The reach of Griselda Records remains immeasurable. From murals translated across continents to ritualistic celebrations in concert, people appreciate those who stamp their legacy in a way that could never be replicated.
The Liz by Armani Caesar
Griselda grew organically and through a brilliant scheme devised by Westside Gunn. Armani Caesar, first lady of Griselda, serves as a cornerstone to their rise and continual ascension.
Buffalo: the Queen City
Armani Caesar often embodies the lavish aesthetic. Her mixtapes consistently revolve around street couture. Mixtapes named after Liz Claiborne, Miss Elizabeth [WWE] and Elizabeth Taylor showcase the lane and luxurious vibes she provides. She dropped out of college the minute she learned how to sell Iceberg and other apparel items discussed in Marketing class at North Carolina Central University. “Hip-Hop in Context 1973-1997” taught by Kid N Play and 9th Wonder at this HBCU changed Armani’s perspective immensely.
Armani Caesar poses beneath spiral stairs while donning a ‘Buffalo Kids’ necklace
This artist expresses herself in an uninhibited and nonchalant manner. Treating hip-hop as competition runs in the veins of any Griselda artist. Yet, Armani makes it seem like she only conquers hip-hop to generate an additional stream of income. That type of disposition adds to the overall appeal of the artist. Additionally, her fashion expertise continues to create many satisfied customers at Armani’s Closet.
Producer Over Consumer
With an entrepreneurial mindset – Armani remains steadfast in all of her endeavors. In 2020, she signed to Griselda and began to cement her legacy as the first lady on the roster. She joined GxFR during quite the pinnacle of musical production for her and her Griselda teammates. Upon rapping over a legendary DJ Premier beat, her abilities began to sharpen quickly.
Liz 2 by Armani Caesar
The way that Westside Gunn reignites and branches individuals together proves why Griselda’s reach will stand the test of time for generations to come. The amount of individually talented people comprise quite the collective of ambitious people who push the genre forward. Armani Caesar could quite possibly be the flyest emcee of the bunch and will continue to elevate her skillset down the line.
AC could tour in 2024 so make sure you stay tuned to see where she might perform.
Lord Sko reigns from the section of New York City known as Washington Heights. Many people frequently visit Washington Heights a.k.a. Uptown – today we meet an artist that represents Washington Heights to the fullest. Last name Fursko – Lord Sko took his moniker in the same sense as Scott Mescudi a.k.a Kid Cudi. His beat selection matches between vocals and bars extraordinarily well and of course it sounds like New York.
Lord Sko appears stoic
Lead single “Finder’s Fee” off of Lord Sko’s latest release, United Palace, showcases one of the experimental artists of this era. His incredibly selective beat choices reflect the New York sound in an increasingly refreshing way. Specifically, the progression displayed from last summer’s Museum to the latest Fall release exhibits major strides.
Focus on Self and Follow Path
As a student of his craft – Lord Sko continues to put forth his fair share of hours. Seemingly plucked from the skies to find his purpose at a rare age – this man consistently drops gems. Evidently, this artist sounds like one of the most impressive at this age since Joey Bada$$. The most wondrous thing about him points to the fact that he wishes to steer within his own lane.
The producer formerly known as Unlucky Bastards now goes by Keg and directed the exquisitely vibrant video for Lord Sko’s Finder’s Fee. Peace Lordy!
His bodies of work portray the imagery experienced throughout his rise. With terrific stylistic switchups – Lord Sko belongs within the underground.
Last summer, Lord Sko’s Museum album hit the airwaves to test out the canvas. With inquisitive mystique, this project pushed the genre forward. The imagery for that 2022 mixtape came to fruition via Lordnmf who became recognizable via hyper realistic works of art. Subsequently, it works out considering the album itself embodies street art and graffiti which Lord Sko considers to be the fifth pillar of hip-hop.
Built Different
The concept of a New York minute could never resonate until one fully experiences the pace. Moreover, New York City ages individuals at a fascinating rate. This young man tried psychedelics to find himself rapping for Pete Rosenberg all by the age of eighteen years old. Taking the train in third and fourth grade helped Sko find his way quickly. Lord Sko continues to curate projects that prove to be groundbreaking and ahead of their time.
Lord Sko possesses the talent, versatility, knowledge and demeanor to succeed and experience hip-hop longevity. He made a wise choice for his career trajectory to add Dante Ross as his manager. With the correct circle and continuously refreshing sounds – this man refuses to be stagnant.
Modern Day Historian
When Wiz Khalifa mentioned few artists make “stoner music” anymore – Lord Sko took it personally. Sko’s tunes encompass several life experiences, polished cadences and a distinct sound. Perhaps an ode to Mac Miller’s era – Lord Sko’s, “Kush & OJ” brings home incredible vibes with production from Graymatter.
The most distinguishable trait about this artist deals with self-discovery. He focuses on his path and infuses wizardry to connect the dots along the way. With modern golden era production and a vocal range of crafty lines, Lord Sko is one you ought to know.
Another Strong Track off United Palace – if you liked this make sure you hear “FIRESTARTER”
People may not always remember what you said, but they will always remember how you made them feel. With only 24 hours in a day – achieving greatness may prove difficult. Anything worthwhile takes time and nobody showcases the rollercoaster ride of life better than Elcamino from Buffalo, a man who believed in himself way before he reached the space he inhabits today.
How did he achieve these magnificent feats? Consistency, dedication to craft and learning from the great individuals that surround him.
Elcamino expresses his artistic license with artwork for, “They Spit on Jesus.”
Biblical Beginnings
Foundationally, his musical prowess stems from a religious background. During one week, he might have attended ten different types of rehearsals since his mother was the choir director. His ability to play bass guitar and the drums correlates mightily within his catalog. Subsequently, he meticulously places parts of a beat exactly where he wants them. Therefore, every song comes out with that type of sound that resonates and creates playback value.
We had a chance to sit down with Elcamino ahead of his Black Soprano Family Records debut album, They Spit on Jesus. Here are a few excerpts from the conversation which took place via Zoom.
Ian Romaker: If anyone listens to Elcamino’s music – they can hear the heart. They could hear the soul in it. No man should have to endure the things that Elcamino has had to endure but yet look at where he is – on the verge of a Black Soprano Family Records album debut.
Elcamino: It’s so crazy too. The album is ridiculous. This some of the best shit ever made by man.
IR: The album is titled, They Spit on Jesus. That’s a wild title in and of itself.
Elcamino: Yeah man it’s definitely wild. You know what’s crazy? You know where I got that name from? My barber gave me that album name while giving me an edge-up.
IR: Oh really?
Elcamino: I said something to him and he was like, “Well hey, they spit on Jesus.”
IR: It’s crazy to think that this is the debut. What goes into making this the debut? For me – a true listener – Don’t Eat the Fruitwas the debut and that thing charted at #13 on iTunes as the first tape you put out.
Elcamino: It did. You know what’s crazy? A lot of people don’t know that. It did. That’s fire that you know that.
IR: Many people have great aspirations. Many people also believe that things are just supposed to happen because they want them. Nothing just falls in your lap – you have to work.
Elcamino: You always wanna stay ambitious, man. Look inside. You have this shit already. Even if you gotta fight through. Find a way. Start a business. Get yourself something to do. If you just sittin’ around with free time – that’s time you could put toward a business or your craft. You always have to use all your time – take advantage of it. Because it’s somebody out there that is moving forward. I tell people all the time – I wake up early as hell. I feel like it’s somebody out there getting money before me. I like to get money first. All this shit – you got to learn from somebody. Unless you’re one of those people that just know it all. You can’t just be perfect and not willing to learn.
IR: You could never stop learning.
Elcamino: You got a chance at being perfect if you’re willing to learn. Greatness comes from greatness.
TSOJ might be some of the highest quality work that Elcamino has put out to date. Feel free to take a listen here and make sure you stay tuned for when he goes on tour around New York State and the rest of the country.
How great it is to hear these words of wisdom from Elcamino – the most versatile artist on the planet. His vocal range makes him quite the X factor. Anyone under the Griselda umbrella will give you a tough verse – that’s a given. Elcamino will give you the toughest verse, the hardest hook and the smoothest sounds.
Rome Streetz reigns globally supreme. If you’re looking for the hottest new Griselda artist – all signs point to Rome. He exists as the chosen one. Certainly, every individual to grace the Earth became chosen to breathe air at one point or another. As far as who dons the crispiest crown in all of NY – Rome takes the throne. Whether it be the hills of the Catskills or the city slickin’ corners of Nueva York – Rome’s got somethin for ya nose – Noise Kandy 5.
Fresh off starring as protagonist in the latest Griselda Vision Film, “ADOLF” Rome brought some absolute heat in the most recent edition of his mixtape series – Noise Kandy 5. Furthermore, these sounds resonate through our stereos as much more than noise. Noise Kandy 5 came with plenty of bops as Griselda Records continues to dominate the Fall and terrorize lackluster emcees.
Unimpressed with the State of the Art
Time and time again – the ones who iterate and pivot always see success. Even if the switch up doesn’t lead to success – you must take the risk to reap the reward. Above all else – do something different than everybody else. Everyone knows the definition of insanity… The truly insane nature of Rome Streetz’ flow cannot be undermined. On NK5, Rome sped up the flow majorly and squeezed in many more words per stanza than usual.
Throughout his discography – this man tends to touch upon themes such as good vs. evil or original vs. copycat. He continues to unravel the layers of his subject matter so masterfully. This project serves as a cornerstone for Rome as he continues to exponentially increase his fanbase. Let us touch upon some of the strongest thematic lines from Noise Kandy 5.
“Eyes on the Prize – but watch your step with the same pace.” – “Go Raw”
On this track, Rome shares incredible wisdom in a line that could be unpacked in so many ways. This could translate to the fact that you need to take daily steps to reach your long term goal. Also, make sure you align your daily operations with what you are trying to reach. Everybody wants to make the big time – small steps and caution will be what gets you there.
“Weird how the Church broke but the preacher a millionaire.” – “Procall”
Compare this line to “If money’s the devil, why the pastor askin for this shit?” -Higher Self ft. Estee Nack (Noise Kandy 4)
Rome Streetz lyrics will tap deep into your mental and create cerebral connections you never thought possible. All in all – his content will truly make you contemplate facets of reality that you may have never thought about before. Maybe you thought about it before – but not in the way that Rome breaks it down. Therein lies a thin line between good and evil..
“Built for the grind I got stamina.” – “Chrome Magnum”
Rome Streetz submitted greater than 10,000 hours and by the good grace of God he remains in an increasingly poignant position to showcase the breadth of his abilities.
“I would be lit without rap – I don’t need it but it helps.” – “Fire At Ya Idle Mind (ft. Joey Bada$$)”
The lack-of-desperation theme appears for many artists under the Griselda umbrella. We have seen this from the likes of Prodigy, Ghostface and many other legendary artists, too. Consequently, these artists would be doing just fine without rap. Rome doesn’t need hip-hop, yet he continues to do it – does that make him a rap fiend? Who knows? As long as he keeps providing fans with their fix – everything will be alright.
Sock it to My Pocket
Below we list other themes heard on this tape that Rome tends to tap into.
“F the elevator I took the stairs and didn’t hold onto the bannister.” – “Chrome Magnum”
Rome consistently drives home the point that successful individuals put in the work every day. Overnight success remains a myth – you must formulate a plan and remain strategically steadfast in your endeavors.
“Hip-hop is dead – you hear the music through my stethoscope.” – “Stunna”
Compare this line to: “Started underground in search of a better view.” – “Heart Break Hotel.” Rome as revivalist? Nah. Rome puts claims to his throne by doing the things true to his craft.
Rome Streetz poses with fellow hip-hop legend, Cormega.
Real Rap Still Exists
For all those out there complaining about the lack of quality hip-hop music – we share in your tribulations. We also encourage you to dive deeper and broaden your horizons. Real rap resides in lesser known areas such as Buffalo and Lynn, Massachusetts – you just have to look.
Over and above all else – it’s just another day. This one begins where the last one ends and so on and so forth. Time for one human is finite – time for all humans never ends. Rome Streetz music allows the listener to understand the cyclical nature of existence and the nature of mankind as the tunes reach your eardrums in the flyest ways possible.
While Hip-Hop started in the Boogie Down Bronx, Brooklyn birthed hip-hop’s heart. As an art form, New York started hip-hop. How wondrous the gift of spinning records to make new records. Hustle never quits. From the DJ spinning on turntables to the space decked out in graffiti – real performers make bystanders break out and dance. In the beginning, Brooklyn seismically shook the genre to its core and showcased all four core elements of hip-hop masterfully.
Imitation remains the highest form of flattery and nobody does it better than cats from Brooklyn. Subsequently, those outside of New York may struggle to understand the sense of pride attached to being Brooklyn-bred. The confidence serves as a survival tactic and the greatest emcees of all time – Biggie and Jay-Z exemplify this to the fullest.
Brooklyn Lineage
Many significantly trace hip-hop’s lineage to the Native Tongues. Imagine a genre-wide family tree and the many roots/branches that sprout as time progresses. Individuals who emerged from the throws of Native Tongues travel far and wide. Real artists leave an incredulous mark on the genre through the element of timelessness. Jungle Brothers, Yasiin Bey, De La Soul and A Tribe Called Quest all blossomed ‘Straight out the Jungle’ of the Native Tongues.
Hip-Hop as a Timeless Tool
While hip-hop began to surround the sound of Brooklyn in the late eighties – it wasn’t until the next decade that hip-hop started to resonate across all boroughs. Accordingly, Brooklyn encapsulated the sound that everyone tried to emulate. While some might argue that Cutmaster D.C.’s “Brooklyn’s in the House” put Brooklyn on the map – it’s not about who did it first – rather who did it right. Artists like Notorious B.I.G. and Jay-Z stepped into the spotlight and left a footprint in the hip-hop world that could never be duplicated.
Centrally, hip-hop exists as the single greatest knowledge-based tool for all to encounter. The sheer cultural wisdom and latitude that the platform provides outweighs all other genres by a landslide. Hip-hop changes the world when it allows artists to elevate from aspirational to generational. Essentially, nobody manifested their realities into existence quite like Brooklyn-area emcees.
Surviving as a Brooklyn Artist
Naturally, a Brooklyn artist may be known to overcompensate within their discography to reach their desired heights. Reason being, overconfidence and a tough demeanor come as prerequisites for anyone who aims to survive in Brooklyn. Simultaneously, the way that Brooklyn artists polish their renditions to overcome struggles and hardships contributes wonderful works of art as a whole.
Consequently, groundbreaking artwork emerges to reflect the socioeconomic conditions of the times. Hip-hop during the Reagan-era birthed many blossoming acts with illusions of grandeur. Only the strong survive, as the opportunities of the times gave many a chance to shine. Alas, Brooklyn-born artists consistently put forth the most bravado and gumption to properly represent New York – the mecca of hip-hop.
Brooklyn We Go Hard
After Biggie passed in 1997 – he left a major void. As time went on, Jay-Z continued to outshine his counterparts. In 1998, Mos Def and Talib Kweli purchased Nkiru Books in Park Slope to turn it into an education center filled with open mic events, workshops and lectures. Nevertheless, Brooklyn carries the most soul and flavor for all to appreciate. Throughout time, gentrification slammed Brooklyn as it hardly resembles the original infrastructure. Long live Brooklyn landmarks like Albee Square Mall and Fulton Mall where countless hip-hop heads would gather and legends were made.
Today, nobody holds it down for Brooklyn quite like Joey Bada$$ and the Pro Era crew. The Beast Coast movement includes Flatbush Zombies, Underachievers and Pro Era which was started by Capital Steez. These prolific artists capitalize on the concept of tonal perception – which allows the listener to interpret the lyrics based upon how they sound.
Undoubtedly, hip-hop remains the most pivotal component to artistry as a whole. Nobody could replace the contributions made by hip-hop and the blessings continue to multiply within the genre. For those about to rap – we salute you!
A person can be defined by the types of questions they ask. An artist can be defined by the amount of times you have to rewind their song. Therefore, true artists like Che Noir do all that they can to discover information before asking for a helping hand. That way, they ensure that their question and respective response is worthwhile.
We’re not quite sure where Buffalo keeps plucking these different heavy hitter spitters from. Seemingly, everyone who receives a coveted placement on a Griselda Records-affiliated track deserves a rewind. Nevertheless, the difference between these Buffalo Kids and the rest of the hip-hop world involves their craftsmanship, sharp wit and humility.
Many Pieces Comprise an Empire
Every individual incorporated within the Griselda Records multiplex releases tunes through layered release patterns. The content receives clean fine-tuning, polishing, packaging and promotion.
Furthermore, it is downright magnificent to witness these artists couple words, schemes and multisyllabic patterns then just sit back, display humility and even raw shyness in their body language.
Che Noir’s mother shared wisdom with her at a very impressionable age. As time passed, these worldly gems began to stick to her ribs and the craft-sharpening accelerated. One of her first sold-out show checks went directly into studio equipment. As she continued to elevate, this buttery-smooth lyricist realized that the work she put in on her own could finally mesh with some legitimate colleagues.
A trend that we continue to hear about deals with the increasingly timid nature of individuals. Che Noir admitted herself that she had to shake the shyness off and pump her own brand heavily. Conquering interviews, freestyles, podcasts and most importantly booth work separates this quiet one who lets the bars holler loudest.
Certainly, everyone in the session believes in themselves but after these artists finish freestyling it is difficult for the audience to comprehend exactly what just took place. Che Noir’s music really drives home the intensity of her chosen sonics.
Run It Back & Rewind
Che Noir shatters any verse as the most interwoven Shea Butter Queen and a true testament to Buffalo legend DJ Shay. DJ Shay was one of the few engineers who refused to let emcee Che punch in. A lot of times artists will only rap up until a certain point – take a break – then punch in when they’re ready to rhyme again.
DJ Shay from around the way provided some of the fondest recording memories for Che Noir and several Buffalo members of the Griselda camp. His presence and ability to instill work ethic, confidence and skills specific to an artist speak volumes. Much of the reason why Che has great breath control, transitions and poised punchline timing can be attributed to DJ Shay.
“Humans are judged by their outcomes. The results determine the future. Low key it ain’t no such thing as the end, the end is just a new start. You start how you finish.”
AA Rashid
The most intriguing facet of Griselda and Che Noir in unison stems from their copious focus upon the artwork. Music is meant to elicit so many emotions, notably it is supposed to be timeless.
Medieval Hustle
The artwork for Che Noir’s project “The Thrill of the Hunt” series gives medieval behemoth vibes. It exists within the realm of David & Goliath or Attilla the Hun. She actually built the entire project around the artwork from top down.
The wordplay drives the art which extends the marketing as it all operates in a cyclical nature. Che is not selling her body or her image rather she is selling an experience gleaned from carefully-sculpted verses and evocative cover artwork.
Many people just want to release content as soon as it reaches finalization. Going through the process makes one realize full potential can be reached through patience and steady momentum.
Che Noir’s work with 38 Spesh has put her in a sweet spot where she doesn’t need to drop as soon as she records. Rather, she fits right into the circumstance where art and poetic movements lead to immaculate timing and wondrous works of discography.
Punchline Exploration
“Its all about your body language and learn to spell your ABCs.” –Che Noir
This simplistic line builds up a stellar stanza. Are you sturdy enough? Do you personify greatness? Are you outwardly social enough?
“Not equivalent to these ******* not bout they benjamins get my dividends up.” -Che Noir
This line isn’t particularly witty or clever. Its noteworthiness comes from the way she delivers it with a Big-Pun-Little-Italy-type syllabic combination.
“Never kept they word they expose themselves by their memory.” –Che Noir
This line symbolizes nostalgia and perspective. It can be interpreted in so many different ways. We took it as a nod to the notion that memories are the longest lasting moments in your own mind. People come and go, this pen will live forever.
“We playing chess it’s hard to move til you find a Queen.” -Che Noir
If this isn’t the most pure line you will hear..
Looking to be graced by her goodness? Catch Che Noir in Ann Arbor, Michigan on September 24th, 2023, her only announced show at this time.
New York is a breeding ground for all kinds of talented individuals. The densely populated nature of NYC makes it challenging to achieve stardom there. With all of the people in this world, it can be difficult to differentiate yourself.
A major part of standing out deals with genetic makeup, upbringing and the place you grew to become familiar with your surroundings. However, New York encourages an unmatched hustle and rewards individuals who persevere with the utmost ambition. If you can make it in New York, you can make it anywhere.
DonMonique, or DonDada releases refreshing tunes every time she steps into the studio. She dismantles traditional hip-hop by dispelling the notion that there can only be one Queen of Rap. She appreciates her hometown for its hectic jungle atmosphere, nuances, and grounds for uncontained creativity. With an old soul and a Brooklyn drawl, this artist consistently asserts a quintessential New York sound every time she lays rhymes down on wax.
Where Brooklyn @?
Brooklyn has birthed a few legends within its time. This is not to say she’s reached legend stature yet, but DonMonique is taking all the right steps to disrupt the game of hip-hop as a whole. She first gained recognition and garnered major attention through her fashion choices and photoshoots.
For a while, she modeled for Pharrell Williams on a website called Karmaloop. A major turning point came about when she did a photoshoot in rare FUBU attire that made its way to Tumblr and had thousands of “notes” and reposts within hours. With a fashion outlook, she set the tone at a high level with crossover appeal between fashion and hip-hop with style and distinction.
Before becoming a hip-hop artist, Don immersed herself within important spheres of influence and made connections with people who are relevant within the genre. Her manager recommended that she avoid popping up in studios without anybody knowing her personally. By building rapport, networking and gradually placing herself on people’s radar she saw success. This whole process took about a year, but proved worthwhile as she focused upon relationship-building and creating a good reputation for her brand.
The Dutchess
When it was finally time to burst upon the scene, DonMo captured her moment in all of its glory. A common theme within hip-hop involves replacing certain powdery substances with the names of white females. On the song, “Pilates,” DonMonique name-dropped Kendall, Kylie and Miley. Furthermore, this song premiered on an Alexander Wang fashion show runway which caused it to gain additional traction.
Pilates took flight when Kylie Jenner posted the song on her Snapchat. Kylie has been known to post new music on her Snapchat account and the fact that this quality song mentioned her name must have made a good impression. Subsequently, people began to take notice of this young Brooklyn artist with only a few songs to her name.
Thereafter, she started working with artists like Danny Brown, Justine Skye and Chuck Inglish. She toured with Lil Debbie, opened Webster Hall for Lil Yachty and got Stelios Phili (the same man who helped produce Ferg Forever) to entirely produce her mixtape, Thirst Trap. Without a doubt, she has that New York pizzazz that many covet and few are able to generate.
Autonomous Maneuverability
DonMonique discovered her voice through trial and error. Much more than just a face in the crowd – she possesses originality and unmistakable flavor. Hence, a strong-willed woman who thrives upon independence and confidence carries complete control over her trajectory. She takes risks regardless of obstacles, embraces her sexuality and rejects the approval-seeking nature that many feel required to subscribe to in America. Furthermore, with spunk and determination, she emerges noticeably different from other artists and travels along her path with subversive femininity.
When it comes to developing songs, DonMonique takes a minimalist approach. By giving the people just what they need and not a drop more, she keeps the fans honest and insatiable. Her clever verses and raspy vocals allow her to wisely navigate the male-dominated industry and reach new wavelengths. As a calm, cool and cozy Brooklyn cat she comes up with music that keeps her audience directly in mind which ultimately boosts her credibility and relatability.
Hypnotic Radiance
DonMo provides a rugged, rough around the edges tomboyish vibe. As a hungry artist she provides gritty bars, deadpan delivery and brash rhymes. With a raw persona, she approaches the genre with titillating, enticing, menacing and genuine bars. Being a noticeably distinct person speaks volumes to her audience and those who are in tune take specific notice of her energetic hustle.
She stands firmly within the throws of an era where hip-hop connoisseurs continue to witness women gain much deserved respect. As a result, she serves as a symbol of empowerment and advocates about unity for women in the form of uplifting anthems and dialogue.
Her first mixtape, Thirst Trap dropped in conjunction with the Hot 97, “Who’s Got Next” showcase. The mixtape title plays on the phrase for social media posts that attract viewers and persuade them into leaving desperate comments. Thirst Trap also relates to the fact that her body of music paired with her physical body and outstanding style leaves the audience thirsty for more.
Before dropping her album,Black Kate Moss, DonMonique took a hiatus to appreciate the moment and rejuvenate herself in order to supply the best possible product for her consumers. The release date was pushed back so that she could concentrate on herself, reflect via introspection and develop her sound further.
As a rebirth effort, this move gave her a chance to reevaluate, appreciate the entire process, cherish her gifts and prioritize her health. She continues to innovate and receive incredible reception from her loyal New York fan base. She performed at the Bowery Ballroom and the Meadows last fall. Stay tuned to hear where she performs next.
All that comes around – goes around. The cyclical nature of magnetic individuality remains inevitable. Basically, you must trust people to be who they will be.
DMX offers incredible wisdom on one of his last interviews ever recorded on Drink Champs with N.O.R.E. and DJ EFN.
With that, nobody moves a crowd like the energetic empathetic. Never pathetic, incredibly poetic, and most definitely unapologetic comes Connie Diiamond from the Bronx. Additionally, as far as evolution exists, this woman adapts to the times. Rhymes galore and much more in store – she even cleared Ludacris’ “Move” sample through the door.
Nevertheless, amazement sets in when people move the right way. How wondrous the process of finding oneself. No outside source will bring you happiness quite like the gifted spirit within your being.
Indeed, Connie Diiamond operates within the same wavelength as Nipsey Hussle – who cleared the “Hard Knock Life” sample from Jay-Z. From winning slam poetry contests in high school to collaborating with Ludacris – this nose-to-the-grindstone BX woman continues to strive. Poetic visions and many revisions allowed her to become the fan-proclaimed “Queen of Drill.”
Individuality and Expression
Undoubtedly, as an emcee – Connie Diiamond will go toe-to-toe with anyone. As a classy individual, she stands on moral grounds and principles. With the utmost self-confidence – she does not mind being the only woman in the room. Otherwise, this artist knows her worth and will never sell solely sex for attention or become reliant on a sex symbol status.
Essentially, Connie Diiamond functions much like your typical American citizen. She works at the hair salon suite that she owns during the day and chases her dreams at night. Her craftsmanship knows no limitations as haircuts fund her musical aspirations.
Moreover, the reason why this artist will reach the heights she seeks revolves around her incredible sense of self-worth. As a humble and supportive individual, she continues to put in her 10,000 hours. She accepts the things that occur for what they are, stays in her lane and keeps pushing.
Initially, she rose in popularity due to her freestyle ability to hop on anyone else’s track and make it her own. As she progresses and learns elements of sound structure, how to make certain types of songs, and stay afloat in the industry – she will be dangerous and not one to be tested on the mic.
With positive reinforcement from her friends, family, and fans – it is impossible for her to lose. Many times, people automatically repost her songs due to the authenticity of the sounds. Somebody that radiates positive energy will always receive reciprocal energy – tenfold.
Finally, when it comes time to record, she locks in and blocks out any external influences. Clearly, this laser-sharp focus and multi-hyphenate approach earn dividends. Her song with Damian Lillard of the Portland Trail Blazers made it into NBA 2K23. Stay tuned to see what may come next from her!
Safe to say, the things that we experience in life mold us into the individuals we grow to be. Certain events that occur throughout the formative years of adolescence shape us into the people we become. God gives his toughest battles to his strongest soldiers and nobody personifies this greater than Scar Lip from The Bronx.
Scar Lip bounced in and out of several foster homes and detention centers before turning 18. When her mom passed away at age 12 she went to live with her aunt who subjected her to incredibly inhumane treatment. Her aunt’s boyfriend would sexually abuse her and her brother brutally punched her which gave her the signature scar on her lip.
“More importantly you become who you were born to be.”
Choosing the name Scar Lip proved to be quite the power play for this young New York artist. By embracing her largest imperfection, she reclaims all power from the adverse incident that plagued her throughout most of her days. By turning the pain into power this woman leverages potential ridicule into an opportunity to brand herself. In the meantime, owning her identity in this way also creates an intimidation factor.
Her brother left her upper right lip dangling from the blow he dealt her. Aunt looked at each of them in the hospital and made the decision to kick Sierra out rather than the brother. Between the ages of 16 and 18, this young woman lived in eight different foster homes. While living with multiple different families, she wrote a good deal of rhymes. At 18, she returned to her Aunt’s where they talked the situation over – to this day her brother has yet to apologize for his attempt to ruin his sister’s appearance.
Evidently, the major reason that people flock to this extremely polarizing artist revolves around her parallels to DMX. On her viral hit single, “This is New York” it is impossible not to draw the comparisons. The tumultuous upbringing, rugged inflection and intimidation factor all directly point to the female DMX.
Given that we lost DMX around the same time Scar burst upon the scene might be the reason why Swizz Beatz felt this artist was sent to him. Swizz Beatz plays an instrumental role in the acceleration of Scar Lip’s trajectory. An early single like “Glizzy Gobbler” got her in the rotation with millions of views but “This is New York” started turning heads. Since, Scar spit a verse with Jadakiss and Benny the Butcher on Swizz Beatz Hip Hop 50 mixtape. Furthermore, Swizz has agreed to executive produce her first project, Scars and Stripes.
“If it hurts you, that is not what is important. Everybody’s hurt. What is important is that you must find some way of using this to connect you with everyone else alive. Your pain is trivial except insofar as you can use it to connect with other people’s pain.”
The intriguing part about Scar Lip points directly to the way she pours her pain onto the paper. No human being should ever have to endure the suffering that she encountered. The aggression witnessed within her music stems from the survival tactics employed over time. The chaotic and volatile energy provides infectious vibrations and relatability through authenticity.
50 Cent, Boosie and Cardi B have co-signed her. Shaq, Snoop and Busta Rhymes have made songs with her. Moreover, Swizz Beatz will executive produce her debut release as she recently signed to Epic Records. Scar Lip proclaims that she will go down in history as the artist with the most remixes to one song.
Scar Lip is a woman who aspires to build homes for girls and boys who are trapped with their abusers and neglected by the system. Looking to catch her in concert? Check out Rock the Bells Fest on August 5th with a nod to Swizz Beatz and Special Guests.
A question has been floated as of late: Are Women Saving New York Rap? The answer may not be as definitive as you think. Artists like Maiya the Don put forth lyrical bodies of work that provide refreshment and flavor to save the genre one song at a time. Do more of those individuals tend to be women?
Maiya the Don in a gold parka
No debate surrounds the fact that New York hip-hop could use saving. Much of what hits the mainstream airwaves recycles and regurgitates the same radio-friendly formulas. Therefore, I see the original question and raise it: Are Women Gaining more Power as Artists? While all signs point to yes, one Brooklyn individual, Maiya the Don particularly embodies the notion that women have become hip-hop powerhouses, not just an accessory.
Women Increase Industry Footprint
As hip-hop grew, opportunities afforded to female artists were often limited. Often, having a woman in your crew was seen as the thing to do. Eve from Ruff Ryders exists as a prime example. Known as “a pitbull in a skirt,” Ruff Ryders chose her because she fit their rough-and-tumble type mold and she could rap very well. Without ascribing status or making assumptions – it is fair to say women have elevated their role within the hip-hop ecosystem.
Cover Art for Maiya the Don’s hit single, Telfy
Maiya the Don stomped confidently into her spot as a New York star. After gaining a large following on TikTok with videos displaying her beauty, makeup and personality – her manager helped position her within the music industry. While on TikTok, she promoted her music as a piece to the content puzzle. Doing so granted her the ability to speak as a representative of Black Visionary Voices – a TikTok initiative that recognizes Black creatives, business owners and cultural changemakers.
Maiya the Don and Lola Brooke goof around backstage
TikTok serves as a primary vehicle to transmit any message given that it has the least amount of barriers or hierarchy. Many artists will tease a snippet of their song as a ‘sound’ so that users can create videos which may cause the song to reach more listeners. Once snippets of Maiya the Don’s hit single, “Telfy” started to make the rounds – the beast of a song became difficult to contain.
Starting from Scratch
Maiya the Don knows how to communicate what she wants while making music. Her novice knowledge of the terms producers use does not limit her process, whatsoever. She still finds a way to verbalize where she wants what sounds to be placed to invoke maximum effect. When making a hit, all elements must be on point and that deals directly with tasteful tactics employed by people with expertise.
Women who speak from the vantage point of strength and authenticity continue to receive their just due. As ladies become less of an accessory, Maiya the Don created massive viral buzz around her household hit, “Telfy.” Maiya’s fashionable accessory – the Telfar bag – served as the thematic cornerstone for the song that propelled her into the spotlight. The song carries all the core components of a hit sonically, makes fashion statements and most importantly – popularizing self-worth, confidence and hyper-femininity.
Women Evolve within Hip-Hop
Throughout hip-hop history, many people presented women to the world through a one-dimensional lens. Nowadays, women like Maiya the Don reclaim power, demand respect and utilize fashion to reshape their role as hip-hop artists. A person who owns their narrative and creates a unique adaptation of their own aesthetic continually dismantles stereotypes and evolves as a powerhouse.
Maiya the Don’s Second Single – Dusties
Women of today refuse to be treated as lesser. Maiya the Don firmly cements her feet in hip-hop concrete by embracing sexual objectification in order to use it to her advantage. Today’s women operate with liberation in mind, speak up for what they want and function as empowered sexual beings. Having her needs fulfilled cannot come second as Maiya the Don will not stop until she reaches her goals.
Catch her live in concert on Day 3 of Rolling Loud in Miami, FL on July 23rd, although Maiya has the best stage presence in New York.
Maiya spoke with BleuMag about her favorite performance, saying “Probably Albany, New York. It was a huge crowd, and I got to open up for Glorilla, who I love. I think she’s so hard. That was my best performance by the way. I’ve never felt like that before.. I was shocked because I was pretty far from home. The fact that they were going that hard for me had me, like, Period!”
