The 2023 holiday season has arrived, and with it a spirit of giving and supporting those most in need in our local communities. Jam for Tots will once again be held at venues across New York State, bringing live music fans together for great shows while collecting toys to brighten the spirits of children statewide.
For 10 years, Jam for Tots has been held across New York State and the Northeast, and we celebrate this year with 10 venues around the state where fans are encouraged to bring an unwrapped toy for a child (under 13) to drop in the donation box. These toys will be brought to local charities within the venue’s community, to ensure that these toys brighten the day of children within the local area.
Gregory McLoughlin, a bassist and songwriter living in Jersey City, has recently released his latest single, “Woody Guthrie,” a song reflecting on struggles and the healing power of music.
Gregory writes and records as a solo artist, in addition to writing for artists including Beeman & Bannon, BuzzUniverse, Julia Kirk, Ross Sandler, Anthony Tamburro, Abbe Rivers, Johnny Bullitt, Anna Oh and others. He also performs in the tri-state area with his band, Gregory McLoughlin & the Lemonade Band.
McLoughlin didn’t set out to write about Woody Guthrie, and the song isn’t about the famous folk legend, he is just the destination where the songwriting took him. McLoughlin wrote the song in his head on a day in February 2021 during solitary gondola rides up and down Bellayre Mountain mid-pandemic.
“I feel like a lot of it started with Woody Guthrie, after all, he was Bob Dylan’s number one and Dylan‘s music certainly has healed many lost souls,” shared McLoughlin, adding “It’s a song I wrote reflecting on personal struggles I’ve been through and struggles of loved ones who I empathize with. It’s about how music can heal.”
Recorded a few months after, McLoughlin recently released the single on all platforms in July.
Listen to “Woody Guthrie” from Gregory McLoughlin
Next up for McLoughlin is a on December 30th before Dark Star Orchestra with The Lemonade Band. Get tickets here.
You can catch Gregory perform an online virtual concert, every Monday night at 8 PM EST on his YouTube Live Page.
After a long absence from the front of the stage, Mike Kelley brings a few of his Sharks bandmates together as The Hammerhead Horns, plus friend and pianist Leslie Barkman, for a rare performance at The Rustic Barn in Troy on Friday, November 17.
Mike Kelley and some of this Sharks bandmates
Mike Kelley started out as a bandleader and songwriter leading The Sharks, a seven-piece combo whose popularity and fan base rivaled those of any Albany band in the 1980s. Kelley has spent the last two and a half decades as a sideman extraordinaire, as a studio keyboardist and on stage with The Lustre Kings, The Tichy Boys, Johnny Rabb, Nite Train, Lost Radio Rounders, Marc Tolstrup & Jill Burnam, The Lazy Suns, Off the Record, The Jagaloons and a reported ‘at least’ 20 other bands.
Kelley has worked with Rockabilly Hall of Famer Wanda Jackson, Joan Jett and Kenny Laguna, and was chosen to play piano on several of the tracks on Jackson’s 32 album, Encore.
Deemed one of the nicest guys in the local scene and a hell of a pianist, Mike Kelley continues to play more than 200 shows a year, all without any social media, website or YouTube channel.
Expect an evening of originals penned by Kelley, Barkman and trumpet player Bob Button, familiar covers and undiscovered gems, and don’t miss this rare show from Mike Kelley and The Hammerhead Horns on Friday, November 17 in Troy at The Rustic Barn.
On the corner of Lark and Hudson, one building hosts a great deal of women’s history that continues to be written to this day.
photo via Historic Albany Foundation
Built over 100 years ago, this building served as the location for the 48th Annual Suffrage Convention, as a chapter house for the Daughters of the Eastern Star (the female equivalent to Free Masons), as well as hosting USO events, dances, and a then serving as the eba Center for Dance & Fitness from 1977 until 2017.
Lark Hall, opened in 2021, continues this tradition of music and the arts at Lark and Hudson still being written 11 decades later, with the opening of a coffee house/bar/taproom, The Eleven.
Owner and manager of The Eleven, Jenn Miller, looks at The Eleven as bringing the building vision to full capacity, replacing Lark Street Yoga and Lark Street Mercantile in the downstairs of the building. Connecting to Lark Hall upstairs makes this an ideal pre-show stop, unique among all the choices Lark Street has to offer.
With a staff of four full time employees and another 20 part time between Lark Hall and The Eleven – including Chef Dale Hajdasz and General Manager Neil Benjamin, Jr. – Miller’s experience in the restaurant industry during college as well as many years within the live music scene puts a hospitality driven focus towards the guests, artists and staff. Whether it be the restaurant industry or music industry, knowing how to treat people so they want to come back, and bring their friends, is at the forefront of her business ethos.
photo by Zak Radick
Now is the time of returning
Miller attended college at Eastern Connecticut State University, and would meet her husband, Justin, in Saratoga Springs. The pair married in 2002, having three kids and relocating to Rochester where she earned a Masters in Counseling, then moving back to Albany with their family. Working as a guidance counselor in Rochester, Schenectady and Albany City Schools, after 15 years she looked to move out of education and into something new.
photo by Zak Radick
The Millers are true live music aficionados who have traveled the country and beyond seeing the best of live music and music festivals, as well as their favorites: My Morning Jacket and Phish. When they would return back to Albany, they lamented the music scene not having certain bands and shows, let alone a venue that club/bar bands can graduate from. At first, they joked about the idea of opening a music venue, and soon it became a goal, and then a serious venture.
Since purchasing the building in 2018, the Millers have invested more than $1 million into the space to increase accessibility to Lark Hall, and also received a grant from the City of Albany for further work. Now with two businesses both opened in the past two years, the vision has come full circle, with a dedicated bar/restaurant downstairs and music venue upstairs.
photo by Zak Radick
Now is the time past believing
The Eleven came to be about a year ago when they sought to utilize the vacated Lark Mercantile space downstairs. With a tenant gone and a grant for small business renovation from the City of Albany, they began work on refurbishing the downstairs into a waffle/charcuterie/taproom, something different and not found elsewhere on Lark. Add in a coffee bar, pastries and desserts, it took about a year for the vision to come full circle and be complete, with a grand opening coming on Saturday, November 11, featuring the music of Holly Bowling.
photo by Zak Radick
Dining on small plates of local, French or Italian meats and cheeses, waffles, and Grateful Dead themed sandwiches – “Reuben and Cherise” a fresh take on a classic reuben – the menu is not overwhelming and invites you back to try more of these samplings, carefully curated by Chef Dale. A selection of 12 beers – that’s Eleven, plus (the other) one – from around the Northeast pair well with all culinary offerings, was accompanied the evening of November 3 with a crackling fireplace on the widescreen TV, along with an acoustic set of covers from Jeff Becker.
A décor of Grateful Dead posters, Stealies, Garcia handprints, and classic show posters from upstairs at Lark Hall around the soffit, the Grateful Dead roots abounding through the modern setting in the perfect neighborhood in Albany for it. Chuck Berry, who played Lark Hall in the 1950s, would smile seeing how far rock ‘n roll has progressed, inspiring the genesis of Lark Hall and The Eleven.
photo by Zak Radick
Thought Jewels Polished and Gleaming
Bringing Lark Hall and The Eleven to where they are now has not been easy, as Miller recognizes and recounts the struggles she has experienced as a woman in the music industry. Miller faced an oft male dominated music industry upon the purchase of the building, which led to more skepticism and in-group favoritism against Miller as she navigated getting bands to play at Lark Hall, in the process bringing Albany a needed mid-size venue (current capacity is ~325). Despite opportunities, Miller found a scene less than responsive at first, yet persevered and has proven skeptics wrong, and does so a second time with the addition of The Eleven.
photo by Zak Radick
Working with Dan Smalls and Ed Maier – two promoters covering a great deal of Upstate New York and the Northeast – as mentors to Miller, offering guidance on booking shows and bringing in a variety of acts to Lark Hall. Miller sees the bigger picture of what is possible in the area as a result of this mentorship.
“With the growing scene in Albany, what should be happening is everyone in the local industry – tourism, businesses and promoters – working together to grow the scene for all benefit.”
Jenn Miller
The result is a calendar with a wider variety of shows than any other venue in the Capital Region. This summer, Lark Hall featured a month long residency of musical RENT, and in the past year welcomed Daniel Donato, The Motet, Ghost Light, Circles Around the Sun, The Seapods, LaMP, Karina Rykman, Yo La Tengo, Midnights: A Taylor Swift Dance Party, among dozens of others.
photo by Zak Radick
With a background of a guidance counselor as well as a business owner, I asked Miller what resources she would suggest for ambitious female entrepreneurs who are looking to open their own business or venture. Research through experience, as well as patience, are the keys to Miller, starting with making sure to find your spot in the scene. Beyond that, it is most important to learn the backend tasks that no one sees, as she sees that knowledge and experience to be where everything comes together. Indeed, getting involved and off the periphery is the best start, but diving in and finding a niche can bring greater curiosity and reward.
photo by Zak Radick
Were Miller able to give advice to her younger self, she shares a nod to the Grateful Dead, “Without love in a dream it will never come true.”
Albany’s Lark Street – the “Village in the City” – gains a feather in its cap with the City Winery vibe found at The Eleven, and along with Lark Hall upstairs, this double threat venue on Lark Street brings new life to an old building and neighborhood. Tickets for Holly Bowling at Lark Hall on November 11 can be found here.
The music of the late, great Warren Zevon is celebrated on the new live album Shooter Jennings and the Werewolves of Los Angeles Do Zevon, released on Friday, November 3.
Recorded at Monterey, CA’s Revels and Renegades Music Festival, Jennings leads the Werewolves of Los Angeles and channels Zevon’s music with precision and enthusiasm behind each song.
The outlaw country legend, and son of original outlaw Waylon Jennings, Shooter brings together multi-instrumentalist Brian Whelan (Dwight Yoakam, Jim Lauderdale) and his longtime collaborators Jamie Douglass (drums), Ted Russell Kamp (bass) and John Schreffler (guitar) for an ideal mix of Warren Zevon for lifelong fans, casual fans and new fans.
The band performed earlier this year during GRAMMY week at the Roxy Theatre in West Hollywood, and just this week, on November 1, performed the set to a sold-out Brooklyn Made.
Featuring popular songs (“Excitable Boy,” “Werewolves of London”), deep cuts (“Mohammad’s Radio,” “Mama Couldn’t be Persuaded”) and final album tracks (The Wind’s “Dirty Life and Times,” “Keep Me in Your Heart”), there is something for everyone in a well laid out flow, capped off with Zevon’s autobiographical “Desperados Under the Eaves.”
This last year we had a blast doing two separate shows paying tribute to one of my favorite artists of all time, Los Angeles legend Warren Zevon. When Zevon was picked to be potentially inducted into the Rock & Roll Hall of Fame this year we, along with millions of Zevon fans, were hoping that he would finally get his due in the halls of Rock & Roll History.
Unfortunately, Zevon didn’t make it in this year and won’t be honored tomorrow night in New York City at the Rock & Roll Hall of Fame ceremony. Upon hearing this news, the Werewolves of Los Angeles gathered in our Wolfcave to discuss what we could do about it. We decided that even though Warren wasn’t going into the Hall of Fame, we could take a special trip up to New York City this week and do our own celebration of Warren’s bad-ass music.
Shooter Jennings
Shooter – a three-time GRAMMY Award winner, founder of Black Country Rock (a label and multimedia outlet), and host of “Shooter Jennings’ Electric Rodeo” on Sirius XM’s Outlaw Country channel – takes on a rock and roll legend still searching for a heart, and recognition for the indelible influence and mark Zevon left on rock n roll and Los Angeles. That recognition continues on through Shooter Jennings and the Werewolves of Los Angeles Do Zevon.
Frogs and freaks flew into the Palace Theatre in Albany on Friday, October 20, heralding the return of Les Claypool and his Frog Brigade. The first tour for the group in 20 years began earlier in the year, winding its way into the Northeast for a run of late-October shows.
With draped banners of stars and stripes giving a nod to Pink Floyd’s The Wall, the stage took on a blue dystopian hue, as the six piece band – Skerik (saxophone), Mike Dillon (percussion, vibraphone), Sean Lennon (guitar), Harry Waters (keyboards), Paulo Baldi (drums) and Claypool (bass) – arrived on stage to “When Johnny Comes Marching Home” (Patrick Sarsfield Gilmore), Claypool bringing up the rear. With Les dressed in all black and a bowler hat, a slow bass led intro to “Cosmic Highway” took the audience on a psychedelic ride, right into “Up on the Roof.”
Following Les offering praise to Skerik, Skerik spoke in French briefly before telling an Albany/All bunny/All moose joke that earned groans and chuckles from the audience.
A cover of The Beat’s “Mirror in the Bathroom” was an early highlight, taking the narcissistic 1980 song out for an extended spin. “David Makalaster,” the Purple Onion track, followed, with Claypool Lennon Delirium composition “Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon” closing a ‘short but didn’t feel short’ 60-minute set.
With Harry Waters – son of Roger – helming the keys, set 2 began with a full rendition of Pink Floyd’s Animals, the five song suite never missed a mark, Claypool donning a pig mask while switching to stand up bass.
A pair of songs from Les Claypool and the Holy Mackerel – “Precipitation” and “Calling Kyle” would follow, with “D’s Diner” closing the second set with audience callbacks, whispered lyrics, and xylophone throughout.
King Crimson’s “Thela Hun Ginjeet,” a song that Claypool and his Frog Brigade kicked off the main stage at the first Bonnaroo (and the incredible DVD as well) would drive the energy of the audience to 11, peppering in “Shine on You Crazy Diamond” teases. As the band left the stage, walk out music of “Pure Imagination” played, calling back to Claypool’s memorable Primus and the Chocolate Factory tour.
A can’t miss tour, the Frog Brigade will be at The Wellmont Theatre in Montclair, NJ on October 24 before heading to Hulaween and ending the tour at the Ryman Auditorium in Nashville on Halloween.
Les Claypool and his Frog Brigade – Palace Theatre, Albany – Friday, October 20, 2023
Set 1: When Johnny Comes Marching Home, Cosmic Highway, Up on the Roof, Mirror in the Bathroom, David Makalaster, Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon
Set 2: Pigs on the Wing, Part 1, Dogs, Pigs (Three Different Ones), Sheep, Pigs on the Wing, Part 2, Precipitation, Calling Kyle, One Step Beyond, Buzzards of Green Hill, D’s Diner
Reggaeton artist Bad Bunny made his third ever appearance on Saturday Night Live and first as host and musical guest, bringing along a few friends for sketches that were spoken in equal parts English and Spanish.
Inviting out Pedro Pascal – who hosted SNL for the first time last year – in the monologue, Bad Bunny began the show saying “My name is Benito and I am very excited to be here onSabado Gigante“ a nod to the long-running Univision Saturday night variety show. Bad Bunny took aim at the GRAMMY Awards in his monologue, opting for [Speaking Sexier Language] instead of [Speaking in non-English] when subtitles appeared, before Pascal translated for the audience into English, creating a bilingual monologue, with Bad Bunny offering hugs and kisses to his people in Puerto Rico to close.
A native of Almirante Sur, Puerto Rico, Bad Bunny referenced Puerto Rican and Spanish culture in sketches including “Rap Battle” with Bad Bunny as ‘Fuego,’ as a Spanish King in “The Age of Discovery” (featuring Fred Armisen) and “Telenovela” which featured an unexpected appearance from Mick Jagger.
Lady Gaga surprised fans when she introduced (in Spanish) Bad Bunny as musical guest who performed “Un Preview” in a white cloaked stage with only a coin operated horse ride moving to the beat.
https://www.youtube.com/watch?v=PkSnz-5C5C8
Featured player Marcello Hernández had ample air time for this episode, his Dominican/Cuban roots providing multiple opportunities to speak Spanish and reference Hispanic culture. In the sketch of the night, Bad Bunny dresses up as his tia and Pascal as his mother, Hernández parodied bringing a white girlfriend (new featured player Chloe Troast) home and the Spanglish conversations that ensued.
Bad Bunny’s second song “Monaco” from Nadie Sabe Lo Que Va a Pasar Mañana began with two violinists before revealing a long dinner table with Bad Bunny in the center around masked dancers on each side.
https://www.youtube.com/watch?v=w1ArZCGbIr0
Mick Jagger would return one more time in a cringey “Convent Meeting” as an irresistible Sister Kevin.
Next week, Saturday Night Live‘s Halloween episode will feature comedian Nate Bargatze with musical guest Foo Fighters.
Syracuse’s Amphitheater on Lake Onondaga will have a new name, starting today: Empower Federal Credit Union Amphitheater at Lakeview.
Naming rights have been held by St. Joseph’s Health since 2018, and before that, the venue was simply called Lakeview Amphitheater since opening in September 2015.
Announced on Friday morning, the Syracuse-based Empower FCU said the following in a statement:
Empower FCU was born and raised in the Salt City, and now is among the largest credit unions in New York, with over 250,000 members, over 600 employees and more than $3.2 billion in assets. The Empower Federal Credit Union Amphitheater at Lakeview reflects a commitment to our Central New York roots by creating unique experiences for our members and the local community we serve.
St. Joseph’s Health said in a statement they were thankful for the partnership and will continue the “fast lane” program for nurses going to the venue: “Music is a healing art, and as we stated when we took on this sponsorship in 2018, we firmly believe it is an important part of the culture of our diverse community and our healing ministry.”
The 17,500-seat venue also announced this morning that country music star Lainey Wilson will bring her “Country’s Cool Again” tour to Empower FCU Amphitheater at Lakeview on June 24, 2024 with special guests Ian Munsick and Zach Top.
The Village of Saranac Lake Board of Trustees have turned down a requested zoning change that would have turned a field adjacent to a decommissioned landfill into a multi-use music venue, event space and athletic field.
The property, located on Moose Way and seen on the map below at right, is owned by Bob Farmer, who envisioned taking his property, as well as the former landfill – for which the village has a $435,000 grant to convert into athletic fields – and turn the field into Mountain View Performing Arts Field. These plans are now on hold as Farmer weighs his options.
At a village meeting on Monday, October 9, and as reported by Adirondack Daily Enterprise, locals and neighbors of Farmer’s property showed up to voice concerns that this change in zoning would lead to increased traffic, noise, and littering in the small Adirondack town.
This was not the first time Farmer has been turned down by a local board for use of the land for concerts, music and events. The town of North Elba rejected the proposal as it may set precedent for commercial use within a residential area.
With Farmer’s property located in North Elba, and not Saranac Lake, the village board rejected the proposal on this technicality, saying it would need to be annexed before consideration, but based upon concerns of locals, it seems the two best avenues for Farmer have dried up. Resident of Saranac Lake Jacquelyn Dubee said “I feel that it is unfair for the community members to be forced to take a say on what we’re going to be using that land for when we don’t want it to be used for anything,”
The Village of Saranac Lake
One resident, Shannon Madden, started a petition opposing the plan, which she said has 200 signatures so far. With the potential crowd capacity likely to be 3,000, Madden considered this potential venue leading to a “full town invasion.” For those unfamiliar – route 73 that brings most traffic in from I-87 and points east, is a two lane road, with no room for development to expand. The traffic heading into Saranac Lake is already intentionally slowed down as you approach the village center, making the potential for another 500-1000 cars enough to bring the village to a stand still, with no other roads in the area making this feasible.
Christine Collins, a Saranac Lake native and resident of Potsdam has been attached to be venue manager at the Mountain View Performing Arts Field. She pointed to playing it safe as the factor that is holding the town back. “This is about this village and its desperate need for change, culture, diversity and enrichment. While I respect the past, we must let go of antiquated thinking and begin to move forward.
While Farmer and Collins may have exhausted their options, the pair will press ahead and explore alternatives to bringing this site to fruition.
Albany by way of Altamont prog-rockers Timbre Coup released a new single, “Firestorm,” on September 21, coming two years after the release of Sudden Urge.
Timbre Coup – Andrew Chamberlaine (guitar), Ben Pickering (bass), Dan Gerken (guitar/vocals), Matt Pickering (drums) – grew from the Capital District music scene in 2007, moving on to play hundred of shows alongside bands including The New Deal, Dopapod, Papadosio, Pigeons Playing Ping Pong, and Consider the Source, in additional performing at Camp Bisco, Catskill Chill, moe.down, The Big Up, Mountain Jam, Wormtown and Strangecreek, among others.
Following a hiatus from 2014-18, which saw the band perforing in projects including Mister F and Lord Electro, Timbre Coup began playing and preparing for live shows again, making their triumphant return to a near sold out crowd on March 2, 2019 at The Hollow. Check out the live album from their return show on Bandcamp.
In 2020 the band would go on to record and later release in 2021 their fourth original album, Sudden Urge, a collection of previously unrecorded songs, both old and new.
Timbre Coup performing at Lark Hall – photo by Zak Radick
Singer and lyricist Dan Gerken shares this on the new track:
Firestorm was written in summer/fall of 2022 and consists of a guitar harmony driven theme throughout. The harmonies range from beautiful mixolydian keys to a more minor approach as the song wears on, telling a weaving story of heartache many people can relate to. The lyrics are meant to uplift. The song is a reminder to not be so dependent on a lover or a partner, but each has to stand alone in greatness to magnify the results of the partnership.
“Firestorm” is the latest from Timbre Coup and is part of a new recording and writing goal for the band as they embark on their fifth studio album this coming winter and spring. The band records at Gerken’s studio just outside of Albany, giving the group a great deal of freedom and flexibility in the recording and writing process. With raw ideas aplenty, the band looks to the structure and writing styles for each song as they press ahead.
We have another completed song we are going to finish and release hopefully by the end of the year, and then we get to really start grinding on some new and old ideas in the practice space and the studio to get the desired amount of material for a release.
Dan Gerken, guitar/vocals, Timbre Coup
Timbre Coup brings a little something for everyone in the live setting as well, giving the group room to improvise upon their dynamic compositions, sing both melodic and haunting vocals, all with slick chops from all members, entertaining any crowd with fervor.
There was a place where the water didn’t flow There was a place All that matters is what you hold In spite of it all it’s a hopeless mess for some there was a place I’d like to run
I saw that she left me for dead and I was freaking out I knew I should’ve left her instead But now I’m bleeding out
Description for some Definition for all I don’t want to see you dropping the ball So carry that weight a burden reaffirmed and begin to use all that you’ve learned
“Firestorm” from Timbre Coup was released on all platforms in Septmeber 2023.