The Troy Savings Bank Music Hall have announced the return of popular lunchtime series, Music at Noon. Back for the 2022-23 season, Music at Noon has taken place on the second Tuesday of each month from October to May, since 1988.
The free concert series has presented exceptional musicians with a diverse mix of musical styles. Sponsored by the New York State Council on the Art and the Fagan Associates,the kickoff to the season will feature guitar and vocal pops from Hui Cox and Laura Roth on October 11 and run until May 9, with various genres gracing Troy Savings Bank Music Hall. Other Music at Noon performers will include Acoustic guitarist Thomasina Winslow, Classical Pianist Akina Yura, country/bluegrass quartet The Buebillies, among many other diverse performers.
While Music at Noon performances are free to attend, Teachers with buses and large groups should call ahead to reserve seats. There will also be a limited number of handicapped accessible spaces available. Groups with special seating requests can contact the box office. More information about Music at Noon or Troy Music Hall’s upcoming programs can be found on their website.
Music at Noon Lineup
October 11th – Hui Cox & Laura Roth, Guitar and Vocal Pops
November 8 – Thomasina Winslow, Acoustic Blues
December 13 – Carl Gutkowski & James Fitzwilliam, Classical Flute & Piano
January 10 – The Bluebillies, Country/ Bluegrass Quartet
February 14 – Bleecker Consort, Renaissance & Medieval Music
The Felice Brothers are throwing a party and you’re invited. On Saturday, October 1, The Felice Brothers will host “The Felice County Fair” at Arrowood Farms in Accord, NY.
The all day music event, curated by the Felice Brothers, will be headlined by Conor Oberst (Bright Eyes) and will feature supporting sets from The Felice Brothers, Hooray For the Riff Raff, Evan Stephens Hall (Pinegrove), Haley Heynderickx, Al Olender, and William Lawrence.
The event advertises a day of “unique and collaborative performances” and will also feature local food vendors and craft beer from the brewery. Gates open at noon with music starting at 1pm.
Indie-rock band, El Modernist, has had their newest debut album “Eras” released on Friday, September 2. The group features a trio of members, Will Fredette, who is in charge of lead vocals and plays the rhythm guitar, Will Hahn who plays the drums and uses the electronic instruments, and Taylor MacMillan who uses the lead guitar and creates backing vocals.
El Modernist band
The Albany-based alternative rock band presents listeners with a ten-track compilation of songs infused with elements belonging to ‘80’s style of rock, such as the groovy synths and jazz-tinged bass, while also containing more contemporary components of alternative rock that is present in other upcoming New York-based bands. The tempo carried throughout the debut follows a steady, consistent rhythm and maintains an upbeat air.
Their upcoming tour performance will be at Wild in the Trees Music & Skate Festival in Lake George on Saturday, Oct. 1 and starting at 7PM. You can RSVP and get tickets for the event here.
‘Eras’ Debut Album Cover Photo
Watch the official music for their track, “New Waves” below.
The 2022 Hudson West Folk Festival, an annual Jersey City event, will run on Saturday, October 15. Taking place at the Nimbus Arts Center in the city’s downtown, the festival will span from noon to 10pm.
Image from last year’s Hudson West Folk Festival. (photo found on festival website)
The event will feature music ranging across americana, folk, bluegrass, hip-hop/funk/soul, jazz and Ukrainian folk music. Artists on the bill include Ebony Hillbillies, Leslie Mendelson, J Pope and the HearNow, Jaimee Harris, Cole Quest and the City Pickers, Ari Hest, Ukrainian Village Voices, and KJ Denhert.
In addition to performances, the festival will involve free music workshops on improvisational singing, guidance in musical style, and Ukrainian folk songs.
The Ukrainian Village Voices will be leading a workshop at this year’s event. (photo found on festival website)
There will also be food and drink provided on site, as the festival is partnering with Welcome Home Jersey City to bring Afghan and Pakistani dishes from refugee chefs.
Tickets can be bought for $35 in advance and $40 at the door on Saturday. Info regarding ticket purchases and more for the 2022 event can be found on the Hudson West Folk Festival website.
NYC‘s Baby Got Back Talk, one of AfroPunk’s “Top 8 Punkest Bands on the Planet,” have just announced their new debut EP Existential Shred. The EP will be dropping later this Summer 2022 on Wiretap Records. They have been named one of Alternative Press’s ’17 black alternative bands leading the next generation.
Photo: Kate Hoos
Formed back in 2017, Baby Got Back Talk initially consisted of vocalist/bassist G’Ra Asim, synth op/vocalist Rhiana Hernandez, and lead guitarist/vocalist Jake Lazaroff. After years of sharing bills with local compatriots like Choked Up, Universe Ignore Her, and Gibbons (acts that were all anchored by the propulsive stick work of drummer Wes Ruiz) Baby Got Back Talk welcomed Ruiz into the fold. Now, they are an inseparable pair named one of The Utah Daily Chronicle’s top 5 Black Alternative Bands You Need to Know in 2021.
“We’re what punk looks like in the 2020s: driven by a DIY ethic, conversant with social issues–especially as they pertain to gender and race, enabled by inter-web, bankrolled by day jobs, powered by a rad likeminded community, resonant with the most venerable iterations of rock ‘n’ roll but firmly committed to injecting some new flavor into the mold.”
“On their upcoming EP Existential Shred New York pop punk band Baby Got Back Talk delve into the very nature of human existence. They tackle death, life changes, and the state of the world with excellent literary lyrics, plenty of synths, and a healthy dose of hope.”
– Punk News
Baby Got Back Talk is a D-I-why?-because-we-gotta punk party from New York City. The band teamed with producer John Naclerio (Just Surrender, The Audition) at Nada Recording Studios for their latest EP, ‘Existential Shred’ due out later this Summer 2022 on Wiretap Records.
“A catchy pop punk hook-fest that throws the middle finger to anyone claiming that being marginalized is “in” these days. “Model Minority” could become an anthem of importance for queer folks and POC in the punk scene today.”
– Tuned Up
The band has released a pair of EPs in 2017’s Take This The Wrong Way and 2018’s Up In Open Arms. Their full-length debut, 2020’s Genre Reveal Party, was mixed by Paul Leavitt (All Time Low, Senses Fail, Yellowcard).
As Autum begins, haunting imagery invades media marketing and entertainment. Maybe that’s why I decided to drive into National Cemetery to find some solice time after work to write this article.
The world is a scary enough place, I can do with less creepy in my life. The days are getting shorter and finding a quiet spot as the working day draws to a close seems harder and harder.
In 1965, at the Newport Folk Festival, Bob Dylan went electric, everyone thought it was the death knell of folk music.
I mistakenly thought folk music was dead and gone, until I was able to connect with the “folkies” here on Long Island. It started with the interview I conducted with Linda Sussman, which led me to Josie Bello.
The Resilience of Folk Music
I recently interviewed Josie Bello from Huntington New York, you can find her episode on The Long Island Sound Podcast. Her voice is akin to Emmylou Harris which artfully draws us into her lyrics. Her songwriting is honest, emotional and straignt from the heart. Like many of her counterparts, she’s not afraid to lament social justice issues, especially in her song “They lie”.
I am enamored by singer songwriters who can express what I often cannot in their song. Their ability to expand upon the muse and deliver poignant messages so important to hear. Josie calls herself a late bloomer, having sprung onto the music scene only seven years ago. After accompanying her husband Frank in the coffee houses in and around New York City during their college days, Josie decided to pick up the guitar woodshed the instrument and start writing music. Turning to her guitar teacher, Mike Nugent. Yes, the very Mike Nugent from the Cadillac Moon band and the Walkers, encouraged Josie to record her music in his Melts in Your Ears Studio. With two albums and a few singles under her belt, I see a bright future for this folk singer/songwriter. Nugent plays many of the instruments throughout the albums which are rich in texture while crossing into waters that incorportate, Folk, Americana and a smattering of the Blues.
Where Hope Blooms
Mike Nugent
In Josie’s music, I found both a lament and a prayer. A thread of spirituality and a hope for change. But there’s another interesting aspect to Josie Bello, at least for me. This “late-bloomer” provides unintended consequences with her career as a singer/songwriter. I found hope for all singer/songwriters who have written tens of thousands of versus developing the Muse but not quite woodshedding the song to full potential. I am inspired by the encouragement of Mike Nugent, her guitar teacher. It is common to find singer/songwriters who are also music teachers encouraging their students at every level level, which is a testimony to generosity of the musician community. As with any artist, a little encouragment can go a long way. As an underdeveloped songwriter myself, I have discovered a glimmer of hope in Josie’s story. The hope that our voices can be heard through our own songs, good intentions and most importantly, follow through.
Bridging The Divide
Folk Music in particular, brings the hope of an increasted dialogue in a divided country. To jump on the soapbox for a moment, there is a great need for us to converse with our neighbors, no matter how much we disagree with their politics. How can we be the “United”States of America, if we don’t talk to each other in a peaceful and deep dialogue? Music can help us reach understanding the big question, “Why do you think this way?” The honesty of a folk song can place us in the starting gate for reconciliation.
Give Me Original Music
As I continue to explore the Long Island music scene, through my podcast, The Long Island Sound, I’m no longer amazed about the diversity of genes in my own backyard. At first glance you think that every bar in town, every small stage is trying to find the next great cover band. After all, Mike Nugent says: “It’s the age of the Tribute Band”. But if you are intrigued about original music, you can still find the enclaves of originality, featuring folk music, bluegrass, punk, rock and roll and of course the blues.
“It’s the age of the Tribute Band”
– Mike Nugent
I lament about the days of my youth,before the disco era in the mid 80’s, it seemed that every bar and pub had a live original band playing. Today there are there are a handful of bars and venues that help support our original artists. I was thinking about Katie’s of Smithtown, Bartini in Babylon village, just to name a couple. And of course there are the big stages the Paramount of course in Huntington, 89 North in Patchogue and the ever resilient Eppy Epstein’s rebirth of My Father’s Place, at the Metropolitan in Glen Cove. We need more venues and people like Eppy who support original music.
Josie Bello’s music is streaming on Spotify, and you’ll be able to see her live at local venues on the North Shore as well as at festivals from time to time. There’s a need for music that is unaffraid, inspiring and which calls us into deeper conversations. Thank you Josie for putting to song, that which we often struggle to say!
On the weekend of September 22-25, 2022, Firefly Music Festival returned to the Woodlands of Dover, Delaware to celebrate its 10th anniversary with headline performances from Halsey, My Chemical Romance, Green Day, Dua Lipa, and many more! The diverse genres of artists is what makes Firefly a memorable experience.
Bleachers @ Firefly Main Stage
Firefly Music Festival took place in The Woodlands of Dover, Delaware, right next to Dover International Speedway. What makes Firefly unique isnât just the performances, but the atmosphere and the overall experience. Since its start in July 2012, festivalgoers are offered the chance to camp at the festival, whether that be in an RV, a glamping site, or a pop-up tent. Along with the camping, each stage embraces its own personality: the Backyard hosted most of the rap acts over the weekend, The Pavillion which hosted most of the EDM acts, The Treehouse and The Nest which offered attendees an escape from the massive size of the Woodlands to an area where they could see their favorite small artists in an intimate setting such as SEB.
SEB @ Treehouse
Firefly certainly does not shy away when it comes to good eating. Whether its a quick bite from the various food trucks or a tasty dessert at Stuffed Ice Cream, Firelfy has it all including vegan friendly meals. Attendees could not get enough of Stuffed Ice Cream’s delicious cruffs – an ice-cream filled donut toasted to perfection. Even on the chilly nights, festivalgoers were seen lined up for the mouth-watering treat. The good news is everyone can explore the various flavors and options Stuffed Ice Cream has to offer in its New York City based store located on the Lower East Side of Manhattan.
A Weekend Filled With Entertainment
A little bit of rain and muddy floors didn’t stop the party on Thursday. Firefly kicked off its weekend with headlining sets from Halsey, Jamiexx, Willow, 100 Gecs, San Holo & Gayle. While some walked onto the festival grounds admiring the numerous decorations and activities, others ran to secure a spot at the stage where their favorite artists would perform. Willow brought the energy to the main stage dressed in a custom T-shirt designed by one Firefly’s clothing booths. She played the iconic “Wait a Minute!” along with “Meet Me At Our Spot”.
Willow @ Firefly Main Stage
Although Willow brought great energy to stage, 100 Gecs certainly knew how to turn up in style dressed in unique wizard like outfits. Mosh pits left and right filled the audience which some would say only enhanced the lively performance. Songs performed by the Duo included “money machine”, “stupid horse”, “mememe” and more.
Thursday was one for the books but Friday was just as memorable. Many were looking forward to Big Sean who unfortunately had to cancel his set due to a respiratory infection. LSDREAM filled in for the Detroit based rapper and did not disappoint. Illuminating the night sky with vibrant colorful visuals is what made LSDREAM stand out.
LSDREAM @ The Backyard Stage
During the day fans were scattered across the festival site. It was the first time Norwegian singer/songwriter Anna of The North performed in the U.S since covid. While on stage she brought out guest singer Gus Dapperton to sing “Meteorite” together. NYSM staff photographer Adrian Hernandez had the opportunity to shoot portraits of Anna who was nothing but kind, loving, and energetic throughout their photo session.
Anna of The North with Gus Dapperton @ Firefly Main StagePortrait Session With Artist Anna of The North
My Chemical Romance closed the main stage with a roar on night 2. Fans of all ages, old and young, sang along word for word almost every song the band performed. In between songs, lead vocalist Gerard Way was interactive with the audience and knew how to put a smile on everyones face through his humor.
My Chemical Romance @ Firefly Main Stage
Later that night, once Zedd took the stage, an overwhelming surge of cheers and screams kicked in. Zedd had the crowd on overdrive right from the start of the set. On top of that, the laser light show was perfectly in sync with his electronic tunes.
Zedd @ The Backyard Stage
Once day 3 arrived, it meant the weekend was finally here. Time to unload, sit back and enjoy the beautiful day packed with great music. Sueco brought life to the crowd after jumping into the audience to crowd surf his fans. Shortly after he joined the spectators in the center of a moshpit as he performed “fast”.
Sueco @ Firefly Main Stage
Porter Robinson ended the night performing songs from his latest album Nurture such as “Something Comforting”, “Shelter”, and the emotional dedication “Mother”. Some even shed a tear during his impactful set.
Porter Robinson @ The Backyard StagePorter Robinson @ The Backyard Stage
It felt like the weekend flew as the last day of Firefly Music Festival finally arrived. It was during the middle of The Regrettes when festivalgoers were kicked off site due to a severe weather warning. This caused sets to be pushed back and some shortened like Charli XCX. Unfortunate for those who were looking forward to see the pop queen but the show went on.
Lead Vocalist Lydia Night of The Regrettes @ The Backyard Stage
Once festival grounds reopened, T-Pain sang some of his classic hits and features such as “Good Life” with Kanye West. Shortly after, Conan Grey was on stage followed by The Kid Laroi at the Backyard stage and finally, to end the weekend on a high, Dua Lipa closing on her hit “Don’t Start Now”.
T-Pain @ Firefly Main Stage
As the saying goes, all good things must come to an end. While it’s sad to say goodbye to this years festival, we look forward to the next one and carry the memories we made along with us. See you soon Firefly!
MetaMoon Musical Festival is for Saturday, November 26 at Barclays Center, bringing in various musicians where AAPI and Asian artistic culture is front and center during the festival. A host of Brooklyn-based Asian American and Pacific Islander-founded brands including Lunar, Popadelics, Kitsby, Regroup, Frontman and Moshi will be featured, along with more bands to be announced.
Advertisement: MetaMoon Musical Festival in Brooklyn, NY on Nov. 26
Along with previously announced artists to be included in the line-up, three artists are to join the music crew: former K-Pop group, f(x), member Amber Liu, Chinese urban & soul singer Tia Ray, and Hong Kong-based pop-punk musician Tyson Yoshi. Artists to join the line-up are boy band EXO’s Lay Zhang, 9m88, Karencici, OZI, Sury Su and festival host, MC Jin.
Brand partnerships, with this year being from Gold House, will bring food establishments that are participating with the MetaMoon Food Crawl to the music festival. The brand collaboration is to be helping support AAPI-owned businesses. Restaurants to be promoted include Nom Wah Nolita, 886, Ho Foods, Yumplings.
EXO band’s Lay Zhang’s official music video for song, “莲 LIT”
In an interview with Loverboy magazine, Bentley Robles uses a term I really liked: Catastrophize. When he’s in a relationship, Bentley Robles tends to catastrophize. As he put it in his hit single “i hate the weekend,” when his boyfriend goes out on the weekend and the possibility of him sleeping with other men looms, Robles might equate that with the end of the world.
The penchant to catastrophize is a defining characteristic of Gen-Z and Millenials. It’s that ever-present subconscious panic of dystopian apocalypse: climate change, hurricanes, facism, nuclear war. All of those anxieties linger in the back of the youth’s mind, bursting out instead in little catastrophes: break-ups, petty fights. Robles’ new pop-punk break-up anthem, “don’t listen to this song” with fellow queer pop singer Gregory Dillon indulges those little catastrophes with all the weight of something larger.
The chorus of the song is about the antagonist sitting in their car outside the singer’s house — something pretty mundane and inoffensive. But in this case, the tone describing this scene is malicious: “You’re so f***ing stupid / sitting in your Honda, in my drive way.” It’s that crude and irrational anger that sets the song up as a break up song; it communicates the particularly delicious, insatiable feeling of hating on your ex.
“Don’t listen to this song” indulges in those feelings momentarily, but it’s not quite satisfying. It’s oversaturated — like a little too much perfume, too much creamer in your coffee; you’ll lose those woodsy base notes, you don’t get quite enough caffeine. Or maybe it’s too much because it’s not enough. The song is aggressive, confident and proud, but it’s not articulate. That invigorating emotionality and expression is played down by kitschy guitar and trendy all-lowercase titles, it comes across as aloof but forced.
This song lies somewhere between Machine Gun Kelly — pre-Travis Barker — and Charlie XCX, with a big inspiration from Gayle’s “abcdefu.” The guitar’s pace is very MGK, and Robles and Dillon’s voices are auto-tuned to sound sparkly and cyber-y, in a more diluted version of Charlie XCX’s vocals.
Robles and Dillon are constructing their own image as modern pop stars. They are still pretty fresh on the scene, with their spotify’s going back to 2019 and 2018 respectively. Though neither has released a full length album, both have put out EPs and several singles. Robles is from LA, but now based in Brooklyn; he’s played at some of NYC’s iconic spots, such as The Bowery Electric, Mercury Lounge and The Delancey. Dillon is a native East Coaster from New Hampshire. He’s said he moved to Brooklyn in search of confidence as an adult, and has now been featured in numerous publications such as GAYTIMES, BILLBOARD and PAPER.
“don’t listen to this song” is pop-punk, marking a turn for Gregory Dillon from his usual “‘80s stained” sound. Though the instrumentals in “don’t listen to this song” sound computerized, there’s no synth or nostalgia; the song is very present.
With lyrics like “Hate when you hit your vape” and “get the f*** out my face” the duo bridges on satirizing the whole fad of made-for-TikTok songs with obvious lyrics, 15 second choruses and missing bridges. But when the absurdist lyrics are paired with visuals of Dillon and Robles running suburban streets dressed as teletubbies as they do in the promotional materials for this song, it’s more absurdist than mocking, in a fun, albeit unoriginal, way. To see them play live, Robles and Dillon will be at The Public Theater on October 2 and C’mon Everybody on November 15. Pre-save the song here.
The Cooperstown Summer Music Festival at Cooperstown’s Christ Episcopal Church will present the American String Quartet for this fall’s performance on Sunday, October 2. The quartet will be joined by cellist Phillippe Muller and flutist and founder of the festival, Linda Chesis.
To set off the evening, the quartet will perform works from Haydn and Aaron Jay Kernis. The quartet has performed across all 50 states in the US and in concert halls across the world. Known for their specialty in examinations of composer’s complete cycles, audiences can look forward to the second half of the show, where the American String Quartet will be joined by Phillippe Muller to play Schubert’s cello quintet. Violinist Daniel Avshalomov said that every time the American String Quartet performs the cello quintet piece in rehearsals, they uncover more nuances in its meaning.
“Those who have heard this piece need no introduction,” Avshalomov. “But those who hear it for the first time will look back on the absolute inability of language to express even a shadow of this majestic work.”
The Cooperstown Summer Music Festival was started in 1999 by Linda Chesis. The festival specializes in chamber music, and has brought in performances from Julliard and St. Lawrence, Stefon Harris, Bill Charlap and Simone Dinnerstein, to name just a few.
Tickets for the show are $30 for adults and $15 for students and children. Tickets must be purchased in advance and can be bought at the music festivals site. The show will go from 4 p.m. to 6 p.m.
