Category: Regions

  • Third Time is a Charm as Aqueous Plays First Show of the Year at Brooklyn Made

    The third try was a charm over president’s day weekend, as Buffalo based grove rockers Aqueous made good on their promise to blow the roof off the newly minted Brooklyn Made music venue upon their return to the big city. Once a band that appeared to be on a perpetual never-ending tour, dates for these one-time road warriors have been few and far between ever since the emergence of Covid-19 almost two years ago. For long time fans of the band, AKA AQuaintances, these days it feels like any scheduled Aqueous show is something of a “must see.”

    Originally set to take place back on November 6th, 2021, then later rescheduled to December 29th, both shows were postponed due to lingering health concerns. Now late February 2022 and with concerts slowly starting to happen again, the timing was ripe for a rager and fortunately for patient music fans, that’s exactly what Aqueous delivered. Complete with surprise sit-in’s, candid moments and teases galore, on this cold Saturday night in Brooklyn, the boys from Buffalo carved out  stellar, fiery performance that was well worth the wait.

    aqueous brooklyn made

    Opening the show was Philadelphia five piece Chestnut’s Groove. Known for their down ‘n dirty, shake, rattle and rock ‘n roll vibe, this band of best friends were quite impressive in their Brooklyn Made debut.  Fighting through excessive stage fog like something out of This Is Spinal Tap and lead by the charismatic “bad girl” energy of singer Dee Gerhart and the powerhouse vocals of drummer James Daniels, it wasn’t long before the band won fans over and had everyone in the place stomping their feet and clapping along too. So much fun in fact, even Aqueous guitar player Mike Gantzer couldn’t resist getting in on it, sitting in with the band on their final song of the high octane set. 

    aqueous brooklyn made

    After a brief set break all the waiting was over, the stage was set and on this bitterly cold winter night in Brooklyn, it was finally going down. Aqueous, consisting of Mike Gantzer (guitar/vocals), Dave Loss (guitar/keys/vocals),d rummer Rob Houk and bassist Evan McPhaden made their intentions clear from the get go, launching into one of their signature originals “Don’t Do It.” Complete with an extended ‘build up’ intro and a healthy dive into Phish’s “First Tube” territory, the party was already off to a rollicking start.  Following it up in the two-hole with one of their more electronic/ hip-hop sounding songs was “Split the Difference” which seamlessly segued into “Skyway”, resulting in one of the bands biggest jams of the night.   

    “I don’t see any reason to get worked up, already got enough on my plate

    in this mess we call life, takin’ it day by day

    I don’t see any reason to get worked up when you got nothin’ to say

    you never have nothin’ to say”

    -Skyway

    Following up “Skyway” was another highlight of the evening, a most welcome surprise sit in by the newly formed Horn Section, featuring former Turkuaz members Greg Sanderson on saxophone and Chris Brouwers on trumpet, lending their talents on a cover of the Steely Dan classic “Peg.”

    aqueous brooklyn made
    The Horn Section

    Turning up the funk now, Aqueous would uncork a monster version of Mosquito Valley, Pt. 1 that stretched so far it reached AC/DC’s “Back in Black” territory, much to the delight of everyone in the room. By this point fans had to be thinking to themselves “is this the longest first set in AQ history or what?” before the band would confirm they want to keep the energy going and therefore play right though set break, then launching into another signature AQ song, The Median. Notable about this particular version was the distinctly heavier vibe it took on, presumably a direct byproduct of Ganzter’s recent time on the road with his new throwback Punk/Metal outfit known as the Death Kings, which also features former Turkuaz drummer Mikey “Ox” Carubba and Umphrey’s McGee bass player Ryan “Little King” Stasik.

    Following up “The Median” came another fan favorite in “Second Sight,” a song about human interaction, shedding cynicism and bridging petty gaps.

    “Not worth its weight in gold
    I feel a great divide
    We’re more alike than different
    And still we’re picking sides”

    The Median

    Following a brief pause between songs, some playful stage banter resulted in an impromptu crowd singalong of Greenday’s nostalgic anthem  “Good Riddance (Time of Your Life), which was then quickly was rip-corded in favor of one the oldest songs in the Aqueous catalog, Eon Don.  About half way into the tune, Aqueous invited their friends in the Horn Section back out once again, this time resulting in a jaw dropping display of musicalty, as Ganzter conducted extended “call and response” type duels with both Sanderson and Brouwers before the song finally reached it’s climactic peak and left the audience howling in approval as the band finally put down their instruments for the first time all night and walked off the stage.

    aqueous brooklyn made

    After a few minutes of straight up begging, Aqueous finally obliged and came back out for a single song encore, treating fans to a new tune called “Finding Our Way” which has only been played three other times since debuting at the Peach Festival last summer. With enough space to let each member shine individually and a chorus that sees all of the band singing along in unison, the groove heavy catchy tune, while still new, has all the moxy to become an AQ staple of the future. On a night that featured an absolute bevy of fan favorites, closing the night out like this just seemed to make sense.  A most impressive showing for their debut at Brooklyn Made.  Despite having to be rescheduled twice and almost never happening, anyone who was there will undoubtedly tell you that “this show was worth the wait.”

    Up next for the Aqueous is another highly anticipated makeup date, returning to Buffalo’s Town Ballroom for their belated hometown New Year’s Eve celebration this Friday, February 25th.  Fans will want to make sure they get there early to catch the exciting opening act as Connecticut’s Eggy gets the festivities going at 7pm.  Aqueous then return to New York on April 8th and 9th for a pair of shows in Saratoga Springs and Syracuse with support from Long Island’s Baked Shrimp.   

    Aqueous – February 18, 2022, Brooklyn Made, Brooklyn NY

    Setlist: Don’t Do It, Split the Difference > Skyway, Peg*, Mosquito Valley Pt 1 > Back in Black > The Median, Second Sight, Eon Don*

    Encore: Finding Our Way

    *with The Horn Section

  • Princess Goes to the Butterfly Museum Announce Spring Tour, LPR show

    It may not be common knowledge that Dexter star, Michael C. Hall is in a band, but those in the know will be glad to hear that his band, Princess Goes To The Butterfly Museum has announced their spring North American tour. The tour will run from March 20 to May 12.

    Princess Goes To The Butterfly Museum

    The eventful tour will kick off in California before making its way through the US and ending in Manhattan. It will showcase the trio’s critically acclaimed album Thanks for Coming as well as their experimental, 70’s inspired vibe. 80’s inspiration also makes an appearance as they incorporate new wave and electronic dance into their concepts. 

    Princess Goes To The Butterfly Museum is made up of three members : Michael C. Hall, Peter Yanowitz and Matt Katz-Bohen. The three met during the Broadway production of  “Hedwig and the Angry Inch” and started making music after discovering how well they worked together. 

    Tickets, as well as more information can be found here.

    Princess Goes to the Butterfly Museum Tour 2022

    3/20 – Pioneertown, CA – Pappy & Harriets

    3/21 – Costa Mesa, CA – Wayfarer

    3/22 – Los Angeles, CA – Zebulon

    3/23 – Oakland, CA – Starline Social Club

    3/25 – Portland, OR – Star Theater

    3/26 – Spokane, WA – The Big Dipper

    3/27 – Seattle, WA – Madame Lou’s

    3/29 – Garden City, ID – Visual Arts Collective

    3/30 – Salt Lake City, UT – Metro Music Hall

    3/31 – Denver, CO – The O

    4/17 – Houston, TX – The Secret Group

    5/12 – New York, NY – Le Poisson Rouge

  • Long Island’s Card Reader team up with Interstate Music for new music video “Reminder”

    Long Island Pop Punk band Card Reader have released a new music video called Reminder. The music video consists of Card Reader experiencing the city in their most enjoyable way and contains some footage from their first show performed at the Caribou Room back on Sept 23rd, 2021.

    The band is carrying into the new year with some momentum from last year. Card Reader participated in the championship of the Interstate Music Awards in 2021. From there on, Interstate Music made card reader an official brand ambassador.

    Pop Punk Band Card Reader

    Tom Petito, Card Reader’s guitarist/vocalist weighed in on the Interstate Music artist experience:

    This video is a reflection of Interstate Music’s commitment to helping artists like us. We played our concert right before the shoot. The next day their film crew took us all over MKE. We really enjoyed ourselves in the process. The folks at IM introduced us to an incredible music scene. They fully embraced our band and made us feel at home. Thanks to Interstate Music we are a band with more tools, more confidence and unlimited optimism moving forward. We can proudly say we have two home bases now! Long Island AND Milwaukee.

    Interstate Music directed and produced the video in Milwaukee, WI. Along with their new music video, the Pop Punk Band are going a weekend Northeastern Tour next month, and here are the dates:

    3/4 – Ram’s American Pub – Holbrook NY

    3/5 – The Mosh Pit – Philadelphia PA

    3/6 – The Church – Lebanon PA

    To catch more of Card Reader, you can find their music on DSP’s such as Apple Music , Spotify, Amazon music, and more.

  • Earl Sweatshirt, Action Bronson, Boldy James, & The Alchemist Bring NBA Leather to NYC (Night Two)

    The biggest stars of underground hip-hop today, Earl Sweatshirt, Action Bronson, Boldy James, and The Alchemist brought their “NBA Leather” tour to New York City’s Terminal 5 venue on Thursday, February 17th, for their second of back-to-back shows. With a rapidly eager crowd hungry for concerts to continue post-Omicron surge, this quartet certainly did not disappoint.

    earl sweatshirt action bronson alchemist
    The Alchemist at Terminal 5, 02/17/22. Photo by Kunal Khunger

    They all performed a variety of tracks, ranging from recently released albums like Earl Sweatshirt’s “Sick!” (released this year) to Action Bronson’s classic “Blue Chips 7000” (released 2017). Some guests were brought out as well, most notably Benny the Butcher of Griselda fame. The New York hip-hop scene was well represented.

    earl sweatshirt action bronson alchemist
    Boldy James at Terminal 5, 02/17/22. Photo by Kunal Khunger

    All the artists engaged the crowd in their own unique ways, from Action Bronson asking his DJ to play old instrumentals to see if he remembered the words to some of his more niche songs, to Alchemist playing his well-known role as a great hype man. Earl Sweatshirt, as he is known to be, was a very low-key stage presence, solely focused on his raps. The variety of sounds and styles was on full display Thursday night, giving an enthusiastic crowd a little bit of everything.

    earl sweatshirt action bronson alchemist
    Action Bronson at Terminal 5, 02/17/22. Photo by Kunal Khunger

    The “NBA Leather” tour with Earl Sweatshirt, Action Bronson and The Alchemist has a few more stops left, mainly on the East Coast of the US. You can see more tour dates here. Be sure to check out the photo gallery below!

  • Chris Rock Makes On Stage Return With “Ego Death” World Tour, Stopping at Radio City Music Hall

    Comedic legend, Chris Rock makes his long awaited return with his new stand up tour ‘Ego Death’. The tour kicks off April 2nd in Atlantic City before stopping at Radio City Music Hall and finishing in Los Angeles. 

    Chris Rock

    For the first time in over five years, Rock will travel across the country in a 38-date tour to bring his iconic humor to the masses. Produced by Live Nation, this North American venture will be followed by shows in Toronto and Vancouver.

    Rock will also be joining forces with fellow comedian Kevin Hart for their limited “Only Headliners Allowed” tour. The five show run will kick off on 7/21 in Wantagh, NY before making stops at MSG and Barclays Center.

    Although a household name, many may not be aware of Rock’s full list of achievements. The multi-talented performer has gone from being a Saturday Night Live cast member to starring in Emmy winning series “Fargo” and the newest Saw installment. He’s even appeared on Broadway in Stephen Adly Guirgis’s “The Motherfucker With the Hat”.

    Tickets for ‘Ego Death‘ are currently on sale. Tickets for ‘Only Headliners Allowed‘ go on sale 3/11 at 10 AM.

    4/2 Atlantic City, NJ Borgata Hotel Casino & Spa

    4/2 Atlantic City, NJ Borgata Hotel Casino & Spa (LATE SHOW)

    4/8 Indio, CA Fantasy Springs Casino*

    4/9 Reno, NV Silver Legacy Resort Casino

    4/9 Reno, NV Silver Legacy Resort Casino (LATE SHOW)

    4/14 Hollywood, FL Seminole Hard Rock Casino Hollywood

    4/15 Hollywood, FL Seminole Hard Rock Casino Hollywood

    4/16 Durham, NC DPAC

    4/20 Bethlehem, PA Wind Creek Bethlehem

    4/21 Bethlehem, PA Wind Creek Bethlehem

    4/22 Baltimore, MD The Lyric

    5/6 Las Vegas, NV The Colosseum at Caesars Palace

    5/7 Las Vegas, NV The Colosseum at Caesars Palace

    6/3 Uncasville, CT Mohegan Sun

    6/7 Columbus, OH Ohio Theatre

    6/9 Cincinnati, OH Taft Theatre

    6/11 St. Louis, MO Stifel Theatre

    6/14 Indianapolis, IN Murat Theatre At Old National Centre

    6/16 Cleveland, OH Connor Palace at Playhouse Square

    6/18 Toronto, ON Scotiabank Arena

    6/21 Denver, CO Bellco Theatre

    6/23 Prior Lake, MN Mystic Lake Casino Hotel

    6/24 Prior Lake, MN Mystic Lake Casino Hotel

    6/25 Mt Pleasant, MI Soaring Eagle Casino*

    7/03 Las Vegas, NV The Colosseum at Caesars Palace

    7/07 Oakland, CA Paramount Theatre-Oakland

    7/21 Wantagh, NY Northwell Health at Jones Beach Theater

    7/22 Newark, NJ Prudential Center

    7/23 New York, NY MSG

    7/24 Holmdel, NJ PNC Banks Arts Center

    7/25 Brooklyn, NY Barclays Center

    7/27 Orlando, FL Dr. Phillips Center for the Performing Arts

    7/29 Atlanta, GA Fox Theatre Atlanta

    8/27 Funner, CA Harrah’s Southern California Resort and Casino

    8/28 Phoenix, AZ Arizona Federal Theatre

    9/16 Detroit, MI Fox Theatre Detroit

    9/26 Pittsburgh, PA Benedum Center

    10/6 New York, NY Radio City Music Hall

    10/7 New York, NY Radio City Music Hall

    10/13 Chicago, IL Chicago Theatre

    10/14 Chicago, IL Chicago Theatre

    10/18 Seattle, WA Paramount Theatre

    10/19 Seattle, WA Paramount Theatre

    10/21 Vancouver, BC UBC – Doug Mitchell Thunderbird Sports Centre

    10/27 Washington, DC DAR Constitution Hall

    10/28 Washington, DC DAR Constitution Hall

    11/17 Los Angeles, CA Dolby Theatre

    11/18 Los Angeles, CA Dolby Theatre

  • Black Theatre Troupe of Upstate New York Presents “The Light” at theREP

    Black Theatre Troupe of Upstate NY has announced their latest production “The Light”, with performances at Lauren and Harold Iselin Studio at Capital Repertory Theatre (theREP), during March 3-6 and March 10-13, 2022.

    Black Theatre Troupe of Upstate New York

    BTTUNY was founded in 2009 by veteran actor Jean-Remy Monnay for the sole purpose of promoting communities of color. Monnay wished to foster understanding, appreciation and participation within the theater, as well as give a voice to the unheard.

    Considering their headquarters is in the NYS Captial Region, a populated and industrialized region, the overall mission of the Black Theatre Troupe is benefited, since the audience reach is vast. The Lauren and Harold Iselin Studio at the Rep is located at 251 North Pearl Street in Albany. This will be BTTNY’s second show there since Monnay has been an Associate Artist.

    “The Light” is about a relationship between a couple by the name of Rashad and Genesis. Unfortunately, all the love may come to an end after a marriage proposal does not go as planned. Buried accusations from the past are brought to life and lead to turmoil within their relationship. The million-dollar question is will their love prevail after the truth is revealed?

    Tickets for this event are located on the BTTNY website. General admission is $20 and for students/seniors it is $15.

  • Listen to the latest single from Dopapod, “Grow”

    After initially teasing their upcoming, self-titled seventh album with the single “Think,” Dopapod rides on an intergalactic groove on “Grow,” released on palindromic date of 2/20/22. With an intergalactic groove punctuated by a head-nodding bassline, “Grow” features all the staples of the Dopapod sound – slick guitar, simmering cymbals, and smooth vocals.

    dopapod grow

    2019 found Dopapod performing select shows in Syracuse where the band assembled what would become Dopapod. But with music shut down in 2020 and into 2021, the band spent their time perfecting the music en route to a Spring 2022 release.

    “Grow” captures Dopapod’s signature blending of styles and sonics. A deep groove and tight rhythm section grounds the song in a frantic funk territory, until the clouds part to usher in the epic heights of Dopapod’s frenzied psych/prog-rock wizardry. Soaring keys and synth lines crescendo as the song accelerates before returning to where it started, true to Dopapod’s palindromic existence. The group’s knack for dense, multi-layered suites across their material is a testament to their range of influences and styles, and their live show amplifies the momentum you hear on record. Each song is a journey of cosmic proportions. 

    The lyric ‘big things have small beginnings’ is from the movie Prometheus. Microscopic particles are the start of life. This is how we evolve. The song could be about a character time traveling back to the Big Bang.

    Eli Winderman, on “Grow”

    Dopapod is Eli Winderman [keys, vocals], Rob Compa [guitar, vocals], Chuck Jones [bass], and Neal “Fro” Evans [drums], a quartet who present albums as experiences meant to be shared out of your speakers and on stage. Traversing time travel, palindromic labyrinths, and binary pairs in a greater cohesive mystery, Dopapod’s forthcoming self-titled album ties the conceptual ends of the group’s discography, while charting a path forward.

    “Grow” is about tackling binaries, and not letting failure distract you from sticking to the plan, and prioritizing your own growth. Organisms multiply and build. A seed overcomes the odds in its journey to becoming a billowing behemoth. The line borrowed from Ridley Scott’s Prometheus echoes throughout “Grow,” and shows that the band is as honed in as ever almost fifteen years into their journey. 

  • Ween Paints Port Chester Brown During Three Night Capitol Theatre Run

    It had been four years since the last run of Ween shows at The Capitol Theatre, and the Rock Palace was indeed in need of a fresh coat of brown. Over a run spanning February 18-20, the genre-fluid band played over 100 songs, among them just a pair of covers, and treated fans to deep dives into their catalog as well as the usual fan favorites including “Frank” and “Touch My Tooter.”

    ween capitol theatre

    At Stage Left all three nights was an American Sign Language (ASL) interpreter, adding the benefit of visual translation of Ween’s (at times, deeply troubling and/or profane) lyrics to the entire audience, but especially those deaf fans in the audience for whom ASL provides the full concert experience. (See videos below.)

    ween capitol theatre

    Friday, February 18

    Before they could jump into “Pork Roll Egg and Cheese” to start the night, Dean Ween could not hold back his excitement, letting out a ‘Fuck Yeah!’ to the crowd. A fair amount of fan favorites set the tone for the weekend, including “Transdermal Celebration,” ‘Boys Club,” “Voodoo Lady,” and “She Fucks Me,” which had Deaner giddily repeating the refrain while watching the ASL interpreter sign the phrase over and over, much to everyone’s delight.

    Of course their song titles are nothing you’d want to bring up casually in conversation; they are designed to be hilarious if not daring for the crowd to shout and request, and can make a conversation go from G-rated to NC-17 before you can say “Poopship Destroyer.”

    During a string of songs with Gene Ween on acoustic guitar, he played a portion of Cat Stevens “Father and Son,” possibly the most out of place tune the whole weekend. An older instrumental, “Ice Castles,” appeared about halfway through the evening, just before Gene took a break and the band jumped into “Put the Coke on My Dick.” “Your Party” would close the set appropriately, with “Shamemaker,” off 2007’s La Cucaracha sandwiched between “I’m Dancing In The Show Tonight” and “Spinal Meningitis (Got Me Down).”

    Setlist: Pork Roll Egg and Cheese, She Wanted to Leave, Exactly Where I’m At, I Was Nothing, I Don’t Want to Leave You on the Farm, Touch My Tooter, I Gots a Weasel, Transdermal Celebration, Boys Club, Transitions, Mononucleosis, Frank, Voodoo Lady, I’ll Miss You, She Fucks Me, Cornbread Red, Help Me Scrape the Mucus Off My Brain, Father and Son*, Chocolate Town, The Mollusk, I Don’t Want It, Ice Castles, Final Alarm, I Get a Little Taste of You, The Golden Eel, Put the Coke on my Dick, Flutes of Chi, Buckingham Green, Light Me Up, Koko, Old Queen Cole, The Stallion, Part 5, Your Party

    Encore: I’m Dancing in the Show Tonight, Shamemaker, Spinal Meningitis (Got Me Down)

    *Cat Stevens, unfinished

    Saturday, February 19

    Night two of the run was just as good as Friday, with a few more rarities worked into the show. “Birthday Boy” and “Piss Up a Rope” kicked off the night with “My Own Bare Hands” following right behind, setting the tone early. “Waving My Dick in the Wind,” “Japanese Cowboy” and a pair of “Stallions” – Parts 1 and 3 – would be among early highlights of the show, before lesser played songs “Boing,” “Ooh Va La,” and “Can U Taste the Waste?”

    After an intense “I’l Be Your Johnny On the Spot,” Gene found his mandolin for “Ocean Man” before a “Vallejo” set closer. A four-song encore began with “Baby Bitch” and “Tender Situation” before bassist Dave Dreiwitz switched instruments with Dean for “Dont Laugh (I Love You)” and the12 Golden Country Greats lead track “I’m Holding You.”

    Setlist: Birthday Boy, Piss Up a Rope, My Own Bare Hands, Polka Dot Tail, Now I’m Freaking Out, Wavin’ My Dick in the Wind, Sweet Texas Fire, Dr. Rock, Japanese Cowboy, Happy Colored Marbles, Beacon Light, I Got to Put the Hammer Down, Zoloft, The Stallion, Part 1, Gabrielle, Boing, The Enabler*, Little Birdy, The Stallion, Part 3, Albino Sunburned Girl, Nan, Fat Lenny, Reggaejunkiejew, Ohh Vah La, Papa Zit, Can U Taste the Waste?, Pandy Fackler, Take Me Away, Object, I’ll Be Your Jonny on the Spot, Ocean Man, Vallejo

    Encore: Baby Bitch, Tender Situation, Don’t Laugh (I Love You), I’m Holding You

    * Instant Death cover

    Sunday, February 20

    With a tank still full of gas, Ween swung for the fences early on Sunday with a “Fiesta” opener and two of their best known songs (to non-Ween fans), “Bananas and Blow” and “Roses Are Free.” The rare “Suckin the Blood From the Devil’s Dick” made its first appearance since 1995 prior to “Big Jilm” and “The Argus.”

    Among the rest of the highlights tonight were “Stroker Ace,” “Demon Sweat,” “The Blarney Stone” and the ever-romantic “Stay Forever.” An encore of “You Fucked Up” and “Poopship Destroyer” put a brown closing note on the weekend, raising the bar for future Ween runs in Port Chester.

    Setlist: Fiesta, Captain Fantasy, The Grobe, I Can’t Put My Finger on It, Bananas and Blow, Roses Are Free, Sorry Charlie, Push th’ Little Daisies, Learnin’ to Love, How High Can You Fly, Suckin the Blood From the Devil’s Dick, Big Jilm, The Argus, Don’t Get 2 Close (2 My Fantasy), Sketches of Winkle, Even If You Don’t, Springtheme, Did You See Me?, I Play It Off Legit, The Goin’ Gets Tough From the Getgo, Stroker Ace, Puerto Rican Power, Seconds, Don’t Sweat It, Demon Sweat, Tried and True, What Deaner Was Talkin’ About, Stay Forever, Ode to Rene, Homo Rainbow, The Blarney Stone, If You Could Save Yourself (You’d Save Us All)
    Encore: You Fucked Up, Poopship Destroyer

    photos by Michael Dinger

  • In Focus: Action Bronson And Earl Sweatshirt Tour Makes Its Way To NYC (Night One)

    Earl Sweatshirt, Action Bronson, and Boldly James headlined at Terminal 5 on Wednesday, February 16. This was the ninth stop on their tour together, but a special one, being their first in New York City and bringing a number of local acts to the stage.

    The show opened with the Alchemist, who then brought Boldly James out to perform an entire set.

    Next, Earl Sweatshirt came out to preform songs from his new album SICK! as well as a number of classics. Sweatshirt individually brought out the likes of Navy Blue, Wiki, MIKE, and Zelooperz.

    Action Bronson graced the stage with his iconic machismo. His stage presence is unrivaled, as is his posing as a greek statue in interludes.

  • Tom Morello and Beth Hart join The Miraculous Love Kids for New Song, “God Help Us All”

    On February 18th, 2022, Afghan girls’ music group, The Miraculous Love Kids, release their brand-new recording, “God Help Us All,” featuring artists Tom Morello, John Ondraski (Five for Fighting), Beth Hart, and more.  

    Afghan girls' music group, The Miraculous Love Kids
    Afghan girls’ music group

    When facing the fall of Afghanistan to the Taliban on August 15th, 2021, many new challenges started to arise for the country’s people. The Miraculous Love Kids, being a non-profit organization, served as Afghanistan’s only school of music where guitar lessons were taught to war-torn, poverty-stricken girls who were greatly affected by this devastation.  

    The members issued the following statement: “Today, our lives are in great danger as the success we achieved in becoming part of an international cultural scene has now marked us for persecution.” 

    The group’s founder and director, Lanny Cordola, recorded multiple songs including “God Help Us All” weeks prior to this event, then all the group’s activities came to a halt. “It has been a hellish past six months trying to evacuate and relocate the girls and their families,” Cordola says. “Tom Morello’s soul hymn perfectly encapsulates this feeling.” 

    Lanny Cordola, The Miraculous Love Kids’s founder and director
    Lanny Cordola, the group’s founder and director

     
    He adds, “The convergence of all these talents truly shows how music can unify artists from different idioms and cultures to lend their voices to the vulnerable, marginalized suffering souls of the Earth. I also feel this song reaches out to the inner ache that so many are feeling these days. Tom has been a Godsend to the girls and I on so many levels. He allowed us to rearrange his composition to fit the girls’ style of singing and playing, which was very generous of him. He also enlisted Serj Tankian and Nandi Bushell.”  

    When informed about the situation, both Tankian and Bushell were immediately on board. 

    While he prepares for future music, Cordola’s primary focus is to find safety for the girls and their families. Today, Afghan’s face famine and food insecurity, and one million children are at risk of starving to death unless international aid intervenes. 

    “We appeal to the international community, to diplomats, politicians, news media and art institutions as well as NGOs to respond to this dire situation,” he stresses. 

    By recognizing the urgency of the situation, Tom Morello is hopeful this song will help create more awareness for The Miraculous Love Kids and their current situation. “God Help Us All” is a song both for and with some incredibly special girls in Afghanistan who are in grave danger.