Live music is just now making its comeback, and on Saturday, February 26 at the Palace Theatre in Albany, everyone was absolutely ready to get back to normal. Since their visit last fall in Lake George, Twiddle hasn’t really been back to the area, and not only was it a momentous occasion for everyone who was dying to see their favorite band again, the boys from Vermont absolutely brought the heat and brought the house down alongside Midnight North.
Midnight North
Midnight North kicked things off with an incredible opening set. Their unique mix of rock, Americana, and roots music was the perfect kickoff for the evening. One thing is absolutely certain — it’s impossible to tell that the members of this band have spent most of the past two years in completely different states. It’s like they haven’t missed a beat.
Twiddle
Everyone was extra excited about the main event and their excitement was not misplaced. Not only was last night a stupendous family reunion for everyone in the crowd, but the band also has never sounded better. It seems the bands we are going to see have missed playing together as much as we have missed seeing them.
Mihali Savoulidis (lead singer/guitar), Ryan Dempsey (keys, vocals), Zdeneck Gubb (bass, vocals) and Adrian Tramontano (drums) did not let up from the first note to the last. We got some classics, some of their new songs, Gubb dumps, drum solos, and epic sit-ins with some extra special friends.
Twiddle setlist:
Set 1: Enter>Orlando’s, Syncopated Healing, White LIght, Apples, Angel From Montgomery [1]%, Stroganoff
Set 2: Latin Tang, Mildew Man > Shakedown Street [2]$, The Box, Lost in the Cold
Encore: The Devil
[1] John Prine [2] Grateful Dead % – w/Joe Cirotti & Elliott Peck $ – Grahame Lesh
On Thursday, February 24, bassist Karina Rykman will embark on the last show of her Winter Tour at Brooklyn Bowl, with Boston band Neighbor opening the night.
She’ll then look ahead to March when she heads out on a cross-country tour for most of March, opening for Pigeons Playing Ping Pong. In April she’ll be on the road with Too Many Zooz, including an appearance at Lark Hall on April 23.
Can’t believe my band will get to play in so many amazing places we’ve never been before. Here’s the list for Winter/Spring. Thanks so much for having us Pigeons Playing Ping Pong, TOO MANY ZOOZ, The Infamous Stringdusters The California Honeydrops!
Karina Rykman on Facebook
Rykman also plays bass with Marco Benevento, taking the role from JRAD and Ween bassist Dave Dreiwitz, and building a name for herself over the past few years. Whether she is soundchecking iwth Phish at Madison Square Garden, playing in the backing band on America’s Got Talent (in front of Howard Stern and co. at Radio City Music Hall), playing with Everyone Orchestra, or forming her own band, Karina is a force in the New York City jam scene, and beyond. She recently released two singles in 2020 – “City Kids” and “Dirty South”, and continues to perform live with her band, with 2022 looking as bright as ever.
Get the scoop on Karina’s bass rig with her feature in NYS Music’s Behind the Gear series.
Tickets for Rykman’s solo debut at Brooklyn Bowl in Williamsburg with Neighbor can be found here. All other shows are now on sale here.
Karina Rykman Spring 2022 Tour
2/24 – Brooklyn, NY • Brooklyn Bowl (with Neighbor) 3/3 – Houston, TX • White Oak Music Hall * 3/4 – Dallas, TX • The Echo Lounge & Music Hall * 3/5 – Austin, TX • Emo’s * 3/8 – Phoenix, AZ • Marquee Theatre * 3/9 – Flagstaff, AZ • The Orpheum Theater * 3/10 – San Diego, CA • The Observatory North Park * 3/11 – Los Angeles, CA • The Belasco * 3/12 – Berkeley, CA • The UC Theatre * 3/15 – Crystal Bay, NV • Crystal Bay Casino Lake Tahoe * 3/17 – Bend, OR • Midtown Bend * 3/18 – Portland, OR • Crystal Ballroom * 3/19 – Seattle, WA • Neptune Theatre * 3/20 – Seattle, WA • Neptune Theatre * 3/24 – Chicago, IL • Lincoln Hall + Schubas 3/25 – Indianapolis, IN • LO-FI Lounge 3/26 – Ferndale, MI • Otus Supply 3/27 – Cleveland, OH • The Beachland Ballroom and Tavern 4/21 – Burlington, VT • Higher Ground ^ 4/22 – Portland, ME • Aura ^ 4/23 – Albany, NY • Lark Hall ^ 4/25 – Morgantown, WV • 123 Pleasant Street ^ 4/26 – Charlottesville, VA • The Jefferson Theater ^ 4/27 – Greensboro, NC • The Blind Tiger ^ 4/28 – Asheville, NC • The Grey Eagle ^ 4/29 – Atlanta, GA • SweetWater 420 Festival 5/26 – Morrison, CO • Red Rocks Park and Amphitheatre º * Pigeons Playing Ping Pong ^ TOO MANY ZOOZ º The Infamous Stringdusters & The California Honeydrops
Black Theatre Troupe of Upstate NYhas announced their latest production “The Light”, with performances at Lauren and Harold Iselin Studio at Capital Repertory Theatre (theREP), during March 3-6 and March 10-13, 2022.
BTTUNY was founded in 2009 by veteran actor Jean-Remy Monnay for the sole purpose of promoting communities of color. Monnay wished to foster understanding, appreciation and participation within the theater, as well as give a voice to the unheard.
Considering their headquarters is in the NYS Captial Region, a populated and industrialized region, the overall mission of the Black Theatre Troupe is benefited, since the audience reach is vast. The Lauren and Harold Iselin Studio at the Rep is located at 251 North Pearl Street in Albany. This will be BTTNY’s second show there since Monnay has been an Associate Artist.
“The Light” is about a relationship between a couple by the name of Rashad and Genesis. Unfortunately, all the love may come to an end after a marriage proposal does not go as planned. Buried accusations from the past are brought to life and lead to turmoil within their relationship. The million-dollar question is will their love prevail after the truth is revealed?
Tickets for this event are located on the BTTNY website. General admission is $20 and for students/seniors it is $15.
John Mayer hit the MVP Arena on Thursday, February 19 for the opening of his much awaited Sob Rock Tour, promoting his most recent album by the same name. The stage design and look of the show gave off the ’80s aesthetic that Mayer has aligned Sob Rock with, invoking the decade of analog, windbreakers and neon.
Chicago-born Alexander 23 opened the show with an incredible 11-song set. Playing a good mix of songs off his just-now released (02/19/22) album Oh No, Not Again! he was an excellent crowd warmer. “Cry Over Boys” and “Brainstorm” were especially fun to dance along to.
When John hit the stage the room filled with cheers of excitement and love for the artist. Opening with “Last Train Home,” the first single from the new album, the legend addressed the audience, “Albany, welcome to the Sob Rock era.” From that moment, the crowd was locked in for a full night of new and classic favorites.
John Mayer has carved himself a place in music history, known for his smooth voice, and blues inspired guitar playing, which was plentiful during the show. His love for playing music is always apparent while he is on stage. The whole show combined the sing-along energy of your favorite popstar’s concerts and the groove of your favorite jam show. Mid-way through the show he told the audience very seriously, “We are prepared to make you move.” And move they did, everyone was on their feet the entire night.
Just as integral to the night was Mayer’s backing band. One highlight includes a jam-battle of John vs. his keys player, Greg Phillinganes, on keytar during a particularly jam-heavy “Helpless.” The audience was also lucky enough to hear perhaps John’s most famous song “Your Body is a Wonderland,” played for the first time with a full band. The song, a classic, was made anew by the full band accompaniment. Even John acknowledged this telling the audience, “Only a band like this could make a song feel that good.” The full arena singing along certainly helped, too.
One fan received a special shout out during the show when John pointed them out saying, “This person understood an assignment that hasn’t even been given yet!” The audience member donned 80’s inspired gear, Walkman attached to them. John was so delighted by this he even took a minute to get the camera on the fan who showed off their look with pride to the audience.
You could sense John was grateful to be there, like many artists who have had their live-touring plans disrupted or delayed these past two years. He even took a minute to share his gratitude with the crowd. “A lot of things have changed in the world, your tastes have changed, but you decided to come back and listen to these songs, and that means the world to me.” Which he followed with an early fan-favorite from his Continuum album, “Gravity,” while audience members held up phone flashlights to make the room sparkle. Even in a full arena, this moment felt intimate and special. The full show ended with an encore, including songs “Born and Raised” and “New Light.”
There was excitement and admiration as the audience left the arena following the show. John Mayer is known for his charisma and ability to make people fall in love with him over and over again. There is no doubt that he had succeeded at this once again during this Thursday night show in Albany.
This was the first stop on the Sob Rock national tour. Mayer heads to NYC for a two-night run at Madison Square Garden on February 20 and 21 and will be back in New York State on March 1 at the UBS Arena in Belmont Park, NY. Check out the full list of dates for the Sob Rock tour here. And if you attend one of the shows – don’t forget your Walkman!
Setlist: Last Train Home, Shot In The Dark, I Don’t Trust Myself With Loving You, Who Says, Love On The Weekend, Moving On And Getting Over, Shouldn’t Matter But It Does, Rosie, I Guess I Just Feel Like, Helpless, Stop This Train, In The Blood, Carry Me Away, The Beautiful Ones @, Slow Dancing In A Burning Room, Your Body Is A Wonderland, Wild Blue, All I Want Is To Be With You, Waiting On The World To Change, Gravity Encore: Born And Raised, New Light
The Pine Boys are an electric combination of alternative rock, funk and hip-hop from Albany releasing their new album Vacationland today, February 18th.
These artists provide such a unique musical interpretation with a blend of character-driven storytelling and memorable guitar riffs. The group was founded by multi-instrumentalists, Brett Maney and Andrew Cerone, in 2016. When they started playing live in 2019, they added their longtime friend Sam Lasky on the instrument, the keytar, since they have been together, they have released 6 albums and played all over Upstate NY, anywhere from basements to bars.
The Pine Boys Live
Many of their songs are part of an interconnected universe set in the fictional town of “Vacationland,” this is the groups hometown and place of origin. This is also the mindset that you need to have when you see them live. Seeing a live Pine show should serve as a time to take a vacation from your normal reality and temporarily venture into their world.
The Pine Boys “Vacationland”
Their top song on Spotify, “Electric Minnow,” provide a mixture of funky guitar riffs along with a catchy rhythm throughout the song. By blending a hip hop style of lyrics with indie sounds, the band creates a unique blend of music.
Other songs like “Fat Al” are melancholy but have a funny twist. Throughout listening to the song, the guitar has a shadowy feeling yet satisfying because of how beautiful it is played. “If Walls Could Talk,” “Enter the Sauce,” and “Duneman” have made their top 5 despite being all on different albums. Each provides different genre mash which they include throughout their peruana of “Vacationland.”
In mid-March 1992, Greg Bell and Dale Metzger set up the first of many shows at Victory Café in downtown Albany with a band that would soon name themselves MotherJudge and the Urban Holiness Society. No one remembers the exact date of that show, but a few weeks later Bell and Metzger, calling themselves “Two Fools Present,“ put on another show at the Masons Hall on lower Madison Ave. on April 2, 1992.
Greg Bell
The bands that performed that night were The Sharks, Hard Times, MotherJudge, and Brian Kenny and Friends. Those two shows kicked off a career in music promotion that has now entered its 30th year. In 1993, Bell joined forces with Jeff Guthrie and formed Guthrie/Bell Productions. Guthrie left the business after a few years but Bell continues to use the name today. As of January 2022, Bell took on Kim Neaton as his partner.
Three shows announced this week feature a range of acts that have been important to both Greg Bell and the local music scene over the last three decades.
Eastbound Jesus
March 25th
Three bands that encapsulate the greater Albany jam sound features ‘Northern Rock‘ group Eastbound Jesus, rising jam band Glass Pony, and jam rock band Wreckloose – The Cohoes Music Hall – Doors at 7pm, Music at 7:30pm
April 9th
For the first time in 33 years, The Sharks will reunite with 6 of the 7 original members (Tom D’Ambrose passed away in 2019) and the first time in 21 years since the remaining 5 members played together for a show. Johnny Rabb and The Jailhouse Rockers with special guests will open the show.
The Sharks w/ Johnny Rabb and the Jailhouse Rockers – The Hollow – Doors at 7pm, Music at 8pm .
Vinnie Amico, Rob Derhak, Al Schnier
April 23rd
On this night fans will be treated to a show they might have stumbled across at Valentine’s in the early-mid 90s. DAS Trio (featuring Rob Derhak, Vinnie Amico, and Al Schnier), The Seapods, Conehead Buddha, Dr. Jah and the Love Prophets – Empire Live – Doors at 6:30pm, Music at 7pm
It wasn’t quite Valentine’s Day, but on the evening of February 11th at The Hollow in Albany, it felt like a holiday nonetheless. For night one of their two-night run, The Seapods made their long-awaited and triumphant return with a rare treat — a reunion show for the hungry masses.
Night One of the Seapods
From beginning to end The Seapods absolutely brought the heat and it was impossible to tell they have only played together a few times over the past two decades. They knew we were hungry too, so this band packaged and delivered three whole sets of delicious and filling music. Each set was a slightly different tone from the last. It was a veritable feast and everybody left feeling full and very satisfied.
Set one started out with Max Verna (guitar, vocals) solo. He was later joined by Tom Pirozzi (bass), Brian Mangini (keyboards), and Ted Marotta (drums) with a special sit-in during set two by guitarist Todd Pasternack.
This was my first time seeing The Seapods perform and I was enchanted immediately by the fact that every single band member up there looked like they were having the time of their lives. These dudes absolutely love what they do from the bottom of their hearts and it’s contagious. Everyone in the crowd had a blast too.
Friday, February 11 Setlist
Set 1 (Acoustic): Stephen O’Rourke She Makes The Journey Millworkers’ Lament Long Black Veil (Lefty Frizzell) Something Like Olivia (John Mayer) It Takes A Lot to Laugh, It Takes A Train To Cry (Bob Dylan) Matchmaker Guardian Angels Sunrise Branch’s House Switchblade (Marv Albert) Set 2 (Electric Set 1): Theme For Another Enlightened Rogue > Keep In Mmind Token Time > The Guide To Roadside Ecology Here To Remind You Money To Burn The Pull From Adirondack Blue > Till Then Reelin’ In The Years (Steely Dan) Set 3 (Electric Set 2): Waiting 4 Da Bomb To Drop > Schizophrenic Rain Josephine’s Grand Motion > Jet Smooth Ride John Henry’s Hammer Sneakin’ Sally Through The Alley (Allen Toussaint) Blackberry Brandy Encore: Get Out Of My Life Woman (Allen Toussaint) Can’t You Hear Me Knockin’ (The Rolling Stones)
Night One Photo Gallery
Night Two of the Seapods
On Saturday, February 12, the Seapods came back for night two of their two-night run at The Hollow in Albany. I wouldn’t have thought it possible to impress me more than they did on night one, however, this shockingly talented group of musicians blew me away yet again on night two.
Bluegrass, Rock, and Everything in Between
Set one on night two was a lovely warm-up of our souls with some bluegrass to get us all in the groove. It wasn’t just any old set of bluegrass, though. We had electric banjos and several sit-ins as well. Sam “Zucchini” Brewton sat in on drums; Crick Diefendorf on banjo and guitar; and Josh Himmelsbach on mandolin.
Set two was pretty stacked with some rocking tunes. The high-energy set left everyone wondering where The Seapods could possibly go for set three. Well, set three was absolutely the cherry on the sundae. It was all about the long jam and it could not have been a more perfect ending for a delightful two nights of music.
Saturday, February 12 setlist
Set 1 (Acoustic): John Henry’s Hammer (Max solo banjo) Shady Grove (traditional) Pig In A Pen (traditional) Dire Wolf (Grateful Dead) Galway Girl (Steve Earle) Rocky Top (Osborne Brothers) Oberon And Titania Ruby Red Josephine’s Grand Motion The Pull From Adirondack Blue Set 2 (Electric Set 1): Michael Murphy Rusted Michael Murphy 3 Until I Break That’s How They Got Along Stephen O’Rourke > La Fiesta! If I Had A Smile Cary Suite Anything Is Possible Set 3 (Electric Set 2): Animal > What’s The Buzz? (Jesus Christ Superstar) > Passengers en Route > Gunshot Static > Somedays Leaving The Monopole Jump For Joy (Kingfish) Encore: Ship
This past Friday, February 11, Plush headlined their first show in the Northeast for a sold out Empire Live crowd. The band, led by Capital District native, Moriah Formica, were marking the release of their debut self-titled album. Plush’s lineup also includes Brooke Colucci on drums, Bella Perron on guitar, and Ashley Suppa on bass. The young rock band’s set included 12/13 songs from the album and a fantastic cover of Heart’s Barracuda.
Empire Live’s Underground space was packed from wall to wall, and there were fans of every generation present, from old metal heads all the way down to kids who could have been at their very first shows. Plush’s songs resonate with all types of listeners; their lyrics often touch on the struggles of heartbreak while being driven by heavy instrumentals and powerful harmonies. For their entire set, Plush was cheered on by a high energy crowd that recognized the talent they were witnessing. This talent included a a solo drum intro by Brooke that you can see below.
Plush released their first single ‘Hate’ back in February of 2021, and the song went on to reach as high as number 24 on Billboard’s Mainstream Rock Chart. You can listen and watch the music video on YouTube. Since releasing ‘Hate,’ Plush has been on the road opening for acts like Evanescence, Halestorm, and SevenDust. For this show though, the band had Vendetta Rose and Alborn opening in front of Moriah’s hometown crowd.
In the coming weeks, Plush will be hitting the road with rock and guitar legend Slash. Their tour currently has Northeastern stops set for New York, Massachusetts, and New Jersey. You can find Plush’s upcoming tour dates on their website.
Setlist: Athena, Champion, Found A Way, Sober, Sorry, Bring Me Down, Walk Away, Don’t Say That, Better Off Alone, Will Not Win, I Don’t Care, Hate
Albany band Sly Fox And The Hustlers today release their newest single, “Find Someone,” perfectly timed for Valentine’s Day. The new single is the lead off their upcoming album which drops in May. “Find Someone” is a groovy rock tune that will get you moving on your feet, the basis of the which goes into Sly’s story on how to get over your past failed relationships in search for your true soul mate.
Sly Fox And The Hustlers are a very multidimensional rock band as they bring different variations of the genre to the table. Their prior songs such as “Forever Young,” “Home by Mornin’,” and “Heart and Soul” exemplify all different tempos within the rock genre while blending some country, funk, and blues influence. These three songs will definitely build your anticipation for their new upcoming single.
“Find Someone” was mixed by Tim Lynch from The Recording Company and mastered by Brian Lucey from Magic Garden Mastering, and will be available on all streaming platforms. You can catch Sly Fox and the Hustlers this May in Philadelphia at The Fire, and on May 21 at Rockwood Music Hall in NYC. For more info, visit Sly Fox and the Hustler’s website.
What is it about Upstate New York winters that makes musicians bring their multi-colored California concepts here to heat things up? 41 years ago, Jerry Garcia Band came to be an act for the Lake Ontario sound at Laker Hall on the SUNY Oswego campus February 17, 1980. And next week, February 17, 2022, John Mayer opens his Sob Rock Tour at Albany’s MVP Arena.
This marks the fourth time he’s shedded on the Hudson River for a tour opener. Mayer played his first Dead and Company show on Pearl Street in 2015. Matthew Romano spoke with Mayer on an episode of Tales From The Golden Road (Easter 2016) about the journey.
John Mayer Archival Tales From The Golden Road Radio Transcript Sunday March 27th 2016 (8:35 minutes long from Easter 2016 before Dead and Company Summer Tour 2016). The original audio includes Bob Weir calling in to the show “as Biff from Cabo” that’s also featured on the broadcast.
MR: With your notorious blues background are you excited to tackle songs like “Wang Dang Doodle,” “New Speedway Boogie” and “Viola Lee Blues?” To bring your own texture and vibe to them?
John Mayer: Not completely. It’s a great question. So it’s the same blues shape on the guitar neck… but your intentionality is completely different. That was the R&D of it for me. It’s more meditative. It’s a little Hendrixy.
MR: Very fitting that the first notes you and Oteil Burbridge channeled with Dead and Company in Albany was “Playing In The Band.” What a composition you guys continue to improvise the moment with still.
John Mayer: Yea I wrote this very cinematic intro to playing in the band that night. One of the things I’ve realized is so instrumental, no pun intended, in people vibing with the music is the fact that it’s very sequential in the way it moves up and down. So it’s like a flow. You know? It’s very ascending and descending. That’s what allows people to get on it and ride it.
MR: Ride the wave.
John Mayer: Yea. The music got really tense and then just opened up, it was the only time we ever did it but I like how it was the birth of the band.
John Mayer: I was speaking with Eddie Kramer who was famous for engineering the Jimi Hendrix records and still oversees the live records and stuff. I told him that Garcia and Hendrix were similar. They were both able to divorce themselves from consciousness while playing. A song like “Viola Lee Blues” I can really pull the Hendrix thing into it. It’s not that different. It’s a mixolydian thing that’s a different cut of the saw. Straight blues kind of wilts.
Tales From The Golden Road: It’s the blues but it’s also a Grateful Dead song.
John Mayer: It’s blues that’s been put in a different shape by a blacksmith. It’s like a pounded chicken. What do they call that?
Tales From the Golden Road: Spatchcock!
John Mayer: It’s Blues that’s been tenderized.
MR: It still has that grease to it though.
John Mayer: Yea that’s right.
John Mayer: The good part of the first Albany show was kind of spent with arms kind of crossed. Then at some point they came down and it was like ok he’s got it. Now that we have that relationship with the crowd we can just go in from the down beat and get to know each other.
Tales from the Golden Road: It’s like that great line Bobby has about the Grateful Dead Music, “We state a theme and take it for a walk in the woods.” Then while you’re taking a walk in the woods, is this going somewhere?
John Mayer: The quotable Bob Weir. I’ll tell ya, I’ve learned so much from these songs and guitar playing from Jerry and this music.
Tales From The Golden Road: You’re going to school all the time while you’re playing this music.
John Mayer: “Here Comes Sunshine “off the first Dick’s Picks is maybe the greatest guitar playing I have ever heard in my life. There’s two solos and they are the most sustained, genius. They are just up on the wave. It never broke.
The Jerry Garcia Band once held class for Oswego State University on February 17, 1980. The two J’s sounds are a nice hybrid. Mayer’s “Dear Marie” is Garcia’s “Althea.” John Mayer, Pino Palladino, Steve Jordan, and Chick Corea once clocked in “After Midnight.”
Expect some funk with guitarist Isaiah Sharkey of D’Angelo at the Sob Rock tour debut as well. John Mayer and Bob Weir funked out Jerry Band’s music with Lettuce as well. Like Oteil Burbridge told NYS Music in Miami Beach.
Well I mean there’s so much funk in The Grateful Dead’s music. The Jerry Band’s music. It’s just like there for the picking so I just lean in to it
Oteil Burbridge
The Jerry Garcia Band visited Oswego, NY on February 17, 1980 before a Grateful Dead tour. A then 37-year old Garcia had his second touring band outside the Grateful Dead since collaborating with Howard Wales on Hooteroll? His tiger quartet set up on the bandstand was inside a toasty Laker Hall. The comfortable corridor of Route 104 runs alongside it overlooking Lake Ontario. Three hours of music played to around 1,420 heads in a general admission hockey rink. Wild Blue on a bed of grey.
The landscape helped paint the setlist with classics like “Catfish John” & “Positively 4th Street.” Outside the wooden room cast musical snow angels on the lake’s banks. This heater includes one of Senor Garcia’s sweetest improvisational moments when the “After Midnight” launches into Eleanor Rigby. Only one year of tape has that jam.
In a 1981 TV interview Garcia was asked, “What are the virtues playing with your own band compared to the Grateful Dead?” Jerry responded, “It’s a real resonant consonance experience, it’s harmonious, everybody’s musical taste is similar to my own, ya know? And our concept of what music should be. We have an accord, so my band is playing the kind of music that I think of the way music is constructed, in terms of the roles and the instruments. The Grateful Dead is interesting because everyone has a different concept of what music is about which creates a lot of friction and tension to it.”
Jerry Garcia interview with David Gans & Blair Jackson in A Record 1982 print publication:
Jerry Garcia: When we started working on “The Eleven” back in the late 60’s we’d spend hours playing groups of eleven, to get used to that phrase and musical patterns. Then play them over and over again.
Record Magazine: In an almost academic way?
Jerry Garcia: Oh yea, in a real academic way.
We had to do it. You can’t play confidently and fluidly in those times with really knowing what you’re doing.
Jerry Garcia
Jerry Garcia Band Set List, Laker Hall, Oswego, NY February 17 1980
Set 1: I’ll Take A Melody, Friend Of The Devil, How Sweet It Is (To Be Loved By You) Catfish John, Deal, Positively 4th Street, That’s All Right, Mama
Set 2: Money Honey, Sitting Here In Limbo, Let It Rock, After Midnight > Eleanor Rigby Jam > After Midnight, It Takes A Lot To Laugh, It Takes A Train To Cry, The Harder They Come
