Blog

  • On this day in 1966, the Philadelphia Orchestra Begin Annual SPAC Residency

    On August 4, 1966, the world-renowned Philadelphia Orchestra took up residence at Saratoga Springs Performing Arts Center (SPAC) for the very first time with Maestro Eugene Ormandy conducting. The maestro helped shape SPAC into the perfect venue for such a performance and brought the orchestra much acclaim throughout his 44 years as conductor.

    56 years later, the orchestra still continues to offer audiences classical entertainment with its programming and performances.

    Philadelphia Orchestra
    Adrian Siegel, courtesy of Adrian Siegel Collection/Philadelphia Orchestra Archives

    On the first Saturday of August, on a clear night, an estimated 5,100 attendees gathered inside the newly opened SPAC for the first show with another estimated 2,000 on the center’s lawns. The performance marked a first for the venue. The New York City Ballet’s July performances that year went beautifully, but how would the SPAC amphitheater sound hold with an entire symphony inside?

    According to the New York Times, which reported on the show at the time, the performance and acoustics held well and the enthusiastic crowd agreed. Maestro Eugene Ormandy chose an all-Beethoven program: the Ninth and Eighth Symphony and the “Consecration of the House” Overture in C Major. The Overture, featuring a march and much fanfare, made the perfect celebratory music for an opening night. Despite the distant sound interference of a freight train interrupting during the Eighth Symphony, the rest of the concert seemed to be a great success.

    The concert in no way would have been such a success without the preparation and intensity of its maestro. Eugene Ormandy and his Orchestra were careful, precise, and presented a wonderful concert to their audience. From the start, Ormandy predicted the venue would be “one of the great summer festivals of all time.” However, according to Times Union, before opening night, Ormandy made it clear that some things about the SPAC venue had to be changed.

    The waterfall behind the venue interrupted the music, and a dam was promptly built to rectify the situation. This solution did not last long, and groundsmen had to catch every last frog that resided in the resulting pond so Ormandy, and his audiences, did not hear any incessant croaking during the performance.

    Philadelphia Orchestra
    Adrian Siegel, courtesy of Adrian Siegel Collection/Philadelphia Orchestra Archives

    According to SPAC, the amphitheater was specifically built with the Philadelphia Orchestra in mind. In addition to his work as maestro, Eugene Ormandy played a huge role in ensuring that the venue would be the perfect summer home for such a major orchestra, known as one of the “Big Five.”

    Although founded in 1900, the Philadelphia Orchestra would grow immensely in reach under Ormandy. One of the first orchestras to record music, many of the most popular recordings of the organization were under the conduction of Ormandy. 7 years after the first show at SPAC, the orchestra would travel to the People’s Republic of China, one of the first tours to the region from a Western orchestra in decades. 

    Ormandy expanded the reach of the Philadelphia Orchestra and the prominence of Saratoga Performing Arts Center during his long career. The Philadelphia Orchestra has returned to the venue consistently since that first summer evening show in August of 1966. 56 years later, the people of Saratoga Springs and visitors can enjoy the talents of the Philadelphia Orchestra, which will hold multiple performances at SPAC this August.

    The orchestra will play a mix of traditional classical music and more contemporary takes. Beginning on August 10, the current Music Director of the Philadelphia Orchestra, Yannick Nézet-Séguin, will return for four programs. Highlights include the return of world-famous cellist Yo-Yo Ma and violinist Joshua Bell, among the performances. For tickets to upcoming concerts, visit the SPAC website for more information.

  • Dead Meat To Wrap Up Garcia Tribute Tour

    Dead Meat, a Nyack-based Grateful Dead tribute act, is currently in the middle of its own “Days Between” celebration. The band is on a four-show tour throughout New York, with a promise to play 80 songs between them in honor of Dead guitarist’s Jerry Garcia’s upcoming 80th birthday. The tour is set to conclude at Garcia’s in Port Chester this Friday, August 5.

    This tribute to the late guitar legend began on July 22 at Kensico Dam Plaza in Westchester County. The opening featured songs like “Here Comes Sunshine,” “Sugar Magnolia” and “Truckin’” to open. They followed this up with a unique sequence of “China Cat Sunflower” >“Playing In the Band” >“I Know You Rider” > “Playing in the Band.” Other gigs included stops at Brooklyn Bowl in New York City and the band’s hometown of Nyack with a performance at  Memorial Park for a free Hudson River-side concert. 

    Dead Meat is a five-piece band known for its moving harmonies and ripping jams that features Dan Rappaport on bass and vocals, Tom Clancey on guitar and vocals, Stephen Jordan on guitar and vocals, Ryan Liatsis on keys, guitars and vocals, and Kevin Weinberger on drums. 

    For more information on the band and upcoming shows, visit deadmeatband.com

  • Jazz is Dead Celebrate 25th Anniversary with Tour Stops in Tarrytown and NYC

    Jazz is Dead, the acclaimed All-Star instrumental ensemble, famous for interpretations of classic Grateful Dead songs, is celebrating its 25 anniversary with a fifteen show tour. They will also be performing Grateful Dead’s Wake of The Flood marking it’s 50 anniversary.

    jazz is dead

    The group was formed in 1998 by bassist Alphonso Johnson, who was in groups like Santana and The Other Ones. Joining Johnson are guitarists Steve Kimock and Bobby Lee Rodgers, and percussionist Pete Lavezzoli, who is known for his work with Oteil & Friends and the Jerry Garcia Band.

    The group recorded three acclaimed albums, and their album Laughing Water released in 1999 was an instrumental Wake of The Flood reinterpretation. That album has been described as “a superior remake of the Grateful Dead’s rather ordinary rock album Wake of the Flood” by Ed Kopp for All About Jazz.

    The 25 anniversary tour makes stop in Tarrytown on Jan. 26 and NYC on the 27. Tarrytown is located in Westchester county on the eastern bank of the Hudson River, approximately 25 miles north of Midtown Manhattan, with a small population of about 12,000. The town is rich with Revolutionary War history and known for the river views.

    For more information about Jazz is Dead, and to buy tickets to their upcoming tour, go here.

    Jazz is Dead Tour Dates

    Jan. 10 – The Coach House – Capistrano, Calif. 

    Jan. 11 – The Canyon – Montclair, Calif. 

    Jan. 12 – The Canyon – Agoura, Calif. 

    Jan. 13 – The Regency Ballroom – San Francisco

    Jan. 15 – The Paramount – Denver

    Jan. 17 – Celebrity Theatre – Phoenix 

    Jan. 19 – Barrymore Theatre – Madison, Wis. 

    Jan. 20 –  Des Plains Theatre – Des Plaines, Ill. 

    Jan. 21 – The Arcata – St. Charles, Ill. 

    Jan. 22 – The Agoura – Cleveland

    Jan. 24 – The Wilbur – Boston

    Jan. 25 – The Keswick Theatre – Glenside, Pa. 

    Jan. 26 – Tarrytown Music Hall – Tarrytown, N.Y. 

    Jan. 27 – The Palladium at Times Square – New York, N.Y. 

    Jan. 28 – Penns Peak – Jim Thorpe, Pa.

  • Northern Current in Saranac Lake Returns for Labor Day Weekend

    The Northern Current Music Festival in Saranac Lake returns for Labor Day weekend, featuring local and international artists representing contemporary music’s past, present, and future.

    northern current festival

    The festival’s mission is to enrich Saranac Lake’s cultural diversity by celebrating various musical heritages. The event is free, and family-friendly, with various activities for kids and adults. The daylong celebration will happen in Riverside Park in Saranac Lake on September 4.

    Northern Current Festival Lineup

    TEKE

    TEKE is a female-fronted Montreal-based Japanese psych-rock group that features traditional Japanese
    instruments, flute, and trombone alongside raging guitars and a pulsing rhythm section. They create a
    sound reminiscent of the 1960s and 1970s era psychedelic Japanese soundtracks.

    teke

    The Big Takeover

    Leading The Big Takeover is Jamaican-born singer and songwriter NeeNee Rushie, creating a horn-powered global blend of reggae and world music, with hints of soul and Motown, and their infectious brand of pop classicism.

    Photo by Katie Palatucci

    Ghost Funk Orchestra

    Hailing from Brooklyn, Ghost Funk Orchestra is the brainchild of producer and multi-instrumentalist Seth Applebaum. The band has evolved from a one-man band to a ten-piece powerhouse live band that draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

    Rose & The Bros

    Rooted in southern dance tradition and the addition of soft vocal harmonies, Rose & The Bros from Ithaca will serve with their Lousiana sound and reggae undertone.

    The Outcrops

    The Outcrops are from the woods of Northern New Jersey, presenting original blues-infused rock and roll. The four-piece was formed in 2016 by lead vocalist Cassidy Rain and lead guitarist Bryan Schroder.

    Crackin’ Foxy

    Crackin’ Foxy is a ukulele-driven ensemble, featuring tight instrumental arrangements and close vocal harmonies inspired by 30s swing, Hawaiian, and NOLA jazz.

    For more information about the Northern Current Music Festival happening in Saranac Lake on September 4, go here.

  • National Sawdust Announces Fall 2022 Season Of Music And Performance

    National Sawdust announced its Fall 2022 season, bringing worldwide artists to Williamsburg, Brooklyn to share ambitious new explorations in music and performances. The works comprising the season emerge from an America and a world experiencing intersecting crises and urgent calls for change—and respond with themes of healing, metamorphosis, activism, and hope.

    National Sawdust

    National Sawdust is a nonprofit music producer and venue in Brooklyn founded in 2015 by composer Paola Prestini and attorney Kevin Dolan. With its belief of being an innovative leader in changing the landscape of contemporary music, by bringing all voices to the stage and beyond — artistic representation that reflects the ever-evolving multicultural society in which we live, National Sawdust engages worldwide artists in a wonderful art ecosystem in Williamsburg venue.

    JOJO ABOT and esperanza spalding: A GOD OF HER OWN MAKING – September 23 & 24

    A GOD OF HER OWN MAKING is a new spiritual and experiential opera of immersive soundscapes and visuals, in which the human vessel serves as a primary instrument and conduit for sound as a healing pathway to the divine. Created, directed, and composed by 2018 Artist-in-Residence artist Jojo Abot,A GOD OF HER OWN MAKING builds on JOJO ABOT’s exploration of spirituality, and incorporates spalding’s lineages and practices of restorative music.

    Emily Wells – September 29

    Emily Wells

    For her third appearance on the National Sawdust stage, composer, producer, and video artist Emily Wells and her band (bassist Dandy McDowell, drummer Addie Vogt, and multi-instrumentalist Alec Spiegelman) will perform work from her 2022 album Regards to the End, Centering the Stories of Artists Behind Early AIDS Activism.

    Xavier Foley – October 16

    Xavier Foley

    Virtuosic Double Bassist Xavier Foley will co-presented with the Sphinx Organization. This performance is one of a series reflecting both National Sawdust and Sphinx’s commitment to empowering diverse voices that are reshaping the landscape of western classical music.

    Jean-Michel Blais – October 18

    Jean-Michel Blais is a Montreal-based pianist-composer-performer. His debut opus, Il, was written after two years of daily improvisation, recorded with a Zoom H4n in his apartment. It ranked among the Top 10 best albums in Time Magazine.

    Niloufar Nourbakhsh’s ‘We, The Innumerable’ – October 21

    A Concert of Niloufar Nourbakhsh’s Opera We the Innumerable, Tracing an Iranian Woman’s Heroic Journey After Her Life Is Besieged by State Violence, Co-Presented with the Center for Contemporary Opera.

    Ichiko Aoba – October 26

    This performance will be the New York debut of Japanese folk musician Ichiko Aoba. She will perform music from her latest album, Windswept Adan, presented by AdHoc.

    Ichiko Aoba

    Nathan Schram with Special Guests Attacca Quartet, Becca Stevens, & Caroline Shaw – October 29

    GRAMMY Award-winning composer and violist for Attacca Quartet Nathan Schram will premiere his new album Nearsided, which released on July 29th, in this multimedia performance. Schram’s latest album tested the power of exploration and the possibilities of what can be created in the studio and on-stage. Nathan Schram and his special guests–Attacca Quartet, Becca Stevens, Caroline Shaw, and more–are prepared for the world premiere of Nearsided in this album release show.

    AdHoc Presents: Colin Stetson & Elori SaxlNovember 3

    Horn player Colin Stetson will co-present with American experimental electronic composer Elori Saxl on November 3rd. Stetson has an utterly unique voice as a soloist, principally on saxophones and clarinets, as well as a songwriter. Elori Saxl released her debut album The Blue of Distance in 2021 which elegantly combined digitally-processed recordings of wind and water with the rich sounds of analog synthesizers and chamber orchestra.

    Ami Dang with Opener Roshni Samlal – November 10

    South Asian-American vocalist, sitarist, composer, and producer Amrita “Ami” Kaur Dang will bring her experimental ambient music. It referred to her first-generation Sikh-American experience while combined elements of North Indian classical music with noise, dance, and psych music.

    PUBLIQuartet “What is American” – November 11

    2018-2019 Artists-in-Residence PUBLIQuartet, presented with Sphinx, will perform work from their latest album What Is American, a Call to Ponder the Kaleidoscope of Diverse Genres, which originating in black and Indigenous music.

    Michela Marino Lerman and Her Band Love Movement – November 18

    Tap dancer and choreographer Michela Marino Lerman and her band Love Movement will present a multidisciplinary musical experience inspired by Martin Luther King Jr.’s “Levels of Love” speech. This will be an evening of dance, music, and therapeutic release.

    Margaret Leng Tan – December 3

    Renowned Avant-garde pianist Margaret Leng Tan, known as the “Queen of the toy piano” and “the world’s premier string piano virtuoso,” will present a program honoring the late American composer George Crumb and his late wife Elizabeth May Brown.

    Sofiane PamartDecember 5

    French pianist Sofiane Pamart, a.k.a. ‘Piano King,’ has made a name for himself by bridging the traditionalist western classical world and the always-innovating realm of hip-hop. Pamart’s collaborations with rappers like Koba LaD, Vald, Joey Starr, and more have helped piano music shed its staid facade and become more accessible to new listeners. Pamart delivers performances that are visually and technically stunning, and his film-inspired aesthetic has led to partnerships with fashion houses like Yves Saint Laurent and Dior Hommes. A classically-trained pianist with a rapper’s flair for storytelling, Pamart aims to bring people together through the emotional vibrancy of his piano compositions. For his only East Coast tour stop, Sofiane Pamart will take piano music into the future with a mix of western classical works and his own hip-hop-classical fusions.

    Juilliard Blueprint Bridge Fellowship ConcertDecember 11

    The Blueprint Bridge Fellowship partner with The Juilliard School, is an annual National Sawdust mentorship. The 2022 winning composers – alumni composers Eugene Astapov, and Lingbo Ma, and current student composers Nicole Balsirow, Aidan Gold, and Sia Uhm – were commissioned to a dream work that the National Sawdust Ensemble will workshop and perform at National Sawdust.

    Matt McBane and Sandbox PercussionDecember 16

    Chamber quartet Sandbox Percussion will perform composer and violinist Matt McBane’s Bathymetry in its entirety in this celebratory album release concert featuring an opening set by Matt McBane. Bathymetry will be out on October 22, 2022 via Cantaloupe Music.

  • The 29th Annual Chenango Blues Fest Returns on August 19

    The annual Chenango Blues Festival will return for its 29th year on August 19 and August 20. The festival features Blues Hall of Fame inductee and multiple Grammy-winning guitarist Jimmie Vaughan, who returns after last year’s cancellation.

    The Chenango Blues Festival is a family-friendly event open to all at the County Fairgrounds in Norwich. The Friday performances will kick off with the Rock N’ Roll band the Hi-Jivers from 5:30 pm to 6:45 pm. Canadian singer Angel Forrest takes the stage next, with an impressive career spanning over three decades. To close out the first day of the festival, blues rocker Popa Chubby will perform. The parking gate opens at 4 pm and the festival gate at 5 pm with music starting at 5:30 pm. 

    On Saturday, at the Infield Stage, festival gates open at 11:00 am with Massachusetts-based Misty Blues playing at 11:30 am. Duo Annika Chambers band will be performing next bringing blues fused with influences of gospel music.  Altered Five will follow from 2:45 pm to 4:00 pm and then fest favorite Nick Moss returns from 5:00 pm to 6:15 pm. To close out Saturday’s Infield Stage performances, Jimmie Vaughan will perform an exciting set of songs from 7:30 pm to 9:00 pm.

    The Chenango Blues Festival’s Tier Pet Tent Stage also includes even more performances on Saturday.  The first act, Corey Harris and Cajun fiddler Cedric Watson, will open the stage from 1:45 pm to 2: 45 pm.  Americana and blues band EG Kight Trio will play next followed by Los Angeles-based Teresa James & the Rhythm Tramps.  The tent stage, and the entire festival, will be closed out in style by the returning Grammy-nominated band Southern Avenue, who average 150 shows in a typical year. 

    Attendees of the festival can enjoy food from different vendors, and on-site camping in addition to the great live music. The Chenango Blues Association also presents a series of free shows in East Park every Thursday in July and August and will feature the Mike Zito Big Band on August 18.  This show is the unofficial kickoff to Blues Fest weekend.  Attendees of the Blues Fest can spend the day exploring the area before heading to the fairgrounds for the concert and the official start on August 19.

     For further information on tickets, camping, vendors, and artists you can visit the Chenango Blues Festival website at here.

  • Irish Arts Center Announces Fall Programming

    On July 28, tickets for the upcoming fall programs at the renowned Irish Arts Center in NYC went on sale to the general public. The Irish Arts Center will offer multiple entertainment opportunities, including theater, dance, live music, and more.

    irish arts center

    Irish band PIllow Queens will stay in residence at the center from September 13 to 18. The indie rock band hails from Dublin, formed in 2016, and recently released a new album, Leave the Light On, available to listen to below. 

    The Irish Arts Center will also host the Irish Traditional Music Archive in October of 2022. The event exhibits New York-related Irish traditional music from the late 1800s to the late 1900s. Attendees can take in rare recordings, stories, and photographs that showcase the city’s rich Irish musical history.

    Ragas to Reels combines Indian classical and Irish traditional music for a riveting performance reflecting identity and connectivity from November 17 to 19. The performance also includes composer Linda Buckley, flute, whistle and sax player Sam Comerford, vocalist Ganavya, tabla player Nitin Mitta, and poet Sahar Romani.

    On November 20, the Irish Arts Center will host the closing performance of the New York Trad Fest with fiddler and Irish traditional musician Tony DeMarco. The festival showcases traditional dance, music, and song in NY. 

    The Irish Arts Center holds a long history in the city, dating back to its founding in 1972. The center serves as a home for artists and audiences who hold an appreciation for the Irish culture and holds programming throughout the year for people to enjoy.

    Just recently, the center finished on a brand new $60 million-dollar building to continue to bring the best education and entertainment. Singer-songwriter Declan O’Rourke commemorated the 100th performance in the new center with a stay from July 15 to July 17.

    For a full list of upcoming fall programs and tickets, including literature, theater, dance, music, education, and more, visit the Irish Arts Center website

  • East goes West: Joey Bada$$ celebrates 10 years at House of Blues San Diego

    Celebrating 10 years since his first release Enter the Void in 2012, Joey Bada$$ performed at House of Blues San Diego on July 27. With a double decker venue, open house bar and mosh pit, House of Blues held a great environment for the show.

    Joey was born and raised in Brooklyn and a member of the hip hop collective, releasing 3 mixtapes along with various solos. With his debut album 1999, produced at age 17, Badas$$ finally got the recognition he deserved in June 2012.

    Joey’s opener Capella Grey set the tone for the crowd and left them begging for more prior to Joey Bada$$’s set. 

    It was a big night not only for Joey but for his fans and their excitement to the new album release 2000. The album set the bar and exceeded all expectations since the last release back in 2017. Including hits such as “Brand New 911” and “Written in the Stars” along with many others. 

    Joey noted it had been 5 years since his last release and performed some of his greatest hits “Devasted” and “Temptation” from ALL-AMERIKKKAN BADA$$, released in 2017. During the show he stated “I had a kid, a babygirl,” and shared how his daughter Indigo Rain has become a huge part of his life outside of making music, and played a role in such a big comeback. 

    With 10 years under his belt and many more to come Joey continues to bring his own groove to rap and the hip hop community. 

  • Beyonce Drops 7th Album ‘Renaissance’

    On Friday, July 29, Beyoncé dropped her seventh studio album, Renaissance, to the delight of her fans worldwide. The album is the first act of a trilogy project from the singer, who dedicated the record to her family, via Instagram.

    Beyonce album cover
    Renaissance Album Cover

    Renaissance, just as Beyoncé penned to fans, is surely an album of empowerment, exploration, and creativity full of hype songs to let loose to. The famous performer and mother wrote the album during the COVID-19 pandemic in the hope it would provide a safe space “to scream, release, [and] feel freedom.” With the 16 songs coming in at just over an hour, the new album does just that.

    The first track, “I’m That Girl,” opens a hint at the album, providing listeners with multiple overlays, repetitive chants, and Beyoncé’s familiar vocals and empowering lyrics. “Cozy,” brings an entirely sultry new beat, where Beyoncé passionately sings, “comfortable in my skin / cozy with who I am.”  Much of the album celebrates self-love and incorporates and honors so many different styles of dance music.

    The popstar unapologetically explores multiple genres on her album – the first full release since her critically acclaimed Lemonade release – with inspiration from hip-hop, trap, techno, rap, and much more. “Break My Soul,” the first single released off the new album dropped in June and gives listeners a taste of her house music style with a sample of Robin S’s “Show Me Love” hit.

    In addition to different samples from various artists, the album also features a great line-up. Fans can listen in for the collaborations of Grace Jones, Beam, and Tems. Beyoncé plays with her sound, lyrics, and creative inclusions, making the album the perfect release for the rest of the summer. It would not be surprising to see snippets of the album start trending across social media platforms. 

    The record is varied, offering the best beats to energize and dance in front of the mirror no matter who is watching. With a vocal range and energetic sound which fans have come to hope for from the star, Beyoncé continues to assert her domination in the industry with this newest release. 

    Key tracks: Break My Soul, Virgo’s Groove, I’m That Girl

  • In Focus: Lita Ford Live at The L in Horseheads

    Classic rock legend Lita Ford brought her heavy metal music from yesteryear to the “L”in Horseheads on Friday, July 22nd in front of a very excited crowd. Her line up consists of herself, Patrick Kennison (guitar), Bobby Rock (drums) and newly acquired bassist Martin Anderson.

    photo by Tammy Peer

    Since her early days with Joan Jett in the Runaways, Lita once again proved she hasn’t lost her touch at 64 years young, she can still take control of the venue and crowd. Getting away from the traditional structured tours Lita now plays as a ‘hired gun” playing for festivals, events and stand alone shows nationwide.

    The last time Lita was in the Southern Tier was opening up for Vince Neil at Tags in Big Flats in 2019. Tonight it was her show and her solid lineup that took no prisoners. Just coming in from a show in Iowa, the stop in the Southern Teir at the “L” was before heading off to South Butler, PA and all points west.

    photo by Charlie Berch

    The set was a mixture of her entire career with some of her top hits, “Kiss Me Deadly, “Hungry” and “Close my eyes forever” with guitarist Patrick Kennison singing the Ozzy Osbourne part of the lyrics and “Cherry Bomb” from her Runways days. Also a huge hit that night was her version of Elton John’s “Bitch is Back.” It does not look like the ‘Queen of Metal’ is ready to slow down anytime soon. To find other Lita Ford shows this year visit her website.

    Photos by Charlie Berch

Built in Breakdance