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  • Andy Falco: From Long Island to Borderland Festival

    Andy Falco has deep New York roots. Stretching across the South Shore of Long Island and into the Hudson Valley, these roots gave him his introduction to bluegrass music, leading him to Nashville, The Infamous Stringdusters, and soon, Borderland Festival in East Aurora. 

    andy falco
    Andy Falco – photo by Trent Grogan

    Born in Greenwich Village, growing up in Garden City and now residing in Sayville, Falco first played music at bars on Long Island. His brother Tom brought him to Fadeley’s, a small deli and bar in Patchogue, and one of the few places on Long Island in the late 1990s to find craft beer, on multiple taps no less. While it may seem unassuming from outside, Falco recalls the room fondly, saying “There’s something about that room, the wood or something, it really sounded good in there. Like playing inside an old Martin guitar.”

    fadeley's patchogue long island
    Exterior of Fadeley’s – photo by Rob Tellerman
    fadeley's patchogue long island
    Interior of Fadeley’s – photo by Rob Tellerman

    As he and his brother got into bluegrass via Old and in the Way, they were then introduced to The Seldom Scene, a bluegrass band from Bethesda, MD. For Falco, this was the way. “Getting into Bill Monroe at first felt a little harsh to hear, like a single malt scotch. At first maybe you’re like ‘Whoa what is that?’ and then you start to get used to it.” While tuning into David Bromberg for his more bluegrassy tunes, he met Buddy Merriam, a Long Island guitar teacher and member of Back Roads, and who has played traditional bluegrass music for more than 40 years. Merriam, who was friends with and played music alongside Bill Monroe, made mix tapes of various Monroe and Jimmy Martin tunes, a taste of more traditional, first generation bluegrass. 

    andy falco
    Andy Falco – photo by Trent Grogan

    Falco would bridge the gap to Monroe in playing with Buddy for a number of years before Falco headed to Nashville. By 2021 The Infamous Stringdusters had released their GRAMMY nominated A Tribute to Bill Monroe, playing traditional bluegrass for a change, picking some of their favorites to record, mixing them at home during 2020’s shutdown, and finally mastered by Fred Guarino on Long Island. 

    Finding his way to Winterhawk Bluegrass Fest (now Grey Fox), Falco discovered his love for acoustic guitar during a workshop with Jack Lawrence, Doc Watson’s playing partner for more than three decades.

    andy falco
    Andy Falco – photo by Trent Grogan

    Reflecting on Winterhawk/Grey Fox, Falco recalls the time spent there fondly, noting that he and fellow Stringduster Chris Pandolfi “cut their teeth on that hill.” Hanging an Italian flag above their campsite, the pair would spend days in workshops, watching bluegrass, and jamming at night time pickin parties. This would be one of the first places Falco would run into Andy Hall, setting the stage for their eventual connection in Nashville where Falco joined the Stringdusters in 2007. 

    “I decided I wanted to play bluegrass guitar on that hill. I checked out a guitar workshop led by Jack Lawrence, went down there in the morning and it turned out he was Doc Watson’s playing partner, and he brought Doc with him. I sat so close to him I could string his guitar. I went and bought a Martin guitar not too long after that and just really got into bluegrass. 

    Andy Falco

    Given this was the 1990s, there weren’t as many festivals in New York State as there would be a decade later, so Winterhawk and a charity-focused Labor Day festival on Long Island – Bradstock – would be the extent of Falco’s festival experiences. At Bradstock 2 in 1995, Falco would play his first real gig with Water Street Blues Band, and was the only other festival he would perform at until moving to Nashville. 

    Looking ahead to Borderland Festival, where The Infamous Stringdusters have played three times previously, Falco looks eagerly towards the Western New York festival. “The people are always so awesome to play for and the community they’ve put together is lovely to be a part of.” Borderland Festival founder Jennfier Brazill leads this community, having known the band for over a decade, having first worked with the band as a partner at WinterWonderGrass Festival in Colorado. Said Brazill, “I am their biggest fan and always want them as a part of my events.”

    The Infamous Stringdusters have been on the lineup four times, but a hurricane prevented their arrival one year, in 2018. Held in 2022 over the weekend of September 17 and 18, The Infamous Stringdusters will perform on Sunday the 18th ahead of The Flaming Lips, who headline the night. The festival also features Portugal. The Man, Keller Williams, Michael Franti and Spearhead, Spafford, Dogs in a Pile, NYS Dead Coalition, Folkfaces and many more.

    Having been on the road with Greensky Bluegrass earlier this year, the shift from buses to flights – given a shortage of drivers and parts for buses – has led to more hotels, less sleep and heading right to venues to soundcheck and prepare for a gig. Add in the crew who are working harder, arriving earlier and staying late, the collective effort is not lost on Falco. “When you’re on stage and playing music in front of everyone, it’s worth it. More people are coming to festivals, despite all the travel woes. It feels like it’s over, the music is still coming back in this transitional time that is by no means normal. You have to appreciate every moment.”

  • The Uncle Louie Variety Show to Come to The Egg in October

    On Oct. 15, The Uncle Louie Variety Show will come to The Egg in Albany for a night of comedy, original music, and more.

    Comprised of two comedians, Lou Greco and Carlo Russo, the show takes a hilarious and unique look at what it is like growing up as an Italian-American. Originating from Syracuse, Greco and Russo grew up together and began writing comedy during their high school Italian class. 

    What first started as a few ideas on tape grew to hilarious shows on video. Fans can find the pair on YouTube and Facebook, where they make millions of viewers laugh with their writing. Characters such as “Uncle Louie,” “Pasqualino,” “Zia Maria,” and “Zia Rosa,” are always getting into trouble and causing great reactions from crowds.

    Attendees of The Uncle Louie Variety Show can expect two hours of original music, sketch comedy, and stand-up by Greco and Russo. After 30 years as friends, the duo’s stage presence brings a unique energy to their performance. 

    Over the year, the pair have traveled around the East Coast with “The Hard Comedy World Tour,” which Greco and Russo resumed in August. The tour will take the friends to the West Coast, southern United States, Canada, Australia, and England. 

    For tickets to The Uncle Louie Variety Show on Oct. 15, visit The Egg’s website, here.

  • Virgin Islands Shakedown Announced Featuring Members of moe., Lotus, Umphrey’s McGee and More

    The date and lineup for this year’s Virgin Islands Shakedown have been set. Running from November 17 to 20, the festival will take place at The Fred, a beachside resort in St. Croix.

    The lineup includes appearances from the Dire Wolves featuring Al Schnier and Vinnie Amico of moe., Jason Hann of String Cheese Incident, Mark Joseph of The Big Wu, and Steve Molitz of Particle along with Phil Lesh, all of whom will perform four sets across the festival’s run.

    Promotional poster for the Virgin Islands Shakedown.

    Other four set acts of the event include Blue Star Radiation featuring Rob Derhak and Vinnie Amico of moe., Tim Palmieri of Lotus, and Nate Wilson of Percy Hill. Special guests of the festival include Joel Cummins of Umphrey’s McGee, Ashish “Hash” Vyas of Thievery Corporation, and Janis Wallin of Family Groove Company. VIP attendees will also be privy to late night DJ sets by Jason Hann.

    Footage from last year’s Virgin Islands Shakedown.

    The Virgin Islands Shakedown first ran in December 2020, featuring a socially distanced version of what was seen last year and is programmed for this November.

    Information regarding ticket/hotel room packages and more can be found on the festival’s website.

  • Jazz at the Lake in Lake George Lineup Announced

    The Lake George Arts Project’s Jazz at the Lake is back for 2022, with a lineup including some of the most outstanding performers in jazz.

    jazz at the lake

    The festival will take place from Sept. 16-18 in Shepard Park in Lake George. The free event will have a lineup full of great jazz performers, with eight acts over a few days.

    Shepard Park is conveniently located in the Lake George village, with many nights of the week having free concerts and entertainment in the amphitheater overlooking the lake.

    The lineup includes the Chembo Corniel Quintet, composed of percussionist and Grammy nominee Wilson “Chembo” Corniel on Sept. 16 at 6 P.M. That night there will be many musicians playing around Lake George, including Hot Club of Saratoga, the Scott Hopkins Jazz Trio, and James Rissacher.

    On Sept. 17 at 1 P.M. is the Gilad Hekselman & Far Star Trio, who has played with legendary musicians in the NYC jazz scene, and played at major venues like the Blue Note, The Jazz Standard, Dizzy’s Club, and Smalls. At 3 P.M. comes Samara Joy, with a voice as smooth as velvet. At 5 P.M. Ike Sturm and HEART perform, and at 7 P.M. Camille Thurman & the Darrell Green Quartet will perform.

    On the last day, Sept. 18, the Grammy-award-winning Zack Brock Quartet featuring Aaron Goldberg, Yasushi Nakamura, and Clarence Penn will be playing at 1 P.M. At 3 P.M. comes Vanderlei Pereira & Blindfold Test, then closing off the festival at 5 P.M. is Elio Villafranca & The Jass Syncopators, who have received a GRAMMY Nomination in the Best Latin Jazz Album of the Year category.

    The Jazz at the Lake festival in Lake George will be happening from Sept. 16-18 at Shepard Park for free.

  • Khruangbin and Vieux Farka Touré Release “Tongo Barra” off Upcoming Album

    Musical trio Khruangbin and Malian guitarist Vieux Farka Touré have released “Tongo Barra,” a preview of their upcoming collaborative album Ali. The project honors Vieux’s late father, Ali Farka Touré, who helped shape African desert blues throughout his career.

    Khruangbin trio pose in front of blue wall with Vieux Farka Touré
    Photo Credit: Jackie Lee Young

    Over five minutes long, “Tongo Barra,” is accompanied by a visualizer of hypnotic patterns. Sung in the Malian Songhai dialect, the single is engrossing and captivating. “Tongo Barra” is a fuse of blues, dub, and groove, as is the highly anticipated album which releases on Sep. 23.

    The single release is the newest from the pairing, with the lead single “Savanne,” released earlier this year with widespread acclaim. All 8 songs included on Ali pay homage to Ali Farka Touré, with a renewed West African blend that Khruangbin and Touré hope reaches new generations and audiences. Ali Farka Touré’s music touched so many and is consistently ranked as one of the greatest guitarists of all time.

    Cover art based on the original work ”Homme Du Sahel” by Abdoulaye Konaté, 2015. Courtesy of Primo Marella Gallery, Milan. 

    Prior to the album’s release, the collaborators announced listening sessions at SEY in Brooklyn and Fringe in Paris. Attendees can immerse themselves in the music and enjoy bespoke tea in a respectful setting. Attendees will be selected at random through a ticket lottery with winners chosen on Sep. 9. The pairing will not be in attendance but the event will have voiceover introductions from the artists. For a chance to attend, visit here.

    “Tongo Barra” from Khruangbin and Vieux Farka Touré solidifies the group’s creativity and commitment to honoring a late musical legend. The single pulls you in and the album, Ali, is sure to include tracks created to do the same. Stay tuned for when the full album releases on Sep. 23.

  • Locations Drop Bouncy Single “Moves”

    Brooklyn alt-rock duo Locations has dropped “Moves,” a jovial dance rock track which is the band’s first release in over two years.

    The track is centered around a bright, melodic guitar rhythm and the band’s falsetto vocal harmonies in this ode to optimism and getting up to dance. “Dance if you wanna dance, move if you wanna move, you have got to do it for you,” they sing on the chorus.

    (left to right) Niko Rummell (lead guitarist/vocalist) and Thomas Whidden (drummer/vocalist) of Locations. (photo by Hannah Turner Harts)

    While simple, the hook is catchy and succinctly expresses the song’s straightforward ideas. It provides a solid contrast from the track’s verses, which build towards something a little more hyper in the chorus. This is especially the case in the song’s final minute, as muted guitar creates a light tension which is released in satisfying fashion for the outro.

    The song is also part of an impassioned campaign from the band, with them using the single to promote universal healthcare. Looking to raise funds for Campaign for NY Health, Locations is selling limited edition t-shirts to support the organization which seeks to pass a single payer healthcare system in New York State.

    Also as part of this campaign, the group will be performing at the Mercury Lounge in Manhattan on Monday, September 5 along with ALIENS, Witch Slap, Nuclear Family Fantasy, and Lumberob. Tickets can be found here.

    Not only is “Moves” the band’s first single in over two years, but it was also the first written after a “major medical event” involving one of the members put activities on hold for several months.

    “Moves” by Locations is a vibrantly optimistic song that looks to build optimism for a cause of passion, and it does so in an easily listenable way.

  • An Inside Look at the Sites, Songs, Shows and Stars that Made NYC Rock in “New York Groove”

    In 2021, veteran rock writer Frank Mastropolo gave us a mega-informative book about the history of one of New York’s most legendary performance venues in Fillmore East, The Venue That Changed Rock Music Forever.  Now he’s back with New York Groove (Edgar Street Books), a sort of half guidebook/half history to the sites, stars, shows and songs that made the Big Apple a mighty rock metropolis, from its dawning days in the 1950s to today.

    The generously-illustrated 224-page book divides the city’s rock landmarks and stories into three chapters: Downtown, Midtown and Uptown, with the first being the arena of most of the action.  All the classic venues of the past are here, from the well-trodden like The Fillmore East, MSG, The Apollo Theater and CBGB to more temporal ones, like The Dom, Club 82, Player’s Theater, Mercer Arts Center and The Garrick Theater, which played a role in launching acts like The Velvet Underground, The New York Dolls, The Fugs and Zappa’s Mothers of Invention.  After these venues are introduced, the author gives the history of some of the most famous shows at each. One important one was James Brown’s 1962 live show at the Apollo. This incendiary performance gave birth to not only one of his most lasting albums but provided proof positive that a live performance of previously released tunes could sell as an LP.  Mastropolos’ book also unearths lots a cool factoids about the many ratty apartments, cheap hotels and, and later, the palatial brownstones where stars like Dylan, Lennon, Sting and Patti Smith lived. Also covered are where they penned, and the studios at which they recorded, some of their most well-known songs like The Lovin’ Spoonful’s ever-enduring steamy weather staple, “Summer In The City.” There’s more than 200 archival and performance photos, posters, albums, buttons and memorabilia included, arcania that truly brings nearly 70 years of NYC rock history to life.

    New York Groove

    The book is a bit of a personal blast from the past for me as it’s a trip back to my recently former life, when I ran a PR company that created, among other weird things, rock and roll landmark bus tours for Tanqueray Gin, first in Los Angeles and later in New York City.  In New York, our tour guide/researcher was the amazing Danny Fields, the man who did PR for The Doors and discovered and managed folks like Iggy Pop and The Ramones, subject of the Ramones song and later documentary “Danny Says.”  Fields shared some of the same weird facts that Mastropolo does here.  My favorite?  That Paul Simon’s song “Mother and Child Reunion” was inspired by a chicken and egg dish he ate at a Chinatown restaurant.  

    A look at NYS Music’s reviewer as a younger man giving Japanese TV viewers an inside look at Electric Lady Studios and other NY Rock landmarks, ones covered in this new book.

    Mastropolo’s book is a must for anyone who wants to head to the streets, or just couch-potato it, and take a comprehensive, first-rate tour of the whole history of rock music in New York.

    New York Groove
  • New York Public Radio to Celebrate 40 Years of “New Sounds” at Brooklyn Bowl

    New York Public Radio will host its annual fundraising event at Brooklyn Bowl on Sept. 21 to celebrate 40 years of “New Sounds” with John Schaefer.

    Starting at 7 P.M, the event will celebrate the radio host’s career on WNYC and his contributions to the city’s music scene.

    John Schaefer. (credit: Daniel Randall)

    The night will feature performances by Brooklyn bhangra fusion group Red Baraat and tropical futurism band Combo Chimbita, as well as a DJ set by Yo La Tengo’s Ira Kaplan and Georgia Hubley. The fundraiser will support New York Public Radio brands such as WNYC, WQXR, Gothamist, and WNYC Studios, and tickets can be found online.

    Schaefer has been cited by New York Magazine as one of “the people whose ideas, power, and sheer will are changing New York” and was honored in 2003 with the American Music Center’s prestigious Letter of Distinction for his “substantial contributions to advancing the field of contemporary American music in the United States and abroad.” 

    Airing every night at 11 P.M. on 93.9 FM and wnyc.org, “New Sounds” was first brought onto the airwaves in 1982. After John Schaefer was brought to WNYC the year prior to read newscasts and introduce classical music, he found his calling at the station by engaging with the city’s music scene through his now renowned radio show.

    “New Sounds” was expanded to include the New Sounds Live Concert Series in 1986 and the Soundcheck Podcast in 2002, having included prolific guests such as Mavis Staples, Mark Ronson, Norah Jones, and Danger Mouse, among others.

  • In Focus: 24kGoldn at The New York State Fair

    24kGoldn headlined at The Great New York State Fair on Friday, September 2. Following performances on Wiz Khalifa and Logic’s Vinyl Verse Tour, the rapper debuted on the Chevy Park stage within the New York Experience Festival Grounds. Under the yellow stage lights, 24kGoldn presented an incredible show to a large interactive audience.

    A San Francisco native, 24kGoldn burst into the music industry with the success from the release of his single “Valentino” in January 2019, receiving over 371 million streams on Spotify. His music genre ranges from punk and alternative to pop and rap. Driven by a TikTok viral trend, 24kGoldn’s song with Iann Dior, “Mood,” set music chart records by becoming the first song ever to top four Billboard Music Charts at the same time.

    @24kgoldn

    #stitch with @cameronghassemi i knew i felt sumn in there!

    ♬ original sound – 24kGoldn

    The lights dimmed and 24kGoldn ran on stage full of energy to “Valentino.” Immediately, fans in the crowd jumped out of their seats. He worked each side of the stage equally, especially during the performance of “Coco,” featuring DaBaby where he assigned each side of the audience to chant “Coco” or “Chanel.”

    Closing the show, 24kGoldn performed “Mood,” and the crowd sang along. His stage presence is outstanding, with an effortless way of working an audience.

  • Indie rock band Local Natives light up The Rooftop at Pier 17

    It has been three long years since Local Natives have toured and the wait was worth it. The Inside An Hourglass Tour started late-July with Jordana and made it’s second to last stop at New York’s Pier 17 on a beautiful summer night.

    Local Natives' Kelcey Ayer on keyboard playing a sold out show at New York's Pier 17.
    Local Natives’ Kelcey Ayer on keyboard playing a sold out show at New York’s Pier 17.

    Jordana opened the show with “Pressure Point”, the first song off their latest album, Face The Wall, which was released in May. The singer-songwriter had a comedic way of addressing the crowd throughout the set with her trusty Gumby on the mic stand. Before closing with “Why”, Jordana exclaimed “I love you dude!” to her new friend in the crowd, Kenny, who she briefly chatted with earlier in the set. Lastly she went on to say “This one…you know what’s funny is that we started the set with the first song on the album I just released in May…and now we’re ending it with the last song on the album, so it’s kind of artistic in that way…you know what I mean? Kind of meta, artsy, any way it’s about not giving a damn.”

    Sing-songwriter Jordana and Gumby playing a sold out show at New York’s Pier 17.

    Local Natives took the stage shortly after sunset, kicking off with “Statues in The Garden (Arras)” which has a dreamy, psychedelic music video to accompany it. After a few songs, vocalist and guitarist Taylor Rice remarked that it has been three years since they have toured and “we missed you very, very, very much!” Taylor continued to share that their tour bus caught fire two weeks prior and they weren’t sure they were going to make it to New York, proudly stating “…but we are here! We didn’t cancel anything!”

    Overall the group’s mix of songs off their full discography along with newer tracks “Desert Snow” and “Hourglass”. During the encore, Kelcey commented “…this is such an amazing night, and I just think about the first time we ever played New York City was at Pianos…this little place somewhere over there…” as he gestured off into the distance. “It feels fucking great! And this song is dedicated to New York.”

    Local Natives at Pier 17, Friday, August 26

    Setlist: Statues in the Garden (Arras), Megaton Mile, I Saw You Close Your Eyes, Coins, Ceilings, Desert Snow, Past Lives, Wide Eyes, Sun Hands, Wooly Mammoth, Heavy Feet, Fountain of Youth, Colombia,
    Lemon (with Jordana), Dark Days, Who Knows, Who Cares

    Encore: Hourglass, Airplanes, When Am I Gonna Lose You

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