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  • In-Depth Interview: Pigeons Playing Ping Pong Bassist Ben On Domefest, Rainbows and Perspective

    Pigeons Playing Ping Pong [PPPP] has experienced a momentous April and May in 2022 including the release of their latest album, Perspective. At the album release party at Brooklyn Steel, friends both on stage and off celebrated. This upcoming weekend marks the commencement of Domefest for the 12th year in production.

    Pigeons Playing Ping Pong
    Rainbows Outside, Rainbows Inside by Em Walis

    PPPP bassist Ben kept contact with Em Walis over the first two weeks in April about the creative process, rituals for wellness, farming, rainbows, Perspective, and their festival Domefest which is happening this weekend, May 19-21 at Legend Valley. Special commentary is provided by members of the PPPP fanbase affectionately nicknamed “The Flock” as well as Funky Dawgz saxophoinist Tommy Weeks and the gal changing the bass game, Karina Rykman.

    Framework

    Three conversations with bassist Ben Carrey coincided with three events. The first conversation occurred the week before the Perspective release. The second conversation happened two days after PPPP performed at Brooklyn Steel. The final chat happened the following week after PPPP played Brooklyn Bowl Nashville.


    Each interaction with both Ben and the PPPP community at large illuminated more and more understanding as to why so many people choose PPPP for priority declaration and lifestyle identity. Commentary and elaboration follows each conversation.

    Pigeons Playing Ping Pong
    At The Front Of The Flock. Perched on the rail. By Em Walis

    Commentary On The Quest For Perspective:

    Why this band? What is it about PPPP that compels someone to declare themselves a part of “The Flock”? How did this epiphany happen anecdotally for members of The Flock? These questions have no bias and could be asked to any dedicated fan in regards to any artist they plan their sacred and few vacation days around.

    The current landscape for music provides what feels like infinite options available for dedicating a lifestyle to. New flavors of musical genre fusions, coinciding side orders of artist side projects and mini super-band collaborations form on what feels like a daily occurrence. Smaller festivals catered specifically to citizens of that community have been popping up everywhere. Streams and communities allow some to participate without traveling outside of their county, let alone outside of the United States.

    PPPP Bassist Ben Carrey speaks by Em Walis

    Conversation 1: March 26 2022 Before The Shift | Pre Perspective Release

    Em Walis [EW]: Thank you for taking the time! Where are you right now?

    Ben [B]: No problem! I am on a walk to get coffee now at home in Maryland.

    EW: How do your routines differ from home versus being on the road?

    B: At home, my main focus is this small farm where my wife and I live.. There might be metaphorical cultivating to do on the road, but there is not much room for physical crops. Finding routine for being at home and while on the road are equally important. Not finding touring hacks for prosperity and longevity in what could be a detrimental hamster wheel lifestyle.

    EW: What are you growing?

    B: Right now we have kale, other wintered greens, potatoes , as well as both white and red clovers. Clover isn’t a harvest crop, just ground coner between rows. We are also working on composting. I love it.

    EW: What kind of advice do you have for someone that is either new to touring, or seasoned and seeking a better sense of existence?

    B It is extremely important to have healthy routines. I recommend that anyone on the road carve out 5 minutes of quiet breathing before a show and 10 minutes of stretching after. It is not a big commitment but can make all of the difference. Greg is known for his post show routine. He is always full of smiles after a show, takes a shower, cleans up his guitar, does office work then goes to bed. The most he will differ from this would be getting a slice of pizza.

    I recommend that anyone on the road carve out 5 minutes of quiet breathing before a show and 10 minutes of stretching after. It is not a big commitment but can make all of the difference.

    Ben

    EW: I can imagine that it can be easy to let certain aspects of your wellbeing go to the wayside amongst the constant motion that is being on tour.

    B: It is all about finding what you need. Each person has different needs and to find attainable ways to feed that. Things like yoga and meditation can be great for dealing with issues like addiction which runs rampant in music. We discuss many of these topics on the podcast I have with Luke Bemand from Lespecial called Back2Bassics.

    EW: Very cool. I hope you get to soak in your time at home before the upcoming excitement begins. Would you like tell me a little about what you have coming up?

    B: Our new album is about to come out, we have a really exciting release party planned for Brooklyn Steel. Our friends TAUK are opening. It should be a great time. After that, we go back on the road. May 19-21 willl be Domefest which has some of my favorite artist like Lotus and Spafford.

    EW: Excellent! Tim Palmieri has been doing such a great job with Lotus. I saw Karina Rykman is on the lineup. She is fabulous. How was touring with her?

    B: Karina was a complete pleasure to have on our last tour. She really brings that positive energy similar to Marco [Benevento’s]. You can listen to some of my conversation with her on the podcast.

    Bass Trifecta

    EW: What is something you love about Domefest?

    B: There are no overlaps in sets which means if you miss something, that’s on you. We aim to minimize the heartache here.

    EW: Speaking of heartache, the day is March 26 and it would feel dishonorable to not mention the untimely passing of Taylor Hawkins. I know the news is still very fresh, but would you like to comment on this?

    B: Taylor’s passing hit hard. The band actually comes pretty close to home for us. Jeremy’s dad was the was Dave Grohl’s orthopedic doctor while on tour. The Foo Fighters have had Jeremy’s dad up on stage to sit in for a song on multiple occasions. I’m sure you can find a video on youtube somehwere.


    EW: Wow. That is wild. I will look this up as soon as we get off the phone. Thank you for speaking on this and sharing that extremely fun fact. It seems it has hit hard for a lot of people and that there is something to be said about doing everything possible to have a positive impact on those around us.

    BI like to think that when great energy is released into the world, it becomes a better place.

    EW: Thank you. That is a really refreshing way to look at loss.

    Like father like son by Em Walis

    EW: Not to try to crack jokes in order to break up a sad moment, but what a beautiful Perspective you have. Not getting back on track, what does the recording process look like for PPPP? Was this one different in any way?

    B: Ha! I see what you did there. It is in fact, all about perspective. [Perspective] was tracked pretty quickly, though putting it all together definitely took some time. We put the drums down first and use the best take from that. We build off of those tracks and add layers. We could only get into the studio here and there. I am psyched on the song “Water.” It has a cool vibe with different sonic textures imbued throughout. “Elephante” features this Nashville brass band called Here Come The Mummies. We have a music video from that track.

    EW: Super cool! Well I know we did not have a whole lot of time today, but I wanted to thank you for the introduction and I look forward to talking to you after the album release party?

    B: Looking forward to it all!

    Commentary 1: Contemplating Cultivating Wintered Greens and Home Routines

    Greg shows up by Em Walis

    It appears that PPPP do a lot of work individually to help improve their chances for showing up for the band in their best possible form. Having mindful routines and practices cultivate creativity, open-mindedness and good communication.

    In dark times, it is all too easy to tend towards automatic negative reactions to any input. The desire to tune out or numb out. Letting the wind beneath our wings fall away can be normal, especially in the wake of such isolating times. It does not have to be this way.

    Perspective is readily available and we have the power to choose. How we think about a situation, the behaviors associated. Narratives we tell ourselves and others reinforce similar feedback loops. It might be difficult to molt old beliefs, but over time, new instinctual responses occur, and a better example can be set for others.

    Pigeons Playing Ping Pong
    PPPP Perspective Album Cover

    PPPP have taken the endless void of shutdown and created a space for practice, looking at the feelings that would have been directed towards despair as an opportunity in order to improve their own sense of self-care and wellbeing. The finite resource of mental bandwidth and physical energy typically poured into touring provided a magnified fountain for energetic resource in the studio. Ben provided a great reminder of how small practices, repeated over time can improve the way we show up creatively and for those that we care about.

    Karina Rykman flies with the flock by Em Walis

    Guest Commentary: Karina Rykman Weighs In

    When asked about her experience with Pigeons Playing Ping Pong, bass sorceress Karina Rykman had this to say:

    I will never forget how kind and welcoming PPPP was to my band and crew, and the lengths they went to to make our daily lives better while we spent a month on the road together.

    Karina Rykman

    “I will never forget how kind and welcoming PPPP was to my band and crew, and the lengths they went to to make our daily lives better while we spent a month on the road together. They truly went above and beyond at every turn – sharing greenrooms, having us sit in, giving us their hotel rooms in Crystal Bay when their bus was leaving for the night, etc etc. They are truly one of the nicest touring operations, with everyone on their crew being spectacular at their jobs and hilarious to hang out with, respectively. I had no idea what to expect, and I’ve walked away with huge admiration for those guys. They take their craft wildly seriously – rehearsing new material every soundcheck until the minute they have to be done, and then rehearsing more in their practice room. I’m thrilled to be a part of Domefest and I can’t wait for our crews to be reunited!”

    April 10 2022: Experiencing The Shift | Double Rainbow Album Release Party

    Dramatization: This double rainbow was not taken at Brooklyn Steel by Em Walis

    EW: How was your experience surriounding the album release party?

    B: It was a really good time. Good vibes. There was like a double rainbow over the venue before the show. I remember there have been a few rainbow shows summer camp when we played the secondary sIt was a really good time. Good vibes. There was like a double rainbow over the venue before the show. I remember there have been a few rainbow shows… for example, at summer camp when we played the secondary stage. Ten minutes before we were about to go on… It’s been super hot all day to the point where like, I’ve tried having a breakfast of some gravy egg hodgepodge or other and I was laying in the back of one of our rental cars since we’d flown in and we were staying at a hotel which was like 45 minutes away. We had gotten there for soundcheck at like noon after not much sleep and didn’t play till like six or seven or something and I’m just like laying in the back of my rental car with AC on while the sun is beating down just like nauseous as fuck. This. Fucking. Sucks. I started to feel better in the hour or two before our set and then right before we go on…

    Dramatization of Ben’s first rainbow show


    I looked up and thought this is totally rainbow weather. I pointed to a security guard and told him to keep an eye out in that direction (opposite the sun) and let me know when you see a rainbow.. it’s gonna happen. We are literally about to walk on stage after we are announced and he goes there it is! There’s the rainbow! We walked on stage and behind this giant crowd of like 5000 people, the biggest we’d played in front to that point, there was a gorgeous, multi-hued arc of some facet of the universe saying…. We Good.

    EW: That’s amazing. It was pretty magical. I was struck by the easygoing, fun atmosphere in the crowd. I had a blast that night and 3,000 frames were made without realizing. What is it about the The Flock that sets them apart from other music communities out there?

    B: Inclusivity: the idea that we’re all in it together. The idea that we are all a part of the experience, its just different. We have different roles. I’m the bass player. Jeremy’s the guitarist. The audience is the audience. We’re all part of it. No one’s just observing or spectating in the flock. You’re co-creating essentially.

    Moon Taxis’s Wes Bailey sitting in at Nashville show by Em Walis

    I think people get that vibe and feel fulfilled. You know, creation is one of our Maslow’s hierarchy of needs. The creativity aspect. I think attending our show scratches that itch for a lot of people. It allows them to just be like, genuinely nice and genuinely want to share it.

    We’ve worked hard and constantly over the years to help instill this mentality in the flock, from way back when we started the Facebook group ‘The Flock’ with the idea that our fans/friends are more than just a collection of people. We are an entity

    Big leaf energy by Em Walis

    EW: The negativity didn’t seem present at all.

    B: The idea is, we’re all worshipping music together… it’s about proselytizing the power of Love & Music & togetherness.

    Be kind Funky Dawgz by Em Walis

    EW: Would you say that PPPP has a defined set of core values with which it conducts itself and its community at large and do you think it has had an impact on the ways in which folks conduct themselves?

    B: The values of the band are obvious so those that are that are with you know why they’re with you. Two things we are certainly all about are valuing kindness and spreading positivity. Greg wore “be kind” on his [flocking] shirt on Saturday because… it’s not hard. We’re humans; we make mistakes. So just be kind to others, as well as to yourself. I think that shows through.

    EW: This is all great stuff. Thank you and I will be in touch!

    B: Anytime.

    Commentary 2: The Brave Little Roll of Toilet Paper

    Pigeons Playing Ping Pong
    Find a place safe to expose weaknesses by Em Walis

    At the album release party, there was a ritual performed that at its surface might seem pretty silly. With an open mind to a fresh perspective, unraveling an entire roll of toilet paper could represent much more than a tool for bathroom emergencies. The delicate paper with tiny ribbed areas for easy tearing was held up for quite some time by many fans. The way the white paper glowed with such vibrancy was striking. The vulnerability and willingness to expose our areas of weakness, allows for more joyous color to enter the room. The decision to remain all coiled up with hundreds of protective layers might mean a little more resistance to spilled beer, but it lacks the ability for personal growth, or in this case, length.

    Being at a PPPP show is all about mindset and how you show up. The experience is about showing up ready to have a good time, let loose and ecape from outside roles and responsibilities. What you wear, how you dance and who you are is accepted immediately. The crowd is welcoming and full of more smiles and fewer phones.

    Guest Commentary 2: Tommy of Funky Dawgz and Sophistafunk

    Taking care of each other with loving kindness is a practice that could help improve the overall landscape of live music. After sitting in with PPPP at the album release party, Funky Dawgz and Sophistafunk saxophonist Tommy Weeks shared his thoughts about how artists can help support each other better.

    “Artists supporting artists is a great way to make for a kinder music community. There is so much room for different styles of music and so many people consume music on such a wide spectrum. There should be no competition. Promote each other’s releases, videos, and successes. Musicians are in a spot now where everyone wants to go out and see shows. Promote each other. Also more importantly, educate younger musicians. We all had music teachers; I see it as a duty of professional musicians. Inspire young musicians like you were inspired, we all have stories of great music teachers that we remember from when we were younger. Give the kids some stories to tell about you.”

    Don’t know the Dargz? Now you do.

    Conversation 3: Many Hats and Many Wraps

    Pigeons Playing Ping Pong
    “These guys always put me in my happy place” – Uncle Kendall

    EW: Your touring photographer Kendall McCargo has been a real pleasure to shoot with. What is it like having someone like him on your team?

    B: Kendall is a hard worker and fantastic photographer. Everyone on the team works hard, but he works the hardest. Always going. Always helping us look and feel great.

    Pigeons Playing Ping Pong
    Many Hats by Em Walis

    EW: I have noticed that you are often wearing different hats throughout the show. This feels significant. Can you describe your relationship with “many hats” both physically and transcendently?

    B: I suppose the hat is a representation of the ego/of a hat that we take on as we are born into this world and by changing it so often I remind myself that I am simply the wearer a hat or of an experience of a body… I’m not the hatbody experience itself!

    Guest Commentary 3: Let’s Ask The Flock

    Pigeons Playing Ping Pong
    Flock dedication by Em Walis

    Gavin And His Fresh PPPP Tattoo Might Have Something To Say

    Flock member Gavin was happy to share his story about how PPPP took center stage in his life during a tough time. “So in 2019 I went to Peach Fest, and they played one set and I was like, Okay, this is it. This is cool. I kept going and go and go and go into shows and about 25 shows. I was like, this is everything. This is it. this is everything.

    I paid it back with my energy on the rail the best I could. I got right up front. You know, we needed it. They needed it.

    Gavin of “The Flock”

    Then COVID hit. I turned the streams on. They were my heavy jams. You know, the world’s still gonna be good one day just not today. We went for a drive-in show and I paid it back with my energy on the rail the best I could. I got right up front. You know, we needed it. They needed it. Crazy. So then I went to another drive in and then another so then I went to Domefest and got my poster signed. The Security guard went back and I was able to meet Ben and Jeremy and it meant the world to me

    Coop shares his chair by Em Walis

    Coop

    One moment observed at the Perspective release party encompassed everything important to the world of PPPP. When an entire beer rained upon the crowd beneath the balcony at the Brooklyn Steel, a young man with a very broken leg put this belief into practice. Temporarily injured and grounded Flock member Coop was asked to recount what happened.

    “I forgot about that! I felt so bad for her! half a beer was spilled on this poor woman and just kept dripping on her from above and no one was doing anything about it. No one should have to put up with that especially if you are handicapped. I couldn’t just sit and watch that happen. It doesn’t matter that my leg was broken. I’m a young kid and my other leg works just fine! I offered up my seat and then went to make sure they cleaned it up. It was the least I could do. It took a while and I had to bug security a few times but they eventually got someone up there to mop it up.” – Coop of “The Flock”

    I couldn’t just sit and watch that happen. It doesn’t matter that my leg was broken.

    Coop of “The Flock”
    Vibrancy derrived from kindness by Em Walis

    After hearing the story of the raining beer, the obvious next thing to do was ask Coop about himself, his experience at the show and what his relationship with PPPP looked like.

    “I’m just a dude with an afro and a broken leg who is a fan of PPPP. my name is Coop and I am a marijuana extractor out in Colorado. The show was spectacular and the new album is awesome! My favorite song on it is probably water. The community as a whole is much like the deadhead crowd. Weird and wonderful and kind. I feel at home within the trippy scene. I can show a more authentic side of myself and have the freedom to be me. Good vibes all around. Loved yours! You can use whatever you want in your article. I would love to read it when its done!– Coop

    I can show a more authentic side of myself and have the freedom to be me. Good vibes all around.

    Coop of “The Flock”
    Pigeons Playing Ping Pong
    Taking the TP metaphor to the limit by Em Walis

    Commentary 3: Wrapping It All Up… Wait, What?

    Without fully knowing about Here Come The Mummies,, or that they were based in Nashville, the idea about the toilet paper ritual had already formed. It was thus with complete shock and utter disbelief when, there it was, a group of people collaborating creatively while quite literally wearing what many use, toilet paper, for making mummy costumes!

    Repetition of words like “kindness’ and themes about improving the lives of those surrounding came up with every participant. The sampling of PPPP community members speaking of their values in similar terms provide evidence to infer the true strength and shared belief system among a larger population of fans and associated artists. While this may seem like a no-brainer, not all music communities have maintained synchronicity with this level of cohesion.

    Gavin’s story was striking because the proclamation story of shutdown and streams helped so many find their community in music. Livestreams truly helped know what day it way. Playing pretend festival during couch tour evoked a sense of normalcy and hope. Many friendships were formed on forums and online platforms. The story was not one that could only be applied to PPPP which indicates that despite difference in musical preference, common ground can be found among music fans that transcends genre.

    Some takeaways from this experience: Show up. Breathe for 5 minutes before you do something important. Don’t take life to seriously, at least for the few hours during the show. Trust that you will be welcomed with open arms. Take care of yourself, take care of others. Make it to Domefest if you can. Give Perspective a try by all meanings of the definition.

    The Flock by Em Walis
  • SPAC 2022 Summer Lineup and Schedule

    The SPAC 2022 Summer performances and concerts have been announced, with a wide variety of artists and performances coming to the venue. For 50 years, SPAC has been the Summer home of New York City Ballet and The Philadelphia Orchestra, and has hosted thousands of concerts for the best-in-class artists across all genres.

    SPAC amphitheater

    Orchestras, Ballets, and Operas

    Opera Saratoga

    Opera Saratoga was formed in 1962 to present opera in English and showcase young singers, and they are performing multiple dates with different performances. On May 26, they are performing “Stars of Tomorrow.” From June 2-3 they are performing Petite Messe Solennelle. On the 12 at 2 P.M. and 7 P.M. they are performing “A Hundred Years of Broadway – A Broadway Cabaret.” Finally, during the 29-30, they are performing Sweeney Todd – The Demon Barber of Fleet Street.

    Chamber Music Society of Lincoln Center

    The Chamber Music Society of Lincoln Center is part of the largest performing arts complex in the world, and draws more people to chamber music than any other organization of its kind. They will be performing “Quintessential Quintets” on June 12 at 3 & 7 P.M. On the 19 at 3 & 7 P.M. they are performing “From the Harlem Renaissance to Today.” On July 10 at 3 & 7 P.M. they are performing “The Magic of Mixed Ensembles.” On August 14 at 3 & 7 P.M. they are performing “The Escher Quartet.”

    Freihofer’s Saratoga Jazz Festival

    The Freihofer’s Saratoga Jazz Festival is coming to SPAC on June 25 and 26. At the festival will be a bunch of jazz artists and fun activities.

    New York City Ballet

    The New York City Ballet will be coming to SPAC to do multiple dates with different varieties of shows. On July 12 at 7:30 P.M. they will be performing “NYCB On and Off Stage.” On the 13 and 16 at 7:30 P.M. they will be performing “20th Century Masters.” On the 15 at 7:30 P.M. and the 16 at 2 P.M. they will be performing “A Midsummer Night’s Dream.”

    Adrian Danchig-Waring in Summerspace, Credit Photo: Erin Baiano

    The Philadelphia Orchestra

    The Philadelphia Orchestra will be having its residency at SPAC from July 27-August 13, with a variety of performances including Yo-Yo Ma, The Princess Bride in Concert, Harry Potter and the Prisoner of Azkaban™ in Concert and more.

    Concerts

    The Lumineers– May 29 at 7:30 P.M.

    The Lumineers are a GRAMMY nominated-multi platinum folk rock band who gained commercial success with their 2012 hit “Ho Hey.” They will also be having CAAMP on tour with them, also an American folk band who have released two albums and one EP to date.

    Zac Brown Band– June 2 at 7 P.M.

    Zac Brown Band is an American country music group with seven studio albums, two extended plays, and two live albums. They had 13 singles go #1 on the Billboard Country Charts, and their first album The Foundation is certified triple-platinum. Their special guest will be the Robert Randolph Band, a six-time GRAMMY-nominated American gospel band led by Robert Randolph.

    John Mulaney– June 10 at 8 P.M.

    John Mulaney is an SNL five-timer host who has also written for the show for several years. He has done numerous Netflix specials and has been on different talk shows.

    Steely Dan– June 21 at 7:30 P.M.

    Steely Dan is an American rock band founded in 1971 by members Walter Becker and Donald Fagen. Rolling Stone has called them “the perfect musical antiheroes for the Seventies,” and they have several top hits.

    Josh Groban– July 2 at 7 P.M.

    Josh Groban is an American singer, songwriter, musician, actor, and record producer.  His first four solo albums have been certified multi-platinum and in 2007 he was charted as the number-one best-selling artist in the United States, with over 22.3 million records. He has since sold over 25 million records worldwide.

    Dave Matthews Band– July 8 + 9 at 7:30 P.M.

    Dave Matthews Band is a 13-time GRAMMY-nominated American rock band. The band has sold over 31 million albums in the United States, making it one of the top 100 highest-selling music acts of all time.

    Rod Stewart– July 22 at 7:30 P.M.

    Rod Stewart is among the best-selling music artists of all time, having sold over 120 million records worldwide. He has had 10 number-one albums and 31 top ten singles in the UK, six of which reached number one. He has had 16 top ten singles in the US, with four reaching number one on the Billboard Hot 100. 

    Backstreet Boys– July 23 at 7:30 P.M.

    Backstreet Boys are an American vocal group consisting of Nick Carter, Howie Dorough, AJ McLean, and cousins Brian Littrell and Kevin Richardson. According to Billboard, they are the best-selling boy band of all time with 130 million records sold worldwide.

    Luke Bryan– August 14 at 7 P.M.

    Luke Bryan is an American country music singer and songwriter and is one of the most successful and awarded country artists of the 2010s and 2020s. He has also been a judge on American Idol since 2018.

    The Beach Boys– August 18 at 8 P.M.

    The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. They are one of the most critically acclaimed, commercially successful, and influential bands of all time. They had seven top 10 hits between April 1963 and November 1964. They were one of the few American groups to maintain popularity after the British Invasion.

    Jason Aldean– Sept 16 at 7:30 P.M.

    Jason Aldean is an American country music singer, songwriter, and record producer. His albums are all certified platinum, and his 2010 album, My Kinda Party, is certified quadruple-platinum. He has also received five Grammy Award nominations throughout his career.

    Also Performing

    Robert Plant & Alison Krauss– June 3 at 8 P.M.

    Train– June 11 at 7 P.M.

    The Doobie Brothers– June 16 at 7:30 P.M.

    Tedeschi Trucks Band– July 3 at 7 P.M.

    Dead & Company– July 6 at 8 P.M.

    Morgan Wallen– July 7 at 7 P.M.

    Chicago and Brian Wilson– July 11 at 7 P.M.

    The Black Keys– July 20 at 7 P.M.

    Steve Miller Band– July 24 at 7:30 P.M.

    Norah Jones– August 1 at 7:30 P.M.

    REO Speedwagon & Styx– August 17 at 6:45 P.M.

    Goo Goo Dolls– August 19 at 7 P.M.

    Bill Burr– August 20 at 8 P.M.

    Dispatch & O.A.R.- August 21 at 7 P.M.

    Joe Russo’s Almost Dead– August 25 at 7:30 P.M.

    Chris Stapleton– August 26 at 7 P.M.

    Shinedown– August 14 at 7 P.M.

    Wiz Khalifa & Logic– August 23 at 6:30 P.M.

    Outlaw Music Festival– Sept. 18 at 4:30 P.M.

    Tickets for the 2022 SPAC concerts and performances are available for purchase here.

  • Post Malone is joined by Fleet Foxes and Roddy Ricch for SNL Debut

    The penultimate episode in Season 47 of Saturday Night Live featured two SNL first timers – Selena Gomez as host, and Syracuse native Post Malone as musical guest.

    Gomez did serve as musical guest on January 23, 2016, and used her monologue to discuss her TV show past, including her time on Barney & Friends, and discussed her current show, Only Murders in the Building, featuring SNL-vetaran Steve Martin and SNL-alum Martin Short.

    post malone SNL

    Steve Martin would appear in a pre-taped “Unventor Documentary” sketch as Archie Gizmo, the inventor of the whoopie cushion. He tells the origin story of the gag gift, with Dina Beans (Aidy Bryant) as the muse he fell in love with.

    https://www.youtube.com/watch?v=TOKAWhFdYNM

    For Post Malone’s first song, the dark stage was backlit by white spotlights, the singer on stage alone dressed head to toe in leather to perform “Cooped Up.” Partway through he was joined by Roddy Ricch, who featured on the remix of “Wow” in 2019. The new song dropped this past week, with lyrics that note how Malone gave Ricch a big opportunity: “And Posty took me on my first damn tour date/ He had me rockin’ every night, sold out arenas/ I’m project n—a, I never thought I would see s–t/ I tried to tell you, you prolly wouldn’t believe us.” “Cooped Up” appears on Twelve Carat Toothache, set to be released on June 3.

    https://www.youtube.com/watch?v=RSdHZale2cA

    Post Malone would show up twice in sketches – first as the conscience/shoulder-angel of Chris Redd in showed up in the sketch “Intuition,” and later in the final sketch of the night “Baby Monitor” as a baby in a crib.

    Post Malone’s second song, “A Love Hate Letter To Alcohol,” also appears on the upcoming album. Fleet Foxes along with LA-based singer-songwriter Adam Melchor served as backup to Malone, all clad in black. Malone was revealed on one knee and wearing a calf-length dress along with white button down and black suspenders.

    https://www.youtube.com/watch?v=DNzvsXsQaMU

    Saturday Night Live returns for the Season 47 finale on Saturday, May 21 with host Natasha Lyonne and musical guest Japanese Breakfast.

  • Masters of their Craft: All Them Witches Spellbind in Syracuse

    Finding a rare balance between heavy riffs, southern blues and psychedelic space rock, Nashville, Tennessee’s All Them Witches wowed a packed Westcott Theater crowd on Tuesday, May 10 in Syracuse. Now celebrating ten years as a band and also the birthday of one of their founding members, fans were treated to a career spanning powerhouse performance of unapologetic, in-your-face stoner-rock of the highest caliber – gloomy yet groovy, visceral, thought provoking and loud. Very loud.

    all them witches
    All Them Witches performing at the Westcott Theater on May 10, 2022

    Garnering a substantial “cult-like” fan base through a decade of relentless touring, All Them Witches (AIW), comprised of birthday boy Ben McLeod on guitar, vocalist Charles Michael Parks Jr. on bass, drummer Robby Staebler, and multi-instrumentalist Allan Van Cleave on keyboards and violin, have firmly established themselves as heavyweights of their genre.  The Nashville psych-rock quartet already has an impressive six studio albums and three live albums under their belt.  Sidelined by the pandemic for the better part of two years and eager to play in front of people once again, the Witches’ are currently in the midst an extensive spring tour, one that often sees them doing five nights in a row.  We caught up with the hard working and harder rocking road dogs as they rolled into the Westcott Theater for a special Tuesday night treat.   

    With a stage setup that featured a massive backdrop depicting the same “acid face” seen on much of AIW’s merchandise, the show began at 8pm with a blistering opening set from Ocean City, Maryland psyc-metal power trio The Swell Fellas. Their first time hitting the road on a national tour, the band expressed their sincere gratitude to ‘The Witches’ for showing them the ropes and bringing them along. After their impressive and thunderous, percussion heavy performance, the house lights dimmed and it was finally time to see what sort of strangeness our headliners were brewing up.

    all them witches
    AIl Them Witches Charles Michael Parks Jr. performing at the Westcott Theater on 5/10/22

    As the silhouettes of All Them Witches took their positions on the darkened stage, an eerie and brooding ambiance began funneling in, swelling and building tension in the now mostly full room. Finally, after much anticipation, the thick bass line and steady snare beat of the song “See You Next Fall” kicked in as vocalist Charles Michael Parks Jr. crooned his first words of the evening, “If all is well / I can not tell,” setting the tone for the heavy subject matter still to come. As the layers of sonic distortion, spacey textures and psychedelic fuzz continued to amplify, there was always a type of impending dread under the surface.

    The band was always in control, showing a calculated restraint while building the tension to a boiling point before The Witches would finally kick on the overdrive pedals and unleash an all-out sonic assault of the senses. Brilliantly executed throughout the evening, the band was able to ‘craft’ a well-balanced setlist that both kept the listener on their toes and built momentum through the duration of the show. Working their way through AIW staples like “When God Comes Back,”  “Diamond,” and “1×1” (which featured the crowd shouting in unison “I can’t wait to be defeated,”) the band flexed their musical might with a cool confidence that never seemed too “over the top.”

    Rooted in the blues, but with a propensity for all things heavy, the influences for AIW’s sound are all over the map. While you would never confuse them for the Grateful Dead, it was hard not to notice the huge Steal Your Face slap on guitar player Ben McLeod’s amp, or the Gilmour influence on stand out tracks of the night like “Saturnine & iron Jaw,” which goes from delicate and tasty Pink Floyd-esq licks to suddenly shifting directions to a chugging, meaty crunch reminiscent of bands like Tool and Mastodon.  Perhaps the essence of this versatility was best on display during the incredible one-two punch of the bluesy, almost spoken word styled “The Marriage of Coyote Woman” which alligatored nicely with the relentless riffage of “Enemy of My Enemy.” Footage of that can be seen below:

    Pausing for a moment to acknowledge The Swell Fellas kicking off the party, Parks would then lead the crowd in a “Happy Birthday” singalong to bandmate Ben, who suddenly found himself on stage alone in the spotlight.  Seizing the opportunity, McLeod would noodle his way into a beautiful instrumental called “Everest.”  When the rest of the band returned to the stage, Parks claimed the birthday boy had wrote that song when he was just twelve years old.  

    all them witches
    AIl Them Witches guitarist Ben McLeod celebrates his birthday at the Westcott Theater on 5/10.22

    Now trading his bass guitar for an acoustic one, Parks would duet with Allan Van Cleave on electric violin for the song “The Children Of Coyote Woman.”  Van Cleave, an original member clad in a ridiculous cat shirt, took a break from the band in 2018 and only has played a handful of shows since rejoining The Witches in 2021. Afterwards, the multi-talented Van Cleave could be seen talking with fans, handing out setlists and taking selfies, clearly happy to be back on the road again.

    all them witches
    All Them Witches Allan Van Cleave rejoined the band in 2021

    Moving forward, vocalist Charles Michael Parks Jr. then introduced a song the band has “rarely played,” partially because it’s a newer one called “ Fall into Place.”  A decade into their career and with six albums to choose from, it was obvious they couldn’t play everything.  As fans started to worry they might not hear their favorite AIW song, many of those fears were quelled when The Witches launched into “41” and then closed out the set with a towering rendition of “Blood and Sand / Milk and Endless Waters.”  Exiting stage left to a rousing ovation, the boys still had one song left in their back pocket. The one people were calling out for all evening long. 

    After a brief encore break and some more begging from the thirsty crowd, All Them Witches returned to the stage to send them home happy.  Whether they heard their call, or were perhaps playing the audience like a fiddle, the band closed the show with perhaps their most well-known song, “Alabaster” which Parks described as a “dancing song, if you feel comfortable enough.” As the band took their final bow of the evening, Parks then simply said, “Thanks everybody.  Get home safe.  We love you a lot.” Footage of the band performing “Alabaster” can be seen by clicking on the link below:

    Watch All Them Witches perform “Alabaster” live from the Westcott Theater on 5/10/22

    An impressive performance from start to finish, the band showcased exactly why they are at the top of their genre.  While their name my conjure up some preconceived notions, It was a pleasant surprise to see the vibe wasn’t all doom an gloom.  At one point, Parks even stated  he “hoped everyone had a good time, maybe talked to some new people, made a new friend. Cause that’s what it’s all about. We’re all in this together, so it’s important to try and love thy neighbor.” Complete with a distinctive sound, attention to arrangements, great vocals and strong visuals, All Them Witches have artfully crafted a presentation full of technical complexity, subtle nuance and mystery. A band worthy of your time.   

    All Them Witches | 5.10.2022 | Syracuse, NY | Westcott Theater

    Setlist: See You Next Fall, 3-5-7, When God Comes Back, Saturnine & Iron Jaw, Diamond, 1×1, Fall Into Place, Everest, The Children of Coyote Woman, The Marriage of Coyote Woman, Enemy of My Enemy, 41, Blood and Sand / Milk and Endless Waters

    Encore: Funeral for a Great Drunken Bird, Alabaster

    For more photos of this show, check out the full gallery below, courtesy of NYS Music photojournalist Zak Radick.

  • The Grateful Dead Begin Third Tour Of Duty At Nassau: May 14, 1980

    By 1980, the Grateful Dead certainly didn’t feel like a stranger at Nassau Coliseum. The band had played ten shows at this arena already, five in 1973 and another five the previous year in 1979. However, 1980 would only see a single three-show run at Nassau. With the Brent Mydland era now fully initiated and underway, we take a look back at this opening night of the run on its anniversary, aided by a sterling soundboard recording.

    Dead Nassau

    The 1980 Nassau run kicks off with an “Alabama Getaway” that does nothing to wane the excitement present in the building. Some lively Brent Mydland harmonies and a few short but spirited guitar solos from Jerry Garcia highlight the opener that never really stops and instead instantly veers into a “Promised Land.” Bob Weir mans the vocals on the Chuck Berry cover and, by now, Mydland’s Hammond organ is fully turned up in the mix in a big way, adding a palpable layer of soul.

    After that spirited 1-2 punch to open the show, the Dead then slow things down in a big way with a “Candyman” that hits all the right notes, with the band taking a delightfully patient approach to this live show staple.

    Things then liven back up as the band takes a musical trip south of the border, so to speak, with an interesting “Mexicali Blues” and “El Paso” pairing. Bassist Phil Lesh throws down some stellar fills on “El Paso” before the Dead bring things back to the States with a “Tennessee Jed” that gets a roaring endorsement of approval from the Long Island crowd. “Jed” is played to perfection and after some brief deliberation, they jump right into “Let It Grow,” the second part of the esteemed “Weather Report Suite” that made its live debut at Nassau Coliseum nearly seven years ago. This elicits a brief but mesmerizing jam that sees Garica and Mydland fully in synch with one another.

    They then take command of the next two songs, as Garcia lays down the opening guitar licks to “Althea” that, like much of the opening set, is played with a comfortably deliberate pace with each note serving a purpose. Lesh shines again on bass here, backing up another typical stirring Garcia guitar solo. Mydland then puts his signature raspy vocals on full display on the “Easy To Love You” that follows alongside some delightful play on the electric piano. The set then comes to a rousing finish thanks to “The Music Never Stopped” and a closing breakneck jam that sees the whole band immersed and engaged on this crowd favorite.

    Dead Nassau

    The second set begins with a rather funked out “Feel Like A Stranger,” a new weapon in the Dead’s live arsenal that just made its debut a few months ago at the Capitol Theater in Passaic, NJ. Weir handles the vocals with ease and the song is aided by some droning synthesizer work on Mydland’s end that peppers the song throughout. Instead of its traditional ending, they jam out the ending of “Stranger,” and rightfully so, until Garcia initiates the introduction to “Sugaree.” Garcia and Mydland, on organ now, lock in together once more on a rousing version with a jam that slowly builds in intensity.

    This first show of the Nassau run then features another pairing of Dead songs, this time it’s “Lost Sailor” and “Saint Of Circumstance,” with the latter making it another song that made its live debut in New York State. The first “Saint” was played in Glens Falls in August of 1979. To slow things down once more, the Garcia-led ballad “Comes A Time ” then emerges, replete with one more emotion-laden guitar solo.

    The harrowing outro jam to “Time” slowly but surely begins to increase in tempo, with Garcia fluttering all around the fretboard, until Phil Lesh rings out the signature bass line that begins “The Other One” and the Dead are off and running once more. A madcap, psychedelic journey ensues between the two main verses on this classic tune that harkens back to the days of San Francisco and “Cowboy” Neal Cassady. Once the second verse is completed, the band almost stops playing instantly and defers to Bill Kreutzmann and Mickey Hart for the “Drums” portion of the evening.

    From the ashes of “Space” emerges the always reflective “Black Peter,” with Mydland once again lending a delicate touch thanks to the Hammond. The Dead then close the doors on the second set at Nassau with a couple of traditional rock and roll covers. Weir helms the vocals once more, starting with “Around And Around” and ending with “Johnny B. Goode,” rounding out a trifecta of Berry covers for the night. “Don’t Ease Me In” then served as a fitting encore for this show, with the Dead having laid the ground work for another memorable run of shows at Nassau Coliseum.

    Listen to this show below or at Live Music Archive here.

    View this show and more Grateful Dead shows from across the years in New York State with our interactive map below

    Grateful Dead Nassau Veterans Memorial Coliseum – Uniondale, NY 5/14/80

    Set 1: Alabama Getaway > Promised Land, Candyman, Mexicali Blues > El Paso, Tennessee Jed, Let It Grow > Althea, Easy To Love You > The Music Never Stopped

    Set 2: Feel Like A Stranger > Sugaree > Lost Sailor > Saint Of Circumstance > Comes A Time > The Other One > Drums > Black Peter > Around And Around > Johnny B. Goode

    E: Don’t Ease Me In

  • This Week’s EQXposure Features Kirsty Rock, Seize Atlantis, E.R.I.E. and more!

    Each Sunday evening from 7-9pm you’ll find EQXposure on WEQX, featuring two hours of local music from up and coming artists. Tune into WEQX.com this Sunday night for EQXposure and to hear new music from, Kirsty Rock, Seize Atlantis, E.R.I.E., and a world premiere from Joe Mansmen and the Midnight Revival, and many more!

    kristy rock eqxposure

    WEQX has long been the preeminent independent station in the Capital Region of New York, broadcasting from Southern VT to an ever-expanding listening audience. NYS Music brings you a preview of artists to discover each week, just a taste of the talent waiting to be discovered by fans like you.

    E.R.I.E. – “Can’t Stop Runnin’”

    E.R.I.E. came on to the Albany, NY scene in 2020, the week a global pandemic began to rear its ugly head. What began as a passion project developed while singer/songwriter TJ Foster was unexpectedly laid up in a hospital bed for three days, has turned into a fully-formed quartet, winning over audiences with their catchy songs and energetic live performances.

    Seize Atlantis – “Atlas Shrugged”

    Formed in 2019, NYS Music March Madness 2022 Final Four artist Seize Atlantis is an Alternative Rock Band located in Upstate NY that plays a variety of genres, including originals and covers. The band includes James Mullen – Lead Vocals/Guitar, Mike Dardas – Bass/Vocals, Luc Bourgault – Lead Guitar, and Cody Platt – Drums.

    Kirsty Rock – “Green Is”

    Most notably know for her soaring vocals with internationally renowned reggae super group, Easy Star All-Stars, Kirsty Rock comes with her own distinctive, soulful & earthy reggae sound. Inspired by a deep love of Vermont, Rock brings us on a sonic and visual journey. Rock can also be heard on Dub Side of the Moon, Radiodread, Sgt. Peppers Lonely Hearts Dub Band, First Light & Thrillah.  

  • Governors Ball 2022 Schedule and Stages Announced

    Governors Ball Music Festival 2022 is less than a month away, and festival organizers have announced the stage layout and daily schedule. Initially available in the Gov Ball app for the first 24 hours, fans can now start putting together and sharing their own custom schedules.

    The schedule this year does an excellent job of avoiding any major conflicts and the layout of the venue allows fans to move easily between stages. Some notable overlaps include JPEGMAFIA vs. Channel Tres on Friday, YG vs. Diesel or Flume vs. Halsey on Saturday, and Kaytranada vs. J. Cole on Sunday. 

    governors ball 2022 schedule
    Post Malone at Gov Ball 2021. Photo by David Reichmann

    Last year’s Governors Ball lineup included massive headliners such as Billie Eilish, A$AP Rocky, and Post Malone. The festival’s first year at Citi Field was a massive success, despite their departure from the traditional Randall’s Island venue, with over 150,000 people in attendance reported. The more centrally located venue in the heart of Flushing boasts easy access to the subway, bus, and pedestrian throughways giving fans much easier accessibility.

    Returning to Citi Field from June 10th to June 12th, 2022, the stacked lineup features headliners Halsey, Kid Cudi, and J. Cole along with a slew of up and coming and long-standing artists. Governors Ball has always showcased local New York artists on the bill, and this year is no different.

    Singer and songwriter Gus Dapperton was born and raised in Warwick, and ska-punk band Millington hail from Albany. Plastic Picnic features two duos from the Pacific Northwest who met in Brooklyn after moving to the city and formed a new band. The overall lineup represents a melting pot of musical  tastes, styles, and regions, but that’s a story as old as New York itself. 

    Billie Eilish at Gov Ball 2021. Photo by David Reichmann

    Governors Ball also successfully mimics New York’s long history of dive bar concerts with their Bud Light Seltzer Sessions. Embedded into the festival layout, this small stage features some of the names on the lineup who will perform a more intimate set at the casual dive bar style stage. The magic of a festival happens when you round a corner and bump into something unexpected, and these more casual performances provide just that. 

    governors ball 2022 schedule

    Outside of the music, the star of the weekend will certainly be the food. Queens County is one of the most diverse municipalities anywhere in the world and a festival that calls Queens home must have the food to prove it. There will be classic NYC staples such as Roberta’s Pizza, Doughnuttery donuts, and Williamsburg’s finest fried chicken with Sweet Chick.

    Choose between Destination Dumplings and Disos’ Italian sandwiches, Gordos Cantina tacos or Empanada Papas. And it wouldn’t be Queens without the largest Greek community outside of Greece represented with Efes Greek Kitchen and Souvlaki GR. Check out the entire food lineup below.

    governors ball 2022 schedule

    With the festival rapidly approaching, tickets are still available. Third and final tier 3-Day GA tickets are still on sale as well as single day tickets to all three days and the VIP and Platinum ticket packages. Full ticket details can be found HERE.

    Read more about the official Governors Ball After Dark late night shows that take place after the estival HERE. NYS Music will be on the ground again this year at Governors Ball, so stay tuned for full artist photo galleries from this year’s festival. In the meantime, check out some highlights from the 2021 festival by David Reichmann and Steve Malinski.

  • Monkeys On Ecstasy (moe.) Warm up for Summer at Empire Underground

    Performing under the pseudonym Monkeys On Ecstasy, moe. treated 350 lucky fans to a performance at Empire Underground on Thursday, May 12. With guitarist Chuck Garvey on the mend, Suke Cerulo (Schleigho, Lynch) and Nate Wilson (Ghosts of Jupiter, Blue Star Radiation), the now-sextet of musicians warmed up for the summer shows that lie ahead, with a powerful 11-song performance.

    monkeys on ecstasy moe
    photo by Frankie Cavone

    A Monkeys on Ecstasy show provides moe. with the rare chance for a club performance, making for an intimate and intense show, one that diehard moe.rons gravitated to, selling the show out within 24 hours. Hundreds more would stream the show online as well, bringing a little bit of the magic of this show to the masses. Monkeys on Ecstasy shows have been played periodically over the years, allowing for surprise treats for fans, including a 1998 performance in Utica at Captain Trips Rainforest Cafe.

    Fans in the Capital District will recall the August 18, 2005 performance of moe. as The Vinnie Amico Experience, where drummer Vinnie Amico took centerstage at a sweat-stained Revolution Hall.

    monkeys on ecstasy moe
    photo by Frankie Cavone

    For Thursday night, the band began at 8:13pm with fan favorite “Happy Hour Hero” segueing cleanly into “Silver Sun” and then the ever rare “Johnny Lineup.” For 42 minutes, there was not a single break in the action on stage, and prior to a lengthy intro to “Lazarus” did the band finally take a moment to breathe and thank the audience for joining them this evening. Just prior to “Buster,” the beginning of “Rebubula” was teased, before Rob Derhak took the reigns and played the iconic bass intro to “Buster.” The set ended up with “Downward Facing Dog” and a band that was tight and familiar, as two seasoned musicians to provided an ample substitute for Garvey.

    monkeys on ecstasy
    photo by Frankie Cavone

    The four song second set began with the heavy as ever “McBain,” allowing for plenty of improvisation between Wilson and Cerulo and guitarist Al Schnier. A patient fade into “Brent Black” paid off with a significant ‘drums’ portion from Amico and Jim Loughlin, which found its way into Pink Floyd’s “Interstellar Overdrive” and finally the classic moe. jam vehicle, “Recreational Chemistry.” To close the night, the relatively new “Skitchin Buffalo” served as a long encore, the audience pouring out to the alley behind North Pearl Street, having witnessed a rare as ever performance.

    moe. will return to the Capital District on July 6 with a free show at the Empire State Plaza. Full tour dates can be found here. See more photos at Mirth Films.

    Monkeys on Ecstasy – Empire Underground – May 12, 2022

    Set 1: Happy Hour Hero > Silver Sun > Johnny Lineup, Lazarus > Buster* > Downward Facing Dog
    Set 2: Skrunk > Brent Black > Interstellar Overdrive > Recreational Chemistry
    Encore: Skitchin Buffalo

    *Rebubula intro fakeout

  • Disclosure Brings The Energy To Elsewhere

    English electronic music duo, Disclosure, rocked the illustrious Elsewhere Brooklyn club and music venue on Wednesday, May 11th. The duo brought high energy and psychedelic sounds to Brooklyn as they started their four day Brooklyn run as part of their North American Tour.

    The Grammy award winning duo, known for their electrifying single “Latch,” featuring Sam Smith and “Nocturnal,” featuring The Weeknd, performed new cuts from their new album Energy as well as their popular hits. After rising to prominence in 2013, Disclosure has cultivated a strong following that truly showed out for the English duo on Wednesday.

    The stars were also out on Wednesday night with an appearance from Sam Smith, who was also in attendance that night. It was just a Wednesday, but it was definitely not a boring one. Disclosure brought electrifying energy accompanied by a beautiful light show that fully encapsulated a true out of body experience.

    Doors opened at 11, but the duo performed in front of a full house with their set starting at approximately 1am. The opener was the talented Honey Bun, who definitely warmed up the crowd for what was to come.

    The duo started their Brooklyn stint with a strong first show, and continues to carry this momentum to their sold out shows at Brooklyn Mirage this Thursday, Friday and Saturday.

  • Catskill Mountain Jubilee Returns August 2022 with Disco Biscuits, Dark Star Orchestra, The New Deal and more

    The Catskill town of East Durham, NY will once again play host to Catskill Mountain Jubilee over August 11-14, 2022. Headliners for the festival include Dark Star Orchestra (performing four sets), The Disco Biscuits with two sets, Karl Denson’s Tiny Universe, The New Deal and many more.

    Catskill Mountain Jubilee
    Catskill Mountain Jubilee 2021 – photo by Em Walis

    Blackthorne Resort will play host for the second annual event over August 11-14, with four nights of music starting on Thursday and ending on Sunday.

    Giving back is a big part of the Jubilee community, as the festival contributes a portion of its profits to charitable causes. In 2021, over $15,000 was raised for three different nonprofits. Catskill Mountain Jubilee is brought to you by Drop the Mics and Full Circle Music Productions. 

    Catskill Mountain Jubilee 2022 Lineup

    Dark Star Orchestra (2 Sets)
    The Disco Biscuits (2 Sets)
    Karl Denson’s Tiny Universe
    The New Deal
    Star Kitchen
    Chali 2na & Cut Chemist
    Dogs In A Pile
    DJ Logic & Friends featuring Billy Martin, Jamie Shields, Dan Kurtz, Jennifer Hartswick, James Casey, Natalie Cressman
    Aqueous & Friends featuring Craig Brodhead
    The Garcia Project (2 Sets)
    Sophistafunk
    Mark Farina (2 Sets)
    Orchard Lounge
    Spaga
    DrFameus featuring Glyfiks
    Julia Govor
    Muscle Tough
    Kick The Cat
    LionDub (2 Sets)
    Beg, Steal or Borrow
    Freegrass Union
    Sundub
    Mike Greenfield
    Yesmann (Craig Brodhead)
    Baked Shrimp
    Rose Ganache
    Mizeyesis
    Mara
    SMInk
    Kandyshop
    Nah Mean?

    catksill mountain jubilee

    Tickets and lodging packages are on sale through Tixr.com at CatskillMountainJubilee.com.

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