On Sunday, January 15, Lark Hall will host Hanzolo, Canella and Jak Lizard, for a night of rising bands from across Upstate New York.
Hanzolo, who won the 2022 NYS Music March Madness, is a 7-piece band from Cooperstown, toting an explosive and emotional sound that mixes soul, jazz, rock, and funk. Their songs are dance-ably fun with thoughtful lyrics, backed up by a bright horn section. Not only have Hanzolo won NYS Music’s March Madness, but they also won the WEQX Battle of the Bands and opened Albany’s annual Pearlpalooza music festival in 2019. The first release from Hanzolo, Table Butter, was followed up with a self-title release in the fall of 2021.
Hanzolo’s music has been compared to table butter; Soft enough to spread, yet hard enough to keep its shape. Watch the video for “Not Easy” below.
Joining Hanzolo on January 15 is Canella, who have established an electric alt rock presence in the Capital Region and recently won WCDB’s ‘Song of the Year’ award for their debut single “Quiet Love”. Joining the Tulip Fest 2022 Lineup, Canella set a fire on stage that ignited female fronted rock nostalgia but with a refreshing DIY take. Their upcoming album is a revenge journal of songs pulled out of the classic ‘Burn Book’ of their personal lives. Their music is dedicated to former bandmate and best friend, Kyle Robinson who tragically passed away in a car accident in 2020.
Rounding out the lineup of artists on the rise is Jak Lizard, a New York crooner and self-declared “poptimist”. His orange, pink, and yellow melodies with a penchant for two stepping with your best friend.
Two bands – Karina Rykman and Quiltro – made their debut appearances in the Capital District on Thursday, December 1, performing at Albany’s Lark Hall
Karina Rykman is no stranger to Albany, having played with Marco Benevento numerous times at The Hollow and Cohoes Music Hall. Now touring with her own band, consisting of Adam November (guitar), Chris Corsico (drums), and Rykman on bass, made their first appearance in Albany with a strong crowd welcoming them to town.
Quiltro also had their first performance in Albany, with bassist Mike McKinley returning home for a long overdue hometown show. Quiltro had initially been set to play Albany in May 2020, which was left unannounced as the music industry and world around us shut down for a then indeterminable amount of time. Finally arriving home, the early crowdâs rapt attention to the psychedelic rock put forth by Mark Taylor (guitar), JD Hoffmann (drums) and McKinley.
During their 60 minute first set, Quiltro opened with a spacey jam that worked its way eventually into Hendrix’s “Third Stone From the Sun” amid “Pyxis,” the third track from their self-titled 2020 release. The set drew progressively heavier as the hour wound on, driving home the set with “Knight Riding” and “Field of Cities.” Played an introductory set to the uninitiated crowd, Quiltro warmed up the audience for Rykman, a perfect pairing this evening. McKinley and the crowd thanked all for coming to the show, particular his parents who were seated up front for the show.
Quiltro Setlist: Jam-> Pyxis-> Third Stone From the Sun -> Pyxis, Dark Matter, Apollo -> The Crater, In Reverse, Antilla, Knight Riding, Field of Cities
Rykman arrived to the stage around 930pm, flanked by November to her right and Corsico on her felt. Standing front and center, bass in hand, Rykman lit up the stage, singing “Joyride” to open the show in a soft dream-pop voice.
This power rock trio doubles as a prog rock trio at times, deconstructing songs mid-jam and building them back up again. The far reaching instrumentation of the triumvirate were fully in sync on “Plants,” one of the studio tracks that when heard live helps you fully ‘get’ the band’s sound.
November’s shredding and keys created dissonance while Karina bopped around the stage, establishing her presence as the frontwoman of this unique trio, one that brings more than just jams to the table. Â
Rykman channeled Tina Weymouth on the Talking Heads adjacent tune “City Kids,” which Mike Gordon would join her for two nights later at Nectar’s in Burlington. With a few shows left this tour, Rykman’s brief Northeast Tour is well worth catching, as she sets her sights on wider touring in 2023.
Karina Setlist: Joyride > All That You Wanted > Plants > Arbitrary > Dirty South, Beacon, City Kids, Fever Dream, Atom Dance, No Occasion > Psycho Killer > The Hardest Button to Button, Elevator
Family, friends, local musicians and fans of The Band’s ‘Last Waltz’ got into the Thanksgiving spirit a day early at Lark Hall in Albany on Wednesday, November 23rd.
Based on an idea conceived by drummer Joe Sorbero and building off the success of 2021’s inaugural ‘Last Waltz on Lark Street,’ an impressive ensemble of some of the Capital Region’s best players, eighteen in total, came together to celebrate the famed “farewell” performance that originally took place at Winterland Ballroom in 1976. Martin Scorsese’s iconic documentary film of the same name is considered by many to be the best concert film of all time.
The Last Waltz on Lark Street | 11-23-2022 | Albany, NY | Lark Hall
Set 1: Don’t Do It, Up on Cripple Creek, The Shape I’m In, Ophelia, This Wheel’s On Fire, Further Up the Road, Who Do You Love, Such a Night, Genetic Method, Chest Fever, It Makes No Difference, King Harvest, Life is a Carnival
Set 2: The Night They Drove Ol’ Dixie Down, Acadian Driftwood, Rag Mama Rag, Baby Let Me Follow You Down, Forever Young, Evangeline, Helpless, Four Strong Winds, Caravan, W.S. Walcott Medicine Show, Stage Fright, The Weight
Encore: I Shall Be Released (with all musicians on stage)
Karina Rykman is a name that is often brought up in conversations discussing everything from “who is next ” to “who is doing it best” with good reason. Growing up in New York City and never adhering to a single band or bending the knee to one musical subculture, Karina breaks down genre barriers naturally. Charismatic and upbeat, Karina’s live music experience provides a sense of togetherness during a time of intense isolation and separation. Karina Rykman’s music defies perceptions by providing a big sound with few bodies on the stage.
Photo: Jesse Faatz
Karina is currently hitting the road with her power trio featuring Adam November (Guitar/Looper/Effects) and Chris Corsico (Drums). Destinations will be throughout the Northeast and begin in Upstate New York. She’ll be performing at The Upstairs in Ithaca on November 30th and at Albany’s Lark Hall on December 1st. Karina’s live show provides nourishment for the brain with technical hypnotism while simultaneously allowing stress relief with an attitude heavily weighing on the side of fun.
Photo By Em Walis
Opening the night in Albany for Karina Rykman is Burlington, VT-based Quiltro, who bring a psychedelic sound reminiscent of Circles Around the Sun. Their 2020 debut record has been described as the soundtrack for a dystopian sci-fi film that has yet to be released. Featuring Mark Taylor (guitar/keys), JD Hoffmann (drums) and Mike McKinley (bass), their Lark Hall performance marks the first hometown show for the Albany-native McKinley. Get a taste of what’s in store with their performance of “Antilla,” filmed at Autochrome, a community studio space in the south end of Burlington.
Karina took time to chat with Em Walis about her upcoming tour, creative process, oysters and the metaverse. This conversation took place the week after filling in on Seth Meyers for the second time and before playing a few shows with Marco Benevento. Karina gave insight on how growing up in New York with parents in academia led to a mindset framework for discovery and integration.
Em Walis: Where are you right now?
Karina Rykman: I’m home actually. Unbelievably, I’m home. I will play with Marco tomorrow. It’s nice – a little hometown vibe then off to Connecticut followed by Massachusetts and then home on Sunday. Then Thanksgiving week, and then on to the next. We’re going to enjoy this time. It’s pretty crazy. Last week specifically I thought “oh my god, I have a weekend at home to dial everything in”. I’m really trying to prepare in a big way.
EW: And some recovering I’m sure.
KR: Oh, definitely and in a super big way because my October was so slammed and just, just crazy. I spent two weeks on the road with Marco on the West Coast. And the first weekend of the month my band did a festival in Virginia, and a festival in Pennsylvania. It felt as though I was just on the road the entire time; flying, driving, planes, trains, automobiles. November was going to be chill, rehearsing with my band, and just one weekend with Marco, and then I get a call from my buddy Eric, who’s the producer on Late Night with Seth Meyers asking “Hey, are you around this week?” “Oh snap. Yes, I AM around!”
EW: Stars aligning is awesome.
Photo: Jesse Faatz
KR: Crazy, crazy. And then I did last week and it was amazing. It was on guitar. The last time I publicly played guitar was last December at the Capitol Theater. I played two tunes on guitar for this Headcount benefit. It was with Larry Campbell and so many incredible players. In the past I played guitar on the Today Show, backing up Julia Michaels in 2017. So anyway, all I’m trying to say is there have been very few and far between guitar gigs. I got that call late Monday night, and they asked for me to come in on Wednesday and Thursday. That Tuesday was Election Day, so I was voting and then practicing, just trying to become a confident guitar player again. I just want to do such a good job and I don’t want to let anyone down, almost to a fault. I over prepare and over prepare.
Photo By Em Walis
EW: This can be good. Even if it’s just a visualization or something. I would be curious how you manage all of the hats that you wear? In switching head spaces from Marco mode to solo mode to, you know, selling guitars on the side. Haha
KR: Great question. It definitely requires patience with yourself, as well as actively recognizing that you’re switching gears and shifting hats. When I work with Marco it’s really fun for me because I am a hired gun who’s not in charge of anything.
EW: And he’s really fun.
KR: Oh, he’s the most incredibly fun loving, hysterical, wonderful band leader and mad scientist. He’s just incredible. So all of that combined, results in not a lot of stress for me in the same way that my solo band is. The solo stuff is more pressure on me because it’s my band, it’s my name, I book the hotel rooms and rent the van and figure out all the logistics, and everything. It’s my music. So you’re kind of putting yourself out there in a big way
Photo by Em Walis
EW: On all sides of music, from every angle, it seems we all have this similar internal story going on or a question of how safe is this space for me? Just emotionally and with that, you know, there are different levels. Sometimes it’s totally chill and at other times, as you said, which I think is great. Just a little more active noticing where am I? What’s the actual thing that’s at stake here? Why is everybody here? Sometimes you’re in situations where you feel a little more pressure or more scrutinized. Depending on the venue or if it’s a festival with strangers.
KR: Especially this TV gig, you know? Those nerves never quite go away. Working on a new thing, or taking a new gig, or launching into some sort of uncharted territory, I’m often thinking “I’m so nervous, why do I keep putting myself in these situations?” But honestly, those are the moments where you know you’re doing something cool as shit, because you feel that way. There’s something worth suffering over. And then you overcome it. You’re like, wow, learn from that.
Photo: Michael DiDonna
EW: Absolutely. I’ve been curious about what brain scans of musicians might look as compared to extreme sports dudes. We are acclimated to these huge buckets of epinephrine and dopamine being poured all over us. It seems as though in those down moments, when we can remember that one time that you were home. We look at our laundry. It’s not all the excitement, tea cups are worth of satisfaction from that. I don’t know if that’s worth it.
KR: It’s so funny. I find that especially in the last few years, having adjusted to no gigs for a minute there. Now, with them coming back, you’re in a constant state of readjustment – you’re either adjusting to tour life or adjusting to home life. And honestly, if you do it as much as I do it, you don’t have the time to be fully adjusted to either, but as soon as you do, you have to go home and then you are a total circus freak at home for a minute with this misplaced adrenaline that hits you at midnight when you’re supposed to go to sleep and you’re thinking, ‘Wait, where’s my show? Where’s the show? Where are the people? Where are my friends?’
Photo By Em Walis
EW: I was curious about your creative process and how you manage or if you have any recommendations for those that are newer in this back and forth. Do you have anything that helps you get into it?
KR: That’s a great question. I’m very lucky to have such a great producer and writing partner whose name is Gabe Monro, whom I’ve written almost all my tunes with. I can’t speak too much on this, but I have a whole record that’s going to see the light of day next year. I’m so much more of a social creator, if that makes sense. I don’t go into my bedroom and come out 12 hours later with the greatest song – I find that when I work with Gabe or I work with my band, we make the creative process sort of a communal thing and that elicits better results. For lyrics though, I do need to be alone. Gabe and I have this process where we basically write what we refer to as ‘seedlings’, which can be just an A section and a B section or whatever it might be, but it’s just a vibe. I bring that home with me and if I always know that, if we work in the studio all day and then I come home with a seedling that I’m so geeked on, it’s two in the morning and I HAVE to listen to it, you know that it’s worth developing and worth sticking to. But sometimes you have seedlings and then you listen back the next day, and you’re not inspired at all. So it goes.
EW: We’re not seeing roots. We’re not seeing a little leaf pop out on that paper towel.
KR: Totally. It’s amazing to have folders and folders of seedlings that maybe in a year or two I can go back through them and be like, ‘Oh my god, there was something here! This is an inspiring moment.”
Photo: Steph Port
EW: What’s your view on the balance between a purist straight plugged in sound versus effects driven sound?
KR: I am a big fan of both things in moderation. With my band specifically, I really love the fact that with Adam November on guitar, he’s so much more than just a classically ripping guitar player. He is a complete mad scientist over there with multiple loopers and effects and crazy stuff going on. I don’t even know what to call it or what it is, but I think that’s very specific to us. That is a big part of the sound.It’s obviously a trio, but we are larger than the sum of our parts. I don’t want you to come to my show and think that you’re seeing a measly three piece – you’re seeing a power trio. You’re coming to see a full, lush sonic experience.
EW: I was wondering if you ever, in perhaps middle school years, had any particular musical identity commitments?
KR: You know, from the jump I had very diverse tastes, I had my metal friends, my jam friends, and beyond. I was a sponge. I never pledged allegiance to one style or genre. I would see Slayer on Saturday and Phish on Sunday.
EW: I think sometimes it gets forgotten is that you can you can belong in multiple spaces and be welcomed into multiple spaces and your status or validity does not come from your commitment to one particular scene or your amount of shows on your spreadsheet or you know, which you know which special event with that special seat and you happen to be present for that. There’s so much more.
KR: I never pledged allegiance to one style or genre. I would be at Slayer on Saturday and Phish on Sunday.
Photo By Em Walis
EW: What was music the relationship with music in your house growing up?
KR: Well, my parents are both academics.They both teach at Columbia University. They are so supportive. They’re so thrilled, and can recite to you every lyric of every song I’ve ever written. They’re at every show that they possibly can be at, but there was very little music exposure in my house growing up. My dad would listen to Goldberg Variations (Bach) on CD while he was writing, but they didn’t show me the Beatles, The Stones or Led Zeppelin, or any normal stuff, and I’m super grateful honestly. I was able to form these absolutely insane bonds with the music I enjoy, and it was such a desire of my own and not a desire of somebody else’s. Those were all my own discoveries. I really appreciate them for that.
EW: Beautiful. Correct me if I’m wrong, but it seems your parents provided a framework to pursue a curiosity and manifest a passion. Maybe there wasn’t literally music in the house, but there were many curiosities being pursued.
Photo by Em Walis
KR: In a big way. My dad writes books and gives lectures, he’s a philosopher, and for me growing up, I saw this guy wake up every day, sit on his yellow chair and write and write. And then he goes for a walk, and then he comes back from a walk and, you know, in his super jovial, hilarious manner, has all these thoughts that came to him on his walk, and he runs back to his yellow chair and writes them all down before he forgets them. And seeing his complete dedication and commitment and joy for what it is that he’s interested in, gave me the utmost permission to do the same, and it allowed me to explore the stuff that did it for me in that exact same way.
EW: Thank you again for taking the time. My last question is from Dogs In A Pile. They would like to know what your favorite gas station snack is while on tour?
On an ominous day in music history, The Seapods, featuring members of the Ominous Seapods, will come together for a night of music at Lark Hall in Albany on February 11, 2023.
Appearing at The Seapods 2-11 show include Max Verna (guitar, vocals), Tom Pirozzi (bass), Brian Mangini (keyboards) and Ted Marotta (drums). The fifth member of the group, guitarist/singer Dana Monteith will not be in attendance. Thus, the show is billed as The Seapods featuring these four members from the group’s classic ‘90s lineup.
The evening of music lands on an unofficial holiday for the band, who consider the February 11 date a marker for great gigs, including a memorable performance in 1995 at a Dartmouth frat party. One explanation that has been offered for the meaning behind 2-11:
There are numerous accounts of people making a purchase at their local Kwik-E Mart and having the total come to $2.11, or getting home from a Seapods show at exactly 2:11a.m. These occurences have spawned a movement know as “Twoelevenlutionology” (a.k.a. “Twoelevenism” or “Twoelevenology”) where 2-11 is the chosen leader. His disciples follow him along the 211-fold path of Enlightenment to the Dumpster of Destiny, and bask in the ominous beauty of the mystical number 211. And all good Twoelevenologists know what they should be doing at 2:11 on Wednesday afternoon!
As they add to the Ominous Seapods history with jamming and improv done only as the Seapods can, the evening is sure to be a hugely successful night in Albany. Tickets are on sale now and can be purchased here.
Circles Around The Sun have announced their new album, Language, will release Spring 2023. The psychedelic jam band will continue their US tour by the same name, adding more dates to close out this year and into 2023, including two stops in New York — at Lark Hall in Albany and the Brooklyn Bowl in Brooklyn — in January of next year.
Circles Around The Sun was founded by the late guitarist Neal Casal, when Casal was called on to record interludes for the Grateful Dead’s 2015 “Fare Thee Well” concert series. The interludes, inspired by Dead songs, were then recognized at the concerts on their own merit, prompting Circles Around The Sun’s first release: Interludes for the Dead. The band went on to record two more albums of their own sound, before Casal’s passing. On this upcoming album, Language, Adam Macdougall on keyboard and synth, Dan Horne on bass, Mark Levy on drums and John Lee Shannon on guitar have set out to oscillate through genres of disco-funk, soul jazz and psychedelic rock to create new sounds and ongoing dance jams.
When the four reconvened in the recording studio to record their newest, it meant working through the tragedy of their founding members death, and setting out to use the framework he left them to create something beautiful and new of their own.
Tickets to the new legs of this tour went on sale November 11, and can be purchased here. See complete tour dates below.
TOUR DATES
Dec 29, 2022 – Roanoke, VA – 5 Points Music Sanctuary
Dec 30, 2022 – Winston Salem, NC – The Ramkat
Dec 31, 2022 – Richmond, VA – The National *
Jan 20, 2023 – Albany, NY – Lark Hall
Jan 21, 2023 – Brooklyn, NY – Brooklyn Bowl
Jan 22, 2023 – Ardmore, PA – Ardmore Music Hall
Jan 25, 2023 – Pittsburgh, PA – Thunderbird Music Hall
Astounding an intimate audience during their Lark Hall debut, the experimental progressive jazz-rock quartet Kick the Cat wasn’t pussyfooting around during their recent stop in Albany on October 7th. From heavy metal and beautiful blues-based rock, to complicated jazz compositions mixed with playful funk and all sorts of funky time signature changes, the enduring Chicago-based band unleashed an all-out assault of the senses by combining just about every style of music known to man and making it their own. Uncompromising and anything but commercial, those who dared to take a chance on this night were rewarded with a very special performance.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
In a move that only further cements an already legendary status, veteran Capital Region concert promoter Greg Bell of Guthrie/Bell Productions announced just days before the show that it would be free-for-all. No cover charge, no hidden agenda. Why you ask? In a statement released on social media, Bell claimed “Because I feel people should see these two bands, I am making this a free show. No tickets needed, no admission fee, just great music.” Also making their Lark Hall debut on the evening was the Hudson Valley-based group NEQ. Made up of guitarist Todd Nelson, Kyle Esposito (bass) and Manuel Quintana (drums), the group was also joined by Ross Rice on keyboards. Playing mostly songs from their 2022 debut album ‘Nevertheless”, the band showcased a diverse set of influences ranging from classic and prog rock, to gospel, funk and even a splash of spaghetti western. Clearly having a good time on stage, the bands heartfelt approach immediately endeared themselves to the listener and set the bar incredibly high for what was soon to follow.
NEQ performing at Lark Hall in Albany, NY 10/7/22
Dressed like regular dudes, the members of Kick the Cat casually took to the Lark Hall stage around 9:30pm. Greeting the audience with gratitude and letting them know in advance things were about to get weird at times, but also groovy and beautiful at times too. Though the band might be new to some, they’ve actually been playing together for nearly twenty-five years. Consisting of front man Chris Siebold on guitar, Kris Myers (of Umphrey’s McGee) on drums, Chris Clemente on bass and Vijay Tellis-Nayak on keyboards, The Cats opened with the pummeling start/stop frenzy of “Ow! My Eye,” clearly letting you know you had to be punished before you were pleasured.
Kris Myers performing with Kick the Cat at Lark Hall in Albany, NY 10/7/22
Anchoring the controlled chaos, it was the powerful, confident and steady hands Kris Myers that demanded most of the attention early on. A strange sight to see the Umphrey’s McGee drummer without his percussion playing partner Andy Farag nearby, but casual fans may not realize Myers is one of Kick the Cat’s founding members. Myers, who started playing at age 8 and earned a master’s degree in jazz drumming from DePaul University, played on KTC’s first two studio albums before joining UM in 2003. It was here in this type of setting that his undeniable talent and dexterity could truly be appreciated. All evening long you could hear and see people whispering to each other about just how good he really is.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
After working their way through a series of complex, percussion-heavy compositions like “Alt De Facto,” “Harebrained,” and “Hope Against Hope,” front man Chris Siebold took to the mic while changing out guitars, saying “We just bludgeoned your bodies, but now we’re about to bathe you in relaxation.” What initially came off as a “cool down” song for Myers effortlessly became a showcase of guitar playing virtuosity for Siebold. Landing somewhere between the luscious and dreamy tones of greats like David Gilmour and Jeff Beck combined with the chop-busting inspiration from bands like The Weather Report, King Crimson and Return To Forever, it was at this point in the evening that Chris stole the spotlight from Kris and let everyone know he was an absolute force behind the frets. After a beautifully bluesy rendition of “Two Down” from their 2002 album Weirdo another show highlight came in the form of “Camel Toe Vs. Snaggle Tooth,” which at its climax, forced even those sitting to rise up in appreciation.
Chris Siebold of Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
After working their way through much of 2021’s Gurgle, Kick the Cat’s first studio release in over a decade, another clear sign of approval came when promoter Greg Bell approached the front of the stage and presumably asked the band to play little longer. Happy to oblige, Siebold joked “Another set? Sure, hell we’ll play till sunrise if someone wants to offer us another $30,000, which of course would be donated to charity. Any takers?” he asked. “No? Ok, we’ll play a little longer anyway, but if we start noticing the place is clearing out, just give us a sign.”
While Kick the Cat didn’t quite play till sunrise, they did perhaps play longer than any other band at the recently renovated Lark Hall. Fans who stuck around until the end were treated to ambitious songs like “Ramsey (All In)”, “Waz Up” and “That Stuff That’s Tough” before eventually bringing things to a close with the song “Squirt.” An evening filled with heady-yet-approachable grooves and other worldly soundscapes, angular melodies, fuzz-filled tones and all-out rock n roll, the level of musicianship KTC brought to Albany was unapparelled. While progressive jazz-rock fusion may not often be thought of as “cool” these days, Kick the Cat is and seeing them live is a thrilling experience you’re not likely to forget.
Kick the Cat performing at Lark Hall in Albany, NY 10/7/22
Kick the Cat | Lark Hall | Albany, NY | October 7, 2022
Setlist: Ow! My Eye, Alt De Facto, Harebrained, Hope Against Hope, Adolpho’s Dilemma, Visogoth’s Overture>Breakfast with the Visogoth’s, Two Down, Camel Toe Vs. Snaggle Tooth, Ramsay( All In), Waz Up, That Stuff That’s Tough, Squirt
Jon Spencer & the Hitmakers have announced a two-part tour which features dates covering October and the early part of 2023. This includes stops at Brooklyn Made on October 23, Rochester’s Bug Jar on January 29, and Albany’s Lark Hall on January 29.
Jon Spencer. (photo credit: Michael Lavine)
The tour is in promotion of Spencer’s first Hitmakers album, Spencer Gets It Lit, which was released in April. It was preceded by three singles, “Junk Man,” “Primary Baby,” and “Worm Town.” “This is the most uncompromising album I’ve ever made,” he said of the record.
Spencer, who has also worked with Boss Hog, Heavy Trash, and Pussy Galore, assembled the group after disbanding his previous act of 25 years, Jon Spencer’s Blues Explosion, in 2016.
In addition to Spencer, the band includes Bob Bert, a fellow former member of Pussy Galore and one of Sonic Youth’s early drummers, as well as Sam Coomes, one half of Portland indie duo Quasi and a bassist for Elliot Smith’s Heatmiser during the group’s final years.
Information regarding tickets for Jon Spencer & The Hitmakers’ tour can be found online.
On Friday, April 29th, Consider the Source brought their eclectic instruments and extreme talents to Lark Hall in Albany during the last leg of their “Acoustic-Electric Hybrid” tour to celebrate the release of their album Hybrid Vol. 1: Such As A Mule. Lark Hall was the perfect space to enjoy a slightly toned-down version of this hard-rocking band. To kick off what was one of the most musically interesting night’s of my life was delightful duo Cosmal.
Cosmal
Ryan Coyle and Alison Lazarus are two delightfully well-rounded and multi-talented individuals and they created an amazing group called Cosmal. While Ryan creates incredible electronica jams with his midi-controller, chaos pad, and guitar, Alison live-paints and sings. This band is made of two truly unique individuals with an incredible idea — you should check them out as soon as you get the chance.
Consider the Source
Consider the Source is easily one of the most unique bands I have ever had the pleasure to listen to. They call their sound “Sci-fi Middle Eastern Prog Fusion” and if you think that sounds interesting you should hear what they actually sound like. If you’re looking for something different from the usual stuff, this is your band.
Hybrid Vol. 1: Such As A Mule
John Ferrara (bass), Jeff Mann (percussion), and Gabriel Marin (guitar, etc) have truly created a unique, eclectic, and delightful sound. Friday night’s show was a rare treat — fans of the band had never seen them play in such an environment before. They played their new album in its entirety and threw a couple of older songs in there too. They used instruments many of us had never seen or heard before as well including a Banjo Bass, Dombra, Uzbek/Tajik Dutar, Doumbek, a Ukulele Bass, and many more. The set was certainly a departure from what we were used to, but it was killer nonetheless.
The Interview: A Surprise Announcement
I sat down with Ferrara, Mann, and Marin before their set. They told me that they had finished recording Hybrid Vol. 1: Such As A Mule right before the pandemic hit. They used the lockdown to finish mastering the album. However, and here is the big surprise: they also spent that time recording a second album — keep your eyes on their social media to find out when you can check it out. And from what I am told, it will be their hardest-hitting album yet.
Tour inspiration
Consider the Source has such a ground-breaking sound, they could just call it a day and continue to tour for as long as they can handle it. However, they continually want to change it up for their fans. And that was the whole idea behind their most recent album as well as the tour they just completed to celebrate the release. The venues they visited for this tour were the type where you sit down, which is a huge departure from the dancehalls they usually frequent. In short, they wanted to change things up for their fans, and wow — they delivered.
Future Plans
If you weren’t able to catch them on their “Acoustic-Electric Hybrid” tour, don’t fret. Consider the Source has several tour dates coming in the following months in New York, Pennsylvania, and Virginia. Check out the gallery below.
Bob Mould, former member of Hüsker Dü, has announced his 2022 World tour with stops in Pawling, Albany and Woodstock. Mould will be joined by openers H.C McEntire, Vic Bondi and J. Robbins.
PC : James Richard IV
The Malone, NY native will spend a total of four months touring the world, from California all the way to the UK and Ireland. His journey will end back in the States, in North Carolina, on 10/23. His three NY dates include Daryl’s House in Pawling, Lark Hall in Albany and Levon Helm Studio in Woodstock.
Mould has recently announced the opening acts that would be joining him on different sections of the tour. H.C McEntire will join the California and Southern shows, Vic Bondi will join the Pacific Northwest shows and J. Robbins will join the Northeast shows.
Fans will be able to enjoy performances of Mould’s latest work, including songs from recent release The Ocean, as well as Hüsker Dü throwbacks and much more. The Ocean features special acoustic versions of songs from Mould’s 2020 album Blue Hearts and a rendition of Hüsker Dü’s, ‘Divide and Conquer’.
