NYS Music 2023

Author: jamie mohr

  • The Offspring Let the Bad Times Roll at Darien Lake

    The summer of throwback shows at Darien Lake continued on August 20, as The Offspring’s Let the Bad Times Roll tour stopped in Western NY. With the tour carrying the name of their 2021 album, and 10th studio cut, Canadian punkers Simple Plan and Sum 41 tag along and create a little nostalgic tour.

    After starting out in the mid 80s, I am sure that Dexter Holland only dreamed of the success he has had with The Offspring. 10 studio albums, nearly 1600 concerts, and a number of punk/alternative hits, these guys found their niche and rolled with, and never really cared what the naysayers were naysaying.

    With no shortage of energy and fans, Simple Plan took the stage and shredded it for nearly an hour, hitting the stage to the Star Wars theme music. With that kind of entrance, you know you are in for a killer show.

    From Montreal, the wrecking crew of Pierre Bouvier (vocals, bass, percussion) Chuck Comeau (drums, percussion), Sebastien Lefebvre (rhythm guitar, vocal, bass), and Jeff Stinco (guitar, backing vocals) were all in sync from the start, pumping the crowd up, running around the stage in classis 90s alternative/punk fashion. From the opening notes of “I’d Do Anything” to the finishing tunes on “Perfect,” Bouvier had fans jumping bouncing around like a mechanical Tigger toy and giving everyone around them the middle finger, or the Simple Plan salute as he stated. He gratefully thanked fans often as he recalled the last time Simple Plan was in town, back in 2005 for a Warped Tour stop and raved about how he loved Darien Lake and the fans (if he only knew about the parking issues).

    With a new album out recently, the band played “Iconic” and dedicated to anyone and everyone who has struggled or is struggling with acceptance. Bouvier urged those individuals to proudly extend their hands and offer up the finger and let others know that they will be Iconic.

    As the set was coming to an end, and about halfway through “I’m Just a Kid”, Bouvier took a seat at the drums as Comeau took to crowd surfing, in an attempt to high five as many fans in mosh pit as possible.

    Setlist: (entered to Star Wars theme), I’d Do Anything, Shut Up!, Jump, Addicted, Welcome to My Life, Iconic (new song), All Star/Sk8er Boi/Mr. Brightside, What’s New Scooby Doo, Where I belong, Im Just a Kid, Perfect

    Following up Simple Plan and preceding The Offspring is no easy task, but Sum 41 came out and absolutely crushed any doubts that anyone had. Another solid entrance, this time to AC/DC’s “T.N.T”, Sum 41, with frontman Deryck Whibley racking up the steps on his Fitbit, was just as motivated at their predecessors and continued to amp up the crowd in preparation for the headliner.

    Guitar and bass solos by Dave Brownsound, Tom Thacker, and Cone McCaslin were huge part of this set, with Frank Zummo doing his best Animal impression on the drums. These Ajax, Ontario natives came to play and did just that for the next hour for fans of all ages. Near me was a father, probably in his late 40s, having the time of his life with his young child. The kid was dancing and having just as much fun and was all smiles for the entire set of Sum 41, even more so during their cover or Queen’s “We Will Rock You.” Memories that are sure to last.

    Setlist: T.N.T (entrance music), Motivation, The Hell Song, Over My Head (Better Off Dead), We’re All to Blame, Walking Disaster, We Will Rock You (Queen cover), In Too Deep, Fat Lip, Still Waiting.

    With the opening acts done for the night, the packed house in Darien was riding a musically induced high that wasn’t going down anytime soon. With some time to kill, the tour had a blimp floating around the seating area with special camera such as ‘kiss cam’, ‘fuck you’ cam, and of course a “headbanging” cam where fans could pose for the camera doing the assigned task. It was the first time I have seen this at a concert, and the crowd absolutely loved it. The “baby got back” cam and the “fuck you” cam seemed to be the most popular as women were shaking their rear ends to the infamous Sir Mix-a-Lot song and giving double middle fingers as the blimp floated by or camera team was nearby. Definitely a great use of dead time as the stage was prepared for the headliner.

    Taking the stage around 9:30pm, Dexter Holland and the rest of The Offspring showed Darien Lake why they have been around nearly 40 years, as they helped bring punk rock into the 90s alternative vibes.

    With 10 studio albums to pull from, the setlist could have been arranged in any form and fans would have still left smiling and riding that musical high. Tonight, “Come Out and Play” was the first song. Inspired by gang and school violence in the mid 90s, as well as Holland commuting through East LA for grad school, this and many track on 1994s Smash were about what was happening in front of him. Yet 30 years later, this particular track seems to fit to landscape just the same. Regardless, still a fan favorite as displayed on this night.

    As the night went on, Holland was reminiscing just as Sum 41 did about playing Darien Lake on the Warped Tour and marveled at the number of fans that poured into the venue. Bills fan, Sabres fans, and music fans alike. According to his calculations and his people, the attendance at this show, which he called the ‘best thing to happen to rock and roll’, was just under 1.48 million people. This, of course would be a new world record for a concert. I would venture a guess that either he counted wrong, or he had people from the Board of Elections tallying the tickets.

    Showcasing guitar skills, Noodles and Todd Morse both were demonstrating new tracks they have learned. With opening chords from classics like Black Sabbath’s “Iron Man” and GNR’s “Sweet Child O’Mine”, they both were dueling for bragging rights as Holland went right into his rendition of “Blitzkrieg Pop” from Ramones. This little number, paired with animated show on back drop screen was quite the display of talent from these punk rockers, as the sync was perfectly timed all night.

    Let’s talk about that animation screen behind the band. A seizure inducing light show to rival the best, thought provoking animation (think classic 80s music videos, A-Ha, New Radicals artwork), and nonstop beats the entire night. The screen added an element to each set that took you back the first time you heard any of the bands. Truly a memorable show for those hovering around 50, and for those younger fans who are in the punk phase of their musical lives.

    Setlist: Come Out and Play, All I Want, Want You Bad (with organ), Let the Bad Times Roll, Staring at the Sun, Original Prankster, Hassan Chop, Hammerhead, Bad Habit, Iron Man/The Trooper/Sweet Child O’ Mine/In the Hall of the Mountain King, Blitzkrieg Pop (Ramones), Gotta Get Away, Gone Away, Why Don’t You Get A Job?, (Can’t Get My) Head Around You, Pretty Fly (for a White Guy), The Kids Aren’t Alright, Encore: You’re Gonna Go Far, Kid, Self Esteem

  • Joss Stone Celebrates 20 Years of Soul at OLG Stage

    Celebrating 20 years of her debut album, Soul Sessions, Joss Stone has embarked on a city North American tour, including a stop at the OLG Stage in Niagara Falls, Ontario on Aug. 26. Tagging along for the ride was singer/songwriter Stephen Wilson Jr.

    Released in the Fall of 2013, Soul Sessions was the first studio album for Stone who was discovered at the age of 13 during a voice competition. With comparisons early on to Janis Joplin with Motown vibes, Stone had her work cut out for her and made the most of every opportunity. Soulful, bluesy, sultry, sensual, and spiritual are all perfect adjectives for any part of her music.

    Prior to her soulful show, music fans were treated to some rustic sounds from Stephen Wilson Jr. Primarily a writer, Wilson has discovered that he can draw fans with his voice as well. Playing an approximately 45-minute set, he serenaded the crowd with some witty humor, 70s Bruce Springsteen-like vocals, and a guitar.

    After going to school for microbiology, Wilson made the hard life choice to pursue music rather than the science field, with some inspiration from songs like “Don’t Take the Girl.” He calls himself a recovering microbiologist, and personally, I feel he made the right choice, science is overrated, anyway.

    Raised by his father, they stayed close until his passing a few years ago. One of his last words to the younger Wilson was “write a good song for me.” For his father, the song “Father’s Son” was written. It is a very profound melancholy-filled song, sure to resonate with many who give it a listen.

    I wear his blue jean jacket and his name like a badge of honor
    I used to hate being called Junior
    Now I don’t mind any longer

    Stepen Wilson Jr. – “Father’s Son”

    Many songs from his forthcoming album carry loosely based storylines from his life, including “Holler From the Holler” and “For What It’s Worth.” Keep an ear open for the new music in the next month.

    With Stephen Wilson cleared from the stage, the anticipation of a night of soulful blues music was growing. With nine albums to her credit and a number of notable renditions she has performed over the years, the set list for Joss is hard to imagine. For this night, fans were treated to a medley of two songs, followed by two songs from her debut, “Super Duper Love” and “Fell in Love With a Boy.”

    As she continued on, Joss shared a little bit of information from each album. Mind, Body, and Soul was all about her and her life choices. Introducing Joss Stone, which she sometimes refers to as her debut, is where she got to work with Raphael Saadiq and Laurn Hill, a dream come true for her. Color Me Free is titled based on where she was in her life, wanting her freedom space.

    A storyteller as much as a vocalist, Stone seemed to float across the stage barefoot as always, as she performed and replayed her memories for her fans. Memories of previous tours, memories from trips to Botswana, and memories of working with notable talents as she blossomed into the star she is today. One story of note is from Botswana, where she was asked to write a song to bring the rain. While on a trip there, she was told that there had not been rain for nearly nine months, a true drought for sure. As requested, she wrote the song, aptly titled “Rain Song” and when she went back to Botswana to play it the rain poured down. A very spiritual person, Joss was left amazed at this marvel.

    While she is known for her bluesy, jazzy styles, Joss is very capable of any genre, as she displayed during a three-song reggae set, including parts of a song that her father used to sing to her. While she is no Marley or Jimmy Cliff, her ability to put her own style on something like Island music is something that sets her apart. With an innocent giggle at the end of the set, as the stage goes dark, it’s clear that Joss was having quite a good time.

    With the show winding down, fans were hit with a confetti canon as she sang about the power of music and spoke about how music brings people together, creates love, and inversely can divide people. Soulful, spiritual, and cheerful, Stone graciously thanked everyone for coming out tonight.

    When artists hit the stage to perform, they often have a set routine and follow it pretty closely. I am sure that Joss Stone is no different, but the way she delivers it all is second to none. Joking with the crowd, giggling all night, dancing around the stage in any of the 3 outfits she donned, and presenting fresh sunflowers to random fans all speaks volumes to the level of fun she has. A real class act that Fallsview Casino Resort should be bragging about.

    Joss Stones Setlist: Intro Medley, Super Duper Kind of Love, Fell in Love With a Boy, Jet Lag, Proper Nice, Tell Me ‘Bout It, 4&20, The Love We Had, Even the Sky, Reggae mix, When You’re In Love, Rain Song (for Botswana), Music, Put Your Hand On Me/Son of A Preacher Man, Right to Be Wrong, Spell on You, Some Kind of Wonderful

  • The Lumineers Brightside illuminates Darien Lake

    On the heels of 2022’s Brightside album, the The Lumineers have hit the road again. August 22, with James Bay joining the fray, they made their way to Darien Lake Amphitheatre for an evening of Americana music.

    After playing small gigs, open mic nights, and struggling to make ends meet under various monikers, The Lumineers were “formed” when an emcee misspoke during an introduction. Although Wesley Schultz and Jeremiah Fraites had been playing together since 2002, a working name never really happened until this mishap.

    12 years after their first single, “Ho Hey” was released, The Lumineers now have 4 studio albums, 4 headliner tours, and millions of fans worldwide, in addition to a couple Grammy nominations. Of those millions of fans, a plethora of them showed up for the show at Darien Lake and sang their hearts out.

    Before they were able to sing along with Jeremiah and Wesley, fans were treated to 40-minute set from English songwriter, James Bay. Very subdued in his own right, Bay had the attention of the fans who were filing into their seats in anticipation of the nights headliner.

    With 3 albums and a couple EPs to his name, Bay has been nominated for a montage of music awards and has won a 7 British music awards since 2015, including Best New Act, Breakthrough Solo Artist, and Best British Solo Artist. Around 7:30pm, he let the crowd know why he has won those awards.

    Classic Americana style, Bay rocked his guitar as he opened his set with “Best Fake Smile”. A song seemingly about standing up for yourself and having a voice, topics very prevalent in society.

    No, you don’t have to wear your best fake smile
    Don’t have to stand there and burn inside
    Oh, oh, oh
    If you don’t like it

    Although an opening act, the fans reactions and ability to follow along make it clear that he is a respected musician and very much a headlining act on his own.

    After a 45-minute break to reset the stage and get things in order, the stage goes dark. Intermittently, we get some loud drums from the loudspeakers, timed up with stage lights to welcome The Lumineers. This goes on for about a minute or so as anticipation builds for the band make an entrance. Cell phones up high hoping to catch a glimpse or record a video clip, fans were eager.

    Finally, a few minutes later, you can see an entourage of silhouettes making their way into position. The time has come to go nuts. Lights go on across the stage set and Wesley Schultz and crew announce their arrival with 2016s “Cleopatra,” “Flowers in Your Hair,” and the big “Ho Hey.”

    With a stage full of musicians, there was never a shortage of entertainment to keep an eye on, or at least try to. Jeremiah Fraites ( drums/percussion, piano, mandolin, vocals), Stelth Ulvang (piano, keys, accordion, mandolin, guitar, percussion, vocals), Byron Isaacs (bass, guitar, vocals), Brandon Miller (guitar, mandolin, percussion), and Lauren Jacobsen (strings, piano, vocals). This line up screams excitement, and The Lumineers brought it all night long, with each musician displaying their talents. There wasn’t a single person here that didn’t bring the energy, and they all had a blast on stage.

    Covering a good set of shows at Darien Lake this summer, I have heard some loud fans singing along with the acts. But, let me tell you this. The fans for this show blew everyone else away. There was no competition. During at least three songs, the crowd was so loud, it nearly drowned out the act on stage. Songs like “Gloria” and “Ophelia” were echoed right back to Wesley and Jeremiah as they belted out the lyrics.

    Combining pop with classic Americana and a little bluegrass may not seem the norm. However, this group of amazing artists have been making it work for several years now, and there doesn’t seem to be an end in sight. Wesley as gathered a strong support group around him and Jeremiah and the cohesive chemistry you see on the stage is flawless. While I have heard the music before, I would have never called myself a fan. After seeing the performance with nearly 20 thousand other fans, I am hooked. Stage presence, subtle sounds, and high energy are keys to a good show, and The Lumineers put all of that and then some on display.

    Set list: Cleopatra, Flowers in Your Hair, Ho Hey, Angela, WHERE ARE WE, Dead Sea, A.M. Radio, My Cell, Slow it Down, Charlie Boy, BRIGHTSIDE, Gloria, Sleep on The Floor, Ophelia, Leader of the Landslide/You Can’t Always Get What You Want, Salt and Sea, Birthday, Big Parade, Donna, Submarines, Remington, Reprise, Stubborn Love

  • Sparta Celebrates 20 Years of ‘Wiretap Scars’ in Rochester

    Released in 2002, Wiretap Scars was the first full-length album for El Paso, Texas punk rock band, Sparta. After a few EPs and side projects, Jim Ward and company went all in to produce this album. While it was not met with the highest praise, the album and its members were applauded for getting this one out after a rough demise of a previous project.

    Members have come and gone, passion has come and gone, and then returned again. Two constants have remained with Sparta: lead vocalist Jim Ward and his partner in crime Matt Miller (although not from day one, he has been around long enough). When Wiretap Scars was conjured up, all band members contributed to writing, making it a complete group effort, which is something Ward really wanted.

    With the tour coming to an end, Miller and drummer Neil Hennessy made a stop in Rochester on Aug. 5, playing the rustic basement-styled Montage Music Hall. Off the beaten path, Montage seems like a dive bar as you walk by, but once you enter, you are taken into a special place, not like Narnia, but special in its own right. Posters of artists of yesteryear adorn the walls, stickers are plastered on board near the “ticket counter” that promote smaller bands, radio, stations, etc. This little gem of a venue hosts small acts, big acts, loud acts, and quieter ones. It is also a venue used during Rochester International Jazz Festival. A smaller elevated stage, with simpler lighting, this was a perfect landing spot for Sparta.

    In fashion, Ward, Miller, and Hennessy played Wiretap Scars in its entirety, without interruption. Being new to the band, I was intrigued by it all. The vocals, Hennessy on drums, and the intimate setting were all perfect and the overall sounds were reminiscent of the late 90s alternative flavors. While they identify as punk rock, there is nothing stopping the alternative feels.

    With the high energy “Cut Your Ribbon” starting the show-off, the 150 or so fans were immediately sucked into the time warp of the album and were not slowed any as the songs kept coming. When the final track was completed about 45 minutes later, fans were left wanting more. Young fans and those presumably in their mid-40s cheered on Ward as he talked about tearing up Rochester after the show. With Sunday off, they have some time to see what the city has to offer.

    Continuing for another half hour or so, Sparta kept the energy alive, playing tracks from more recent albums including the self-titled album, Trust The River (2020), and Threes (2006). Unlike many other bands, Ward and Sparta do not do encores. He said it in part due to him being lazy, but mainly “just play the whole fucking set.” No need to get dolled up and splash on fresh cologne or chug half of a beer. Alas, there is no encore on this night.

    In a recent interview, Ward talked about how he likes that the band, either past or present, isn’t a one-man show. Ideas are bounced off each other, and he trusts the musicians with their feedback. During the pandemic, which sadly coincided with the new album release, Ward would create some music and send it off to Miller and ask him to make some music to go with it as a guitarist. For him, it was easier to do that, because the body language of either party could not be read. He felt that element led to a lot of compromise.

    I learned a long time ago to not say never.

    Jim Ward, on working with a band together in a studio again

    Twenty years later, Sparta has given itself new life. Wiretap Scars is one of those albums that may have gotten lost on you, but lucky for all of us, we have 24/7 access to their music with streaming services. Give them a listen for the first time or pick up where you left off and keep on rocking.

    Setlist: (from Wiretap Scars) Cut Your Ribbon, Air, Mye, Collapse, Sans Cosm, Light Burns Clear, Cataract, Red Alibi, Rx Coup, Glasshouse Tarot, Echodyne Harmonic, Assemble the Empire

    Breaking the Broken, While Oceana Sleeps, Empty House, Miracle, Atlas

  • Jelly Roll Baptized a Packed House in Western NY

    Playing to a packed house at Darien Lake Amphitheater, Country rapper Jelly Roll brought his Backroad Baptism to Western NY on Aug. 3. Fans in attendance were in for one hell of a show by Jelly Roll and opening acts Struggle Jennings and Caitlynne Curtis.

    While I did not make it in time for the opening acts, I did manage to catch the end of Struggle Jennings set. Not knowing much about him, I did talk to a few fans, and he seems to have a good following, as everyone I spoke with said that he is a regular on their streaming services. What I did get from his set was that, like Jelly Roll, Struggle Jennings (William Curtis Harness Jr) has a troubled past with prison time included. Lucky for him and for us, he has found the right path and is making the most of every opportunity. He has a voice that one cannot just describe, yet it matches his style and muse perfectly.

    Wake up tomorrow and make it the best fucking day of your life

    Struggle Jennings

    Like his successor on stage, Jennings is a humble dude. He spoke about how everything happens for a reason, and you need to take advantage of every opportunity that is thrown your way, and he used his own daughter as an example. With him being incarcerated, and the mother of his child passing away, his daughter was in and out of foster care and dealt with her own demons along the way, but kept her head up and graduated with high honors and is heading off to college. 

    After dabbling in the rap and hip-hop markets for about ten years, the Tennessee native entered the country market and immediately made a name for himself. His unique vocals, inspirational messages, and powerful range have led him to be one of the most recognizable names in music today. With his current tour barely underway, Jelly Roll is riding high on music charts as well, with his latest album Whitsitt Chapel sitting at number two in iTunes’s top 100 country albums and is up there on Billboard rock/alternative chart as well.

    Getting back to the show at Darien Lake, Jelly Roll hit the stage around 9 p.m., with his drummer welcoming him with a solid little beat. He starts the night off in absolute style, with “The Lost,” “Hate Goes On,” and “Halfway to Heaven,” with the latter heating up with pyrotechnics joining the party. It is clear at this point the next 90 minutes are going to be loud, fun, and hot. Talking about his roots and how he came to country music, Jelly Roll spoke about the power of 90s country and unleashes a mash-up of covers starting with the very vocal Toby Keith.

    Naturally, the crowd sang along as he rolled through four or five songs. At this point, I think the only fans left sitting were way back on the lawn. The crowd was pumped up and made Jelly smile from ear to ear. He talked about Buffalo and the area and of course the well-known Bills Mafia. He played Darien Lake on Tuesday, after a Buffalo Bills Monday night game and he said the crowd was something he had yet to see, with the Mafia out in full force. He added that it really made an impression on him about the passion that Bills fans have. 

    Onward with the music, he does a couple more covers, starting with a mix of The Animal’s “The House of The Rising Sun.” Very much making it his own, he nailed the melancholy rhythm and with some effects of the fire towers on stage, this arrangement instantly becomes a talking piece. His next cover was that of Lynyrd Skynyrd’s “Simple Man,” which holds a special place in Jelly’s heart. With an acoustic vibe, this piece was done perfectly and with the crowd chiming in for the final verse, the mix became complete.

    As Jelly Roll finished his set, one can look around and see what a diverse group he gathers. Out on the lawn, there are grown men, chugging Bud Light and rocking t-shirts. You see the younger crowd, discretely vaping and dancing to every beat. There are groups of older folks who you might have thought took a wrong turn on the way to bingo, yet they are having a time listening to this 38-year-old rapper turned country star. Jelly Roll is the star that doesn’t just attract country music fans of a certain demographic. He manages to lure in everyone with his humbleness, simple messages, and simple charm. While he has been in the music business for several years, Jelly Roll is now just making his mark and defining who he is in the field of music.  

    our windshield is bigger than the rearview mirror for a reason. Cuz what’s in front of you is much more important that what’s behind you…”

    Jelly Roll

    Set list: The Lost, Hate Goes On, Halfway to Hell, Creature, Dead Man Walking, Son of a Sinner, Country Medley/mix, She, Dancing With The Devil, Teaks Could Talk, Dirty South, Bottle And Mary Jane, Need a Favor, House of Rising Sun medley, Wheels Fall Off/Kill a Man, Fall in the Fall, Simple Man (Lynyrd Skynyrd), Smoking Section, Save Me

  • Willie Nelson brings Outlaw Music Festival to Western NY

    On July 30, Darien Lake Amphitheater played host to a festival of Americana, when Willie Nelson and Friends rolled into the venue as part of the Outlaw Music Festival. Joining him was his son, a.k.a. The Particle Kid, as well as Kathleen Edwards, Gov’t Mule, and Nathanial Rateliff & The Night Sweats.

    A perfect summer afternoon for some rustic Americana music, fans were trickling into the concert venue, situated directly behind a Six Flags amusement park. The open spaces near the entrance were taken up today by various vendors for hemp products, tie dyed shirts, bucket hats, beer cozies shaped like boots, and vodka from Wheatley Vodka, a sponsor of the Music Festival. The smells of carnival type foods were permeating all around. Fried Oreos, fried dough, and hand cut fries were all available as soon as you entered the venue. Pretty smart marketing, if you know what I mean.

    Concert goers continue to flow in as The Particle Kid, better known as Micah Nelson, hits the stage around 3:45 p.m. Yes, that is the son of the Nelson you’re thinking of. The younger Nelson played for roughly 30 minutes, comfortably seated in a chair in front of a microphone. With only a guitar to assist him, you couldn’t help but notice some nuances that really made you realize what blood line this kid comes from. The voice, simple and smooth, almost distinguished. The body language and handling the guitar made you think you were watching the elder Nelson, 60 years prior. Later on, playing alongside his father, Micah really belted out the lyrics and put rest any doubt of who his father is.

    Following up The Particle Kid was Kathleen Edwards. Coming from Canada, she talks jokingly about how it took a team of lawyers and such to make it possible for her to be there on stage. Regardless of the size of the team or if it really happened that way, Edwards is elated to be on this tour, her second time around, with the everlasting Willie Nelson.

    Musically, Edwards played for close to an hour belting out ten songs and telling some stories along the way. Releasing her first EP in 1999, she hit the Billboard top 200 albums with first three albums and her fourth album, Voyager, hit number 40 on the same charts. Although she hit the scene hard and impressed many prominent names in the business who called her a force to be reckoned with, Edwards eventually had to walk away from music for bit. Taking some time for mental health and revitalization, Edwards opened a little café with a former supervisor from a famous Seattle coffee icon. Known for puns and plays on words, the café was named Quitters, reminding her everyday about leaving the music business. Over time, Edwards began writing again, and subsequently got her passion for music back. The café has since been sold and music is now hers to enjoy all over again.

    With vocals that carry hints of Suzanne Vega or k.d. Lang, Edwards can put together some pretty solid and thought-provoking lyrics. Who knows where she would be if the passion was never gone or if the café was never opened up. For now, though, let’s be grateful that we can experience this talented Canadian.

    I’m a Ford Temple, you’re a Maserati
    You’re The Great One, I’m Marty McSorley
    You’re the Concord, I’m economy
    I make the dough, but you get the glory

    I Make the Dough, You Get the Glory

    Following Edwards was the classic Americana/folk voices of Gov’t Mule. Mule, as fans call them, was formed in 1994 as side project of Allman Brothers members Warren Haynes and Allen Woody, which lends to the sounds that fans keep coming back for. With inspiration from early bands like Cream and Mountain, it’s obvious why these guys have developed quite the following. Such is the case for the guy I watched play the air drums damn near perfect in a few songs. Hit for hit, this fan was in tune with the band for a good portion of the set. Mule recently announced a visit to a nearby Rochester theatre, not far from Darien Lake, definitely worth a look.

    These next musicians know how raise the roof, as they demonstrated for this crowd and many that before them. Nathaniel Rateliff and his R&B influenced back up band The Night Sweats, hit the stage and the fans were almost immediately energized. Playing a 20 set prior to a guy named Willie Nelson can be intimidating, but Rateliff and his Night Sweats were definitely up for the challenge and boy did they deliver. The songs became progressively heavier and louder through the set, and fans responded accordingly.

    While the crowd was noticeably into the current music, when Rateliff played “S.O.B.” the fans under the tent went absolutely nuts, singing along (more like screaming) to every word like it was their song. At one point, Rateliff held his mic out for the crowd and they nailed the lyrics in style. One of their more popular tracks, “S.O.B.” was made as sort of a joke or satire. Listening to the song, you realize it is about addiction and the sobering process and temptations that come along with it. A subject that can be quite taboo to talk about, let alone sing about. However, the instant popularity led to a studio recording, and now it is one the biggest songs during their sets.

    Next up was the iconic Willie Nelson. Touring for over 60 years, with song after song, album after album, accolades, awards, etc. It is 2023 now, and what can be said about this Outlaw musician that hasn’t been said already? I cannot think of anything. He was in a band called the Highwaymen, he played the Grand Ole Opry, and he organized Farm Aid in 1985.

    What I can say is this. I have been going to concerts for about 30 years now. There was something different about this one, though. It had a feel to it that you don’t see at other shows. As Willie Nelson broke into song, the crowd went almost silent. There was no hootin’ and hollerin’, there was no cheering or obnoxious singing. There was silence in the crowd during every song. The fans let Willie Nelson perform as he has since 1960. Much respect is given to this outlaw that is now “On The Road Again” heading to his next stop on this journey.

    For over 60 years, Willie Nelson has done his thing, he has done it his way for the most part, and he has lived a seemingly happy life. He moved from record label to record label to keep more control over what he does. He moved from Nashville back home to Texas to get away from the polarizing grip of record companies. Nelson is now 90 and seems to have little to no regret about life choices, including anything marijuana related.

    Sitting on stage for a set of 20+ songs, Nelson sat within arm’s reach of his son Micah, aka The Particle Kid, and surrounded by a few bandmates. The two played every song together and told a few stories that acted as segways to next song, or maybe tidbit for the previous song. A story from Micha becomes the segway for a song he wrote, at the urging of dad. He talks about dying while high, and if he does, he is either half way to heaven or looking at a long fall down. Originally just a thought of Micah’s but soon realized it would be an awesome song and needed someone to record it with him. The younger Nelson sings the song through the eyes of his legendary father, and you could almost hear a pin drop.

    While PR team did not allow photos of Willie Nelson, I assure you he looks the same as has for the past 30 years. If you have seen any photos of him, that is the same person that was on stage at Darien Lake. I assure you, he sounds the same, he still smokes the good stuff, and he loves to be stage. I was bummed about not getting photos, however, looking back, being able to sit there and listen a living legend is good enough for me. Seeing the respect that fans gave him for nearly 90 minutes of stage time, was unreal and well deserved. If you ever have a chance to see someone like this, even if you aren’t a superfan, I strongly urge you to make it happen. It will take your appreciation of music to new heights.

    The Outlaw Music Festival continues through October 15, finishing in Pelham, Alabama.

    Setlist: Whiskey River / Stay a Little Longer, Still Is Still Moving to Me, I Never Cared for You, Mammas Don’t Let Your Babies Grow Up to Be Cowboys, Die When I’m High (Halfway to Heaven), Angel Flying Too Close to the Ground, On the Road Again,You Were Always on My Mind, Georgia (On My Mind), I Been to Georgia on a Fast Train, Everything Is Bullshit, Roll Me Up and Smoke Me When I Die, Still Not Dead, Write Your Own Songs, Move it On Over, I Thought About You Lord, I’ll Fly Away, Will The Circle Be Unbroken, It’s Hard to Be Humble

  • Foreigner Cranks Up The Jukebox on Their Way Out The Door

    If you are someone who is closer to 50 than you are to 25, chances are really good that you have listened to Foreigner, either on your own accord or thanks to friends or maybe parents. Were you riding around in your friend’s Trans-Am with your Aqua-Net glazed hair standing pat as “Juke Box Hero” filled the summer air? Maybe you were driving your 5.0 Mustang around with the cheerleading captain in the passenger seat, singing along to “I Wanna Know What Love Is.” Regardless, you have the memories, and you need not be embarrassed.

    Originally formed in 1977, Foreigner has had their time in the limelight. Now 46 years later, the band had decided to Rev on The Red Line for one more time, as they brought their Farewell Tour to Darien Lake Amphitheater on July 28.

    While the band has seen its share of members come and go, including founding members, Mick Jones has stood the test of time as the lone original member. Along with Rochester native Lou Gramm, Jones formed Foreigner with Ian McDonald (of King Crimson), Al Greenwood, Dennis Elliot, and Ed Gagliardi. The band’s name was decided based on citizenship. With three Brits and three Americans, at least half of the band would be foreigners no matter where they were playing.

    in 1977, Foreigner’s self-titled album was released and would be the first of 4 consecutive releases to go 5x platinum. “Feels Like First Time” and “Cold as Ice” would help make Mick Jones and crew a household name for years to come. The following year Double Vision peaked at number three on the charts and gave us “Hot Blooded” the title track, which became a number two hit.

    Into the 80s, Foreigner continued to have huge success with hits like “Urgent,” “Juke Box Hero,” and the powerful ballads “Waiting For a Girl Like You” and “I Want to Know What Love Is.” Songs that have stood the test of time, just as 78-year-old Mick Jones has.

    Opening up for Foreigner are Canadian rockers, Loverboy. With hits like “Turn Me Loose” and “Working For The Weekend,” Loverboy is no slouch in the arena rock business and are members of the Canadian Music Hall of Fame.

    With nine studio albums to their credit, Mike Reno and the rest of Loverboy have been on and off for the past 30 years, touring with REO Speedwagon, Styx, Journey, Night Ranger, and Pat Benatar/Neil Giraldo over this time.

    Tonight, though, Loverboy and Foreigner blew the tent of Darien Lake Amphitheater like it was 1985 all over again. Starting around 7:30 to an already packed house, Mike Reno and crew played exactly what the crowd came for. Hit after hit resonated with the crowd of fans that most likely owned cassette tapes of both bands and donned denim jackets 24/7.

    Starting with 1987’s “Notorious,” Reno hit the ground running hard and continued for nine more songs, finishing up with “Turn Me Loose” and “Everybody’s Working For The Weekend.” While they never had a number-one song or album, Loverboy made their mark on the music world and songs continue to be played and enjoyed by younger generations, as well as original fans.

    Loverboy setlist: Notorious, Lucky Ones, Queen of the Broken Hearts, Take Me to the Top, The Kid is Hot Tonight, Heaven in Your Eyes, Lovin’ Every Minute of It, Hot Girls in Love, Turn Me Loose, Working for the Weekend.

    Rocking the stage at 9 p.m., Foreigner took the stage without Mick Jones. They were fired up, though, and ready to go as they opened up with “Double Vision,” “Head Games,” and “Cold as Ice.” Sadly, while this is the Farewell Tour, Mick Jones will be a game-time decision for most stops on the tour, as he battles health issues that have limited his stage time since 2012.

    Even without the only remaining member, Kelly Hansen and the rest of the band kick some serious ass as it “Feels Like The First Time” with every show. Hard guitar riffs, solid drums, and vocals that bring a smile to Lou Gramm’s face are all part of what makes Foreigner the recognizable band they are.

    After the band finishes “Girl on The Moon,” Hansen addresses the modern issue of AI as it pertains to ‘art’ and associated topics. Clearly annoyed by so many who utilize computer-generated pieces of AI, he makes sure the fans know that this show is 100% live, with no use of AI whatsoever. Vocals are actually sung, and all the backing sounds are made right before our eyes. Just like the old days, we all remember.

    Going back to the memories mentioned before, this Hansen touches on that as they finish up a three song acoustic set. Mentions that while there are a handful of fans under the age of 40, the fans over 40 have the memories to last a lifetime. Music without AI, enjoying a full show without phones, and the joy of cassette tapes. “How many of those under 40 remember rolling up a cassette tape with a pencil?” Those are memories that the under-40 crowd won’t get or appreciate, and this feels like the first time they are hearing the song, like the song they released 46 years prior, “Feels Like the First Time.”

    As the night goes on, the crowd is getting more and more active, with fans dancing through the aisles and spilling their $18 can of beer, singing along with every word. As “Juke Box Hero” begins, the beer spiller is escorted to the exit, and the fans go nuts as they await the “standing in the rain…” opening lyric. On stage, however, there is no Kelly Hansen. Spotlights direct fans to the soundboard area, about halfway to the lawn seats. There stands Hansen strapped to a rising pedestal and about 30 feet above the crowd. Someone put a quarter in the jukebox, and Kelly Hansen is now the hero they wanted.

    For 46 years, Foreigner has stood the test of time. They have sold countless albums, download after download, and thousands of cassettes rolled up with number two pencils. They have been a recognizable voice for a generation that drank water from the hose and lived to talk about it. They get played at thousands of weddings and proms every year, and yet they are not in the Rock & Roll Hall of Fame. For 46 years, the band that brought Lou Gramm and Mick Jones together is saying goodbye on this Farewell Tour and blowing the roofs off venues one last time. Do you have your tickets yet? Polish the Trans-Am, put on the leather pants one more time, pop side A of Double Vision in the cassette deck, and cruise on down to your local Ticketmaster outlet to get your tickets. Better yet, here is a shortcut.

    Setlist: Double Vision, Head Game, Cold as Ice, Waiting For a Girl Like You, Dirty White Boy, When it Comes to Love (acoustic), Girl on the Moon (acoustic), Say You Will (acoustic), Feels Like the First Time, Urgent, Keyboard solo, Drum Solo, Juke Box Hero, I Want to Know What Love Is, Hot Blooded

    Foreigner

  • Boy George and Culture Club bring the new wave vibe to Darien Lake

    When Culture Club burst onto the scene in the early 80s, new wave music was the new big thing. Synthesizers, flashy attire, neon lights, and new sounds were all the rage in music and Boy George knew how to play the game well. Always known as a flashy dresser, Boy George and Culture Club became icons in the new wave genre. Now, 40 years later, the music style is making a new splash and of course one of the originals is right there again, as they bring The Letting It Go Show to Darien Lake on July 29. Riding the waves on the tour are Howard Jones and Berlin.

    With rain showers going on for the early part of the day, and more in the forecast, Darien Lake Amphitheater is slow to fill as Howard Jones takes the stage for a 40-minute set. A flashy dresser in his own right, Jones comes out in classic 80s attire consisting of a black suit with a t-shirt underneath, Don Johnson would be proud. Jones belts out hits such as “No One is to Blame,” “Everlasting Love,” and “Like to Get To Know You Well” as diehard fans from yesteryear sing along with him.

    Following up Jones was Berlin, who had some success with a song from some movie with Maverick and Goose. Additionally, Terri Nunn and her bandmates have put out nine studio albums since 1979, when Nunn joined the band for the first time as lead singer. While they never tore up the charts, Berlin did have their biggest, and ultimately last, big hit in 1986’s Top Gun, “Take My Breath Away.”

    Like Howard Jones and Culture Club, Berlin’s sound was in the new wave genre and influenced by sounds coming over from Germany and much of Western Europe at the time. Tweak some keyboard notes, add a little more synth-pop to it, and presto, you have your own style.

    Finishing up the night was the iconic and poignant Boy George with Culture Club. With iconic sound, looks, and creativity, Boy George is welcomed to the stage standing atop a small staircase flanked by two drum kits, casually outfitted with stereotypical baggy and bright clothing.

    Joining him on stage were the two drummers, two dancers/backup vocalists, a saxophonist, two bassists, and a keyboardist. Just like the glory days, Boy George puts on an eclectic show, with everyone on stage taking part in the production. The two dancers provide backing vocals throughout the set, as well as both strut their stuff at the front of the stage later in the set. Equally amazing job by both, and the crowd made them aware.

    Going through the set, it was noticeably more mellow than the classic sounds of Culture Club, which provided a little more upbeat mix. During “Do You Really Want to Hurt Me?” the song almost seemed dragged out as Boy George took his time and made it more of a story. It was very reminiscent of “The Crying Game” from the early 90s which was a solid rendition.

    Regardless of the sounds you hear today or what it may have sounded like 40 years ago, this tour with Boy George & Culture Club, Howard Jones, and Berlin is the perfect blend of original new wave artists as a new generation is getting cultured in ‘old people music.’

  • Stormy forecast doesn’t stop Sam Hunt fans at Darien Lake

    Sam Hunt rolled into Darien Lake on July 15 with his “On The Outskirts” tour. The tour was properly named for this night, as uncertain and potentially rough weather was on the outskirts of town and patiently waiting for the right moment to burst. Luckily, though, the rough weather held off as only light rains fell during the latter part of the night. Sharing the stage on this night were up and coming Lily Rose and well established Brett Young.

    Amping up the crowd first was Atlanta’s Lily Rose, playing for about 30 minutes. Thanks to Tik Tok and hashtags, we are finally getting to really know Rose. After several years of working on her music career and not getting too far, Rose uploaded a video of “Villian” to Tik Tok with #lesbiansinger in December 2020. With that, she was subsequently signed and launched her career.

    “Villian” is one of those songs that nearly everyone can relate to. Stories or rumors start to circulate around with only one side of a story being known or told. As she belts out the song for the crowd, you can see a larger number of women throughout the crowd laughing and smiling, as they know what the song is about.

    Next up was Young. A former baseball standout, Young has taken the country music scene by storm since 2016’s self-titled EP. The 2018 Academy of Country Music Award winner for Best New Male Vocalist rocked the stage for roughly an hour, telling stories and serenading the crowd with hits such as “Mercy”, “In Case You Didn’t Know’, “Like I Loved You.” Playing through obvious pain, Young was seated for most his set on a set of steps on the stage. Luckily for those in attendance, this added an element to his set that really stepped up the show. Sometimes it the simple things really make a difference.

    Another former athlete, Hunt takes the stage for these patient fans around 9:20 and continues on for nearly 90 minutes. Soon after coming to realization that he would not be quarterback in the NFL, he picked up a guitar and began his venture in the music world.

    Coming out into view atop the stairs the Brett Young did most of his set from, Hunt breaks out into “Raised On It” and “House Party.” The crowd is instantly into this, as I have to duck under hands, beers, and bras while photographing. The photo pit never disappoints.

    During “House Party” Hunt leaves the stage to walk around and get up close and personal with his fans, even signing someone’s CD from the front row. He makes a leisurely loop around front section of seats and makes his way back to stage on the other side, again signing an autograph or two.

    Released in 2014, his first EP was released and debuted in the top 40 of the Billboard top 200 and was also number 5 on Billboard Top Country Albums chart. Darien Lake was treated to “Leave The Night On”, his eventual number one single from his debut EP. Within a few notes of the song starting, the crowd was going bonkers. A group of college aged ladies near me were standing in their seats, dancing away, hands raised high and screaming the lyrics.

    Typically, those in the back sections and lawn seats are left without the experience of seeing an artist up close. Hunt does not like that, so he sets up little stage behind the sound booth and plays a little set from there. Fans in the cheap seats at Darien Lake were treated to a little more intimate show, albeit for 3 songs “Take Your Time”, “Cop Car” (Keith Urban cover) and “Wishful Drinking”. The personal touch he gives these songs and the setting in which he does it were absolutely perfect as the crowd in the back really showed their appreciation by standing there and just listening, rather than screaming and belting out the lyrics. A real class act by Sam.

    As the night goes on, the rain begins to fall. Nothing crazy, but enough. Fans toughed it out as Hunt finished his set with “Ex To See” and “Body Like a Back Road”. Thankfully the rough weather that was once On The Outskirts, has now passed without incident.

    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young
    Brett Young

  • Artpark Welcomes Lauren Daigle Congregation

    Lewiston, NY is a beautiful little hamlet that backs up to the mighty Niagara River and not far from the infamous falls that bring in millions of visitors every year. ArtPark is a picturesque State Park in Lewiston, that sits atop the gorge of the Niagara, that houses a spectacular amphitheater which hosts numerous events throughout the season. After my first visit there last year, I said to myself that the venue kind of looks like a place for a church retreat of sorts. Not that I am a religious person, but that was one my first thoughts. Here we are, about a year later, as Lauren Daigle bringst her religious based music to the venue that I saw had retreat vibes.

    Starting the night off around 7:30 was Josh Garrels. Playing for about 30 minutes, Garrels immediately brought the crowd together with his smooth vocals as he preached through lyrics. A well rounded musician, he has been releasing music since 2001 and is a well regarded composer and writer, in addition to his singing.

    Hitting the extra large pulpit AKA the stage around 840, the Lafayette, Louisiana native was welcomed with boisterous cheers from music fans as young as 3.

    For nearly 90 minutes, she bounced around the stage telling stories as interludes to her songs, talking about how God got her through some anxiety riddled times during the pandemic, and reminiscing about her time in Guatemala.

    The trip to Guatemala really touched Lauren, as she befriended Maria. Maria is a child, now 16, who due to reasons out of her control is now the matriarch of her family. It was this situation, as well as time in Kenya that has driven Lauren to create and really push Lauren Daigle | ChildFund. With this, fans can sponsor a child in need in selected countries.

    While not a show I would normally choose to cover, my daughter convinced me to do this one, and I am glad I did. Lauren is a world class performer with a broad range of vocals that make you think of Pink, Adele, Shawn Colvin, with some hints of blues scattered about. Her stage presence was amazing, as she interacted with her band throughout the performance, kept the crowd involved and was waving to young folk in the front rows. The backdrop was a colorful piece that looked like a collection of unfinished latch hook projects. The colors and layers were perfect match for the lights used all night.

    Joining Lauren on stage was her 11 piece band that was just as active as she. There were 2 percussionists, 3 person brass section, 3 dancers/backup vocalists, a bassist, guitarist, and a DJ to round out the sounds.

    Songs, while religious based, weren’t all about ‘you need to listen to the word’ and ‘this is the way’. They all told stories about her life and how she got to where she is today. “Kaleidescope Jesus” is her take on finding God unusual spots and forms. Colors, shapes, movements, the results of an action. The setlist included “Thank God I Do,” “You’re All I’ll Take With Me,” “Rescue,” “St. Ferdinand,” “Tremble,” “Be Ok,” and “You Say.”

    “St. Ferdinand” was not on her set list for this show, however after recent interview where the interviewer requested it, it was added. After the song, as she was talking, she realized the person was in the front row and immediately thanked him for actually showing up. Rumor has it that most people who say they will be at a show, don’t show up. Lauren was thrilled to not only see this person, but see them up front.

    As the show concluded, Lauren played a 2 song encore of “Be Ok” and “You Say/How Can it Be”. The first encore was bone chilling as it was her poignant vocals backed with the pianist. The sounds echoed through the amphitheater like an empty chamber, a true testament to the power of her voice. Very award worthy.

    Making music for over 10 years, Daigle is no stranger to those awards. 4 AMA’s for Contemporary Inspirational, 6 Billboards in Cristian Music categories, 11 GMA Dove Awards (Gospel Music Awards), and 2 Grammy’s. Very respectable career so far, and chances are good that the finish line is not in sight.

    Her final song, a blend of 2 songs was powerful and moving. Belting out the lyrics, she stopped about half way through as the crowd took over and sang word for word and crystal clear. Nearly 6 minutes of playtime, fans were in tears and holding hands while swaying side to side. A perfect ending at the venue I thought was could host a religious retreat.

    Learn more about Lauren Daigle and her charities, as well as the forthcoming Kaleidescope Tour.