Category: Rock

  • Bobby Weir Announces “50th Anniversary of Ace” with Two Nights at Radio City Music Hall

    Bobby Weir and Wolf Bros have announced their two night stand at Radio City Music Hall, in celebration of Ace’s 50th anniversary. The special performances will be taking place April 2-3, 2022.

    Bobby Weir

    The two night stand will feature performances of Grateful Dead classics that were written by Weir, including ‘Greatest Story Ever Told’, ‘Cassidy’, ‘Playing In The Band’, ‘Looks Like Rain’ and more. These shows will feature several unannounced special guests, including The Wolfpack, which consists of a dedicated strings section.

    Released on May 1, 1972, Ace was Weir’s first solo album, although many consider it a Grateful Dead album, due to the fact that his band members make appearances throughout the project. A majority of the songs on Ace also made appearances on other Grateful Dead albums, including their 1971 self-titled and Skeletons from the Closet

    As the one of the original pioneers of concert sound, the Grateful Dead have cemented their place in musical history. The founding members were Bob Weir, Jerry Garcia, Rob “Pigpen” McKernan, Phil Lesh and Bill Kreutzmann.

    Following the release of his latest album, Live in Colorado, Bobby Weir and Wolf Bros will also be touring the US from 3/9 to 10/9. Tickets for Ace’s 50th anniversary concerts, as well as Weir’s regular tour, are currently on sale here.

  • Listen to Karine Hannah Cover KISS’s “I Was Made For Loving You”

    New York City based singer Karine Hannah releases cover of the classic KISS song “I Was Made For Loving You.”

    Karine Hannah

    Hannah’s cover of the song turns what was once a rock anthem into a slow, acoustic love ballad. She keeps the same melody throughout but strips the song of its guitar riffs and heavy drums, letting the lyrics do the heavy lifting.

    “The sensual nature within the lyrics “I was made for loving you baby, you were made for loving me” steers away from KISS’s theatrical sex energy and instead reveals a more profound passion within these familiar lyrics,” Hannah said. “The gentle instrumentals allow the listener to feel a genuine connection rather than a longing for a one-night stand.”

    Even though, Hannah transforms the song its well known melody remains as catchy and memorable as ever. Her crooning voice offers a new interpretation of Paul Stanley’s original performance. Best evidenced, by Hannah’s appealing way of stretching out the vowels in words such as “me” and “you”.

    By paring back the song’s rock trappings Hannah aims for sentimentality. It’s a target she nearly hits if it weren’t for the difficulty in separating the song from the transgressive energy so closely associated with KISS’s original version (and their whole careers).

  • Upstate NY Director and Singer/Songwriter collaborate on score for “Panama”

    Nashville needed Upstate New York for the upcoming film Panama before it could arrive in theaters.

    Panama is loosely based on a true story of a special operations guy (Cole Hauser, who plays Rip on Yellowstone) getting mixed up in the US invasion of Panama in 1989. Mel Gibson stars as his point man in the military. The film is directed by Mark Neveldine (Crank) with music composed by Central New York native now in Nashville, Mick Fury.

    panama

    Neveldine, was born and raised in Watertown, and called upon Fury to compose the score in his studio. Stunt coordinator/actor Frank Blake, also from Watertown, organized his team from his home base in Nashville. Fury shares how we connected together with the film crew:

    So initially they liked some of my old Rock band (from Syracuse) Silent Fury’s music and asked to license that. A month later when I got officially hired I first got to sit with the director and hear what emotion he was hoping to present in each particular scene. They call this a “spotting session.” After spent a few hours on that, I hopped into my studio with a rough cut of the film and got to work. Most of the score was scenes you would guess, gun fights, drama, chase scenes, military stuff…but there’s a few scenes with some pretty intense love making happening. Certainly never expected my career to take a turn for softcore porn music! Lol. It wasn’t really that graphic, but it is intense and it’s a unique inspiration to compose for. 

    In Panama, Fury paints a soundscape of 80’s influences from cumbia (the folk music of Panama) to synthesizers to straight up rock n’ roll.

    panama
     Photo Credit Brett Berwager 

    I was working on the film as they were editing the video, which is not typically how its done. Usually they would finish the video and then send it to me, but the music is such an integral part of this film they wanted me in on the ground floor. As such, sometimes I’d score a scene, think it was great and send it…only to get an email back with the scene looking and feeling totally different, and a request of “Do you mind looking at this again?” When we’d finished the film, I felt great…until they asked the video team for a few major changes, including the “tone of the film.” That required me to re-score almost the whole thing a second time. Wild and not highly recommended, however I learned so much the first time through that the second time through my compositions were much much better and really helped to nail the mood. 

    Looking back, Fury says he has blocked the six months of struggle, sweat, blood and tears and only remembers a really fun experience that was artistically rewarding. And he can’t wait to do another.

    I have some connections in the movie world, including to the director of this film. It’s Mark Neveldine who did Crank with Jason Statham. I asked if I could get a song in Panama, and he said send something along and they’d see. I did, he and the production company liked it and asked for more. I sent more, and then more again, and again. I was driving across the Golden Gate bridge a few weeks later with my wife on vacation when I got a call asking, “Well, do you think you could score the whole movie?” I had no idea if I could but of course I said yes and here we are lol.

    Panama will release on Friday, March 18th on digital and in theaters.

  • Phil Lesh Announces 9-Show Residency At The Cap

    This October, expect to see a whole lot more of Phil Lesh at The Cap. The legendary Grateful Dead bassist has just announced a nine-show residency at the historic Port Chester venue that will take place over the last three weekends, culminating in a Phil-o-Ween show on the 31st. With his “Friends” still yet to be announced, these shows will also commemorate the 100th show for Phil at The Cap since 2012.

    Phil Cap

    A Deadhead destination and a quintessential venue in Phil Lesh history, The Capitol Theatre‘s Phil-o-Ween shows are always filled with musicians who like to push boundaries and create a mind-bending, high-octane, psychedelic experience in the Grateful Dead tradition.

    Tickets will go on sale starting Friday, March 25 at 12PM and can be purchased through The Cap’s website here.

  • Inverview: Rick Barton, Original Founding Member of Dropkick Murphys

    Rick Barton, founding guitarist of the Dropkick Murphys, is still making music with his son Stephen in his current band Continental.

    Leaving the Dropkick Murphy’s was no easy decision, with Barton once telling the Fort Wayne Reader why he quit the band in 2000, mid-recording the band’s third album. “Myself and Kenny (Casey, bass player and co-founder) ended up hating each other,” Barton said. “We’ve since made amends, but you know, touring in a band for four straight years… that same old story.

    rick barton
    Photo by Jaroslava Barton This is Rick’s band Continental

    Now touring with Continental, Barton spoke with Rob Smittix of RadioRadioX on a variety of topics, including his time with Dropkick Murphys.

    RRX: Many people may or may not know that you were an original founding member of the Dropkick Murphys, we don’t have to focus on it but certainly we should touch on it. 

    RB: Especially because it’s the 25th anniversary of the legendary album Do or Die

    RRX: I know you have stories but to briefly sum it up. What would you say about your experience?

    RB: It was an incredible time in my life but at the time I didn’t know it was incredible. One of the most interesting stories from that whole record was sitting outside of my garage in Quincy, that was our practice space. Lars Frederiksen from Rancid flew in, he was staying at my place because the practice space was right next to it. We congregated outside of the garage, we were sitting around talking and he recently produced Swingin’ Utters’ The Streets of San Francisco album. We were talking about sales, and he said you’d probably be lucky if you did what Swingin’ Utters did, they’ve sold 10,000 and I just looked at everybody and said we’re going to sell 50,000 easily. I broke all punk rock ethos and cred at that moment by blurting that out! Obviously, the album has gone on to surpass way more than 50,000. I’ll never forget saying that but at the same time I didn’t think that we were that great. I kind of knew, when we pulled into Buffalo and there’d be 500 kids lined up. We’re pulling in with the van and I’m like who are these kids? Are they actually there to see us? 

    My original band Outlets did very little touring. Bands back then didn’t tour, you only toured if you were on a major label. The band that bypassed that and jump started the rest of the bands was The Mighty Mighty Bosstones. Around 88′, 89′ or whatever, they got in the van and they toured. They were one of the first ones from Boston. So anyway, we pull up to these places and I was like this is unbelievable. I knew the phenomena, The Outlets became huge in Boston, we would play for 1200 seat rooms within our first year as a band. I understood fans coming to see your band, but I just didn’t think it was possible in another city. You know what I mean?

    RRX: Absolutely but I’ve never achieved that.

    RB: Not many people have. Compared to the amount of people that start bands it’s astronomically low. 

    RB: But why are they coming? Are they coming because we have bagpipes? Are they coming because of our name? Did they like a certain song? Keeps you wondering about all of this stuff.  We were fairly new at that point. Matt Kelly the drummer had some experience but besides from him and me, we weren’t really that seasoned. Mike and Kenny were both brand new at music. 

    I go to see the Dropkick Murphys all of the time and I love listening to Kenny talk from the stage. He cracks me up. The things that he says, it’s like the opposite of Paul Stanley at a Kiss concert. I often say that if the old legends came back from the grave and they dropped in on a Murphys show and heard Kenny talking from the stage they’d be like what the hell is this? What did the mayor of Boston form a punk rock band? It’s not typical banter but I love it!

    One thing he says a lot from stage is “I don’t know how other people do it but this is the only band I’ve ever had.” That is so rare. 

    I helped, obviously Mike was instrumental, and Matt Kelly is an incredible drummer but it’s really Kenny’s brain child. It’s just an unbelievable story, it’s fascinating and at the time, sadly, I kind of resented Kenny, not kind of, I did. I was hanging onto the old guard, like all of my old music friends who were so talented and never got anywhere. Even though I was in his band, I was resentful, I was jealous. We’ve made amends with each other, but Kenny and I ended up hating each other after five years in the band. We both stepped it up and talked about the experience. He’s credited me with basically helping him develop his career because he says he couldn’t have done it without me. That’s probably true, not that he couldn’t have done it because I was Rick Barton, he just needed somebody that was just going to make up some chords and show him some songs. It just happened to be me. It wasn’t like Kenny and I were this magical duo, although we did write some pretty good songs together. It’s kind of mind blowing when I look back now 25 years later, it’s pretty incredible that we put that together. 

    Let’s face it, Mike quit after the first record, Kenny was not easy to deal with, but I didn’t realize why. The reason he was so brutal was because that was the only way to succeed. We needed that person who was going to be worrying and stressing around the clock and that was Kenny’s job. Like I’ve said, I’ve apologized to him for not being a team player. I’m not lamenting the fact that I quit the band. I don’t know what would’ve happened if I had a million dollars or if I became a rock-star if I stayed in the band. Maybe the band would’ve imploded eventually who knows? I also like to think that if we kept the original line-up, we probably could’ve been the next Clash. It would’ve ended up going in a different direction than they ended up going in. Needless to say, I feel somewhat embarrassed that I didn’t realize how much suffering Kenny was doing. I just thought he was a bastard the whole time. The typical thing workers feel about their boss. You know what I mean? 

    RRX: Oh, for sure.

    RB: Of course, now I realize it was me. I should’ve adapted and helped Kenny. I should’ve been there every step of the way encouraging him. In my defense there were a few times I tried to make peace. I came up to him and I said Kenny I know we just can’t get along, but you know certain songs like “Wheel of Misfortune” we wrote together and it’s really inspirational and it feels like a magical moment. I would occasionally try to get sentimental and patch things up through the art. He’d just go yeah FU let’s go play. He didn’t want any part of that BS sentimentality thing, but it wasn’t really BS it was heartfelt on my part. But it was too little too late at that point. The good news is that even though I didn’t capitalize monetarily, no one knows who the F*** I am, a very few people which is fine with me in a way. I have those moments from like January of 96′ until I was still working on the third album March or April of 2000. It was a short amount of time a little over four years. It was an intense period of time; we made tons of music and did tons of touring. So, no matter how much I didn’t gain, I have that time period in my life that was magical. And as much as I thought Kenny was ruining my time on the planet at that time, I was wrong about that. It doesn’t matter now. I think about the music we made, the people I met and that incredible time in my life. It was a gift to me that was given. 

    Rick Barton is still making music with his son Stephen Barton in his current band Continental and has recently hit the studio so be on the lookout for new music soon!

    Originally published in The Xperience Monthly

  • Movie Club to Honor 55th Anniversary of Frank Zappa’s NYC Residency

    Venice Beach rock duo, Movie Club, will be honoring Frank Zappa’s legendary residency with a three-day residency of their own in Brooklyn. The tribute to Zappa will run from March 23rd to March 25th.

    Movie Club
    PC : Nick Cuneo

    Frank Zappa’s month-long residency came about following an unsuccessful stint within the West Coast music scene. After getting in contact with Garrick Theatre in NYC, Zappa set up a month-long residency, starting March 23rd, 1967 which would eventually turn into a piece of musical history. His residency featured spontaneous performance from his band, The Mothers of Invention,  as well as visits from other musicians including Jimi Hendrix.

    Zappa’s residency lives on in memory due to its purely creative and bizarre nature. During performances, the band would improvise their acts and pull people from the crowd to come on stage. These one-of-a-kind nights are exactly what Movie Club aim to bring to life within their own performances at the all inclusive, queer owned venue, C’mon Everybody in Crown Heights.

    Movie Club
    PC : Nick Cuneo

    The duo, consisting of guitarist Vince Cuneo and drummer Jessamyn Violet, will be performing for three nights, with musical guests ranging from rappers, to drag queens. Guitarist Vince Cuneo says that “The goal of these shows is collaboration and to make each night a one-of-a-kind experience for both the audience and the artists on stage”

    Tickets, as well as more information, are available here.

  • Pearl Jam to Perform at MSG on September 11

    Pearl Jam, who were the first major artist to pull the plug and postpone their Spring 2020 tour dates due to COVID-19 concerns, has announced they are back on the road with 2020 North American tour dates officially rescheduled for May and September 2022. Pearl Jam will perform at Madison Square Garden (MSG) on Sunday, September 11, 2022

    Pearl Jam MSG

    Josh Klinghoffer, former guitarist for Red Hot Chili Peppers, will bring his solo project, Pluralone, will open for Pearl Jam on this tour. Klinghoffer will also join Pearl Jam as a touring member on these dates.

    A special ticket pre-sale for all tour dates begins today, March 14 for current eligible Pearl Jam Ten Club members. There will be no general public sale and all public tickets will be available through Ticketmaster Verified Fan Registration. Verified Fan ticket registration is open now through Sunday, March 27 at 10 pm PT and the Verified Fan Onsale begins Tuesday, March 29 at 10 am local time. Register here.

    Pearl Jam’s 2020 European Tour dates are rescheduled for June and July of 2022. See pearljam.com for full tour routing and any updates.

    In continuing their ongoing commitment to acknowledge and address the band’s carbon footprint, Pearl Jam will be paying $200 per ton for carbon dioxide mitigation from the Gigaton tour, a ten-fold increase from prior years. This pricing allows the band to pursue a multi-layered strategy of offsets and investments that combined, will allow for a more comprehensive mitigation plan. 

    We are proud of our prior efforts to mitigate our inevitable carbon footprint from touring over the past 20 years but the time to multiply that effort is clearly right now.  By committing to this aggressive pricing, we hope to equally amplify our efforts and gather partners who share our urgency to make the investments and innovations required to move our world to a more conscious, carbon balanced economy.

    Stone Gossard

    Pearl Jam 2022 North American Tour

    May 3 San Diego, CA Viejas Arena  Postponed Date

    May 6 Los Angeles, CA The Forum Postponed Date

    May 7 Los Angeles, CA The Forum Postponed Date

    May 9 Glendale, AZ Gila River Arena Postponed Date

    May 12 Oakland, CA Oakland Arena Postponed Date

    May 13 Oakland, CA Oakland Arena Postponed Date

    May 16 Fresno, CA Save Mart Arena New Date

    May 18 Sacramento, CA Golden 1 Center New Date

    May 20 Las Vegas, NV MGM Grand Garden Arena New Date

    September 1 Quebec City, QC Videotron Centre Postponed Date

    September 3 Ottawa, ON Canadian Tire Centre Postponed Date

    September 6 Hamilton, ON FirstOntario Centre Postponed Date

    September 8 Toronto, ON Scotiabank Arena Postponed Date

    September 11 New York, NY Madison Square Garden Postponed Date

    September 14 Camden, NJ Waterfront Music Pavilion New Date

    September 16 Nashville, TN Bridgestone Arena Postponed Date

    September 18 St. Louis, MO Enterprise Center Postponed Date

    September 20 Oklahoma City, OK Paycom Center Postponed Date

    September 22 Denver, CO Ball Arena  Postponed Date

  • The Indie Collaborative To Celebrate Earth Day With Performances From 20 Award-Winning IC Artists At Carnegie Hall This Spring

    On April 25th the Indie Collaborative (IC) will host an Earth Day Celebration, a night of blended music including jazz, rock, classical, Americana, and theatrical, at the Weill Recital Hall in Carnegie Hall.

    The Indie Collaborative

    This show was to first take place in April of 2020, but unfortunately it has been rescheduled twice to accommodate the safety and health requirements during an ongoing pandemic. Therefore, the performers are truly excited to show off their talents and make this Earth Day Celebration an unforgettable one.

    This performance will be broken down into two acts, the first presents the possibilities and newness of “The Beginning” and the second follows with the “Reality” of the situations. There’s only one way to discover what happens in the end, which is why The Indie Collaborative have worked hard to establish such an event with amazing artists.

    This show is produced by Eileen Sherman, along with emcee Grant Maloy Smith. Lastly these are the following performers: Alan Storeygard, Alex Otey, Amy Otey, The Bluestone Sisters, Benjamin Lerner, David S. Goldman, Elaine Romanelli, Helen O’Shea, Grant Maloy Smith, Jerome Brooks Jr., Leti Garza, Mike Greenly, Mowgli Giannitti, Noshir Mody (with his band, Benjamin Hankle, Campbell Charshee, Yuka Tadano, Ronen Itzik), Ricky Persaud, Jr. (with his brother, LilNicky Persaud), Ryan VanDenBoom, Sophia Agranovich, Thomas Hutchings, and Yocontalie Jackson.

    The Earth Day Celebration will be at 8PM come the day of the performance, but the doors will open at 7;30PM. Standard tickets are $60, student/senior tickets are $40, and Indie Collaborative members are $36 each. The IC discount code can be found in the members chat upon request for it. Additionally, full vaccination and masking is required, including at least one booster shot. For more information and to acquire tickets visit the Carnegie Hall website.

  • In Focus: Love Rocks NYC 2022 at the Beacon Theatre

    On Thursday, March 10, 2022, The Steven & Alexandra Cohen Foundation is presented the sixth annual Love Rocks NYC benefit concert for God’s Love We Deliver, live from the historic Beacon Theatre. Executive produced by iconic international fashion designer John Varvatos, NYC real estate broker and prominent concert producer Greg Williamson and esteemed concert/events producer Nicole Rechter, the concert was hosted by Mario Cantone, Kiefer Sutherland, Gina Gershon, Steve Schirripa and Michelle Buteau, supporting and honoring the work of the New York-based not-for-profit organization.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: (L-R)John Varvatos, Greg Williamson, Warren Haynes, Ivan Neville, Jimmy Vivino, and Anders Osborne attend the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The 2022 edition of Love Rocks NYC This year’s concert event will also celebrate an extraordinary milestone for God’s Love We Deliver with the delivery of their 30 millionth meal this spring. The organization, which was founded during the AIDS pandemic in 1985, has been an essential services provider during the COVID-19 pandemic. Last year, the organization cooked and delivered more than 2.6 million medically tailored meals to nearly 10,000 New Yorkers living with and affected by severe illness, and its staff and volunteers continue to work tirelessly to meet the ever-growing demand for its services. 

    Building off of the smaller Love Rocks NYC affair in 2021, the announced lineup included Keith Richards & The X-Pensive Winos, Mavis Staples, Hozier, Warren Haynes, Melissa Etheridge, Allison Russell, Larkin Poe, Tyler Bryant, David Shaw (of The Revivalists), Anders Osborne, Celisse, Jimmy Vivino, Maggie Rose, Connor Kennedy (of Steely Dan), and left many surprises in store for all in attendance.

    At 8:15pm, Ben Harper opened the show with an instrumental tribute to his friend and long time bassist Juan Nelson. Then Harper took the crowd from the Hudson River down the Mississippi for Led Zeppelin’s “When the Levee Breaks” with Danny Clinch on swamp harp. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Danny Clinch and Ben Harper perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Bill Murray took David Letterman’s role 2021 as the surprise MC and introduced the first round of artists and God’s Love We Deliver founder Karen Pearl. He also helped organize a special farewell to the audience members that were seated below the Beacons infamous spike. “That thing is gonna come down mid show tonight and just take out that section, say goodbye to these people.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Bill Murray speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Murray then introduced Connor Kennedy for a performance of Tom Petty’s “Learning to Fly.” Aside from this song, all other artists performed three song sets over the three hours of music.

    Celisse Henderson, who was part of Trey Anastasio’s Beacon Jams, returned to the stage with her guitar in hand to make her voice heard to a fully seated Beacon. She also howled like Robert Plant & wrote a letter to Jimmy Page on guitar for Zeppelin’s “Rock & Roll”.

    NEW YORK, NEW YORK – MARCH 10: Celisse performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Mavis Staples’ family has been gracing the world with their music for 74 years and her rendition of David Byrne’s “Slippery People” created a Start Making Sense vibe at Love Rocks.

    NEW YORK, NEW YORK – MARCH 10: Mavis Staples performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    New York Yankee Bernie Williams traded his bat for a guitar axe at the event, joining Staples on the classic “I’ll Take You There.”

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Mavis Staples and Bernie Williams perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Maggie Rose set a tone for the Upper West Side at Love Rocks for her version of “Lonely Town, Lonely Street,” perhaps a nod to the former unlit Beacon marquee in the past two years.

    Allison Russell acknowledged the moment immediately on how it was full circle for them to be standing where Mavis just performed, performing a special version of “Stop Dragging My Heart Around” with Hozier.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Allison Russell performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Larkin Poe, who performed at the return of the New York State Bluesfest last June at the Syracuse State Fairgrounds, killed “Rock & Roll Hootchie Koo” with Tyler Bryant.

    A taste of New Orleans arrived around 10pm with Lafayette’s Anders Osborne with Danny Clinch for Little Feat’s “Dixie Chicken.” The Beacon stage took on an old juke joint vibe as Laurence Fishburne came to tell stories about his favorite winos & introduce the band. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Laurence Fishburne speaks onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Fishburne introduced Keith Richards, Ivan Neville, Steve Jordan, Waddy Wachtel, and CBS Orchestra bassist Will Lee to the stage. The three song set included “999,” “You Got the Silver” & Keith’s killer “Before They Make Me Run.”

    Steve Schirripa from The Sopranos kept the fun going on stage after the X-Pensive Winos set, needing to take a minute on the stage as the smoke cleared from the winos set before carrying the show along. 

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Steve Schirripa performs onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Jamie McCarthy/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    The next hour of music was a tribute to artists including David Bowie, John Lennon and Gregg Allman. Hozier sang on “Changes” & Melissa Etheridge performed “Come Together,” while Devon Allman, Warren Haynes and a full horn section performed on “Just Another Rider,” off Gregg’s final solo album. All yet another direct spark of inspiration off the Beacon Theatre’s historic stage.

    Jackson Browne returned to the Beacon for the first time since March 2020 and joined Haynes for a special “Running on Empty” to close the show.

    love rocks 2022
    NEW YORK, NEW YORK – MARCH 10: Warren Haynes and Jackson Browne perform onstage during the Sixth Annual LOVE ROCKS NYC Benefit Concert For God’s Love We Deliver at Beacon Theatre on March 10, 2022 in New York City. (Photo by Kevin Mazur/Getty Images for LOVE ROCKS NYC/God’s Love We Deliver )

    Prior to the encore, Varvatos, Williamson and Rechter set the date for next years 7th annual Love Rocks NYC for March 9, 2023, and announced that a portion of the proceeds with go to those in need in Ukraine. 

    For the encore, the entire cast joined in unison for Bob Dylan’s “Like a Rolling Stone” to send everybody with smiles from the theatre to the reception.

    Love Rocks was once again a source of light & inspiration for those in the crowd, serving a worthy cause for those in the greater NYC community.

    Love Rocks Benefit Concert – Beacon Theatre, NYC – March 10, 2022

    Setlist: Inland Empire, When The Levee Breaks, Learning To Fly, Get There. Rock & Roll, In The Midnight Hour, Lonely Town, Lonely Street, Slippery People, I’ll Take You There, Nightflyer, Stop Draggin’ My Heart Around, She’s A Self Made Man, Rock & Roll Hoochie Koo, Dixie Chicken, 999, You Got The Silver, Before They Make Me Run, Work Song, Come Together, I’m The Only One, Ooh La La, Baba O’Riley, Just Another Rider, I’ve Been Loving You Too Long, Running On Empty
    Encore: Like A Rolling Stone 

    Photos via Getty Images by Kevin Mazur and Jamie McCarthy

  • Big Boi, Cold War Kids to Perform at Sound Mind Music Festival for Mental Health in Central Park

    Sound Mind Live have announced their fourth annual Sound Mind Music Festival for Mental Health. The event will take place outside on May 21st at 4 PM in New York City’s Central Park. Performances include Cold War Kids, Big Boi, American Authors, KAMAUU, Wrabel, and Allison Russell. The event will be hosted by Bronx-raised comedian Gina Brillon.

    Sound Mind Music Festival Cold War Kids
    Cold War Kids

    As brought into the public eye, the coronavirus pandemic has had a significant impact on a lot of people’s wellbeing and mental health. This year, the Sound Mind Music Festival for Mental Health will focus on the mental impact that this virus has imprinted on us. Artists will have the opportunity to share their own pandemic experiences and information will be readily available including mental health resources, suicide prevention resources, and self-care practices.

    Leading up to the event, Sound Mind Live will also host an open panel about mental health at Prime Produce Social Impact Cooperative on West 54th Street. Wrabel, ELSZ, and Pronoun will also perform stripped-down performances of their sets. The event will go deep into mental health struggles in the LGBTQ+ community, communities of color, and the music industry. The event is free and will begin at 5:30 PM. Those who are interested must register on the Sound Mind Live website beforehand.

    Two items will also be raffled off, a microphone signed by Big Boi and a drumhead signed by Cold War Kids. By signing a petition for improved crisis services, you will be granted three entries. Moreover, every dollar donated to Sound Mind Live grants you ten entries.

    For the first time, those unable to catch the event live can watch a live stream on TikTok. Tickets for the event go on sale Friday, March 11th at 10 AM ET. General admission tickets will cost $40 and VIP tickets will cost $149.50. For more information, go to www.soundmindlive.org.

    Sound Mind Music Festival