda in 1963 to write songs for the artists they were producing such as The Chiffons and Gerry and the Pacemakers. In 1965, the Tokens and Jubilee Records formed B.T. Puppy Records, which signed and produced The Happenings. 

    The Bronx Wanderers were founded in 2006 by Vinny Adinofi. “Yo Vinny” was already a successful producer, record label executive, and publisher for Lifesong and Columbia Records, when his friends in show business– including Dion and actors Chass Palminteri and Danny Aiello– prodded Vinny to put together a rock and roll band featuring his musically-gifted 10 and 14 year old sons, as well as a few of their high school friends. More than a decade later, the Bronx Wanderers became a sensational act, performing in Casinos and theatres nationwide, and they continue to live the dream while happily residing in a Las Vegas casino since 2016. Their first year there, they received the Bronze Award for best new casino band in Vegas, only beaten out by Britney Spears and the Backstreet Boys.

    In 2017, The Bronx Wanderers have received seven nominations and have since won twelve “Best of Las Vegas” awards and been inducted into the East Coast Music Hall of Fame. Their repertoire of songs appeals to multiple generations, including hits by Dion and the Belmonts, Franki Valli and the Four Seasons, Billy Joel, and Queen. Their on-stage chemistry and energy actively engages all audiences, and the audience feels like part of the family by the end of the show. The Bronx Wanderers performed once at Proctors, bringing the house down with their amazing version of Queen’s “Bohemian Rhapsody.” Proctors oldies fans kept requesting their return, but their Vegas residency limited their touring– until now. 

    Barbara Harris and The Toys will sing their hits, as well as hits from the girl groups of the 60s. Barbara grew up in North Carolina and was a featured vocalist in many churches by the age of 8. At 11, she moved to New York City and continuously won first prize at area dances. She and four of her high school classmates formed a vocal group, singing on street corners in Queens. Barbara Harris, Barbara Parritt, and June Montiero continued singing backup vocals on many recordings in New York studios when their manager, Vince Marc, introduced them to songwriter/record executive Bob Crewe, and they signed with his DynoVoice label. Marc also introduced them to songwriters Sandy Linzer and Denny Randell who wrote most of the songs that Barbara Harris and The Toys recorded.

    Their signature hit, “Lover’s Concerto,” reached #2 on the charts and sold 2 million copies. It was followed by top 20 hit “Attack.” The trio also appeared on Dick Clark’s “American Bandstand,” “Shindig,” and “Hullabaloo,” as well as the movie, “It’s a Bikini World.” Barbara Harris continues to write and record her own songs and perfectly fits into this year’s Proctors lineup.

    New Jersey’s Kid Kyle first gained prominence at age 8 with his performance in Los Angeles on American Idol Junior. He performed at Proctors before he was a teenager and brought the house down. Kyle has performed on “Today in New York,” “Good Day, New York,” and “The Tony Danza Show.” He was also featured in PBS’ 2008 “My Music, Doo Wop Love Songs” and again in 2018 in PBS’ “Doo Wop Generations.” In 2019, Kid Kyle was voted best male singer and inducted into the East Coast Music Hall of Fame. At age 28, he embodies the next generation of singers that will keep the great music of the 50s and 60s alive and flourishing. 

    Vito Picone & The Elegants will perform at Proctors for the second time. They were formed in 1956 in Staten Island, and they had a monster hit, “Little Star,” in 1958. Co-written by Vito Picone, “Little Star” sold almost three million copies worldwide, and spent 19 weeks on the Billboard charts. They have received the “Million-Aires” award for the song airing over 1 million times on the radio. Vito and The Elegants have performed at Carnegie Hall, and have performed eight times at Radio City Music Hall. They were also the first doo wop group to perform at Lincoln Center.

    “Little Star” has been used in countless productions, including the show “The Sopranos.” Vito even made a cameo appearance in the Oscar-winning motion picture “Goodfellas.” 

    Opening the show is Vinnie Medugno. Although still a young man, Medugno wears many hats: WABC weekend radio host, dj at entertainment events, dance music performer and songwriter (one was a hit on the Billboard UNderground Dance Music charts), and teacher at Port Richmond HIgh School. Vinnie performed on T.J. Lubinsly’s PBS show “Doo Whop, Pop and Soul Generations,” and, like Kid Kyle, he embodies today’s younger generation of entertainers determined to keep our music alive. 

    Tickets are on sale now at the Proctors box office – 432 State Street in Schenectady – by phone at (518) 346-6204, or on their website

  • Oktoberfest Hosts Local Gospel and Soul Bands at Buffalo Central Terminal

    The Buffalo Central Terminal will host its infamous Oktoberfest on Sunday, October 22, with live music from local bands featuring southern soul, blues, hip-hop, pop-rock, and gospel-inspired sets.

    Get ready for a day of autumnal fun with live music and delicious treats at this year’s Oktoberfest. This family-friendly fall festival blends contemporary elements with the traditional charms of Oktoberfest, promising an unforgettable experience with activities for all ages.

    Live music: Enjoy music with DJ P followed by live performances featuring southern soul, blues, hip-hop, pop rock, and gospel-inspired sets from fantastic local bands. Don’t miss a Free Music Party at 1:00 pm, as well as Miller and The Other Sinners at 3:00 pm.

    Bills Watch Party: Watch the Bills take on the Patriots at Oktoberfest’s Bills Watch Party. Cheer for your favorite team on several big screens. Wear your Bills gear, and don’t forget your lawn chairs and picnic blankets.

    Petting Farm: Bring the kids for a chance to pet, feed, and learn about some adorable animals such as goats, pigs, tortoises, rabbits, and more, at the petting farm.

    Hayrides: The hay wagon is back in the neighborhood. From 11:00 am to 2:00 pm, enjoy the crisp autumn air on a hayride around the historic Terminal. Pumpkin Decorating: Skip the mess and get creative at Oktoberfest’s no-carve pumpkin decorating station.

    Local Food and Drinks:  Indulge in your delicious fall favorites, from traditional Oktoberfest fare to plant-based foods, they have something for everyone. Oktoberfest vendors include sausages from Shish Kabob Heaven, plant-based treats from Avenue29 Foods, spice and flavor from KT Caribbean Cuisine, and artisan German cookies from Catering by Marjorie. Oktoberfest has your favorite local beer, wine, cider and MORE served up by Buffalo Brewing Company, Bully Hill Vineyards, Tree Hugger Hard Cider, Blue Groove Coffee, and Bubba’s Loganberry.

    The Buffalo Central Terminal has also partnered with their neighbors at Buffalo Brewing Company to present “Central Terminale,” a pre-prohibition style amber ale brewed in honor of Oktoberfest at the Terminal. A portion of the proceeds from the sale of “Central Terminale” will support the rehabilitation of the Buffalo Central Terminal. The release of this special brew will happen this week at Buffalo Brewing Company’s Myrtle Avenue tap room.

    “This partnership echoes our slogan ‘Good Neighbors, Great Beer.’ The Buffalo Central Terminal and our renovation of Schreiber Brewing run on parallel tracks. Even though each project is happening independent of one-another, they both will have a profound effect on Broadway-Fillmore and the East Side,” said John Domres, Jr., owner of Buffalo Brewing Company.

    These events at Buffalo Central Terminal are all about uniting our diverse East Buffalo community. We’re creating an inclusive space right in our very own neighborhood where families can come together and celebrate the season without having to venture out of the heart of the city.” said Lindsey Taylor, events consultant for the Buffalo Central Terminal.

    Lindsey Taylor, events consultant for the Buffalo Central Terminal

    Buffalo Central Terminal’s Oktoberfest is the perfect opportunity to embrace the autumn spirit and create lasting memories with friends and family. So, bring your picnic blankets and lawn chairs to celebrate at the Buffalo Central Terminal on Sunday, October 22 from 11 am to 4 pm at 495 Paderweski Drive Buffalo. Tickets are free for all October events at the Buffalo Central Terminal.

    For more information and event updates, visit the Buffalo Central Terminal website.

  • Rocking Out in the Pit: A History of Mosh Pits & Punk Rock

    You’re in a circle, running around and bumping into people with the beat of hardcore bass and percussion surrounding you, syncing with the beat of your heart. You feel a sense of violence, and yet safety. All your pent-up rage from yesterday begins to pour out; you feel yourself forget arguments you had with your coworkers, or the piles of homework on your desk. You let yourself enjoy the music for a couple of hours with strangers that somehow– in a few hours– became family. 

    Moshing – Wikipedia

    Moshing, where people in the crowd of a concert run and slam into each other in beat with the music, has been around since the early 80s– but its origins can be traced back to Skanking in the late ’50s and ’60s. Originally called “mashing” in fanzines, it was still pronounced “moshing,” and ultimately stayed that way. There is no definitive origin to the term, or credit for its invention. These mosh pits started at high energy punk concerts. The anarchic nature surrounding the music made the fans need to release their energy somehow– thus, moshing came into the spotlight. 

    But, you can’t talk about moshing without mentioning the history of punk rock; moshing wouldn’t exist without it. 

    Punk rock is defined by its unique sound, fashion, and behavior. Typical punk rock is made up of fast tempos, nasal or shouted vocals, black clothing with shocking colorful and spiky hair, with an anti-establishment “stick-it-to-the-man” attitude. 

    Punk rock has roots in garage rock way back in the ‘60s, preceding the hippie era, and as a movement to rebel against the change in rock n’ roll– how it became more “commercial” and “bloated.” It was the beginnings of other musical genres such as hardcore punk, pop punk, and even Christian punk. But they ALL started as punk rock. 

    Punk rock was picked up quickly by fans but also musicians because of the overall anarchical vibe: it disregarded musical and social rules, leaving a great deal of freedom for experimentation on numerous fronts. 

    While it’s hard to pinpoint exactly where punk rock began, there are bands that are absolutely monumental in the punk rock origins, such as The Stooges (or Iggie and the Stooges), MC5, The Velvet Underground, and The Sex Pistols.

    Iggy and the Stooges Website

    The band that is best known as the creator of punk rock is The Stooges– where, in Detroit on Halloween night 1967, Iggy Pop performed what would become common punk behavior. In fact, some fans thought he was possessed– likely because he cut himself with glass, flashed the crowd, and even smeared his chest with hamburger meat and peanut butter. Iggy is also credited with integrating stage diving into hardcore concerts, which later spread to all types of music. But, while The Stooges are credited in the early beginnings of punk rock, they did not have all the requirements to be a punk rock band– sound, fashion, and behavior. Regardless, their actions on that Halloween night started a movement that influenced numerous bands, and also had parents thinking their children were devout Satan worshippers. 

    MC5 on ‘Kick Out The Jams’: “We weren’t on a meth power trip… just a power trip” – UNCUT

    When people think of punk rock, if they don’t think of The Stooges, they think of MC5. They started playing together in Lincoln Park, and were automatically put into the “garage rock” category. However, due to their eclectic performances, they stood out to people as being something entirely different and new. 

    Shunned in the ’60s for their avant-garde, shocking rock, The Velvet Underground were more important to music’s future than the Fab Four, argues Greg Kot – BBC

    The Velvet Underground then took up NYC with their bold and experimental sound in the early ‘70s– “experimental” because many people said their music bordered on noise.

    Glam Rock also had immense influence over the punk rock genre, such as David Bowie and the New York Dolls. This genre contributed greatly to the aesthetic and lifestyle of artists in punk rock, such as dressing outrageously, living extravagantly, and producing loud, trashy rock. 

    The first concrete punk rock scene– where it was purposeful and not accidental– was in the mid ‘70s with The Ramones, Wayne Country, Johnny Thunders and the Heartbreakers, as well as Blondie and the Talking Heads, all playing at CBGB

    Playlist: The Essential Sounds of CBGB – Medium

    But punk is not all-american. There were big influences in the UK as well from The Strand, formed in 1972, later renamed to the Sex Pistols in 1975 with the arrival of John Lydon. The Sex Pistols are credited with kicking off the punk movement in the UK. 

    sexpistolsofficial.com

    The Sex Pistols’ lone album reached number one in the UK charts, and was known as one of the most censored records in history, due to the song “God Save The Queen” – many calling it “treason.” While this would be devastating for most bands, it actually worked precisely the way they had hoped, as the negative press that they accumulated worked in their favor to sharpen their anti-establishment lyrics and attitude. 

    The Sex Pistols’ God Save the Queen storm: ‘We declared war on England without meaning to’ – The Telegraph

    In the late ‘70s, punk rock emerged as a solid musical force, and split into many genres including horror punk, hardcore punk, pop punk, psychobilly punk, Christian punk, Celtic punk, cowpunk, death rock, emo, gypsy punk, hardcore, street punk, and many more. 

    Boston Concussion Victim Speaks Out Against City’s Moshing Ban – exclaim

    Moshing typically emerges in a crowd during punk rock concerts, as well as metal and hardrock. With all the energy that builds up at concerts such as these, everyone needs an outlet to let out their energy in a (mostly) safe manner. Pits form where people slam into each other, on beat with the music, while also dancing and singing/screaming.

    The first mosh pits formed in the early ‘80s hardcore punk rock scene, and more followed in hardrock and metal scenes. They later spread to grunge and rock concerts, and in recent years, they even started in hip hop and rap. 

    Moshing actually took a while to become what it is today. It can be traced back to skanking, created by the Rude Boys of Ska and Reggae music in the late ‘50s and ‘60s.

    After skanking came the Pogo, invented by punks in the ‘70s in the UK. This dance is where fans jump up and down, and lightly bump into each other. It likely started at a Sex Pistols concert, where no one could see the band, so they started jumping up and down to see the Sex Pistols– then everyone started doing it, and the short-lived Pogo was born. 

    After all of this, moshing finally came to life. Originally “mashing,” it’s when people start getting “mashed together” as they jump and move all over in a pit. 

    There are two types of moshing, starting with the well-known circle pit, where people run along the edge, leaving the middle open. In fact, this is seen as a tame version, as the other type of moshing is called The Wall of Death– where two groups line up and slam into each other. More brutal than the circle pit, The Wall of Death dates back to the ‘80s pun scene, emerging as a variant of the circle pit, said to be invented by the American hardcore punk band Sick of it All– but like punk rock itself, the origin is debated. 

    When you see moshing, whether on a video or in-person– though it’s SURREAL to see in real life– you may think “that looks really scary and dangerous.” And if moshing is done wrong, yes, it can be. The ideal mosh pit is safe and welcoming, with people helping each other up when they fall, and being aware of who is in the ring and who isn’t. 

    This writer’s experience with moshing thus far has been a good one. At The Interrupter’s Concert at the Stone Pony in Jersey, I stayed on the outskirts and kept people in, or helped them when they wanted to get out. If anyone had accidentally hit me, they apologized immediately. Memorably, a big, burly dude dressed in black from head-to-toe stepped in front of me to make sure no one knocked me down. Everyone dressed like they could kill, but everyone made me feel welcomed and safe.

    Astroworld tragedy renews debate on the safety of mosh pits – The Tribune

    That being said, moshing is not always that welcoming and kind. Many artists banned moshing from their concerts due to numerous deaths that took place, such as a 17 year old girl, Bernadette O’Brien, at a Smashing Pumpkins concert in 1996 in Dublin, where she later succumbed to her injuries two days later in the hospital. 

    Yet another one of Smashing Pumpkins’ fans died in Vancouver, Canada in 2007. In total, there were approximately 7 other mosh pit accidents that resulted in death between 1994 and 2006. Another infamous and dangerous mosh pit was at the trainwreck of Woodstock ‘99, where there were, unfortunately, numerous instances of sexual assault, two alleged rapes, and three deaths

    Travis Scott; Astroworld Tour – Randy Cano

    More recently, there was a devastating Travis Scott Astroland festival, where 10 fans died with hundreds injured in 2021– and Travis Scott didn’t stop the concert. Victims were pinned against barriers, and unconscious fans were crowd-surfed out of the mosh pit and dumped into the sea of bodies waiting for the rapper to start performing, ultimately resulting in numerous deaths and injuries. The official cause of death for some of these fans was compression asphyxia, which an expert likened “to being crushed by a car.”

    While this writer still enjoys moshing, it must be done safely in order to continue to be fun. At any given show, there may be people who don’t trust the crowd enough to join in– which should be respected. That being said, for those who do engage in mosh pits, there are some guidelines that emerged because of the potential dangers from moshing that everyone must follow in order to have a safe environment, and keep moshing from being banned completely.

    No karate in the pit.

    Never try to hurt anyone intentionally. 

    Offer help if necessary.

    Be aware of everyone else. Pick people up when they fall. Tell everyone to stop if it gets messy, and similarly, if told to stop, listen.

    Don’t wear accessories that could hurt anyone.

    Those spiky bracelets are cool, but if they can hurt you, they can hurt others. Leave them behind if they’re too spiky.

    Don’t bring loose items into the pit.

    Don’t bring anything with you that can fall down and be stomped on. If you find anything on the ground, let everyone know.

    Respect the borders.

    If they’re not in the pit, they are not involved. Leave them alone and respect the pit’s boundaries and their boundaries. 

    29 Wholesome Pics and Memes Filled With the Feels – eBaum’s World

    Punk rock started a new era of music, birthing numerous subgenres that wouldn’t exist without punk. While punk rock scared parents, it gave teens and young adults an outlet to release their rage in a mosh pit. But don’t let the aesthetic confuse you: the goal of punk rock and moshing is never to hurt anybody, but to allow yourself to let go of your everyday worries, and enjoy the trashy music and outrageous clothing. 

  • Parker McCollum Announces 2024 Tour, Stop at SPAC

    Parker McCollum, ACM Award Winning, and Multi-Platinum selling singer/songwriter, is set to embark on a 41-date U.S. Burn It Down Tour 2024, with one stop in Saratoga Springs in May.

    Singer/songwriter and multi-instrumentalist Parker McCollum released Never Enough, a statement album that cements his status as one of country music’s undeniable new stars, on May 12 via MCA Nashville. Along with headlining his own tour this summer, McCollum will play stadiums with Morgan Wallen on Wallen’s One Night at a Time World Tour. McCollum has been named an ‘Artist to Watch’ by Rolling Stone, Billboard, SiriusXM, CMT, RIAA, and more with American Songwriter noting, “The Texas native teeters on the edge of next-level superstardom.” MusicRow listed McCollum as their 2021 Breakout Artist of the Year and Apple also included him as one of their all-genre “Up Next Artists” Class of 2021.

    A dedicated road warrior, Parker McCollum made his debut at the famed Grand Ole Opry in 2021 and he already sells out venues across the country (over 40 sold-out shows nationwide in 2021) including record-breaking crowds in Dallas (20,000), The Woodlands (16,500), Austin (7500+), Lubbock (7700+), Jackson, MS (5000+), Kearney, NE (3000+), Nashville’s Ryman Auditorium, and three nights at Fort Worth’s iconic Billy Bob’s Texas. In March 2022, McCollum made his debut at RODEOHOUSTON to a sold-out crowd with over 73,000 tickets sold, returning to perform at the Opening Day celebration in 2023.

    He recently made a dream come true with his first-ever Austin City Limits performance, kicking off their 2023 season. In 2022, McCollum earned his first ACM Award for New Male Artist of the Year, took home “Breakthrough Video of the Year” (a fully fan-voted honor) at the 2022 CMT Music Awards, and scored his first-ever nomination in the New Artist of the Year category at the 56th CMA Awards.

    Produced by Emporium Presents, Parker McCollum’s tour will kick off on January 18 at Spokane Arena in Spokane, WA making stops in Dayton, New Orleans, Indianapolis, and more before wrapping up in Corpus Christi, TX at American Bank Center Arena on August 31. In addition, joining McCollum on select dates throughout the tour will be special guests Corey Kent, Larry Fleet, George Birge, and Catie Offerman.

    2024 is going to be the biggest and best show we have ever put together. I can’t wait for all the fans to come see what we are working up. The Burn It Down Tour is going to be absolutely epic.

    Parker McCollum

    The tour announcement comes on the heels of McCollum’s latest release, the critically acclaimed album Never Enough (released on May 12 via MCA Nashville) which includes his RIAA-certified Platinum hit, “Handle On You,” and his explosive current radio single, “Burn It Down.” Most recently, he was notably nominated for New Artist of the Year at the 57th Annual CMA Awards.

    Tickets will be available starting with presales (details below) beginning October 17. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, October 20 at 10 a.m. local time and vary by city*; check local listings at EmporiumPresents.com for more information.

    Burn It Down Tour 2024:

    Thu Jan 18 | Spokane, WA | Spokane Arena

    Fri Jan 19 | Everett, WA | Angel Of The Winds Arena

    Sat Jan 20 | Eugene, OR | Matthew Knight Arena

    Thu Jan 25 | West Valley City, UT | Maverik Center

    Fri Jan 26 | Idaho Falls, ID | Hero Arena Inside The Mountain America Center

    Sat Jan 27 | Billings, MT | First Interstate Arena at MetraPark

    Thu Feb 01 | Peoria, IL | Peoria Civic Center

    Fri Feb 02 | Huntington, WV | Mountain Health Arena

    Sat Feb 03 | West Lafayette, IN | Elliott Hall of Music

    Thu Feb 08 | Kalamazoo, MI | Wings Event Center

    Fri Feb 09 | Dayton, OH | Nutter Center

    Sat Feb 10 | St. Louis, MO | Chaifetz Arena

    Fri Mar 01 | Columbia, SC | Colonial Life Arena

    Sat Mar 02 | Savannah, GA | Enmarket Arena

    Thu Apr 04 | Abilene, TX | Taylor County Expo Center

    Fri Apr 05 | Edinburg, TX | Bert Ogden Arena

    Tue Apr 11 | New Orleans, LA | Smoothie King Center

    Sat Apr 12 | Lake Charles, LA | Lake Charles Civic Center

    Sat Apr 13 | Waco, TX | Touchdown Alley at McClane Stadium

    Tue Apr 18 | Roanoke, VA | Berglund Center

    Fri Apr 19 | Greensboro, NC | White Oak Amphitheatre

    Thu May 02 | Salina, KS | Tony’s Pizza Events Center

    Fri May 03 | Rogers, AR | Walmart AMP

    Sat May 04 | Columbia, MO | Mizzou Arena

    Fri May 24 | Saratoga Springs, NY | Broadview Stage at SPAC

    Sat May 25 | Gilford, NH | Bank of NH Pavilion

    Sun May 26 | Bangor, ME | Maine Savings Amp

    Sat Jun 01 | Jacksonville, FL | Daily’s Place

    Sat Jun 08 | Detroit, MI | Michigan Lottery Amphitheatre at Freedom Hill

    Thu Jun 27 | Des Moines, IA | Wells Fargo Arena

    Fri Jun 28 | Indianapolis, IN | TCU Amphitheater at White River State Park

    Sat Jun 29 | Kansas City, MO | Starlight Theatre

    Tue Jul 18 | Brandon, MS | Brandon Amphitheater

    Fri Jul 19 | Orange Beach, AL | The Wharf Amphitheater

    Thu Aug 15 | Nampa, ID | Ford Idaho Center Amphitheater

    Fri Aug 16 | Bend, OR | Hayden Homes Amphitheater

    Sat Aug 17 | Ridgefield, WA | RV Inn Style Resorts Amphitheater

    Fri Aug 23 | Rio Rancho, NM | Rio Rancho Events Center

    Sun Aug 25 | Morrison, CO | Red Rocks Amphitheatre

    Fri Aug 30 | College Station, TX | Reed Arena

    Sat Aug 31 | Corpus Christi, TX | American Bank Center Arena

    For more information, visit Parker McCollum’s website, or follow him on Instagram, Facebook, or Twitter.

  • Brooklyn-based salamander Share Psychedelic Single and Tease LP “[container]”

    Brooklyn-based salamander has announced their forthcoming debut LP, [container],set for release on October 18, but keeps their fans occupied with their newest single, “the label.”

    salamander, currently made up of Leo Frampton, PJ Hunter, and Ben Verde (percussion), began when songwriters PJ Hunter and Leo Frampton decided to play a last-minute experimental pop show during the last week of their spring semester SUNY Purchase in 2019. The show included a flute, a loop pedal, pre-set casio beats, heavy distortion, and, under all of it, melodies. In the winter of 2021, drummer Ben Verde joined the group, solidifying the three-piece setup of the current-day band. salamander’s songwriting process is fluid and highly collaborative, with contributions coming from multiple, sometimes all, members of the band.

    While some songs, such as “wildfire” and “xylem,” have lyrics and chords written mostly by one of the band members of salamander (the former PJ and the latter Leo), other songs such as “ride” and “ ” were written in full collaboration. Leo and Ben currently live in Brooklyn, and PJ lives in upstate New York near New Paltz.

    Following the previous release of the record’s first few singles, among them “xylem,” “wildfire,” as well as “ride,” salamander returns with its newest cut, “the label.” With a distorted yet melodic bite, the track propels forward with sludgy verses and a guitar-driven backbone.

    “I woke up one morning with the melody to the label in my head, and immediately made a guitar demo on my computer. PJ’s ableton beat on this really gives me chills. I have a verse about loneliness and alienation, PJ later sings about surviving the apocalypse, and in an emotional ending, we bring it all together. ‘the label’ is what people see from the outside, it is what they choose to look at or away from.”

    Leo Frampton

    The intro of “label” opens with a cool syncopation between the percussion and backup vocals. About 20 seconds in, the lead vocals begin– raspy and supported by melodic harmonies that calmly fade into the background. The middle portion of this song is especially captivating due to an encapsulating electric guitar solo backed with some percussion and synths.

    Stream “the label” on Spotify, Apple Music, or YouTube and follow salamander on Instagram and Bandcamp.

  • Brooklyn Bowl To Host Memorial Concert Honoring James Casey

    Brooklyn Bowl in Williamsburg will host a special memorial concert on Monday, Nov. 6 to honor the life and music of late saxophonist James Casey who passed away in August at age 40, following a two-year battle with colon cancer.

    Born in metro Washington, D.C. and raised in Phoenix, Arizona, Casey grew up in a musical family. His passion for music led him to pursue a degree in music business at Berklee College of Music in Boston. There, Casey made lifelong bonds of friendship with fellow students and musicians such as Igmar Thomas, Louis Cato and Eric Krasno, performing at Wally’s jazz club before he made the jump to become a full-time musician in New York City. A serendipitous 2012 sit-in with Krasno’s band Soulive at Brooklyn Bowl introduced Casey to trumpeter Jennifer Hartswick, who became the catalyst for him to join the notable Trey Anastasio Band horn section, comprised of Casey, Hartswick and Natalie Cressman. He became an in-demand session player and toured the world many times over with many different artists. When not on the road, Casey dedicated time in the studio as a producer and performed with his own band, Animus Rexx.

    Casey was an accomplished saxophonist, vocalist, multi-instrumentalist, producer, composer, musical director, solo artist and colorectal cancer awareness advocate. A longtime member of Trey Anastasio Band and regular guest with Grateful Dead ensembles Billy and the Kids and Phil Lesh and Friends, his influence and collaborations extended across many genres and musical circles.

    Recording credits included J.Cole, Jesse McCartney, Chromeo, Talib Kweli, Lettuce, Phish, Danger Mouse and Michael Kiwanuka. Casey was a featured vocalist and bandmember on Meghan Trainor’s 2016 Untouchable Tour, directed Shawn Mendes’ late night TV musical debut on the Late Show with David Letterman, performed with the Jonas Brothers and Busta Rhymes, and guested with Dave Matthews Band, Soulive along with many others.

    Following a 2021 performance at Red Rocks with Bill Kreutzmann, he was diagnosed with Stage III colorectal cancer at just 38 years old – well under the recommended age of 45 for first-time colonoscopy screenings. After surgery and rigorous chemotherapy, Casey stayed devoted to his music and continued to perform. Furthermore, he went public with his cancer diagnosis in the hopes of bringing awareness to a disease that is increasingly affecting young people at alarming rates.

    Unfortunately, Black Americans are 30% more likely to develop young-onset colorectal cancer, and one in four is diagnosed in the later stages. In addition, the Black community has the second-highest mortality and incidence rates in the U.S., and is 35% more likely to die from the disease. Casey appeared on the Today Show in March 2023 to share his story and discuss the importance of knowing your family history and getting tested early.

    As Casey’s cancer progressed, he was inspired to finally record and release music under his own name. In November 2022, he announced his first solo work, a holiday EP titled A Little Something For Everyone, which garnered praise among NPR staff picks for the Best Songs of 2022 and raised thousands of dollars for the cancer community. Come March 2023, he dropped New Bloom, his standout single as a solo artist on his forthcoming album, The Kaua’i Project. In the months that followed, and with nothing promised for the future, Casey dripped out two more singles, “E.J.B.M.” and “Outside,” as he was able.

    Following Casey’s passing on August 28, 2023, musicians and friends shared words of reverence for Casey’s elegant play, kind personality and enduring spirit. He was also honored by the Colorectal Cancer Alliance with the creation of the James Casey Memorial Fund to raise money and awareness for colon cancer prevention.

    James Casey passed away in the early morning surrounded by his wife and family. Following his passing, musicians and friends shared words of reverence for Casey’s elegent play, kind personality, and enduring spirit. He was also honored by the Colectoral Cancer Alliance with the creation of the James Casey Memorial Fund to raise money and awareness for colon cancer prevention.

    To honor his life, rather than a traditional memorial service, he wanted his loved ones to throw a party– a celebration of life.

    The public concert will feature musical performances curated by Louis Cato, with Radar Ellis spinning some of Casey’s favorite songs throughout the night. Casey had a unique ability to bridge a wide range of musical worlds and artists, and they’ll all be represented onstage.

    Tickets go on sale Friday, Oct. 13, with proceeds benefitting the Colorectal Cancer Alliance (CCA) and Association of Black Gastroenterologists and Hepatologists (ABGH) – two organizations dear to his fight against colon cancer.

    For more information on James Casey, visit his website, or follow him on Instagram, Facebook, or Twitter.

    To learn more about James Casey’s cancer battle and advocacy efforts, watch “Music as Medicine: a James Casey story.”

  • Sydney Irving Releases Emotionally Complex Album “Unfashioned Creatures”

    Sydney Irving, hailing from the lively city of Syracuse, has released her newest album Unfashioned Creatures today, October 10, with 10 tracks that showcase her adaptability as a singer and songwriter.

    Sydney Irving unfashioned creatures

    Sydney Iriving, born and raised in the heart of the Empire State, began her musical journey drawing inspiration from legends such as Taylor Swift and Tom Petty, inspired by their story-telling abilities and the weaving in of their heart-felt personal experiences.

    At the early age of 14, she released her debut album, Hello Stranger. This youthful album was followed by The Halfmoon Sessions in 2018, which clearly showcases her growth as an artist and songwriter.

    The following year, 2019, marked a pivotal year for Sydney as she released two EPs, The Greene EP which was recorded in a log cabin in Upstate New York, and The Ronan EP, recorded with her band Sydney Irving & The Mojo.

    In 2020, she released her fifth album, Relax With Friends, which solidified her newfound position in the music scene. Singles like “You Can’t Forget About Me” and “Seasons Change” soared to the top of the Music Mafia Radio Top 30 Countdown. The same year, she was honored as the 2020 Young Adult Artist of the Year by the International Singer Songwriters Association, as well as Best Pop Artist at the 2023 Mississippi Music Awards. She also claimed the title Best New Artist at the prestigious Syracuse Area Music Awards in 2022. Her most recent single released this year, “I Don’t Wanna Fight You,” has already received airplay along the East Coast.

    Today, Sydney has released her newest album, Unfashioned Creatures. Each track feels a little different, and you can hear the Taylor Swift inspiration in every song. Some of these songs feel more somber, while others more country-based, and even a few that likely had indie/alternative inspiration.

    This album is a great choice for people who miss The Old Taylor, or for people looking to find a local musician that has great music and performing abilities. All the songs in the album are good, but “Wish That I Knew,” “Seasons Change,” and “Something Better” are particularly strong and perfect for vibing in the car with your friends.

    “Wish That I Knew” opens with a beautiful acoustic guitar rift, and it oddly reminds me of “Mama’s Broken Heart” by Miranda Lambert due to the storytelling country-vibe, and raw feminine energy. This song showcases Sydney’s vocal range so well, and creatively depicts feminine rage.

    Her fourth track, “Seasons Change,” has been around for a while, but to neglect talking about the complexity of this song would be such a waste. She switches up tone a little bit with even more great storytelling and showcases her range by adding more of a pop feel, shifting away from the country/rock vibe previously mentioned. Inspiration from Taylor Swift’s older songs really show up in this one.

    “Something Better,” switches up again with a more relaxed and somber tone. It feels like a conversation between the listener and Sydney. She’s clearly put in the work for this album and for her writing skills– it shows up in every single track. This is one of those songs where it showcases a sadder subject, but with the contrasting happy musicality– you forget the somber topic.

    This album really showcases Sydney’s growth as a singer and songwriter. Every album she writes is better than the last, so it will be exciting to see where she goes from here.

    Upcoming Performance Dates

    Fri Oct 13 – Theresa, NY – 3C Bowling

    Fri Oct 20 – Canton, NY – SUNY Canton

    Sat Oct 21 – Utica, NY – Utica Zoo

    Sat Oct 21 – Marcellus, NY – The Village Tavern

    Sun Oct 22 – Vernon, NY – Three Bastards Brewing

    Sat Oct 28 – Oneida, NY – Frogs

    Fri Nov 3 – Elizabethtown, PA – Elizabethtown College

    Sat Nov 4 – Verona, NY – Motif

    Fri Nov 10 – Theresa, NY – 3C Bowling

    Sat Nov 11 – Liverpool, NY – Diva Nova

    Wed Nov 22 – Oneida, NY – Frogs

    Fri Nov 24 – Cazenovia, NY – McCarthy’s

    Sat Nov 25 – Verona, NY – TS Steakhouse

    Sun Dec 3 – Westmoreland, NY – Station 233

    Fri Dec 8 – Chittenango, NY – YBR

    Sun Dec 10 – Port Crane, NY – Beer Tree Farm

    Sat Dec 23 – Liverpool, NY – Maplewood Bar

    Fri Dec 29 – Verona, NY – Motif

    For more information on her live performances, click here.

    To listen to her newest album, Unfashioned Creatures, click here.

    Follow Sydney Irving on Instagram, Facebook, YouTube, or visit her website.

  • telly Teases Future EP “EPISODE 1” With Latest Ballad, “Broken Heart Baby”

    Electronic synth-pop band from Brooklyn, telly, has shared their latest track, “Broken Heart Baby.” The nostalgic synth track is a breakup ballad perfect for screaming at the top of your lungs with your friends in your car, and predates their future EP, EPISODE 1.

    telly

    telly is a duo made up of Ashley Claude (vocals, production) and Max Solomon (guitar, synths, sfx, production).

    telly will be releasing their debut EP EPISODE 1 on October 11. The EP will feature previous singles “BLINK” and “Arena Gates” – as well as newly released single “Broken Heart Baby.” In the duo’s own words, “EPISODE 1 is an escapist reflection of the relentless digital landscape.” 

    To celebrate the release of EPISODE 1, telly will be performing live on release day. Join the band at Gold Sounds in Brooklyn, New York on October 11 at 7:30pm ET to hear songs from the new EP live, with support from Couch Prints, Chroma, & Jand.

    “’Broken Heart Baby’ is a crushing breakup ballad told through the lens of a road trip. The nostalgic synth lead, propelling live drums, and reverberating vocals evoke the overwhelming emptiness that hits you when you realize you’re alone in a relationship. It’s the perfect song to scream cry to in the car with your friends!”

    telly

    “Broken Heart Baby” is a great addition to any playlist for those who prefer an electronic-pop vibe, one that complements Ashley’s vocals well. Her voice is deep and guttural, but portrays a lot of emotion and matches the carefree vibe of the song. It seems to have a good deal of indie influence, and feels like a song to blast in the car with friends while going for a late night drive to and from McDonald’s (if you’re an Upstate New Yorker past midnight).

    Pre-save EPISODE 1 HERE, Stream “Broken Heart Baby” HERE, and follow telly on Instagram and TikTok.