On Saturday, October 29th, the World Music Institute present Malian musician and GRAMMY Award winner Oumou Sangaré for an incredible one-night-only performance at the world-famous Apollo in Harlem. Being one of West Africa’s most celebrated vocalists, Sangaré infuses her music with traditional African percussion, distinctive vocals, and progressive social criticism. Thus, creating a unique sound that has propelled her onto the international stage.
In her Apollo debut, Oumou Sangaré, “The Songbird of Wassoulou,” will perform music that spans traditional Wassoulou music. She will do this by using contemporary sounds coming out of Africa as well as songs from her recent critically acclaimed album, Timbuktu.
We’re thrilled to have Oumou, make her Apollo debut during our Next Movement season. Over the past eight decades the Apollo has amplified Black voices and used its platforms to create an intersection of art and activism, so having Oumou perform a range of music from Wassoulou music to contemporary sounds is exactly the kind of artistic conversation that we champion.
Kamilah Forbes, Executive Producer at The Apollo
Oumou Sangaré is considered an ambassador of Wassoulou, she is praised for being an activist, businesswoman and global icon. Throughout the world, her music has been inspired by the music and traditional dances of the region. She does this by writing and composing her songs which often include social criticism, especially concerning women’s low status in society.
Similar to legendary performers like Grace Jones, Nina Simone, and Aretha Franklin, Oumou Sangaré has been praised by stars including Beyoncé and Alicia Keys for her powerful voice and unwavering commitment to the betterment of women. Sangaré infuses her music with traditional African percussion, distinctive vocals, and progressive social criticism, creating a unique sound that has propelled her career.
Ticket will range from $30-$75 per seating arrangement. For more information on Oumou Sangaré and to purchase tickets via the Apollo Theater, click the link here.
After two years on the west coast, singer/songwriter Alan Chapell is moving back to NYC. He will be celebrating both his return to the city and last month’s release of his sixth album, Two Fishes with a record release party with Slyboots on October 20 at The Cutting Room.
More than a songwriter, Chapell is a storyteller. He creates characters and plots in each song, amplified by energetic rhythms and creative melodies. His sound is rambling rock and roll, folksy soul and venerable vulnerability. Chapell is bridging on big time — he’s garnered over 1 million streams as of last year and worked with artists as varied as Jerry Harrison of the Talking Heads, Gin Blossoms, Everclear, and as front man for east-west band Kalki in Mumbai in his twenties.
Chapell is from Connecticut, but was a staple of the West Village music scene before he moved to the Bay Area. His newest album, Two Fishes is more serious and introspective than some of his past works, but as always it employs a unique structure for the conflicting and complementary situations of raising a child after 9/11 and raising a child during the COVID-19 pandemic. It’s a complex topic to address in song, but Chapell’s specialty is doing so again and again, with charm and nuance as well as superb musicality.
Alan Chapell will be at The Cutting Room at 44 E 32 Street on October 20, with fellow NYC band Slyboots. Tickets are starting at $25 and can be purchased here.
Amid a 20-date fall tour of North America that kicked off in early-October, Violent Femmes played City Winery’s intimate Main Stage on a rain-soaked evening on Thursday, October 13 in the West Chelsea neighborhood of Manhattan. The underground folk punk legends who formed in 1981 in Milwaukee, Wisconsin were gracing the City Winery stage yet again – for the fourth of five consecutive sell-outs.
Violent Femmes | Photo by Michael Dinger
As drenched concertgoers hustled into the venue’s main entrance along 11th Avenue to escape the downpour, there were several options to pass the time until showtime at 8:00 pm. Many participated in the free wine tasting featuring a Limited Edition Violent Femmes Cabernet Sauvignon – each of the five residency dates featured its own label artwork with band autographed bottles also available. Some patrons attended the art exhibit (“Live From the Cell Block: Will Livingston and His Silk Screen Machine”) taking place on the second level, a remarkable body of work featuring vintage-style concert posters Livingston created during his forty years in prison. While other fans who came for dinner and a show were seen seated at tables on either side of the standing floor orchestra section, or in the balcony section with a bird’s-eye view of the ‘action’ to unfold shortly.
City Winery Stage Backdrop | Photo by Michael DingerLimited Edition Wine Bottles | Photo by Michael Dinger
Preceded by Amy Ray (Indigo Girls) and Jeff Fielder who opened the October 9 and 10 shows, Alsarah and the Nubatones provided support for Violent Femmes on the October 11, 13 and 14 dates. Although their musical genre could not be any different from the post-punk headliner to follow, the East-African retro-pop group formed in Brooklyn in 2011 nonetheless quickly won the over the crowd. Performing on a stage bathed in soft violet and fuchsia light for more than 30 minutes, the five-piece ensemble enchanted the City Winery audience with Alsarah’s beautiful voice and soulful presence, accompanied by backing vocals from her sister Nahid. The dynamic fusion of sound was equally rounded out with pulsating basslines courtesy of Mawuena Kodjovi and warm timbre, low texture rhythms from Brandon Terzic playing an oud (an 11-string instrument similar to the lute).
Alsarah | Photo by Michael Dinger
During the stage turnover following Alsarah and the Nubatones’ set, I chatted with a lovely couple from Denmark who revealed to me that their entire vacation itinerary was planned around this specific concert, ever since it was originally announced in the early summer. With the cozy venue now quickly filling up in anticipation of Violent Femmes taking the stage, I surveyed the crowd surrounding me and noticed the age diversity of the attendees – many of whom were twentysomething – a testament to the everlasting legacy of the Femmes, and a point to which frontman and guitarist Gordon Gano would speak to in the closing moments of the night.
After a brief introduction of the band by City Winery’s emcee, Gano and his two bandmates – founding member Brian Ritchie (bass guitar) and John Sparrow (their drummer since 2016 who plays on a Weber charcoal kettle grill!) – appeared from stage left to loud applause from the nearly 400 fans in attendance. The trio was joined by longtime touring partner and multi-instrumentalist (including a 6-foot contrabass saxophone) Blaise Garza.
Gordon Gano | Photo by Michael DingerBrian Ritchie | Photo by Michael DingerJohn Sparrow | Photo by Michael DingerBlaise Garza | Photo by Michael Dinger
Over their nearly four decades together as a band, Violent Femmes have released ten studio albums, with their last being 2019’s Hotel Last Resort and for which they toured extensively. On this night of their residency stay, fans of the Femmes were indulged to a 21-song setlist, lasting for more than 90 minutes, that spanned their nearly four decade career. The most recent material played from their discography – which otherwise focused on the first twenty years of their career – was “Memory,” taken from their ninth studio album (We Can Do Anything, 2016).
However, if you came to this show hoping to witness live offerings from their stellar 1983 self-titled debut album, as I did, you were not disappointed. All the Femmes’ classics that made up their distinctive, early career sound were played, including “Good Feeling,” “Gone Daddy Gone,” “Blister in the Sun,” “Kiss Off” and “Add It Up.” Gano’s unmistakable, nasal-style voice, accompanied by Ritchie’s thumping bass lines (whether using his signature Ernie Ball acoustic or his MusicMan StingRay electric), was solidified with a solid percussion backbone provided by Sparrow (albeit via a minimalist approach using steel brushes on a non-traditional setup of drums). All of which afforded a superior listening experience in the state-of-the-art venue with custom-designed audio acoustics.
Brian Ritchie | Photo by Michael Dinger
In their new “home away from home,” the Femmes displayed an easy-going chemistry coupled with undeniable showmanship. The band were in top form, and so too were the audience, as many sang the chorus to any catchy lyrical pop nugget they recognized, while others chose to abandon their coveted dining table for any nearby space to dance in. The ‘stole-the-show” moment came when banjo ace and New York (Syracuse) native Tony Trischka made a special guest appearance on “Country Death Song” and “It’s Gonna Rain” – both from the Femmes’ sophomore studio album (Hallowed Ground, 1984) – the former of which Trischka performed the recorded version at the Secret Sound Studio at nearby West 24th Street.
Tony Trischka | Photo by Michael Dinger
The Violent Femmes’ tour culminates at The Eastern in Atlanta, Georgia on October 28. Tickets for remaining shows on the fall run are available here.
Violent Femmes | Photo by Michael Dinger
Violent Femmes Setlist: Prove My Love > Promise > Memory > Confessions > I’m Nothing > Life Is an Adventure > Country Death Song > It’s Gonna Rain > Breakin’ Up > Nightmares > Jesus Walking on the Water > Good Feeling > Dance, Motherfucker, Dance! > Gimme the Car > I Held Her In My Arms > Color Me Once > Gone Daddy Gone > Blister in the Sun > Kiss Off > Encore: In the Dark > Add It Up
Saturday Night Live‘s third show of the season featured a double threat with Megan Thee Stallion returning as both host and musical guest. Following Queen Latifah in 2004, this was only the second time a female rapper served as both host and musical guest on Saturday Night Live.
The show’s cold open featured a take on the January 6th Committee, with second-year player Sarah Sherman appearing as New York Senator Chuck Schumer negotiating for a pastrami sandwich delivery during the insurrection.
Megan’s monologue was brief and allowed her to share one success over the summer, Bachelor’s degree in Health Administration from Texas Southern University, an HBCU. Before her career took off, Megan Thee Stallion’s was enrolled at Prairie View A&M, leading the rapper to joke that while her fans know her as Tina Snow, Suga and Hot Girl Meg, she can now be known as “Megan Thee girl that needs some sleep.” Stallion continued by saying “I got my degree in health administration because I have always wanted to help the people in my community. I believe it’s important to have a sharp mind and a sharp body-ody-ody.”
Megan Thee Stallion also took a moment to plug the website she launched last month, called Bad Bitches Have Bad Days Too, which features mental health resources, crisis hotlines and directories of Black and LGBTQ therapists.
The first sketch of the night put her degree to good use with “Hot Girl Hospital” where, joined by nurses Ego Nwodim and Punkie Johnson, they were “three everyday heroes glow up the community one dusty chick at a time.” The trio were on point together, with Nwodim standing out as the new female lead cast member thus far in the season.
The first song of the evening, “Anxiety,” from her sophomore album Traumatize, had a Beauty Pageant vibe with Megan Thee Stallion and backup dancers all wearing formal dresses with sashes that read “Ms. Overlooked,” “Ms. Insecure,” “Ms. Overlooked,” “Ms. Underpaid,” and Megan wearing “Miss Anxiety.” Rapping about bad girls having bad days too, the emotional empowerment number struck a chord with fans online, and Megan, as she sang about the loss of her mother.
A medley of “NDA” and “Plan B” were featured in the second performance of the night, with Megan wearing a black corset and cutout jeans, with knee length hair and a Cuban link chain, all whiile backed by a full rock band.
Saturday Night Live is off this week and returns on October 29th for the annual Halloween show, with host and musical guest Jack Harlow, who previously was musical guest in 2021.
Nick Mason’s Saucerful of Secrets returned to The Beacon Theatre in NYC on Wednesday, October 12. The band formed in 2018 to perform the early music of Pink Floyd. It consists of Pink Floyd co-founder and drummer Nick Mason, bassist Guy Pratt, guitarists Gary Kemp and Lee Harris and keyboardist Dom Beken. Mason’s idea was to bring Pink Floyd’s pre The Darkside of the Moon material to a broader audience.
Nick Mason’s Saucerful of Secrets at The Beacon Theatre 10.12.22
Although The Darkside of the Moon was Pink Floyd’s most popular album, there were actually seven albums that preceded it. The Piper at the Gates of Dawn was Floyd’s debut album. It was released in 1967 and is the only Pink Floyd album created under the leadership of founding member Syd Barrett. During the second album, A Saucerful of Secrets, Barrett’s mental health deteriorated. Syd left the band before the completion of the album and David Gilmour joined. “Set the Controls for the Heart of the Sun” was the only song on the album featuring all five members.
Nick Mason’s Saucerful of Secrets at The Beacon Theatre 10.12.22
Nick Mason may not have the same name recognition as Waters or Gilmour, but this show is just as good. I had forgotten how many fantastic pre Darkside hits the band has. The show started with “One of These Days,” the opening track from the 1971 album Meddle. After that they performed Pink Floyd’s first single released in 1967, “Arnold Layne.” Gary Kemp’s vocals really did this song justice as it sounded almost identical to the original. They continued with “Obscured by Clouds,” the title track of the 1972 album, and “When You’re In.”
Nick Mason’s Saucerful of Secrets at The Beacon Theatre 10.12.22
The next portion of the show was devoted to the album Atom Heart Mother. This was Pink Floyd’s fifth studio album, and the first to reach number 1 in the UK. The album was recorded at EMI studios which is now known as Abbey Road Studios. It is also the first album not to feature any photos of the band anywhere, nor their name on the cover. They performed the title track to the album as well as “If”. The first set ended with the psychedelic “Set the Controls for the Heart of the Sun.”
After a short break, set two started with “Astronomy Domine,” the opening track on The Piper at the Gates of Dawn. Hallucinatory images of red ooze and trippy lasers flashed in synch to the music. The second set also revisited Obscured by Clouds with “Burning Bridges” and “Childhood’s End.” The highlight of set two and perhaps the entire show was “Echos.” For the first time of the show, the entire audience was on their feet. They included every detail from the opening “ping” to the high pitched screeching noise. Kemp and Pratt’s vocals on this were just as good as the original version’s Gilmour and Wright. This was the culmination of set two.
The crowd remained standing for the rest of the show. “See Emily Play” was the first song of the encore. The show ended with the band’s namesake “Saucerful of Secrets” and again paying tribute to Syd Barrett with “Bike” which Nick Mason considers one of Barrett’s best songs.
The band finally restarted touring in April after postponing due to the pandemic. They recently played The Capitol Theater which you can read our review of here. They also have a ton of upcoming dates in the states as well as Ireland, the UK and Europe. You can see the complete list of all upcoming dates here.
Setlist: One of These Days, Arnold Layne, Fearless, Obscured by Clouds, When You’re In, Candy and a Currant Bun, Vegetable Man, If, Atom Heart Mother, If (Reprise), Remember a Day, Set the Controls for the Heart of the Sun, Astronomy Domine, The Nile Song, Burning Bridges, Childhood’s End, Lucifer Sam, Echoes, See Emily Play, A Saucerful of Secrets, Bike
Rapper and actor Common has been added to the cast list of the Broadway debut for “Between Riverside and Crazy,” a Pulitzer Prize-winning play from Stephen Adly Guirgis directed by Austin Pendleton.
The Oscar, Emmy, and Grammy-award winning performer will join already announced Off-Broadway cast members Victor Almanzar, Elizabeth Canavan, Rosal Colón, Lisa Colón-Zayas, Stephen McKinley Henderson, and Michael Rispoli.
Produced by the theater company Second Stage, “Between Riverside and Crazy” will begin previews on Wednesday, November 30 and will officially open on Monday, December 19 at Hayes’ Theater. Second Stage originally presented the play in February in at the Tony Kiser Theater.
The play follows ex-cop and recent widower Walter “Pops” Washington (Henderson) and his recently paroled son Junior (Common) as the two try to hold on to one of the last rent stabilized apartments in Manhattan’s Riverside Drive.
Common, whose acting body includes roles in submarine thriller “Hunter Killer,” David Ayer’s “Suicide Squad,” and historical drama “Selma,” most recently appeared opposite Keke Palmer in the film “Alice,” which premiered at the 2022 Sundance Film Festival. He also serves as an executive producer of Showtime TV series “The Chi” and Netflix drama “Burning Sands.”
As of January 3, Maria-Christina Oliveras has joined the cast of “Between Riverside and Crazy” in the role of Church Lady. Ms. Oliveras replaces Liza Colón-Zayas, who had to leave the production due to a scheduling conflict.
Subscriptions and singular tickets for “Between Riverside and Crazy” can be found on the Second Stage website, and the Hayes Theater box office opens November 14.
On December 8th, the life of legendary Gregg Allman will be celebrated with a special tribute all-star event. “The Midnight Rider: Gregg Allman’s 75th Birthday Jam” will feature a diverse range of artists paying homage to the legendary Allman.
With some unprecedented performances from an extraordinary lineup of superstar artists, the tribute features a variety of devoted fans and admirers. With the help of musical director Kenny Greenberg, there will be more exciting performances at one of the late Rock & Roll Hall of Famer’s favorite venues, New York City’s historic Beacon Theatre.
Photo by Marc Millman
Some of the most exciting acts are 4x Academy of Country Music Award-winners Old Dominion, GRAMMY® Award-winning country duo Brothers Osborne, GRAMMY® Award-nominated NEEDTOBREATHE, Seven-time GRAMMY® Award-winning singer-songwriter (and Lady A co-founder) Charles Kelley. Along with this, Americana Music Award-winner Shakey Graves, acclaimed soul singer-songwriter-bass guitarist Shaun Munday, British singer-songwriter Lucie Silvas, and fast-rising country artist Jackson Dean. Additional superstar special guests will be announced soon.
Though Gregg Allman’s passing in 2017 has left a vast musical space that can never truly be filled. “The Midnight Rider: Gregg Allman’s 75th Birthday Jam” poses as a remarkable valedictory and memorial to a true giant of American music.
Allman was undoubtedly among rock ‘n’ roll’s greatest and most significant artists. He will forever be remembered for his hit songs “Midnight Rider,” “It’s Not My Cross to Bear,” “Dreams,” and “Whipping Post.” He also made a remarkable list of honors over his five-decade musical journey, including the Allman Brothers Band’s 1995 induction into the Rock and Roll Hall of Fame and 2012 Lifetime Achievement Award at the 54th Annual GRAMMY® Awards.
Tickets for “The Midnight Rider: Gregg Allman’s 75th Birthday Jam” event are available by clicking the link here or by phone at 800-745-3000. The pre-sale begins Wednesday October 12th at noon EST and the general on-sale begins this Friday October 14th at noon EST.
Organizers for Mondo.NYC, the annual trade conference and showcase music festival, have announced the lineup for the 2022 event, kicking off today, Tuesday, October 11.
Artists will perform virtually on Mondo’s daily live stream via YouTube and at multiple independent concert venues around New York City, including Arlene’s Grocery, Bar Freda, Bowery Electric, Brooklyn Bowl, Drom, and The Sultan Room.
Artists announced for 2022 include Janelle Sy’mone, District 97, JUJU, Al Jacobi, Her Skin, Alexndra Alden, Apryll Aileen, EJ Worland, The Brink Of, We The Commas, The Day Dreamers, Waasil, Becca Stevens & The Secret Trio, Bloom Twins, Papercutz, Phony PPL, Snacktime, Thomas Piper, Miu Haiti, Mike Borgia, Aria &, Mumu, The Cordial Sins, Emmanuel Ohemeng III & Perpetual Motion, Ghostlight, Tokyo, Urbansky, Satch, Kyotolp, and Planet Opal, among others.
The showcase concerts will include multiple genres and feature artists from around the world, including Denmark, Italy, Malta, Canada, the UK, Portugal, Finland, Ireland, Istanbul, India, and Tokyo, along with the U.S. and will be free to conference attendees.
I’m really proud Mondo is able to host multiple nightly live showcases this year, all at independent venues. We missed the energy and shared appreciation for music and one another through the challenges Covid presented. Though NYC is generally open for nightlife, there are still travel challenges for out-of-town artists, so for now and into the future, Mondo will continue to host both live and streamed showcases. We invite anyone to come to a live show or enjoy one at home on their couch because either way, they’ll be supporting the independent music ecosystem.
Mondo.NYC showcase director Jennifer Sellers-Dimitrov.
The conference portion of Mondo.NYC will takes place from October 11-14 at the Williamsburg Hotel, with more than 60 panels announced for the event.
Presenters and panelists that include Andrew Bergman, CEO Downtown, Lisa Cambridge-Mitchell, Founder Persist in Joy, Karibi Dagogo-Jack, Head of Music Partnerships Roblox, Mitch Glazier, CEO RIAA, Hannah Karp, Editorial Director Billboard, Golnar Khosrowshahi, CEO Reservoir, Larry Miller, Director Music Business Program NYU Steinhardt, Mark Mulligan, Managing Director MIDiA Research, Matt Pincus, CEO MUSIC, Peter Shapiro, CEO Dayglo Presents, Kakul Srivastava, CEO Splice, Henry Beecher Hicks III, CEO National Museum of African American Music, Nari Matsuura, Partner/Co-Leader Music Economics & Valuation Services Citrin Cooperman, Michael Poster, Chair of Music Acquisitions & Financing and Partner Michelman & Robinson LLP, Jason King, Chair Clive Davis Institute NYU, Ted Cohen, Co-Founder Mediatech Ventures, Jonathan Azu, Founder & CEO Culture Collective, Ray Daniels, CEO, R.A.Y.D.A.R. Management, Barry Massarsky, Partner & Co-Leader Music Economics & Valuation Services, Citrin Cooperman, Thelonious Monk IV, Founder Straight No Chaser, LLC, Cardin Campbell, Founder & CEO trac, Elliot Groffman, Partner Carroll Guido Groffman Cohen Bar & Karalian LLP, Rev. Moose, Managing Partner/Co-Founder Marauder, Keith Shocklee, producer, Tiffany R. Warren, EVP Chief Diversity & Inclusion Officer Sony Music Group, and Tara Finegan, COO Cutting Edge Group, among others.
Mondo.NYC 2022 Music Lineup
Tuesday, October 11, 2022
Arlene’s Grocery – 95 Stanton St, Brooklyn
7:00 PM ET – Janelle Sy’mone 8:00 PM ET – District 97 9:00 PM ET – JUJU 10:00 PM ET – Al Jacobi
The Map Room @ Bowery Electric – 327 Bowery, Manhattan
9:00 PM ET – Her Skin 9:45 PM ET – Alexandra Alden 10:30PM – Apryll Aileen
Wednesday, October 12, 2022
DROM – 85 Avenue A, Manhattan
7:00 PM ET – EJ Worland 7:30 PM ET – The Brink Of 8:00 PM ET – We the Commas 9:00 PM ET – The Day Dreamers 10:00 PM ET – Waasii (DJ)
The Sultan Room – 234 Starr St, Brooklyn
7:30 PM ET – Becca Stevens & The Secret Trio 9:30 PM ET – Bloom Twins 10:30 PM ET – :PAPERCUTZ
This Sunday, October 16, “Harlem Meet Africa,” a free-to-the-public concert will take place at the Richard Rodgers Amphitheater in Harlem’s Marcus Garvey Park from 3 to 7 p.m.
Featuring numerous Harlem performers of international background, the event is being organized by Natu Camara, a Guinean singer/songwriter and Harlem resident who has performed for audiences at globalFEST, NPR’s Tiny Desk, Lincoln Center, and more. “This is a perfect time to bring music to the community and our goal is to invite ALL of New York to experience in person this community’s culture, beauty, diversity, LOVE through the healing power of music,” she said.
Promotional artwork for “Harlem Meet Africa.”
Along with Camara, artists on the bill include the Harlem Drum Group, led by Master Drummer Mamadou Konaté, Guinean Fulani flute player and singer Bailo Bah, Guinean singer Missia Saran Diabaté, Haitian musician Hervé Coeur, sister ballet duo Rylie and Codie, singer songwriter Lindsey Wilson, and DJ Stormin’ Norman of East London origin.
Sunday will also see The Waiters of Happyness, a funk group composed of guitarist and lead vocalist Jerome Mitchell, vocalist and keyboardist John Adams, saxophonist Robert Aaron, bassist Nir Graf, guitarist Jamie Ambler, drummer Oscar Debé, and Lindsey Wilson as a backing vocalist.
The second episode in Season 48 of Saturday Night Live featured host Brendan Gleeson and musical guest Willow.
A game show parody cold open of “So You Think You Won’t Snap” made light of the global stress and anxiety felt by nearly everyone in the past few years, except a few lucky contestants. Bowen Yang stepped into the lead role and has established himself as one of the lead male repertory players, alongside seven year cast member Mikey Day.
Irish actor Gleeson reminded the crowd where they’d seen him – Braveheart and a few Harry Potter films – before grabbing a mandolin to play the first song he ever learned, “Barney McKenna” from the Dubliners, telling stories while tuning. The Banshees of Inisherinco-star Colin Farrell arrived on stage to sing a few bars with Gleeson, who then continued playing into the commercial break with the Saturday Night Live Band.
The first song from Willow was “curious/furious,” performed in front of stacks of Marshall speakers with her band amid purple lighting. Willow closed the song sharing guitar licks with guitarist Liso Lee.
https://www.youtube.com/watch?v=r1kPDvRtCAc
Willow’s second song “ur a stranger” was miles heavier and had a wide range of Willow’s vocal ability, turning the corner into metal territory. To punctuate the Saturday Night Live performance, Willow smashed her guitar into a TV on stage, then kicking the microphone stand over. The hard rock from Willow shouldn’t come as a surprise, given that her mom, Jada Pinkett Smith, had her own rock band, Wicked Wisdom. Both songs are featured on her just released album <COPINGMECHANISM>.
https://www.youtube.com/watch?v=QdBQxCtTHaY
The two songs were not Willow’s first SNL appearance – she joined Camila Cabello in April, linking up for a performance of “Psychofreak.”
Saturday Night Live returns on October 15 with host and musical guest Megan Thee Stallion.
