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  • William “Tragedy” Yager – Businessman Preserving an Iconic Scene for the Next Generation

    So many have already interviewed William “Tragedy” Yager about his purchase of Albany’s legendary night club Fuze Box (formerly the QE2) but I waited for all the other formal interviews to be over with so I could just have a nice conversation with the man. Rob Smittix from RadioRadioX met Yager in his office area at his Howard Street location of Patsy’s Barber Shop and had a nice chat.

    RRX: The day we received the call that you bought the Fuze Box, I was speaking with a friend and I said, “man I wish someone would buy it”. It honestly hurt my heart to see the building just sitting there with a for sale sign on it. What was it that made you go ahead and make it official? 

    WTY: I thought I was saving it from the wrecking ball or a Starbucks or something of that nature. I know the developers that were looking at it, were actually looking at maybe even having to move it because it’s on the National Historic Registry as one of the last five White Tower Hamburger buildings in the country. My formative years were there. I’d like to say I grew up in there but I didn’t grow up anywhere, I haven’t grown up yet. I feel like as soon as you grow up God’s like, ‘good, you’ve grown up, get the f**k up here and play a harp or something’. I wanted other kids to have what I was able to have from (previous owners) Charlene and David Shortsleeve and from what they have built. They orchestrated such an amazing vibe and this is way before the Internet. Char had given us her blessing, which is amazing! 

    I built the Fuze Box in the back of The Power Company (across the way from the current location), that was mine, so I felt like it came full circle. And I don’t know if being back at the beginning of the circle you started at is a good thing or not but I positioned myself (I guess) to probably be the only person that could do it. 

    This is the building part. This is supposed to be the fun part getting the calendar together and what the nights are going to be. Wednesday night we want to do industry night, kind of like the old Alibi’s. Thursdays I want it to be emo night, because emo is huge right now. Friday is going to be the normal QE2ian/Fuze Box Goth night. Hex is the first Friday of the month and the third Friday of the month is Resist The Club. Now we’re structuring where other DJ nights might fall in. So, my vision now is kind of like the original QE2, where it’s live music until 10 P.M. and club night from 10 P.M. on. A smooth transition of music, so people can stay as late as they want as new people come through the door. That’s the vision. Saturdays will be house, EDM and all those different genres of an electronic DJ style. These things are for the young folks, so they can be the new us!

    It’s not just about us remembering when this was the QE2. We can’t do that, we’re old. (Laughs) We’re going to make a cool viable space for the new generation.

    RRX: I had so many great memories there as a young adult. Of course, we’d love to relive those days but making it a place for the next generation, I think that’s a great way to put it. 

    WTY: That’s what the goal is. The Fuze Box/QE2, the Q Z Box 2 or whatever the f*** it is, has to remain a safe place for everybody in our community. When I say community, I’m talking about punk, gay, trans and everybody down the line. A comfortable place for them to be them and us to be us. 

    RRX: I respect that, safety is key. Now, I’m sure you saw as soon as the news broke that you purchased the club how happy the community was.

    WTY: That’s great to have all of that support but getting them out of their houses is another thing. We own barber shops, tattoo shops, laundromats and The Bull and Bee Meadery. The nature of business and how business is conducted has changed. It used to be consistency is everything and location, location, location, it’s not like that anymore. Now it really depends on social media, marketing and branding. As long as your cyber presence is there, that’s what the new location is. 

    RRX: In the heyday of the club there wasn’t social media at all back then. Times sure have changed.

    WTY: We own fuzeboxalbany.com but it’s as much the QE2 as it is the Fuze Box to me. Although the Fuze Box is my thing, the QE2 is what I see when I walk in there. It’s even hard for me to call it the Fuze Box, I’m still that old guy. I bought the Q, I mean the Fuze Box, I mean… what do I own? 

    (Both laugh)

    RRX: Yeah, I think we, “the older generation” all call it the Q. 

    WTY: Generation Q.  

    So, we’re trying to book local acts mostly, we want to support the local scene but also want the local scene to support itself. 

    Things are different. Lucky for me, I’m very open-minded and very malleable. This is how it is now, fine let’s make it work the best we can. It’s a build, so now we’re building the business that was already there. We have a good foundation and a good reputation and a lot of support from the community. Now to get them to turn that support into showing up. I’ve got a lot of great press; it hasn’t always been that way for me in my life. You’re only one step away from being a sh**heel again so… I keep that in mind. Everybody’s like you’re a hometown hero. I’m like, ‘uhhh, no don’t do that to me, you’re setting me up to fall’. So, we’ll support the people that support us and everybody else whether they like it or not. We’re hoping on having a nice symbiotic relationship with Lark Hall, Empire Live and all the venues. Kip from Pauly’s reached out, that was nice of him. It has to be an all for one, one for all situation, otherwise you won’t get that scene back. 

    Originally published in The Xperience Monthly, written by Rob Smittix

  • Film Review: Red Rocket

    A24’s Red Rocket is filmmaker Sean Baker’s latest look into the lives of struggling lower-class Americans faced with morally questionable choices, and features his signature style of understated and character-driven storytelling. The film stars Simon Rex as Mikey Saber, a washed-up pornstar who returns to his Gulf Coast hometown after a 17 year absence. He moves back in with his estranged wife, Lexi (played by Bree Elrod). Mikey meets and quickly falls for a 17-year-old donut shop girl, Strawberry (played by newcomer Suzanna Son). The film follows Mikey and Strawberry as they fall into each other’s orbit, and is a thought-provoking and challenging look into the fallout of their new relationship and Mikey’s toxic and destructive personality.

    Image Courtesy of A24

    Despite its small similarities to Lolita or even A Star Is Born, Red Rocket stands entirely on its own and finds new ground within the themes of nymphomania and washed-up stardom. Simon Rex’s performance captures a manic and narcissistic persona in Mikey that often seems to echo the 45th President’s personality. This is a juxtaposition that Baker doesn’t shy away from, often placing the former POTUS and Mikey within the same frame. Although Mikey is a character that’s easy to judge as morally reprehensible, his reality distortion field seems to affect more than just the characters on-screen, as his victories and losses become the viewer’s.

    Suzanna Son’s performance as Strawberry captures a raw sexual energy that is undeniable and impossible to look away from. Her relationship with Mikey evolves from dealing and smoking weed together, to Mikey attempting to convince Strawberry they could be the next big couple in the porn industry.

    Suzanna Son displays a surprising extra talent in one of the film’s highlights, an intimate scene in which she performs a stirring keyboard ballad version of NSYNC’s “Bye Bye Bye.” All four members of the band signed off on the creation of the cover song specifically for the film. You can listen to it here.

    Despite its challenging themes and setting, Red Rocket is a sincere and entertaining look into the lives of characters not often focused on in modern media. It is gripping, hilarious, and newcomer Suzanna Son displays extraordinary talent throughout.

    Red Rocket will be available to own on digital and on demand February 8, 2022, available to rent on digital and on demand March 1, 2022, and on Blu-ray March 15, 2022. You can watch the official trailer below.

  • The Mommyheads Give 1991 Fan-favorite Bootleg a Proper Release

    The Mommyheads Swiss Army Knife has never had a proper release. Trapped in obscurity, the long-awaited album will be out February 11th, 2022, for fans to enjoy. 

    Photo of The Mommyheads’ band members.

    The Mommyheads (Adam Elk, Michael Holt, Dan Fisherman, Jason McNair) are an indie pop band from Brooklyn, who played from around 1987 through 1998. They disbanded for a decade, and then reformed in 2008. After the death of original drummer, Jan Kotik, The Mommyheads re-united for a tribute show in New York City. Shortly after, they decided to reform and record a new album, “You’re Not A Dream.” In 2021, Big Takeover Magazine dubbed Adam Elk and Michael Holt, “two of the best songwriters currently active.” 

    “Four decades later and the Mommyheads are still undisputed godfathers of Baroque Prog Pop.”

    Relix

    Swiss Army Knife displays vocals from the wild creativity of Mommyheads songwriter, Adam Elk, who independently recorded these tunes on four-track during his teen years in Brooklyn. The album is striking in it’s eccentricity: schizophrenic wordplay, mind-bending chord structures, acoustic mayhem, and DIY experimentalism all meld together within these colorful song fragments.

    The Mommyheads’ new album Swiss Army Knife is coming out February 11th, 2022.
    Swiss Army Knife, The Mommyheads

    When listening to the album, the manic creative energy is infectious throughout. There is an unrelenting playfulness to this set that makes it so enjoyable to listen to. Tracks such as “They Call it Accident,” have a playful, plucking bassline paired with sublime vocals that overall make the track a fun one to listen to.  

    “If you wanna do music, you have to have a really thick skin. You have to really wanna take the abuse of not making money for years and years.”

    says Adam Elk

    That most unique aspects of this album are its use of unusual use of instruments and vocals that make the album feel so raw featured in songs like “Freak Out Jam,” “I Won’t Eat Anymore,” and “They’ve Finally Landed.” Other tracks like “Lemon Merengue People” have fun melodies of guitar and vocals that pair with each other. 

    Photo of The Mommyheads’ band members.

    Another song, “We Are Intertwined,” can be described as having a waltz, up-beat and psychedelic sound. “Canoe Driver” is also another gorgeous piece of baroque pop with glorious melody. The Mommyheads Swiss Army Knife is a masterpiece of 90s-sounding baroque progressive pop.  

    Photo of The Mommyheads’ band members.

    Swiss Army Knife is available to listen to on Soundcloud.  

  • Filled To The Brim To Perform at Stanley Theatre this month

    Filled to the Brim, a rock band consisting of high schoolers from Utica, will be performing at The Stanley Theatre on Friday, February 25th.

    Filled To The Brim

    The band consists of Victoria Haggerty on lead vocals, Alyssa Tomassi on drums, Owen Paz on bass, Jack Towns on keyboards and Johnny Mudge on lead guitar and was first formed in 2018, where the young talents met at Jim O’Mahony’s Rock Camp in Marcy, New York. During those two weeks, the band composed their first song, “Turn Back The Time,” and released a music video for the song less than a year later. 

    In March 2019, the band recorded a music video for their single, “Turn Back the Time” with Lisa Baron from Upstate Studios, now known as Baroness Films in Utica, NY. Over the course of 2019, they played shows and continued collaborating until they found that they had created enough songs for a full album.
    They headed back to the studio in December 2019 and recorded their 11 track self-titled with Andrew Greacen from MoreSounds Studios.

    Since then, Filled To The Brim has continued writing songs and playing shows. In 2020, the band released their self-titled album and in 2021, the band released their single “Only U.” Both are available for streaming on Spotify, Apple Music, and YouTube.

    The Stanley Theatre will be hosting the band on Friday, February 25th. The theatre operates as a non-profit organization run by the Central New York Community Arts Council. Since 1928, the theatre has hosted movie screenings, plays, concerts, and more.

    Tickets start at $10 can be purchased through Ticketmaster.

  • Club d’Elf Announces shows with John Medeski, Release New Single “Dervish Dance”

    Club d’Elf will release their third studio full-length album, You Never Know, on April 1. They’ll team up with John Medeski that night at Levon Helm Studios in Woodstock to celebrate the release of You Never Know, and perform with the band the next night at DROM in the East Village on April 2.

    You Never Know is a double album with 10 tracks with the sound of musicians in full improvisational flight. For Mike Rivard, head Elf and sole constant member over the collective’s 24 year run, the meaning of You Never Know runs deeper than just the chase of an alchemic group-mind.

    A few years back, while tracking spiritual insight in the deep-Amazon, Rivard began experiencing terrifying heart palpitations, breathing difficulties and paralyzing anxiety. Initially, he assumed the symptoms were part of his awakening process, but it quickly became clear something else was at work. Back home in Boston, Rivard was diagnosed with a pulmonary embolism, likely caused by a blood clot which developed during one of his long flights to Peru. A lifelong devotee of Eastern and holistic medicine, Rivard found himself mired in the sterility and sluggishness of the American healthcare system, struggling with PTSD and cloaked in a severe depression. His life skidded to a halt. 

    A lot of people find out about having a pulmonary embolism by dying. After the trauma in the jungle as I slipped further and further into the darkness, one of the scariest parts was how things I loved lost all meaning, the pleasure just drained away. It was this sense of sliding into an alternate universe of shadow.

    Mike Rivard

    As the depression parted, Rivard (playing bass and sintir) gathered fellow Club d’Elf collaborators Dean Johnston (drums), DJ Mister Rourke (turntables), Paul Schultheis and John Medeski (vintage analog keyboards), Casablanca-native Brahim Fribgane (oud, vocals and percussion) and guitarists Duke Levine, David Fiuczynski and Kevin Barry, and began recording the album to analog tape with minimal overdubs.

    Half of the album consists of originals inspired by Rivard’s experience and the sounds that saved him, and half covers of influences which have shaped the band’s musical universe: Miles Davis, Frank Zappa, Joe Zawinul, Nass El Ghiwane, as well as gnawa, a North African trance music known for causing time to melt as players and listeners enter into a liminal space of eternity and possibility, and Sufi folk songs.

    It’s kind of like driving a tour bus and stopping at various interesting destinations, pulling the bus over and letting everyone off, and then it’s up to them, the musicians, to find their way into the experience, to create the music together, in the moment. Every voice is heard, is equally important, and can drive the music into places that I never would have envisioned of on my own. That’s what really excites me—when I let go of the reins and the collective energy of the ensemble reaches a sort of hive mind state, and the spirits guide us.

    Mike Rivard

    In the studio, Rivard ceded the spotlight to the collective, allowing for free-play and improvisational dexterity. Through it all rides the trance, pulsing, calming, poking open the mystic truths which may just offer us all the hope of brighter days ahead. A Sufi traditional “Dervish Dance” features pools of deep bass and psychedelic crackle beneath Fribgane’s oud soloing, and is the first single from the album, the video of which can be seen below.

    Club d’Elf have tour dates this April with keyboardist John Medeski, in support of You Never Know, set for release on April 1 via Face Pelt Records. After two stops in New York State, the band makes stops in Maine, Rhode Island, New Hampshire and Massachusetts, with a finale at Soundcheck Studios in Pembroke, Massachusetts on April 15.

    Club d’Elf Spring 2022 Tour Dates

    4/1 – Woodstock, NY – Levon Helm Studios
    4/2 – New York, NY – Drom
    4/8 – Portland, ME – Bayside Bowl
    4/9  – Providence, RI – Columbus Theater
    4/10 – Portsmouth, NH – The Music Hall
    4/14 – Northampton, MA – Bombyx
    4/15 – Pembroke, MA – Soundcheck Studios

    club d'elf
  • Anaïs Mitchell and Bonny Light Horseman Will Entertain Kingston This February

    Tony and Grammy award-winning creator of the Broadway musical Hadestown, Anaïs Mitchell will head back on stage with folklore music group Bonny Light Horseman, on February 20th at Old Dutch Church in Kingston.

    Anaïs Mitchell & Bonny Light Horseman

    Bonny Light Horseman is a trio group consisting of singer and songwriter, Anaïs Mitchell; Eric D. Johnson who is best known for his project Fruit Bats and stints with The Shins, and Josh Kaufman an instrumentalist and producer known for his work with Hiss Golden Messenger, Bob Weir, The National. This trio centers their focus on blending traditional folklore music with more contemporary melodies. Their two time Grammy nominated album Bonny Light Horseman, is suitable for a vast audience.

    When the three met and decided to sketch musical ideas together, they formed an instant artistic bond. While they experimented for the upcoming 2018 Eaux Claires festival at the time, the trio seized the opportunity to form a band.

    “The conversation about starting the group and figuring out the type of music we’d play happened very quickly. It’s like a love story: a really big fire, and the shared ideas of what we wanted the music to feel like. We wanted openness and for it to feel emotional and personal.”

    Josh Kaufman

    During their live performance later this month, the trio will perform songs from Bonny Light Horseman. Subsequently, Mitchell will take to the stage to share her new 10 track solo album named after herself, in addition to some more fan favorites. This album represents her resilience to music after producing her previous solo album almost a decade ago, to focus on other music related commitments on Broadway and within her band. NPR, supports Mitchell as “one of the greatest songwriters of her generation.”

    Anaïs Mitchell is a personal album from real life events, in which she exposes a variety of emotions of hers, not daring to hold back using metaphors, but is rather blunt about her feelings. Ultimately, this album is intimate, real and relatable.

    For Anaïs Mitchell’s & Bonny Light Horseman’s upcoming performance, general admission seats are $34 and for Gold Circle seats, within the first 5 rows, tickets are $48. To buy tickets for February’s show visit ticketmaster.

  • First Ever JGB show at MSG Captured on GarciaLive Volume 16

    Garcia Family Provisions has declared GarciaLive Volume 16 as its album of the month for February. This three-CD album features a three set show from Jerry Garcia Band’s inaugural show at Madison Square Garden from November 15,1991, a show that takes place right in the middle of one Garcia’s most heralded solo tours.

    The Grateful Dead had recently finished a nine-show residency at The Garden just two months, but this show marks the first ever JGB at the World’s Most Famous Arena. The show opens with a buoyant cover of How Sweet It Is (To Be Loved By You) and features a host of other memorable covers like Van Morrison’s “He Ain’t Give You None” and “Bright Side Of The Road,” Smokey Robinson’s “The Way You Do The Things You Do” and Bob Dylan’s “Simple Twist of Fate.”

    And there’s also other Jerry Garcia Band staples like “Ain’t No Bread In The Breadbox” and an extended take of “Don’t Let Go” included on this release, as well as a sterling rendition of “Shining Star” included as well. And the show ends on an emotional high with a cover of “(What A) Wonderful World.”

    The JGB lineup at this time includes Melvin Seals on keys, John Kahn on bass, David Kemper on drums and Jaclyn LaBranch and Gloria Jones handling backup vocals. In Glide Magazine Doug Collette wrote, “Garcia Live Volume 16 may be the ideal entry in this ongoing archive series to provide the curious music lover eager to comprehend the virtues of the Jerry Garcia Band…. [Garcia] is equally expressive through the selection of tunes by his favorite composers plus an eclectic range of other song choices, consistently vigorous vocals… and, last but not least, versatile and inventive guitar work.”

    This GarciaLive album was officially released in June of last year and is available for purchase directly from Garcia Family Provisions here.

  • Pink Talking Fish Spring Tour includes 4/20 show in NYC

    Pink Talking Fish, who perform the music of Pink Floyd, Talking Heads, and Phish, have announced new tour dates for Spring 2022, the most notable of which will be in New York at the Gramercy Theater on April 20.

    The New York concert is part of the NYC Phish AfterParty series hosted by the NYC promoter CEG Presents. After major Phish concerts at Madison Square Garden several venues around the city host after parties for those who are still awake, as Phish fans keep the party going.

    And what better way to do that than by adding some Talking Heads and Pink Floyd to the mix.

    pink talking fish ithaca

    With the new Pink Talking Fish tour stop in New York, what is already a huge show as Phish returns to the Garden on rescheduled New Years dates, the dancing doesn’t have to end just because the concert did. Doors open at 11:30pm and tickets are now available online.

    Pink Talking Fish Drive-In

    Other than the Gramercy Theater show the new Pink Talking Fish tour will only have one other show in New York state proper, in Saratoga Springs on April 16. There are, still, several other shows in neighboring states: Hartford, CT on Feb. 18, Jay, VT on Feb. 19, and Burlington, VT on March 19.

    Other notable stops include a three day stint in Denver, Colo. for a special David Bowie and Prince show. Where they’ll cover songs of the two rock legends alongside guests Chuck Morris from Lotus and The Horn Section, made up of former members of Turkuaz.

    Tour Dates

    2/18: Hartford CT at Infinity Hall

    2/19: Jay VT at Jay Peak Resort

    2/26: Ardmore PA at Ardmore Music Hall w/s/g Qway

    3/11-12: Denver CO at So Many Roads Brewery

    3/13: Denver CO at So Many Roads Brewery – Prince/Bowie featuring PTF, The Horn Section, Chuck from Lotus + more

    3/19: Burlington VT at Higher Ground w/s/g Swimmer

    4/08: Ventura CA at Ventura County Fairgrounds – Skull And Roses Festival

    4/09: Seattle WA at Nectar Lounge

    4/16: Saratoga Springs NY at Putnam Place

    4/20: New York NY at Gramercy Theater – Phish AfterParty

    4/21-22: Ferndale MI at Otus Supply

    4/23: Chicago IL at Park West

    4/24: Columbus OH at Woodlands Tavern

  • Hudson Valley Singer Sam Kogan Announces EP And New Single “Barbed Wire”

    NY singer-songwriter Sam Kogon has announced a four-track self-titled EP, and the release of his new single “Barbed Wire.”

    Kogon describes his new approach to songwriting as an “Upstate country rockabilly crooner,” as he spends his time in the Hudson Valley. He has always been an old soul as he is a big fan of The Beatles, and even worked with Al Jardine of The Beach Boys.

    sam Kogon
    Sam Kogan.

    Sam Kogon had a lot to say about the new single.

    ‘Barbed Wire’ is a song about accepting love, denying love, unrequited love, infatuation, and coming out of the closet. It’s inspired by two friends exchanging songs they write as coded love letters. One friend wants their love to come off the page and the other friend can only express their true feelings in song. Running away with or from someone who isn’t emotionally available can get you tangled in the barbed wire fences they put up at the first signs of vulnerability, so I chose that as the title of the song. The one friend trying to move forward is asking (rhetorically) ‘Is this love? Is this love? I need to know right now…and could you even tell me right now.’ They already know the answer: Sometimes there isn’t a happy ending or closure; sometimes we get burnt like tires, and that’s ok.

    “Barbed Wire” is a pop, rock, and country ballad, and makes the listener want to get up and dance. It was produced by John Agnello (Dinosaur Jr., Kurt Vile) and mastered by Steve Fallone (Arcade Fire, Angel Olsen, Big Thieif).

    The song is available to stream here, and Sam Kogan’s new self-titled EP will be out in April.

  • The Who 2022 Tour will Arrive at MSG and Bethel Woods in May, UBS Arena in October

    The Who, one of the greatest rock bands in music history, will embark on a 2022 North American Tour this spring and fall. The two final tour stops in May will be at Madison Square Garden and Bethel Woods, while the October leg of the tour brings Townshend and Daltry to UBS Arena in Belmont.

    the who 2022 tour

    The music of The Who spans generations, with Roger Daltrey’s soaring vocal prowess building off the sparks of Pete Townshend’s songwriting. These two remaining members of the original lineup join together in a shared legacy while time is passing, one found in the pages of their recent autobiographies -Townshend’s Who I Am (2012) and Daltrey’s Thanks A Lot Mr. Kibblewhite; My Story (2018) – and among their regular touring schedule. 

    Some shows on The Who’s 2022 tour were originally planned for 2019 but delayed due to a vocal ailment Daltrey was suffering from, while some others on the tour are a substitute for those canceled in 2020 due to the COVID-19 pandemic.

    Commenting on The Who Hits Back! 2022 tour, Roger Daltrey said:

    Pete and I said we’d be back, but we didn’t think we’d have to wait for two years for the privilege. This is making the chance to perform feel even more special this time around. So many livelihoods have been impacted due to Covid, so we are thrilled to get everyone back together – the band, the crew and the fans.  We’re gearing up for a great show that hits back in the only way The Who know how.  By giving it everything we got.

    Roger Daltrey

    The Who Hits Back! Tour features a pure and easy lineup including guitarist and backup singer Simon Townshend (Pete’s brother), keyboardist Loren Gold, second keyboardist Emily Marshall, bassist Jon Button, drummer Zak Starkey and backing vocals by Billy Nicholls. Lead violinist Katie Jacoby and lead cellist Audrey Snyder will be getting in tune with orchestra conductor Keith Levenson, delivering many of The Who’s classics, as well as songs from their most recent album, WHO.

    Regarding the inclusion of local orchestras and strings for each show, Townshend spoke to Rolling Stone, saying:

    It gives me a chance to make sure what I play, what I do, where I look, how I behave on the stage, is more connected with the people around me, and with the audience, and with, to get prosaic about it, an inner sense. In other words, I don’t lose myself the way I did when I used to jump around, have a big adrenaline rush, and then come off the stage and someone would say, ‘Great show,’ or someone would say, ‘Terrible show,’ and I wouldn’t really know what I had done, to be honest, since I was like someone running a marathon. So the orchestra gives me space.

    Pete Townshend

    The Who’s show at Bethel Woods also marks their return to the site of the original Woodstock Festival, where the group performed a memorable set that began at 5 AM on Sunday, August 17, 1969.

    the who the clash
    The Who at Rich Stadium, Buffalo, 1982. Photo by Marc Starcke

    American Express® Card Members can purchase tickets in select markets before the general public beginning today, Monday, February 7 at 10 am through Thursday, February 10 at 10 pm. The Who’s fan club presale starts Wednesday, February 9 at 10 am and runs through Thursday, February 10 at 10 pm.

    For more information visit LiveNation.com or thewho.com.

    The Who Hits Back! 2022 Tour Dates

    SPRING

    April 22 / Hard Rock Live / Hollywood, FL

    April 24 / VyStar Veterans Memorial Arena / Jacksonville, FL

    April 27 / Amalie Arena / Tampa, FL

    April 30 / New Orleans Jazz Festival

    May 3 / Moody Center ATX / Austin, TX

    May 5 / American Airlines Center / Dallas, TX

    May 8 / the Cynthia Woods Mitchell Pavilion / The Woodlands, TX

    May 10 / Paycom Center / Oklahoma City, OK

    May 13 / FedEx Forum / Memphis, TN

    May 15 / TQL Stadium / Cincinnati, OH

    May 18 / TD Garden / Boston, MA

    May 20 / Wells Fargo Center / Philadelphia, PA

    May 23 / Capital One Arena / Washington, D.C.

    May 26 / Madison Square Garden / New York City, NY

    May 28 / Bethel Woods Center of the Arts / Bethel, NY

    FALL

    Oct 2 / Scotiabank Arena / Toronto, ON

    Oct 4 / Little Caesars Arena / Detroit, MI

    Oct 7 / UBS Arena / Belmont Park, NY

    Oct 9 / Schottenstein Center / Columbus, OH

    Oct 12 / United Center / Chicago, IL

    Oct 14 / Enterprise Center / St. Louis, MO

    Oct 17 / Ball Arena / Denver, CO

    Oct 20 / Moda Center / Portland, OR

    Oct 22 / Climate Pledge Arena / Seattle, WA

    Oct 26 / Golden 1 Center / Sacramento, CA

    Oct 28 / Honda Center / Anaheim, CA

    Nov 1 / Hollywood Bowl / Los Angeles, CA

    Nov 4 + 5 / Dolby Live at Park MGM / Las Vegas, NV

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