Author: Faith Logue

  • Los Angeles Company SaveLive to Open New Concert Venue in Buffalo

    The Los Angeles-based company SaveLive has announced it is opening a new concert venue in Buffalo titled Electric City, at the former site of the Tralf Music Hall. Many are pleased with the prospect of a new venue, but some are worrisome about an outsider corporation coming in and taking over this historic venue.

    Electric City Buffalo

    The Tralf Music Hall opened in 1982 at 622 Main St, next to Shea’s Performing Arts Center, closing for good in 2022. The new Electric City venue, opening February 23, has a capacity of 750, with a few bars to the right and left when you walk in, and a stage in the back. It will also include a mezzanine level for an added VIP experience. Completely reimagining the old venue, it will include state-of-the-art equipment and is a nod to Buffalo’s role in the early use of hydroelectricity.

    “There is really a demand for more shows, more music,” Marketing Manager Michele Riggi told WIVB. “So, we’re really looking forward to that. In our opinion, a rising tide raises all ships. So, if we can bring more venues to the area, bring more opportunity for artists to play, more tours will stop here.”

    On the other hand, Buffalo music journalist Jeff Miers feels that bringing new venues to the equation might not be a good thing.

    The Buffalo music scene is already saturated with venues that each have their own unique offering, at an independent level. These venues include The Town Ballroom, just down the street from Electric City, offering a rich diet of EDM, indie and alternative, hip-hop, and more, Rec Room with indie-focused acts, Mohawk Place with metal and rock, Iron Works with jam bands and up-and-comers, and more. The question Miers asks in his article is “What vacant niche is SaveLive hoping to fill with its new venture?”

    Electric City Buffalo savelive

    SaveLive was co-founded by Marc Geiger, former global leader of the William Morris Endeavor Music Division from 2003 until 2020, and co-founder of Lollapalooza. The company began by seeking to acquire 51% ownership of financially hard-pressed independent music venues after the pandemic began. This Buffalo venture is the first venue the company has redone from the ground up.

    While much of the local press is overall speaking positively about the buyout, Miers’ article focuses on how the independent venues that did not compete with one another now have this layer of competition, having to go against a corporate venue. Some pros of this venue are that more acts that may not be seen at the other venues in Buffalo may be booked, bringing more visitors to the area.

    Whichever box you fall into, this new venue will arrive in February with new music and a revamped venue. Hopefully, Electric City doesn’t push out other iconic venues in the area and brings in more exciting acts to the area.

    Different opening concerts at Electric City have been announced, including DJ James Kennedy on Feb. 23, Meshell Ndegeocello on March 12, Hippie Sabotage on April 17, Living Colour on May 16, and Echo & the Bunnymen on May 22. Also announced were Sammy Rae and the Friends on March 10, Kitchen Dwellers on April 3, Yachtley Crew on April 11, Larry Fleet on April 13, Dying Fetus on May 5, the Chats on May 7, and Frank Carter and the Rattlesnakes on May 18.

    For more information about Electric City Buffalo and to purchase tickets to upcoming shows, visit here.

  • Ireland’s The Coronas Announce St. Patrick’s Day Show at Bowery Ballroom

    Ireland-based cinematic, melancholic pop group The Coronas have supported Bruce Springsteen in front of more than 65,000 people in London’s Hyde Park, played for President Joe Biden in County Mayo during his visit to his ancestral home in Ireland, and made chart history as being the first independent Irish band with three consecutive topping the charts. They have announced they are celebrating St. Patrick’s Day with a special show at the Bowery Ballroom.

    Voted #1 Live Act of the Year by Hot Press Magazine, one of Ireland’s best-loved bands The Coronas has no intention of slowing down, continuing tours in Europe and the States this March. They are fresh off a series of huge summer shows and festival appearances that included the iconic Electric Picnic Festival and Glasgow’s TRNSMT.

    The Coronas is comprised of lead vocalist/guitarist Danny O’Reilly, bass guitarist Graham Knox, and drummer Conor Egan. They are returning to North America to begin a run of shows on March 5, 2024, culminating with St. Patrick’s Day at the Bowery Ballroom. They last toured the U.S., a year ago, but this past March performed at the celebrated pre-Academy Awards “Oscar Wilde Party” in Los Angeles and squeezed in an SRO nightclub show in Hollywood as part of this extraordinary year.

    Last month the band released The Best of the Early Days, a compilation of records from the band’s first three albums, plus a special never-before-released album closer “One Last Time.” All of the tracks were released on vinyl for the first time, in addition to CD format, and via all digital platforms. Four songs each come from their 2007 debut Heroes or Ghosts, their 2009 breakthrough Tony Was an Ex-Con (winner of Best Album at 2010’s Meteor Awards, for which they beat U2 and Snow Patrol) and 2011’s Closer To You, their first Irish chart-topper, all chapters in an extraordinary, near 20-year career.

    We loved listening back to our early albums and remembering the wild times we had making them. The three of us met at school, and we were still kids when we started the band. Choosing which songs to include was the hard part – each of us has our favourites. All of the songs are packed with memories of gigs we played, places we’ve been and the mates we’ve made along the way. We couldn’t make music like that anymore, but we wouldn’t change a thing. Every song has its place in The Coronas’ history. Hearing them together is a reminder of what we’ve achieved and how far we’ve come.

    Danny O’Reilly.

    The new song “One Last Time,” once known as “Bonus Night,” was recorded during the Tony Was An Ex-Con sessions. “We always loved it,” explained Danny, “but at the time we felt that ‘Warm’ was the album’s acoustic moment and having another stripped-back song would have been too much. It has a beautiful string arrangement by James Hallawell. It’s a Coronas gem that I’m delighted we can finally share with our fans.”

    An eighth Coronas studio album is in the works to kick off the next 20 years. For more information about the band, visit here.

    The Coronas Tour Dates

    December 21—Vicar Street, Dublin, Ireland
    December 28—INEC Arena, Killarney, Ireland
    March 5, 2024—Empty Bottle, Chicago
    March 6—Shank Hall, Milwaukee, WI
    March 8—The Great Hall, Toronto, ON, Canada
    March 12—The Foundry, Philadelphia
    March 13—Atlantis, Washington, DC
    March 15—Brighton Music Hall, Boston
    March 17—Bowery Ballroom, New York City

  • Billie Eilish and Kate McKinnon Bring Holiday Cheer to SNL

    After having a successful year in the movie Barbie as the “weird Barbie,” former SNL cast member Kate McKinnon hosts this year’s holiday episode, with pop icon Billie Eilish as the musical guest.

    Kate McKinnon Billie Eilish SNL

    In true SNL fashion, the cold open focused on an award show called the Christmas Awards, just in time for the holiday season. No stranger to the cold open, Bowen Yang and Heidi Gardner take the role of the award hosts for the evening. The sketch brought the cast together poking fun at Christmas stereotypes, with the bad gift giver that is grandma, and the one relative who brings COVID to the party.

    https://youtu.be/mjHV7uAq5fU

    Kate McKinnon’s monologue saw her joking about being back at her “old job” at SNL, taking the seat as host tonight, and how uncomfortable she is being herself instead of the weird girl standing next to the hot person. She brought out the piano for a cheery tune, creating a parody of “I’ll Be Home For Christmas,” stating she was forced to sing. Iconic actors Maya Rudolph and Kristen Wiig made an appearance, singing the monologue away.

    https://youtu.be/xZmFyCTNrPs?si=WFHCksdjqCieZKUS

    The next sketch took place at the North Pole, with elves as news anchors, set on the scene of a killer whale attack. Featuring Kate McKinnon as a scared Scot, it showcases how people always take to social media to write thoughts and prayers during a crisis in a silly yet real manner. Making fun of the fact that kids always want dogs for Christmas, SNL created a satirical infomercial with Pongo!, the perfect pet that doesn’t do anything or dies.

    No one will ever forget about the iconic group ABBA, and returning to the screen are Maya Rudolph and Kristen Wiig, with Kate McKinnon and Bowen Yang performing as the group, not missing a chance to do their best Swedish accent impression. Taking their greatest hits, the ABBA parody group remixed their hits, adding Christmas themes. The sketch was full of the cast breaking character, making it even more funny.

    Kate McKinnon brings back her singing with Maya Rudolph and Kristen Wiig again, creating a country tune about Tampon Farm, a fictional place where women grow and harvest tampons. No one could have seen that twist coming, with the audience erupting into a fit of laughter.

    Billie Eilish needs no introduction, the pop icon had a successful year with just one song officially announced, “What Was I Made For?” on the Barbie soundtrack. With several GRAMMY nominations at this year’s award ceremony, and even a Golden Globe nomination for her small role in SWARM, Eilish is just getting started. Just the other night on The Tonight Show, she teased she is working on her next album, with more TBA soon.

    Introducing her were McKinnon and in a surprising twist, Greta Gerwig, the director of Barbie. Billie Eilish sang her hit “What Was I Made For,” with her signature breathy vocals, singing on a stool with her brother Finneas playing piano. With a beautifully added string section and accompanying videos of “girlhood” in the background, the song could bring a tear to anybody’s eye and certainly did mine.

    https://youtu.be/mkqTsLVHwuQ

    The Weekend Update tradition of Michael Che and Colin Jost reading each other’s jokes did not disappoint this year. Each joke was raunchier than the last, leaving most with their jaws hanging wide open.

    Billie Eilish ended her SNL appearance with a haunting cover of “Have Yourself a Merry Little Christmas,” showcasing her soulful and powerful vocals. During the last sketch, she joined McKinnon cosplaying as crazy cat ladies, showing off several cats.

    Just announced on Jan. 20 is Euphoria and Priscilla actor Jacob Elordi hosting, with musical guest Reneé Rapp.

  • Irish Arts Center Announces $3M Naming Gift

    Irish Arts Center (IAC) has announced it will be renamed to JL Greene Theatre at Irish Arts Center, to be dedicated in April 2024, following a $3 million gift from the Jerome L Greene Foundation. 

    Irish Arts Center. Photo by Albert Vecerka/ESTO.

    IAC joins a roster of some of New York’s most prestigious cultural institutions supported by the Foundation, including BAM, The Public Theater, Lincoln Center Theatre, and The Whitney Museum. 

    The Jerome L Greene Foundation gift, which supports the larger scale of programming and operations in the new 11th Avenue facility, builds on recent support from the City of New York ($10 million) and the Irish government ($4.1 million), to support the Center’s future redevelopment of its historic 51st Street home. This donation will help lay the groundwork for the IAC’s upcoming Phase Two campaign to complete the vision for a new Irish Arts Center and secure the organization’s future for generations to come. 

    Irish Arts Center also revealed the Spring 2024 programming, filling its new facility at 726 11th Avenue that opened in December 2021. The opening of this new 21,700-square-foot building culminated a more than a decade-long transformation of IAC into one of New York’s most beloved multidisciplinary cultural institutions on an intimate scale. With a flexible performance space and acoustic design, it provides a new canvas for the presentation and development of performing arts in the city. 

    We are thrilled to join the outstanding portfolio of New York cultural institutions supported by the JL Greene Foundation and to announce this gift in conjunction with one of our most exciting seasons yet. We look forward to many moments of artistry and inspiration to come in the JL Greene Theatre. As we begin our third full year of operation in our new home, we also look ahead to the next phase of our important work: completing our 51st Street redevelopment, and building reserves and an endowment, to complete our vision of a new Irish Arts Center that will be successful and sustainable for future generations.

    Irish Arts Center Executive Director Aidan Connolly.

    “We are proud to play a role in the presentation of world-class Irish arts in New York City,” said Chris McInerney, President and CEO of the Jerome L. Greene Foundation. “Irish Arts Center has proven itself to be an important cultural destination, and the JL Greene Theatre will be host to an amazing array of performing arts for New York audiences.”  

    IAC’s Spring 2024 programming features a wide variety of voices and forms, including the timely new work of political theater Agreement, a beautiful new dance work from choreographer, director, and performer Jean Butler, a residency of internationally acclaimed singer-songwriter Lisa Hannigan, a large-scale exhibition of works by Irish women visual artists, and more. The new season expands on IAC’s mission to present the evolving arts and culture of Ireland and Irish America in an environment of warm Irish hospitality.

    Throughout Spring 2024, beloved recurring programs continue to bring accomplished artists into IAC traditions. Pulitzer Prize-winning poet Paul Muldoon’s variety show Muldoon’s Picnic continues on March 11, April 1, and June 3. In IAC’s Devlin Café, the Café Concert Series brings spirited music out into a social and intimate environment, with Big City Folk Song Club, curated by Niall Connolly returning February 9, March 8, April 4, and May 23, and Traditional Irish Sessions, curated by Tony DeMarco, February 2, March 15, April 5, and May 17. Book Day, for which the Irish Arts Center distributes thousands of free books in New York’s five boroughs in celebration of St. Patrick’s Day, returns for its 12th year on March 15.

    For the season, IAC’s latest exhibition will showcase women artists whose work reclaims traditional physical and cultural spaces using abstract art. Reclaiming a Space, featuring Diana Copperwhite, Erin Lawlor, Helen O’Leary, and Dannielle Tegeder, will be on view throughout the building from January 29 to June 23.

    For more information on the Irish Arts Center, and to see a detailed view of the Spring 2024 programming, visit here.

  • Eddies Music Awards Hall of Fame Announces Sixth Class

    The sixth class of inductees for the Capital Region Thomas Edison (Eddies) Music Hall of Fame has been announced. Inductees include artists from a variety of genres like classical, folk, jazz, and electronic music, a pioneering hip-hop songwriter, and two individuals who chronicled the local music scene as journalists.

    The late Jackie Alper, the late Nick Brignola, George Guarino, David Alan Miller, the late Pauline Oliveros, Margie Rosenkranz, Billy Waring, and Don Wilcock will be inducted into the Eddies Music Hall of Fame on Monday, March 25, 2024 at Universal Preservation Hall.

    The Eddies ceremony is open to the public and includes musical performances, a social hour, videos on the musical career of each inductee, and acceptance speeches. This class brings the total number of inductees to 40 since 2019. An aluminum engraved plaque honoring each recipient is permanently hung at UPH. The 2024 slate was chosen by an advisory council made up of professionals in the local music field.

    The induction ceremony precedes the annual Eddies Music Awards, which will be held on Sunday, April 21 at Proctors in Schenectady.

    About the Eddies Inductees

    Jackie Alper sang with the Almanac Singers, which included Woody Guthrie, Pete Seeger, and Burl Ives. After, she helped found the Weavers, introducing a 16-year-old Ronnie Gilbert to Pete, Lee, and Freddie Hellerman, taking part in the “Great Folk Music Scare of the 1950s and 60s.” Alper hosted WRPI’s “Mostly Folk for Mostly Folks” radio show for at least 25 years starting in 1971. She also turned her husband Joe Alper’s 30,000 music photographs into one of the folk revival’s most meticulously documented archives. Together, they played a key role in supporting Caffè Lena in its early years, often housing musicians including Bob Dylan at their Schenectady home. She passed away in 2007. 

    Troy native Nick Brignola was a well-respected baritone sax player in jazz, as well as a band leader. During his career, he shared the stage with jazz greats including Phil Woods, Woody Herman, Chet Baker, and Pepper Adams, and recorded 20 albums of his own. His 1981 album L.A. Bound was nominated for a GRAMMY, and has topped many annual DownBeat and JazzTimes critic and reader polls as “Best Baritone Saxophonist.” He taught jazz theory and history at several local colleges and helped start a jazz education program at the College of Saint Rose. He passed away in 2002.

    George Guarino created Albany’s music television show Real George’s Backroom (1981-91) and Buzz magazine (1985-95). He was passionate about spotlighting original music bands of that era while introducing the dance floor to 80’s new wave, punk, industrial, and indie music as a featured DJ at Albany’s infamous 288 Lark (1981-87) and QE2 (1987-90) clubs. He was also a DJ at WRPI. Guarino has developed a reputation since 2005 as one of the area’s prominent clinical hypnosis practitioners.  

    Seven-time GRAMMY nominee David Alan Miller has been music director and conductor of the Albany Symphony Orchestra since 1992. During his tenure, the ASO has released more than 30 albums, with two winning GRAMMYs. In 1994, he founded Dogs of Desire, an 18-member ensemble that has commissioned over 150 new works from emerging American composers. He has guest conducted with most major U.S orchestras, as well as many in Europe, Australia, and the Far East, and serves as artistic advisor to the Little Orchestra Society (NYC) and the Sarasota Orchestra (Fl.).

    Pauline Oliveros was an American composer, accordionist and central figure in the development of post-World War II experimental and electronic music. A Houston native, she relocated to Upstate NY in 1981 after many years teaching and performing in California. She developed a ground-breaking music theory called “Sonic Meditations” and founded the term Deep Listening, a practice of profound sonic awareness that came from her childhood fascination with sounds. Known for her works in composition, improvisation, and electro-acoustics, she was a Distinguished Professor of Music at Rensselaer Polytechnic Institute, where she founded the Center for Deep Listening. She passed away in 2016.

    Margie Rosenkranz has been the executive artistic director of the Eighth Step Coffee House since 1987. Founded in 1967 in the basement of the historic First Presbyterian Church in Albany, the organization is renowned nationally for its presentation of top contemporary singer-songwriters, as well as social justice work, now seen at Proctors. The Schenectady native, born into a musical family, is an accomplished vocalist and has also served as artistic director of the Great Hudson River Revival, a long-standing music and environmental summer festival.  

    An unsung hero of hip-hop, Harlem native William “Billy Bill” Waring began his musical career as a b-boy with longtime friends Kurtis Walker and producer Danny Harris. He got his first taste of hip-hop music at DJ Kool Herc parties and from 1980-84 he penned the classic songs “Hard Times,” “Basketball,” “You Gotta Believe” and “Games People Play,” and co-wrote much of the Fat Boys’ first album. His music has been used in films and television shows such as Krush Groove, Empire, Black Monday, Hip Hop Uncovered, and more. 

    Finally, Don Wilcock has spent a career elevating the New York Capital Region arts scene into international recognition. Founder and president of the Northeast Blues Society, he helped boost the careers of local artists Albert Cummings and Tas Cru to worldwide touring success and produced the Fleet Blues Festival, a three-stage event featuring the world’s hottest blues stars. He founded “Kite,” the area’s first arts weekly, in 1970. His biography of Buddy Guy, Damn Right I’ve Got The Blues, helped propel Guy from a club act to the biggest living star in the genre.

    Tickets for the Eddies Music Awards are on sale now through the Box Office at Proctors in-person, via phone at (518) 346-6204 Monday-Saturday 10 a.m.-6 p.m., or online.

  • ‘The Heart of Rock and Roll’ Coming to Broadway in Spring 2024

    The Heart of Rock and Roll, a jukebox musical featuring songs from the GRAMMY Award-winning band Huey Lewis and the News, is coming to Broadway this spring.

    The Heart of Rock and Roll, featuring music by Huey Lewis.
    Matt Doyle and members of the Old Globe company of “The Heart of Rock and Roll,” 2018. Credit: Jim Cox.

    The show will begin performances on March 29, 2024, ahead of an opening night on April 22 at the James Earl Jones Theatre. The musical premiered at San Diego’s Old Globe Theatre in 2018, featuring a cast led by Tony winner Matt Doyle and Katie Rose Clarke. A summer 2023 workshop was led by Jonah Platt with Clarke.

    The Heart of Rock and Roll tells the story of two 30-somethings each with certain plans, changing when they meet each other, set to a score of songs made famous by Huey Lewis and the News.

    The Heart of Rock and Roll features a book by Jonathan A. Abrams, based on a story created by Tyler Mitchell and Abrams. Brian Usifer does the music supervision, arrangements, and orchestrations, with Gordon Greenberg directing and choreography by Lorin Latarro. The musical is also being produced by Hunter Arnold, Mitchell, and Kayla Greenspan.

    Working on our show has been so gratifying. I’ve always been a storyteller, and it’s a thrill to see my songs woven together in service of a fantastic, new story. That it will all take place on the world’s most prestigious stage — Broadway — just makes the ride that much sweeter.

    Huey Lewis

    Lewis’s tune “The Power of Love” was featured in Back to the Future on Broadway earlier this year, and in the original movie as well. “The Power of Love,” as well as “Workin’ for a Livin’,” “Stuck with You,” “If This Is It” and the musical’s title tune are among the Huey Lewis and the News songs that will be featured in The Heart of Rock and Roll.

    Casting for the Broadway production, as well as additional creative team members, will be announced soon. To purchase tickets and find more information, visit here.

  • Legendary Mexican Bands Caifanes and Cafe Tacvba Announce Joint Tour, Coming to SummerStage

    In an unprecedented collaboration, two legendary Mexican bands, Caifanes and Cafe Tacvba, have announced they are embarking on their first-ever joint tour in the United States, coming to SummerStage on June 26, 2024.

    The two groups are coming together to celebrate their legacies and showcase the power of Mexican rock on an international stage. Both bands originated in the late 80s in Mexico City. Despite their distinct musical styles, this tour is a testament to the enduring power of music, showcasing how these bands have evolved and continue to resonate with audiences across time.

    Caifanes have lived their path intensely and passionately since 1986, evolving and changing throughout their career. One thing remains constant: the music shared by several generations, remains a powerful connection then and now. For young people, their music is new; for the older generation, those songs are already part of the soundtrack of their lives. Caifanes has always been the band that opens the doors to every band coming up behind them. The last two years and 108 concerts have seen the band getting better and bigger than ever, on stage, no one rivals their power and strength. Their commitment to social causes has been an essential part of who they are from the start of the band.

    Caifanes.

    Together since 1989 with the same founding members (Quique, Meme, Joselo, and Ruben) GRAMMY winners and Mexico City indie rockers Cafe Tacvba are credited as the preeminent band to emerge from the “Rock en Español” movement of the early ‘90s. The Mexican quartet has remained one of the biggest acts on the Latin music scene since, inspiring generations of rockers. Their music is broadly appealing not only because of its groundbreaking nature but also because of its fun, madcap, and ever-changing qualities.

    Cafe Tacvba 

    Tickets will be available starting with a Citi presale beginning on Tuesday, December 12. Additional pre-sales will run throughout the week ahead of the general on-sale beginning on Friday, December 15 at 10 a.m.

    TOUR DATES: 

    Wed May 29      Kennewick, WA             Toyota Center

    Thu May 30       Seattle, WA                   WAMU Theater @ Lumen Field

    Sat Jun 1          Reno, NV                      Reno Events Center

    Wed Jun 5         Los Angeles, CA                Hollywood Bowl

    Thu Jun 6         Las Vegas, NV               Bakkt Theater at Planet Hollywood

    Fri Jun 7           Palm Desert, CA            Acrisure Arena

    Sat Jun 8          Chula Vista, CA              North Island Credit Union Amphitheatre

    Tue Jun 11        Phoenix, AZ                  Talking Stick Resort Amphitheatre

    Thu Jun 13        Salt Lake City, UT          Maverick Center

    Fri Jun 14          Denver, CO                   Levitt Pavilion

    Sat Jun 15         Albuquerque, NM          Isleta Amphitheater

    Sun Jun 16        El Paso, TX                   El Paso County Coliseum

    Tue Jun 18        Laredo, TX                    Sames Auto Arena

    Wed Jun 19       Edinburg, TX                Bert Ogden Arena

    Fri Jun 21          Houston, TX                  The Cynthia Woods Mitchell Pavilion presented by Huntsman

    Sat Jun 22         Dallas, TX                     Dos Equis Pavilion

    Wed Jun 26       New York, NY               SummerStage in Central Park

    Fri Jun 28          Toronto, ON                  Budweiser Stage

    Sat Jun 29         Chicago, IL                   Huntington Bank Pavilion at Northerly Island

    Sun Jun 30        Indianapolis, IN            Everwise Amphitheater at White River State Park

  • Sarah King Launches Kickstarter Campaign for Debut Album

    Vermont native and dynamic musician Sarah King has released several singles, cementing herself in the Americana scene. She has announced the launch of a Kickstarter campaign to help her fully release her debut record.

    Credit: Grow Explore Photography.

    Sarah King has had a busy year, touring the country in her SUV and recording her debut full-length album. Known for her powerhouse voice and “fiery, vulnerable songs,” Sarah King creates thought-provoking, versatile Americana music, touching on real-life emotions and situations, while drawing on classic folk-blues themes, balancing songs about the devil and booze with hard-won moments of reflection and acceptance. 

    Her album’s recording and production are complete, thanks in large to the Creation Grant from the Vermont Arts Council, an anonymous donor, and her personal savings. The challenging part that comes next is the funds necessary for a team to promote the album, including a publicist, a radio promoter, a graphic designer, merch printers, vinyl pressers, and more.

    This is why she has launched her Kickstarter campaign. She must reach her initial goal of $15,000 by January 10, 2024, or all pledges are canceled and the project will not be funded. However, if the project surpasses the initial goal, she can pursue additional promotional opportunities – including more touring and merch – and more rewards for backers.

    Funding is a major hurdle for many independent musicians. King has been vocal about the economic realities of being a full-time touring musician this year, sharing her personal experience as a solo touring artist on social media. She travels so much each year, logging 20,000 miles just this summer, because she only gets paid when she’s on stage and therefore it is important to spend as much time on stage as possible. Her posts transformed into her series Math vs the Indie Musician, where she breaks down how much it takes to make minimum wage as a performer, and alternative options artists have to seek funding offstage, including crowdfunding. 

    Sarah King recorded this album with GRAMMY-winning producer David Baron in Woodstock, who’s also worked with fellow Vermont musician and superstar Noah Kahan, over the last two years. Featuring a roundup of talented musicians from both Vermont and Nashville, the 12-song album titled When It All Goes Down has “a little bit of something for everyone,” says King.

    None of us are one-dimensional. We all have an angel and a devil on our shoulder. We’ve all had our hearts broken, and been the one doing the breaking. We know how it feels to go hard on the weekend and have to put our head down for work again on Monday morning. This dynamic range within all of us is worth celebrating, exploring, and yes – feeling. Life isn’t either/or – it’s all the in-betweens, and this record explores everything from hope and grief to anger and strength. In 12 songs, I’ve got soul-influenced piano pop ballads, southern-rock-tinged bangers, toe-tapping blues, and folk heartbreakers. 

    Sarah King

    King added, “When it all goes down, these songs will be right here for you, whatever you’re going through today, and whatever may come your way. Will you help me share them with the world, so they’ll be there when it all goes down for someone else?” Releasing March 8, 2024, the long-awaited album is King’s followup to her 2021 5-song EP The Hour, which reached #60 on the Americana Radio Charts and landed her the distinction of Songwriter of the Year at the 2021 New England Music Awards.

    Sarah King is releasing her newest single, relating to the solstice, titled “The Longest Night” on December 20. For more information about her, and to support her Kickstarter, visit here.

  • Lilac Festival Promoter Withdraws

    Longtime Lilac Festival promoter Jeff Springut has announced he has withdrawn from producing the event, something he has done since 2013.

    Lilac Festival (News 8 WROC photo/Matt Driffill).

    The Lilac Festival brings in over 500,000 people a year from across Western and Upstate NY, the tri-state area, and Canada to Highland Park to see great music and look at the beautiful lilacs that grow in the park, as well as eat and drink amazing food.

    Organizer of the spring festival for more than a decade, Springut said to the Rochester Beacon that his event-production company, the Springut Group Inc., still plans to produce Party in the Park and other events, but is done with the Lilac Festival. He cited no specific reasons for deciding to withdraw.

    “I’ve done the Lilac Festival for 12 years. We’ve had a great run, but now it’s time to move on,” Springut said to the organization. County officials confirmed that this news will not affect the 2024 Lilac Festival. “We are currently working with two seasoned professionals with long histories with the festival. We are in good hands moving forward in coordination with the City of Rochester and Lilac Festival Inc.,” said Gary Walker, a spokesperson with Monroe County, as reported by Rochester First.

    In 2019, Springut withdrew as the promoter of the Park Avenue Festival, which has since not been able to be revived due to it being called off during the pandemic and lack of promoters willing to take it on. County Legislator Rachel Barnhart spoke with Rochester Baron, saying “I don’t believe the county will let the Lilac Festival fail.” She says one of the reasons the Park Avenue Festival was unable to continue was because Springut did not share his plans and methods.

    Springut says he has not passed on plans, contracts with vendors or performers, or other information about the Lilac Festival to the county. Nevertheless, he maintains, the county has “a good handle on it. I’m sure it will be fine. The lilacs will bloom.” 

    A spokesperson for the county says moving forward, they’ll be working with two seasoned professionals with long histories in the festival, and are in good hands to coordinate.

  • Allman Brothers Band Announces Release of ‘Manley Field House, Syracuse University, April 7, 1972’

    The Allman Brothers Band has announced the release of Manley Field House, Syracuse University, April 7, 1972, an iconic and widely circulated fan-favorite radio broadcast bootleg, available on CD and digital on January 12, 2024.

    Manley Field House Syracuse University allman brothers

    Throughout the Allman Brothers Band’s 35-year existence, each live performance holds relevance, lighting up any stage. On April 7, 1972, the band was invited to perform at Manley Field House on the campus of Syracuse University. Coming shortly after the sudden passing of band leader Duane Allman in October 1971, this show captured a rare, brief, and emotionally charged “Five-Man Band” period when the lineup was composed of only five original members—Gregg Allman on vocals and keyboard, Dickey Betts on guitar, Berry Oakley on bass, and drummers Butch Trucks and Jaimoe.

    The band’s performance at Manley Field House, the school’s indoor track and field facility, was recorded and simulcast on Syracuse University’s WAER college radio on the night of the show, and rebroadcasted by the station and some of its former staff members. The recording was made with the band’s cooperation and authorization using an auxiliary mixing board on the side of the stage with a feed from the Allman Brothers sound desk.

    Jeff Chard, SU concert coordinator in 1971-72, spoke fondly on that night and offered his sentiments in the album package’s liner notes. “This was the Five Man Band, as Brother Duane had passed just over five months prior. The quintet had pushed on, playing some 41 shows in 22 weeks. This night saw Gregg singing and playing his heart out, while Dickey Betts is doing phenomenal double duty on guitar, switching seamlessly between the necessary slide parts and his own soaring leads. But the real revelation of the night is that Berry is the glue, and the second lead player as well. His thunderous bass holds the quintet together – you’ll hear it, and we could see it that night. Then there is the way Butch Trucks and Jaimoe lock in on the drums, the way the whole unit responds, five playing as one.”

    The 11-track collection features set staples including show opener “Statesboro Blues,” “In Memory of Elizabeth Reed,” “Midnight Rider,” and “Whipping Post,” as well as “Ain’t Wastin’ Time No More” off their then newly released album Eat a Peach. “Syracuse Jam,” included here for the first time, is an example of the one-time melody jamming the band was famous for and is unique in that it does not appear in any other known recording.

    It was a memorable but brief time for the band. Six months later, keyboardist Chuck Leavell was added to the group, making the ABB six players strong again, only to lose Berry in another motorcycle accident on November 11, 1972. Shortly thereafter, Lamar Williams took over bass duties, and the Allman Brothers Band started a new musical chapter. But for that one year, with the five original men still standing – and especially on that magical April night in Syracuse – we surely felt the spirit. Best damn band we’re ever gonna hear indeed! We were all believers, and this CD is a testament to those words.

    Jeff Chard

    In a live review of the show in the University’s student newspaper the Daily Orange, writer Bruce Apar noted: “The Allman Band itself was thoroughly remarkable, leaving proof in still another city that they have developed into a supreme group, by which lesser talents can be judged.”

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    Manley Field House, Syracuse University April 7, 1972 tracklist:

    Disc One:

    1.    Introduction

    2.    Statesboro Blues

    3.    Done Somebody Wrong

    4.    Ain’t Wastin’ Time No More

    5.    One Way Out

    6.    Stormy Monday

    7.    You Don’t Love Me

    Disc Two:

    1.    In Memory Of Elizabeth Reed

    2.    Midnight Rider

    3.    Whipping Post

    4.    Syracuse Jam

    5.    Hot ‘Lanta