Category: Regions

NKOTB Mixtape Tour 2022 stops in Buffalo at Keybank Center

On Sunday July 17th, The Mixtape tour 2022 invaded Buffalo with multiple acts appearing. It featured multiplatinum selling pop super-group New Kids On The Block (NKOTB), Salt-N-Pepa, Rick Astley, and En Vogue who last visited Buffalo in 2015.

One of the first big ‘boy bands’ of the 1980s, New Kids On The Block hail from Dorchester, Massachusetts and consists of brothers Jonathan and Jordan Knight, Joey McIntyre, Donnie Wahlberg and Danny Wood.

Fans heard chart-topping hits and legendary catalogues spanning generations all night long. It follows the colossal commercial and critical success of NKOTB’s 2019 tour by the same name. Which was their biggest since reuniting in 2008 which grossed $53.2 million, sold more than 650,000 tickets and pioneered a super-sized show each night with multiple acts (Salt-N-Pepa, Tiffany, Naughty By Nature and Debbie Gibson).

Donnie from NKOTB walking around the floor taking photos with fans. Photo credit- Mike Miller

The crowd was mostly filled with female fans, but all the fans in attendance seemed to know the words to every song. There were two stages on each end of the floor which made some fans closer than usual. With a bar style single row seating layout along the edges of each stage, fans got up close and personal.

En Vouge Photo credit- Mike Miller

NKOTB hit the stage on the MixTape Tour 2022 to perform fan favorite #1 hits like “Hangin’ Tough,” “I’ll Be Loving You (Forever),” and “Step By Step” while tour mates Salt-N-Pepa (“Push It,” “Shoop,” “Whatta Man”), Rick Astley (“Never Gonna Give You Up,” “Together Forever”) and En Vogue (“Don’t Let Go [Love],” “Free Your Mind,” “Give It Up, Turn It Loose,” “Hold On”) kept the party going with music that catapulted them to stardom and solidified their places in music history.

Throughout the show, confetti was blasted in the air with cannons. Everyone got covered in it almost like snow falling. On the main stage, they used pyro vertical fire blasts for multiple songs. There was a huge video screen above the main stage so people in the back could see what was going on. The security and the guest experience was top notch at Keybank Center. Everyone had smiles on and enjoyed the night which brought back memories from the 80’s and 90’s.

Rick Astley at Keybank Center. Photo credit Mike Miller

Over the past two years, Rick Astley has amassed million YouTube followers with a series of covers from his studio. Rick has become a major force on TikTok with 1.7 million followers. “Never Gonna Give You Up” was recently featured on the critically acclaimed series Ted Lasso on Apple TV+ and its video has been viewed more than 1 billion times.

NKOTB. Photo credit- Mike Miller

At the very end of the show, all of the acts got on stage to perform “Never Gonna Give You Up” by Rick Astley.

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July 19, 2022
“Beastie Boys Square” Approved For NYC Intersection

The New York City Council approved a measure to name a Lowe East Side Manhattan intersection “Beastie Boys Square” made famous by The Beastie Boys’ album Paul’s Boutique.

The Beastie Boys, pictured in 2009.

The Beastie Boys were an American rap group from New York City, formed in 1981. The group was composed of Michael “Mike D” Diamond, Adam “MCA” Yauch, and Adam “Ad-Rock” Horovitz. Beastie Boys have sold 20 million records in the United States and had seven platinum-selling albums from 1986 to 2004. They are the biggest-selling rap group since Billboard began recording sales in 1991.

The corner of Ludlow and Rivington streets is seen on the cover of their 1989 masterpiece, and the vote on Thursday marked an end to a nearly decade-long grassroots campaign by fans. In 2014, the city council voted against “Beastie Boys Square” by a vote of 24-to-1.

Cultural advocate LeRoy McCartney spearheaded similar landmark-naming campaigns, like the Wu-Tang Clan (Wu-Tang District in Staten Island) and The Notorious B.I.G. (Brooklyn’s Christopher Wallace Way), and credits Council Member Chris Marte with helping to push the renaming.

As many of us know, once the Beastie Boys hit the scene, it really changed the hip-hop game. I see it as a celebration. A celebration for the Lower East Side, a celebration for hip-hop and especially a celebration for our community who has been organizing for a really long time to make this happen.
Chris Marte

Marte also gave credit to the group themselves for paving the way in the genre of hip-hop and thanked the local residents, businesses, politicians, and more who supported the fight for the street name.

McCarthy also spoke about the decision in a statement.

It has been a long road to get Beastie Boys Square accomplished, but I am happy to see New York government formally embracing the indigenous arts and culture of hip hop, and the street sign is very appropriate because hip hop is from the NYC streets.
LeRoy McCarthy

Mayor Eric Adams will have to sign off on the measure before it can be scheduled to get dedicated.

July 19, 2022
Femi Kuti at Point of the Bluff Vineyards: The Heart of Afrobeat in the Heart of the Finger Lakes

On the Periodic Table of Music, if there were such a thing that is, Kuti (Ku) would most definitely be it’s own element. Fela Kuti pioneered Afrobeat, an infectious blend of West-African and American funk and jazz. It’s a sound that’s influence has found it’s way into a huge swath of music since, but is a bit more difficult to find in it’s purest form. Fela’s son Femi Kuti has helped carry the torch forward. And Kuti’s son Made has in turn continued the tradition. Femi and his band, The Positive Force, including son Made, turned a quaint lakeside winery into a Nigerian dance party on Sunday afternoon. An event as unlikely as it was enjoyable.

The beauty of the Finger Lakes was not lost on Kuti, “I woke up to one of the best views I’ve ever seen,” he remarked soon after walking on stage. And his afternoon view from the stage at Point of the Bluff Vineyards, of the sloping grapevine covered hill down to Keuka Lake’s shores was stunning. On stage though, the beauty was all Nigerian. Kuti led the 12-piece band through a rapid fire 90m African soundscape and political-sphere.

The music was a flurry of movement, as were the people playing it. Three female backup singers shook and gyrated in mesmerizing fashion while Femi Kuti bounced and bounded across the stage. The energy emanating from the band was infectious. Pure elemental Kuti pinged off the stage and into the crowd, zapping each and every person with pure Kuti energy until everyone was dancing in the best way they knew how.

Fun and funky, but not without function. Ingrained within were messages of love, peace, and freedom. “There’s a storm coming … they teach us the to be scared … we need to change the narrative, let the storm bring love!” “I’ve got too much on my mind / I believe with time everything will be fine.” “You can’t fight corruption with corruption.” The messages were a constant.

So too was the music. Just as soon as applause arrived, the next song quickly drowned it out. Kuti vowed to play with as much energy as every other night, even on this, their second-to-last show of a 30-date tour. At 60 years old, he did it and then some.

The show ended with a passing of the torch of sorts. First with a father and son sax jam. Then, father Femi left the stage and Made led the band for a song, a reggae-ish groove with rhythmic singing, highlighted by the band building behind a single note Made held on his soprano sax for a good two minutes, before releasing to a huge explosion of sound. The Kuti torch is in good hands for years to come.

Local singer Danielle Ponder opened the show with a stripped down trio of Avis Reese on keys and Rayelle on bass, in her first gig with Ponder. She continues to work, even wearing her working overalls for this gig, winning over fans everywhere she goes, previewing material off of her debut album arriving later this summer.

Ponder’s songs are written from her personal experiences. Speaking on her songwriting process, she said when she is raw and truthful, the freer she feels. The emotions of the subject matter carry over perfectly to her performances.

The songs seemed to ask more questions than they answered. On “Someone Like You,” accompanied by a slinky bass groove and bending echoey keyboard notes, “Why won’t the stars align? Someone tell me.” On “Fray”: “Anybody out there know this pain?” Even the powerful cover that closed out the set, Radiohead’s “Creep,” asked “Do I belong here?”

There is certainly no question however, Ponder’s career is set on a meteoric upward course. Stay tuned.

July 18, 2022
iMatter Festival Returns to Horseheads Following Two Year Hiatus

After having a two year hiatus, shows and festivals of all sizes are coming back and coming back strong. One such festival that has been a staple for many years which brought people from all over the state and out, this festival, is iMatter. If you ever been to Warped Tour, you may get a similar vibe, with multiple vendors, bands with merch tents, two stages(way less than Warped Tour).

IMatter’s home is located in Horseheads at The L, and while not big in comparison to the other cities like Rochester or Buffalo, many flock to this area every year for it. One thing that shocks many, is the fact that this festival is free, which seems impossible and has been since the start. There is a lot more to talk about but who better to explain than the current organizer Adam Bunce.

Joe Booth: So, how would you describe iMatter Festival to someone who’s never been?

Adam Bunce: The iMatter Festival is a free annual festival featuring hard rock, metal, and alternative bands from local to national acts. The festival counter suicide, self-harm and self-doubt by promoting unearthed value, unveiled purpose and defiant hope to this generation.

JB: What was your inspiration for the festival and the name?

AB: The iMatter Festival is a free concert hosted by the iMatter Foundation promoting life, hope and value to our communities. Its message is simple: every life matters. The festival began in 2007 because the founder, Scott Lowmaster, wanted to give everyone in attendance something for free, and ask nothing in return from them for attending.

JB: What makes iMatter special for you?

AB: iMatter is special to me because it’s truly something unique and one of a kind. A festival like this would normally run upwards of $50-$500 to attend, yet we have found a way to make it free for those that choose to join us each year.

JB: What has been your favorite iMatter or memory?

AB: For me personally it was probably the year that Underoath headlined the festival. Underoath has always been one of the most influential bands for me over the last 20 years. It was always a dream of mine to book them and we had that opportunity in 2018.

JB: After being on hiatus for two years, were there any challenges to bringing back the festival?

AB: We’ve had a lot of issues this year, issues are always a thing when it comes to booking a festival. Unfortunately, we weren’t granted our mass gathering permit from the county. This is the main reason we had to move the location of the festival to The L. The L is an iMatter run venue that we opened up in September of 2021. As much as the festival is what helped us birth the venue, the venue just isn’t large enough to give iMatter the “feel” that an open field provides. We hope that in 2023 we’ll be able to get this all back up and running as an outdoor festival, it was either move to The L in 2022 or not run for a 3rd straight summer.

JB: I’m sure with the festival almost here, you still have lots of planning going on but do you have any goals for next year and beyond?

AB: Yes, we are always trying to make sure that we are offering something unique to those who attend. Its always our mission to keep the festival free, and we will continue to follow that model. But we love what some of the VIP packages have allowed us to offer those that are willing to pay for an enhanced experience on the day of the festival.

JB: Thank you for your time, would like to add any final thoughts?

AB: We are just ecstatic that we can bring iMatter Festival back after having a 2 year hiatus. Even if it’s just a smaller version of what iMatter has been historically, it’s a step towards what it was originally intended to be.

In case you haven’t seen it, this is the lineup for this year and even though this is a free event, the capacity is limited and all free tickets have been claimed but there’s still plenty of VIP packages you can buy. We will see you July 30th at The L for iMatter Festival Reset.

Take a look back at iMatter Festival in 2018 and 2019.

July 18, 2022
Open Sky Arts Festival Returns in Lake Placid this August

Open Sky Arts Festival returns for its second year at The Lake Placid Center for the Arts with a series of outdoor concerts running from August 11 to 14.

This year’s festival is a celebration with eight musical acts ready to bring audiences the best entertainment. Over the course of four days, attendees can enjoy the beautiful Lake Placid atmosphere, live music, food, and more.

Open Sky Arts Festival brings a great lineup to its audiences this year – including various genres such as bluegrass, rock, pop, blues, and even a performance specifically intended for families. Just recently added to the lineup, The Hillbenders will kick off the festival on August 11 at 8:00 pm with tickets starting at $15.

The Hillbenders

On Friday, August 12 at 7:00 pm, grammy-nominated artists Paula Cole and Sophie B. Hawkins will take the stage. The two acts are known for their ‘90s hits such as “I Don’t Want to Wait” (Cole) and “As I Lay Me Down” (Hawkins).

Saturday, August 13 brings four acts to The Lake Placid Center for the Arts. The lineup includes the family show The Secret Agency, The Larry Stephenson Band, Emmylou Harris, and finally The Spin Doctors at 8:00 pm. On August 14, Martin Sexton will close out the festival beginning at 2:00 pm.

Emmylou Harris Photo Credit: Kat Villacorta

Situated right in the historic Olympic village of Lake Placid, the LPCA provides programming, performances, exhibitions, and educational opportunities for all visitors and residents of the area to enjoy. The LPCA was founded in 1972 and continues to this day to enrich, inspire, entertain, and educate the greater community.

Festivalgoers can purchase passes or individual tickets to the performances. Individual tickets range, starting from $15 to $75 and passes are $200 or $175 for LPCA members. For tickets and more information, visit the LPCA website, here.

https://youtu.be/puQLvCwdHn0

July 18, 2022
Hoodie Allen Releases Pop-Punk Single “Call Me Never”

Brooklyn-based pop-rock hitmaker Hoodie Allen has released his latest pop-punk single “Call Me Never” on July 15. Taking notes from staples like Blink-182 and New Found Glory, Hoodie explored himself in a new genre.

Call Me Never

After working alongside with several rock bands such as Fall Out Boy, this new pop-punk Call Me Never seamlessly melds pop sound with punk influences, which marked Hoodie’s extensive discography. In addition to the track is a comedic, action-packed music video that allows Hoodie’s acting chops to shine while juxtaposes the emotional backstory of the lyrics.

Hoodie Allen

Call Me Never is all about being in that endless cycle of chasing someone who’s bad for you yet simultaneously trying to run away from those tendencies and move forward with your life. It’s the phase of being stuck and I was definitely stuck when I wrote it. We tell ourselves lies to get over someone and we tell that someone that we’d be better of alone but yet if we were over it, we wouldn’t need to keep the conversation going. It’s pop punky and evocative of all of my teenaged influences at its finest new found glory…but despite the high energy fast-paced sing-along, it is still ultimately about a weak moment that you can’t shake.
– Hoodie Allen

Hoodie Allen delivers heartbreak-inspired emo hooks in this new release. His upcoming eight-track album weaves between infectious pop melodies with punk guitar riffs. Different from his usual playful raps, the record takes listeners on a highly personal journey of the messiness that befalls a breakup.

Without a label or management, his 2012 EP All American landed in the Top 10 of Billboard’s Top 200, delivering 2 platinum singles, and eventually moving over 250,000 units. Now he is poised to break the preconceptions with his next release, which was co-written and produced with The Wreck’s Nick Anderson.

July 18, 2022
Inaugural MetaMoon Music Festival Will Kick Off at Barclays in November

The Inaugural MetaMoon Music Festival will kick off at Barclays Center in Brooklyn on November 26th to celebrate Asian talent and culture. Featuring pop star Lay Zhang, 9m88, Karencici, ØZI and Sury Su, as well hosted by MC Jin, the festival is their arena debut in the United States and a great opportunity to enjoy Asian popular music.

MetaMoon Music Festival

The MetaMoon Music Festival, a single-day festival and cultural experience to celebrate the Asian American diaspora which is founded by Hong Kong-based Graceful Media and produced in partnership with Live Nation. Its mission is to bridge the gap between Asia and the United States and show that music is a universal language since the underrepresentation of Asian community in American entertainment.

Graceful Media set out to create a platform in the United States for Asian and Asian American artists, to have a space where their fans can connect and celebrate while discovering new music and artists. The large Asian-American population made Barclays Center the perfect host venue for the festival.

“There is a great need for stronger Asian representation in pop culture and in the media, and the mission of MetaMoon Music Festival is to give artists the ability to shine from a prominent stage, in the heart of Brooklyn. Now more than ever, music is truly a global language, and talent, no matter where they come from, will resonate with fans across cultures if given the opportunity to share their passion and creativity.”
– Grace Chen, Founder of Graceful Media

The wonderful performers, including Lay Zhang, from K-pop super group EXO, will be headlining the event, along with 9m88, Karencici, ØZI, and Sury Su. More artists and special guests are expected to be announced and MC Jin will be hosting the evening. Tickets go on sale to the public on Friday, July 15 at 10 a.m. EST and can be purchased online.

Live Nation is committed to creating endless opportunities to connect artists of all genres and backgrounds with their fans. The inaugural MetaMoon Music Festival will inspire and create new and exciting opportunities for many of today’s Asian artists, from both here and abroad, to shine brightly, and engage their fans in this epic and unforgettable event.
– Geoff Gordon, Regional President, Live Nation Northeast

Barclays Center is located in the heart of Brooklyn, at the crossroads of Atlantic and Flatbush Avenues.

For more information on the MetaMoon Music Festival, please visit www.metamoonfest.com.

July 18, 2022
Grateful Dead Put MSG On Full Display With New ‘In And Out Of The Garden’ Box Set

An upcoming Grateful Dead live release is set to feature six previously unreleased shows from the early ’80s at The World’s Most Famous Arena, Madison Square Garden. In And Out Of The Garden will contain two shows each from Dead runs at MSG in 1981, 1982 and 1983, totaling 17 CDs in all. It captures a period of time after the band’s 1980 release Go To Heaven, while songs for 1987’s In The Dark like “Hell In A Bucket” and “West L.A. Fadeaway” were very much still works in progress.

In addition to six classic Dead shows from MSG, the box set will also feature customized art work by Dave Van Patten on the cover and detailed liner notes from award-winning music journalist David Fricke who explores the band’s storied connection to the city.

The Dead’s affinity for New York City…was instant and arguably their most profound with any city aside from San Francisco
– David Fricke

The early ’80s period of Grateful Dead history is such a vibrant one, with the recent introduction of Brent Mydland as the new keyboardist into the mix. Mydland’s vocals and effervescent energy behind the piano energized the band at this point their storied career, invigorating older material like “The Wheel,” and “Eyes of The World.” He also gave the band more musical flexibility, which encouraged them to dust off treasures like “Dupree’s Diamond Blues” and “Crazy Fingers” from the proverbial shelves.

This vintage celebration of Dead history at MSG is numbered and limited to an edition of 12,500. The release is set to drop on September 23, but is available for pre-order right now from Dead.net for a price of $179.98.

A digital download option for In And Out Of The Garden is also available.

The Dead didn’t play the Garden until 1979, almost the midpoint of their performing career. but once they got rolling, they made it a home away from home, playing 10 shows in the next 15 years. These performances from 1981, 1982, and 1983 are six of the best the Dead played at the Garden, any of which could have been released on their own
– Grateful Dead Archivist David Lemieux

The six Grateful Dead MSG shows that are featured on this release include:

1981: Madison Square Garden March 9th & 10th

1982: Madison Square Garden September 20th & 21st

1983: Madison Square Garden October 11th & 12th

If the near 30-minute “Help” > “Slipknot” >”Franklin’s” sequence from the 10/12/83 show as seen below is any indication, this is one Deadheads and beyond are going to love.

July 18, 2022
Mrs. Henry Announce “Chest Fever Tour” Coming To Rochester and Brooklyn In August

San Diego band Mrs. Henry annouced their Chest Fever tour dates to celebrate the 50th Anniversary of the release of legendary rock group The Band‘s Rock of Ages album. The last two stops of this tour will be at Photo City Music Hall in Rochester on August 14th and The Sultan Room in Brooklyn on August 15.

Mrs. Henry is led by Dan Cervantes (Howlin Rain guitarist + Blind Owl label owner), and is rounded out by Jody Bagley (Vocals and Keyboards), Blake Dean (Vocals and Bass), and Chad Lee (Vocals and Drums). After West Coast tour in 2015, the group spent the last five years on the road building a reputation for their brand. In turn, they established individual credits including Howlin’ Rain, The Schizophonics, The Silent Comedy.

Chest Fever by Stacey Webb

The idea of Chest Fever started in 2017 when Mrs. Henry set their sights on recreating the historic 1976 night where The Band documented their legendary final performance The Last Waltz. The stress in the one-year planning and rehearsing nearly broke up the band. However, they entirely performed the Last Waltz on November 26, 2017.

The group performed The Last Waltz again in November 2021 at Solana Beach. After the sold out performance, the group set out to continue their sights on honoring The Band and their impact on rock and roll.

Now, with the official approval from The Band itself, the group is back to recreate The Band’s Rock of Ages live album to mark the 50th anniversary of it. Rock of Ages, a collection of live recordings from The Band’s four night 1971 residency at the Academy of Music in New York City featured Howard Johnson, Snooky Young, Joe Farrell, J.D. Parron, Earl McIntyre and suprised guest Bob Dylan, underscored The Band’s ambitious on-stage vision, and further cemented their place in rock music history.

Each night Chest Fever will be performing songs from Rock of Ages, including “Caledonia Mission,” “The Unfaithful Servant,” “Get Up Jake,” and of course “Chest Fever.” They will additionally be cycling in a number of deeper cuts from The Band’s oeuvre, including “Rockin’ Chair,” “Time To Kill,” as well as classics originally left out Rock of Ages including “Up on Cripple Creek,” “I Shall Be Released,” and more.

“The first time I heard The Band was when I was a young kid seeing The Last Waltz over Thanksgiving. My Dad played the video or rented from Blockbuster at the time, that just lit a fire.
Mrs. Henry member Dan Cervantes

The group will be performing alongside local horn sections from each city to recreate the iconic contributions from Johnson, Young, Farrel, McIntyre, and Parron, while additionally featuring a special guest in select towns to perform the 4 song Bob Dylan set from the original residency. Each concert will feature slight variations to give audiences a unique experience.

The band will feature an all-star group of accomplished and celebrated players at the final tour stop at Brooklyn’s Sultan Room on August 15th, including trumpeter Eric Biondo, sousaphone and tuba player John Altieri, saxophonist Stuart Bogie, and trombonist Dave ‘Smoota’ Smith.

Chest Fever Tour Dates

7/20 – Costa Mesa, CA @ Wayfarer
7/21 – Chico, CA @ Argus Bar
7/22 – Sunnyvale, CA @ Quarter Note Bar
7/23 – Red Bluff, CA @ Rock Of Red Bluff Festival
7/24 – San Francisco, CA @ The Park Side
7/29 – San Diego, CA @ Casbah San Diego
8/4 – Woodstock, GA @ Madlife Stage & Studios
8/5 – Louisville, KY @ Whirling Tiger
8/6 – Cleveland, OH @ The Winchester Bar
8/7- Columbus, OH @ The Summit Music Hall
8/8 – Columbus, OH @ The Summit Music Hall
8/10 – Toronto, Ontario, Canada @ El Mocambo
8/11- Pittsburgh, PA @t Thunderbird Music Hall
8/12 – Burlington, VT @ Nectar’s
8/13 – Brattleboro, VT @ Stone Church
8/14 – Rochester, NY @ Photo City Music Hall
8/15 – Brooklyn, NY @ The Sultan Room

July 17, 2022
Career Day Release Two Singles From Upcoming Debut Album

NYC-based trio Career Day returns with new music off of their upcoming debut album, Where We’ve Always Been, which is set to release on August 12.

The first single called, “No Problem,” was released earlier this summer and is currently available on all streaming services via Old Press Records. The highly energetic metal track relies on powerful vocals, intense drumming, and electric guitar. The quick tempo and extreme sound bring the song to life.

Career Day consists of members Desmond Zantua (vocals), Jacob Cutler (guitar), and Andrew Grossane on bass. Billy Mannino mixed and mastered the record, contributing to the band’s intense sound. The sonic influences for the trio include Motion City Soundtrack, The Get Up Kids, and Braid, while the lyrics and messages behind the music rely heavily on Zantua’s life as an advocate and a Filipino-American.

Much of this first track, “No Problem,” speaks to Zantua’s experiences and the importance of actual representation and social change. Via Instagram, the band shared, “this song goes out to everyone who has felt tokenized for their identity.” The hard-hitting lyrics, “the anthem of model minorities, Don’t want me heard; just seen” exemplifies this message.

The newest single release after “No Problem,” called “A New Title,” dropped on Friday, July 8. The inspiration for the song came from the process of accepting and building a lasting love in an era where relationships are often fleeting. Many of the songs off the upcoming album, Where We’ve Always Been, discuss inequalities, injustices, and prejudices present in American society but this recent track brings another level of emotion to the EP. “A New Title” reminds listeners that no matter what is occurring in the world, there is something or someone to push us forward.

The writing of both singles and the upcoming record began back at the start of the Coronavirus pandemic. The group spent a lot of time crafting the songs that eventually made up the anticipated 10-track album. Career Day’s previous 2021 work, Pride Was Somewhere Else, touched on some dark and intrusive thinking with strong lyrics and concepts. The band builds upon their strengths with this next release but returns with an even more explosive sound.

Listen to the band’s new music, “No Problem,” below.

July 17, 2022