Category: Buffalo

  • DM Stith Releases Spiritual Cover of “Man on the Moon” by R.E.M.

    There are song covers, and then there’s what DM Stith did to R.E.M.’s “Man on the Moon.” Stith’s remake is transformative, turning the hazy guitar pop tune into an ethereal 13-minute drone piece.

    Having dropped on October 14th, this remake is the upstate NY-based graphic artist and musician’s first release since his 2020 EP Waving 1-4. It’s also the first release on new NYC label Historical Fiction Records.

    Man on the Moon DM Stith
    DM Stith.

    In terms of soundscape, this cover is oriented around a fluttering piano melody and an ambient assembly of synths in the background with ghastly vocals which enter and exit throughout the track. Stith slows down the tempo to a crawl, allowing each lyric plenty of time to sink in. His whisper-like vocal performance doesn’t stray far from Michael Stipe’s original take, emphasizing the subtlety which Stith aims for.

    Reinforcing this approach, he eschews R.E.M.’s upbeat chorus and zones in on its wistful verses. He adds lyrics of his own, complementing lines such as “Mr. Andy Kaufman’s gone wrestling” with other abstract musings such as “D’Angelo’s Voodoo over first person shooters” and “Mom is sinking deeper into CNN.”

    Stith’s atmospheric take on the song also gives new power to lines from Stipe such as “Newton got beaned by the apple, good” and “Mr. Charles Darwin had the gall to ask” which admire two people who changed the boundaries of conventional thought.

    While drawn out, this cover’s sound is powerful, getting louder and slowly adding layers as it progresses. Eight minutes of buildup is rewarded in the song’s instrumental outro, which for several minutes repeats the same idea found throughout the track but with waves of distorted, torrential noise.

    Stith repeats the lyric “let’s play Twister, let’s play risk” numerous times in his cover, and fittingly so, because he most surely took risks. He abandoned a revered R.E.M. track’s song structure, instrumentation, and didn’t remotely adhere to its pacing, but still made a powerful and successful cover that earned the acclaim of Michael Stipe himself, who said “DM Stith whispers with hypnotic, bone-deep authenticity, somewhere between Nina Simone, Perfume Genius, PJ Harvey and Leonard Cohen.”

    DM Stith’s remake of “Man on the Moon” is a shocking and moving rendition that masters the art of the cover track.

  • Town Ballroom to Host moe.queous Halloween show and Afternoon Junior Jerry Jam

    moequeous, the supergroup featuring members of two influential jam bands who got their starts in the Queen City of Buffalo, will reunite for the second time ever at Buffalo’s Town Ballroom on Saturday, October 29.

    moequeous

    The musicians joining forces for this evening of music include moe. guitarist Al Schnier and drummer Vinnie Amico, alongside Aqueous’ guitarist Mike Gantzer, bassist Evan McPhaden and drummer Rob Houk.

    It’s a cool full circle thing to intertwine the AQ and moe. worlds so directly-Both bands have history at Town Ballroom and share strong roots being from Buffalo, too. There’s something really connective about that, and I’ve always felt a unique kinship and chemistry when making music or even just hanging with those guys. Much of AQ’s early inspiration came from seeing moe. too, so that should tell you just how truly special this will be!

    Mike Gantzer

    The Halloween show marks the second performance of the group, the first time featuring Aqueous’ Dave Loss, all of whom joined forces for a set in 2017.

    We love our boys in AQ almost as much as we love Buffalo! Last time we all got together for a moe.queous throw down, it was such an awesome amalgamation of our two bands, and we knew it was something we should definitely do more often. And this time it’s perfect – in Buffalo, Halloween weekend, Bills vs. Packers, Town Ballroom!! It doesn’t get much better than this (unless of course, Josh Allen is sitting in).

    Al Schnier

    Just added earlier in the day, a family friendly Soundcheck Costume Party with moe. and Aqueous will be held from 4:15-6pm, with entry to benefit the American Cancer Society while giving kids a chance to dance to your favorite music!

    Entry passes will be first come, first served. Attendees must be from the same household. A majority of the entry passes will go to families able to donate $100 or more. The remaining entry passes will go to families able to donate below $100. The entry request link will go live on October 25 at 4:00 pm EST. Those awarded entry will have 60 minutes to make their donation using the provided link or their entry will be released to the next family, so watch your inbox!

    Entry requests can be made here. Entry passes to the family friendly Soundcheck Costume Party does not include the moe.queous evening show. You do not need tickets to the moe.queous evening show to attend this event.

    Tickets for moequeous are on sale now. Find tickets here.

  • Mother Mother Come Back to Buffalo to Wreck Obsatcles

    Alt-rock group Mother Mother returns to an even bigger crowd in Buffalo on October 15, with Buffalo Riverworks packed with both new and old fans.

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The well-known “out-of-box” foursome Transviolet opened up the show. This pop-rock band consists of Sarah McTaggart, Mike Panek, Jon Garcia, and Judah McCarthy. All of which are all too familiar with working alongside various musicians. They easily got the crowd hyped up with McTaggart’s chilling vocals and infectious energy. 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The viral indie-rock band Vundabar followed up Transviolet. The trio of Brandon Hagen, Drew McDonald, and Zack Abramo managed to keep the fun alive. This was especially so when they played their hit “Alien Blues.” 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    Earlier in 2022, Mother Mother performed at the Town Ballroom. Buffalo fanbase is so extremely loyal to this group that they made a return only 9 months later. This seemingly rapid growing band is composed of Ryan Guldemond (vocals, guitar), Molly Guldemond (vocals, synth), Jasmin Parkin (vocals, keys), Ali Siadat (drums), and Mike Young (bass). 

    Immediately when the group encapsulated the stage and aura washed over the venue. This band is able to bring theatrical and ethereal qualities. They opened up their performance with their songs “Verbatim” and “O My Heart.” The way Ryan, Molly, and Jasmin are able to move across stage and layer their vocals over one another creates an eeriness. 

    Mother Mother buffalo
    Photo Credit: Maddie McCafferty

    The dark lighting and build up from one song to the next helped set the mood in Riverworks. The mystic vocals of Molly had the crowd in awe when she covered Radiohead’s “Creep,” which was especially impressive. Mother Mother is a constant reminder of what it means to never give up on your dreams. Ryan shared how the band originally started by him writing songs alone in his bedroom. He then told everyone in the crowd that despite what anyone else might think, “if you have a dream, keep chasing it and wreck any obstacles that stand in the way.” He shared that’s what gave him inspiration for their song “Wrecking Ball.”

    Mother Mother then closed out their show in Buffalo with their songs “Hayloft II” and “Ghosting.” Both of which are fan favorites and left everyone screaming the lyrics. 

    Mother Mother buffalo
    Photo credit: Maddie McCafferty

    Make sure to keep up to date with upcoming shows at Buffalo Riverworks. I Prevail and Pierce the Veil perform November 20.  

    Setlist: Verbatim, O My Heart, Bit by Bit, Infinitesimal, Body of Years, Creep (Radiohead cover), The Stand, Back in School, Burning Pile, Problems, Sick of the Silence, It’s Alright, Arms Tonite, Body, Wrecking Ball, Oh Ana, Hayloft/ Girl Alone, Hayloft II

    Encore: Ghosting 

    All Photos by Maddie McCafferty

  • Petrucci, Portnoy and LaRue rock Chill Crowd at Town Ballroom

    Sunday, October 9th brought progressive metal heavyweights to Buffalo. John Petrucci, considered by many as the greatest guitarist of his generation, has just released his first solo effort in 15 years, Terminal Velocity. For the first time in 12 years, he is joined by his longtime musical collaborator, one of his closest friends, and undoubtedly one of the greatest drummers on the planet, the incomparable Mike Portnoy. At the risk of sounding hyperbolic, moments like this don’t come around all that often, and for longtime fans of Dream Theater and Liquid Tension Experiment, this moment could not have come soon enough. If you’re reading this review because you’re wondering if JP and MP were able to recapture their storied musical chemistry, catalogued on over a dozen classic Prog Metal albums, then let me make it clear that they did indeed—and then some. Dave LaRue joins them on bass for the tour. He has played many times with JP and MP on past G3 tours.

    What is special about this tour is their three wives are in the band Meanstreak, opening for Petrucci and company every night. Formed in 1985, Rena Petrucci is on lead guitar, Marlene Portnoy is on rhythm guitar, and their bassist Martins Myung is the wife of John Myung who plays bass in Dream Theater. The band also consists of singer Bettina France and drummer Yael Rallis.

    The atmosphere of the show had a very calming presence to many fans in attendance. The floor of Town Ballroom which is usually standing only, had 40 chairs for fans to watch the show, while the rest of the upper level was standing room only. Fans watched with their jaws dropped when Rena Petrucci shredded solos just as well as her husband John Petrucci does. It was an amazing sight to see for sure.

    Rena Petrucci

    Meanstreak’s set was 45 minutes in length where they played eight songs from the album released in 1988 titled Roadkill.

    Petrucci/Portnoy/LaRue

    John Petrucci

    After a 30 minute changeover, John Petrucci and company took the stage to the Sopranos theme music. The crowd screamed intensely as the band took the stage. Mike Portnoy counted off the title track “Terminal Velocity” and that went into “The Happy Song.” John Petrucci then spoke to the crowd and said “How about that number 17?,” referencing Josh Allen of the Buffalo Bills and their big win earlier in the day. All of the fans cheered in excitement for the local connection.

    Mike Portnoy

    “Jaws of Life” was next on the setlist. From his original album Suspended Animation. This song is a nonoffensive and rather straight-beat opener that at least lets unsuspecting listeners know what kind of guitar trio this is; the players are pros. Other memorable songs played were “Damage Control” and encore “Glassgow Kiss.”

    Dave LaRue

    Shredding and art tend to be mutually exclusive by nature, since too many chord crunchers refuse to let the music be more important than they are. It often doesn’t help when a member of a well-known group undertakes a solo project, since standing out becomes even more urgent. John Petrucci avoids the land mines and delivers more depth than many listeners will likely appreciate.

    Setlist: Terminal Velocity, The Happy Song, Jaws of Life, The Oddfather, Gemini, Out of the Blue, Tunnel Vison, Damage Control, Snake in the Boot, Temple of Ciracida

    John Petrucci’s 2022 North American Tour Dates:
    10/13 – New York, NY @ Town Hall
    10/14 – Glenside, PA @ The Keswick Theatre
    10/15 – Washington, DC @ Lincoln Theater
    10/17 – Richmond, VA @ The National
    10/19 – Atlanta, GA @ Buckhead Theatre
    10/20 – Nashville, TN @ CMA Theater
    10/21 – Charleston, SC @ Charleston Music Hall
    10/22 – Clearwater, FL @ Capitol Theatre
    10/23 – Orlando, FL @ Hard Rock Café
    10/26 – New Orleans, LA @ House of Blues
    10/27 – San Antonio, TX @ Charline McCombs Empire Theatre
    10/28 – Houston, TX @ Stafford Centre
    10/29 – Oklahoma City, OK @ Tower Theatre
    10/30 – Dallas, TX @ Factory Deep Ellum
    11/02 – Phoenix, AZ @ Celebrity Theater
    11/03 – San Diego, CA @ The Magnolia
    11/04 – Los Angeles, CA @ Ace Hotel
    11/05 – Anaheim, CA @ House of Blues
    11/07 – San Francisco, CA @ Palace of Fine Arts
    11/12 – Minneapolis, MN @ Pantages Theatre
    11/13 – Chicago, IL @ The Vic
    11/14 – Milwaukee, WI @ Pabst Theater
    11/16 – Cleveland, OH @ House of Blues
    11/17 – Toronto, ON @ Danforth Music Hall

  • Amina Figarova Sextet brings Elite Jazz Artists to Kleinhans Music Hall on November 11

    Kleinhans Music Hall in Buffalo will welcome the much-anticipated appearance of the Amina Figarova Sextet at the Art of Jazz Series taking place Friday, November 11 at 8pm. This elite ensemble of jazz artists feature individuals who not only excel as a band member but also as composer and bandleader in their own right.

    Amina Figarova Sextet

    During the past 20 plus years, Art of Jazz has earned a reputation as one of the premier jazz series in North America. Some of the best artists, composers, and arrangers in jazz present unique musical projects featuring GRAMMY winners and nominees, as well as competition winners. 

    Amina Figarova Sextet

    The Amina Figarova Sextet is led by Azerbaijan-born and New York-based Amina Figarova, an internationally influenced and recognized composer, pianist, and bandleader. Throughout the past 20 years, Figarova’s sextets have displayed remarkable chemistry that brings her detailed arrangements to life. Members of the sextets have included GRAMMY winners and nominees. Their dedication to Figarova’s powerful compositions gives the sextet a depth of feeling and unique elite status. The Amina Figarova Sextet has been a hit at major festivals like the Newport Jazz Festival and the New Orleans Jazz and Heritage Festival.

    In addition to Amina Figarova, the Amina Figarova Sextet will include:

    Bart Platteau

    Bart Platteau is unique among jazz flutists for a number of reasons, most significantly because he is the only one known to perform almost exclusively — 90% of the time — on the Flute d’Amore, pitched in Bb. Ideal for jazz playing, avoiding the potential shrillness of the concert flute and the projection problems of the alto.

    Amina Figarova Sextet

    Originally from Belgium, Bart Platteau studied at the Brussels Conservatory and earned his master’s in Jazz Performance at the Rotterdam Conservatory, including one semester at the Berklee College of Music where he met pianist/composer Amina Figarova who became his partner. He has since managed, toured, and recorded extensively with her sextet. After several years as the primary teacher for jazz flute performance at the Rotterdam Conservatory as well as at the Roosendaalse Music school in the Netherlands, Platteau moved to New York and has continued to play concerts all over Europe, North and South America, the Middle East,  Indonesia, Malaysia, and South Africa.

    Wayne Escoffery

    Since moving to New York City in 2000, tenor saxophonist Wayne Escoffery has become one of the Jazz world’s most talented rising stars and in-demand sidemen. He has recorded four CDs as a leader and has been on numerous recordings as a sideman. Wayne began his professional New York career touring and recording with The Eric Reed Septet. In 2001 he became a steady member of the Mingus Big Band/Orchestra/Dynasty, The Lonnie Plaxico Group, and Abdulah Ibrahim’s Akaya. Then in 2004 Grammy award-winning producer, arranger and trumpeter Don Sickler asked Wayne to be a part of Ben Riley’s Monk legacy Septet.

    Amina Figarova Sextet

    At this time Wayne was also touring with Jazz At Lincoln Center’s Music, and in 2006 Wayne secured one of the most coveted gigs in jazz: a frontline position in Tom Harrell’s working quintet. Wayne has been fortunate enough to study with some of the greatest jazz musicians in the world, including Jackie McLean, Ron Carter, George Coleman, Clark Terry, and Barry Harris. He also has first-hand experience playing with word class jazz musicians such as Herbie Hancock and Ron Carter. Wayne also leads his own group and performs internationally with The Mingus Band and Abdullah Ibrahim. He has experience introducing music to all ages and has learned the history of American Music from many of the innovators of the last five decades.

    Freddie Hendrix

    Trumpeter, composer, and arranger Freddie Hendrix, originally from Teaneck, New Jersey, has worked his way steadily during the last couple of decades to achieve his current position within the top echelon of first-call musicians whether it be as a jazz soloist, lead trumpeter or section player within a big band. His latter skill is borne out by his repeat employment with the archetypal ‘swing machine’, the Count Basie Orchestra which he re-joined in 2010 having left at the end of 2007 to work with pop star and actress Alicia Keys for her 2008 ‘As I Am’ world tour, performing 105 shows in over 30 countries.

    Possessing a Bachelor’s and Master’s degree in music performance, Freddie’s jazz credentials are extensive! His experience includes performances and recordings with The Grammy-winning Christian McBride Big Band, Dizzy Gillespie All-Star Big Band, The legendary Jimmy Heath Big Band and Quintet, (VJO) Vanguard Jazz Orchestra, George Gee Swing Orchestra, Wynton Marsalis and the Jazz at the Lincoln Center Orchestra, Roy Hargrove Big Band, Nicholas Paytonʼs TSO (Television Studio Orchestra), Frank Foster’s Loud Minority Big Band, the legendary Illinois Jacquet Big Band, Mike Longo Big Band, Rufus Reid Quintet/Nonet, Billy Harper Quintet, Dr. Lonnie Smith, Bobby Watson’s Horizon Band, Mulgrew Miller’s Wingspan, Oliver Lake Organ Quartet, Organist Melvin Davis, T.S.Monk Sextet, Cecil Brooks III CB3 band, and the David Krakauer/Fred Wesley group ‘Abraham Inc’. Above all, Freddie has emerged as one of the music’s exciting players – an amalgam of great trumpeters such as Freddie Hubbard, Woody Shaw, Lee Morgan, and Clifford Brown. A charismatic personality displaying sure-footedness in his full-toned phrasing and sense of swing. His versatility and superb hold their own in a variety of settings, from R&B, pop, and jazz.

    Luques Curtis

    Luques Curtis was born in 1983 in Hartford, CT. After having formal training in piano and percussion, he found himself wanting to play the bass. Luques studied at the Greater Hartford Academy of Performing Arts, Artist Collective, and Guakia with Dave Santoro, Volcan Orham, Nat Reeves, Paul Brown, and others. With his talent and hard work, he earned a full scholarship to the prestigious Berklee College Of Music in Boston. There he studied with John Lockwood and Ron Mahdi. While in Boston he was also able to work with great musicians such as Gary Burton, Ralph Peterson, Donald Harrison, Christian Scott, and Francisco Mela.

    Now living in the New York area, Mr. Curtis has been performing worldwide with Eddie Palmieri, Stefon Harris, Christian Scott, Sean Jones, Orrin Evans, Christian Sands, and others. He is the recipient of the 2016 Down Beat Rising Star Bassist on the Critics Poll and also received the Ralph Bunche Fellowship to complete his Master’s Degree at the Mason Gross School of the Arts. He co-owns a record label called Truth Revolution Records alongside his brother, Zaccai. They have five releases under “Curtis Brothers” with the most recent being “Algorithm”. Luques was also part of Brian Lynch’s Grammy-winning CD “Simpatico” and his Grammy-nominated “Madera Latino” as well as Christian Scott’s Grammy-nominated CD “Rewind That”. He also produced Grammy-nominated “Entre Colegas” by Andy Gonzalez. You can hear him on Eddie Palmieri’s “Sabiduria” and “Mi Luz Mayor”; Gary Burton’s “Next Generations”; Dave Valentin’s “Come Fly With Me”; Sean Jones’ “Im*Pro*Vise”,” Roots”,” Kaleidoscope”, and “The Search Within”; Orrin Evans’ CD “Faith In Action”. As a sideman, Luques Curtis has participated in over 100 recordings.

    Rudy Royston

    Born in Fort Worth, Texas, and raised in Denver, Colorado, Royston has been a professional teacher, drummer, and percussionist for almost twenty years. He studied classical percussion at the University of Denver where earned undergraduate degrees in Music and English; Rudy accomplished teacher certification credentials from Metropolitan State College of Denver. Rudy grew up playing drums in church and found his voice under the auspices of Colorado’s celebrated trumpeter Ron Miles, whom Royston deems his greatest influence. He has taught, recorded, and performed all styles of music from Jazz to marching percussion. Since moving to Piscataway, New Jersey in 2006, Rudy Royston has completed a Master in Music degree from Rutgers University Mason Gross School of the Arts in New Brunswick, New Jersey, and performed with many of today’s finest Jazz musicians. Javon Jackson, Bill Frisell, Les McCann, David Gilmore, Andy Milne, Shane Endsley, JD Allen, Sean Jones, Dr. Lonnie Smith, Edward Simone, Jennifer Holiday, Mark Gross, Ralph Bowen, Bruce Barth, George Colligan, Don Byron, Stanley Cowell, Jonathan Kreisberg, Jenny Scheinman and Craig Handy, to name a few. A lover of all genres of music, Rudy continues to pursue music and expand his musical horizons.

    Information on how to purchase individual tickets to Amina Figarova Sextet or an Art of Jazz Series subscription can be found at here.

  • Guitar Solos Abound on eberwine’s Debut Album ‘One Vision’

    Buffalo jam rock group eberwine has stepped forward with their record debut One Vision, an hourlong escapade of winding guitar riffs, invigorated drumming, and accessible melodies.

    Led by vocalist and guitarist Todd Eberwine, his band of the same name is a five-piece featuring drummer Ryan Nogle, bassist Keith Lindner, backing vocalist Aaron Ziolkowski, and keyboardists Evan Laedke and Eric Crittenden.

    Eberwine
    Album art for eberwine’s One Vision.

    The album, which was “six years in the making,” was preceded by single, “Worlds Away” in April, a catchy roots rock track which serves as a proper preview to One Vision.

    Opener “Get On” is an eight minute piece that does the same, giving the listener a good idea of what to expect from the record with a couple verses, a couple hooks, and lots of instrumental time. A bouncy song which sticks to a traditional blues rock format, a spacy keyboard solo in the track’s first couple minutes adds an ethereal element.

    Songs on the album generally touch topics of romance, such as the title track where Eberwine sings “the stars are complete in their galaxies, when they explode they become more like you and me,” alluding to the cover art’s imagery.

    Eberwine
    eberwine

    While Eberwine’s flashy guitar playing on display nearly every song, and Ryan Nogle’s drumming always keeps pace, and the keyboard section adds a sense of atmosphere, Keith Lindner’s bass playing is right there with them, entertainingly holding up the groove on songs like the instrumental “Real Good” And along with plenty of dazzling musicianship, Eberwine’s polished vocals help push forth songs that are primarily instrumental.

    “Lies” is an album highlight, with its high tempo and funky guitar riff working well with an odd and uncomfortable melody. Eberwine’s shrieky vocals complement the moody track, with him singing “life deceived me as I’m falling down again.” This is coupled by one of the most engaging solos of the record, one which goes on for five minutes and reaches speed and intensity unique to the tracklist.

    While this album knows when to heat up at the right times, it also knows when to settle down. “Lies” is fittingly followed by the subdued, solo-free “Divided,” with wistful lines such as “so the story goes but no one knows, and so we go on through the great untold.” “Fever,” the only other song under five minutes, follows up the raucous opening track with a nice blend of piano rock and acoustic guitar.

    Stretches of subtlety also prove valuable on the 11-minute closer “In Flight Movie,” with Eberwine’s watery lead riff guiding the slow song to its more active moments like its exciting and powerful chorus where he sings “the moment’s okay, the moment’s gone, it makes us blind to what matters, it makes connection impossible.” The song’s nearly six-minute solo hits nicely as well, with dynamics alternating in a way to create a uniquely emotional performance here, giving a fitting end to the album.

    While One Vision is eberwine’s first album, it doesn’t come short of displaying the expertise of Todd Eberwine and his band. On top of showing off plenty of mercurial musicianship, the group shows plenty of aptitude for emotional performances and stylistic versatility in a record that fills out its 68-minute runtime.

    Information about future eberwine tour dates can be found here.

  • Toubab Krewe is Making 4 Stops in NYS This Week

    Toubab Krewe is making four stops in NYS this week, with a fifth stop next month. They will be hitting Buffalo, Albany, and Ithaca, with an appearance in Port Washington in November.

    Toubab Krewe

    Toubab Krewe is an instrumental powerhouse from Asheville, NC that fuses west-African traditional music with elements of rock, jam, and Appalachian styles. Formed in 2005, the group is made up of Justin Perkins (Kora, Kamelngoni, guitar, percussion), Terrence Houston (drumset), Drew Heller (guitar, organ), Justin Kimmel (bass, keys), and Luke Quaranta (Djembe, Congas, Dundun, Sangban, Kinkini).

    The group takes inspiration from African greats like Ali Farka Toure, Orchestra Baobab, and Salif Keita but remains true to themselves. They have also gone on many trips to learn more about African music, traveling to places like Guinea, the Ivory Coast, and Mali.

    This short tour stops in numerous places in NYS. On October 4, they will stop at Buffalo Iron Works, a venue they have toured before. They will head to Albany on October 5, playing at Lark Hall. The next day they will go to Ithaca and play at Deep Dive. They’ll be in Brooklyn at Industry City on Saturday, October 8th. For tickets to the tour, go here.

    Tour Dates

    10/4 Buffalo NY – Buffalo Iron Works

    10/5 Albany NY – Lark Hall

    10/6 Ithaca NY – Deep Dive

    10/7 Bridgeport CT – Park City Music Hall

    10/8 Brooklyn NY – Industry City

    10/30 Live Oak FL – Hulaween 

    11/12 Port Washington NY – Landmark on Main

  • Multi-generational rock group Trans-Siberian Orchestra Presents 2022 Tour “The Ghosts of Christmas Eve”

    Presented by Hallmark, rock group Trans-Siberian Orchestra has come to announce dates part of their highly awaited winter tour for 2022, The Ghosts of Christmas Eve – the Best of TSO & More. They are reviving a memorable holiday tradition, “The Ghosts of Christmas Eve”, to bring to 60 cities in the U.S., starting Nov. 16 in Green Bay and Council Bluffs and finalizing with a show performed on Friday, Dec. 30. 

    Trans Siberia orchestra

    Fan favorites will be featured as part of the rock opera show series, such as “Christmas Eve/Sarajevo 12/24”, “O’ Come All Ye Faithful”, “Christmas Canon” and more, along with an exciting second set involving more fan-favorites and classic pieces. The multi-generational holiday tradition will be celebrating their 25th anniversary this coming winter season. 

    Upcoming tour dates are below:

    Nov 16 – Green Bay, WI – Resch Center – 3:00 PM & 7:30 PM

    Nov 16 – Council Bluffs, IA – Mid-America Center – 7:00 PM

    Nov 17 – Wichita, KS – INTRUST Bank Arena – 7:00 PM

    Nov 18 – Fort Wayne, IN – Allen County War Memorial Coliseum – 7:00 PM

    Nov 19 – Cincinnati, OH – Heritage Bank Center – 3:00 PM & 7:30 PM

    Nov 19 – Denver, CO – Ball Arena – 3:00 PM & 8:00 PM

    Nov 20 – Youngstown, OH – Covelli Centre – 3:00 PM & 8:00 PM

    Nov 20 – Colorado Springs, CO – World Arena – 2:00 PM & 7:00 PM

    Nov 22 – Salt Lake City, UT – Vivint Arena – 3:00 PM & 7:30 PM

    Nov 23 – Uncasville, CT – Mohegan Sun Arena – 3:00 PM & 8:00 PM

    Nov 25 – Manchester, NH – SNHU Arena – 3:00 PM & 7:30 PM

    Nov 25 – Spokane, WA – Spokane Arena – 7:30 PM

    Nov 26 – Worcester, MA – DCU Center – 3:00 PM & 7:30 PM

    Nov 26 – Seattle, WA – Climate Pledge Arena – 3:00 PM & 7:30 PM

    Nov 27 – Wilkes-Barre, PA – Mohegan Sun Arena at Casey Plaza – 3:00 PM & 7:30 PM

    Nov 27 – Eugene, OR – Matthew Knight Arena – 4:00 PM

    Nov 28 – Portland, OR – Moda Center – 7:00 PM

    Nov 30 – Albany, NY – MVP Arena – 7:00 PM

    Dec 1 – Rochester, NY – Blue Cross Arena – 7:00 PM

    Dec 1 – Fresno, CA – Save Mart Center – 7:00 PM

    Dec 2 – Toledo, OH – Huntington Center – 3:00 PM & 7:30 PM

    Dec 2 – Sacramento, CA – Golden 1 Center – 3:00 PM & 7:30 PM

    Dec 3 – Dayton, OH – Nutter Center – 3:00 PM & 8:00 PM

    Dec 3 – Ontario, CA – Toyota Arena – 3:00 PM & 7:30 PM

    Dec 4 – Grand Rapids, MI – Van Andel Arena – 3:00 PM & 7:30 PM

    Dec 4 – Phoenix, AZ – Footprint Center – 3:00 PM & 7:30 PM

    Dec 7 – Lexington, KY – Rupp Arena – 7:00 PM

    Dec 7 – Austin, TX – Moody Center – 7:00 PM

    Dec 8 – Knoxville, TN – Thompson-Boling Arena – 7:00 PM

    Dec 8 – Oklahoma City, OK – Paycom Center – 7:00 PM

    Dec 9 – Greenville, SC – Bon Secours Wellness Arena – 3:00 PM & 7:30 PM

    Dec 9 – Little Rock, AR – Simmons Bank Arena – 7:30 PM

    Dec 10 – Charlotte, NC – Spectrum Center – 3:00 PM & 7:30 PM

    Dec 10 – St Louis, MO – Enterprise Center – 3:00 PM & 7:30 PM

    Dec 11 – Atlanta, GA – Gas South Arena – 2:00 PM & 7:00 PM

    Dec 11 – Indianapolis, IN – Gainbridge Fieldhouse – 3:00 PM & 7:30 PM

    Dec 14 – Raleigh, NC – PNC Arena – 7:00 PM

    Dec 14 – Nashville, TN – Bridgestone Arena – 7:00 PM

    Dec 15 – Charlottesville, VA – John Paul Jones Arena – 7:00 PM

    Dec 15 – Birmingham, AL – BJCC – 7:00 PM

    Dec 16 – Allentown, PA – PPL Center – 3:00 PM & 7:30 PM

    Dec 16 – Jacksonville, FL – VyStar Veterans Memorial Arena – 7:30 PM

    Dec 17 – Pittsburgh, PA – PPG Paints Arena – 3:00 PM & 7:30 PM

    Dec 17 – Orlando, FL – Amway Center – 3:00 PM & 7:30 PM

    Dec 18 – Philadelphia, PA – Wells Fargo Center – 3:00 PM & 7:30 PM

    Dec 18 – Tampa, FL – Amalie Arena – 2:00 PM & 7:00 PM

    Dec 21 – Hershey, PA – Giant Center – 3:00 PM & 7:30 PM

    Dec 21 – Chicago, IL – Allstate Arena – 3:00 PM & 8:00 PM

    Dec 22 – Buffalo, NY – KeyBank Center – 3:00 PM & 7:30 PM

    Dec 22 – Milwaukee, WI – Fiserv Forum – 3:00 PM & 7:30 PM

    Dec 23 – Columbus, OH – Nationwide Arena – 3:00 PM & 7:30 PM

    Dec 23 – St Paul, MN – Xcel Energy Center – 3:00 PM & 7:30 PM

    Dec 26 – Washington, DC – Capital One Arena – 3:00 PM & 7:30 PM

    Dec 26 – Kansas City, MO – T-Mobile Center – 3:00 PM & 8:00 PM

    Dec 27 – Newark, NJ – Prudential Center – 3:00 PM & 7:30 PM

    Dec 28 – Dallas, TX – American Airlines Center – 3:00 PM & 7:30 PM

    Dec 29 – Detroit, MI – Little Caesars Arena – 3:00 PM & 7:30 PM

    Dec 29 – Houston, TX – Toyota Center – 3:00 PM & 7:30 PM

    Dec 30 – Cleveland, OH – Rocket Mortgage FieldHouse – 3:00 PM & 7:30 PM

    Dec 30 – San Antonio, TX – AT&T Center – 3:00 PM & 7:30 PM

    Listen to vocals by Jennifer Cella, former lead vocalist of TSO, in single by Brooklyn-based electro-pop/rock band
  • In Focus: Shinedown At Darien Lake Amphitheater

    On a late summer night, with the summer concert season winding down, Shinedown brought their Planet Zero World Tour to Darien Lake Amphitheater on Tuesday, September 20.  

    Shinedown, hailing from Jacksonville, Florida, have become regulars on the New York State concert scene over the last decade.  Tuesday night marked the band’s third performance in Upstate New York over the past week.

    John Harvie opened the concert with a high energy, fast paced performance.  Harvie bounced from all corners of the stage as he worked his way through several of his alternative rock tracks. 

    Up next was Jelly Roll. He performed a mixture of hip hop and rock music blended with his strong, soulful voice.  The crowd was fully engaged at this point, belting along lyrics to many of the songs, including the powerful set closer “Save Me.”  

    Finally it was time for the main event.  After a brief video highlighting the band’s return to touring in a post-pandemic world, Shinedown took to the stage in a shower of fireworks and pyrotechnics.  Opening with “The Saints Of Violence and Innuendo,” the band followed with a mixture of songs old and new.   There are few frontmen as charismatic as lead singer Brent Smith, as the crowd hung on his every move. 

    As the show wound to a close, the band brought opener Jelly Roll back to the stage to join in a cover of Lynyrd Skynyrd’s “Simple Man.” While the cover has become a staple in Shinedown’s set, the song took new life mixed with Jelly Roll’s powerful vocals. The crowd quickly engaged in a full-fledged sing along.  Shortly after, the band closed the evening with “The Sound of Madness.”  

  • Ian McCuen Introspects on New Single “Lonesome Homesteader”

    Buffalo singer-songwriter Ian McCuen has returned with their first song in almost nine months, “Lonesome Homesteader,” a melancholy and quiet folk track that spans five minutes. The song was released in promotion of their upcoming fifth album Westward, to Nowhere, slated for November 11 release.

    ian mccuen lonesome homesteader
    Cover art for “Lonesome Homesteader.”

    “Lonesome Homesteader” starts at its loudest point, with a noisy organ intro which stands in contrast from the rest of the subtle track. The song orients itself around a soft, melodic guitar melody and McCuen’s withdrawn falsetto.

    Musicianship-wise it’s not perfect, with a number of muted guitar notes here and there, but nothing bothersome enough to hold back the emotional display of Ian McCuen. The lyrics are vulnerable and clear to the listener, with them flashing an isolated and distressed side to the listener. “I’m trying so hard to prove my self worth, make something from nothing on this God-forsaken earth,” they plead on the second verse.

    The instrumentation on “Lonesome Homesteader” is sparse but not empty, with a small string section adding a bit of character in between the verses. The song demonstrates a significant change-up here on the final chorus, where it transforms into a swinging banjo rhythm that makes McCuen’s words feel a little closer to home.

    For someone with experience writing and creating music about difficult emotions, McCuen demonstrated it here. “Lonesome Homesteader” by Ian McCuen is a vulnerable and down-to-earth song that shows how difficult being human is sometimes.

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