Author: Eli Stein

  • Danielle Ponder Opens Rochester’s Newest Venue, Essex

    Well before the doors to Essex opened on Friday night, a line rounded the corner and the energy was palpable. Not only would Rochester be gaining its first glimpse of a much-anticipated brand-new live music venue, Essex, but the lucky ones with tickets would also bear witness the return to a local stage to their now internationally revered darling Danielle Ponder. It was the first night of a sold-out two-night stand for the blooming soul-singing star.

    As for Essex itself, entry was easy and efficient. The main area is nearly square, with four load-bearing posts defining an ideal center viewing area. This middle area was fairly packed up until about three-quarters back, with plenty of room to be found on the outer edges. Two easily-accessible bars resided in the back corners, selling a variety of beer, wine and liquor. The walls were painted black brick, with black curtains lining the back wall. Subtle downlighting surrounded the posts and walls, keeping the area well enough lit without distracting from the stage. The stage was intimately low but high enough to see from the back, and was well-lit with a variety of LEDs behind and in front. Two large TVs flanked the stage about a quarter way back. With private individual bathrooms, no one of any sexual orientation will be waiting more than any other.

    Ponder took the stage solo, sitting with an acoustic guitar, just as she did twenty years ago when she was first giving the solo musician thing a whirl down the road at Java’s Cafe. Harking back to her very beginnings, she sang one of the tunes she sang then, “The Passion” by Lauryn Hill. Contrasting that immediately, she gave the crowd a glimpse of the future, and a glimpse of her songwriting process, playing “Thoughts,” a song dedicated to those struggling with self doubt, for the first time live, raw and unfiltered.

    From there, her band entered, and it was back to the material the world has been falling in love with, “Some of Us Are Brave,” “The Only Way Out,” “So Long,” and more from her breakout hit album, and others from further back like “Be Gentle,” and “Holding Me Down.”

    During “Someone Like You,” another Rochester legend, Grammy-winning saxophonist Jimmy Highsmith Jr. came out to add some of his signature horn work. She didn’t let him leave the stage without letting everyone know how instrumental Highsmith was in nurturing her career. As a young artist she attended one of his shows and asked for his advice. He sat with her and her band for over an hour encouraging them and giving them hope that people from Rochester could definitely “make it.”

    She closed with her show-stopping rendition of Radiohead’s “Creep.” Thom Yorke may have abandoned it, but Ponder can now claim ownership with what must certainly be the best version of the song out there. She explained that she premiered the song years ago at the tiny UUU Art Gallery on State Street.

    From Highsmith’s inspiration, to Java’s, to UUU Art Gallery, and now to Essex, Ponder connected the dots of her career and Rochester’s instrumental part in it. She explained that whenever she plays she always opens with, “I am Danielle Ponder from Rochester New York!” And after every show, no matter where she is, someone will invariably approach her to tell her that their friend from Rochester told them to see her.

    Years from now, when the long-standing institution Essex is celebrating it’s own 50th anniversary, here’s a bit of trivia: the first artist to grace the stage was actually Chi the Realist, who opened the show. A local budding rap talent, he and his band also delved into history, celebrating the 50th anniversary of hip hop with his own unique take on the form, amply warming up the stage for Ponder and providing a proper kick-off for the newest hot spot on the block.

    Here’s what’s happening in Essex’s immediate future:

    10/27 – Essex Halloween Pop Off with DJ Pepi

    10/28 – Mothership (The Led Zeppelin Experience)

    11/9 – Lucero, with Jason Boland and the Stragglers

    11/11 – Marty O’Reilly

    11/16 – Joywave with Cammy Enaharo and Bugcatcher

    11/17 – Joywave with Clibbus and Cheap Kids

    11/18 – Hypnotic Brass Ensemble

    12/9 – Mikaela Davis

  • Five Can’t-Miss Shows in Rochester This October

    Hey Rochester, pat your local venue owners, bookers and promoters on the back, they’re firing on all cylinders this October. The month ahead is one of the most chock-full live music months in recent memory.

    rochester october shows

    Legend of legends Bob Dylan, grunge stalwarts Mudhoney, gypsy jazz wizard Stephane Wrembel for four nights, punk-turned-folky Jonathan Richman are just a few of the talents coming back through town. To make it easier to narrow this list down to just five shows, let’s take a look at some first-timers in Rochester you are not going to want to miss and let’s coax them to come back by giving them some great crowds.

    October 5: Bitchin Bajas at Skylark Lounge

    Bitchin Bajas are a synth-heavy instrumental trio out of Chicago that will send your mind afloat into the ether. This will be a unique show the likes of which we don’t always see in these parts. Sweetening the pot, local psych rockers Overhand Sam and Bad Weapon will open up the evening.

    Tickets are $10 and the show will start at 9p.

    October 6 & 7: Danielle Ponder at Essex

    An international sensation, Danielle Ponder is unquestionably the queen of Rochester, not remotely new to town so what gives? As must-see as she is she certainly doesn’t belong on this list. Yes but, she’s opening the much-buzzed new venue Essex. Live music fans all over the city are clamoring to get a look inside and enjoy a new spot to catch some great shows. So Essex, new to Rochester, and worthy of a hearty welcome from all of us, come on out! Chi the Realist will open Friday night and Sheneiqua Shine on Saturday.

    Tickets are $30 and the doors open at 7pm.

    October 19: Buffalo Nichols at Abilene

    Folksy blues man Buffalo Nichols has the voice, the licks, the songs and he definitely has the name. Put it all together and you’ve got a young talent that you’re going to want to get on board with ASAP. He’s touring behind his fantastic brand new album, The Fatalist.

    Tickets are $15, $20 dos and the show gets started at 730pm.

    October 20: Chris Forsyth’s Evolution Band at LUX

    Chris Forsyth is a guitar player extraordinaire of the knock your socks off variety. He’s coming with a trio including Ryan Jewell, a superb drummer playing with a number of awesome bands too long to list, currently on tour with Woods. And Douglas McCombs, who is most notably the bassist in post-rock legends Tortoise. Tuck these guys into the wild and intimate LUX late on a Friday night and you’ve cooked yourselves up an ass-kicking time of high-powered psychedelia. Will Veeder and his band will open the show.

    Show starts at 10pm and admission is just $5.

    October 21: Cat Clyde at Skylark Lounge

    Local promoter Honest Folk is back with another great show, in a new-to-them venue at Skylark Lounge. Cat Clyde, a young singer/songwriter from Ontario, Canada, is bringing a full band to present her stellar new release, Down Rounder. She connects the old and new in unique and beautiful ways and this should be a thrilling show.

    Show starts at 8p and tickets are $20.

    Bonus! And while we’ve got your here, Honest Folk is actually bringing in another hip cat named Kat worth checking out. Two folkin’ cats in one month, is this heaven? Rochester native Kat Wright is whiddling down her usual big soul band to just a trio for a more stripped down sound. Hear them at Good Luck on October 8.

  • Drive-By Truckers and American Aquarium Get It Done at Water Street Music Hall

    It was a full night of earnest Southern Americana when Water Street Music Hall in Rochester hosted the Drive-By Truckers and American Aquarium on Tuesday, September 26.

    drive-by truckers american aquarium

    American Aquarium got things rolling with a tight workman-like set, punching in right at the listed 8pm start time and finishing up at 9pm on the button. With little to no chitchat and little to no breaks, they muscled through 14 songs in their hour. They weren’t in a rush though, and each tune was given it’s proper due, with room to breath. BJ Barnham’s voice carried his words with the weight and passion they deserved.

    A vision of his life as a singer/songwriter on the road, and the people and places he’s encountered along the way, unfolded song by song. And he usually wasn’t singing alone. The early-arriving crowd appeared to be as familiar and interested in the opening band as they were the headliner, singing, fist-bumping and genuinely hanging on the band’s every note. It was their first visit to town since 2014, but with that kind of welcome hopefully it won’t be another decade before their next return.

    The Drive-By Truckers wasted no time laying their cards on the table. Set opener “Maria’s Awful Disclosures” introduced the first of many characters to make an appearance, and erupted into triple guitar shredding reminiscent of Crazy Horse. Lead singers Patterson Hood and Mike Cooley swapped songs for most of their two-hour set, each getting ample opportunity to tell their own modern-day allegories. Messages delivered on waves of searing guitars hit like a fist through the chest. Cooley’s “Maria” and her distorted guitar tangle gave way to Hood’s “Charlie” (“Drag the Lake Charlie”) and it’s more anthemic rock sound.

    drive-by truckers american aquarium

    Later we’d hear about “Uncle Frank,” “Heathens,” “Women Without Whiskey” and “Rosemary With a Bible and a Gun.” Each song also took on a character of it’s own, spanning multiple flavors of rock: the deep dark blues of “The Driver,” the barroom banger “Surrender Under Protest,” the heavy rocking “Lookout Mountain.”

    “Hell No, I Ain’t Happy” had a more traditional classic rock feel with its sing-along chorus, fist-pumping beat and dense hooks. Then they took Prince’s “Sign of the Times” and crashed it right into the end, turning it into an Allman Brothers Band southern rock gem, with syncopated guitars exploding into the biggest jam of the night.

    drive-by truckers american aquarium

    The rest of the truckers helped flesh out the characters, stories and messages. Jay Gonzales was the swiss army knife everyman, filling in as needed when needed, with some perfectly placed Hammond B3 swells, electric piano sparkles and some of the best guitar playing of the night. Matt Patton kept the low end fresh and bouncing, smiling broadly the whole night long, no one was having more fun. Brad Morgan was as workman as anyone, providing the backbone for it all, helping the Drive-By Truckers deliver.

    American Aquarium setlist: Me & Mine (Lamentations), All I Needed, The Long Haul, Casualties, St. Mary’s, Six Years Come September, Losing Side of 25, Saturday Nights, Abe Lincoln (Backsliders Cover), Harmless Sparks, Katherine Belle, The Luckier You Get, Wichita Falls, Burn.Flicker.Die

    Drive-By Truckers setlist: Maria’s Awful Disclosures, Drag the Lake Charlie, Every Single Storied Flameout, Sink Hole, Uncle Frank, Heathens, Shit Shots Count, Why Henry Drinks, Women Without Whiskey, Pizza Deliverance, Panties in Your Purse, The Driver, Made Up English Oceans, Rosemary With a Bible and a Gun, 3 Dimes Down, Hell No, I Ain’t Happy > Sign of the Times (Prince Cover), Surrender Under Protest, The New OK, Gravity’s Gone, Lookout Mountain, When the Pin Hits the Shell, Shut Up and Get Off the Plane, Let There Be Rock

  • Five Can’t Miss Shows in Rochester This September

    School is back in session, the end of summer is counting down in days, and live music in Rochester is retreating into indoor spaces as September begins. But darker, cooler nights can lead to later, hotter shows. If you want to find yourself where the music is hottest find yourself at these ones.

    photo by Rob Tellerman

    September 14 Clem Snide at Abilene

    Clem Snide once was a band, but now it is just a man, Eef Barzelay. His unique and gorgeous voice and unique and gorgeous songwriting remain however and this will be a unique and gorgeous, and intimate, evening at the old saloon on Liberty Poll Way.

    Tickets are $15/$20dos and the show gets going at 7:30pm.

    September 15 Hot Tuna at Kodak Center

    Hot Tuna is no stranger to rock and folk fans everywhere. As with all of our favorite musicians from back in the day, they aren’t getting any younger. So this will be your last chance to catch Electric Hot Tuna as they are hanging it up after this tour. Acoustic Hot Tuna will live on though. You’ll miss ’em when they’re gone so don’t miss ’em now.

    Tickets range from $43.50 to $95.50 and the show will start at 8pm.

    September 24 Gov’t Mule at Kodak Center

    Another hot one up on the ridge at the Kodak Center. Warren Haynes returns with Gov’t Mule with a new album in tow and a new bassist, Kevin Scott, who has played with Jimmy Herring, Wayne Krantz and others, to help them thunder through their signature blues jam rock. Sounds like fun!

    Tickets range from $35.50 to $85.50 and the show starts at 8pm.

    September 26 Drive-By Truckers at Water Street Music Hall

    Let’s keep this party rockin’! Another big rock show coming to town this month, Drive-By Truckers bringing their politically-charged Southern rock stylings to Water Street. It’ll be a raucous feel good by feeling bad affair. The night of solid songwriting will be punched up with alt-country band American Aquarium opening the show.

    Tickets are $40 and the show gets started at 8pm.


    September 29 Public Water Supply at Iron Smoke Distillery

    Round out the month with some local music courtesy of rising talents, Public Water Supply. This Americana Rock quintet has been making the rounds and turning heads over the past year. Time to go check em out and catch the buzz!

    Tickets are $10 at the door and show starts at 8:30pm.

  • Mauskovic Dance Band Gets the Bug Jar Moving

    Donald Mauskovic, Mano Mauskovic, Marnix Mauskovic, Nico Mauskovic make up the Mauskovic Dance Band. From Amsterdam, they swung through Rochester at the Bug Jar on Tuesday, August 29, part of their late summer US tour. The Mauskovic’s though are, like the Ramones, not really Mauskovic’s and not really related.

    Though this mysteriousness only served to enhance their performance. The who’s, the what’s. the how’s, were not important. The only thing that mattered was the rhythm and the groove, and the Mauskovic’s were doling out heaping helpings of both. The energy emerging from the stage was immediate and the audience was converted to a dancing frenzy in no time. The band may not have been related, but they invited the Rochester crowd to their family gathering in the upside down apartment that is the Bug Jar. The party was underway and soon enough everyone was a Mauskovic.

    Drums, percussion, synthesizers, and effects and echo laden vocals were stitched together by an ever-present and deliciously grooving bass, sometimes doubled up with a second more melodic bass. African, Jamaican and Brazilian sounds all seeped into the mix, bobbing heads, shuffling feet and moving everything in between. At one point supremely deep bass blasts even moved bodies at the cellular level.

    Lyrics, sometimes in English, sometimes not, sometimes improvised, sometimes not, piled more into the mystery. Songs blurred together into never ending strings further dizzying the senses, breaking the crowd down into dancing mounds of putty waiting to be sculpted. When the dust settled though there was no doubt, that was a damn fun time on a Tuesday night in Rochester with the Mauskovic Dance Band.

  • Five Can’t Miss Shows in Rochester This August

    Although the summer is ending soon, the live music scene in Rochester is still as rockin’ as ever. Here are five eclectic picks to keep it going and close out your month in high style.

    8/17 Alla Boara @ Lovin Cup

    Providing modern arrangements of old, forgotten, perhaps nearly extinct Italian folk music, Alla Boara will likely sound like nothing you have heard before. Certainly it won’t be what you’re getting at the local Italian eateries! Put on by the good people at the Bop Shop, you know this show is going to be good.

    Tickets are $20, and the show starts at 8 p.m.

    8/18 Glyders @ Abilene

    This Chicago trio roll out some fuzzed up psychedelic rock with a minimalist aesthetic. Their new album was released back in the earliest days of 2023 and they’re blowing through town to give you chance to see those tunes live. Local boys Leus Zeus will give a rare and anticipated performance in the opening slot.

    Tickets are $10/$15dos and the show starts at 7:30 p.m.

    8/25-8/26 Fairport Music Festival

    The Annual Fairport Music Festival takes place across six stages for two days smack dab in the middle of the village of Fairport, bringing together incredible local talent with some national acts. They also raise a ton of money for the Golisano’s Children’s Hospital. Highlights of this year’s lineup are Magnolia Boulevard, The Campbell Brothers, Miller and the Other Sinners, and the John Payton Project.

    Tickets are $20/$25dos and the music gets started at 4 p.m. Friday and 11:30 a.m. Saturday.

    8/29 Mauskovic Dance Band @ Bug Jar

    What you need is some berserk groovy dance punk from Amsterdam. The Mauskovic’s in the Mauskovic Dance Band aren’t actually related, but this music is highly relatable, and highly infectious. Local rockers Triglactogon open the show at Bug Jar.

    Tickets are $15/$18dos and music starts around 9 p.m.


    8/30 The Bad Plus @ The Little Theater

    Alumni of the Rochester International Jazz Fest, The Bad Plus reinvented what it means to be a piano trio, and now they’ve reinvented themselves for the second time. Gone is Ethan Iverson on piano, gone is his replacement Orrin Evans, and in are Ben Monder on guitar and Chris Speed on saxophone. The core of bassist Reid Anderson and drummer Dave King remains as does the band’s ethos and songbook.

    Tickets are $35 and the show starts at 8 p.m.

  • Hearing Aide: Mikaela Davis and Southern Star

    Harpist Mikaela Davis and her band Southern Star, released their first album as a unit this week. The album, simply called Mikaela Davis and Southern Star, is also her first release in five years and her first on label Kill Rock Stars.

    Mikaela Davis and Southern Star

    The band however, is not new, and most of them have been playing together since before her last album, Delivery was released. Joining Davis’ harp is Alex Cote on drums, who has been friends with Davis, and been playing with her in some way or another, since they went to school together just outside Rochester, NY. From nearby Syracuse, Cian McCarthy plays guitar and his brother Shane picks up bass duties. Rounding out the quintet is Kurt Johnson on pedal steel and guitar, originally hailing from Rochester southern outskirts, he has been a fixture in the city’s music scene, along with Davis and Cote for many years.

    Mikaela Davis and Southern Star, the band, is locally-grown, organically-formed, and grade-A quality. Mikaela Davis and Southern Star, the album, is a superb documentation of their unique and diverse sound that will equally satisfy the hunger of the most ardent fans and those that have yet to get a taste.

    It is rare for a harp to front a rock band, rarer still for a harp to intermingle with a pedal steel. Add in a guitar and bass and Southern Star comes in with a whole lot of strings in tow. It works incredibly well, and provides the band with a lot of versatility.

    The set eases into the listeners ears with the beautiful harp melody in opening track “Cinderella.” With Davis’ voice and Johnson’s moaning pedal steel work joining in shortly after, the unique magic embedded inside is immediately apparent. From there each track adds new and interesting elements into the fold until the palette is revealed in full. It explodes into an extended guitar-led workout on album-closing “Leave It Alone,” before petering into ambient spaciness. But the band isn’t quite ready to call it a day and the jam re-emerges for another couple minutes like a classic album hidden track.

    In between, the album jumps through genres effortlessly. Country rock awash in early 70’s psychedelia moves to pop-tinged folk, languid grooves flip over to muscular choogle. Despite it’s diversity it all comes across as a coherent whole, a satisfying full album listen with a rich and timeless-sounding production that should keep this a regular on the turntable or streams for years to come.

    Key tracks: Saturday Morning, Don’t Stop Now, Leave It Alone

  • Encased in Orange Rinds: Phish Returns to the ‘Cuse

    Phish returned to Syracuse for the first time in over seven years last Sunday night. Not just a return to Syracuse, also their first show in the entire Central/Western New York region since that show at the same venue, St. Joseph’s Healthcare Amphitheater at Lakeview in 2016 and their first time in the area since Curveball, a planned three-day festival in Watkins Glen, was cancelled. So to say Cuse area fans were hungry for some Phish would be an understatement. Fortunately the band delivered a smorgasbord on which the crowd could feast.

    The band culled selections spanning their entire catalog from the earliest compositions to their latest, from their silliest to their most serious, touching on the expansive multitudes of genres and influences that give Phish the sound that is unmistakably Phish.

    But first, there had to be acknowledgement of their return to Syracuse, the hometown of their namesake drummer Jon Fishman. “Welcome Syracuse fans of Jon Fishman!” declared guitarist Trey Anastatio. Fish walked onstage in a new dress in the city-defining Syracuse University orange and blue, which was made for him by local Lisa Simpson, who also just happened to be celebrating her birthday. After a quick run through “Happy Birthday” to celebrate, the show was ready to get rolling.

    The following set sated the fans from a song perspective, with highlights from nearly every stage in the band’s history. Mid-90’s staples like “Free” and “Theme from the Bottom,” a foray into the early years with Gamehenge masterpiece “McGrupp and the Watchful Hosemasters,” 3.0 mainstays “Steam,” and “Stealing Time From the Faulty Plan,” to the new-ish but rare “Evolve” from Anastatio’s pandemic release Lonely Trip. The song selection was excellent, the playing was solid, but it felt somewhat unsteady in it’s variety, quickly flitting from place to place.

    Bluesy rocker “Kill Devil Falls,” finally set down an anchor, launching immediately into the depths. But like what had preceded, it flitted from theme to theme so quickly that it struggled to find traction. The lights skittered and spun, flipping colors and cadences along with the music, overwhelming the senses. Then it happened. Anastatio grabbed onto a repeating theme, Page McConnell jumped in on piano, pushing the sound up and up until it jumped the tracks. Mike Gordon hit a resounding note that registered on the Richter Scale, thundering the shores of Onondaga Lake. With Fish holding it together, the whole band was locked in for a delicious final few minutes before they closed out the set, allowing the hungry crowd and delivering band to take a much-needed break.

    The first set provided the wanting crowd with a tasters menu of what they’d been living without for all these years. But they were still licking their lips for some the type of memorable jams that only Phish could deliver. As the first notes of “Tweezer” rung out early into the set, the crowd salivated in anticipation. The band wasted no time gelling from the get-go, picking up where they left off with “Kill Devil Falls.” McConnell once again emerged as a power player, pushing the band with the Rhodes and piano. After a good long high-energy rocket launch, they entered the cosmos, drifting and ominous. The foursome floated around in the ether, letting natural gravity pull the sound from place to place effortlessly.

    The creativity was bountiful, ideas emerging from nowhere and everywhere, endlessly engaging. Themes were at once familiar and brand new. Genesis’ “That’s All” seemed to take hold, but it wasn’t quite what it seemed. A deep cosmic groove contained an essence of The Who’s “Eminence Front” yet it was entirely original. In fact, other ther than a run through of Joe Walsh’s “Walk Away,” the entire night was pure Phish. Cover songs are always fun, and of course Phish centered a much-copied Halloween tradition around other people’s material. But after 40 years, has the band rendered covers unnecessary? The catalog runs deep, as displayed perfectly at this show. And beyond that, the uncomposed brilliance conjured in the moment is as original and interesting as ever.

    And they’re still writing, adding ever still to that catalog. After 27 minutes of exploration, the “Tweezer” was blasted into oblivion. No wait, that should be capital-O “Oblivion,” another brand-new Anastatio title debuted with his new trio in June and with Phish just a little over a week prior. And a great entry into the catalog it is, lauching right back into more exploration that felt like it advanced right along the same lines the preceding jam was headed. Deep drones tightened around Fishman’s forward-marching beat that McConnell once again pushed to new heights behind bold and brilliant hammering on the ivories. From there it was all peaks and no valleys. All told, when the band finally landed, the crowd was taken on a near 50 minute journey. Syracuse’s patience was finally paying off.

    A poignant “Miss You” grounded the amphitheater, while a fun and always funky “Wolfman’s Brother” and a nostalgia-fueled “Possum” brought the set to an end.

    The encore played like a microcosm of the whole show. Anastatio opened with some more Fish Syracuse references, recounting his high school days at Jamesville-DeWitt. They headed back to some of their earliest years with the silly jazzy barbershop-inflected “I Didn’t Know,” featuring a rare go on the vacuum from Fishman himself, before which Anastatio quipped, “Jon Fishman is about to suck, as predicted by all his teachers.” Then they genre-jumped into the soaring and weightless instrumental “What’s the Use,” before tying a fist-pumping earth-shaking bow on the whole affair with the predictable but always welcome “Tweezer Reprise” closer.

    A one-off Sunday night show amongst a tour of multi-night runs felt like a bit like a consolation prize, but the “never miss a Sunday show” aphorism delivered once again, and Syracuse was treated to a stellar evening of music. But after feasting on that, they might not be so patient in waiting for another taste.

    Phish – St. Joseph’s Lakeview Amphitheatre, Syracuse, NY – Sunday, July 23, 2023

    Set 1: Happy Birthday, Free, Steam, McGrupp and the Watchful Hosemasters, Evolve, Stealing Time From the Faulty Plan, Meat, Walk Away, Theme From the Bottom, Kill Devil Falls

    Set 2: Suzy Greenberg, Tweezer > Oblivion, Miss You, Wolfman’s Brother, Possum

    Encore: I Didn’t Know, What’s the Use?, Tweezer Reprise

  • Tedeschi Trucks Band Take It Higher in Canandaigua

    Another beautiful summer night on the shores of Canandaigua Lake enjoying some live music at CMAC. Such was the fate for the thousands of fans who filled the shell and lawn for the Tedeschi Trucks Band show Tuesday night. What could be better?

    The stage would also be filled to the max. Reggae great Ziggy Marley and his ten-piece band would command the stage for an hour-long opening set before the Tedeschi Trucks Band would take over, besting Marley with their unit of twelve. At nights end however a band of eighteen would be serenading the audience. Six from Marley’s band would join the headliners for a raucous encore of a mashup of Sly and the Family Stone’s “Sing a Simple Song” and “I Want to Take You Higher.”

    Like a series finale, all the story lines from the evening came to a head at once, resolving in highly entertaining fashion. Mini-jams broke out all over: a keyboard duel, a 2-man bass-off, a drums and percussion battle, a triple guitar threat, horns aplenty, and a handful of vocalists directing it all to a t. The entire audience was on their feet, amazed at how they managed to wrap up the evening so perfectly.

    Watching it unravel song by song, it was a lot to binge in just one evening. Marley flexed his heritage in the opening set, getting properly political with the dark dub of “See Dem Fake Leaders” and “Justice,” which effortlessly worked in splashes of his father’s “Get Up Stand Up.” Those contrasted nicely with the sunnier “We Are the People” and “Circle of Peace.” His two female backup singers added some edge with rapping over “The Lucky One” and the soulful closer “Look Who’s Dancin’” while also exhibiting some entrancingly good dance moves.

    The intrigue was set, it was time for the main act. The Tedeschi Trucks Band worked a solid groove on Joe Cocker’s “Woman to Woman,” using it as a quasi walk-out tune for Susan Tedeschi. When she finally took the stage, she immediately commanded it, her incredible voice carrying over all else. She would continue to be the person of interest in the following “Anyhow,” ripping a rocking solo reminiscent of Traffic’s “Dear Mr. Fantasy.”

    Each ensuing song would bring different members of the endlessly talented ensemble into the spotlight. Piece by piece the story of the band would come together, all working toward that grand finale. The three segments of the band, be it Tedeschi, Truck, or Band, got equal time and each had their highlights. Tedeschi’s voice shined brightest on “Don’t Think Twice It’s Alright,” just crackling and soaring. Trucks’ guitar found no better time to growl, stretch and moan then the set-closing “I Want More / Beck’s Bolero” combo. The drummers took over on Dr. John’s “I Walk On Guilded Splinters,” blasting low rumbles leaving the rest of the band hanging on and hanging in. Keyboardist Gabe Dixon took a turn on the vocals and highlighted his playing on the New Orleans soaked “Gravity.” Saxophonist Kebbi Williams got his turn on the retro soul groover “Part of Me,” and also got to tangle for a spell with Trucks, Dixon, and bassist Brandon Boone on a gorgeous “Midnight in Harlem.”

    Whatever they made it out on a Tuesday night for, be it Tedeschi, Trucks, or any and all of the band, there’s not a chance anyone went home unsatisfied. And now the difficult wait for the next season to get released so we can binge on their talents all over again.

    Photo gallery by Jamie Mohr

  • Five Can’t Miss Shows in Rochester This July

    Summer is in full swing and that means the slate of venues for music all around the state has just gotten exponentially larger. Typically the only theme with these posts is the very best shows to see no matter where. But this month we’re specifically highlighting some unique places to catch some tunes, and maybe some rays, in Rochester this July.

    July 14, Old World Warblers at Sam Patch

    Described perfectly by fellow local musician Chaz Hearne, the Old World Warblers are a “bare bones acoustic trio that utilizes the percussive elements of the their instruments without wasting a single note.” What better way to enjoy then on a historic packet boat cruising down the Erie Canal? You can do just that when the Sam Patch hosts them this Friday evening.

    Tickets are $32 and it sets sail at 6:30p.

    July 19 – The Big Takeover at George Eastman Museum Garden

    The Big Takeover, from the Hudson Valley, take roots reggae and put their own unique spin on the classic sound, with Jamaican born singer-songwriter Nee Nee Rushie leading the way. And you can see them play their hearts out nestled in the gardens at the George Eastman Museum. What could be better?

    Tickets are $12 and the show starts at 6p.

    July 21 – Magic Beans at Public Market

    Magic Beans are a four piece that are beginning to make big strides in the jam band world by combining elements from the full range of modern music and taking them for long exploratory rides, as jam bands are wont to do. Check out what their all about at the Rochester Public Market as a part of their annual Bands on the Bricks series. Litz will open the show.

    The show is free and will get started around 6p.

    July 27 – Archive Ravens at Riverie River Cruise

    More music on a boat! The newest boat in town is the Riverie, taking cruises down the Genesee River from the newly minted dock in Corn Hill. This night you can take in the river sights, the sunset, and the sweet sounds of local folk duo The Archive Ravens. Sounds like a great night.

    Boat leaves at 6p and tickets are $45.

    July 28 – Heatwave Bluegrass at Genesee County Museum

    Is there anything better than seeing superbly played old-time music played at a meticulously appointed old-time town? Take the opportunity to partake in such a fantasy scenario when area bluegrass barnburners Heatwave Bluegrass take the stage inside the Genesee County Museum. You can dress however you like but vintage-wear would probably be most appropriate

    Tickets are $8 and the show starts at 5:30p.

    These are just a few of the great shows you’ll find in Rochester this July! Stay tuned for our August picks in a few weeks!