The celebration of the return of the annual Boston Calling festival called for three of rock’s more iconic bands as headliners. Metallica, The Strokes, and Nine Inch Nails (replacing Foo Fighters) kick-off to the annual three-day festival at the Harvard Athletic Complex. The once bi-annual event will take place on Memorial Day Weekend, May 27-29, 2022.
Rock and roll icons, Metallica, alternative rockers The Strokes, and Rock & Roll Hall of Famers Nine Inch Nails are just some of the big names set to perform at the three-day festival, with an additional 50-plus performers set to rock the stage.
The largest collection of regional talent is set to perform. That includes a mix of globally recognized diverse music stars such as Rüfüs Du Sol, Weezer, HAIM, Run The Jewels, Glass Animals, and many more.
Boston Calling will showcase 18 acts with New England ties that will perform throughout the 3-day weekend, such as Van Buren Records, Cam Meekins, Born Without Bones, Avenue, Ali McGuirk, Crooked Coast, Aaron and the Lord, Miranda Rae, Coral Moons, Paper Tigers, Dutch Tulips, The Chelsea Curve, Frances Forever, Oompa, Julie Rhodes, Charlotte Sands, Pom Pom Squad and Cliff Notez.
“We are so thrilled to bring Boston Calling back, and we cannot thank our loyal fans enough for supporting us as we navigated the pandemic. This year’s lineup is particularly special for us. It not only signifies a return to the things we love, but it also celebrates some of the world’s most renowned acts, exciting up-and-comers, and Boston’s talented music scene…”
-Boston Calling Events, LLC (BCE), Co-Founder and Chief Executive Officer, Brian Appel
The chance to fall in love with a new artist and an overall show stopping experience are some of the many things Boston Calling festival has to give.
As part of a post Covid-19 experience, BC expanded their VIP and Platinum tiers for this year. Newly enhanced viewing areas are available for fans including a new double-decker and a viewing deck for an upgraded experience.
Friday, May 27, 2022 Nine Inch Nails Rüfüs Du Sol HAIM Avril Lavigne Cheap Trick Oliver Tree The Struts Paris Jackson The Backseat Lovers Grandson Paris Texas Mob Rich Pom Pom Squad Born Without Bones Avenue Miranda Rae The Chelsea Curve
Saturday, May 28, 2022 The Strokes Run The Jewels King Gizzard & The Lizard Wizard Black Pumas EARTHGANG Orville Peck KennyHoopla Sudan Archives Celisse Hinds Frances Forever Charlotte Sands Julie Rhodes Van Buren Records Ali McGuirk Coral Moons Dutch Tulips
Sunday, May 29, 2022 Metallica Weezer Glass Animals Modest Mouse Goose Ripe Japanese Breakfast Cults Peach Tree Rascals Horsegirl Djo Cam Meekins Oompa Cliff Notez Crooked Coast Aaron and the Lord Paper Tigers
Saturday Night Live stirred up one of their own mighty veterans as Will Forte, complemented with music guest and recent rockstar Måneskin for the January 22 episode. Forte used the monologue to announce the upcoming second season of MacGruber after its official beginnings on SNL back when he was still a cast member.
Reminiscing on his olden days, Will Forte opened up about his misfortunes waiting for his special moment to host after watching his colleagues Kristen Wiig, Bill Hader, Andy Samberg, Fred Armisten, and Jason Sudeikis already do so. Finally, after 12 years, we get to see Will’s face, of course that was too soon joined by an appearance from Kristen Wiig and upcoming host Willem DeFoe, who Will was mistaken for after Lorne Michael’s phone had autocorrected “Willem.”
The show started with a cold open Fox News update from Kate McKinnon interviewing Aidy Bryant’s Senator Ted Cruz and Pete Davidson as Novak Djokovic, an unvaccinated tennis player. Senator Ted Cruz urged us to book our Cancún vacations today, escaping this horrid New York winter.
MacGruber came back tonight alongside his longtime friend Kristen Wiig. Except this sketch had been modified to our current climate and Will Forte sported a cut open mask to then detonate his iconic bomb.
Mark Zazz (Will Forte) hosted Kid Klash, a show where Aidy Bryant had to find the flag at the bottom of the whipped cream pie, cross the slippery monkey bars above nacho cheese sauce to her shrimp parents.
On hiatus from their international nomination for Best Song of the Year for the 2022 Brit Awards, Måneskin rocked “Beggin” in a patterned white head-to-toe suit. Full faced, featuring a signature silver smokey eye, Damiano David showed us how he won our hearts winning Eurovision and later at the American Music Awards last year.
https://www.youtube.com/watch?v=U8CKvsKbrK0
‘Cinema Classics’ was welcomed by Keenan Thompson and gaslit by Will Forte. Kate Mckinnon played his wife who was gaslighted around gaslights.
Måneskin came back for more with “I Wanna Be Your Slave.” A new flowered covered dazzling suit brought him to his knees whining beneath his guitarist Thomas Raggi just before luring the audience back in. Prancing about the stage with bassist Victoria De Angelis, he had us dancing until the end of the night. His performance on MTV UK sported a similar look this past November.
https://www.youtube.com/watch?v=59MJbfNTUXs
Earlier in the night Pete Davidson had stole some hearts on weekend update gloating with Weekend Update’s Colin Jost after purchasing a Staten Island Ferry soon to remodel as a nightclub.
SNL returns with William DeFoe, alongside Katy Perry next Friday, January 29th.
Alan Braufman announces a new live album due on April 8, tilted Live In New York City featuring the recording of Braufman with his five-piece band, Cooper-Moore (piano, ashimba, recitation), William Parker (bass), John Clark (French horn), Jim Schapperow (drums) and Ralph Williams (percussion) in an early 1975 live radio session.
Alan Braufman Album, Live From New York City
Alan Braufman was born in 1951 in Brooklyn and raised on Long Island. After some time, he moved to Boston to attend Berklee in 1968 to pursue music. Doing so made him become an instrumental figure in New York City culture. He currently lives and performs in Salt Lake City, UT, and became a teacher along with learning to play the saxophone.
Photo by Gabriela Bhaskar
Braufman is an experienced saxophonist, flutist, and composer within the Jazz community and preforms with many acts such as Alan Michael Band, Cooper-Moore, Cecil McBee and many others. In 2016, the Alan Michael Band became nominated for Best Jazz Artist by the Salt Lake City Weekly.
Photo by P Squared
Braufman would go on to work with drummer William Hooker and his own groups before relocating to Salt Lake City. His album “Valley of Search” has gained popularity and captures a unique historical slice of New York’s creative underground Jazz.
The vinyl of the album is a 94-minute performance that is spread over 5 album sides on 3 LPs and 2 CDs. Along with this, the album will feature a live version of his song “Chant.” The album will be available on vinyl, CD and to stream on April 8th via Valley of Search and is available for pre-order/ pre-save at Bandcamp.
St Paul and the Broken Bones will be co-headlining a US tour with Fitz and the Tantrums, and are playing CMAC on June 14. They will only be playing one NY date this tour.
The octet group from Birmingham, Alabama will be releasing a new album The Alien Coast on January 28. The group will make TV performances on The Late Show with Stephen Colbert on the 27 and on CBS Saturday Morning the 29. Their last CBS performance granted them a Daytime Emmy nomination.
The band performs on CBS Morning in 2014.
St. Paul And The Broken Bones released several singles for the album including “Love Letter from a Red Roof Inn,” “Minotaur,” and “The Last Dance.” These singles show the versatility of the band as they are constantly changing. The album showcases the band’s interpretation of the human psyche, combining psychedelia, stoner metal, and funk.
The band is one of Elton John’s favorites and has been featured on his Rocket Hour radio show. The band also has earned three Billboard 200 debuts, had an NPR Tiny Desk performance with over seven million views, and many TV performances.
St. Paul and The Broken Bones will be co-headlining with Fitz and The Tantrums and will be playing CMAC on June 14, and tickets can be found here.
St. Paul & the Broken Bones X Fitz and the Tantrums Tour Dates 2022: *Local Presale: Thurs, Jan 20 (10 AM – 10 PM Local)
Thursday, January 20 marked the return of Greensky Bluegrass and The Infamous Stringdusters to the Capital District, with a performance at the Palace Theatre that kept the audience warm and cozy from the frigid temperatures outside.
Greensky Bluegrass returned nearly two years after their last Albany performance, that time at The Egg with Ghost Light, and after a bit of a wait, they were back to kick off their Winter Tour ahead of the release of their new album, Stress Dreams.
photo by Zak Radick
Opening up the show were The Infamous Stringdusters, recently nominated for a Grammy for their Bill Monroe tribute album. They kicked off the show with “Rise Sun” off their 2019 album of the same name, and negotiated a very brief power outage, never missing a beat. The band took a few opportunities to comment on how long it’s been since they’ve seen each other, how good it feels playing live, and how much fun they were having.
Dobro player Andy Hall, a native of Binghamton spoke to Forbes this past week, recalling his view of his hometown:
The Binghamton area is beautiful — rolling hills, forests and lots of medium-size towns. Not a lot is happening there, but there are lots of colleges in the area, it was a great place to grow up and there were awesome down-to-earth people. I used to have a somewhat negative view of my hometown, but I think that just went along with the urge to escape and see the world. I went back recently to receive a distinguished alumni award from my high school and was really impressed with what they have going on with music and theater. It changed my view of my old high school for the better!
Andy Hall
The nearly hour-long set from Stringdusters included covers of the Grateful Dead’s “Touch of Grey” and The Police’s “Walking on the Moon,” as well as “Colorado” and “Sirens,” with the appreciative Albany crowd grooving along. Earlier in the day, the band released “I Didn’t Know” off their upcoming album, The Fray. Listen to the full show below:
Setlist: Rise Sun*. Colorado, Sirens, Touch of Grey^, Fire, Back Home Again, Walking on the Moon%, Vertigo, If You’re Gonna Love Someone, Fork in the Road
* Power outage on stage ^ Grateful Dead cover % The Police cover
Returning to the Palace Theatre stage for the third time, Greensky Bluegrass celebrated the pending release of Stress Dreams, which was released 30 minutes after the band took their final bows. Songs from the album, included the catchy “New and Improved,” “Monument” and “Worry For You,” which had its live debut this evening. Greensky Mandolinist Paul Hoffman noted early in the first set, “We made a plan to play this show a long time ago with the Infamous Stringdusters, and so far the plan is working.”
A rarer tune, “Bont’s Breakdown” was performed for only the fourth time in the last 12 years, with fan favorites “Go it Alone” and “Living Over” closing out the first set with a 1-2 punch.
photo by Zak Culver
A new arrangement of “Old Barns” led to one of the top jams of the night, with the visually explosive light show from Andrew Lincoln offering the perfect dose of psychedelic luminescence to layer over the band. “Take Cover” and “Tarpology” both left plenty of room for improvisation, entrancing the audience as they filled every minute. The show concluded with another Stress Dreams track, “Until I Sing,” with the audience praising the band one last time before heading out into the bitter winter night, a little warmer thanks to The Infamous Stringdusters and Greensky Bluegrass. Stream the show via Archive.org.
Set 1: Jaywalking, New and Improved, Do Harm, Train Junkie, Worry For You*, Bont’s Breakdown, Do It Alone, Living Over Set 2: Monument, Beauty and Pain, Old Barns^, Kerosene+, Take Cover, Against the Days, Tarpology, Windshield Encore: Until I Sing * debut ^ new arrangement + “Let it Grow” (Grateful Dead) tease
WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.
North Side Sound
Four-piece Albany band North Side Sound is gearing up to release their EP, Take My Time, on January 28. It’s unclear whether they’ll be on the project, but in 2021 they released singles “Five” and “Dive Deep.” The former centers around an upbeat guitar riff, with hints of reggae not unlike No Doubt. The latter is mellow for most of its runtime, before exploding in its final third.
The Grandstand Jockeys
Hailing from Waterford, the Grandstand Jockeys are preparing for their upcoming album Place, out February 12. “Now You Do,” the first track off their 2021 debut EP WIN, is expected to make the cut. The band has described their sound as a “Tom Petty joining Nirvana and Queens of the Stone Age.”
River Costa
Independent singer-songwriter River Costa has released her EP, Mallely’s Lonely Time on Makeout Point. The first song, “Tumultuous,” is about a relationship she has trouble defining. Even though she’s excited about what the future holds, she also has doubts, fears, and even occasional apathy. Costa has also performed as a backup singer for the band Niksen.
Born and bred New York City rock ‘n’ roll band Lovechild released their self-produced nine-track powerhouse album, ‘All You Need Is Lovechild.’
Inspiration behind the album comes from frontman Leo Lovechild’s life in and around New York City with twin brothers Aaron Mones (guitarist) and Wyatt Mones (multi-instrumentalist and producer). A multitude of influences like The Beatles, Bob Dylan, and Father John Misty were incorporated for Lovechild to add a twist and create their unique music for this album.
The delivery of the album took years of work delving into the craft of writing to produce rock and roll music in the modern age. Welding crashing piano keys with boisterous guitars and a confident rhythm are portrayed in the heart of the songs. The clever lyrical lines come from Leo’s poetry degree which diversified the albums songs from various angles of romantic, angry, and wistful.
“Our goal for this record was always to make a classic rock and roll album in the modern age, not a “classic rock” album, but a “classic” rock and roll album, one that pushes the genre into the future as much as it represents the sound of a reinterpreted past.”
Leo Lovechild
The band shares a short documentary “Driving With Leo” filmed by Jack Tumen which dives deeper into the life of Leo Lovechild and their debut album. Personal ups and downs of Leo Lovechild’s life and the struggle to find hope are felt in the emotionality of the vocal performances, tensions of guitar playing, and the thoughtfulness production. For more info visit Lovechild’s website.
Returning to the US stages, Ben Folds has added additional dates to his 2022 tour ‘In Actual Person Live For Real Tour’ with solo piano and orchestral performances. The kick off to the tour begins on April 1st, 2022 at Powell Hall in St. Louis, MO and halfway through will be performing at the Kodak Hall at Eastman Theatre in Rochester on May 6th.
After numerous sold-out performances in Fall 2021 and spending much of 2020 and early 2021 in isolation in Australia due to COVID-19, Ben Folds is hard at work on his new album. Continuing to produce his podcast series, Lightning Bugs: Conversations with Ben Folds from the spinoff from his book and is also scheduled to begin taping a new TV series.
Hitting #1 on both the Billboard classical and classical crossover charts with his Concerto for Piano and Orchestra, Ben Folds is often referred as a major music influencer of his generation. Not only is music a big part of artist Ben Folds life, but also photography and debuting as a New York Times Best Seller for his collection of interrelated essays, anecdotes and lessons about art, life, and music – in 2019.
An outspoken champion for arts education and music therapy funding for public schools in the nation while also performing with some of the world’s greatest symphony orchestras, Ben Folds continues to shine upon us in various lights.
Tickets for the added shows go on sale this Friday, January 21st.
Ben Folds “In Actual Person Live For Real Tour” 2022 Dates
APRIL
1 – St. Louis, MO – Powell Hall ^
2 – St. Louis, MO – Powell Hall ^
3 – Iowa City, IA – The Englert Theatre
5 – Omaha, NE – Holland Center
6 – Lawrence, KS – Liberty Hall
9 – Miami, FL – North Beach Bandshell
10 – Tampa, FL – Seminole Hard Rock Hotel & Casino – Event Center
11 – Orange Park, FL – Thrasher-Horne Center
13 – Charleston, SC – Charleston Gaillard Center
14 – Savannah, GA – District Live
15 – Wilmington, NC – Greenfield Lake Amphitheater
21 – Waukegan, IL – Genesee Theatre
23 – Denver, CO – Boettcher Concert Hall ^
MAY
3 – Northampton, MA – Calvin Theatre
4 – Concord, NH – Capitol Center for the Arts
6 – Rochester, NY – Kodak Hall at Eastman Theatre ^
JUNE
15 – Portland, OR – Arlene Schnitzer Concert Hall ^
17 – Santa Clarita, CA – Santa Clarita Performing Arts Center
18 – San Francisco, CA – Golden Gate Theatre *
19 – Chandler, AZ – Chandler Center for the Arts *
22 – Pittsburgh, PA – Heinz Hall ^
24 – Detroit, MI – Sound Board at MotorCity Casino Hotel
26 – Nashville, TN – Brown County Music Center *
30 – Nashville, TN – Schermerhorn Symphony Center ^
JULY
1 – Nashville, TN – Shermerhorn Symphony Center ^
2 – Nashville, TN – Shermerhorn Symphony Center ^
AUGUST
26 – York, PA – Appell Center for the Performing Arts
NYC is a melting pot of musical genres, and is the breeding ground for some of the most creative acts that our country has to offer. There’s everything from horror punk, thrash, doom, stoner, and much, much more. One of those genres is called horror punk, and within that genre tag is Cut Like This, a band who have recently released a single for their incredibly catchy song, “The Boogeyman.”
Cut Like This features Rose Blood on vocals, guitarist Thorn Black, and Corey Carver on bass guitar; together they take influence from artists like Wednesday 13, Shulla, Phantasmagoria, In This Moment, Dir En Grey, Korn, Nothingface, Jack Off Jill, and many more.
When asked about this new song, Rose Blood says:
“The Boogeyman” was really fun to write and we tried a lot of new things with this track, including adding synths to it, as well as collaborating with our friend Xian Murder of the Amatory Murder, who helped us record it and helped produce it. It was inspired by my real life issues with insomnia, with mythologies and films centered around the idea of the Boogeyman, especially our favorite Boogeyman of all, Freddy Krueger from A Nightmare on Elm street.
Rose Blood, Cut Like This
The synth work is something that fans of their self titled first album will consider new, but their addition helps to give Cut Like This a fuller sound, and is a perfect compliment to what they are doing in “The Boogeyman.”
Aside from the addition of synth, one of the most notable influences stems from Wednesday 13, whose work with Joey Jordison in the Murderdolls, and as a solo artist, helps to fuel “The Boogeyman;” it’s difficult to not hear that influence on the vocals and guitar riffs.
“The Boogeyman” is a cool horror punk song, and if you like the original you should also check out the remix done by Angelspit. You can find the original here, and the remix link is also available for viewing below. So get on it, and show Cut Like This some love by liking and following them on all of their social media accounts.
Tanglewood announced it’s huge 2022 season lineup running June 17, 2022 through September 3, 2022 including big names like Ringo Starr, Judy Collins and Richard Thompson, John Williams, and many more.
Tanglewood is the summer home of the Boston Symphony Orchestra which owns and operates the venue. The venue is located in the Berkshires, more specifically, Lenox, Massachusetts. The Tanglewood Concert series started under a different name all the way back in 1934 and has since grown into the staple of the Berkshires it is today. This summer will mark the first time since 2019 that Tanglewood will offer a full season of concerts and events. Both in 2020 and 2021 the season was greatly impacted by the COVID-19 pandemic. The 2020 season was canceled and an online festival was held instead. The 2021 season was held in person but with limited capacity.
This year’s Tanglewood season will present a wide range of programs that spotlight favorite returning musicians and repertoire and introduce new performers and programming. This season will include eight world and American premieres and 28 works by living composers, as well as 21 artists making their Tanglewood or BSO debuts. The 2020 season will take place at the Seiji Ozawa Hall, the Linde Center for Music, and the Koussevitzky Music Shed.
The Season will start on June 17, 2022 with a performance from Ringo Starr and his All-Starr Band at 7PM at the Koussevitzky Music Shed in Lenox, MA. It will end with Judy Collins and Richard Thompson on September 3 at the Koussevitzky Music Shed, in Lenox, MA. Some of the other big names that will be partaking in the season include Brandi Carlile, John Williams – The Tanglewood 90th Birthday Celebration, Garrick Ohlsson, Earth, Wind & Fire, The Empire Strikes Back, James Taylor, and many more.
Tickets to the tanglewood season go on sale on March 10, 2022 at 10AM. Check out the entire list of programs here. Proof of either vaccination or a negative COVID-19 test are required for entry to performances and concert activities at the Linde Center. A negative COVID-19 test must either be a PCR test taken within the last 72 hours or an antigen test taken within the last 24 hours. Proof of a negative test can be in the form of a photo or email of negative test results from a clinic, testing center, or medical professional, or a time-stamped photo of an at-home test. Options for proof of vaccination include showing a vaccination card, a photo of the card, or a digital vaccine record. Attendees will also be required to wear masks while indoors regardless of vaccination status.
For more information on the Tanglewood 2022 season visit their website.
Tanglewood Summer 2022 Concert Series
June 17: Ringo Starr and his All-Starr Band
June 26: The Mavericks and Nick Lowe and Los Straightjackets
June 29: The Black Crowes
July 1: TMC Vocal Concert
July 2: TMC String Quartet Marathon
July 3: TMC Chamber Music Concert
July 3-4: James Taylor
July 7: Emanuel Ax, Paul Appleby, Lorelei Ensemble and Dover Quartet
July 8: Boston Symphony Orchestra: Opening Night at Tanglewood with Andris Nelsons, Jean-Yves Thibaudet and Jack Canfield
July 9: Boston Symphony Orchestra: Carlos Simon, Barber, Ellington and Gershwin
July 10: TMC Chamber Music Concert
July 10: Boston Symphony Orchestra: Rachmaninoff and Helen Grime
July 10: TMC Vocal Music Concert
July 11: Boston Symphony Orchestra: TMC Conducting Fellows
July 14: Emanuel Ax, Mackenzie Melemed and Cantus
July 15: Boston Pops: “The Empire Strikes Back”
July 16: Boston Symphony Orchestra: Mozart’s “Don Giovanni”
July 17: TMC Chamber Music Concert
July 17: Boston Symphony Orchestra: Fazil Say and Brahms
July 17: “The People United Will Never Be Defeated!” featuring Stephen Drury
July 18: TMC Vocal Concert
July 21: Music from Copland House
July 22: Boston Symphony Orchestra: Wagner, Chopin and Rachmaninoff featuring Emanuel Ax
July 23: Boston Symphony Orchestra Family Concert with Thomas Wilkins
July 23: Boston Symphony Orchestra: Berlioz and Mahler
July 24: Boston Symphony Orchestra: Still Walker and Brahms
July 24: TMC Vocal Concert
July 27: Takács Quartet with Julien Labro
July 28: Silkroad Ensemble with Rhiannon Giddens
July 29: Boston Symphony Orchestra: Julia Adophe and Beethoven
July 30: Spotlight Series with Jo Harjo
July 30: Boston Symphony Orchestra: Caroline Shaw and Beethoven
July 31: Boston Symphony Orchestra: Elizabeth Ogonek, Farrenc and Beethoven
July 31: Thomas Adès, JoAnn Falletta and the TMC Conducting Fellows conduct Debussy, Stravinsky, Wilson and Hindemith
Aug. 2: Tanglewood on Parade with Thomas Adès, Stefan Asbury, JoAnn Falletta, Thomas Wilkins and John Williams
Aug. 3: Danish String Quartet
Aug. 4: TMC Music for Mixed Chamber Ensembles
Aug. 5: TMC Chamber Music Concert
Aug. 5: Boston Symphony Orchestra: Earl Lee conducts Brian Raphael Nabors, Poulenc and Mendelssohn
Aug. 6: Boston Symphony Orchestra: JoAnn Falletta conducts Roberto Sierra, Tchaikovsky and Respighi featuring Joshua Bell, violin
Aug. 7: Boston Symphony Orchestra: Thomas Adès conducts Thomas Adès, Mozart and Holst
Aug. 7: Silent Film Music by TMC Composition Fellows
Aug. 8: George Benjamin conducts TMC Vocal Fellows
Aug. 9: Earth, Wind & Fire
Aug. 12: Boston Symphony Orchestra: Emanuel Ax, Pamela Frank, Leonidas Kavakos, Antoine Tamestit and Yo-Yo Ma
Aug. 13: Boston Symphony Orchestra: Dima Slobodeniouk conducts Dutilleux, Mendelssohn, Debussy and Ravel
Aug. 14: Boston Symphony Orchestra: Anna Clyne, Elgar, Debussy and Enescu featuring Yo-Yo Ma, cello
Aug. 14: Stefan Asbury and TMC Conducting Fellows conduct Price, Bartók and Rachmaninoff
Aug. 16, 18, 23 and 25: Garrick Ohlsson,
Aug. 19: Boston Pops: “Remembering Stephen Sondheim”
Aug. 20: Spotlight Series with Tony Kushner
Aug. 20: John Williams — The Tanglewood 90th Birthday Celebration
Aug. 21: Boston Symphony Orchestra: Unsuk Chin, Bruch and Brahms featuring Itzhak Perlman, violin
Aug. 21: TLI Presents Ghost Song featuring Cécile McLorin Salvant
Aug. 26: Boston Symphony Orchestra: Shostakovich, Dvořák and Borodin featuring Gil Shaham, violin
Aug. 27: Boston Symphony Orchestra: Rimsky-Korsakov, Rachmaninoff and Copland featuring Alexander Malofeev, piano
Aug. 28: Boston Symphony Orchestra: Ives and Beethoven
