Author: Molly Rudden

  • Hearing Aide: Micky James ‘Loner of the Year’ EP

    On July 21, 2023, NYC by way of Philadelphia artist Micky James released his new EP, Loner of the Year. The album features Micky’s signature sound – a mix of glam and grit, paired with glittery guitars and themes of nostalgia throughout. As indicated by the title, Micky dedicates his five-track EP to the loners.

    “I want people to know that it’s important to embrace all of the things that make each and everyone of us unique,” states Micky in a recent interview with PEOPLE. “It can be frightening sometimes to free our most authentic selves, only by carving our own path can we feel truly liberated.”

    The album opens with “New York Minute,” an upbeat, nostalgic tune, reminiscent of 2000s pop-rock. The catchy, somewhat gritty melody establishes a summertime feel to the album. The song serves as a celebration of misfits and their individuality, all while reminding listeners that life moves fast, so enjoy the dysfunction that comes with being young.

    The album’s title track, “Loner of the Year,” further captures the complicated emotions that come with accepting our authentic selves. Despite the melody’s upbeat feel, the lyrics tell a story of a hopeless sort of loneliness, a narration of difficulties experienced by many. The song’s message, paired with its pop tune, is reminiscent of a coming-of-age movie soundtrack, with an optimistic twist at the end, reminding all of us that life goes on, and such loneliness can pass.

    “James Brown,” the third track on the album, has an edgy, raw feel, but still brings out the nostalgic sound of 2010s pop-rock. In contrast to “Loner of the Year,” “James Brown” shows an embrace of uniqueness rather than disdain.

    Of all the tracks on Loner of the Year, “Girl Talk” best showcases Micky James’ strong vocals. The flirtatious pop anthem compels attention from the listener through a range of James’ well-rounded, broad, captivating vocals. The song’s catchy melody conveys a sense of confidence through lyrics like “keep my name on your lips now honey,” in comparison to the anxiety in “Loner of the Year,” unveiling an emotional journey throughout the album.

    “Losing You” concludes the album with an engaging summer breakup anthem, capturing the complicated emotions associated with it. James conveys the struggle between understanding a relationship must come to an end, all while reminiscing on the good times and memories, making it “never a good time to say goodbye.”

    The album maintains its nostalgic ambiance and consistently upbeat 2000s/2010s pop-rock vibe from start to finish. Whether seeking a track to unpack intricate emotions, or a catchy melody just for summer ambiance, Loner of the Year offers a brief yet enjoyable musical experience.

    About Micky James

    Born and raised in the shadows of Philadelphia and NYC, Micky James developed a passion for music and the theatrical at a young age and aspired to become a performer. His music and personal style embody a sound and aesthetic that is nostalgic for a bygone era in rock-n-roll music, all while conveying a contemporary pop ambition.

    His vocals are reminiscent of notable voices like David Bowie and Julian Casablancas, referencing the uniquely dark, enigmatic, and romantic attributes associated with those artists. While James’ flamboyant fashions are reminiscent of the glamour and swagger of past rock icons, his work is both equal parts style and substance.

    Inspired by the energy of iconic ’60s and ’70s rock bands, he creates a modern, fresh approach to a timeless genre. “I wanted to take pieces of nostalgia and give it a contemporary twist,” he explains, successfully taking his vision and turning it into reality. In July 2020, Micky James released “Kings,” which garnered critical acclaim, with one critic calling it “a defiant uprising of the generationally damned and distinguished, as well as the most authentic rock n roll you’ve heard in years.”

    Listen to Loner of the Year here.

  • Maria Muldaur’s Announces Retrospective Tour, Way Past Midnight

    This year marks the 50th Anniversary of Maria Muldaur’s chart-topping hit “Midnight at the Oasis.” To celebrate this milestone, she and her band will be embarking on a special tour with stops throughout New York, presenting Muldaur’s multi-media retrospective show, Way Past Midnight, which will chronicle her 60-year musical journey.

    In this one-of-a-kind multi-media retrospective, Mulduar chronicles her 60-year musical journey through American Roots Music, to The Oasis and Beyond. Mulduar and her band will perform her iconic hits, such as “Midnight at the Oasis,” “I’m A Woman,” and more. They will also play many oft-requested fan favorites from the 43 albums she has recorded in the last 50 years.

    Mulduar will treat audiences to previously unseen photos and videos and will share fascinating, often humorous personal stories from every stage of her 60-year career, spanning from her early days in the 60s with The Jim Kweskin Jug Band to her years of pop stardom, and on to her continuing exploration of the many forms of American Roots Music – Blues, Bluesiana, Jazz, and Gospel.

    Way Past Midnight tells Maria Muldaur’s story in words, pictures, videos, and songs. Through this, she allows fans insight into her personal encounters, friendships, and collaborators, including many notable names in music: Bob Dylan, Doc Watson, Taj Mahal, Dr. John, Aaron Neville, John Sebastian, David Grisman, Linda Ronstadt, Bonnie Raitt, Stevie Wonder, Hoagy Carmichael, and Benny Carter, amongst others.

    Tour Dates and More Information

    Friday, September 8, at 8 pm at My Father’s Place

    3 Pratt Blvd, Glen Cove, NY, Tickets $40 ADV/$50 DOS.

    For tickets and venue information, visit this link.

    Thursday, September 14, 8:30 pm at The Iridium

    1650 Broadway, New York, NY, 10019, Tickets: $35.56 – $49.

    For tickets and venue information, visit this link.

    Saturday, September 16, 7 pm at The Vogel – Count Basie Center for the Arts

    99 Monmouth Street, Red Bank, NJ, 07701, Tickets: $39+.

    For venue information, visit this link. Find tickets for the event on ticketmaster.

    Sunday, September 17, 4 pm at The Turning Point

    468 Piermont Avenue, Piermont, NY, 10968,Tickets: $31.80.

    For venue information and tickets, visit this link.

  • Tower Records and Rockbox Studios to Release Exclusive Edition of “Life House,” a Graphic Novel by The Who

    Life House, the heavily anticipated, long-awaited rock opera by The Who is finally seeing grand-scale release after over 50 years in the making. Tower Records, the legendary music chain that shaped the landscape of the pre-digital music industry, and Rockbox Studios are set to release an edition of the graphic novel signed by Pete Townshend and Roger Daltrey, limited to 1,000 units now available for pre-order. Later this year, standard and deluxe versions of the graphic novel will be available.

    Additionally, a Who’s Next/Life House Edition box set from UMe will be released on Sept. 15. Additional information is available here. Featuring 155 tracks, 89 of which are previously unreleased and 57 feature fresh remixes, the Super Deluxe edition of Who’s Next/Life House will contain 10 CDs and a 100-page hardback book and Life House – The Graphic Novel.

    Background

    Townshend originally conceived “Life House” in 1970, a motion picture rock opera following the success of The Who’s multi-platinum selling album, Tommy. The science fiction narrative centers on a dystopian, totalitarian society where music is prohibited, successfully anticipating phenomena such as climate change, the internet, streaming media, and racial equality.

    The Who worked for almost a year developing the album at the Young Vic Theatre in London, but ultimately decided to release elements on their 1971 bestselling album, Who’s Next. In 1999, Townshend released a solo compilation of the project entitles The Lifehouse Chronicles. For decades, Life House has been considered a prized item for fans of The Who, one which will be realized later this year.

    ’Life House’ has always needed a story that makes sense but without the egos of new creatives who think they can ‘fix’ what was wrong with my first draft. The graphic novel is built around that first draft written prior to recording sessions and workshops at the Young Vic in 1971. A second draft with some good ideas from Roger in 1976 added some cohesion and more exciting collateral which really suits the comic format. I’m delighted with the comic. The art is beautiful and dense, colourful of course and engaging. The artists and their team have made an amazing and hugely collectible piece that adds depth and clarity to an otherwise complex story. ‘Life House’ is reborn. Tower Records was an iconic L.A. vinyl store in the ‘70s. I never failed to visit when touring and it’s possible that around 75% of my remaining collection is from the store. It’s great news to hear Tower is back in black!

    Pete Townshend

    The graphic novel, a 172-page sprawling sci-fi epic, is presented in an album-sized square format. The Tower Records edition, signed by Pete Townshend and Roger Daltrey is extremely limited and will carry a retail price of $1,000 and is available for pre-order now exclusively on Tower Records’ website. Universal’s Who’s Next/Life House box set will be launching later this year and the book’s release from Image Comics will come on Dec. 6, 2023.

    “At Tower Records, our main goal is to help artists tell their stories in music and beyond,” said Danny Zeijdel, President of Tower Records. “’Life House’ embodies this, and we are honored to be a platform for the legendary Pete Townshend, Roger Daltrey, and The Who as they share this exciting project with the world.”

    Townshend met Rockbox Studios CEO, Jeff Krelitz, several years ago and discussed the potential for the project. They worked with writer and artist James Harvey to develop the story and look at the world as a future seen from a 1970 point of view. British writer David Hine and Australian artist, Max Prentis, were brought in to complete the project, which was edited by former Bleeding Cool Editor-In-Chief, Hannah Means-Shannon. Additionally, letters were provided by Micah Myers with inks by the Eisner Award-winning artist, Mick Gray.

    “’Who’s Next’ has always been one of my favorite albums and the opportunity to help Pete advance his vision for ‘Life House’ with this graphic novel is a dream come true,” said Krelitz. “Having been a part of the team rebuilding Tower Records’ legacy for the last few years, I couldn’t imagine a better home for this exciting epic that music fans have been waiting half a century on.”

    About Tower Records

    Founded in 1960 by Russ Solomon, Tower Records developed from a business he founded as a teenager to resell 78 rpm jukebox records in his father’s Sacramento drug store, into a record retail behemoth that operated dozens of stores across the United States. Tower Records defined the retail music business in the pre-digital era and at its peak had nearly 200 stores across 15 countries, and more than $1 billion in annual sales.

    Known for its enormous volume and its audiophile behind-the-counter staff, Tower Records became the mecca for in-store performances and recording artist events, placing it at No. 1 among U.S. music merchants. Today, Tower Records is transcending its historic past by creating online experiences and exciting partnerships with artists, labels, and brands for all music fans to “Know Music, Know Life.”

    Since the relaunch of Tower Records in 2020, the iconic music brand has been offering music and art fans exclusive merchandise drops including limited edition vinyl releases and branded products. Tower Records quickly rose to be a top online retailer for physical music in North America and the brand recently launched an additional online store in Europe. For news and to sign up for upcoming events and vinyl drops at Tower Labs visit here.

  • Kyle Smith and Pat Tato to Perform at Funk n Waffles

    Funk n Waffles, a one-of-a-kind venue in Syracuse, will be hosting Kyle Smith and Pat Tato on August 11th as a stop on the “Grill Em All Tour.”

    The Food Network featured venue truly embodies its name – not only do they serve delicious breakfast, lunch, dinner, desert, and of course, waffles, but they truly bring the “funk” with live music every night, and a full bar. Performances by Kyle Smith and Pat Tato ensure a night of ambitious music, delicious food, and talent that you won’t want to miss.

    Kyle Smith, a singer-songwriter from Ventura, California, is best known for his unique blend of “Cali-Reggae,” influenced by Ska, Hip-Hop, and Punk-Rock, a combination that is simultaneously catchy, raw, and truthful. Kyle’s music often pays tribute to his troubled youth and addiction. His self-titled debut EP offers a glimpse into the life he endured, with songs like “Dope Fiend” and “Jaded” referencing his troubled past, all while keeping an uplifting spirit and tempo. Despite his roots, Kyle’s goal in life is to give hope and spread positivity through his music. His raw, natural talent is effortless, and his personality immediately warms up the room, inviting those around into his world.

    Pat Tato, known for his unique, thought-provoking sound, was not always a solo artist. In 2013, the band Baked Potatoes could be found playing nearly every house party, skate shop, and dive bar at SUNY Oneonta. In the years following, Pat and the rest of the Baked Potatoes graduated college and recorded their first full length album, ‘Loaded’ (2016) to much critical acclaim. Following their graduation and album release, the band found themselves taking a hiatus as the original members moved to Ohio, Arizona, Tennessee, and Alaska. Aaron and Pat decided to live on a bus, continuing to play music and drive up and down the east coast, busking on the street. Eventually, Pat shifted focus and started releasing music as Pat Tato. The sound is different, ambitious, lyrical, and thought provoking.

    Since then, Pat Tato has a new band and has started to emerge on the Festival Circuit as an early crowd favorite. He combines set lists of old Baked Potatoes songs with New Pat Tato songs, and continues to evolve and mature into the new sound that is ‘Pat Tato & the Baked Potatoes.’

    To see Kyle Smith and Pat Tato at Funk n Waffles, get tickets here.

  • Iguana Death Cult Announce North American Tour Dates

    The critically acclaimed Dutch rock band Iguana Death Cult shared their highly anticipated LP Echo Palace earlier this year. Introduced with four stellar singles, “I Just Want A House,” “Oh No,” “Pushermen,” and “Sensory Overload,” the record received praise from outlets such as DIY, Under the Radar, American Songwriter, Paste, and more.

    To celebrate their new album, the band has recently announced a string of North American tour dates, with a handful of East Coast shows with Frankie and the Witch Fingers. The tour will make stops in New York State cities including New York City and Rochester.

    This new tour follows Iguana Death Cult’s last 2023 US appearance at this year’s SXSW (Austin, TX), where they played a total of nine showcases. Following the festival, Paste Magazine noted that the band was one of the “20 Best Acts” they saw at the festival.

    “I knew I had to see Iguana Death Cult as soon as I heard the band’s name. And they didn’t disappoint. From the word ‘go,’ the whole crowd was dancing and pushing to their garage and psych-rock extravaganza.”

    The aftermath of the pandemic can best be described as a time of unease, the people of the world suddenly grew wary and suspicious of one another. During this time, Iguana Death Cult, one of Europe’s most exciting rock exports, became more than just a band to its members – it became therapy.

    “I think for the first ten times we went to jam,” says guitarist/vocalist Tobias Opschoor, speaking about the process of making the new album Echo Palace, “we just drank wine and I talked about it, and just kept on talking for hours – and then were like, ‘OK, I have to go because I have to go to work tomorrow.”

    Taking place at frontman Jeroen Reek’s apartment in the Dutch city of Rotterdam, these gatherings slowly shifted from talking about this surreal chapter of their lives — the days of quiet streets and cramped buildings — to making music about it. “I was living in a really crappy, leaky, ready-for-demolition apartment,” explains Reek, “with just one heat source—like a really old-school, gas stove kind of thing.” Working on cold nights, they had to gather around that heater together— a cozy approach that ultimately got their creative flow going, fast. 

    Armed with the talents of Justin Boer on bass and Arjen van Opstal on drums, and tapping the keys work Jimmy de Kok for the first time on album, the band took their trademark melodic garage-rock style and expanded it out to make it vibier and looser, with each member contributing ideas to develop the sound palette in full. “We all get into this sort of blender and then everybody gives a little bit of a flavor to it,” says Opschoor. 

    The sounds they started to make tapped into the band’s acerbic bite established on their first two LPs, 2017’s The First Stirrings of Hideous Insect Life and 2019’s Nude Casino — albums that sometimes felt like Parquet Courts colliding with Super Furry Animals.

    Their explosive performances of these records turned them into a cult live act among psych fans, who have followed the band everywhere from Amsterdam to Austin. But working on this new album, huddled together as the world split apart, everything began to flutter like Remain in Light. 

    Echo Palace

    Echo Palace may be the Iguana Death Cult music that’s most overtly about the strange cause and effect of groupthink, but the theme has been lurking there since the very beginning, when the band was first formed by childhood friends Reek and Opschoor over ten years ago.

    The name of Iguana Death Cult is a partial nod to Reek’s fascination with cults in general — and the “Iguana” part is a nod to Iggy Pop, whose first band was the Iguanas. Watching the pandemic paranoia and conspiracy theories steeping across their country, Reek wrote lyrics reflecting the scene in front of him: “Purple, veiny soccer mommies,” he sings in a deep, foreboding voice on the song “Echo Palace,” “Sharpening their guillotines.” It’s a cut so infectious that it betrays the density of its lyrics, which were adapted from a poem Reek wrote about the repercussions of “shutting yourself off from everyone outside of your own ideology.”

    When it came time to record the full set, the band headed to PAF Studio in Rotterdam, and then had the self-produced album subsequently mixed by Joo-Joo Ashworth at Studio 22 in Los Angeles and mastered by Dave Cooley. As the instruments swirl and trade solos on “I Just a Want House,” a funky millennial nihilist anthem, you can practically hear the growth of a group that’s been pushing itself further and further with every tour and every Belgian-stove fueled jam session.

    The album is a big swing, stretching Iguana Death Cult beyond its garage rock origins and taking them to a new realm. It’s the type of project that warranted having legendary Dutch saxophonist Benjamin Herman stop by to add to the squall on tracks like “Oh No” and “Sensory Overload,” heady thrashers that morph into calculated freakouts; that warranted Reek and Opschoor knowing when screaming their guts out on tracks like “Pushermen,” and Boer and van Opstal knowing when to bring the rhythm section to a jazzy simmer on tracks like “Paper Straws.” 

    The end result of Echo Palace is an appropriately worldly album from a group breaking past the confines of its home country. That’s not to say that Iguana Death Cult aren’t proudly Dutch; the group takes from the trademark hard work ethic of their Rotterdam base and applies it to their approach with music. But it’s 2022, and we’re less defined by our borders than ever before. “When we play in other countries, for me that gives the same amount of pleasure — or even more — than when we play in the Netherlands,” says Opschoor. 

    Tour Dates

    *With Frankie and the Witch Fingers. Tickets to each city are included in the links below.

    9/8 – Seattle, WA – Madame Lou’s
    9/9 – Portland, OR – Lose Yr Mind
    9/11 – Salt Lake City, UT – The DLC
    9/12 – Fort Collins, CO – The Atrium
    9/13 – Denver, CO – Lost Lake
    9/15 – Oklahoma City, OK – Resonant Head
    9/16 – Austin, TX – 13th Floor
    9/19 – San Diego, CA – Soda Bar
    9/20 – Los Angeles, CA – Permanent Roadhouse
    9/21 – San Francisco, CA – Bottom Of The Hill
    9/23 – Boise, ID – Flipside Festival
    9/26 – Boston, MA  – Crystal Ballroom *
    9/27 – Montreal, QC – Sala Rossa *
    9/28 – Hamden, CT – Space Ballroom *
    9/29 – Philadelphia, PA – First Unitarian Church *
    9/30 – New York, NY – Warsaw *
    10/1 – Rochester, NY – Bug Jar
    10/3 – Fort Wayne, IN – Brass Rail
    10/4 – Chicago, IL – Beat Kitchen
    10/7 – Reno, NV – Off Beat Festival

    To listen to Echo Palace, check out their streaming links.

  • Delaney Silvernell: The Voice, New Music, and Upcoming Tour

    Delaney Silvernell is known best in New York State for ascending from a Queensbury local to a sensational contestant on NBC’s The Voice. Delaney has made notable strides in her musical career since her debut at age 21.

    Playing shows in Los Angeles and New York, Delaney has put her singer-songwriter skills on display, amassing over 350k streams on Spotify alone through her signature blend of pop and R&B. Five years – and many captivating singles – since the voice, Delaney is planning a Northeast Tour at the end of the summer, which will feature her newest EP, Blue Dream.

    While Delaney Silvernell is currently an independent artist based in Los Angeles, her journey began many miles away. Originally from the Adirondack region of Queensbury, Delaney knew from a young age that music was her passion.

    I’ve been a musician for as long as I can remember, and it doesn’t really feel like a conscious decision I made to become one. Music was really the only thing that fueled me and helped me make sense of the world around me. So, it seemed like my natural path.

    Delaney Silvernell

    Following her natural trajectory, Delaney moved away from her hometown at 17 to pursue her musical education, studying Songwriting at Berklee College of Music. After graduating in 2017, Delaney was immediately cast as a contestant on season 15 of NBC’s The Voice. Her audition immediately caught the attention of coach Kelly Clarkson. Primarily coached by Kelly Clarkson, Delaney was further coached on screen by music industry greats such as Mariah Carey, Adam Levine, and Thomas Rhett.

    Delaney Silvernell

    After Delaney’s debut at age 21, Delaney has spent the past few years crafting her own space in music. She has played shows in Los Angeles and New York, while independently releasing original music which has been widely successful – amassing over 350k streams on Spotify alone.

    Delaney Silvernell

    Delaney’s music explores her emotions in a real, raw way that captivate audiences with a combination of vulnerable lyrics and powerful vocals. She rides rebelliously on the borders of genres such as R&B/Soul, Pop, Alternative, Blues, and more as she doesn’t believe her artistry can be confined by the boarders of one category. Delaney tries to create music that gives people space to feel deeply and unapologetically, and find peace in those emotions. Such music is often created alongside those who support her musical growth.

    I draw inspiration from my life experiences, as well as that of those around me. I find inspiration in sorting out complicated emotions, and truly hope my songs help others do the same. My creative process varies, but my creative team is a pretty consistent group of my friends, which makes it that much more fun. 

    Blue Dream

    Delaney’s most recent EP, Blue Dream, features 4 songs ranging from folk-pop to soulful genres. The project has already been premiered at one of LA’s most famous venues, The Troubadour, and will be performed in multiple cities throughout New York State through Delaney’s upcoming Northeast Tour.

    Delaney Silvernell

    While each song featured in Blue Dream is a work of art in its own right, when asked about her favorite piece, Delaney described her favorite song as one that has truly come full circle.

    It’s impossible to pick a favorite, because they all have a special place in my heart. I do love “Wildflower,” though, because it was such a unique process to create it. “Wildflower” originated as a poem I wrote during a sleepless night back in college. A few years later, I stumbled upon the lyrics with a whole new perspective on life, and was able to put them to music and grow the song into what it is today.

    Upcoming Projects

    Blue Dream is only the first of many ambitious projects Delany’s future holds. Delaney has already begun writing her first full length album, and plans to return to the studio to finish recording it following her tour at the end of the summer. In the meantime, she will be releasing a live album from her recent performance at one of Los Angeles’ most famous venues, The Troubadour.

    Delaney’s successful singles and EPs hold promise for equally engaging full length albums. In her continuous journey of exploring complicated emotions, Delaney detailed one of her unreleased songs as one of the most difficult to write in her career.

    My most difficult song to write is actually still unreleased. It’s called “Dark Side of the Moon,” and I co-wrote it with my friend and producer, Alisse Laymac. “Dark Side of the Moon,” details my healing process from self-sabotaging the good things in my life.  Being honest about that and putting that feeling into words was difficult, but so healing and cathartic. 

    Tour Dates

    Currently, Delaney Silvernell is building a tour around the following dates in New York State:

    Friday, August 25th at Fuze Box: Albany NY

    Sunday, August 27th at Charles R. Wood Theater: Glens Falls, NY

    Additionally, Delaney is securing a date at Rockwood Music Hall in NYC in late August or early September, the date to be announced. She plans to visit other New England-area venues as well. Once all tour dates have been secured, an official press release will be announced.

    Delaney’s authentic approach to music, alongside her captivating, soulful lyrics and sound truly make her one of a kind. Be sure to listen to her music on Spotify, and check out her website for more tour updates.

  • The Brooklyn Mirage Hosts Zamna Festival

    The upcoming Zamna Festival on Saturday, August 5th at The Brooklyn Mirage is where the jungle meets lasers, and raves meet paradise. A one-of-a-kind outdoor venue in East Williamsburg, The Brooklyn Mirage will be transformed into an immersive experience, Zamna’s signature oasis of electronic music, art, and culture.

    Since its beginnings in 2017, Zamna Festival has since become an epicenter of electronic music. What EDM.com called “Tulum’s premier dance music experience,” Zamna draws tens of thousands of attendees from more than 110 countries around the world every year. Now, Zamna will debut their bears for their very first New York City, bringing the spirit of Tulum to Brooklyn with a complete venue takeover of The Brooklyn Mirage.

    Performers include Calussa, GHEIST, Giolo & Assia, Henri Bergmann, Magit Cacoon, Massano, Øostil, Recondite, Stephan Jolk, TACHES, The Element, and Toto Chiavetta.

    The Brooklyn Mirage prominently boasts a state-of-the-art KV2 sound system in addition to stellar three-dimensional video projection mapping technology. Part of the Avant Gardner complex, the multifaceted events space was nominated for ‘Best Club’ in the 2019 International Dance Music Awards. Forbes says “World-renowned venue The Brooklyn Mirage delivers some of the world’s hottest talent such as Kaskade, Zedd, Alesso, Charlotte de Witte, Dillon Francis, Tae of Us, Adam Beyer, Excision and Fisher.”

    For tickets and more information, visit the Zamna Festival website.

  • Schaghticoke Summer Eve Concert Series

    2023 marks the 16th anniversary of the Schaghticoke Summers Eve Concert Series, presented by the Schaghticoke Entertainment Committee. Each summer, mid-June through August, Thursday evenings are dedicated to bringing relaxation, entertainment, food, and fun through free musical performances. Shows take place from 6:30-8:30 pm at 290 Northline Drive in Melrose, NY.

    Lineup

    July 13: The Accents (Car Show)

    July 20: Legacy (Journey / Foreigner Tribute)

    July 27: Kyle Bourgault Band (Christmas in July)

    August 8: Wail On

    August 10: Lustre Kings (Car Show)

    August 17: Large Farva

    August 24: Beating The Odds (Fireworks)

    For more information, visit the Schaghticoke Summers Eve Concert Series Facebook page.

  • A Collaborative School of the Arts Rock Camp at Proctors

    Over July 10-21, Proctors Collaborative School of the Arts is hosting Rock Camp, a program designed to provide an environment for aspiring musicians (ages 10-16) to strengthen their skills, develop new techniques and build confidence in performing.

    From 9 am to 4 pm, Monday through Friday, Rock Camp deals with several aspects of music, including technical aspects of instruments, the musical history of the genre, song writing, theory, arranging, rehearsal techniques, stage presence, and more.

    With practical instruction from professionals, students are exposed to the elements of performing, arranging original music, forming a band, and much more. Additionally, a gig in the Great Hall of Universal Preservation Hall (UPH) to showcase their talents. We spoke with Crispin Catricala, the director of Rock Camp this summer, to learn more about the program, its origins, audition process, and outcomes.

    Background

    Rock Camp is not the first musical camp to be hosted at Proctors Collaborative School of the Arts. However, the origins of Rock Camp begin with director Crispin Catricala, selected specifically for the program.

       Proctors Collaborative School of the Arts has had long success with their other camps like the Broadway Camp, Broadway Camp Junior and Summer Stage Young Acting Company. I was honored when, just after I had retired from teaching public school, they approached me to be the director for a new summer camp for young rock musicians up at UPH in Saratoga. With a bit of a delayed start due to the pandemic, we started our first summer session in 2021 and have been growing ever since.

    Crispin Catricala, born into a musical family, has long possessed a passion for music, playing guitar by 13, and playing professionally by 17. Crispin would go on to receive a Bachelor’s Degree in Music Composition and a Master’s Degree in Musical Education, teaching public school music education for more than 28 years. Additionally, Crispin has worked as a private guitar instructor for more than 30 years, and has played in several bands throughout all that time.

    Audition Process

    An audition based program, Rock Camp requires musicians to record a performance of two songs that they feel comfortable with. However, the recording itself can be quite basic – according to Crispin, an iPhone video would suffice. Musicians can play along with tracks, as long as it is clear that their playing is separate from the original recording.

    So, what qualities does Rock Camp look for in potential musicians? While Rock Camp is open to all styles of rock music, Crispin noted that they specifically seek individuals who possess basic, foundational skills, and demonstrate a desire to enhance their knowledge and acquire additional expertise. Critical thinking and active listening skills are important for applicants, but most of all, a love and passion for music and an openness to feedback within the creative process are necessary.

    This year, 17 young musicians were selected to join the program.

    A Typical Day at Rock Camp

    The two week program runs Monday through Friday, from 9 am to 4 pm. Crispin’s detailing of a typical day at Rock Camp reveals the enriching, well-rounded nature of the program.

    Morning sessions generally deal with either a guest artist/presenter, a lesson that deals with either your instrument or maybe a lesson that deals with music history or theory. By afternoon we’ve broken down to smaller ensembles working on specific songs and by the end of the day meet upstairs to play for our peers on the main stage and group discussion.

    Rather than form one or two bands that rehearse a set of songs together, the program forms numerous combinations of musicians, making up several groups song by song for an evening’s performance. According to Crispin, this allows the musicians to engage with everyone in the camp and not be grouped into one ensemble or style.

    Rock Camp is open to young musicians ages 10-16. While the age gap may seem wide to some, Crispin explained that the music itself works as an equalizer.

    Once you start making music with people, age is not a huge factor. Plus, we’ve had 11-year-olds that have been playing since the age of five and 14-year-olds that started when they were twelve. So really, everybody has something to bring to the table.

    Program Goals and Outcomes

    At the end of the two-week camp, the groups will perform an hour-plus concert, open to the public at UPH, complete with incredible lighting and sound in one of the area’s newest and most beautiful premiere performance spaces. While the performance will surely showcase the talent and accomplishments of the program, Crispin hopes that the impacts of Rock Camp on the musicians will run deeper.

    Our hope and our expectations are that the experience leaves everyone better at their instrument and overall craft. Also, that new musical connections and friendships have been created that could last long past Rock Camp.

    For more information about Rock Camp, the audition process, and ticket reservations for their performance at UPH, visit this website. To learn more about camp director Crispin Catricala, visit his website.

  • Town of Clifton Park Announces Return of Performing Arts at the Common

    The Town of Clifton Park will once again sponsor the Performing Arts at the Common at the outdoor Clifton Common Stage. All performances are free, and take place on Wednesday and Sunday evenings.

    Clifton Park

    On Wednesday evenings, families are welcome to bring kids to the Clifton Park Stage for the Performing Arts Family Series. This series features a wide range of musicians, performers, and family-friendly events. Kids of all ages are welcome to join for a night of free entertainment and outdoor fun. On Sunday evenings, the Performing Arts at the Common Series will offer entertainment for all. A range of musicians and live performers will take the stage for a variety of shows.

    Sunday Concerts and Wednesday Children’s Programs begin at 7:00 pm, rain or shine unless otherwise noted. Theater performances begin at 8:00 pm. Those in attendance are welcome to bring lawn chairs. Alcoholic beverages are not permitted. For more information, visit Clifton Park’s website.

    Sunday Concerts

    July 9: Big Sky Country

    July 16: Warden & Co.

    July 21-22: “Newsies, Jr.” – Theatre camp. 5:00 pm

    July 21-23: “Bells Are Ringing” – Presented by Not So Common Players. 8:00 pm

    July 27-30: “Bells Are Ringing”

    August 6: Ten Most Wanted Band

    August 13: Stormfront

    August 20: BonJourney

    Wednesday Family Series

    July 19: The Zucchini Brothers

    July 26: Mr. Mike Magician

    August 2: The Puppet People

    August 9: Mr. Twisty Super Silly Magic Show

    August 13: Seth and the Moody Melix