Covering a band from Belgium is a first for NYS Music, and not without good reason. The Haunted Youth have been indie darlings in Belgium and The Netherlands since the 2021 release of their first single “Teen Rebel,” and in attending Reeperbahn Festival in Hamburg, Germany this past September, The Haunted Youth were one of the finalists for the ANCHOR Award, given out on the final day of the festival.
While The Haunted Youth did not win the ANCHOR Award (congrats to Cassia), they performed later that night at Angie’s to an industry crowd that saw lightning in a bottle. Seeing a band of this caliber perform in a club, having just played a main stage, who brought more energy to the room at the former, showed the nascent nature and the great potential for this Belgian band, who released their debut album Dawn of the Freak on November 4.
With hints of Australian indie rock band Rolling Blackouts Coastal Fever, recurring themes on Dawn of The Freak reflect the lives of a band who first connected during the COVID lockdowns in Europe and persevered through the loneliness and disruption to their lives. Frontman Joachim Liebens put his heart and soul into Dawn Of The Freak, writing all the songs and producing the album. The group’s sound ties together influences including The Cure, Slowdive and My Bloody Valentine, with shoegaze and dream pop laying the foundation of the album’s tone. Balancing out the highs the group has experienced in the past two years, the lows from Lieben are deftly channeled into the music.
It’s therapy, a way of dealing with my existence. And I hope this album will be universal and accessible enough for others to enjoy it in the same way.
Joachim Liebens
Whether live or studio, The Haunted Youth have a ‘sound of a generation’ quality about them, one that is heard clearly on the second and third tracks, “Teen Rebel” and “Stranger.” The former is an excellent post teen-angst song for the ’20s, with a dream pop beat that reflects on wanting more, creating a sweet dilemna. “Stranger” has hints of lonelieness that soldiers along thanks to The Cure and Culture Club, with tastes of new wave channeled through Gen Z.
A steady bass tone spreads into melanchoic synth rock on the longest track of the album, “Gone,” with “Broken” having the catchiest guitar riff and full band sound among the whole album, and that’s saying something. Lieben’s voice adds subtle emotion in his intonations, making “I Feel Like Shit and I Wanna Die” more upbeat than the title might suggest, offering a ray of light amid the burden of his life.
The airy and dreamy “House Arrest” repeats the lines “In the night I was falling down” and “take me away,” a stark view of what lockdowns must have felt like in Europe, as opposed to America where they varied in response and success. The properly upbeat penultimate track “Coming Home” gives a feeling of redemption and hope as the album draws to a close.
“Fist in my Pocket,” the final track and only acoustic number, channels the repressed anger of a generation, angry but unable to rise up against the gravity of the world left for them. Again, a melancholic glimmer of hope is shared, with Liebens singing, “It’ll all be over someday soon, I promise you.” As dark as the lyrics can be, the message gives the listener a fair reminder and feeling that it’s okay to feel like shit sometimes.
After performances at Reeperbahn, Rock Werchter, Best Kept Secret, Pukkelpop, and Tomavistas, the group not only has the ANCHOR Awards nomination under their belt, but also have been nominated for the Music Moves Europe Awards.
The Haunted Youth will be playing sold-out album release shows in The Netherlands and the Main Hall of legendary Brussels venue Ancienne Belgique, followed by an extensive string of release and festival shows all over Europe in 2023. Here’s to hoping they can make their way State-side for shows in the near future.
Dawn of the Freak is now available on all streaming services and Bandcamp
