Category: Hudson Valley

  • Radio Woodstock Celebrates International Women’s Day 2022 with All-Women DJ Lineup, Full Day of Special Programming

    Radio Woodstock 100.1 WDST celebrates International Women’s Day on Tuesday, March 8, 2022 with all female-identifying artists, acts, and music to take over airplay along with female announcers, special guests, and musicians. 

    Radio Woodstock’s All-Stars on-air hosts Aja Whitney, Carly Walsh, and Emma Philippas will join former Radio Woodstock music director Carmel Holt (host and producer of SHEROES Radio). Carmel will kick off the Tuesday celebration at 8 am, leading into a special day of music programming, including an interview and performance by Al Olender. Radio Woodstock staff members Assa Sacko-Zarcone, Brianna Lindgren, Leija Rothenberg, and Elana Sklar will also be featured on-air.

    international women's day 2022

    Radio Woodstock continues to lead the way with an influential all-female current power rotation: Brandi Carlile, Lady Wray, Bonnie Raitt, Arooj Aftab, Big Thief, Lucius, Widowspeak, Mitski, Yola, and Seratones.

    They say ‘women are the future, but I think it’s pretty clear, women are RIGHT NOW, and have always been a force. Embracing our power in music and beyond.

    Aja Whitney, Radio Woodstock Music Director

    Tune in all month long for on-air features spotlighting Hudson Valley women business owners and leaders.

    International Women’s Day (and month) 2022 on Radio Woodstock is supported by Hudson Clothier, Karen Harding Insurance, N&S Supply, and Bearsville Theater. 

  • LonCon 2022 Announces Lineup, Moves to Yasgur Road Campground in Bethel

    Long Island-based jam trio Baked Shrimp have announced the initial lineup for the 2022 edition of LonCon Festival. The two-night camping event, running September 8-10, 2022, will be hosted by the Yasgur Road Campground in Bethel, just a stones throw from the site of the 1969 Woodstock musis festival.

    This year’s event, the second iteration of the band’s annual festival, will feature headlining appearances from lespecial and Baked Shrimp, performing two sets. Also making two set appearances are Pennsylvania based roots act Cabinet, and Brother Maker, a new project featuring former members of Turkuaz. 

    loncon 2022

    The lineup includes an eclectic mix of notable Northeast jam acts, including Star Kitchen, Dogs in a Pile, ElephantProof (featuring Ben Atkind of Goose), Soule Monde, Escaper, and more. The event will also see the debut performance of Aliens Among Us, an all-star lineup featuring members of Twiddle, Goose, Dogs in a Pile, and more. Drunken Doja Monkey and Doey Joey will ensure the music never stops, with both acts scheduled to perform DJ sets. 

    We are beyond excited for LonCon this year! We really worked hard to bring in some incredible talent from all different corners of the jam scene. Many of the performers I grew up going to see live, so having them at LonCon, and having the whole thing at Yasgur’s is really such an amazing collision of dreams coming true. 

    Jared Cowen – Guitar – Baked Shrimp

    The festival is hosted in memory of Lon “Conscious” Gellman, a longtime figure in the northeast jam scene who passed away unexpectedly in November 2020. A portion of the proceeds will be donated to the Lon Conscious Gellman Memorial Scholarship Fund, benefiting music students at Queens College. 

    A limited number of early bird tickets will be available through Friday, March 11th, followed by a general on sale.  For more information, and to purchase tickets, visit Lonconfest.com 

  • NYS Music March Madness 2022 Round 2

    We have arrived at Round 2 of NYS Music’s March Madness 2022. Below you’ll find 16 matchups between 32 bands and artists from across New York State, from numerous genres, all on the rise and ready to make a name for themselves.

    march madness 2022 round 2

    Since 2015, New York State Music has crafted a March Madness competition that spans all the musical harbors of the Empire State. As fans and musicians, the NYS Music team aims to spotlight the great talent found across New York in a friendly contest, bringing broader attention to the next generation of artists and bands on the rise. March Madness 2022 highlights 64 bands and artists you might not know, but should know, as these homegrown talents are making waves through the New York State. Check out Round 1 here.

    Enter your email address, meet the bands and artists below, and vote for your favorites!

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    Bearsville Theater Region

    March Madness 2022 Round 2

    Jim Gaudet and the Railroad Boys vs Ampevene

    Jim Gaudet and the Railroad Boys from Albany perform hard-driving, up-tempo acoustic Americana Roots music from the traditions of country, folk, and bluegrass with creative original story songs from Jim the main focus. Listen to their recent EP Hillbilly Rock n Roll here

    Ampevene from Albany are a fresh, experimental fusion of original Progressive Rock, Psychedelic, and other genres. Ampevene’s music represents an amalgam of the mayhem of Mars Volta, the psychedelic sounds of Pink Floyd, the hypnotic trance-like quality of Tool, and the funk of a Frusciante-Chili Pepper jam. Listen to their David Bowie live set from November 2019 here.

    Caity Gallagher vs Thanks!

    Caity Gallagher is a folk singer songwriter based in Albany, with rootsy compositions and lilting vocal lines serve to showcase intimate lyrics that tell universally relatable stories. Caity has been likened to a modern combination of The Cranberries and Jackson Browne. Listen to her newest single, “Give It All,” here.

    Thanks! From Saratoga Springs leave audiences with a show to remember whenever they hit the stage. What started out as three guys in a basement, has continuously built into a theatrical, reflective and dramatic performance that moves fans of all ages. Listen to their new single “I Choose You” here.

    GRUB vs Fine Grain 

    GRUB is an Experimental Rock group based out of Buffalo/Niagara Falls. Their original catalogue can be described as uniquely inventive, adventurous, and welcoming to new listeners. Each song showcases a seamless blend of genres such as funk, psychedelic rock, electronic, hip-hop, metal, and reggae amidst a pop-esque composition, so there are elements on the table for all. Their website has videos and more.

    Red pill or blue pill? Fine Grain took both with a Genny and got banned from Trader Joe’s. The girthy tones of this gritty, shoegazy punk band from Albany will remind you of late nights on a stoop in September, your first beer after work, weird questions about your parents cephalopods, and of course, the crushing weight of capitalism. Visit here for a link to all their different streaming options.

    Cait Devin vs Frank Palangi

    Cait Devin is a 20 year old alt-pop artist from Utica with a diverse range of audiences and experience in many genres of music. Cait is also a lead guitarist alongside being a singer songwriter, and has put together various shred collabs. No stranger to playing live, Cait has been booking frequent shows in Central New York since she was 15, and expanded to NYC and Nashville by age 16. Listen to her song “K9” here.

    Frank Palangi is an indie rock artist from Queensbury, with a fuel and passion that makes his deep and gritty rock a must listen. Combine his vibrato voice and charismatic charm, and you’ve got a rock legend in the making. Palangi’s mission statement is “I have no plan B in backing down on my dreams.” Listen to his latest single “Dead Man” here.

    Voting for Round 2 has closed. Stay tuned for Round 3 starting on Friday, March 11 at 10am!

    Funk n Waffles Region

    March Madness 2022 Round 2

    Glass Pony vs Rich Ortiz

    Glass Pony, a jam band out of Albany have developed a unique sound in the past few years, with a wide array of originals with danceable grooves, unique setlists and compelling improv. Check out their most recent single “Daydream

    Rich Ortiz from Lake George has a style that is truly his own and music that is his soul. A product his family’s cultural diversity and strengths, Rich has focused all of his talents and time on his acoustic solo act since age 17. Watch a profile of Rich here.

    Samsara vs Sydney Irving and the Mojo

    Samsara hail from Long Island, with band members Charlie, Ben and John playing music together at any early age, drawing influence from several styles, including grunge, funk, metal and alternative. They are working on new releases with GRAMMY Award winning Producer Steve Adobbo and have upcoming spring and summer shows, including Rock Stock and Barrels Festival in Rockaway Beach (home of the Ramones) and the Great South Bay Music Festival. Samsara’s alt sound can be heard on their 2021 release Paralyzed in Paradise.

    Sydney Irving and the Mojo, based in Syracuse, features 18 year old Sydney Irving, who has been named the 2020 young adult artist of the year by the International Singer Songwriters Assocation, where she will perform this summer in Atlanta, GA. They’ll be performing across New York and three other states this summer. Sydney received the Brian Bourke Award for Best New Artist at the 2022 Syracuse Area Music Awards. Watch “Seasons Change” here.

    Gooseberry vs Anthropic

    Gooseberry is a 4-piece band from Brooklyn, born during the Fall of 2019. Their combination of blues, R&B, and indie rock is a recipe for a unique sound that Gooseberry delivers in each song. Listen to their recently released single “Sleep” here

    Anthropic from Buffalo perform grinding death metal, inspired by1980’s grindcore, crust punk and death metal. They’ll play Doused in Death Fest in Buffalo in March. Listen to their 2020 release Architects of Aggression here.

    Logan Whaley Band vs Alliteration

    Logan Whaley Band from Long Island is a culmination of the best material & musicians Logan has written & met over the last 8 years since graduating from Music School. His music can be best described as having old-school sensibilities with a new-school vibe. He releases his debut album “On The Cusp” on March 4, 2022.

    Alliteration from Poughkeepsie perform self-described weird boi punk rock and have recently released their LP Reject. Formed in February 2015, Alliteration combines the driving riffs of alternative and indie punk, elements of a diverse array of genres, and a fun stage presence that shows the passion they hold for their art. Listen here.

    Voting for Round 2 has closed. Stay tuned for Round 3 starting on Friday, March 11 at 10am!

    DSP Shows Region

    March Madness 2022 Round 2

    Josh Casano vs E.R.I.E.

    Josh Casano is a local acoustic artist who has been performing in the Capital Region for almost 8 years. Along with covers, Josh incorporates his own writing into each performance. He holds a degree in Music Education from The College of Saint Rose focused on classical guitar, voice, and piano. Josh is currently fronting the group Josh Casano & the Fam. Catch him at The Strand Theatre in Hudson Falls on April 21 at 7pm. Listen to “You Said Hi” here.

    A band called E.R.I.E. describe themselves as “Four dads from Upstate NY making indie rock” The Albany quartet released their debut project “Don’t Wanna Live, Don’t Wanna Die” just over a year ago on Mint 400 records. Listen to “The Dirt Inside Your Soul” here.

    Dodongo vs Seize Atlantis 

    Dodongo is a funk/fusion band based out of Brooklyn. The group describes themselves as “six friends making it up as we go along.” Listen to their November 2021 performance from Brooklyn Bowl here.

    Fueled by punchy bass, hard-driving percussion, melodic lead guitar, and pronounced moody vocals with meaningful lyrics, a truly dynamic range of soft to heavy Alternative Rock defines the unique, tight sound of Seize Atlantis. Formed in 2019 out of Glens Falls in upstate New York, Seize Atlantis is a four-piece band most closely influenced by bands such as Red Hot Chili Peppers and Pearl Jam, providing their own spin on a variety of covers from classic rock to modern pop in addition to their own original music. Listen to “The Unstoppable Groove” here.

    Jess Novak vs DF3

    Jess Novak takes no prisoners, performing with a fiddle on fire, powerful vocals and a fierce band behind her. The leader of a pop, rock, soul-pumped group from Syracuse brings passion to every performance, with energy, superb musicianship, engaging songwriting and ability to win any crowd. Listen to “The Joke” here.

    Donny Frauenhofer Trio, also known as DF3, have been coined as “The Weirdest Music You’ve Never Heard.” Donny’s trio is creatively driven by spontaneity. The group travels through time signatures, styles, and key signatures with ease, making Frauenhofer’s complicated compositions sound like a walk in the park. The group plays a daring brand of original music with unique arrangements of popular tunes tastefully sprinkled in.  Listen to “Daylight” here.

    All Poets and Heroes vs The Sea The Sea

    In the summer of 2015, Rob McCall & Corey Jordan met and founded All Poets & Heroes out of their hometown of Syracuse. That summer, the duo began crafting a sound that explored resonating folk melodies with that of the sensible nostalgia that filled the 90s alternative music scene. Since then, the duo has grown into a full-fledged band developing towards an introspective project that aims to challenge listeners to feel, and to feel deeply. Listen to Occhiolism here.

    The Sea The Sea (Chuck E. Costa and Mira Costa) is an Upstate New York based indie folk-pop duo featuring what Bob Boilen (NPR’s All Songs Considered) calls “excellent harmonies” & Huffington Post calls, “Two of the loveliest male-female voices you might ever hear this or any other year.” The group’s 2020 release, Stumbling Home, dubbed “otherworldly” by RollingStone marks the duo’s third full-length album, and the duo’s first primary recording / engineering credits on one of their albums, as well as that of co-producers—teaming up with recent Grammy and Tony award winner Todd Sickafoose (Hadestown, Anais Mitchell, Ani DiFranco, Andrew Bird). 

    Voting for Round 2 has closed. Stay tuned for Round 3 starting on Friday, March 11 at 10am!

    The Helping Friendly Hemp Company Region

    March Madness 2022 Round 2

    Jennie Angel vs The Pine Boys

    Jennie Angel is an actress in the Hudson Valley who recently rediscovered her love for music. Started playing the guitar when she was 16 and has been singing she was born, now performing popular country hits! Jennie has most recently been added as a member of the Academy of Country Music and will be attending the awards show in March. She’ll perform on April 9 at Karl Hall in Wilkes-Barre, PA and on June 3 at The Chance Theater in Poughkeepsie. Discover more on her website.

    The Pine Boys reside in Albany and consist of three members: Andrew Cerone, Brett Maney and Sam Lasky. Musically, the group is an eclectic brew of Alternative Rock, Hip-Hop and Funk. They blend character driven story telling with memorable riffs and grooves resulting in something truly their own. They recently released their new album Vacationland and will perform at Pauly’s Hotel on St. Patrick’s Day.

    Kyngjo vs HANZOLO 

    Kyngjo is not only about his melodies but he’s about his business and making his family proud. When he’s not working in Albany he’s networking in Atlanta or in the studio making music. As an independent artist, he is funding his dreams and making the sacrifice to reach his goals. Soon to be the go-to artist for hooks. Check out YouTube for an official video for “Calling Me.”

    HANZOLO is a 7-piece band from Upstate New York, toting an explosive and emotional sound that mixes soul, jazz, rock, and funk. Their songs are dance-ably fun with thoughtful lyrics, backed up by a bright horn section. The band’s website contains videos and upcoming tour dates.

    The Dirty Doves vs METASEQUOIA

    You’d be hard pressed to find a more fitting description of Syracuse’s The Dirty Doves than what you’d find as Urban Dictionary’s top definition of a “Dirty Dove”: “Cute and cuddly as a dove, but down and dirty like a city pigeon.” The Dirty Doves – Jamie Cunningham and Anthony Saturno – have created Pure & Simple, an album that’s somehow sweet, sultry, and serene. Hear for yourself on their Spotify page.

    METASEQUOIA sprouted in 2007, taking root in Ithaca and is getting set to release their new album In The Redwoods in April and partnered with their label, New Vine Records. Following the release, they will be trekking on an album tour, with dates set from April – August in CNY, Massachusetts, Connecticut and surrounding areas. Tour dates and cities to be announced soon! Check them out at metasequoia-music.com

    Annie in the Water vs Big Time Kitty

    Annie in the Water’s music is a groovy combination of Reggae, Funk, Rock, Blues and Jamstyle written with a conscious dose of positive vibes, unique melodies and intelligent lyrics. Their Upstate-centric music evokes the feeling of driving down mountain roads with longtime friends. As the sun rises in the rearview, an unwritten story awaits on the road ahead. Their new album Sun At Dawn is available for pre-order now and an upcoming gig is scheduled at The Hollow on March 4th, 2022.

    Big Time Kitty (B.T.K.). Is a funky ass two man band based out of the Adirondacks. Their SoundCloud page gives you a taste of both their original hits and cover selections like “2001” and “Tubthumping.”

    Voting for Round 2 has closed. Stay tuned for Round 3 starting on Friday, March 11 at 10am!

    NYS Music has partnered with businesses across New York State to highlight these 64 up and coming bands. Regional sponsors include Funk n Waffles, a premiere music venue in Syracuse established in 2007 with a unique take on the culinary and entertainment industries, offering a wide variety of gourmet waffles and breakfast food, as well as offering live music every night! Bearsville Theater in Woodstock is where Americana was born – where Dylan took folk music and married it to Rock & Roll. where folk went electric, and where Janis took a breath and recuperated, before launching her hurricane energy and heart stopping songs out into the world. Renovated in 2019-2020, Bearsville Theater has an impressive calendar of shows for Hudson Valley music lovers.

    DSP Shows based in Ithaca, NY and Northampton, MA, is one of the leading independent concert promoters in America, with shows at venues including State Theatre of Ithaca, Hangar Theatre, The Haunt, Beak & Skiff Apple Orchards, Brewery Ommegang, Asbury Hall, The 9th Ward at Babeville, and Daryl’s House among others. The Helping Friendly Hemp Company offers a wide variety of industry leading products including tinctures, soft chews, and hemp flower, using only USA grown hemp extract.

    The winners of each region will be rewarded with a collection of prizes worth $3000. Partners for NYS Music’s March Madness 2022 include Mirth Films from Albany, a music news/entertainment outlet that specializes in original video content and live streaming, with news coverage ranging across the whole country, who will provide a professional multi-camera recording session at a prestigious venue in Albany for the winning band, premiering exclusively on Mirth Films.

    The XPerience Monthly is the greater Capital Region’s alt-monthly newspaper, bringing independent music and thought provoking articles to the area. The XPerience Monthly will feature the winning band in a newspaper profile and interview this summer.

    Check out Past Years’ NYS Music March Madness Here

  • Khruangbin’s Laura Lee to Host New Show On Radio Woodstock

    Laura Lee Ochoa has officially joined the Radio Woodstock family with the upcoming debut of her show, “Leezy’s Certified Bangers : Grooves Beyond Borders”. The Saturday night program will premiere on March 5 at 10 PM.

    The show will explore sounds from around the globe while also taking notes from Lee’s middle eastern, R&B and funk musical influences. Listeners will be able to bop their heads to the beats of her hidden gems as Lee showcases everything she’s learned during her travels around the world.

    Lee is a singer-songwriter, best known for her role as one of Khruangbin’s founding members and its bass guitarist. The Texas trio have released a number of projects, with their most recent EP, Texas Moon being released on the 18th of this month. Texas Moon serves as their second collaboration with Leon Bridges. The group draws inspiration from several sources including Thai rock, 70’s funk and surf rock. 

    With the addition of Laura Lee to Radio Woodstock’s line up, it’s easy to say that the Hudson Valley will have even more great music to listen to while they’re out and about. The station has been operating for over 40 years and hosts a number of award winning programs. Radio Woodstock is also responsible for a number of concerts and festivals, including Mountain Jam Festival.

    “Leezy’s Certified Bangers” will air on the first Saturday of every month, 10-11 PM on Radio Woodstock 100.1. Listeners can also tune in online or on the iHeartRADIO app.

  • Sam Kogon Releases Music Video for “Barbed Wire”

    Singer-songwriter Sam Kogon released a music video for his single “Barbed Wire” today. The track is the first single from his upcoming EP “Sam Kogon” releasing on April 1.

    Sam Kogon

    The music video for “Barbed Wire” was shot in Kingston at Kogon’s family’s pawn shop, “Sam’s Swap Shot.” In the video, a middle-aged man see’s a guitar on sale at the pawn shop that reminds him of fond memories from his youth. The video then alternates between a current and past timeline as the guitar causes the main character to reminisce.

    My grandpa Lonnie gave me my first guitar from the store, so naturally I wanted the story to focus around a guitar, in this case it’s a 1963 Danelectro Convertible that came from Sam’s. The guitar represents lost love, regret, but also a fresh start.

    Sam Kogon

    Director Jeff Mertz said the decision to shoot in Kogon’s pawn shop was intentional and part of the narrative he wanted to tell with “Barbed Wire”.

    The shop itself was also charged with nostalgia,” Mertz said. “So the story kind of naturally evolved into being about an older Sam Kogon (played by Lou, Sam’s dad) who’s reflecting on missed opportunities and regret, but is ultimately given a second chance, which he proudly takes.”

    To add another personal touch to the video Kogon’s father plays the music video’s main character. Who is supposed to be a semi-fictional version of Kogon (the songwriter) himself.

  • The Grateful Dead Bid The Cap Good Night: February 24, 1971

    The Capitol Theater in Port Chester has provided a stage and an audience for many a band throughout its heralded history, though perhaps none with a legacy quite like that of The Grateful Dead. When they weren’t busy selling out Bill Graham’s Fillmore East, The Cap became the other de facto home away from home for the Grateful Dead on the East Coast. But as the saying goes, all good things must come to an end and today marks the anniversary of the band’s 19th and final show at this historic venue. It comes at a time when the Dead had to reinvent themselves a bit, with the abrupt self-imposed departure of drummer Mickey Hart that transpired after the opening night of this six-show residency. The shows that followed serve as the beginning of a new chapter in the band’s voluminous history, one that sees them still trying to carve out the identity of multiple brand new songs that would go on to become mainstays at a Grateful Dead show.

    Dead Cap

    The Dead start this final show at The Cap with a “Casey Jones” that starts off in rather mellow fashion but fittingly picks up steam as it develops and is roaring down the tracks by song’s end, with Bob Weir growling out the accompanying vocals. He then jumps into the lead vocal position for the Country Western-themed cautionary classic “Me And My Uncle.” Jerry Garcia delivers a bevvy of slick electric guitar fills and Bill Kreutzmann, once again the sole drummer, doesn’t miss a beat while belting out the rhythm. After some now-customary extended post-song tuning, Kreutzmann initiates the opening drum pattern for “Cumberland Blues.” The harmonized vocals are a little delayed in joining in at first but Garcia makes up for this with another effortless run up and down the fretboard and the rest of the song goes off without a hitch.

    Afterwards, Pigpen gets his first taste of the spotlight, leading the band through a quick take of “Next Time You See Me,” replete with its typical blues-infused harmonica solo that’s matched by one from Garcia on guitar. Garcia then reclaims the mic for the fledgling Dead tune “Bird Song,” a song played every night of this last run at The Cap except for the opening one. Between verses, Garcia finesses a patiently melodic solo with Kreutzmann nailing the signature syncopated drum beat for a song that would go on to become a live Dead staple.

    The Dead then trot out a fairly new cover selection in their live repertoire, “Me And Bobby McGee,” a song popularized by the great Janis Joplin on her iconic Pearl album that was released just last month shortly after her death in October of 1970. Weir belts out the lead vocals with aplomb with Garcia adding a tender touch to the harmonies. “Bobby” is then followed by “Bertha,” one of the few songs to make an appearance at every night of this run as the Dead continue to hone another soon-to-be classic.

    Pigpen, now warmed up sufficiently, adds his signature bluesy drawl to the mix with a spirited take of “Hard To Handle” that provides the first real opportunity for some brief opening set jamming, of which Garcia and company take full advantage. The music slowly reaches a psychedelic crescendo before Pigpen reels it back in. This is followed up by “Loser,” another new Dead song that made its live debut at this final run at The Cap. Garcia sounds emotionally invested in the lyrics for yet another another song that involves a high stakes cards game, along with “Uncle,” before laying down a brief solo that fits the mood perfectly.

    Dead Cap

    The Dead gear up for the stretch run of the first set with several minutes of more extended tuning before launching into “Playing In The Band,” another song still very much in its nascent phase after being debuted on the first night of the run. Like that one, it still doesn’t yield anything in terms of exploration or an extended jam. This would be left to the first set closing sequence that begins with another Kreutzmann-fueled drum pattern before Pigpen jumps in on vocals for a cover of “Good Lovin’.” With the first verse complete, the lead then shifts back to Bill The Drummer for an extended one-man drum solo. It’s an impressive display of rhythmic wizardry that changes tones and speeds with ease, before Garcia slyly re-enters the mix, soon followed by the rest of the band. It’s a precursor for the even more psychedelic “Drums” > “Space” sequences that would be a signature of live Dead shows in the years to come. Literally built from the ground up, the jam slowly begins to take on a more solid state and morphs back into the ending of “Good Lovin’.” It caps off a first set that, overall, has a very mellow vibe to it, perhaps as a result of coming at the end of an epic six-show residency or just due to the comfort level that the Dead had established by now at The Cap, with the answer likely lying somewhere in between.

    Dead Cap

    The second set immediately seems to shift gears, beginning with a funked out, wah-heavy “Sugar Magnolia that has plenty of groove to it. Although this lively mood doesn’t last long, instead it sets the stage for the return of Pigpen and his “harp” for an extremely mellow and drawn out cover of Slim Harpo’s “I’m A King Bee.”

    The Dead then begin to liven things back up again, starting with “Greatest Story Ever Told,” yet another song that can cite this run at The Cap as its birthplace in the live setting. Instead of stopping there, they segue right into a cover of “Johnny B. Goode” afterwards. Another new addition to the band’s catalog follows in “Deal,” only the second one ever performed live and much slower than the format it would go on to develop. Bob Weir then livens things back up again with vocals that border on screaming for the better part of “New Minglewood Blues.”

    The rest of the band then ably backs up Weir on the “Truckin’” that follows this which also elicits one of the better jams of the evening, with Phil Lesh helping navigate the complex rhythms beneath some powerful guitar licks supplied by Garcia.

    Just as they had the opening night of the run, The Dead then throw in a late second set sequence of “Not Fade Away” > “Goin’ Down The Road Feeling Bad” > “Not Fade Away.” The “meat” of this particular sandwich is stretched out nicely and serves as a true testament to the band’s ability to shift between the serene and the psychedelic with utter ease. With one last bullet in the chamber, the band then places Pigpen center stage once more for an absolutely classic take of “Turn On Your Love Light” that ebbs and flows with a classic Pig “rap” thrown in the middle for good measure.

    It’s a more than fitting end to this legendary six-show run at The Cap. The Dead would go on to play throughout New York State for the rest of their career, performing at other theaters and eventually arenas, but never again would they grace the stage in Port Chester.

    The entire show is available to listen to below and also at Live Music Archive

    Grateful Dead Capitol Theater – Port Chester, NY 2/24/71

    Set 1: Casey Jones, Me And My Uncle, Cumberland Blues, Next Time You See Me, Bird Song, Me And Bobby McGee, Bertha, Hard To Handle, Loser. Playing In The Band, Good Lovin’ > Drums > Good Lovin’

    Set 2: Sugar Magnolia, I’m A King Bee, Greatest Story Ever Told > Johnny B. Goode, Deal, New Minglewood Blues, Truckin’, Not Fade Away > Goin’ Down The Road Feeling Bad > Not Fade Away > Turn On Your Love Light

    View this and more Grateful Dead shows from across the years in New York State with our interactive map below!

  • David Byrdie Releases A “Folked Up” Cover of Bowie’s “Let’s Dance”

    Every wonder what David Bowie classics might sound like if they were reset to the jingle jangle style of America’s folk-rock pioneers, The Byrds?  Now you can thanks to “mysterioso rocker” David Byrdie has a new mashed up cover of the Thin White Duke’s 1983 # 1, “Let’s Dance.”

    David Byrdie

    Byrdie is actually a nom de sound of Jeff Keithline, a Woodstock-based bassist best known for his stints with the bluesy Jon Butcher Axis and the band Silverado.  His new cover merges Bowie’s lyrics and layered vocal style with the driving music of The Byrds’ 1967 hit, “So You Want to Be A Rock’n’Roll Star.” For good measure, the tune’s outro even features a quote from John Coltrane’s “A Love Supreme.” This is the jazz masterwork that helped inspire the style of this Byrds’ mid-career classic and their even more modal and improvisatory “Eight Miles High.”

    Byrdie/Keithline plays all the instruments on the track.  He does a fantastic job of nailing and marrying the many stylistic flavors of these two rock icons – from The Byrds’ jangly 12-string guitaring to Bowie’s over-the-top vocal delivery and stacked harmonies.  The single, which will hit the artist’s Bandcamp site March 1, has been preceded by a playful video produced by Tonus Maximus (aka Anthony Sunseri).  It boasts a boatload of psychedelic visuals, the spirited go-go dancing by Hudson Valley choreographer Laura V. Ward and Byrdie himself, who looks like a cross between White Album-era John Lennon and the bearded L.A. bass legend Leland Sklar.  There is also a second video up now on YouTube where a costumed Keithline provides the humorous (and entirely fictional!) backstory on his musical alter-ego.

  • The Dead Unleash A ‘Beautiful’ Array Of Debuts At The Cap: February 18, 1971

    Today marks the anniversary of the start of The Grateful Dead’s fourth and final residency at the Capitol Theater in Port Chester. Affectionately known as “The Cap,” this small theater certainly helped build the legacy of The Dead in New York and beyond. The first show here in 1971 may well be a leading cause of this. Not only does it offer a host of songs from the recently released and acclaimed American Beauty album, it also features a wealth of brand new songs that made their live debut this evening and would become concert regulars in the years to come. Throw in one of the most “beautiful” pieces of collective improvisation that the band has ever played and you’ve got a show for the ages right here.

    Dead Cap

    This legendary run at The Cap starts off with a new song that’s soon to become a Grateful Dead staple, a rip-roaring “Bertha.” It’s only the third one ever played after two live performances in December of 1970 and the first time it’s ever opened a show. It seems a little quicker than its customary tempo, with Jerry Garcia and Bob Weir nailing the harmonized vocals. After a presumable audience request for “Casey Jones,” Jerry Garcia notes the next song “isn’t driving a train, but it’s almost as good” before the Dead launch into “Truckin’.” This American Beauty tune has a little more experience under its belt in the live setting and an extremely crisp and cohesive version ensues, with a short bluesy jam spearheaded by Garcia on the tail end. Batting in the third spot this evening is Pigpen, who steps up to the plate, harmonica in tow, and maintains the early blues vibe with a classic rendition of “It Hurts Me Too.”

    After some more post-song extended tuning, a tradition Weir notes is “older than music itself,” Garcia jumps back on the mic and leads the band through another new number. This time it’s “Loser,” the first one ever performed live. It’s a well honed version that’s again a little faster than its successors but played beautifully (a sign of things to come) with a hair-raising guitar solo thrown in by Garcia. A chatty Bob Weir then begs for indulgence from the audience for another brand new song to follow that winds up being “Greatest Story Ever Told.” It’s a quick take that fizzles out shortly but instead of more post-song tuning, the Dead keep it going and immediately segue into a cover of Chuck Berry’s “Johnny B. Goode.”

    Weir maintains his presence on lead vocals for the cautionary tale of “Mama Tried” that follows before handing the baton back to Pigpen for his signature cover of Otis Redding’s “Hard To Handle.” This yields another significant blues-inspired jam with drummers Bill Kreutzmann and Mickey Hart helping set the pace. What follows this may be one of the most awe inspiring and notable sequences of Grateful Dead music in their storied history. It’s a “Wharf Rat” sandwich with two mesmerizing slices of “Dark Star” serving as the bread. “Dark Star” starts off extremely patient and melodic before Garcia comes in with the opening verse. After petering out into full ambience, Garcia seems to hit the opening note of “St. Stephen,” which often followed “Dark Star” in this era, but instead the Dead collectively turn on a dime and unleash another newcomer with the heartfelt and poignant first ever “Wharf Rat.” As it comes to end, the second serving of “Dark Star” emerges. But before it truly begins, the Dead continue to noodle around and steer the music into a joyous, euphoric piece of improv that’s simply known as the “Beautiful Jam.” This serves as the vessel that carries the music back into “Dark Star,” which completes this awe inspiring section of music that’s included on the Dead’s five-disc So Many Roads the celebrates the band’s entire career.

    Many years later, bassist Phil Lesh seems to be brought almost to tears after listening to this heralded piece of music from The Cap thanks to Dead historian David Gans.

    Somehow this doesn’t even complete the first set this evening. The Dead throw in a “Me And My Uncle” to close it out and earn themselves a well-deserved set break. The band emerges from this clearly in high spirits, giving some recommendations for the house light settings before starting the second set with an energized “Casey Jones” aka “that train driving” song. This sets the stage for yet another live Dead debut at The Cap that would go on to be an integral part of their history: “Playing In The Band.” It stays pretty close to the vest and doesn’t produce a drawn out, show-defining psychedelic jam like future ones will, but all the signs of a live show staple for years to come are there.

    Dead Cap
    Photo by Peter Corrigan

    Weir stays on lead vocals for the cover of “Me And Bobby McGee” that comes next before Garcia takes over for another number from American Beauty with a vintage rendition of “Candyman” that even includes harpsichord-like fills from Pigpen along with some more soulful vocal harmonies.

    Pig then gets to take lead one last time and rips through another blues cover, this time it’s Jimmy Reed’s “Big Boss Man.” Then the last Beauty song of the evening emerges in “Sugar Magnolia.” It’s another fairly short yet explosive take that sees Garcia using the wah-effect on electric guitar to its full capabilities. This gets a warm reception from the Cap crowd, surpassed only by the one that the beginning notes of the “Saint Stephen” that follows receives. With the “William Tell Bridge” shelved as of 1969, instead Kreutzmann and Hart lead the percussive-heavy charge into “Not Fade Away” as the second set’s closing sequence begins to unfold.

    The Dead offer up one final sandwich to The Cap with a “Goin’ Down The Road Feeling Bad,” replete with Weir’s wailing vocals, that feeds right back into “Not Fade Away.” And to cap things off (no pun intended), the music then immediately flows into a show closing “Uncle John’s Band” that’s played to perfection. Although there would be another five shows still to come in Port Chester, this one serves as the end of an era of sorts, with drummer Mickey Hart leaving the band the following day for his three-year self-imposed hiatus.

    Grateful Dead Capitol Theater – Port Chester, NY 2/18/71

    Set 1: Bertha, Truckin’, It Hurts Me Too, Loser, Greatest Story Ever Told > Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star > Wharf Rat > Dark Star > Me And My Uncle

    Set 2: Casey Jones, Playing In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen > Not Fade Away >Goin’ Down The Road Feeling Bad > Not Fade Away > Uncle John’s Band

    The entire show can also be found on YouTube.

  • Marco Benevento’s Nostalgic New Single “Winter Rose” Out Today

    Marco Benevento has shared his newest single “Winter Rose,” one that will make you want to get up and dance and is a breath of fresh air, something listeners can tune into while commuting, dancing, or just relaxing. This song is not age or gender specific, but rather provides a joyful essence for everyone. This single has five minutes of psychedelic soul that brings about a beacon of hope, celebration, Summer and more.

    Marco Benevento

    Winter Rose is not the only music MArco Benevento will provide for his listeners this year. He is currently finishing a studio album that will be ready for release this summer. Considering his latest single is a reminder of better times, the upcoming album may have the same vibe.

    In the meantime, Benevento and his band members, bassist Karina Rykman and drummer Dave “DB” Butler, are set for tour, beginning this month. They will first stop in Philadelphia’s Ardmore Music Hall and end in Quincy, California’s High Sierra Music Festival in July.

    Winter Rose is co-written by lyricist and poet Al Howard, who also played a role in Benevento’s single, “At The End Or The Beginning.” As of today, Winter Rose is now available through a variety of streaming platforms which can be found here.

    Marco Benevento Tour Dates

    February 25 – Ardmore, PA – Ardmore Music Hall
    February 26 – Washington, DC – Union Stage
    April 7 – Cambridge, MA – The Sinclair
    April 8 – Burlington, VT – Higher Ground
    April 9 – Fairfield, CT – Stage One
    June 26 – Rothbury, MI – Electric Forest Festival
    July 1 – Scranton, PA – Peach Music Festival
    July 3 – Quincy, CA – High Sierra Music Festival

  • Phish 2022 Summer Tour Includes Stops at Bethel Woods, Jones Beach

    Phish will head out on a massive 34-date 2022 Spring and Summer Tour, kicking off Memorial Day Weekend in Alabama, and including their first four-night run at Dick’s Sporting Goods Park in Colorado over Labor Day. Phish will also play a pair of two-night runs in New York, with shows at Bethel Woods Center for the Arts over July 22-23, and at Northwell Health at Jones Beach Theater on July 26-27.

    phish summer tour 2022

    Phish last performed at Bethel Woods Center for the Arts in May of 2011, with three memorable shows including an incredible soundcheck of “Waves.”


    Phish are no strangers to Jones Beach, having performed there 14 times since 1992, including opening up for Santana at the fabled Long Island venue. Read our look back at the two-night run at Jones Beach in 1995.

    A ticket request period is currently underway at tickets.phish.com and will end on Friday, February 25th at Noon ET. Tickets go on sale to the public beginning Friday, March 4th (continuing Saturday). Specific ticketing information for each show is available at phish.com/tours.

    Travel Packages will be offered in Bethel, Atlantic City, East Troy, and Commerce City. All packages include concert tickets and local hotel accommodations and go on sale Thursday, March 3rd beginning at 10AM ET. The Atlantic City shows will again offer a special Foundation Ticket that includes early admission, a dedicated viewing area, a Foundation lounge and bar, and early access to merchandise. A portion of proceeds from each Foundation Ticket will benefit the WaterWheel Foundation, celebrating its 25th Anniversary in 2022. For full details and pricing click here.

    Phish will take to the stage later this month with Phish: Riviera Maya set for February 24-27 and April will see Phish return to Madison Square Garden in New York City for their rescheduled four-night NYE run now taking place April 20-23, including a three-set show on April 22.

    Phish Spring and Summer 2022 Tour Dates

    5/27 The Wharf Amphitheater, Orange Beach, AL
    5/28 The Wharf Amphitheater, Orange Beach, AL
    5/29 The Wharf Amphitheater, Orange Beach, AL
    5/31 Credit One Stadium, Charleston, SC
    6/1 Credit One Stadium, Charleston, SC
    6/3 Ruoff Music Center, Noblesville, IN
    6/4 Ruoff Music Center, Noblesville, IN
    6/5 Ruoff Music Center, Noblesville, IN
    7/14 Xfinity Center, Mansfield, MA
    7/15 Xfinity Center, Mansfield, MA
    7/16 Maine Savings Amphitheater, Bangor, ME
    7/19 TD Pavilion at the Mann, Philadelphia, PA
    7/20 TD Pavilion at the Mann, Philadelphia, PA
    7/22 Bethel Woods Center for the Arts, Bethel, NY
    7/23 Bethel Woods Center for the Arts, Bethel, NY
    7/24 Xfinity Theatre, Hartford, CT
    7/26 Northwell Health at Jones Beach Theater, Wantagh, NY
    7/27 Northwell Health at Jones Beach Theater, Wantagh, NY
    7/29 Coastal Credit Union Music Park at Walnut Creek, Raleigh, NC
    7/30 Merriweather Post Pavilion, Columbia, MD
    7/31 Merriweather Post Pavilion, Columbia, MD
    8/2 Blossom Music Center, Cuyahoga Falls, OH
    8/3 Pine Knob Music Theatre, Clarkston, MI
    8/5 Atlantic City Beach, Atlantic City, NJ
    8/6 Atlantic City Beach, Atlantic City, NJ
    8/7 Atlantic City Beach, Atlantic City, NJ
    8/10 Budweiser Stage, Toronto, ON
    8/12 Alpine Valley Music Theatre, East Troy, WI
    8/13 Alpine Valley Music Theatre, East Troy, WI
    8/14 Alpine Valley Music Theatre, East Troy, WI
    9/1 Dick’s Sporting Goods Park, Commerce City, CO
    9/2 Dick’s Sporting Goods Park, Commerce City, CO
    9/3 Dick’s Sporting Goods Park, Commerce City, CO
    9/4 Dick’s Sporting Goods Park, Commerce City, CO