Category: Brooklyn

  • Tune-Yards Celebrate New Life at Brooklyn Steel

    Tune-Yards made their way to Bushwick’s Brooklyn Steel last Wednesday, June 15th, in support of their excellent fifth LP, Sketchy. The album was released back in March of 2021 and like most bands today, this is the first opportunity for Tune-Yards to tour behind the record.

    The band has released all five of their albums on 4AD records dating back to 2009. Singer and multi-instrumentalist Merrill Garbus took time at the end of the show to personally thank the label for being the backbone of their career.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    Tune-Yards is the musical project of Merrill Garbus and Nate Brenner and is an eclectic mix of art-pop, worldbeat, lo-fi, and vocal play. Garbus has a history as a puppeteer, and this method of visceral expression comes out in her performance style. Most of the songs have intricate vocal loops and patterns, all of which are recorded and performed live while Garbus bounces around the stage, engaging the fans. She also paraded various signs around stage, serving as introductions for her banter between songs.

    Tune-Yards made it a point early in the show at Brooklyn Steel to remind the audience that we are all living on Native American land and that fact must be constantly acknowledged. There was also a long interlude later in the show (noted on the setlist as “extinction memorial”) where Garbus instructed the audience on the plight of the Bramble Cay melomys. The rodent, native to islands off the coast of Australia, is confirmed to be the first mammal to go extinct due to climate change. The rising sea level surrounding the low-lying islands destroyed their habitat and led to the rodent’s extinction.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    The music of Tune-Yards is impossibly difficult to categorize. The band performs live as a trio, but with all the vocal and synth looping, once the songs are structured live they feel larger than life. Garbus’ vocal abilities are captivating and have always been a fundamental component of the music. Sketchy track “Hypnotized” is a prime example and has been a mainstay in this tour’s setlists. Garbus delivers a bit of vocal play over a sparse, but deliberate drum beat to open the track, before an array of art-pop synths and a chunky bass line fill in the groove. The band also featured the track “Gangsta” from their second LP, Whokill. The song has been one of Tune-Yards’ most succesful, appearing in TV shows Letterkenny, Orange Is The New Black, Weeds, and The Good Wife.

    tune yards buscar photo
    Tune-Yards, Brooklyn Steel, 6/15/22. Photo by Joseph Buscarello

    Tune-Yards’ tour concluded over the weekend, with a final show on Saturday, June 18th, at Union Transfer in Philadelphia. The band spent a lot of time throughout the show thanking the people that have been supporting and enabling them to create their music. Garbus is also a new mother, and she relished in that as her baby was off-stage sharing in the moment. Garbus lamented that she felt that Tune-Yards would never be able to tour again after the pandemic, admitting that these shows were also a celebration of their miniature victory over COVID. Head over to the band’s website to see a handful of one-off shows they have scheduled, and see NYS Music’s full photo gallery from Brooklyn Steel below.

  • Brooklyn Instrumentalist Chris St. Hilaire Joins The Black Keys Touring Band This Summer

    This summer, Brooklyn-based multi-instrumentalist Chris St. Hilaire will join the Black Keys Touring Band as part of their ‘Dropout Boogie’ tour. The tour will kick off in Las Vegas on July 9th and wrap up in Dallas on Oct. 18, arriving in New York State at SPAC on July 20th and Jones Beach on July 22th.

    Chris St. Hilaire
    The Black Keys Dropout Boogie

    Born in Huntington to Trinidadian parents, music was a rich part of Chris St. Hilaire’s foundation and cultural upbringing. His father is also a toured guitarist and influenced his playing and songwriting. St. Hilaire started playing drums at thirteen and was influenced by Jimi Hendrix, Cream, Led Zeppelin, Stevie Wonder, and Michael Jackson. His vocal, harmony structure, and songwriting style was mostly shaped by The Beatles.

    Chris St. Hilaire
    Chris St. Hilaire

    Besides the tour, Chris St. Hilaire will also complement the release of the band’s 11th studio album Dropout Boogie. This particular arrangement will give St. Hilaire an opportunity to offer his multi-instrumental capabilities onstage, and represents a unique inflection point in his career.

    I think my instincts are going to be pretty compatible with everything that they are doing. The melodies are really strong, which is always fun, and their music is rooted in rhythmic music, so percussion-wise I’ll have a lot of room to play with space and work to keep the rhythm driving. I think this will be a really cool opportunity to tour in a highly efficient and dignified way.

    Chris St. Hilaire

    The Black Keys ‘Dropout Boogie’ Tour (Summer/Fall 2022)

    July 9: Las Vegas, NV @ MGM Grand Garden Arena

    July 11: Salt Lake City, UT @ USANA Amphitheatre

    July 13: Denver, CO @ Red Rocks Amphitheatre

    July 15: St. Louis, MO @ Hollywood Casino Amphitheatre St. Louis

    July 16: Indianapolis, IN @ Ruoff Music Center

    July 17: Chicago, IL @ Hollywood Casino Amphitheatre Tinley Park

    July 20: Saratoga Springs, NY @ Saratoga Performing Arts Center

    July 22: Jones Beach, NY @ Northwell Health at Jones Beach Theater

    July 23: Holmdel, NJ @ PNC Bank Arts Center

    July 25: Columbia, MD @ Merriweather Post Pavilion

    July 27: Charlotte, NC @ PNC Music Pavilion

    July 29: Boston, MA @ Xfinity Center

    July 30: Philadelphia, PA @ Waterfront Music Pavilion (formerly BB&T Pavilion)

    Aug. 24: West Palm Beach, FL @ iTHINK Financial Amphitheatre

    Aug. 25: Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre

    Aug. 27: Atlanta, GA @ Ameris Bank Amphitheatre

    Aug. 28: Huntsville, AL @ Orion Amphitheatre

    Aug. 30: Charleston, SC @ Credit One Stadium

    Sept. 1: Raleigh, NC @ Coastal Credit Union Music Park at Walnut Creek

    Sept. 3: Cincinnati, OH @ Riverbend Music Center

    Sept. 6: Toronto, ON @ Budweiser Stage

    Sept. 7: Detroit, MI @ Pine Knob Music Theatre

    Sept. 9: Cleveland, OH @ Blossom Music Center

    Oct. 2: Seattle, WA @ Climate Pledge Arena

    Oct. 3: Vancouver, BC @ Rogers Arena

    Oct. 5: Mountain View, CA @ Shoreline Amphitheatre

    Oct. 8: Los Angeles, CA @ The Forum

    Oct. 10: Phoenix, AZ @ Ak-Chin Pavilion

    Oct. 13: Rogers, AR @ Walmart AMP

    Oct. 15: Houston, TX @ Cynthia Woods Mitchell Pavilion

    Oct. 17: Austin, TX – Moody Center ATX

    Oct. 18: Dallas, TX – Dos Equis Pavilion

    For more information visit www.chrissthilaire.com

  • Phoebe Bridgers Wraps US Tour with Lucy Dacus and Muna in Brooklyn and Queens

    Phoebe Bridgers played three nights in Brooklyn and Queens the week of June 14, 2022 to conclude the US leg of her Reunion Tour with support from Muna. The first two sold out shows at the Lena Horne Bandshell at Prospect Park in Brooklyn saw fans camping out overnight to grab a spot as close to the front as possible. The final show of her North American tour was at Forest Hill Stadium on June 16, which she called, “the biggest show I’ve ever played.”

    Phoebe Bridgers tour
    Phoebe Bridgers playing Prospect Park, Photograph by David Reichmann

    When the Prospect Park dates first went on sale earlier this year, the two shows sold out almost immediately. Phoebe quickly announced a third date at Forest Hills Stadium in Queens, teasing a secret “special guest” to be announced the day of show. Fans speculated wildly for weeks leading up to the event, and it was finally revealed as Boygenius alum and friend of Phoebe, Lucy Dacus. Lucy and her band came out after opener Muna’s set.

    Lucy Dacus playing Forest Hills Stadium, Photograph by David Reichmann

    For the first two dates at Prospect Park, some fans lined up as early as 4:30AM and camped out overnight to secure their spot. Prospect Park was the perfect setting for a relaxing afternoon (or entire day, for some) in the park. The line wrapped around the block and wove its way through the park. The scene featured fans reading, eating lunches, and relaxing with friends on picnic blankets.

    Fans waiting in line at Prospect Park, Photograph by David Reichmann

    Phoebe Bridgers fans are known for their intense dedication to her music, with some of her most diehard of fans reportedly passing out at several points during her shows due to overwhelming excitement. Many in attendance adorned Phoebe Bridgers tees, tote bags, handmade signs, and tattoos, showing their devotion to the multiple Grammy Award nominated artist. Although waiting hours for an event can sometimes devolve into an impatient and tense scene, this queue featured only smiles and eager anticipation for what promised to be an unforgettable experience.

    Fans waiting in line at Prospect Park, Photograph by David Reichmann

    Having been only the second act signed to Phoebe’s label, Saddest Factory Records, in early 2019, Muna quickly rose in popularity before being announced as the supporting act for Phoebe’s 2022 Reunion Tour. Muna’s lyrics and public statements quickly led to their become a symbol of queer acceptance. The members of the band publicly identify as queer, and their songs explicitly handle themes of acceptanece and inclusiveness in the queer community. Both Muna and Phoebe have become strong and vocal allies for LGBTQ+ rights movements. The band wished fans a happy Pride Month several times. Fans waved rainbow flags and screamed every time she mentioned gay, trans, or queer rights issues.

    Muna playing at Prospect Park, Photograph by David Reichmann

    Muna opened each of the three nights with a powerhouse set, their signature uplifting beats, and an entranced audience who sang along with every track. Some fan favorites included, “Number One Fan” and “I Know a Place.” Katie mentioned Muna would be releasing a new album, releasing the week following the show, and they included a song from the album in their set.

    Muna playing at Prospect Park, Photograph by David Reichmann

    Throughout Muna’s set each night, Phoebe could be spotted beside the stage dancing and beaming as Muna worked the audience into an elated state. Each night they ended their set by inviting Phoebe onstage to join them for their single, “Silk Chiffon.” The audience seemed to have been waiting for this, and frontwoman Katie Gavin even joked, “I think you know what song this is.” The audience danced, sang, and screamed each word.

    Muna and Phoebe Bridgers singing “Silk Chiffon” at Prospect Park, Photograph by David Reichmann

    Phoebe had teased a secret special guest for the final night of her US tour at Forest Hills Stadium. Although rumors had spread regarding which artist would be featured, Lucy Dacus was announced as the guest on the day of the show. She and her full band came onstage after Muna’s set to play a packed setlist including top tracks, “Brando,” “Night Shift,” and “Hot & Heavy,” which was recently featured as a music video at Tribeca Film Festival.

    Phoebe Bridgers tour
    Lucy Dacus playing at Forest Hills Stadium, Photograph by David Reichmann

    Lucy shed some tears during her performance of “Thumbs,” a tragic and sorrowful song telling the story of observing a lover’s interaction with an estranged father. The song features difficult themes, and many in the audience wiped tears and sobbed as she played. The entire crowd screamed the lyric, “You don’t owe him shit” as the verse played. Lucy joked at the end of the song, “Wow, we’re crying already. It’s been a while since this has happened.” The crowd not only chuckled, but their cheers surged in loving support of Lucy. Phoebe observed Lucy’s set from the sidestage, smiling, crying, and laughing along with the audience.

    Phoebe Bridgers tour
    Phoebe Bridgers observing from sidestage at Forest Hills Stadium, Photograph by David Reichmann

    Lucy invited Phoebe and Muna onstage with their bandmates for a singalong rendition of “Going Going Gone.” Throughout the song, Phoebe held onto and danced with her pug Maxine. Some fans held handmade signs made out just for Maxine, and several pointed and cheered specifically for the dog. Maxine certainly had her day in the spotlight.

    Lucy Dacus playing “Going Going Gone” with Phoebe Bridgers at Forest Hills Stadium, Photograph by David Reichmann

    Phoebe took the stage each night to immense applause. The instant her silhouette began to shine through the backlight, the crowd starting cheering and screaming in delight. Phoebe’s staging, lighting, and set-lists for each of the three nights featured pristine production and popup-storybook-themed visuals to match the story and progression of each track.

    Phoebe Bridgers tour
    Phoebe Bridgers taking the stage at Prospect Park, Photograph by David Reichmann

    At a few points on the first and third nights, one or two crowd members experienced brief medical emergencies. Phoebe immediately paused the show, called for EMTs to assist, and waited until she got a thumbs up from those affected before continuing the show. She also paused several times each night between songs to instruct staff to pass out water bottles, asking, “Does anyone need water? Can we pass around a case of water for anyone who needs it?”

    Audience at Prospect Park, Photograph by David Reichmann

    During her Forest Hills Stadium show Phoebe told the crowd, “this is officially the biggest show I’ve ever played.” Because this was the last show on her US tour, she thanked her crew from a printed list. She joked that the list was “arranged by astrological sign.” She went through each sign, occasionally joking about which signs were most common among her crew, and thanked every member of her crew by name, including her truck drivers, managers, techs, and her dog’s nanny.

    Phoebe Bridgers thanking her crew at Forest Hills Stadium, Photograph by David Reichmann

    She ended each night with an encore performance of a fan request. On the second night at Prospect Park, she ended the show with a solo acoustic rendition of Boygenius track, “Me and My Dog.”

    Phoebe Bridgers tour
    Phoebe Bridgers at Prospect Park silhouetted by moon, Photograph by David Reichmann

    At the Forest Hills Stadium show, Lucy joined Phoebe onstage to play “Graceland Too” and ”I Know the End.” During the latter song, Phoebe encouraged fans to “lose their voices” if they can, during the climax of the song. Phoebe, Lucy, and the entire stadium screamed at the top of their lungs to cap off Phoebe’s epic set. She thanked the crowd, Lucy, and Muna, and walked offstage to thunderous applause.

    Phoebe Bridgers tour
    Phoebe Bridgers and Lucy Dacus playing “I Know the End” at Forest Hills Stadium, Photograph by David Reichmann

    After a brief break, she came back onstage for her encore. Unaccompanied by her bandmates, Phoebe played a solo acoustic rendition of “Waiting Room.” She told the crowd, “I wrote this as a teenager. I used to think it was corny, but now I feel like it’s just sincere.” The crowd cheered and listened intently to what would be the final performance for Phoebe’s incredible US tour and three night run in New York.

    Phoebe Bridgers tour
    Phoebe Bridgers playing at Prospect Park, Photograph by David Reichmann

    Phoebe’s World tour is now underway, starting with dates in the UK and Europe. Her critically acclaimed full-length record, “Punisher,” celebrated two years since its release the following day of the Forest Hills show. You can listen to Phoebe Bridgers’ catalog here, as well as Lucy Dacus’s music here. Muna’s new album will be available to stream here upon its release on June 24, 2022. Check out our full gallery below.

  • Hearing Aide: Living Room “New Years”

    On Friday, 10 June, Brooklyn quartet band Living Room released their new album, New Years. After their growth in the last decade, the band performed their surprising leveling up in this album.

    Living Room
    Living Room


    Based out of Brooklyn, Living Room is anchored by a decade-long friendship between their members, and now joined indie label Fear Icon Records. It has Scott Fitzpatrick and John Nicholls on guitar/vocals, Kevin Dobbins on bass, and Fred Trumpy on drums.

    Influenced by late ’90s and early aught acts, Living Room released a rich discography that blends emo, shoegaze, and post-punk. Their discography displays their evolving and precise musicianship with lyrics that reflect the complexity, vicissitude, and euphoria of life.

    The first powerful impression of this album is its strong sense of rhythm. Based on the intense drumbeats, “Mauve Frame” successful built a cheerful but absurd environment. And the drum is the spine to support the emotional storytelling from the lyrics and vocals.

    Guitar and bass played an important role in performing their shoegaze style. The long and droning riffs in “Flood” expressed the shoegaze style of the band. This album widely used such sound in guitar and bass performing.

    Stand out tracks like “Petrol Head” and “Flood” have big choruses that shine with the production work of Gary Cioni. Cooperated with the Scott and John’s vocal, the big choruses amplified the emotion embeded in the songs.

    Lyrically the album used metaphor to express their feelings. Written by the two vocals, the lyrics told the feelings of romance and life experiences. “All I saw was the mauve frame. It all looked burnt orange to me. I’m sorry, it’s not funny. A world so colorful yet so boring”, they sang in the “Mauve Frame”, with the bright melodies reflected the loneliness in the song.

  • $UICIDEBOY$ Bring Grey Day Tour to Brooklyn this Fall

    $uicideboy$ have announced the upcoming Bring Grey Day Tour from August to October. The show will kick off on September 13 at the Brooklyn Mirage. An open-air sanctuary in the center of the Avant Gardner complex, the inner courtyard of Brooklyn Mirage is surrounded by towering walls and connected to views of the iconic city skyline by a singular catwalk.

    $uicideboy$

    $uicideboy$ is a hip hop duo from New Orleans, consists of Ruby da Cherry and $crim. The temptation will via G*59 RECORDS on July 29.

    $uicideboy$ have announced the upcoming release of their new album Sing Me A Lullaby My Sweet Temptation on June 8th. To celebrate the album release, $uicideboy$ will start on a 40-city nationwide Grey Day Tour with special guests that include Ski Mask The Slump God, $not, JPEGMAFIA, Code Orange, Knocked Loose and Maxo Kream.

    Previously, the lead single “THE_EVIL_THAT_MEN_DO” debuted last month and on June 10, the new single “Escape from BABYLON” from their new album which expressed both relationship opinions from Ruby and $crim.

    Sing Me A Lullaby My Sweet Temptation is the group’s third official full-length following 2021’s The Long Term Effects Of SUFFERING. The Long Term Effects Of SUFFERING surpassed 300 Million streams on Spotify and covered by media outlets Pitchfork, HotNewHipHop, HipHopDX and more.

    $uicideboy$

    A full list of tour dates are below.Tickets go on sale Friday, June 10 at 10 am from G*59 RECORDS’s website: https://g59records.com/tour

    2022 TOUR DATES:

    6/18 – Manchester, TN – Bonnaroo Festival

    8/2 – Chicago, IL – Huntington Bank Pavilion *

    8/5 – Detroit, MI – Pine Knob Music Theatre *

    8/6 – Minneapolis, MN – Somerset Amphitheater *

    8/7 – Milwaukee, WI – American Family Insurance Amphitheater *

    8/8 – Lincoln, NE – Pinnacle Bank Arena +

    8/10 – Albuquerque, MN – Isleta Amphitheater +

    8/12 – San Diego, CA – North Island Credit Union Amphitheatre +

    8/13 – San Francisco, CA – Bill Graham Civic Auditorium +!

    8/14 – Sacramento, CA – Toyota Amphitheatre +

    8/15 – Reno, NV – Reno Events Center +

    8/17 – Seattle, WA – Climate Pledge Arena +

    8/18 – Boise, ID – Ford Idaho Center Amphitheater

    8/19 – Portland, OR – Veterans Memorial Coliseum

    8/21 – Salt Lake City, UT – USANA Amphitheatre

    8/23 – Oklahoma City, OK – The Zoo Amphitheater

    8/24 – Kansas City, MO – Azura Amphitheater

    8/26 – Austin, TX – Germania Insurance Amphitheater

    8/27 – Dallas, TX – Dos Equis Pavilion

    8/28 – Houston, TX – 713 Music Hall

    8/31 – Tampa, FL – Yuengling Center

    9/1 – Jacksonville, FL – Daily’s Place Amphitheater

    9/3 – New Orleans, LA – UNO Lakefront Arena !

    9/6 – Camden, NJ – Freedom Mortgage Pavilion ^

    9/7 – Pittsburgh, PA – Stage AE Outdoor #!

    9/9 – Boston, MA – Xfinity Center #

    9/10 – Akron, OH – Blossom Music Center ^

    9/11 – Toronto, ON – Rolling Loud Festival

    9/13 – Brooklyn, NY – The Brooklyn Mirage #

    9/16 – Indianapolis, IN – Ruoff Music Center ^

    9/17 – St. Louis, MO – Hollywood Casino Amphitheater ^

    9/18 – Cincinnati, OH – PromoWest Pavilion at Ovation ^!

    9/20 – Norfolk, VA – Chartway Arena #

    9/21 – Charlotte, NC – PNC Music Pavilion #

    9/23 – Nashville, TN – Municipal Auditorium #

    9/24 – Atlanta, GA – Cellairis Amphitheatre #

    9/26 – San Antonio, TX – Freeman Coliseum #

    9/27 – El Paso, TX – El Paso County Coliseum #

    9/29 – Los Angeles, CA – Kia Forum #

    9/30 – Las Vegas, NV – Thomas & Mack Center #

    10/1 – Phoenix, AZ – Phoenix Raceway #!

    10/31 – Denver, CO – Red Rocks Amphitheatre !

    All Dates Include Ski Mask The Slump God, $not, Maxo Kream and DJ Scheme except 8/6 in Minneapolis is without Maxo Kream

    *w/JPEGMAFIA
    +w/Knocked Loose
    ^w/Knocked Loose and Code Orange
    #w/Code Orange
    ! Not A Live Nation Date

  • Free Show: Fandango At The Wall At St. Ann’s Warehouse in Brooklyn Bridge Park in July

    St. Ann’s Warehouse announced its upcoming Fandango At The Wall concert in Brooklyn Bridge Park on July 9th. Arturo O’Farrill and 30 musicians from the U.S., Mexico and beyond reunite to celebrate the 300-year old son Jarocho sound of Mexico. Based in the Brooklyn Bridge Park, St. Ann’s Warehouse plays a vital role on the global cultural landscape as an American artistic home for international companies of distinction, American avant-garde masters and talented emerging artists ready to work on a grand scale.

    Fandango At The Wall brooklyn bridge park
    Fandango At The Wall Concert

    Based on the original 1860’s Tobacco Warehouse, St. Ann’s Warehouse is a waterfront theater that opened in October 2015 in the heart of Brooklyn Bridge Park. The building includes a Studio, a welcoming foyer/exhibit space, and The Max Family Garden. It has reconfigured its facade and rooftop balconies for public art presentations during the pandemic.

    The Fandango at the Wall concert is rooted in the Fandango Fronterizo Festival, a cross-border fandango, or jam session, that has taken place annually since 2008 and features son jarocho music from Veracruz, Mexico, performed on both sides of the Tijuana/San Diego border wall.

    The musicians participating in this upcoming concert include Arturo O’Farrill, the Afro Latin Jazz Orchestra, Conga Patria Son Jarocho Collective (featuring Patricio Hidalgo, Ramon Guitierrez, Tacho Utrera, Wendy Cao Romero, Fernando Guadarrama, and Jorge Francisco Castillo); Mexican trio The Villalobos Brothers; American jazz violinist Regina Carter; American cellist and composer Akua Dixon; Iraqi-American oud virtuoso Rahim AlHaj; and the Iranian-born tar and setar player Sahba Motalebbi.

    Former BAM President Karen Brooks Hopkins has joined St. Ann’s Warehouse and the Afro-Latin Jazz Alliance as Executive Producer of the concert.

    Fandango at the Wall is especially important now, when so many things are going wrong and such horrible violence is wreaking havoc on our nation. It’s more important than ever to state that borders don’t exist—they’re manmade. Brooklyn Bridge Park is the perfect place to express that, because of the diversity and the wonderful way that New Yorkers come together. We look forward to celebrating humanity, celebrating togetherness, celebrating peace with you through the music of son jarocho.

    Arturo O’Farrill

    The Fandango at the Wall concert will be presented July 9 at 7pm at Brooklyn Bridge Park Pier 1, which is located at 2 Furman St, Brooklyn, NY 11201. In case of rain, the concert will be held inside St. Ann’s Warehouse (45 Water St, Brooklyn, NY 11201).

    Fandango at the Wall is free to the public. RSVPs are encouraged, but not required. Learn more and RSVP at stannswarehouse.org.

    Artists appearing at Fandango at the Wall include:

    Arturo O’Farrill and the Afro Latin Jazz Orchestra

    Arturo O’Farrill

    Arturo O’Farrill is son of composer Chico O’Farrill, was born in Mexico and grew up in New York City. He is a pianist who has been nominated by Grammy for multiple times, and meanwhile a Professor at UCLA.

    Afro Latin Jazz Orchestra

    In 2002, he established Afro Latin Jazz Orchestra (ALJO) to introduce musical traditions of Afro Latin jazz to a wider general audience, and to greatly expand the contemporary Latin jazz big band repertoire. In March 2021, O’Farrill and the ALJO won their 7th Grammy for Four Questions. In September 2018, O’Farrill and ALJO released the album, Fandango at the Wall: A Soundtrack for the United States, Mexico, and Beyond, and participated in the documentary for HBO MAX.

    Rahim AlHaj

    Rahim AlHaj

    Rahim AlHaj began playing oud at the age of nine, and has composed pieces for solo oud, trio, string quintet, symphony, etc. Delicately combining traditional Iraqi maqams with contemporary styling/influence, his pieces establish new concepts without altering the foundations of the traditional “Iraqi School of Oud.” Rahim has released 13 albums, receiving two Grammy nominations.

    Wendy Cao Romero

    Wendy Cao Romero

    Wendy Cao Romero has become a fandango dancer since 1987. She is a key member of the Utrera family, and has produced numerous field recordings of older son jarocho musicians. Wendy is also a radio producer and an educator, she teaches textile arts in El Hato “Mujeres Tejedoras,” an organization of thirty women.

    Regina Carter

    Regina Carter

    Grammy-nominated violinist Regina Carter is passionate about performing, recording, teaching, and mentoring bringing music into nursing homes and hospice settings. She explores a wide range of genres—including jazz, R&B, Latin, classical, blues, country, pop, and African music. Her music has been recognized by the MacArthur “Genius” award and a Doris Duke Artist Award.

    Jorge Castillo

    Jorge Franscico Castillo (credit to Fandago at the Wall)

    Jorge Castillo is a professional classical guitar player grew up in Mexico, having received his first training at home at age nine. He graduated from the University of Texas El Paso. In 2006, Jorge was introduced to the fandango culture and the group Quemayama drove him to become the founder of the Fandango Fronterizo in 2008.

    Akua Dixon

    Akua Dixon

    Akua Dixon is a cellist, composer, conductor, and educator. Akua Dixon has been at the forefront of improvising string players since 1973. Akua is a native New Yorker and attended High School of Performing Arts and studied cello with Benar Heifetz. She is the first cellist to win the Downbeat Critics Poll.

    Fernando Guadarrama Olivera

    Hailing from Cordoba, Veracruz, Fernando is an expert at performing ten-line verses known as “Decimas in Son Jarocho.” Fernando has lived in Oaxaca for nearly thirty years and has played the jaraba for twenty-eight years. He has also taught poetry for son jarocho music for some twenty years. He also is the director of a poetry and son workshop in Tapacamino, Oaxaca, since 2005.

    Ramon Gutiérrez Hernández

    Ramon Gutiérrez Hernández (credit to Muziekpublique)

    Raised in Tres Zapotes, Veracruz, Ramon was introduced to the requinto at a young age. He has played it for over 30 years. In his music, he channels the great spirits of son jarocho veterans and masters while also forging ahead and cultivating a modern sound. As an educator, he has taught workshops on jarana, requinto, and zapateado.

    Patricio Hidalgo Belli

    Patricio Hidalgo Belli (credit to José Elías Némer)

    Patricio, a son jarocho musician, was born in Apixita, Veracruz, and is the grandson of Arcadio Hidalgo, one of the most iconic son jarocho musicians of the twentieth century. Patricio started playing the guitar young and became a songwriter and master soloist.

    Sahba Motallebi

    Sahba Motallebi

    Sahba Motallebi, a modern virtuoso of the tar and setar, studyed music as a young girl in Sari, Northern Iran. Her talent garnered an invitation to study at the Tehran Conservatory of Music when she was 14. After graduating from Conservatory in 1997, she co-founded the groundbreaking women’s music ensemble Chakaveh.

    Tacho Utrera

    Tacho Utrera (credit to Fandago at the Wall)

    Born in El Hato, Veracruz, Tacho is a talented musician, carpenter, and luthier who learned to make instruments from his father and grandfather. He plays the leona, requinto, and jarana and has enjoyed a thirty-year career as a son jarocho musician.

    The Villalobos Brothers

    From left: Alberto Villalobos, Humberto Flores, Luis Villalobos and Ernesto Villalobos of the Villalobos Brothers. Their latest album, Somos, is out now.

    The Villalobos Brothers have been acclaimed as one of today’s leading Contemporary Mexican ensembles. Their original compositions and arrangements masterfully blend Mexican folk music with the intricate harmonies of jazz and classical music. Ernesto, Alberto, and Luis Villalobos use their violins and voices to redefine contemporary Mexican music.

  • )) R.I.S.E (( Releases Spiritual Debut Album

    On June 10, a Brooklyn-based collective )) R.I.S.E (( released their debut album, WAVES OF POSSIBILITY. The five-track album layers unique instrumentation and spoken word to bring listeners a spiritual, connected experience.

    )) R.I.S.E. (( WAVES OF POSSIBILITY debut album cover

    The artists behind the album, Boshko Boskovic, Gabriel Wade, and Rebecca Nison, said that the practice of Reiki was integral to each recording session. Reiki is a form of Japanese energy healing. R.I.S.E. is an acronym for Reiki-Infused Sound Experiences and each track on this freshman album amplifies that idea.

    The process of creating this album was healing in our own right as well as permitting to amplify our own expression. We met weekly in Gabriel’s music studio in Park Slope, where we recognized that the process of recording meant we would need to be vulnerable while using our voices.

    – )) R.I.S.E. ((

    Produced by Muse Music, the sound experience of WAVES OF POSSIBILITY is multi-layered and dimensional. With ambient sound, chants, and soft-spoken messages, listeners can sit back and focus on the healing atmosphere of the album. The tracks convey a range of emotions, the sounds developing and changing throughout the length of each track.

    The tracks include complex sounds, leaving any listener wondering what they may hear next.  There are traditional instruments intertwined throughout the album, like electric guitar and bass riffs, and drum beats. However, the use of unique sounds such as birds chirping or bells chiming within the layered humming vibrations really drives the listening experience.

    With hypnotic-like harmonics and sparse lyrics, the tracks envelop any listener into an almost other-worldly and spiritual space. The combinations of sounds are uniquely creative and compelling.

    Each of the 5 tracks is also accompanied by a video that showcases the work of 5 visual artists. The first of the videos, for the 12-minute track “Message for the Moon,” includes art from Skylar Smith. The visuals complement the audio foundations of the debut album, allowing listeners to get more of a multi-sensory experience.

  • Fiery Performance from Kamasi Washington Ignites New Season of BRIC’s Celebrate Brooklyn!

    Acclaimed jazz sax titan Kamasi Washington and his eight-piece band delivered a ferocious performance to herald the return of BRIC’s Celebrate Brooklyn!,  New York City’s longest running, free music festival at the Lena Horne Bandshell in Prospect Park.

    kamasi washington brooklyn

    Like many good things, this world-class event was sidelined by COVID-19, with no performances in 2020 and a greatly scaled back schedule in 2021. 

    Now in its 44th year, the 2022 BRIC season will boast a lineup of heavy-hitting musical artists from Brooklyn and around the world. The roster includes: rapper Vic Mensa; Brooklynite, contemporary poet, writer, lyricist and activist aja monet; Nigerian Afropop phenom Yemi Alade; British reggae vocalist, Maxi Priest; genre-defying rock band, Chicano Batman; Grammy-winning contemporary blues artist Fantastic Negrito; Grammy-winning latin pop singer Fonseca;  San Francisco-based Kronos Quartet and filmmaker Sam Green, performing in tandem with “A Thousand Thoughts” documentary; indie-pop band, The Beths; American soul rock band Seratones and many more.  The season will also include ticketed benefit concerts featuring Indie-Rock singer-songwriter Phoebe Bridgers; American-born Nigerian singer, songwriter, and record producer Davido; Texas-based psych rock band Khruangbin and multi-Grammy-winning “Queen of Neo Soul” artist Erykah Badu. 

    The June 8 season opener drew a packed house to Brooklyn that reveled in the sounds of Kamasi Washington and show opener Ravyn Lenae, the alt.R&B newbie riding high of the release of her massive 20-track Atlantic Records’ debut, Hypnos.  The classical-trained Chicagoite has been around since 2015, as a part of Zero Fatigue, a collective comprised of Smino, Jean Deaux and producer Monte Booker. 

    kamasi washington brooklyn

    Lenae and her tight quartet of backing musicians blazed through a set of both up-tempo neo-soul and ballads including her album’s standout tracks, including “Where I’m From,” “Skintight,” “Light Me Up,” “M.I.A,” the super slinky “Sticky” and the propulsive near rocker “Inside Out.”  Lenae is gifted with a great stage presence and a soaring falsetto, which she uses to great effect on many tracks.  The audience was full of Lenae fans, who pressed to the stage with cellphones drawn to capture the performance of this rising star.  My one complaint is that she did not introduce her tight backing musicians, an array which included a powerful female drummer who may or may not have been Nikki Glaspie of Beyonce and the great jam bands, Nth Power and Dumpstaphunk.

    Before Lenae and Washington’s sets, the crowd was fired up by the well curated spins from DJ Reborn.  A vision in magenta, she swayed, and had the crowd doing likewise, to selections including Samankwe’s “Happysong” and Leikeli 47’s “Money.”

    The energy hit a new level in Brooklyn when Kamasi Washington and his double-drummer ensemble hit the stage.  Unlike many of his album tracks, which heavily feature masses of strings and vocal choruses, Washington’s performance at Celebrate Brooklyn! had a fierce howling edge driven by his tight interplay of his all-virtuoso ensemble. 

    kamasi washington brooklyn

    The band kicked off its performance with an extended version of “The Garden Path,” Washington’s latest single.  The stage was set with an intro solo by keyboardist Brandon Coleman, who fuses straight-ahead jazz, hard core funk and P-Funk master Bernie Worrell-esque spaceisms in a wholly unique style.  Trumpeter Dontae Winslow followed, with the first of many searing solos that matched the mighty Washington in melodic architecture and excitement.  Likewise for flautist and soprano saxman Rickey Washington, Kamasi’s father. The elder Washington not only helped mold his son’s talent but kicked up every tune he soloed on during the set.

    Washington is both a superlative composer/arranger and a true titan of the art of tenor sax soloing. His extrapolation on the opening tune and all others in the performance build thoughtfully, from breathy balladeering to Tranesque sheets sound to a free jazz Pharoah Sanders scream and skronk.  Washington and his band heightened the pace with the next tune, “Street Fighter Mas,” a majestic-themed, funkified selection from his acclaimed 2018 disc, Heaven and Hell, with 12 million streams, his biggest hit on Spotify.

    The melodic “Sun Kissed Child” was one of the tunes that featured the singular soloing of bassist Miles Mosley. On this and several other tunes, Mosley clawed, sawed and thumped on his bass, giving it an otherworldly sort of post-Hendrix howl with judicious use of a harmonizer, fuzz and his bow.   Another standout band member was vocalist Patrice Quinn, who admirably recreated the vocal parts of Washington’s tunes that are, on record, performed by a chorus.   Kamasi’s performance also included crowd-pleasing tunes like “Blaxsploitation,” “Truth” from his awesome 2017 EP “Harmony of Difference” and the final track, “Fists of Fury.”

    With his floor length robe, big beard and crown of locks, Washington projects a biblical/prophetic presence. This is wholly appropriate as his performances are an almost religious experience for those who love jazz, classical music, funk and everything in between.  Keyboardist Coleman’s dabs of electronica and Washington and Mosley’s use of effects like delay give this jazz a futuristic feel that is missing from so much of the genre today – one which seems set on reproducing a music past from the likes of Coltrane that can never be matched.

    If you want to see a show that embraces all the many eras of jazz’s great past but with an eye to the future, catch Kamasi Washington.

    photos by Bettina Cataldi

  • Wooter Release Psychedelic New Single “Epigraph”

    Indie-electronic artist-producer Wooter releases his first single “Epigraph” this Friday, June 10th. “Epigraph” is a chill psychedelic pop track that may calm you down and drive you away from the current chaos.

    Wooter

    Wooter, also called Rowan Brind, is a Brooklyn-based artist and producer. He is an engineer and mixer while he also learned multiple instruments. Meanwhile, he is a prolific songwriter who works mainly on his laptop alone.

    However, in this signle, he collaborates with the experienced jazz drummer Caleb Estey. Followed his non-traditional songwriting process that first writing to a drum take, then inserting melody and lyrics, Wooter added new sounds in this new single as well.

    Wooter is fond of obscure, niche audio equipment and instruments, which gives his music a distinctive sound. His perfectionism in audio production and mixing improved the listening experience of his productions. His perfectionism and interest in sound also benefited his produce skills as an entirely self-taught producer. He always searches for new sounds and evolves with each album.

    “Epigraph” is the music shelter to escape from the daily hustle and bustle. Turn it on, and relieve the expectation and burdens on you for the two minutes and 44 seconds. This is music for those trying to break from the routine.

    The book The Sun Also Rises inspired Wooter to express the feelings of characters. They are living aimless lives and yet live happily unfazed by the world crumbling around them. For the sound design, Wooter composed his new album on the OP1 which has a lush sound of synthesizers during a trip to New Orleans. He absorbed the feelings of artists like Tame Impala, Mild High Club, and Gorillaz. And now it is time to enjoy the realm of Wooter in the “Epigraph”.

  • Future Islands Sells Out Three Action-Packed Nights at Brooklyn Steel

    Future Islands played a sold-out three night run at Brooklyn Steel over June 2-4, with support from legendary funk-rock band, ESG. Fans were treated to the driving beats, energetic sets, and the nonstop thrills that have made Future Islands a breakout success.

    future islands
    Future Islands at Brooklyn Steel, Photographed by David Reichmann

    Opening for Future Islands, ESG brought the exact energy to their funk-rock set you would expect from a band opening for the famously-animated Future Islands. ESG interacted with the crowd with laughter and enthusiasm. At one point bassist Nicole stopped the show and excitedly asked the crowd, “Is your mom as cool as our mom?” pointing to her mother and frontwoman, Renee Scroggins. The crowd raved throughout their sets, with palpable energy rising as they closed out each night’s set.

    future islands
    ESG at Brooklyn Steel, Photographed by David Reichmann

    Future Islands took the stage each night to wild applause. Frontman Samuel Herring briefly thanked the opening band before declaring, “I’m not going to do too much talking. Let’s shut up and do it.” Samuel brought his trademark highly-animated style of performance that made the band a viral sensation following their network television debut of “Seasons (Waiting on You)” on David Letterman, which would go on to become the most viewed YouTube video in Letterman’s history. The entire crowd was jumping off the floor before the band’s second song concluded. Covered in a thick layer of sweat within minutes, Samuel joked, “It’s getting slippery up here!”

    future islands
    Future Islands at Brooklyn Steel, Photographed by David Reichmann

    After Future Island’s third song finished (traditionally when photographers must exit the press pit), Samuel fist bumped a few of the photographers for their enthusiastic capturing of his performance. A rare show of class, as photographers are usually ignored by the talent. But in that brief moment, Sammuel showed a clear respect to the whole crew involved in bringing the show to life. He took every opportunity to interact with the crowd and photographers, leading to a dynamic and powerful show that was a joy to both attend and cover.

    Each track on their setlist featured Samuel jumping, crouching, and contorting himself with operatic movement. Their set included several fan favorites, including “Peach,” “Plastic Beach,” “Balance,” “Like the Moon,” and their latest single, “King of Sweden.”

    “We are meant to experience these things and remember them,” Samuel told the crowd before introducing “Lighthouse” with the story of the song’s inspiration. He told a heartfelt story of a friend who had lifted him from a dark time, and how he always thinks of them when performing this song.

    future islands
    Future Islands at Brooklyn Steel, Photographed by David Reichmann

    Samuel performed high kicks, full body stage dives, locked his piercing eyes with several audience members, and put what seemed like 110% of his efforts into every second of the show. The band played with the same energy, pushing driving beats and deep synths. Each band mate brought something unique to the table. As far as frontmen go, some artists steal the show and some artists are the show — Samuel Herring is undoubtedly a frontman who is the show. And he performs as much for the back row as the front.

    future islands
    Future Islands at Brooklyn Steel, Photographed by David Reichmann

    Before introducing their breakout hit, “Seasons (Waiting On You),” Samuel told the crowd, “This song is for people waiting on that special someone, I hope that someone is next to you tonight… if they’re not here that’s okay too. Don’t you waste too much time, now!” The crowd cheered and danced as the song played, reveling in Samuel’s all-out performance.

    They closed the first night with “Little Dreamer.” Samuel told a tear jerking story of an old love and a specific room this song always brings him back to. He invited the crowd to remember painful moments throughout their lives, and never forget the most difficult times. “This is a dream. We’ve worked so hard for years to be here. This is a song we’ve been singing for 13 years.”

    Future Islands at Brooklyn Steel, Photographed by David Reichmann

    Future Islands’ sold out, three night run featured incredible setlists, touching and personal anecdotes from frontman Sammuel Herring, and ESG as the perfect opening act.

    Future Islands is scheduled to play one more North American tour date in July, before embarking on their European tour in August. You can listen to Future Islands’ latest single and album here. You can also check out ESG’s music here.

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