Category: Rochester

  • Honest Folk Returns with Joe Pug at Arbor Loft

    joe pug

    On February 17, 2020, Honest Folk hosted Joe Pug at Restaurant Good Luck. We know now, it was just month out from a worldwide pandemic that would shut down live music and continue to disrupt it going on two years. Pug’s show would be the second to last for Honest Folk. Until he returned, exactly two years to the day, February 17, 2022.

    The world had changed. Everyone in attendance had been affected in one way or another. Pug insisted that he never took anything surrounding his live performances and audiences for granted. But now, it was especially true.

    He was thankful to be able to play completely acoustic, without amplification, or any technology, which he did in a midset “Deep Dark Wells.” It was something he couldn’t do in his many streaming performances.

    He was thankful, though chiding his tour manager who “couldn’t read a map,” to be able to perform for the attentive Rochester audience again, even if it meant driving in from his show the previous night in Portsmouth, New Hampshire. Just a bit out of the way.

    He was thankful to have known some of the great artists we lost since the last time he had played here. The great John Prine, one of the early losses to COVID, who he never met but respected from afar. And Justin Townes Earle, who he knew well and had toured with. Pug took advantage of his opportunity to continue to perform to pay his respects to each of their bountiful contributions to the great American songbook, beautifully covering Prine’s “Sam Stone” and Earle’s “Mama’s Eyes.”

    Joined on the stage by Charlie Muench on upright bass, Pug worked his way through his own songbook, presenting his poetic masterpieces on both guitar and piano, always with his harmonica at the ready to provide some extra oomph when called for.

    The crowd was quiet and attentive in the calming loft space overlooking Rochester’s East End. Each song elicited gasps of excitement would emerge from different corners of the room. It seemed everyone had their favorites, and he was working his way to get them all in. But just in case, he stayed on for an all-request encore. So someone got the “Bright Beginnings” they were hoping for, another got to hear “The Great Despiser.” The night ended on “Not So Sure,” which Joe Pug thought was a bit of a bummer song to finish with, “but it’s my fault for writing a bunch of songs that are bummers,” he quipped. Nonetheless, Rochester couldn’t have been happier to have him back, hopefully it won’t be another two years before they get to have him again.

    It certainly won’t be another two years before another Honest Folk show. The next one is mere weeks away when Canadian duo Ocie Eliot comes to town to make their own bit of magic up in the Arbor Loft on March 10. Tickets are on sale now. Don’t miss it!

    joe pug

    Set List: Hymn #35, The Letdown, Nation of Heat, Exit, After Curfew, Sam Stone (John Prine), Mama’s Eyes (Justin Townes Earle), Veteran Fighter, Deep Dark Wells, I Don’t Work in a Bank, I Do My Father’s Drugs, The Flood In Color, Hymn #101, Speak Plainly Diana, E: Bright Beginnings, The Great Despiser, Not So Sure

  • Chris Stapleton to Tour Through Three New York Venues

    The formidable singer-songwriter Chris Stapleton is set to tour through three New York venues this year. On the list is Northwell Health at Jones Beach Theater in Wantagh, Saratoga Performing Arts Center and CMAC in Canandaigua.

    The accomplished artist announces this tour in concurrence with his three Grammy nominations. Moreover, with already five wins already under his belt, Stapleton has the accolades to show his strength and talents.

    Chris Stapleton
    Chris Stapleton

    Expected to join the Chris Stapleton at CMAC are Elle King, famous for her hit viral song “Ex’s & Oh’s” and Madeline Edwards. At the Northwell Health at Jones Beach Theater and Saratoga Performing Arts Center, Elle King and Morgan Wade will perform. All three women are talented in their respective rights, and their performances will be spectacles to watch.

    Tickets go on sale Friday, February 25th at 10 AM local time.

    Chris Stapleton 2022 All-American Road Show Tour

    March 17—Houston, TX—Houston Rodeo

    March 18—Durant, OK—Choctaw Casino (SOLD OUT)

    March 19—Durant, OK—Choctaw Casino (SOLD OUT)

    April 8—Atlantic City, NJ—Hard Rock Live at Etess Arena

    April 9—Atlantic City, NJ—Hard Rock Live at Etess Arena

    April 20—Toledo, OH—Huntington Center* (SOLD OUT)

    April 21—Columbus, OH—Schottenstein Center*

    April 23—Lexington, KY—A Concert for Kentucky – Kroger Field† (SOLD OUT)

    April 28—London, ON—Budweiser Gardens‡

    April 29—Ottawa, ON—Canadian Tire Centre‡ (SOLD OUT)

    April 30—Montreal, QC—Centre Bell‡ (SOLD OUT)

    May 5—Regina, SK—Brandt Centre‡

    May 6—Saskatoon, SK—Sasktel Centre‡

    May 7—Winnipeg, MB—Canada Life Centre‡

    May 11—Edmonton, AB—Rogers Place‡ (SOLD OUT)

    May 12—Calgary, AB—Scotiabank Saddledome‡

    May 14—Vancouver, BC—Rogers Arena‡ (SOLD OUT)

    June 2—Nampa, ID—Ford Idaho Center Arena+

    June 3—Ridgefield, WA—Sunlight Supple Amphitheater+ (SOLD OUT)

    June 4—George, WA—Gorge Amphitheater+ (SOLD OUT)

    June 9—San Diego, CA—North Island Credit Union Amphitheatre#

    June 10—Los Angeles, CA—The Forum#

    June 11—San Bernardino, CA—Glen Helen Amphitheater#

    June 16—Bakersfield, CA—Mechanics Bank Arena+ (SOLD OUT)

    June 17—Sacramento, CA—Toyota Amphitheatre+ (SOLD OUT)

    June 18—Mountain View, CA—Shoreline Amphitheatre+ (SOLD OUT)

    June 23—West Valley City, UT—USANA Amphitheatre^ (SOLD OUT)

    June 24—Denver, CO—Ball Arena^

    June 25—Denver, CO—Ball Arena^ (SOLD OUT)

    July 7—Cleveland, OH—Blossom Music Center°

    July 8—Detroit, MI—Comerica Park§

    July 9—Charleston, WV—Charleston Coliseum°

    July 21—Mt. Pleasant, MI—Soaring Eagle Casino‡

    July 22—Noblesville, IN—Ruoff Music Center°

    July 23—Chicago, IL—Wrigley Field**

    July 28—Huntsville, AL—The Orion Amphitheater°

    July 29—Rogers, AR—Walmart AMP°

    July 30—Kansas City, MO—GEHA Field at Arrowhead Stadium††

    August 17—Canandaigua, NY—CMAC°

    August 19—Cincinnati, OH—Riverbend Music Center° (SOLD OUT)

    August 20—Columbia, MD—Merriweather Post Pavilion°

    August 25—Wantagh, NY—Northwell Health at Jones Beach Theater‡‡

    August 26—Saratoga, NY—Saratoga Performing Arts Center‡‡

    August 27—Hershey, PA–Hersheypark Stadium‡‡

    September 2-4—Snowmass, CO—Jazz Aspen Snowmass

    October 6—Grand Forks, ND—Alerus Center‡‡

    October 7—Saint Paul, MN—Xcel Energy Center‡‡

    October 8—Milwaukee, WI—Fiserv Forum‡‡

    October 13—Jacksonville, FL—VyStar Veterans Memorial Arena‡‡

    October 14—Tampa, FL—MIDFLORIDA Credit Union Amp‡‡

    October 15—Hollywood, FL—Hard Rock Live‡‡

    October 20—Little Rock, AR—Simmons Bank Arena‡‡

    October 21—Bossier City, LA—Brookshire Grocery Arena‡‡

    October 22—New Orleans, LA—Smoothie King Center‡‡ (on-sale March 11)

    October 27—Fort Worth, TX—Dickies Arena‡‡

    “ALL-AMERICAN ROAD SHOW” SPECIAL GUESTS

    *with special guests Margo Price and Yola

    †with special guests Willie Nelson, Sheryl Crow, and Yola

    ‡with special guest Elle King

    +with special guests Margo Price and Mike Campbell & The Dirty Knobs

    #with special guests Dwight Yoakam and Mike Campbell & The Dirty Knobs

    ^with special guests Elle King and Mike Campbell & The Dirty Knobs

    °with special guests Elle King and Madeline Edwards

    §with special guests Nathaniel Rateliff & The Night Sweats, Marty Stuart and Madeline Edwards

    **with special guests The Highwomen, Mavis Staples and Mike Campbell & The Dirty Knobs

    ††with George Strait

    ‡‡with special guests Elle King and Morgan Wade

    For more information visit https://www.chrisstapleton.com/

  • Introducing NYS Music’s Black History Maps

    Black history month can be a frustrating time of the year. The opportunity to celebrate the numerous Black vanguards is a great honor. Yet, having to encapsulate so much greatness in only 28 short days is a task in itself. How do you prioritize one Black success story over another? The truth is you can’t, but that doesn’t mean you don’t try.

    While limiting the importance of Black people to just entertainment can be negligent to the immense contributions made to math, science, architecture and communication that laid the foundation for the modern world… this is a music website. 

    And while the likes of Malcolm X and Marcus Garvey’s roles as revolutionaries are to be studied and admired, it is the arts that continues to push pop culture forward. There is no greater form of pop culture now than hip hop, having overtaken rock & roll as the world’s most popular genre. Yet, hip hop would not exist without those that paved the way during the Harlem Renaissance.

    Black history is everywhere, and New York State occupies some of the most important landmarks, where countless fabled musicians have inhabited. From The Cotton Club — where entertainers during the Harlem renaissance helped bring Black music to the mainstream — to the Marcy Projects that once housed Jay – Z. 

    Our Black History Maps give readers a chance to view the boroughs, neighborhoods and exact addresses where many a Black history that has shaped the world originated from within New York State, and the accompanying stories deriving from such landmarks. A fun interactive feature, the BHM will also serve music aficionados who may want to see just how close they are to where their favorite artist once frequented.

  • False Pockets Are Ready to Experiment With Their Future

    Rochester trio False Pockets have returned with their new single ‘Quarter Life Crisis Diapers’, off their upcoming album, Selfish Prophecies. The album, out February 18th, features more of the math rock sound their fans love, along with some new elements.

    False Pockets

    After celebrating the release, Ben Chesnes and Erik Happ are here to share some behind the scenes of how it all came together. 

    Kamra Wint : So, the new single just came out, congrats! How do you guys feel about it? 

    Ben Chesnes : We’ve been listening to these for a while, so it’s nice that others can hear it, for sure.

    Erik Happ : It’s nice that it’s finally out, we don’t have to be in the processing stage anymore. 

    KW: When did the band start writing and coming up with the idea for ‘Quarter Life Crisis Diapers’?

    EH : Almost two years ago. During quarantine, we all got together and started making music.

    BC : I think one of the riffs in this song was one of the first things [Erik] sent me for the new album.

    KW : What made you guys want to release ‘Quarter Life Crisis Diapers’ as your first single?

    EH : I think, as a band, we all mutually agreed that it was the best one. 

    BC : There’s a bunch of catchy parts in it, and some of the other songs on the album are a little more long winded.

    False Pockets

    KW : How did you guys get together? How did you all find each other?

    BC : Erik and I originally met at FLCC because we were both studying audio technology, but we didn’t start playing music until years after. 

    EH : I think it was Fall 2018, I was wearing a Caddywhompus shirt and Ben was like “yo, nice shirt!”. I was like “we should really play some music together sometime.” I had just moved out here, and had nobody to play with so I was down.

    KW : Zach is your third member right? How did you guys meet him? 

    EH : We were looking for a bassist, so I asked my friend, who was an Eastman Kid [Eastman School of Music], if he knew anyone and he suggested Zach. I just got lucky finding the right people.

    KW : So what do you guys have in mind for the future? What are you thinking of?

    BC : Well, I feel like our writing process is generally more like Erik coming up with the starting points and then we get together and kind of work it out. We honestly don’t have much written for our next leap, I feel like we wanted to sit with this one for a little bit.

    EH : We have a bunch of stuff actually. We have like three songs in form and then a bunch of little ideas. I’m hoping to stray away from writing every single thing, and have us just like get into a room and just come up with ideas collectively.

    BC : I think this album definitely has a lot more of that though. Our first EP that we came out with in 2019 was more older stuff that Erik had written and this album that we’re coming out with soon is more collective.

    The math rock group has even more in store for their fans, with an upcoming New Paltz show in March and another show in Brooklyn. The future is very bright for False Pockets.

    ‘Quarter Life Crisis Diapers’ is available on all streaming platforms and more information can be found on the band’s website.

  • Catch Organ Fairchild on their Winter Tour Across New York State

    Buffalo’s Organ Fairchild, winner of NYS Music’s March Madness in 2021, will head out on tour this winter for 10 stops over February and March, 9 of which are in New York. They’ll kick off their tour on Thursday, February 3rd at Hickey Tavern in St. Bonaventure, then perform at Duende at Silo City on Friday, February 4.

    organ fairchild winter

    One year ago, the band marked the release of single, “Seepin’,” from the long-time Buffalo jam band veterans, whose members have a history on the jam scene dating back 40 years. Joe Bellanti (organ and keyboards), Corey Kertzie (drums and percussion) and Dave Ruch (guitar) make for a mean trio that has been years in the making.

    They’ll also link up with Syracuse’s Sophistafunk for a pair of shows in early March. With additional shows in Rochester, Ithaca, Albany, the Adirondacks and Southern Tier, there’s no shortage of shows for New Yorkers to get down with Organ Fairchild’s tasty Buffalo funk and grooves.

  • Cory Wong, Antwaun Stanley and Sierra Hull Hit All the Right Notes in Rochester

    When funk mavens Cory Wong and the Wongnotes announced, over two variants ago, that mandolin phenom Sierra Hull would be opening their winter tour, it seemed like an odd pairing. With the tour finally getting underway, their recent stop at Anthology in Rochester on Sunday, January 30, proved it to be a brilliant choice.

    Cory Wong

    As Hull took the stage, the crowd was already near capacity, escaping the deep-freeze portion of the Rochester winter and taking advantage of what little scraps of live music could be found amongst the pandemic-ravaged scene. The audience was immediately rapt with Hull’s masterful playing as she strummed and picked through “Poison” off her 2020 release, 25 Trips. It didn’t take long for the bill to pay dividends as Wongnotes saxman Eddie Barbash came out to join her on a fantastic duet cover of “People Get Ready” and would stay out for the rest of her short set. After a blazing bluegrass number she brought out more Wongnotes: Sunny T on bass, Kevin Gastonguay on keys and Petar Janjic on drums. They played through Hull’s “Weighted Mind,” Del McCoury’s “Blues Rollin’ In” and closed out on blazing instrumental that showcased the groupings unique collective talents.

    After a short break, Cory Wong took the stage with his full Wongnote unit. A five-piece horn section including members of Prince’s New Power Generation Band and Jon Batiste’s Stay Human joined Janjic, Sunny and Gastonguay to round out the band. They blasted non-stop through high-energy funks, bluesy grooves and dancehall throw-downs, going five songs into the set before taking a breather. Wong was content to lay the groundwork from which his bandmates could shine. He was happy to play bandleader and not draw the spotlight to his own playing as much as one would expect. Then midway through the set he broke free on a ripping effects-laden solo. With the reins loosened, he would rock out a bit more liberally in the second half of the set.

    Cory Wong

    Nearing the end of the first set, it was time for Hull to come back to the stage. Bela Fleck and the Flecktones are not a band that draws a lot of comparison, with good reason. But what Cory Wong and the Wongnotes pulled off with Hull on stage could worthily be described as “Flecktones-ian.” The unique blend of funk, soul, jazz and bluegrass with a splash of Irish jig highlighted in a brand new song Wong and Hull penned together, brought to mind the distinct sounds Bela and his band introduced to the world. Stunning stuff!

    As if backing a bluegrass mandolin and then a guitar-led instrumental funk band wasn’t enough of a flex for the Wongtones, they emerged after another short break for a closing set backing R&B singer Antwaun Stanley. Converted to a full bore party band, they ably kept pace with Stanley as he bounded and twirled and preached and effused love. The crowd, who were fully engaged since note one of the opening set, were easily molded into Stanley’s party-goers. They were at the ready, clapping the beat, waving arms in sync, or singing in call and response with only a hint of a prompt. Whether it was on originals like “Speed Of Night,” and “Where Are We Now” or on a Stevie Wonder Medley, the results were the same, this was Sunday night party and we were all invited.

    cory wong

    The moments unfolded in exciting and enjoyable fashion one by one, but the show’s dynamic presentation, when taken as a whole in the rearview, revealed a one-of-a-kind concert experience.

  • Interview: Snake Anthony and the Wood Brothers Shed Across New York State

    The Wood Brothers started 2022 in the Empire State with dates in Rochester’s Kodak Hall at Eastman Theater, Albany’s Palace Theater and Plattsburgh’s Strand Center for the Arts. It marks the Wood Brothers first time at Kodak since Feb 2020, and bassist Chris Wood took some time after the gig for a quick chat with NYS Music.

    chris wood

    Matthew Romano: Good to have the Wood Brothers back at Kodak Theater for the first time since Feb 2020. Eastman School of Music Steve Gadd’s quote comes to mind from your performance. “When you get it musically to a level where everyone on the bandstand is having fun and can hear each other and you can trust the audience is hearing it the way you are it gets to a spiritual level. In Japan or wherever you are. That’s the goal.” How did last night’s energy feel at Kodak?

    Chris Wood: Yea last night was the first show we had since the holiday break. Combination of excitement to be back and playing with band mates and touring with our crew we love. But also the feeling of being a little bit rusty. Got to get my sound right. Ya know?

    MR: Well the vibe you guys gave off on the bandstand looked like a lot of fun. The dynamics alone. You jumping from the Hofner to the stand up. Jano jumping from the kit to shitar. Handheld keyboards. Oliver switched acoustic and electric with rip snorting slide guitar. 

    CW: We want sonic variety. As well as musical variety and of course dynamics.  Some songs are like a rock band and then some stripped down. For us that’s what makes the show interesting. It’s not just one thing all night. There’s a real shape to the set. Different moments that have a completely different vibe.  The tone pallet ya know?

    chris wood

    MR: Well your going back to The Palace Theater in Albany where MMW in December 2000 had Trey Anastasio come sit in for an improvisational Partido Alto. Then a “We are rolling” second set jam. Any memories of that pallet?

    CW:  Trey has sat in with us a bunch. I didn’t realize that it was in Albany too. Before we knew Phish was when we were in our downtown New York City music scene. We had no concept of the jam band scene. We lived in a different musical universe. Phish started playing us during their set breaks and then their fans showed up almost overnight in our crowd . But as far as musical memories that go back to 2000…I had no idea that tape was out there (laughter)

    MR: MMW’s “Your Name is Snake Anthony” has helped coin the term for the Capital Region for cats on the road, “Shedding up and down the Hudson River” 

    CW: Well you can thank Col. Bruce Hampton for that. 

    MR: That was the Colonel?

    CW:  That’s Bruce. Yea we just sent that track to him and we’re like do something over this and he just improvised that over it. Right. Like “we lived in a shed.” That’s all Bruce.

    MR: Seeing “Atlas” get played differently again last night keeps that song with a fun on the road vibe, stopping on a dime. What’s behind the scenes on “Atlas” that keeps it fresh?

    CW: It was on our first wood bros record. It was a song that existed before the wood bros in Oliver’s band King Johnson. He wrote it for them in the 90s. The live arrangement is always morphing. It’s gotten really fast and sometimes it’s stripped down with the Rix on shitar and then electric loud and rocking. That’s what’s fun. A song like that can arrange it in completely different ways. Real, versatile and playful. 

    MR: Hopefully “Snake Anthony” will help you realize that you’re the best on the road in 2022.

    Photo Gallery by Brian Ferguson: The Wood Brothers, Richie Stearns and Aaron Lipp from Kodak Hall at Eastman Theatre, Tuesday, January 25, 2022.

  • Brooklyn’s Evolfo Rocks the World with the Announcement of “Site Out Of Mind” Tour w/shows in Troy, Canton, Rochester

    Evolfo, Brooklyn’s very own psych rockers, have released the tour dates for their most recent album, Site Out Of Mind. The tour is set to take place between this upcoming March and April for a total of 12 days, across the Midwest and Northeast.

    Evolfo

    In 2021, Evolfo’s Site Out Of Mind, showed their fans a different side of what they’re capable of, expressing their uniqueness. In regards to their sophomore album, the group’s vocalist and guitarist Matt Gibbs shared, there is a mixture of “tripped out, weirdo, psych improv with our more arranged and melodic tunes.”

    Along with Gibbs is Rafferty Swink on keys and vocals, Ben Adams on guitar, Kai Sorensen singing harmonies and playing trumpet, Jared Yee on saxophones, Ronnie Lanzilotta on bass, and Dave Palazola on drums. In Gibbs’ at home recording studio, all seven members shared their ideas and aided in the writing process.

    Concepts derived from sci-fiction and one group psychedelic trip, led to the creation of something visionary and beyond the ordinary perspective of a psych rock album. Site Out Of Mind, takes their listeners on a journey into the depths of the spiritual mind and the afterlife.

    In 2017, the rockers released their revolutionary debut album, Last of the Acid Cowboys, which totaled to over 6 million streams. However, through the use of thoughtful planning, improvisation and an extensive variety within their fresh new sounds, there’s no doubt that Site Out of Mind will be a success; some may even call it a rocker’s dream.

    If the protagonist of that album died at the end of Last of the Acid Cowboys, then this was the protagonist’s internal journey, flipping the landscape, and going through the mountain of their mind in that moment of mortality; perhaps a blurring of brain activity between dying and death, between life and the afterlife.

    Matt Gibbs

    Tickets are currently available for sale on Evolfo. Additionally, Site Out Of Mind is available on these streaming platforms Listen / Share.

    Tickets on sale Friday January 28!
  • Ben Folds adds dates to his ‘In Actual Person Live for Real Tour’, including Rochester Show

    Returning to the US stages, Ben Folds has added additional dates to his 2022 tour ‘In Actual Person Live For Real Tour’ with solo piano and orchestral performances. The kick off to the tour begins on April 1st, 2022 at Powell Hall in St. Louis, MO and halfway through will be performing at the Kodak Hall at Eastman Theatre in Rochester on May 6th.

    Ben Folds

    After numerous sold-out performances in Fall 2021 and spending much of 2020 and early 2021 in isolation in Australia due to COVID-19, Ben Folds is hard at work on his new album. Continuing to produce his podcast series, Lightning Bugs: Conversations with Ben Folds from the spinoff from his book and is also scheduled to begin taping a new TV series.

    Hitting #1 on both the Billboard classical and classical crossover charts with his Concerto for Piano and Orchestra, Ben Folds is often referred as a major music influencer of his generation. Not only is music a big part of artist Ben Folds life, but also photography and debuting as a New York Times Best Seller for his collection of interrelated essays, anecdotes and lessons about art, life, and music – in 2019.

    An outspoken champion for arts education and music therapy funding for public schools in the nation while also performing with some of the world’s greatest symphony orchestras, Ben Folds continues to shine upon us in various lights.

    Tickets for the added shows go on sale this Friday, January 21st.

    Ben Folds “In Actual Person Live For Real Tour” 2022 Dates

    APRIL

    1 – St. Louis, MO – Powell Hall ^

    2 – St. Louis, MO – Powell Hall ^

    3 – Iowa City, IA – The Englert Theatre

    5 – Omaha, NE – Holland Center

    6 – Lawrence, KS – Liberty Hall

    9 – Miami, FL – North Beach Bandshell

    10 – Tampa, FL – Seminole Hard Rock Hotel & Casino – Event Center

    11 – Orange Park, FL – Thrasher-Horne Center

    13 – Charleston, SC – Charleston Gaillard Center

    14 – Savannah, GA – District Live

    15 – Wilmington, NC – Greenfield Lake Amphitheater

    21 – Waukegan, IL – Genesee Theatre

    23 – Denver, CO – Boettcher Concert Hall ^


    MAY

    3 – Northampton, MA – Calvin Theatre

    4 – Concord, NH – Capitol Center for the Arts

    6 – Rochester, NY – Kodak Hall at Eastman Theatre ^

    JUNE

    15 – Portland, OR – Arlene Schnitzer Concert Hall ^

    17 – Santa Clarita, CA – Santa Clarita Performing Arts Center

    18 – San Francisco, CA – Golden Gate Theatre *

    19 – Chandler, AZ – Chandler Center for the Arts *

    22 – Pittsburgh, PA – Heinz Hall ^

    24 – Detroit, MI – Sound Board at MotorCity Casino Hotel

    26 – Nashville, TN – Brown County Music Center *

    30 – Nashville, TN – Schermerhorn Symphony Center ^

    JULY

    1 – Nashville, TN – Shermerhorn Symphony Center ^

    2 – Nashville, TN – Shermerhorn Symphony Center ^

    AUGUST

    26 – York, PA – Appell Center for the Performing Arts

    27 – Bensalem, PA – XCite Center at Parx Casino

    28 – New Haven, CT – College Street Music Hall

    * New Date Added

    ^ Symphony Date