Category: Regions

  • In Focus: Railroad Earth Makes a Stop at The Egg

    Railroad Earth’s 2022 tour just made a stop in Albany this past Friday, March 18. This was the their first show at The Egg since 2019, and the Capital District crowd showed just how much they missed Railroad Earth the last two years. The folk-centric jam band put on a dynamic show filled with rowdy choruses, dueling solos, and an atmosphere that felt almost like a celebration. The Egg audience was on its feet from the start of the show as folks were in great spirits. When Railroad Earth took the stage, everyone was immediately put in the mood to dance and move around out of their seats.

    Among the high energy peaks, the show was also filled with spacious moments that bordered on serene. Fans enjoyed these calm moments by slowing down with the band as they got lost in the music, creating an ambience that allowed the colorful light show to shine. Fans could breath while appreciating the full experience being created before them, before being pulled right back to their feet to continue dancing along to the very next song. And so the show flowed along like this for an hour and a half, with everyone in The Egg seeming to have been transported somewhere far away from Albany.

    Railroad Earth have been working in the studio as well, and recently released a brand new single titled “Come and Go Moon.” Back in January, they released another single titled “Runnin’ Wild,” which was their first newly recorded track since “It’s So Good” was released back in 2019. Two new songs in 2022… One could wonder if there may be a new album on the horizon for Railroad Earth. All we can d is wait and see though, so sense speculating. In the meantime, you should listen to what Railroad Earth has been up to in the YouTube video for their new single below.

    If you missed your chance to see Railroad Earth at The Egg, then be sure to check out the bands upcoming tour dates as they travel down the east coast through the end of March. After a few weeks off, the band will be hopping all over the country throughout the summer. To see all of Railroad Earth’s upcoming tour dates, visit railroad.earth/tour.

  • Robert Posner Elected to Long Island Music Hall Of Fame Board Of Trustees

    Robert Posner has been elected to be on the Board Of Trustees for the Long Island Music Hall of Fame. The Hall of Fame recognizes Long Island’s musical heritage and supports local artists by hiring them and other executives.

    Posner has a bachelor’s degree in Accounting and is an audit partner at Grassi, and he helps contractors, subcontractors, and architecture and engineering firms grow and become successful. He is a member of the American Institute of Certified Public Accountants and Treasurer of the Board of Directors for the Advancement for Commerce, Industry & Technology (ACIT).

    Robert Posner.

    Posner is a music fan, and his favorite artists are the Dave Matthews Band and Billy Joel. He has taken up playing the guitar, and his son Andrew played clarinet for the Northport Marching Band.

    Speaking of his election, Posner had a lot to say.

    I am very excited to join the Long Island Music Hall of Fame’s board of trustees. I have followed this wonderful organization for many years and have enjoyed attending their world-class Induction Ceremonies. I am looking forward to contributing to its continued growth, promoting music education and Long Island’s diverse musical history.

  • The Dust Devil Band Announce First Live Concert of 2022 at Unity Hall

    A long-time favorite of local music fans and supporters of Unity Hall, The Dust Devil Band returns to Unity Hall for their first live concert of 2022 on Saturday, April 2nd at 8pm.

    The Dust Devil Band is a part of Central New York’s musical history for their music scene from the 70s and 80s. The band’s style originated from the Waylon and Willie genre of Outlaw Country Music and later adopted style of a southern rock, blues, Americana and alternative country sound.

    The band consist of George Deveny (NYS Blues Hall of Fame member) on lead guitar, slide guitar and vocals; Darryl Mattison on drums; George Newton on pedal steel guitar, lap steel and vocals; Dan Porter on bass guitarand vocals; and Ed Rosenburgh on lead vocals, rhythm guitar and harmonica.

    “We have been forced to cancel multiple gigs since March 2020. Being able to finally play live on stage at Unity Hall is a gift. Our last gig there was a virtual concert of New Year’s Eve. That was great, but nothing like having music fans in the audience!”

    -Ed Rosenburgh

    The talented veteran musicians of The Dust Devil Band are longtime fans of Unity Hall’s performance space for them to play at and for the fans to hear live music at.

    Advanced tickets for the concert are available at www.unityhall.com and the Adirondack Cheese Company on Rte 12 in Barneveld. Tickets will also be available at the door. COVID vaccinations required. Masks recommended.

  • Benny The Butcher: Tana Talk 4 Review

    As Benny the Butcher and his Griselda cohorts further entrench themselves in the music industry and the lines between mixtapes and studio albums continue to blur, the Buffalo-bred rapper returns with another edition of his cult-like mixtape series. The array of Tana Talk mixtapes helped lead Benny’s ascension including his breakout third edition, which featured standout tracks like “Langfield,” and “Rubber Bands & Weight.”

    Tana Talk 4 is officially Benny’s third studio album and the intro track serves as a reminder of Benny’s current standing within the industry. The lead single — “Johnny P’s Caddy”– features a strong J. Cole verse, while the rest of the appearances remain close to home in the likes of Stove God Cooks, Westside Gunn, Conway The Machine,  38 Spesh and fellow Griselda signee, Boldy James. While Benny commands that street presence throughout his projects, the Tana talk series has always maintained a more personal feel and has seen the Def Jam signee at his most introspective. 

    This ain’t my story about rags to riches, more about how I mastered physics. 

    The records opening line sets the tone for the entire body of work as Benny weaves through street tales and the specific details of the drug game, while giving attention to his growth in the music industry and the supposed dissension between Conway and the rest of Griselda records after his departure from the label. Songs like “Johnny P’s Caddy” sees Benny flex his muscles in the rap game, as he went from making street dollars to legitimate rap money. 

     In the game, I used to train like Rocky catchin’ chickens. I was nice, but they was right when they told me that rap a business. 

    While once again flexing his loyalty to the ones he entered the game with.

    Besides Con’ and West, tell me, who else I gotta respect?

    Benny effortlessly exchanges his street and rap personas. His production is composed of Griselda in-house producer Daringer’s grimy, raw, slowed down beats, combining that with famed hip hop producer Alchemist’s soul-samples. On the 38 Spesh assisted, “Uncle Bun,” Benny is raw and unforgiving about his street dealings.

    I sold dope to a fiend while she pregnant, emotionless. I’m not a case worker, that’s not the reason I sold the shit.

    While the more soulful “Weekends In The Perry’s” featuring Boldy James, sees the Def Jam signee portray himself as simply an author to his own motion picture, which is the sort of bob-and-weave that is displayed throughout the 12-track, 40-minute long project. 

    Tana Talk 4 isn’t all drug and industry talk, as Benny also addresses the relationship between him, Westside Gunn and Conway The Machine. On “Tyson vs. Ali” featuring Conway The Machine, he addresses the media and fans attempts to pin the former label-mates against each other, while unbeknownst to them, the trio remain tethered.

    So confused when ya’ll compare two n**gas from the same movement. Only for ya’ll amusement is funny to me. Ya’ll do it, truth is, while I’m killing shit Conway is somewhere rootin’.

    Conway The Machine responds with his own salute to his cousin,

    Ayo, Benny, I remember what we used to do to the fiends. That’s why it feel so good to see you doin’ your thing.

    As the entire Griselda empire has grown within the past few years, they’ve maintained their model, even as they’ve ventured with bigger labels and entertainment entities. The making of Tana Talk 4 — a renowned mixtape series — into a studio album exemplifies just that. Benny The Butcher continues to elevate and flexes his industry connections with the J.Cole feature, while remaining true to his core fanbase. 

    Overall, fans of Benny can be left satisfied with this project, as it has plenty of rugged street talk, but more importantly growth, as fans can see the fruits of Benny’s ascension as he rubs elbows with the hip hop industry’s elite. 

  • 2022 Eddies Music Awards Nominees Announced, Ceremony to be held at Proctors

    The fourth annual Eddies Music Awards nominees have been announced, with an in-person ceremony scheduled for April 24, 2022 at Proctors Theatre in Schenectady.

    There are over 210 finalists in 36 categories honoring the work of 2021. Nominations and voting are determined by a group of judges that represent the local community.

    2022 eddies awards

    The Eddie Music Awards ceremony will return to the theatre after a two-year absence, as it was postponed twice due to the pandemic. It eventually was live-streamed and last year’s show was able to have a small audience. Co-founder and producer Jim Murphy is excited to be back:

    It was important we continue to shine a light on the local music scene, even if it was scaled back. This year is a return to a full-scale celebration. We hope the whole music community comes together.

    NYS Music is proudly nominated for Arts Publication of the Year, with Zach Culver nominated for Best Photographer of the Year and Alain Clerine nominated for Best Writer of the Year.

    At the ceremony, there will be performances by Erin Harkes, Buggy Jive, Nite Train w/ Thomasina Winslow, Hot Club of Saratoga, Rich Ortiz, and Super 400. Erin Harkes will be continuing her past role as emcee. She also hosted the first Eddies Music Awards in 2019 and was a musical performer at the 2020 Eddies Music Hall of Fame induction ceremony.

    Buggy Jive is a soul rock song-writer who takes influence from Led Zeppelin and Prince. He has been nominated each year of the Eddies Music Awards including a record five nominations this year, and was a winner of Video of the Year in 2021.

    Nite Train w/ Thomasina Winslow is a seven-piece blues group who has been around in the Capital Region for almost 20 years. In 2019, they were an Eddies Music Award nominee for Best Blues Act. They released their newest album titled  “Cat on A Mission” in late 2020.

    Hot Club of Saratoga are a swing collective that play music that reflects the style of The Quintet of the Hot Club of France that were prominent in the 1930s. They are nominated this year for Best Jazz Artist.

    Rich Ortiz is a singer-songwriter who has opened for Chicago, REO Speedwagon, Styx and many other touring artists. He is a three-time Eddie nominee for Solo or Duo Performer of the Year, with a win in 2019.

    Super 400 are a rock trio who have been together 26 years, and have one live and four studio albums. They are 2022 Eddies nominees in the Rock/Pop Artist of the Year category.

    The Eddies Music Awards’ tickets are on sale now.

    Solo or Duo Artist of the Year
    Buggy Jive
    Girl Blue
    Dave Maswick & Joel Brown
    Om Quillio
    Sean Rowe
    Sirsy

    Solo or Duo Performer of the Year (Covers)
    Rick Bolton & Jackie Dugas
    Jeff Brisbin
    Steve Candlen
    Sten Isachsen & Maria Zemantauski
    Rich Ortiz
    Maurizio Russomanno


    Party Cover Band of the Year
    Diva & The Dirty Boys
    Legend
    Mixed Roots
    Off The Record
    The Refrigerators
    Soul Session


    DJ of the Year
    DJ AyO
    DJ Ketchup
    DJ RVMBA
    DJ ShOw
    DJ T.G.I.F.
    Intell Hayesfield


    Country/Bluegrass Artist of the Year
    Brule County Bad Boys
    Jim Gaudet and The Railroad Boys
    The Insolent Willies
    Red Haired Strangers
    Three Quarter North
    Marty Wendell


    Country Cover Band of the Year
    Beatin’ the Odds
    Courtney Shayne: A Patsy Cline Experience
    E.B. Jeb
    Skeeter Creek
    Stony Creek Band
    Whiskey Highway

    Americana Artist of the Year
    Annie & the Hedonists
    The Lazy Suns
    Lost Radio Rounders
    Sara Milonovich & Daisycutter
    The Nocturne Troubadours
    Rusticator


    Rock/Pop Artist of the Year
    Dark Honey
    Jocelyn & Chris
    Joe Mansman and The Midnight Revival Band
    Super 400
    Under the Den
    Warden & Co.


    Alt/Indie Artist of the Year
    Architrave
    Curious Comet
    E.R.I.E.
    joetaurone
    Sean Rowe
    The Sea The Sea


    Folk/Traditional Artist of the Year
    Dan Berggren
    Drank The Gold
    Reese Fulmer
    John Kirk and Trish Miller
    Michael Jerling
    Carolyn Shapiro


    Hip Hop/Rap Artist of the Year
    B Chaps
    Dezmatic
    Mike Larry Draw
    Sime Geezus
    Emcee Graffiti
    JB!! aka Dirty Moses


    Jazz Artist of the Year
    Joe Barna
    Bright Dog Red
    Hot Club of Saratoga
    Chuck Lamb
    Dylan Perrillo
    Colleen Pratt


    Punk/Hard Rock Artist of the Year
    After the Fall
    BattleaXXX
    Candy Ambulance
    Fine Grain
    Prince Daddy & the Hyena
    Kid Vicious


    Metal/Hard Rock Artist of the Year
    Bad Mothers
    Bendt
    Brick by Brick
    The Erotics
    Malefic
    Psychomanteum


    Jam Band of the Year
    Ampevene
    Annie In The Water
    Glass Pony
    Hilltop
    Let’s Be Leonard
    Raisinhead


    Blues Artist of the Year
    Amy Ryan Band
    Biscuits ‘n’ Gravy
    George Fletcher Blues Band
    Matt Mirabile & Alison Jacobs
    SoulSky
    Mark Tolstrup & Jill Burnham


    RnB/Soul/Funk Artist of the Year
    The Age
    Anneice Cousin
    The E-Block
    Buggy Jive
    Ali Sifflet
    Victory Soul Orchestra

    Electronica Artist of the Year
    Madeline Darby
    Fox Kraft
    SM Ink
    PJ Katz
    Rambutan
    soo do koo


    Classical Artist/Ensemble of the Year
    Albany Symphony Orchestra
    Albany Pro Musica
    Glens Falls Symphony Orchestra
    Musicians of Ma’alwyck
    Opera Saratoga
    Schenectady Symphony Orchestra


    World Music Artist of the Year
    Taina Asili y La Banda Rebelde
    Heard
    Jordan Taylor Hill
    Sten Isachsen & Maria Zemantauski
    Mixed Roots
    Alex Torres & His Latin Orchestra


    Best Venue Small (up to 299 people)
    Caffé Lena
    The Hangar on the Hudson
    The Hollow Bar + Kitchen
    The Linda
    Nanola
    9 Maple Avenue


    Best Venue Medium (300-999 people)
    Cohoes Music Hall
    The Egg
    Lark Hall
    Putnam Place
    The Strand Theatre
    Van Slyck’s (Rivers Casino & Resort)


    Best Venue Large (1,000 people and up)
    Empire Live
    Palace Theatre
    Saratoga Performing Arts Center
    Times Union Center
    Troy Savings Bank Music Hall


    Presenter of the Year
    A Little Booking Agency LLC
    DJ T.G.I.F.
    Guthrie Bell Productions
    Step Up Presents
    Sugar Productions
    Super Dark Collective


    Radio Station of the Year
    RadioRadioX
    WAMC
    WCDB
    WEQX
    WEXT
    WVCR


    Radio DJ of the Year (terrestrial or streaming)
    Wanda Fischer (WAMC)
    Art Fredette (RadioRadiox)
    Sime Geezus (WSPN)
    Andy Gregory (WEXT)
    Bill McCann (WCDB)
    Jeff Morad (WEQX)


    Record Label of the Year
    Cacophone Records
    Equal Vision
    Lorchestral Recording Company
    Magnetic Eye Records
    Paintbox Records
    Upstate Records


    Live Production Crew of the Year
    824 Productions
    Aces
    Denis Entertainment Group
    High Peaks Sound
    Live Sound Inc
    Specialized Audio-Video Inc.

    Music Recording Studio of the Year
    Fool’s Hill Music
    Jim Mastrianni Studio
    Millstone Studio
    NRS Recording


    Arts Publication of the Year (print, TV or new media)
    Nippertown
    NYS Music
    Preview (Times Union)
    The Spot 518
    The Ticket (Daily Gazette)
    Xperience Monthly


    Music Journalist of the Year
    Alain Clerine (NYS Music)
    R.J. DeLuke (Times Union)
    Michael Hallisey (The Spot 518, Nippertown)
    Indiana Nash (Daily Gazette)
    Liam Sweeney (Xperience Monthly)
    Don Wilcock (Nippertown)


    Music Photographer of the Year
    Stephanie Bartik
    Frank Cavone
    Zach Culver
    Jim Gilbert
    Rudy Lu
    Andrzej Pilarczyk


    Songwriter of the Year
    Girl Blue
    Reese Fulmer
    Buggy Jive
    Sara Milonovich
    Lecco Morris & Justin K. Rivers
    Sean Rowe
    Russel the Leaf
    Seth Warden


    Music Video of the Year
    As Iz – “Steve Nover is Here (Infinite Cha Cha)”
    Buggy Jive – “Tiptoes”
    Don Ferlazzo – “Take A Look At Me Now”
    Joe Mansman and The Midnight Revival Band – “Renegade Love”
    Jocelyn & Chris – “Sugar and Spice”
    SIRSY – “Astronauts”
    The Nocturne Troubadours – “You’re Not Alone”
    The Sea The Sea – “Stumbling Home: Oil on Paper”

    Record of the Year
    Dan Berggren – “Imagine That”
    Jocelyn & Chris “- Sugar and Spice”
    Erin Harkes – “New Year’s Day”
    Kate McDonnell – “Ballad of a Bad Girl”
    Mike McMann – “True”
    Prince Daddy & the Hyenas – “Curly Q”
    Sean Rowe – “Squid Tattoo”
    Carolyn Shapiro – “Honeydew”


    Album of the Year
    Bright Dog Red – “In Vivo”
    Candy Ambulance – “Hard-Boiled”
    Reese Fulmer – “It’s All a Dream”
    Sime Gezus – “Shadow of Death”
    Buggy Jive – “You Won’t Like the Answer”
    Mike McMann – “True”
    Sara Milonovich & Daisycutter – “Northeast”
    Sean Rowe – “The Darkness Dressed In Colored Lights”
    Marty Wendell – “Risky Business”

  • Still Freaky: Korn Conquers the Capital Region

    Capital Region concert goers were emphatically “ready” Sunday night, answering the question that started it all for enduring alt-metal icons Korn.  Turning out in droves to the newly anointed MVP Arena (formerly the Times Union Center), it had been several years since local Albany “freaks” had been able to see the Bakersfield, California metal mainstays in this type of setting. Fresh off the release of their 12th studio album Requiem, the pioneering titans silenced anyone who thought they may have gone soft, bludgeoning fans with a career-spanning selection of angsty anthems, radio hits, and OG favorites.  Still here, still volatile and still a draw, on this night Korn reminded everyone exactly why, at one point, they were considered the kings of the genre.

    Trading in the JNCO’s for black leather trench coats and hitting the road for 19 dates with fellow hard rockers Chevelle and Code Orange, the two-time Grammy award winning band have an ambitious spring lined up.  Comprised of vocalist Jonathan Davis, guitarists James “Munky” Shaffer and Brian “Head” Welch, bassist Reginald “Fieldy” Arvizu, and drummer Ray Luzier, the sheer level of Korn’s reach over the years transcends accolades and platinum certifications. While it’s easy to make fun of their name and the nu-metal scene they largely helped bring to the masses, Korn has shown they are indeed ‘here to stay’ by continuing to push boundaries and finding ways to connect with a whole new generation. You see, in 2022 there is very little left for them to prove.  From conquering the ‘boy band’ craze of the late nineties to selling over 40 million albums, at their peak Korn was arguably the biggest band in the world.  Many will remember their star-making TRL and SNL appearances, their Family Values Tours and their infamous headlining scorcher during the first night of Woodstock ’99, before Rome went up in flames.  These days, however, you can almost count the number of “heavy bands” who survived that era on one hand. A testament to their longevity, on this night in Albany plenty of people still wanted to see Korn throw down.

    They came dressed in black, some with tattoos and eye liner, some covered in body piercings, others with neon-colored hair and sexy go-go boots, and yes, a few “freaks” came swimming in their vintage wide-legged JNCO’s.  For the most part though, the fans who turned out were just your typical metalheads; the burly, bearded, beer-drinking guy-next-door type who likely has been “following the leader” for close to thirty years. After solid opening sets from Code Orange and Chevelle, it was finally time for what the Korn Kids came for.

    As the lights suddenly went black, a brooding piece of orchestral music began piping into the MVP Arena. After a few moments, a large curtain with Korn’s logo became visible on stage, backlit to reveal silhouettes of the band members taking their signature power-stance positions. As the anticipation reached a fever pitch, the veil suddenly pulled away and fell to the floor as Korn launched into “Forgotten,” the first track off their new album.  Fans instantly locked into it, erupting in unison while pumping their fists to the songs heavy chugging riff. The band looking fresh and already feeding off the Albany energy, also bouncing to the groove in perfect syncopation, dreadlocks flying in all directions, bent over at the waists as their instruments  practically touch the stage; the thunderous and steady hands of drummer Ray Luzier’s anchoring it all down from his massive kit high above the stage.  Off to the races, Korn quickly followed that up with one of their biggest radio hits in “Got the Life” allowing fans to “get their boogie on” and show off their voices to the song’s sing-along chorus.

    The thick and sludgy hit single “Here to Stay” came next, followed by a new and relatively untested song off their latest album called “Start the Healing.”   Front man Jonathan Davis, who admits he feels most at home when he’s hurting, was in fine form here. Sounding as good as he ever has and just as tormented. His unique, guttural, throaty screams filling the arena as he stalked back and forth across the stage like a starving lion that’s just been unleashed.  Closing his eyes and clutching onto The Bitch (his custom made H.R. Giger microphone stand), when watching Davis exercise his demons live, there is no denying his sincerity.  The unimaginable pain of his past is obviously still there and is still fueling an unbridled rage. Speculation of abuse aside, whatever happened to Mr. Davis in his younger years clearly had a lifelong impact. The type of torment very few overcome and very few can ever truly understand.

    Celebrating the twentieth anniversary of their Untouchables album, Korn would dust off a bit a rarity in the form of “No One’s There.” Davis would then pull out the bagpipes for the iconic intro of 1994’s demented nursery rhyme smash “Shoots of Ladders,” at one point even working in a tease of Metallica’s “One” before returning to its usual structure.  Sensing an opportunity to slip in another new tune, Korn upped the heavy with “Lost in the Grandeur,” which saw Brian “Head” Welch really getting into it. If dreadlocks could tell a story, Head’s could write novels. Inches longer than the last time we saw him, the man has become something of an inspiration for fans battling the hopelessness of addiction.   After stunning the metal world in 2005 by quitting the band and finding faith, it would be years before fans discovered the reality of the situation.  After kicking a life-threatening drug addiction and learning to better manage severe bouts of depression, Welch would rejoin his brothers in the band in 2012.  Seeing him look healthy, happily headbanging and throwing souvenir guitar picks at fans, you couldn’t help but respect the guy.   Let’s admit it, Korn just isn’t Korn without the chemistry between Head and guitarist James “Munkey” Shafer and if imitation is the sincerest form of flattery, by now this dynamic dreadlocked duo of 7-string ax slingers could have their own monument.  The signature sound they fathered was on full display for the next two songs, a pair of radio hits in “Ya’ll Want a Single” and “Falling Away From Me.”

    There was a fun moment during “Coming Undone” when the band did a surprise segue into Queen’s classic arena rock anthem “We Will Rock You.” The  main portion of the set then concluded with perhaps Korn’s most well-known song “Freak on a Leash,” the breakdown giving bassist Reginald “Fieldy” Arvizu a prime opportunity in the spotlight to showcase his impressive musical chops, resulting in a raucous and sustained ovation from fans of all ages as the band exited the stage.

    After a few minutes of soaking in the cheers, Korn happily returned to play a few more.  First was a medley of sorts consisting of the opening track 1998’s Follow the Leader, ‘It’s On!’ mashed up with the songs ‘Trash’ and ‘Did My Time.’   From there, one of the most unique and unimitatable songs in Korn’s discography, the Davis-led snarling beat box style scat-rap of ‘Twist’ which flowed directly into a song that’s been on the shelf in recent years, ‘A.D.I.D.A.S.’ The kinkier side of the Capital Region showing itself during the adolescent acronym hit when the entire arena sang together “I don’t know your fuckin’ name, so what? Let’s fuck!” and then simultaneously shouting out that “all day [they] dream about sex.” A truly memorable and somewhat hilarious moment.  After an impressive, yet obligatory drum solo from Luzier, Korn thanked fans for all the years of support, promised they’d be back soon, and then sent the crowd home happy with the song that put them on the map, a celebratory rendition of “Blind,” complete with a cannon blast of confetti and party streamers and a massive applause from the Albany Korn Kids who still deeply appreciate and respect this band. 

    Like stepping back in time, this “freak show” felt like a nostalgic throwback to the glory days of the late 1990’s. Firing on all cylinders and going balls-to-the-wall the entire performance, Korn clearly still has “it” and are showing no signs of slowing down.  With their impressive and physically demanding stage presence, unmatched intensity, energy and rage, it was as if Korn found the fountain of youth on this evening in Albany.  Musical trends come and go, but this is still rock n’ roll and there will always be an audience hungry for this type of angry, defiant, and cathartic music.  On this memorable mid-March night, metal fans got exactly what they paid for.  

    Korn | March 20, 2022 | Albany, NY | MVP Arena

    Setlist: Forgotten, Got the Life, Here to Stay, Start the Healing, No One’s There, Shoots and Ladders, Lost in the Grandeur, Y’all Want a Single, Falling Away From Me, Worst Is on Its Way, Coming Undone Freak on a Leash

    Encore: It’s On / Trash / Did My Time, Twish, A.D.I.D.A.S., Drum Solo, Blind 

  • Lollapalooza Returns With Packed 2022 Lineup

    Lollapalooza returns to Chicago for four days of fun and music. From July 28-31, festival goers can expect performances from some of today’s biggest and brightest, as well as rising stars and Chicago natives. 

    Headliners include Doja Cat, Lil Baby, Dua Lipa, Metallica, Machine Gun Kelly and Green Day, among others. Chicago native like 100 Gecs, John Summit and Horsegirl, will also be performing, as well as those who found fame through social media like PinkPanthress, Remi Wolf and Pi’erre Bourne.

    This year’s Lollapalooza features more than 170 musical acts, along with nine different stages and the return of Kidzapalooza. The interactive playground includes family friendly performances, activities, workshops, and more. The Bonus Tracks Stage will allow festival goers to practice mindfulness and inclusivity between musical performances. 

    Behind the scenes, Lollapalooza has worked to contribute to the community by creating a number of programs and initiatives. Fans can help improve sustainability by returning the cups they use during the festival for a chance to win exclusive prizes like VIP ticket upgrades, festival cash and more.

    Lolla Cares focuses on providing Chicago’s youth with access to the Arts. Following the creation of the Lollapalooza Arts Education Fund, the festival was able to donate over $2 million to support art programs within Chicago public schools. Lolla Cares has also partnered with After School Matters to support programs that give Chicago teens the chance to learn new artistic skills and display their work at Lollapalooza.

    Four day tickets are available now and one day tickets will be available at a later date. Kids 10 and under attend for free.  

    Lollapalooza 2021
  • Underoath Bring Voyeurist Tour To Brooklyn Steel

    Tampa, Florida natives and metal-core innovators, Underoath, stopped at Brooklyn Steel on St. Patrick’s Day as part of their Voyeurist North America Tour. Voyeurist, Underoath’s ninth LP and second from Fearless Records, showed the band staying true to the hardcore/screamo sound they helped fashion in the early aughts, while also modernizing the production and adding electronic and futuristic elements. The band refers to this enhanced sound as “high-def violence” and are in peak form on this tour.

    underoath brooklyn steel
    Underoath at Brooklyn Steel, 3/17/22. Photo by Buscar Photo

    Underoath brought some new and long time favorite heavyweights to Brooklyn Steel to fill out an incredible hardcore quadruple bill. Long Island natives, Stray from the Path, opened the show, playing songs from a nearly 20-year catalog including their 2019 LP, Internal Atomics. Next up was Richmond, Virginia band, Bad Omens, who recently released their third LP, The Death Of Peace Of Mind, this past February on Sumerian Records. The penultimate performers were the incredibly exciting, Spiritbox, who released their debut LP, Eternal Blue, last September. Featuring vocalist Courtney LaPlante and her husband Mike Stringer on guitar, the band creates the perfect blend of etherial and melodic post-rock with crushing waves of heavy screaming hardcore. LaPlante stretches the vocal range with stunning beauty on the live stage.

    Courtney LaPlante of Spiritbox. Photo by Buscar Photo

    Underoath were thought to be permanently retired after their farewell tour in 2013. Founding drummer and clean vocalist Aaron Gillespie had left the band in 2010 and the remaining members went on to release a record without him, 2010s ∅ (Disambiguation). Gillespie ended up performing with the band on the last show of the farewell tour in Florida in January, 2013 but the band seemed finished at the time. A few years later, they returned with Gillespie in the lineup and have since released two records, including Voyeurist, which has instantly become a staple in the band’s catalog.

    underoath brooklyn steel
    Underoath at Brooklyn Steel, 3/17/22. Photo by Buscar Photo

    The show at Brooklyn Steel was Underoath’s first time playing in New York since August, 2019 when the band played in Saratoga and Wantagh with Korn and Alice In Chains. The Voyeurist Tour is nearly complete as they are set to close the run with two hometown shows in Florida on March 26th and 27th. Find the remaining show details on the band’s website. Spiritbox on the other hand have gained so much momentum with this new album that their tour schedule is just beginning. After these shows with Underoath, they have numerous festival appearances and a European tour stretching throughout the summer. Head over to their website for the full dates and see our photo galleries from Underoath and Spiritbox below.

    Spiritbox

    Underoath

  • Joe Bonamassa Presents “Time Clocks Tour” With A Stop in Jones Beach

    Blues Rock trendsetter, three-time Grammy nominee, Emmy nominee and 25x Billboard chart topper, Joe Bonamassa, is set for a 2022 U.S. Summer tour, beginning in August for his latest album, Time Clocks.

    Joe Bonamassa

    Bonamassa’s tour will begin August 2 in Nashville, TN at Ryman Auditorium and will come to an end in Wantagh, NY at Jones Beach on August 19. During the last show, Kenny Wayne Shepherd Band will be included as a special guest performer, as well as others who have yet to be announced.

    Bonamassa has been hailed to be one of the greatest guitar players of his time, not only within the U.S., but worldwide. In fact, Guitar World Magazine recognizes him as “the world’s biggest blues guitarist.” Bonamassa does more than just perform and make music for his ever growing fan base, but he brings every word to life, especially with the help of his guitar. Ultimately, he combined and established the Blues Rock genre to a high enough degree that it is now considered mainstream music.

    Time Clocks, was made within the Big Apple at Germano Studios/The Hit Factory, with Kevin Shirley as the producer and Roy Weisman as executive producer. This heartfelt album allowed Bonamassa to rediscover himself during a new chapter in his life. Time Clocks is a true testament to the skill set he acquired over the years as he mastered Blues Rock music.

    What started out with the intentions of being a trio record turned into probably my most adventurous and involved record to date.

    Joe Bonamassa

    For more information about tour dates and to buy tickets for the Time Clocks Tour, as well as his current U.S. and European Spring Tours visit Bonamassa’s website.

    Joe Bonamassa’s Time Clocks 2022 Summer Tour Dates
    Aug. 2                         Ryman Auditorium                                              Nashville, TN
    Aug. 3                         Fraze Pavilion                                                      Kettering, OH
    Aug. 5                         Orpheum Theatre                                               Omaha, NE
    Aug. 7                         Red Rocks Amphitheatre                                   Morrison, CO
    Aug. 8                         Red Rocks Amphitheatre                                   Morrison, CO
    Aug. 11                       Hampton Beach Casino Ballroom                     Hampton Beach, NH
    Aug. 12                       Hampton Beach Casino Ballroom                      Hampton Beach, NH
    Aug. 13                       Leader Bank Pavilion                                          Boston, MA
    Aug. 16                       Flynn Center for the Performing Arts                Burlington, VT
    Aug. 18                       Merrill Auditorium                                              Portland, ME
    Aug. 19                       Northwell Health at at Jones Beach Theater    Wantagh, NY

  • Cypress Hill Release New Album “Back In Black”, Announce Tour Dates With Stops In Brooklyn and Albany

    Critically acclaimed rap group, Cypress Hill, has a busy year ahead of them, not only having just released their tenth studio album, Back In Black, but a new video for album highlight “Certified” and months of touring ahead.

    Cypress Hill

    Cypress Hill is a rap group from South Gate, California that have been active since the late 1980’s. They have paved the way for the rappers that followed, especially considering their desire to use Spanish lyrics in songs. This group stood their ground during a time when rappers had trouble getting booked to perform live. Cypress Hill shifted the culture of the music industry and for that their accomplishments did not go unnoticed. In fact, they earned a star on the Hollywood Walk of Fame, sold more than 9 million albums, and were nominated for three Grammy Awards.

    Considering, Back In Black is their first full-length album since Elephants on Acid in 2018, Cypress Hill had to adapt to today’s culture and were pushed creatively as artists. Their newest work has reconnected the group with Black Milk (Slum Village, Lloyd Banks, Pharoahe Monch), who produced the entire album.

    Cypress Hill

    Within Back In Black, the group raps about cannabis but in an educational way. Knowing the impact it has had on people of color, as well as where it stands with the federal government, Cypress Hill believes it is a significant conversation to have and what better way for them to vocalize that than through their lyrics.

    We can talk about smoking, but there’s still a lot of people out there that need to be educated. As the scene has progressed and evolved into what it is now, there still are some road bumps out there. It’s not federally legal across the United States. It’s legal here in California and other states, but we still face a lot of obstacles in terms of the federal government. A lot of us are pushing to finally get it recognized federally. There’s still a whole lot of work to be done, so we just keep pushing along.

    B-Real

    Furthermore, their video for “Certified” was directed by Tillavision, who have a great reputation for creating 3D, augmented reality and virtual reality content for well-known artists such as Swae Lee, Pop Smoke, JuiceWRLD and Young Dolph.

    However, Cypress Hill’s agenda for 2022 does not end there. The rap group has plans to embark on a massive slate of touring including performances at Slipknot’s Knotfest Roadshow 2022.

    With the visionary photographer and director Estevan Oriol, Cypress Hill has developed a documentary titled Insane In The Brain: Cypress Hill. It will debut as part of Showtime’s HIP HOP 50 banner on April 20 at 8pm ET/PT. This film will take viewers on a cannabis filled journey of the lives of the rap group, highlighting their relevancy for 30 years, unique sounds, and genre-shifting sonic tapestry. With never before seen footage, Insane In The Brain: Cypress Hill, will most importantly reflect the group’s everlasting brotherhood.

    Tickets and VIP Packages for Cypress Hill’s tour are now available. For more information visit the Cypress Hill website.

    CYPRESS HILL LIVE 2022
    3/18 – Kings Of The West – Rio Rancho, NM %

    3/20 – Big Surf Water Park – Tempe, AZ

    4/2 – Smoking Gun Casino – El Paso, TX

    4/9 – North Carolina Azalea Fest 2022 – Wilmington, NC ^

    4/19 – Red Rocks – Morrison, CO %

    5/18 – Bryce Jordan Center – University Park, PA *

    5/20 – Barclays Center – Brooklyn, NY *

    5/21 – Dunkin Donuts Center – Providence, RI *

    5/22 – SNHU Arena – Manchester, NH *

    5/24 – MVP Arena – Albany, NY *

    5/26 – Bell Centre – Montreal, QC *

    5/28 – Videotron Centre – Quebec, QC *

    5/29 – Canadian Tire Centre – Ottawa, ON *

    5/30 – Budweiser Stage – Toronto, ON *

    6/1 – Heritage Bank Center – Cincinnati, OH *

    6/2 – Van Andel Arena – Grand Rapids, MI *

    6/4 – Alpine Valley Music Theatre – East Troy, WI *

    6/5 – TaxSlayer Center – Moline, IL *

    6/7 – Azura Amphitheater – Bonner Springs, KS *

    6/9 – The Broadmoor World Arena – Colorado Springs, CO *

    6/11 – Ford Idaho Center – Nampa, ID *

    6/13 – Climate Pledge Arena – Seattle, WA *

    6/14 – RV Inn Style Resorts Amphitheater – Ridgefield, WA *

    6/17 – MGM Grand Garden Arena – Las Vegas, NV *

    6/18 – North Island Credit Union Amphitheatre – Chula Vista, CA *

    % – w/ Ice Cube
    ^ – Festival date
    * Knotfest Roadshow 2022