Harlem Stage announced its coming season will be devoted to the intersection of the Black Art and the Black Power movement in America today. Five programs and seven events of film, poetry, music theater and dance will make up this seasons’ theme, Black Arts Movement: Examined.
A cultural movement that took place largely in Harlem, The Black Arts Movement of the 60s and 70s shaped Black identity through critical discourse in many mediums. Harlem Stage’s CEO, Patricia Cruz, and Curator-in Residence, Carl Hancock Rux, hope this season’s events will challenge and clarify topics of The Black Arts Movement. As Harlem Stage approaches its 40th anniversary, its programming board hopes this year’s schedule will encourage visitors to step back and ask, “what is the relationship between art and politics and what is the role of the politically conscious artist?”
On Friday, September 16, the programming begins with the “Uptown Nights” series, led by Joel Ross’s Being A Young Black Man. Joel Ross is an award-winning vibraphonist and composer whose project explores his own experiences, contextualized into two themes: faith and family. Ross will perform with saxophonists Patrick Bartley and Tivon Pennicott, pianist Jeremy Corren, bassist Junius Paul, and drummer Marcus Gilmore on September 16 and 17 to set off the programming. The concert will be at Harlem Stage Gatehouse and tickets to all events are available on Harlem Stage’s site.
Grammy nominated Pedrito Martinez will take the stage (virtually) on September 24 for the next “Uptown Nights” performance. The world-renowned Cuban percussionist’s Rumba Con Fundamento will be available to stream on Vimeo for $5 until October 3.
Closing the “Uptown Nights” series on October 7 and 8 is Leyla McCalla with her show celebrating the release of her album, Breaking the Thermometer. McCalla’s newest body of work combines elements of memoir and historical scholarship to express freely her experiences as a Haitian-American living through years of social and political unrest.
The program continues with remote and in-person conversations, interviews and performances in song, dance and poetry. To see the full season schedule visit Harlem Stage’s site.
The internationally-acclaimed hit theater show The Simon & Garfunkel Story will stop by Kings Theatre on March 3, 2023 at 8PM during the coast-to-coast U.S. tour. The immersive concert-style theater show chronicles the amazing journey shared by the folk-rock duo, Paul Simon and Art Garfunkel. It tells the story from their humble beginnings as Tom & Jerry to their incredible success as one of the best-selling music groups of the ‘60s to their dramatic split in 1970. It culminates with the famous “The Concert in Central Park” reunion in 1981 with more than half a million fans in attendance.
Using state of the art video projection, photos and original film footage, the show also features a full live band performing all of their hits, including ‘Mrs. Robinson’ (featured in the 1967 film The Graduate), ‘Cecilia’, ‘Bridge Over Troubled Water’, ‘Homeward Bound’ and many more.
With more than 100 million album sales since 1965, Simon & Garfunkel’s perfect harmonies and songs that poignantly captured the times made them one of the most successful folk-rock duos of all time. Over the years, they won 10 Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 1990. In 1977, their Bridge Over Troubled Water album was nominated at the 1977 Brit Awards for Best International Album. In 2003, Simon and Garfunkel were awarded a Grammy Lifetime Achievement Award and the following year saw their “The Sound of Silence” awarded a Grammy Hall of Fame Award.
Tickets for The Simon and Garfunkel Story are on sale now here.
The Irish Arts Center (IAC) will host a weeklong residency for Pillow Queens, an all-female Irish indie rock band from September 13 to 17.
A NYC-based institute dedicated to Irish & Irish-American art/culture, the IAC’s showcase includes a film presentation, a literary event and two nights of performance by the band.
Tuesday the 13th offers a presentation of “You Are Not My Mother,” the debut film of writer-director Katie Dolan. Her previous work includes music videos for Pillow Queens tracks “Holy Show,” “Brothers,” and “Gay Girls.”
The 14th showcases a conversation around “This Woman’s Work: Essays on Music,” a collection edited by writer Sinéad Gleeson and musician Kim Gordon of Sonic Youth fame. Gleeson will be joined in discussion by fellow writers Leslie Jameson and Jenn Pelly with Sarah Corcoran of Pillow Queens moderating.
Concluding the residency on the 16th and 17th will be two concert performances featuring special guests SOAK, a Mercury Prize nominated singer-songwriter from Northern Ireland, and Toronto-based indie rock artist Deanna Petcoff.
Having formed in 2016, Pillow Queens have performed with the likes IDLES and Pussy Riot. They have two studio albums to their name and also appeared on CBS’ The Late Late Show in 2021.
Information on tickets and more regarding the Pillow Queens residency at the Irish Arts Center can be found on the institute’s website.
Iconic artists Jon Batiste, Pentatonix, and Diane Warren have just released the music video for the vibrant song “Sweet (Single Edit)” directed by Matt Earl (Doja Cat, Carlos Santana, G-Eazy, Cordae). The vibrant video features a cameo from Warren and shows each member of Pentatonix as animated characters throughout the clip as a crooning Batiste intermixes with them in an urban cityscape.
Oscar and multi-Grammy® Award-winning recording artist Jon Batiste developed a fluency in jazz and popular music of all stripes, collaborating with legends from Wynton Marsalis to Prince. In 2022, Batiste’s composing and songwriting will be featured in his large-scale, genre-melding symphonic work “American Symphony,” set to premiere at Carnegie Hall. Jon was even named bandleader and musical director of The Late Show with Stephen Colbert.
“Life is full of ups and downs. Music is a gift that helps put it all in perspective. This song will find those who need it most,”
Jon Batiste
Grammy winning and 13-time Oscar nominated songwriter Diane Warren’s newly released single joins a beyond-impressive songwriting resume that includes countless staples of modern music history including “Because You Loved Me” (Celine Dion), “Can’t Fight The Moonlight” (LeAnn Rimes), and “How Do I Live” (by both LeAnn Rimes and Trisha Yearwood). The release of “Sweet (Single Edit)” comes on the heels of the announcement that Warren has been selected to receive an Honorary Oscar as voted by the Academy’s Board of Governors. She is the first songwriter to receive an Honorary Oscar which will be presented at Academy’s 13th Governors Awards in November 2022.
‘Sweet’ is like a jolt of positivity right when we need it the most. And there is no one who exudes more positivity and joy than the amazing Jon Batiste. To have both Jon and the greatest a cappella group in the world, Pentatonix on my song is a dream come true. Just in time to make everyone’s Summer a little SWEETer.
~Diane Warren
Three-time Grammy® Award-winning and multi-platinum-selling artist Pentatonix has sold more than 10 million albums worldwide and performed for hundreds of thousands of fans at their sold out shows across the globe. Their YouTube channel boasts close to 20 million subscribers, yielding more than 5.5 billion video views.
“We were so honored to collaborate with such musical titans as Jon Batiste and Diane Warren. They’ve brought the world so much love and joy in their music. We hope the people feel like dancin’ and prancin’ when they listen to “Sweet”!”
Kevin Olusola of Pentatonix.
To stream this hit single, click the link here or listen below.
On this day in 2007, the first ever Farm Aid was held in New York State, with the annual benefit concert for farmers held on Randalls Island.
The official announcement came on June 11 with Willie Nelson and John Mellencamp making the official announcement in New York City alongside then-NYC Mayor Michael Bloomberg and farmers and food buyers at Union Square’s Greenmarket.
Mayor Bloomberg welcomed the Farm Aid co-founders, saying “The City strongly supports sustainable family farming through our Greenmarket program — which has nearly doubled its locations over the past five years — and it’s an honor to be hosting Willie Nelson, John Mellencamp and Farm Aid for their 2007 concert.”
Willie Nelson shared “Farm Aid is coming to New York because your enthusiasm for family farm food is keeping family farmers on the land. We are thankful to Mayor Bloomberg, the City Council and the many activists here who are leading efforts so that every New Yorker has access to more food from family farms” while John Mellencamp said of the importance of the event, “Things change when we all take personal responsibility for our food and where it comes from. Farm Aid is a force for change that works hard to keep farmers on the land so that we’ll have good food on our tables.
Photo By Greg Allen/Shutterstock
Why did Farm Aid take so long to get to New York? Nearly the first two decades of Farm Aid (1985-2003) brought the festival to states whose economies are strongly based in agriculture – Texas, Indiana, Nebraska, Iowa, Illinois, Virginia, and South Carolina. In 2004 the festival moved to Washington State and headed east for New Jersey in 2006. Given the quintessential urban setting of New York City, bringing a festival promoting support for local farms and farmers doesn’t seem like the right fit at first, but five boroughs of 8 million people need to eat.
It took being invited to The Big Apple, per executive director Carolyn Mugar, by environmentalists, politicians, Mayor Bloomberg’s office as well as chefs, that finally brought Farm Aid to the Empire State. “Farmers are never going to survive if they don’t have as allies the people who want this good food,” Ms. Mugar told the New York Times. “New York has a huge density of eaters and a density of people who are doing excellent things. There are restaurants, farmers’ markets, community-supported agriculture programs, even people who are growing food in the city and teaching people how to grow it.”
photo via @ceefar74
The lineup for the day included Farm Aid staples in New York, Willie Nelson, John Mellencamp, Neil Young and Dave Matthews, the latter of whom was joined by Merle Haggard. Also on the day long festival-style lineup were the Allman Brothers Band (along with Derek Trucks Band and Gregg Allman performing solo), Counting Crows, Matisyahu, Ray Price, Guster, Billy Joe Shaver, Tim Reynolds, Montgomery Gentry, Supersuckers, Pauline Reese, Danielle Evin, The Ditty Bops, Jimmy Sturr, Paula Nelson, 40 Points, and Jesse Lenat.
The day was hot and quite dusty, part of the unkept nature of Randalls Island (which was prone to flooding at the time) prior to more events being held on the grounds. Thus, there was straw/hay laid down to keep the dust to a minimum. Much has changed over the past 15 years, as Randalls Island has become a destination for concerts and music festivals, among them Governors Ball, Panorama and Electric Zoo.
photo via @ceefar74
Farm Aid 2007 was “A Homegrown Festival,” was the first major music event that served local, organic and family farm food at concessions stands around the venue. The Homegrown Village featured interactive exhibits to educate concert-goers on soil, water, energy, food and farmers. On the heels of the 2007 Farm Aid, the next year Homegrown.org was launched, creating an online community for those interested in growing, cooking, crafting, brewing, preserving, or making anything Homegrown.
The announcement for Farm Aid was momentus, being the first time the traveling single-day multi-band event would make its way to the Empire State.
Can you believe it?!?! Farm Aid in NYC! I have been working on a pun that references the movie “Babe: Pig in the City” but I haven’t quite figured it out yet. We are so pumped about Farm Aid 2007: A HOMEGROWN Festival at Randal’s Island. 100% delicious family farm food, good tunes and a summer of events in a huge urban food and farm hub. On the DL, this show has been in the works for a few years and we are just thrilled that the time has come to bring Farm Aid into the lives of New Yorkers, to work with upstate farmers and urban growers and to show all of our concert growers that even after 22 years we have a few surprises up our sleeves!
The idea for Farm Aid originally grew out of a remark that Bob Dylan made at Live Aid in 1985. The Bard said, “Wouldn’t it be great if we did something for our own farmers right here in America?” This inspired Willie Nelson to contact Neil Young and John Mellencamp, who was about to release Scarecrow, which includes a song about a farmer losing his land to a foreclosure.
Six weeks after those calls, the trio put together what became the first Farm Aid, on September 22, 1985 in Champaign, Ill. While they expected the event to be a one-off, the inspiration that came from raising money for family farmers to preserve their land and push for laws that support family farms over Big Ag.
Dave Matthews joined the Farm Aid Board of Directors in 2001, and Margo Price joined in 2021. To date, Farm Aid has raised more than $64 million to promote a strong and resilient family farm system of agriculture. A nonprofit organization, Farm Aid holds dear their mission to keep family farmers on their lands.
While the Randalls Island Farm Aid was the first held in New York State, it was only six years later that the event headed Upstate to Saratoga Springs with a performance at Saratoga Performing Arts Center (SPAC). The day was highlighted with the unexpected arrival of Pete Seeger, who sang “This Land is Your Land” with the audience, in addition to some new lyrics referencing fracking. The 2022 edition of Farm Aid will take place on September 24 in Raleigh, NC at Coastal Credit Union Music Park at Walnut Creek.
While there was no live broadcast of Farm Aid, video from the concert was available on-demand on September 19, 2007, via Farmaid.org. A good deal of video from the day exists, as seen below. Setlists via ConcertArchives.org
Montgomery Gentry setlist: Hillbilly Shoes, Daddy Won’t Sell the Farm, What Do Ya Think About That
photo via @ceefar74
Supersuckers setlist: Paid, Breaking Honey’s Heart, Roadworn and Weary
Warren Haynes setlist: Indian Sunset, Fallen Down, One, Soulshine
The Derek Trucks Band setlist: Soul Serenade, Sailing On, Key to the Highway
Guster setlist: The Captain, Manifest Destiny, Satellite, Amsterdam, Airport Song
Counting Crows setlist: Rain King, Thunder Road, Recovering the Satellites, Washington Square, A Murder of One, A Long December
Gregg Allman setlist: Midnight Rider, Melissa
Allman Brothers Band setlist: Trouble No More, Revival, Who’s Been Talking, Black Hearted Woman, Statesboro Blues, One Way Out
Billy Joe Shaver setlist: I Been to Georgia on a Fast Train, Live Forever, Try and Try Again
Dave Matthews & Tim Reynolds setlist: Lie in Our Graves, Gravedigger, Crush, The Maker, The Dreaming Tree, Ants Marching
Neil Young setlist: Human Highway, Silver and Gold, Beautiful Bluebird, Too Far Gone, Everybody Knows This Is Nowhere, Heart of Gold, Homegrown, Four Strong Winds
John Mellencamp setlist: Troubled Land, Rain on the Scarecrow, If I Die Sudden, Paper in Fire, Our Country, To Washington, Small Town, Pink Houses
Willie Nelson setlist: One Day at a Time, Jackson, A Peaceful Solution, Whiskey River, Stormy Weather, I Saw the Light, Superman, You Don’t Think I’m Funny Anymore, I’ll Fly Away, On the Road Again
Bryant Park’s Picnic Performances, a summer series of free-to-the-public concerts will continue Thursday, September 8 with a duo performance by jazz pianists Aaron Diehl and Orrin Evans.
Both having claim to the famed title of “Steinway Artist,” the two will play a mixture of standards and originals on their signature instruments made by the Steinway & Sons piano company.
Aaron Diehl.
Diehl’s career highlights include winning the American Pianist Assocation’s Cole Porter Fellow of 2011 and performances at historic venues such as the Lincoln Center and the Village Vanguard. As for influences, he gives credit to prior pianists Ahmad Jamal, Erroll Garner, and Jelly Roy Morton.
Orrin Evans.
Evans has supported a career of nearly thirty years without support from a major label, with his last six projects being released with Smoke Sessions, an independent record company based in New York City. Achievements to Evans’ name include placing #1 in the 2018 Downbeat Critics Poll for “Rising Star Pianist” in addition to Grammy nominations for two albums made with his Captain Black Big Band.
Orrin Evans and members of the Captain Black Big Band talk about the group’s 2020 album “The Intangible Between.”
Food and beverages will be available from on-site vendors near the lawn. Information about the Manhattan park’s final three concerts of the summer following Diehl & Evans’ performance can be found on the Bryant Park website.
Manhattan-born pop/r&b singer, Austin Jay, brings the heat with his latest single, “Loving on You.” Released in anticipation of his debut EP, “Loving You” follows the release of “All I Wanna Do,” his debut single. In a short period of time the passionate wailer has amassed over 50 thousand streams on each of his singles.
After graduating from Morehouse College in Atlanta, Austin Jay embarked on his musical career. Classically trained in piano and voice, he earned his promising newcomer status in 2019 with covers of Khalid’s “Location” and Billie Eilish’s “Ocean Eyes” gaining a significant following on Instagram for his soulful and imaginative Gen- Z reinterpretations of popular songs.
Stylistically, Austin Jay can fill a void within the r&b realm. While the too-cool-for-school crooners have their place, they don’t fully encapsulate the love and vulnerability that r&b is rooted in. A proper love ballad requires a certain kind of indifference to public perception. A generational trend that Austin Jay is aware of, yet embraces.
Loving on You is about the infatuation of new love. It’s about finding someone that you really care about and telling them, and not being ashamed of love. A lot of people think dramatic declarations of love are corny/cheesy, but really it’s healthy and needed more in life.
– Austin Jay
On “Loving On You” Austin Jay reverts to the impassioned, romance-laden croons of r&b’s heyday. In fact, the music video itself is a nod to r&b hits of the past, as Jay shirtless-ly serenades his love interest on a secluded California beach.
Despite his r&b talents, Austin sees himself growing into the likes of Dominic Fike, Khalid, and Bruno Mars, an aggressive, all-genre artist with strong vocals. He performed as the lead singer of the nationally touring band ‘Earth to Mars’, growing his fanbase and earning his performance chops. Now a more complete artist, Austin Jay looks to cement himself as a player in the r&b world.
It has been three long years since Local Natives have toured and the wait was worth it. The Inside An Hourglass Tour started late-July with Jordana and made it’s second to last stop at New York’s Pier 17 on a beautiful summer night.
Local Natives’ Kelcey Ayer on keyboard playing a sold out show at New York’s Pier 17.
Jordana opened the show with “Pressure Point”, the first song off their latest album, Face The Wall, which was released in May. The singer-songwriter had a comedic way of addressing the crowd throughout the set with her trusty Gumby on the mic stand. Before closing with “Why”, Jordana exclaimed “I love you dude!” to her new friend in the crowd, Kenny, who she briefly chatted with earlier in the set. Lastly she went on to say “This one…you know what’s funny is that we started the set with the first song on the album I just released in May…and now we’re ending it with the last song on the album, so it’s kind of artistic in that way…you know what I mean? Kind of meta, artsy, any way it’s about not giving a damn.”
Sing-songwriter Jordana and Gumby playing a sold out show at New York’s Pier 17.
Local Natives took the stage shortly after sunset, kicking off with “Statues in The Garden (Arras)” which has a dreamy, psychedelic music video to accompany it. After a few songs, vocalist and guitarist Taylor Rice remarked that it has been three years since they have toured and “we missed you very, very, very much!” Taylor continued to share that their tour bus caught fire two weeks prior and they weren’t sure they were going to make it to New York, proudly stating “…but we are here! We didn’t cancel anything!”
Overall the group’s mix of songs off their full discography along with newer tracks “Desert Snow” and “Hourglass”. During the encore, Kelcey commented “…this is such an amazing night, and I just think about the first time we ever played New York City was at Pianos…this little place somewhere over there⦔ as he gestured off into the distance. “It feels fucking great! And this song is dedicated to New York.”
Local Natives at Pier 17, Friday, August 26
Setlist: Statues in the Garden (Arras), Megaton Mile, I Saw You Close Your Eyes, Coins, Ceilings, Desert Snow, Past Lives, Wide Eyes, Sun Hands, Wooly Mammoth, Heavy Feet, Fountain of Youth, Colombia, Lemon (with Jordana), Dark Days, Who Knows, Who Cares
Encore: Hourglass, Airplanes, When Am I Gonna Lose You
Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Jordana at New York’s Pier 17Local Natives Taylor Rice at New York’s Pier 17Local Natives Kelcey Ayer at New York’s Pier 17Local Natives Ryan Hahn at New York’s Pier 17Local Natives Nik Ewing at New York’s Pier 17Local Natives Matt Frazier at New York’s Pier17Local Natives’ Taylor Rice at New York’s Pier 17Local Natives Nik Ewing at New York’s Pier 17Local Natives’ Ryan Hahn at New York’s Pier 17Local Natives’ Kelcey Ayer at New York’s Pier 17Local Natives’ Taylor Rice at New York’s Pier 17
Twenty One Pilots stopped at Madison Square Garden on Tuesday August 23, the fourth stop of the group’s “The Icy Tour.” Along with performing songs from their 2021 album Scaled and Icy, the duo performed many of their old hits including “Ride” and “Stressed Out.” The show proved why they are considered as one of the most successful bands in the last decade.
Twenty One Pilots – Photo By: Lucas Kurzweil
Setlist: Good Day, No Chances, Guns for Hands, Morph, Holding on to You, The Outside, Message Man, Lane Boy, Chlorine, Mulberry Street, Addict With a Pen / Forest / Ode to Sleep / Hometown / Bandito / Choker, The Judge, Migrane, The Hype / Nico and the Niners / Tear in My Heart, Halo Theme (Martin O’Donnell Cover), Jumpsuit, Heavydirtysoul, My Blood / Saturday, Level of Concern, Ride, Shy Away, Car Radio, Stressed Out
Indie legends Sharon Van Etten, Angel Olsen, and Julien Baker joined together for The Wild Hearts Tour, a mostly outdoor-focused concert series. Angel and Sharon released the cathartic and joyful song, “Like I Used To” together last year, to critical acclaim. Julien Baker’s latest album, Little Oblivions also received widespread praise when it was released last year. Given the triple-headliner lineup on The Wild Hearts Tour, it quickly became one of the most highly anticipated acts in the indie music scene. After hitting roughly 20 stops in the United States, the tour concluded with two incredible nights at Central Park SummerStage during the weekend of August 21, with support from Quinn Christopherson.
Sharon Van Etten performing at Central Park SummerStage, photography by David Reichmann
The final night at Central Park’s SummerStage began with light cloud cover and mild heat. Fans lounged on picnic blankets and enjoyed the afternoon sun with a beer or a snack. Quinn Christopherson opened the show with driving guitar progressions and passionate vocals. His set also included a handful of tear-jerking and quieter moments. The crowd was well warmed up by the time Quinn’s set finished, and the onstage crew turned over for Julien’s set in what seemed like just a few minutes.
Quinn Christopherson performing at Central Park SummerStage, photography by David Reichmann
Julien Baker took the stage as the sun began to dip and the air cooled. The crowd swelled as she began playing her hard rock set. Julien leapt up and down the stage, flipped her hair, and held her guitar above her head at moments. She also sprinkled in a number of quiet and sorrowful moments throughout her set, displaying the great range her musical catalog is known for. Julien thanked the audience and joked with them occasionally between songs. She mentioned how special this tour had been. As her set neared an hour in length as the sun entered into golden hour, she thanked the crowd one last time before walking off to great applause.
Julien Baker performing at Central Park SummerStage, photography by David Reichmann
Angel Olsen’s set began at the very last moments of daylight. The stage lights took over as the atmosphere in the venue turned stark and dramatic. She walked onstage under a glowing orange spotlight and thanked the crowd. She played a number of tracks from her latest full-length record, Big Time as well as a number of deep cuts and fan favorites. She ended her set with the rousing lead single, “All The Good Times.” Angel thanked the audience one last time, told them how special this tour had been, and walked off as the crowd’s excitement peaked in anticipation of the final set of the evening and the tour.
Angel Olsen performing at Central Park SummerStage, photography by David Reichmann
Sharon Van Etten took the stage as the final headliner in The Wild Hearts Tour. Her latest album, We’ve Been Going About This All Wrong, was released earlier this year and was a smash hit. Her performance featured intimidating and powerful vocalizations and dancing. She frequently singled out audience members to lock eyes with and single directly towards. Sharon’s dynamic movements and passionate vocals created an all-encompassing stage presence which took over the crowd.
Sharon Van Etten performing at Central Park SummerStage for The Wild Hearts Tour, photography by David Reichmann
Sharon paused occasionally between songs to share sentimental moments with the audience. She said towards the end of her set, “I came up in New York City,” and mentioned how great it was to be able to end this tour “where it all started.” She talked briefly about the 40 or so people working on the tour, the hardships of touring in a post-pandemic world, and urged the New York City crowd to embrace kindness and acceptance. She also shared a few anecdotes of her first times meeting Julien, Angel, and later Quinn. “These people have become my family…Thank you so much for coming out.”
Sharon closed out her main set with her hit track “Seventeen.” She walked off stage briefly, only to return a few moments to answer the cheers demanding an encore. She began her encore with a solo rendition of “Darkish.” For the final track of her set, Sharon invited Angel Olsen onstage to perform their sensational single, “Like I Used To.” She talked about writing this track of Angel, saying how she had been a fan of hers and wanted to work on something together. Then she invited Julien, her bandmates, and Angel’s bandmates to join Sharon onstage for the final song of The Wild Hearts Tour. Sharon thanked the crowd one last time and the band played as the artists slowly walked off.
Now concluded, The Wild Hearts Tour was surely a one-of-a-kind event. You can follow Sharon Van Etten’s ongoing world tour here, and listen to her music here. Angel Olsen’s tour has a few remaining stops in the US before she heads overseas, and her catalog can be found here. Julien Baker has one upcoming show scheduled for November in Atlanta, and her catalog can be found here. Quinn Christopherson’s music can be streamed here.
